531:. Due to the problems surrounding the collection, the museum board ordered an audit on the event and de Zegher was suspended pending this process. De Zegher disputes any wrongdoing. However, she lied about two expert having researched the collection. Both experts mentioned by de Zegher denied investigating the artworks. She and the City of Ghent closed the exhibition a month into the controversy and terminated the contract with the owner so that the works could be returned. Currently the matter is in the hands of an investigating judge. On February 22, 2019, de Zegher was suspended indefinitely as director, based on the audit findings that had started in 2018. She remained an employee of the Department of Culture. The city also announced that de Zegher remains subject to ongoing disciplinary proceedings, pending a possible definite dismissal. She retired in 2020.
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780:. The exhibition included a selection of projects from over 90 international artists. The exhibition was a critical reflection on different space-time structures, both in the context of economic overproduction, ecological disasters, and harmful technologies. At the same time, it considered light not only as necessary to the visual arts but also as a creative force generated between the viewer and the artwork. As is explained and illustrated in the book of the same title, the entire project suggests that this engagement and relation are required for the development of new thinking.
675:, New York. The exhibition explored the radical transformation of drawing that began over a century ago and is a vital impulse in art today. Through works by over 100 artists, the exhibition presented a history of drawing that departed from traditional drawing ideas and reliance on paper as the medium's fundamental support. It stated that artists have pushed the drawing into real spaces and expanded drawing to painting, sculpture, photography, film, dance, and performance.
398:, Ghent. Her appointment came after uncertainty following the museum's long-term director's death and restoration of the building. Her task included the MSK transformation as a city service into a division of the Autonoom Gemeentebedrijf Kunsten. The exhibitions and program she developed for the museum attached importance to juxtaposing historical and contemporary art. For example, she connected the historical exhibition
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the attention to discarded pictures of unnamed people in newspapers and archival documents. They all share recovery processes and methods of compiling and marking and erasing in their drawings and paintings. Central to the exhibition were the notebooks that each artist has filled over many years, and more importantly, the matrix's use as a model of confluence and trans-subjectivity.
302:, New York. Under her seven-year leadership, the center presented more than sixty historical and contemporary shows, expanded its archive and lecture program, and created a viewing program that invited artists to drawing-based public art projects and performances. From 2003 to 2005, she led negotiations to move The Drawing Center, based in SoHo, to
478:, organized in conjunction with 49 Nord 6 Est - FRAC Lorraine, Metz, and Fundació Antoni Tàpies, Barcelona. The project included artists from Europe's margins (Russia and Tunisia) who reflected on the relational, the collective, and collaborative. It showed, among others, the work of Gorod Ustinov, Erin Manning, and Selma & Sofiane Ouissi.
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and Ria
Verhaeghe. Though emerging from different social and cultural backgrounds, the exhibition demonstrated that these artists' art practices showed striking and significant aesthetic and ethical convergences. These artists' work displayed a shared sense of compassion for the 'Other', reflected in
416:, evoking associations with migration and refugees. De Zegher's said that her program, 'aimed to break down separations in society, of isolated and overlooked women, of marginalized communities, and the separation between historical and contemporary art.'
565:, de Zegher noted that, 'the exhibition contributed to the opening of the mainstream of contemporary art far beyond Europe and the US, to the intimate and particularities of lives lived in places that for long had been made invisible and overlooked.'
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that there was "almost nothing to see when one entered the space." However, the "subtle marks of the drawings translate into conceptions of drawing that taken together is nothing less than groundbreaking in both method and implication."
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For her contribution to curating, de Zegher received the 2010–11 best show awards from AICA (Award of
International Critics) and, in 2017, the OSCARla-award for her role in the art world. Since 2014, De Zegher is a member of the
891:"Kantharoi van de Atheense Agora uit de 5e en 4e eeuw vóór Christus : kritische benadering van de argumenten aangewend bij de opbouw van de typologie en de chronologie van de Kantharoi uit de publicatie Agora XII"
561:. The show featured artworks by living artists, including 23 South American artists, who critically assessed colonization and its social and environmental impact in a post-colonial era. In a written interview with
2274:
Benjamin H.D. Buchloh and M. Catherine de Zegher, ‘’Ver américa. A written exchange’’, in América. Bride of the sun; 5000 years Latin
America and the Low Countries, Royal Museum of Fine Arts, Antwerp, 1992
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720:. The exhibition championed connectivity, conversation, and compassion as models for being in the world. The project included 101 artists from 42 countries presented throughout several museum locations:
310:. The project was part of the memorial for the victims, and a museum intended to draw attention to battles for freedom throughout history planned in the immediate aftermath of the attacks and
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736:. The exhibition's concept was to conceive of art as a way of activating a 'relational field' in which artists, things, and audiences could interact and create meaning together.
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588:(1996–97), an exhibition that foregrounded women's art practices that separate themselves from the rise of repressive totalitarian systems—in pre-war Europe during the
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222:. At first the foundation was located in a textile factory; from 1988, it began organizing exhibitions across Kortrijk, including the historic buildings of the
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314:. After a power struggle set off by the move to Ground Zero, de Zegher resigned in March 2006. De Zegher's curatorial projects at The Drawing Center include
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523:. In 2018, however, the Toporovski collection was claimed to be doubtful concerning their authenticity by a group of art dealers and some scholars in
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From 1988 to 1998, de Zegher was director of the
Kunststichting Kanaal, Kortrijk, from 1999 to 2006, executive director and chief curator of the
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631:, Marian Goodman Gallery, NY (2006) brought together drawings by artists across generations and cultures. In a review, Holland Cotter wrote in
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382:, Toronto (2007–09). She joined the museum to oversee the (re)installation of the museum galleries and created an exhibitions program for the
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402:(2014) to the work of Philippino and Australian artist duo Isabel & Alfredo Aquilizan, who installed cardboard boats reminiscent of the
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Freeing the Line: Gego, Monika
Grzymala, Eva Hesse, Karel Malich, Julie Mehretu, Ranjani Shettar, Joelle Tuerlinckx, Richard Tuttle
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1171:"Catherine De Zegher Has Received The 2011 US Art Critics Association (AICA-USA) Award For Best Thematic Museum Show In New York"
616:, Perth. For the exhibition, the Zegher received the Best Show AICA Award. The exhibition was accompanied by a book (MIT Press).
2098:"Fake Kandinskys, Malevichs, Jawlenskys? Top curators and dealers accuse Ghent museum of showing dud Russian avant-garde works"
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From 2015 to 2017, she curated a series of projects at MSK organized in the framework of the
European Commission's
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557:, Royal Museum of Fine Arts, Antwerp. This large-scale exhibition focused on Flemish art's influence during the
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Women's Work. Is Never Done ARTBOOK | D.A.P. 2015 Catalog AsaMER Books
Exhibition Catalogues 9789490693473
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185:, her exhibitions challenge mainstream models of art and art history and often promote the feminine principle.
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Under her directorship, de museum (re)installed its collection which opened to the public with the exhibition
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and a modern and contemporary art historian. She has a degree in art history and archaeology from the
1993:
760:. For the project the roof of the pavilion was removed so nature could take over and fuse with art.
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in
Kortrijk. She directed the institution until 1998 and focused on emerging international artists,
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2018:
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De Zegher began her work as an exhibition curator in 1988, when she co-founded (together with
1968:
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Inside the
Visible. An Elliptical Traverse of 20th-Century Art in, of, and from the Feminine
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Inside the
Visible. An Elliptical Traverse of 20th Century Art in, of, and From the Feminine
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Catherine de Zegher's most recent book is an anthology of collected essays on contemporary
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485:(2017). It includes some juxtapositions of old and contemporary works by artists, such as,
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Eija-Liisa Ahtila, On foreign subjects, nature of miracles and possibilities of perception
8:
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135:
2162:"Belgian Museum Removes Show of Disputed Russian Avant-Garde Works After Damning Exposé"
298:
From 1999 to 2006, de Zegher served as executive director, chief curator, and editor at
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Kris Kulakova, "Moscow Shines Once More: The Fifth Moscow Biennale Of Contemporary Art"
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3 x Abstraction: New Methods of Drawing by Hilma af Klint, Emma Kunz, and Agnes Martin
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Politics in a Glass Case: Feminism, Exhibition Cultures and Curatorial Transgressions
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1156:"De indrukwekkende internationale carrière van museumdirecteur Catherine de Zegher"
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1641:"Between Street and Mirror: The Drawings of James Ensor, exhibition and catalogue"
123:, Ghent. In 2018, she was temporarily suspended from this post as a result of the
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1664:"ART REVIEW; An Escape From Words, Into a Sea of Teeming Energy (Published 2000)"
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MSK-directeur liegt Gentse politici voor over twijfelachtige Russische collectie
1821:"Catherine de Zegher wordt nieuwe directeur van Museum voor Schone Kunsten Gent"
1795:"Catherine de Zegher wordt nieuwe directeur van Museum voor Schone Kunsten Gent"
1745:"Catherine de Zegher wordt nieuwe directeur van Museum voor Schone Kunsten Gent"
1608:"ART REVIEW; Dots, Dashes and Doodles In a Multi-Media Ferment (Published 2002)"
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http://www.liebaertprojects.be/site/wp-content/uploads/2011/03/nieuwsblad98.pdf
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115:, New York, from 2007 to 2009, director of exhibitions and publications of the
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In 1990–92, de Zegher, together with art historian Paul Vandenbroeck, curated
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2384:""14 May – 1 August 2010, Alma Matrix. Bracha L. Ettinger and Ria Verhaeghe""
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2116:"Experts Say Russian Modernism Show at Ghent Museum is 'Highly Questionable'"
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Alma Matrix: Shared Traces/Trazos en Comun. Bracha Ettinger and Ria Verhaeghe
259:
243:
227:
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828:"Gesprekken met hedendaagse kunstenaars: Interview met Catherine de Zegher"
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651:, Fundacion Antoni Tàpies Foundation, Barcelona (2010) juxtaposed works by
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238:(1989). Following shows included, among others, Patrick Corillon (1989),
218:, and feminist aesthetics, for example, the long-term exhibition project
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2458:"Appoints Catherine de Zegher and Gerald McMaster as Artistic Directors"
2258:"Catherine de Zegher definitief geen museumdirectrice meer van MSK Gent"
1763:"Appoints Catherine de Zegher and Gerald McMaster as Artistic Directors"
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999:"Catherine de Zegher definitief opzijgeschoven als museumdirectrice MSK"
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America, Bride of the Sun. 500 Years/Latin America and the Low Countries
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The Stage of Drawing: Gesture and Act. Selected from the Tate Collection
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2240:"Commissie voor onderzoek naar Russische kunst in MSK is samengesteld"
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https://www.ktpress.co.uk/pdf/nparadoxaissue1_Katy-Deepwell_57-67.pdf
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1459:"Exiled From Ground Zero, Arts Center Loses Leader (Published 2006)"
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On Line. Drawing Through the Twentieth Century, Museum of Modern Art
378:
De Zegher served as director of exhibitions and publications at the
1896:"Talk: Catherine de Zegher - Geta Brătescu: A Studio of One's Own"
1845:"Isabel & Alfredeo Aquilizan + Théodore Géricault im MSK Gent"
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Rachel Kent, "Catherine de Zegher and the 18th Biennale of Sydney"
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In opspraak gekomen MSK-directrice Catherine De Zegher op pensioen
127:. She was permanently suspended in 2019 and in 2020, she retired.
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Generations and Geographies in the Visual Arts: Feminist Readings
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in collaboration with Inge Jadi and Laurent Busine both in 2000.
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from the Dieleghem Foundation (Toporovski collection, owned by
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Isabel & Alfredo Aquilizan, Lade (Project: Another Country)
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eighty museum exhibitions and large-scale perennial exhibitions
1527:"Two Sides' Viewpoints on the War in Vietnam (Published 2005)"
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2191:"Raad van bestuur bespreekt positie MSK-directrice De Zegher"
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2440:"On Line: Drawing Through the Twentieth Century | MoMA"
1781:"Toronto's AGO gets new director for exhibitions | CBC News"
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2303:. Liverpool University Press. July 2013. pp. 104–119.
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https://monoskop.org/images/c/c4/Eva_Hesse_Drawing_2006.pdf
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In 2010–11, de Zegher curated, jointly with Connie Butler,
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2148:"Museumdirectrice Catherine de Zegher tijdelijk geschorst"
752:. De Zegher curated the exhibition presenting the work of
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Persistent Vestiges: Drawing from the American Vietnam War
2286:. Edited by Catherine de Zegher. Boston: MIT Press, 1996.
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in the 1990s, de Zegher curated the traveling exhibition
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Love Letters in War and Peace/Mona Hatoum: Close Quarters
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as part of the plans to share a building with a proposed
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Royal Flemish Academy of Belgium for Science and the Arts
493:, to integrate a more in-depth reading of the artworks.
982:"Catherine de Zegher is niet langer museumbaas in Gent"
872:"de Zegher, M. Catherine 1955- | Encyclopedia.com"
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From 2013 to 2018, de Zegher served as director of the
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In 2012, de Zegher was a joint artistic director with
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Between Street and Mirror: The Drawings of James Ensor
2176:"Catherine de Zegher: De geschorste museumdirectrice"
2102:
The Art Newspaper - International Art News and Events
368:
The Prinzhorn Collection: Traces Upon the Wunderblock
293:
1285:"Alle artikels over "Kanaal Art Foundation" - KW.be"
696:. Catherine de Zegher curated the exhibition at the
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cultural revolutions. The exhibition was on view at
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2412:. Leeds University, 1995 & Bracha L. Ettinger,
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Gerda Steiner & Jorg Lenzlinger, Metafloristiek
419:De Zegher's curatorial projects at the MSK include
2352:"Art in Review; Freeing the Line (Published 2006)"
1502:"artnet Magazine - New This Month in U.S. Museums"
809:List of Exhibitions Curated by Catherine de Zegher
541:List of Exhibitions Curated by Catherine de Zegher
119:, Toronto, and from 2013 to 2018, director of the
1243:"Catherine De Zegher uit Kortrijk krijgt Oscarla"
1218:"Catherine De Zegher uit Kortrijk krijgt Oscarla"
242:(1990), Guy Rombouts & Monica Droste (1990),
220:Inside the Visible. Begin the Beguine in Flanders
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1945:"The (hemi)cycle of leaves and paper | MSK Gent"
1351:"Francine Koslow Miller on "Inside the Visible""
437:Simryn Gill, The hemi(cycle) of leaves and paper
2044:"Manufactories of Caring Space-Time | MSK Gent"
1376:"Zeven weken om verborgen schatten te bekijken"
804:For a full list of de Zeghers exhibitions, see
568:
534:
433:EyeWitness: Francisco Goya & Farideh Lashai
226:. The first exhibitions were by Belgian artist
154:(2012). Her curatorial projects have included,
1559:"artnet.com Magazine Features - Mystic Rivers"
993:
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665:On Line: Drawing Through the Twentieth Century
156:On Line. Drawing through the Twentieth Century
16:Belgian curator, art critic, and art historian
2425:Catherine de Zegher, Griselda Pollock (eds.)
2217:standaard.be, 7 March 2018, article in Dutch
2019:"Zonnewende / Solstice; MSK Gent ->12/10"
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356:Bracha Lichtenberg Ettinger: Eurydice Series
93:(born Marie-Catherine Alma Gladys de Zegher
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740:Venice Biennale, Australian Pavilion (2013)
352:Anna Maria Maiolino: A Life Line/Vida Afora
1193:"Catherine de Zegher krijgt OSCARla-prijs"
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146:(2013). She was co-artistic director with
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889:de Zegher, Marie-Catherine (1977-03-21).
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374:Art Gallery of Ontario, Toronto (2007–09)
202:Kanaal Art Foundation, Kortrijk (1988–98)
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1055:knack.be, 25 Many 2020, article in Dutch
1026:"Geschorste MSK-directrice met pensioen"
684:Venice Biennale, Belgian Pavilion (1997)
517:From Bosch to Tuymans, A Vivid Narrative
483:From Bosch to Tuymans, A Vivid Narrative
336:Richard Tuttle: It's a Room for 3 People
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344:Giuseppe Penone: The Imprint of Drawing
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2427:Art as Compassion. Bracha L. Ettinger.
2416:, University of Minnesota Press, 2006.
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2229:hln.be, 7 March 2018, article in Dutch
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340:Ocean Flowers: Impressions from Nature
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324:Joelle Tuerlinckx's Drawing Inventory
312:destruction of the World Trade Center
45:Marie-Catherine Alma Gladys de Zegher
2429:Ghent: Mer. Papers Kunsthalle, 2011.
2073:"Het MSK vindt zichzelf opnieuw uit"
1871:"Géricault, la cruauté du quotidien"
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726:Museum of Contemporary Art Australia
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606:National Museum of Women in the Arts
425:Geta Bratescu: A Studio of One's Own
390:Museum of Fine Arts, Ghent (2013–18)
2215:De Zegher loog Gentse politici voor
2070:
1994:"Julia Margaret Cameron | MSK Gent"
768:In 2013, de Zegher curated the 5th
515:) made a nucleus of the exhibition
366:co-curated with Florian Rodari and
13:
476:Manufactories of Caring Space-time
400:Gericault: Fragments of Compassion
364:Untitled Passages by Henri Michaux
342:with Carol Armstrong (2003-2004);
294:Drawing Center, New York (1999–06)
274:(1992), Everlyn Nicodemus (1992),
14:
2572:
2297:"Rethinking 'Inside the Visible'"
1431:"The Drawing Center: Exhibitions"
641:Alma Matrix: Shared Traces/Trazos
602:ICA Institute of Contemporary Art
559:Conquista of Latin America (1492)
503:Toporovski Collection Controversy
497:Toporovski Collection Controversy
125:Toporovski Collection Controversy
2329:. Marian Goodman Gallery. 2006.
2188:
1645:Nineteenth-Century Art Worldwide
1181:from the original on 2014-08-12.
800:Full list of curatorial projects
722:Art Gallery of North South Wales
614:Art Gallery of Western Australia
521:Museum voor Schone Kunsten (MSK)
507:In 2017, more than 20 pieces of
396:Museum voor Schone Kunsten (MSK)
230:(1988–89) and Brazilian artists
176:Art Gallery of Western Australia
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1069:"Catherine de Zegher biography"
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429:Parastou Forouhar, Written Room
2350:Cotter, Holland (2006-07-07).
1525:Cotter, Holland (2005-12-09).
1457:Pogrebin, Robin (2006-03-18).
882:
864:
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604:, Boston, and traveled to the
386:-designed renovated building.
1:
1662:Smith, Roberta (2000-10-27).
1606:Smith, Roberta (2002-02-08).
1169:Staff writer (Apr 12, 2012).
813:
748:represented Australia at the
445:Raaklijnen/Tangents/Tangentes
288:Andrea Robbins and Max Becher
170:, Boston (1966); traveled to
168:Institute of Contemporary Art
130:De Zegher was curator of the
2546:People from Groningen (city)
1315:(in Flemish). 10 August 2013
914:(in Flemish). 6 January 2007
535:Selected curatorial projects
308:International Freedom Center
35:Catherine de Zegher portrait
7:
2494:
2408:Bracha L. Ettinger (1994),
1969:"Metafloristiek | MSK Gent"
1900:Geta Brătescu - Apparitions
1869:Libre.be, La (2014-03-10).
744:In 2013, Australian artist
692:represented Belgium at the
461:Katrien Vermeire, Kreislauf
160:Museum of Modern Art (MoMA)
48:1955 (age 68–69)
10:
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1819:Belga, Bron (2013-06-20).
1801:(in Flemish). 20 June 2013
850:. Routledge. p. xii.
806:
794:Women's Work Is Never Done
776:at the Manege next to the
576:In response to increasing
538:
500:
210:, founding president) the
2414:The Matrixial Borderspace
704:Biennale of Sydney (2012)
547:America, Bride of the Sun
196:
181:Having curated more than
84:Curator and art historian
80:
70:
62:
40:
28:
21:
2551:Belgian women historians
2444:The Museum of Modern Art
2071:Speeten, Geert Van der.
688:In 1997, Belgian artist
491:Patrick Van Caeckenbergh
1921:"Eyewitness | MSK Gent"
792:written over 15 years:
774:More Light/Bolshe Sveta
758:Here art grows on trees
627:De Zegher's exhibition
421:The Ladies of the Barok
162:, New York (2010), and
97:, April 14, 1955) is a
2561:Belgian women curators
2536:Belgian art historians
1384:(in Dutch). 2001-10-18
1105:, The New Contemporary
1007:(in Dutch). 2019-02-22
944:(in Dutch). 2004-12-22
764:Moscow Biennale (2013)
453:Julia Margaret Cameron
413:The Raft of the Medusa
380:Art Gallery of Ontario
117:Art Gallery of Ontario
1639:Levine, Sura (2002).
1309:"CATHERINE DE ZEGHER"
936:"Catherine de Zegher"
563:Benjamin H.D. Buchloh
489:, Ria Verhaeghe, and
318:jointly curated with
212:Kanaal Art Foundation
2556:Women art historians
2531:Belgian art curators
1721:"The Drawing Center"
876:www.encyclopedia.com
750:55th Venice Biennial
596:, and following the
410:'s historic painting
138:(2013), both at the
2541:Feminist historians
2506:Biennale of Moscow.
1175:Biennial Foundation
1122:Art & Australia
610:Whitechapel Gallery
509:Russian avant-garde
172:Whitechapel Gallery
136:Australian pavilion
121:Museum of Fine Arts
106:University of Ghent
91:Catherine de Zegher
75:University of Ghent
23:Catherine de Zegher
2501:Biennale of Sydney
2410:The Matrixial Gaze
2356:The New York Times
2284:Inside the Visible
2246:. 9 February 2018.
2104:. 15 January 2018.
1668:The New York Times
1612:The New York Times
1531:The New York Times
1463:The New York Times
1142:2013-09-06 at the
1101:2013-10-13 at the
908:"Stefaan De Clerk"
714:Biennale of Sydney
690:Thierry de Cordier
653:Bracha L. Ettinger
633:The New York Times
608:, Washington, DC;
570:Inside the Visible
474:project, entitled
300:The Drawing Center
284:Bracha L. Ettinger
152:Biennale of Sydney
1700:Los Angeles Times
1197:kortrijk.cdenv.be
842:Pollock, Griselda
718:All our relations
679:Biennial projects
525:The Art Newspaper
320:Elisabeth Sussman
316:Eva Hesse Drawing
208:Stefaan De Clerck
174:, London (1996);
142:, as well as the
88:
87:
2568:
2488:
2487:
2478:
2472:
2471:
2469:
2468:
2454:
2448:
2447:
2436:
2430:
2423:
2417:
2406:
2400:
2399:
2397:
2395:
2390:on 11 March 2018
2386:. Archived from
2380:
2374:
2373:
2371:
2370:
2347:
2341:
2340:
2326:Freeing the Line
2321:
2315:
2314:
2293:
2287:
2281:
2275:
2272:
2266:
2265:
2254:
2248:
2247:
2236:
2230:
2224:
2218:
2212:
2206:
2205:
2203:
2202:
2186:
2180:
2179:
2172:
2166:
2165:
2158:
2152:
2151:
2144:
2138:
2137:
2134:www.artforum.com
2126:
2120:
2119:
2112:
2106:
2105:
2094:
2088:
2087:
2085:
2084:
2068:
2059:
2058:
2056:
2055:
2040:
2034:
2033:
2031:
2030:
2015:
2009:
2008:
2006:
2005:
1990:
1984:
1983:
1981:
1980:
1965:
1959:
1958:
1956:
1955:
1941:
1935:
1934:
1932:
1931:
1917:
1911:
1910:
1908:
1907:
1892:
1886:
1885:
1883:
1882:
1866:
1860:
1859:
1857:
1856:
1841:
1835:
1834:
1832:
1831:
1816:
1810:
1809:
1807:
1806:
1791:
1785:
1784:
1777:
1771:
1770:
1759:
1753:
1752:
1741:
1735:
1734:
1732:
1731:
1717:
1711:
1710:
1708:
1707:
1692:
1686:
1685:
1683:
1682:
1659:
1653:
1652:
1636:
1630:
1629:
1627:
1626:
1603:
1597:
1596:
1594:
1593:
1587:trove.nla.gov.au
1579:
1573:
1572:
1570:
1569:
1555:
1549:
1548:
1546:
1545:
1522:
1516:
1515:
1513:
1512:
1498:
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1481:
1480:
1478:
1477:
1454:
1445:
1444:
1442:
1441:
1427:
1421:
1420:
1418:
1417:
1410:www.artforum.com
1402:
1393:
1392:
1390:
1389:
1372:
1366:
1365:
1363:
1362:
1355:www.artforum.com
1347:
1341:
1335:
1324:
1323:
1321:
1320:
1305:
1299:
1298:
1296:
1295:
1281:
1275:
1274:
1272:
1271:
1261:"Members | KVAB"
1257:
1251:
1250:
1239:
1233:
1232:
1230:
1229:
1214:
1208:
1207:
1205:
1204:
1189:
1183:
1182:
1166:
1160:
1159:
1152:
1146:
1137:Venice Biennale.
1134:
1125:
1115:
1106:
1093:
1084:
1083:
1081:
1080:
1071:. Archived from
1065:
1056:
1050:
1041:
1040:
1038:
1037:
1022:
1016:
1015:
1013:
1012:
995:
986:
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949:
932:
923:
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904:
895:
894:
886:
880:
879:
868:
862:
861:
838:
832:
831:
824:
698:Belgian Pavilion
621:Freeing the Line
256:Waltercio Caldas
240:Tadashi Kawamata
216:multiculturalism
178:, Perth (1997).
132:Belgian pavilion
33:
19:
18:
2576:
2575:
2571:
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2569:
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2565:
2511:
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2256:
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2238:
2237:
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2221:
2213:
2209:
2200:
2198:
2187:
2183:
2174:
2173:
2169:
2160:
2159:
2155:
2150:. 7 March 2018.
2146:
2145:
2141:
2136:. 9 March 2018.
2128:
2127:
2123:
2114:
2113:
2109:
2096:
2095:
2091:
2082:
2080:
2069:
2062:
2053:
2051:
2042:
2041:
2037:
2028:
2026:
2017:
2016:
2012:
2003:
2001:
1992:
1991:
1987:
1978:
1976:
1967:
1966:
1962:
1953:
1951:
1943:
1942:
1938:
1929:
1927:
1919:
1918:
1914:
1905:
1903:
1894:
1893:
1889:
1880:
1878:
1867:
1863:
1854:
1852:
1849:Sabine B. Vogel
1843:
1842:
1838:
1829:
1827:
1817:
1813:
1804:
1802:
1793:
1792:
1788:
1779:
1778:
1774:
1761:
1760:
1756:
1751:. 20 June 2013.
1743:
1742:
1738:
1729:
1727:
1719:
1718:
1714:
1705:
1703:
1694:
1693:
1689:
1680:
1678:
1660:
1656:
1637:
1633:
1624:
1622:
1604:
1600:
1591:
1589:
1581:
1580:
1576:
1567:
1565:
1557:
1556:
1552:
1543:
1541:
1523:
1519:
1510:
1508:
1500:
1499:
1495:
1488:
1484:
1475:
1473:
1455:
1448:
1439:
1437:
1429:
1428:
1424:
1415:
1413:
1412:. 20 March 2006
1404:
1403:
1396:
1387:
1385:
1374:
1373:
1369:
1360:
1358:
1349:
1348:
1344:
1336:
1327:
1318:
1316:
1307:
1306:
1302:
1293:
1291:
1283:
1282:
1278:
1269:
1267:
1259:
1258:
1254:
1241:
1240:
1236:
1227:
1225:
1216:
1215:
1211:
1202:
1200:
1191:
1190:
1186:
1167:
1163:
1154:
1153:
1149:
1144:Wayback Machine
1135:
1128:
1116:
1109:
1103:Wayback Machine
1094:
1087:
1078:
1076:
1067:
1066:
1059:
1051:
1044:
1035:
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1024:
1023:
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1008:
997:
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989:
980:
979:
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956:
947:
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933:
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917:
915:
906:
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898:
887:
883:
870:
869:
865:
858:
839:
835:
826:
825:
821:
816:
811:
802:
786:
770:Moscow Biennale
766:
742:
732:; Pier 2/3 and
730:Cockatoo Island
710:Gerald McMaster
706:
694:Venice Biennial
686:
681:
669:
647:The exhibition
645:
625:
578:cultural racism
574:
551:
543:
537:
519:(2017) at the
513:Igor Toporovski
505:
499:
472:Creative Europe
392:
376:
296:
264:Antoni Muntadas
204:
199:
148:Gerald McMaster
144:Moscow Biennale
140:Venice Biennale
134:(1997) and the
71:Alma mater
58:
49:
47:
46:
36:
24:
17:
12:
11:
5:
2574:
2564:
2563:
2558:
2553:
2548:
2543:
2538:
2533:
2528:
2523:
2509:
2508:
2503:
2496:
2493:
2490:
2489:
2473:
2462:www.e-flux.com
2449:
2431:
2418:
2401:
2375:
2342:
2335:
2316:
2309:
2288:
2276:
2267:
2249:
2231:
2219:
2207:
2181:
2167:
2153:
2139:
2130:"Artforum.com"
2121:
2107:
2089:
2060:
2048:www.mskgent.be
2035:
2023:Quovadisart.be
2010:
1998:www.mskgent.be
1985:
1973:www.mskgent.be
1960:
1949:www.mskgent.be
1936:
1925:www.mskgent.be
1912:
1887:
1861:
1836:
1811:
1799:Het Nieuwsblad
1786:
1772:
1767:www.e-flux.com
1754:
1749:Het Nieuwsblad
1736:
1712:
1696:"Outsider Art"
1687:
1654:
1631:
1598:
1574:
1563:www.artnet.com
1550:
1517:
1506:www.artnet.com
1493:
1482:
1446:
1422:
1406:"Artforum.com"
1394:
1367:
1342:
1325:
1300:
1276:
1252:
1234:
1209:
1184:
1161:
1147:
1126:
1107:
1085:
1057:
1042:
1017:
987:
968:
954:
924:
896:
881:
863:
856:
833:
818:
817:
815:
812:
801:
798:
785:
782:
765:
762:
741:
738:
705:
702:
685:
682:
680:
677:
668:
662:
655:with works by
644:
638:
624:
618:
573:
567:
550:
544:
536:
533:
498:
495:
391:
388:
375:
372:
362:both in 2001;
326:both in 2006;
295:
292:
276:Gabriel Orozco
248:James Casebere
232:Cildo Meireles
203:
200:
198:
195:
113:Drawing Center
86:
85:
82:
78:
77:
72:
68:
67:
64:
60:
59:
50:
44:
42:
38:
37:
34:
26:
25:
22:
15:
9:
6:
4:
3:
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2573:
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2559:
2557:
2554:
2552:
2549:
2547:
2544:
2542:
2539:
2537:
2534:
2532:
2529:
2527:
2526:Living people
2524:
2522:
2519:
2518:
2516:
2507:
2504:
2502:
2499:
2498:
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2477:
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2435:
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2422:
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2353:
2346:
2338:
2336:9780944219072
2332:
2328:
2327:
2320:
2312:
2310:9781846318931
2306:
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2259:
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2245:
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2235:
2228:
2223:
2216:
2211:
2196:
2192:
2189:Sels, Geert.
2185:
2178:. 2018-03-08.
2177:
2171:
2164:. 2018-01-30.
2163:
2157:
2149:
2143:
2135:
2131:
2125:
2118:. 2018-01-15.
2117:
2111:
2103:
2099:
2093:
2078:
2074:
2067:
2065:
2049:
2045:
2039:
2024:
2020:
2014:
1999:
1995:
1989:
1974:
1970:
1964:
1950:
1946:
1940:
1926:
1922:
1916:
1901:
1897:
1891:
1876:
1872:
1865:
1850:
1846:
1840:
1826:
1825:Site-Knack-NL
1822:
1815:
1800:
1796:
1790:
1782:
1776:
1768:
1764:
1758:
1750:
1746:
1740:
1726:
1725:www.lacan.com
1722:
1716:
1701:
1697:
1691:
1677:
1673:
1669:
1665:
1658:
1650:
1646:
1642:
1635:
1621:
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1588:
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1564:
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1536:
1532:
1528:
1521:
1507:
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1497:
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1464:
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1436:
1432:
1426:
1411:
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1401:
1399:
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1371:
1356:
1352:
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1310:
1304:
1290:
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1244:
1238:
1223:
1219:
1213:
1198:
1194:
1188:
1180:
1176:
1172:
1165:
1158:. 2018-03-07.
1157:
1151:
1145:
1141:
1138:
1133:
1131:
1124:, Winter 2012
1123:
1119:
1114:
1112:
1104:
1100:
1097:
1092:
1090:
1075:on 2013-10-05
1074:
1070:
1064:
1062:
1054:
1049:
1047:
1031:
1027:
1021:
1006:
1005:
1000:
994:
992:
984:. 2019-02-22.
983:
977:
975:
973:
966:
961:
959:
943:
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937:
931:
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901:
892:
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857:9781134768509
853:
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823:
819:
810:
805:
797:
795:
791:
790:women artists
781:
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775:
771:
761:
759:
755:
751:
747:
737:
735:
734:Carriageworks
731:
727:
723:
719:
715:
711:
701:
699:
695:
691:
676:
674:
666:
661:
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650:
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634:
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622:
617:
615:
611:
607:
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566:
564:
560:
556:
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526:
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518:
514:
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494:
492:
488:
484:
479:
477:
473:
468:
466:
462:
458:
455:in 2015; and
454:
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417:
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260:David Lamelas
257:
253:
249:
245:
244:Robin Winters
241:
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228:Lili Dujourie
225:
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2465:. Retrieved
2461:
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2392:. Retrieved
2388:the original
2378:
2367:. Retrieved
2355:
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2319:
2300:
2291:
2283:
2279:
2270:
2262:De Standaard
2261:
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2244:De Standaard
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2199:. Retrieved
2197:(in Flemish)
2195:De Standaard
2194:
2184:
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2156:
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2133:
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2101:
2092:
2081:. Retrieved
2079:(in Flemish)
2077:De Standaard
2076:
2052:. Retrieved
2047:
2038:
2027:. Retrieved
2025:. 2014-01-16
2022:
2013:
2002:. Retrieved
1997:
1988:
1977:. Retrieved
1972:
1963:
1952:. Retrieved
1948:
1939:
1928:. Retrieved
1924:
1915:
1904:. Retrieved
1902:. 2017-06-12
1899:
1890:
1879:. Retrieved
1874:
1864:
1853:. Retrieved
1851:. 2014-03-05
1848:
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1828:. Retrieved
1824:
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1803:. Retrieved
1798:
1789:
1775:
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1728:. Retrieved
1724:
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1704:. Retrieved
1702:. 2000-07-27
1699:
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1667:
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1623:. Retrieved
1611:
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1562:
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1542:. Retrieved
1530:
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1505:
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1474:. Retrieved
1462:
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1434:
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1409:
1386:. Retrieved
1379:
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1354:
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1313:De Standaard
1312:
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1292:. Retrieved
1288:
1279:
1268:. Retrieved
1264:
1255:
1247:Focus en WTV
1246:
1237:
1226:. Retrieved
1222:Focus en WTV
1221:
1212:
1201:. Retrieved
1196:
1187:
1174:
1164:
1150:
1121:
1077:. Retrieved
1073:the original
1034:. Retrieved
1032:(in Flemish)
1030:De Standaard
1029:
1020:
1009:. Retrieved
1002:
946:. Retrieved
939:
916:. Retrieved
912:De Standaard
911:
884:
875:
866:
846:
836:
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787:
784:Publications
773:
767:
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743:
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712:of the 18th
707:
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672:
670:
664:
648:
646:
640:
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585:
582:conservatism
575:
569:
554:
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529:De Standaard
528:
524:
516:
506:
482:
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475:
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355:
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343:
339:
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327:
323:
315:
297:
286:(1994), and
268:Ilya Kabakov
252:Tony Oursler
219:
205:
187:
180:
163:
155:
129:
110:
90:
89:
2521:1955 births
2394:5 September
1877:(in French)
1265:www.kvab.be
772:, entitled
746:Simryn Gill
716:, entitled
487:Luc Tuymans
384:Frank Gehry
304:Ground Zero
280:Nancy Spero
272:Ulo Sooster
254:(1991–92),
63:Nationality
56:Netherlands
2515:Categories
2467:2020-11-15
2369:2020-11-15
2201:2018-11-22
2083:2020-11-15
2054:2020-11-15
2050:(in Dutch)
2029:2020-11-15
2004:2020-11-15
2000:(in Dutch)
1979:2020-11-15
1975:(in Dutch)
1954:2020-11-15
1930:2020-11-15
1906:2020-11-15
1881:2020-11-15
1875:LaLibre.be
1855:2020-11-15
1830:2020-11-15
1805:2020-11-15
1730:2020-11-15
1706:2020-11-15
1681:2020-11-15
1625:2020-11-15
1592:2020-11-15
1568:2020-11-15
1544:2020-11-15
1511:2020-11-15
1476:2020-11-15
1440:2020-11-15
1416:2020-11-15
1388:2023-11-07
1361:2020-11-15
1357:. May 1996
1319:2020-11-15
1294:2020-11-15
1289:Site-KW-NL
1270:2020-11-15
1228:2020-11-15
1224:(in Dutch)
1203:2020-11-15
1199:(in Dutch)
1079:2013-10-05
1036:2020-11-16
1011:2023-11-07
948:2023-11-07
918:2020-11-15
814:References
807:See also:
756:entitled,
612:, London;
539:See also:
501:See also:
2364:0362-4331
1676:0362-4331
1620:0362-4331
1539:0362-4331
1471:0362-4331
1381:De Morgen
1004:De Morgen
941:De Morgen
667:(2010–11)
657:Eva Hesse
572:(1996–97)
549:(1990–92)
467:in 2014.
408:Gericault
338:in 2005;
224:Beguinage
95:Groningen
52:Groningen
2495:See also
1179:Archived
1140:Archived
1099:Archived
844:(2005).
439:(2016);
423:(2018);
354:(2002);
350:(2003);
346:(2004);
290:(1995).
278:(1993),
266:(1992),
262:(1992),
258:(1991),
246:(1990),
1583:"Trove"
778:Kremlin
150:of the
102:curator
99:Belgian
66:Belgian
2362:
2333:
2307:
1674:
1618:
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1469:
854:
643:(2010)
623:(2006)
598:May 68
358:, and
330:, and
282:&
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197:Career
594:1940s
590:1930s
236:Tunga
2396:2013
2360:ISSN
2331:ISBN
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1651:(1).
1616:ISSN
1535:ISSN
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