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described
Cattapan's work as "accessible, but simultaneously also mysterious and hinting at a different level of existence". Grishin has also noted Cattapan's interest in information systems and surveillance technology.After returning from Timor-Leste, Cattapan began to experiment with dripping paint
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at the
Victorian College of the Arts in 2007 and is currently a professor in visual art within the University of Melbourne's Faculty of Fine Art and Music at the Victorian College of the Arts after the two institutions merged in 2007. Cattapan also previously held the position of director at the
310:. In the corresponding exhibition catalogue Cattapan's artworks are described; "brief moments in a modern metropolis are captured in small detail only to be displaced amongst a melange of information... there is constant movement across the boundaries of figuration and abstraction".
366:. Cattapan has described his title as a war artist as overly dramatic given the relative stability of Timor-Leste however has also stated that he feels privileged to have been a war artist and that "the experience opened up a very rich and meaningful artistic journey for me".
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The use of night-vision equipment was a continuation of
Cattapan's previous interest in the nocturnal and in the use of digital technologies in his work process. Cattapan's work during and after his deployment conveyed notions of surrealism and voyeurism. By using
440:. Aitken stated that Cattapan had "become something of a mentor" and that the two artists have a "unique relationship" given their difference in tertiary education. The two artists subsequently collaborated in 2018 on a series of ten paintings entitled
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Cattapan has credited his high school art teacher Ralph Farmer as helping him to initially find his path as an artist and as encouraging him to switch to the RMIT school of Art stating Farmer "turned me onto what a life in art could look like".
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Using an amalgam of local and global environments to test ways of picturing gatherings or mapping territories has been at the heart of my practice. In Timor-Leste, that was brought to bear through the lens of the night-vision monocle I was
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This involvement with the punk rock scene led
Cattapan to begin to explore notions of geographical and social territories. McAuliffe has also noted that the punk rock scene legitimized Cattapan's more raw and emotional early style.
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Cattapan's work has been described as taking on a data-scape style and as a crossover between data-visualisation and the visual landscape and he has been noted for his interest in the post-modern city. Artist and critic
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Cattapan initially intended to complete postgraduate study in filmmaking after transferring from computer science to RMIT's School of Art however has stated this never happened "because I got right into the painting".
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in the background of his works. Eyeline magazine interpreted this as a reaction to the instability of the 21st century and offered multiple different suggestions of the purpose and meaning of this change in technique.
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291:, Ohio. Chris McCauliffe has stated that "Cattapan's time in New York was a turning point, both personally and professionally" and further described Cattapan's work at this time as "disjointed and emotional".
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546:. And if you went there, you'd be guaranteed to bump into half a dozen people from different sorts of art forms. So by osmosis, I suppose, you started to take on other people's ideas and predilections.
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create an imaginative retelling of events that he witnessed in Timor-Leste. Cattapan also states that it was his intention to depict the
Australian army's relations with the local Timorese people.
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at his Alma mater, RMIT, in 1982, before becoming a lecturer in painting in 1987 and leaving the university in 1989. Between 1992 and 1994 Cattapan was lecturer in foundation studies at the
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described these collaborations overall as discussing and resonating with the repercussions of conflict, especially the notion of accountability in relation to conflict occurring overseas.
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stating that after first reading it he understood it as "a very prescient book" which "has stayed with me". Cattapan elaborated that he interpreted a strong sense of instability in
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393:. As part of the award, the gallery purchased the artwork for $ 50,000 AUD and Cattapan was awarded and additional $ 30,000 AUD to travel to Italy to complete an
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Still influenced by his time as a war artist, Cattapan collaborated with fellow war artists
Charles Green and Lyndell Brown on collaborative shows such as
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134:(born 1956) is an Australian visual artist best known for his abstract oil paintings of cityscapes, his service as the 63rd Australian
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1235:"In the Galleries: Christian Capurro's homage to Dan Flavin and mutual works by Lyndell Brown, Charles Green and Jon Cattapan"
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aired a documentary following
Cattapan's journey to Timor-Leste and the subsequent influence on his artistic process.
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Several of
Cattapan's notable city-scape works are held in the collections of major Australian galleries including
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As of 2020 he exhibits with
Station Gallery in Melbourne, Dominik Mersch Gallery in Sydney and Milani Gallery in
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1291:"Archibald Prize Archibald 2016 finalist: Portrait of mentor (Jon Cattapan and self) by Benjamin Aitken"
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For several years after graduating RMIT Cattapan's works were described as being typical to the what
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stating that in the book "everything is on the verge of sliding away". Cattapan's series of work
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From 1989 until 1991 Cattapan lived in the United States of
America having a residencies at the
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During his deployment as the 63rd Australian war artist, Cattapan began to experiment with
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before becoming a senior lecturer at the Victorian College of the Arts. Cattapan became an
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in 1978 with artist Peter Ellis at the RMIT faculty gallery and his first solo exhibition
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150:. Cattapan's artworks are held in several major galleries and collections, including the
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as saying "His swirling atmospherics suggest the romanticism of Turner's landscapes and
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Connections have been drawn between Cattapan's early works, with their exploration of
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in painting at RMIT. He graduated from RMIT in 1977. Cattapan went on to complete a
195:. Cattapan was first taught to draw aged six by an older cousin on a trip to Italy.
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After returning from America, Cattapan completed several major works including
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962:. Chris McAuliffe, Natalie King, Realities. Toorak, Vic.: Realities Gallery.
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Cattapan's work is held in a large number of public collections, including:
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326:. Cattapan also states that during this period he undertook several overseas
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Cattapan started his academic career as a lecturer in painting, drawing and
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In 2008, Cattapan served as Australia's 63rd war artist, being deployed to
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which is held in the collection of the National Gallery of Australia and
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where Cattapan spent the majority of his childhood and young adult life.
1486:"Perspectives: Jon Cattapan and eX de Medici | Australian War Memorial"
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An exhibition of Cattapan's work made between 1990 and 1991 titled
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You had one café that everyone went to. The Galleon, upstairs in
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1206:"Sweet win for artist seeking refuge in discards of modern life"
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Chris McAuliffe termed a "consistent accent" of RMIT graduates.
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Cattapan's family initially lived in the inner city suburb of
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Drawings in conjunction with digital photographs, Cattapan's
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1569:"Jon Cattapan | eyeline contemporary art magazine australia"
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804:"Jon Cattapan: a portrait of the artist as a new director"
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in 2013. The award, a partnership between Bulgari and the
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before instead deciding to pursue art and enrolling in a
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Grishin, Sacha (2012). "Jon Cattapan's Local Truth's".
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Return to Australia and rise in prominence (1991–2008)
1541:"Velocity: Sasha Grishin review of exhibition at ANU"
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and prostitution in St Kilda, and the work of artist
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to Italian parents. Cattapan's family emigrated from
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In the late 1970s Cattapan became involved with the
389:, was bestowed upon Cattapan for his artwork titled
513:through the series' watery washes and its focus on
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1263:"Jon Cattapan, artist, on his Melbourne art tram"
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429:was wrapped in an artistic design of Cattapan's.
138:and his work as a professor of visual art at the
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1439:Weise, Kyle (2015). "Jon Cattapan Data-Scapes".
421:In 2016 Cattapan was selected to feature in the
350:Service as the 63rd Australian war artist (2008)
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444:which exhibited at the La Trobe Art Institute
330:including a residency as a visiting artist at
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1649:Academic staff of the University of Melbourne
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1163:"Art of war: where conflict meets creativity"
438:Portrait of my mentor (Jon Cattapan and self)
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257:Paintings, Constructions and Works on Paper
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1512:"War Memorial displays latest war artists"
1104:"War Memorial displays latest war artists"
1023:"National Gallery – Search the Collection"
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298:was shown in 1992 at Realities gallery in
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1422:"Jon Cattapan: Soon it would be too hot"
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867:Jon Cattapan : possible histories
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1315:Annett-Thomas, Karen (10 May 2018).
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808:ART150: Celebrating 150 years of art
802:Dalgarno, Paul (27 September 2017).
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701:Museum of Contemporary Art Australia
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491:Cattapan was interviewed in 2016 on
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1420:Clement, Tracy (23 November 2016).
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562:who explored similar themes in his
397:, which he intended to complete in
391:Imagine a Raft (Hard Rubbish 4 + 5)
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1539:Grishin, Sasha (5 December 2014).
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570:Cityscapes and the urban landscape
425:project. As part of the project a
381:Cattapan was the recipient of the
302:, Melbourne and Bellas gallery in
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1598:Jon Cattapan: Possible histories.
1510:Blenkin, Max (1 September 2010).
1102:Blenkin, Max (1 September 2010).
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654:John McCaughey Memorial Art Prize
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206:, before moving to the suburb of
179:Jon Cattapan was born in 1956 in
1387:Gill, Raymond (26 August 2009).
1204:Harford, Sonia (12 April 2013).
436:finalist Benjamin Aitken's work
377:Post Timor-Leste (2008–present)
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472:Victorian College of the Arts.
1027:searchthecollection.nga.gov.au
681:Art Gallery of New South Wales
465:Australian National University
387:Art Gallery of New South Wales
156:Art Gallery of New South Wales
144:Faculty of Fine Arts and Music
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691:National Gallery of Australia
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175:Childhood and early adulthood
164:National Gallery of Australia
148:Victorian College of the Arts
1233:Rule, Dan (29 August 2014).
959:Jon Cattapan : 365 days
870:. Carlton, Vic.: Miegunyah.
676:National Gallery of Victoria
564:Images of Modern Evil series
152:National Gallery of Victoria
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1267:findanexpert.unimelb.edu.au
1131:"Jon Cattapan – War Artist"
907:findanexpert.unimelb.edu.au
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271:Time in America (1989–1991)
218:Cattapan initially studied
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864:McAuliffe, Chris. (2008).
706:Heide Museum of Modern Art
696:Parliament House, Canberra
1573:www.eyelinepublishing.com
1295:www.artgallery.nsw.gov.au
995:"Works | NGV | View Work"
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526:Early painting and prints
344:Venice printmaking studio
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1644:Monash University alumni
1181:www.milanigallery.com.au
932:Australian Art Collector
604:War art and night vision
279:Greene Street studio in
247:Early career (1977–1989)
170:Early life and education
29:Australian visual artist
1600:Carlton, Vic: Miegunyah
234:by research in 1992 at
202:, known as Melbourne's
140:University of Melbourne
114:University of Melbourne
1639:RMIT University alumni
1634:Australian war artists
1629:Artists from Melbourne
1596:McAuliffe, C. (2008).
1082:Dominik Mersch Gallery
1052:www.joncattapan.com.au
1048:"About | Jon Cattapan"
956:Cattapan, Jon (1992).
686:Queensland Art Gallery
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610:night-vision equipment
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191:region of Italy after
160:Queensland Art Gallery
124:www.joncattapan.com.au
1459:Sydney Morning Herald
1394:Sydney Morning Herald
1341:stationgallery.com.au
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582:Sydney Morning Herald
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455:Career as an academic
285:Ohio State University
228:Bachelor of Fine Arts
638:In 2014, art critic
598:The Melbourne Panels
566:, also in St Kilda.
538:. As Cattapan notes:
320:The Melbourne Panels
903:"Prof Jon Cattapan"
469:associate professor
423:Melbourne Art Trams
277:Australia Council's
75:Highett High School
67:Australian, Italian
1624:Australian artists
1322:Bendigo Advertiser
999:www.ngv.vic.gov.au
634:Post-war art style
594:Possible Histories
507:The City Submerged
395:artist's residency
328:artist residencies
324:Possible Histories
214:Tertiary education
1343:. Station Gallery
877:978-0-522-85498-5
667:Major collections
661:Bulgari Art Award
579:is quoted in the
511:The Drowned World
503:The Drowned World
498:The Drowned World
383:Bulgari Art Award
362:mission with the
338:, a residency in
332:Hongik University
261:Realities Gallery
236:Monash University
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102:Years active
88:Monash University
16:(Redirected from
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814:on 20 April 2021
810:. Archived from
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1139:. 26 April 2013
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1461:. 13 June 2002
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