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106:, typically to mask the appearance of the underlying clay body. They can be sprayed onto pieces in a similar method to glaze and through the addition of coloring oxides they can achieve a wide variety of colors, though not with the same vibrancy as glazes. Among artists engobes are often confused with slip, and the term is sometimes used interchangeably.
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also, used to cover whole vessels over 4,000 years ago. Principal techniques include slip-painting, where the slip is treated like paint and used to create a design with brushes or other implements, and slip-trailing, where the slip, usually rather thick, is dripped onto the body. Slip-trailed
30:
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Chinese pottery also used techniques where patterns, images or calligraphy were created as part-dried slip was cut away to reveal a lower layer of slip or the main clay body in a contrasting colour. The latter of these is called the "cut-glaze" technique.
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When slip is used to join two pieces of greenware together, it is generally used with a technique known as scratch and slip, whereby the contact points on both pieces are scored with multiple criss-crossing lines and slip painted on one piece over the
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127:, can be added to disperse the raw material particles. This allows a higher solids content to be used, or allows a fluid to be produced with a minimal amount of water so that drying shrinkage is minimised, which is important during
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would give. Often only pottery where the slip creates patterns or images will be described as slipware, as opposed to the many types where a plain slip is applied to the whole body, for example most fine wares in
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189:, English, c. 1685. The plate's diameter is 43 cm; such large plates, for display rather than use, take slip-trailing to an extreme, building up lattices of thick trails of slip.
224:(note: "slip ware" not "slipware"). Decorative slips may be a different colour than the underlying clay body or offer other decorative qualities such as a shiny surface.
99:, in addition to fillers and other materials. This is in contrast to slips, which are historically considered to be a liquid suspension of only clay or clays in water.
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A slip may be made for various other purposes in the production and decoration of ceramics, such as slip can be used to mix the constituents of a clay body.
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the pottery by painting or dipping the pottery with slip. Pottery on which slip has been applied either for glazing or decoration is called
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wares. Liquified clay, in which there is no fixed ratio of water and clay, is called slip or clay slurry which is used either for joining
211:
clay body surface by dipping, painting or splashing. Some slips will also give decreased permeability, though not as much as a
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Slipware may be carved or burnished to change the surface appearance of the ware. Specialized slip recipes may be applied to
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Selectively applying layers of colored slips can create the effect of a painted ceramic, such as in the
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is a technique for painting wares in polychrome slips to make painting-like images on pottery.
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549:. Arthur Dodd & David Murfin. 3rd edition. The Institute Of Minerals. 1994.
396:. Arthur Dodd & David Murfin. 3rd edition. The Institute Of Minerals. 1994.
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showing a red body covered by white slip, then painted in blue, c. 1400,
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although it can be done using other types of mixers or even by hand.
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plate with red slip, now wearing away, 7th century BC, excavated at
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Ceramic
Whitewares - History, Technology And Applications
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sugar bowl with combed, slip-marbled decoration, c. 1795
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wares, especially if Early Modern
English, are called
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Conservation and restoration of ancient Greek pottery
207:is pottery decorated by slip placed onto a wet or
525:. F.Singer, S.S.Singer. Chapman & Hall. 1971.
488:. New York and London: Plenum Press. p. 114.
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131:. Usually the mixing of slip is undertaken in a
537:. Rexford Newcomb, Jr. Pitman Publishing, 1947.
152:decoration produced separately, for example by
239:. Slip decoration is an ancient technique in
598:
486:Dictionary of Ceramic Science and Engineering
434:Making Marks: Discovering the Ceramic Surface
408:, thepotterywheel.com, accessed 10 July 2021.
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579:, 1991, British Museum Press, 9780714114705
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422:(3 ed.). Val Cushing. p. 25.
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465:. CMS, Hosting & Web Development
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139:To join sections of unfired ware or
436:, 2004, Krause Publications Craft,
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502:, 2002, Laurence King Publishing,
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102:Engobes are commonly used in the
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69:(pieces of pottery) together by
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459:"PPP: Using Decorative Engobes"
185:Charger with Charles II in the
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298:vase with cut-glaze decoration
41:slaying the bull, 400 ± 50 AD.
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577:Chinese Pottery and Porcelain
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156:. This technique is known as
143:, such as handles and spouts.
914:Northern Black Polished Ware
148:To fix into place pieces of
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1071:Types of pottery decoration
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631:Base minerals, and glazes
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624:Glossary of pottery terms
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498:Peterson, Susan and Jan,
360:Glossary of pottery terms
177:Decoration and protection
820:Processes and decoration
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27:Slurry of clay and water
406:What is slip in pottery
547:Dictionary Of Ceramics
394:Dictionary Of Ceramics
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983:Pre-conquest Americas
418:Cushing, Val (1994).
273:Other uses in pottery
237:Ancient Greek pottery
222:African red slip ware
218:Ancient Roman pottery
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65:(semi-hardened) clay
35:African red slip ware
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484:McColm, Ian (1984).
123:properties, such as
708:Main types, by body
523:Industrial Ceramics
115:Joining and molding
960:History of pottery
884:Black and red ware
778:Forming techniques
558:Vainker, 17, 22-23
420:Cushing's Handbook
259:and then refired.
233:red-figure pottery
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1056:Ceramic materials
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919:Painted Grey Ware
832:biscuit porcelain
510:, 9781856693172,
500:Working with Clay
444:, 9780873495042,
198:Chinese porcelain
119:An additive with
16:(Redirected from
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879:Black-figure
806:Slip casting
801:RAM pressing
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616:and claywork
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467:. Retrieved
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333:Miletus ware
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257:biscuit ware
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229:black-figure
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209:leather-hard
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187:Boscobel Oak
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121:deflocculant
118:
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63:leather-hard
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44:
18:Ceramic slip
934:Sea pottery
721:Earthenware
693:Salt glazed
683:Lead-glazed
643:China stone
296:Cizhou ware
267:art pottery
129:slipcasting
71:slipcasting
1050:Categories
929:Red-figure
924:Rang Mahal
839:Burnishing
768:Terracotta
756:soft-paste
751:hard-paste
741:Jasperware
698:Tin-glazed
688:Lustreware
508:1856693171
469:8 February
442:0873495047
381:References
311:Phoenician
235:styles of
220:, such as
164:Jasperware
83:decorating
57:and other
49:is a clay
37:: moulded
1066:Silicates
1013:Delftware
864:Pit fired
763:Stoneware
746:Porcelain
736:Ironstone
678:Ash glaze
663:Kaolinite
365:Porcelain
319:Essaouira
263:Barbotine
159:sprigging
141:greenware
1035:Tilework
904:Kakiemon
874:Slipware
859:Painting
796:Pinching
791:Moulding
731:Fritware
668:Petuntse
653:Feldspar
638:Bone ash
375:Slipware
350:Ceramics
344:See also
294:Chinese
246:slipware
205:Slipware
154:moulding
87:slipware
1061:Pottery
1018:Faience
1003:Islamic
894:Celadon
849:Glazing
786:Coiling
614:Pottery
370:Pottery
281:Gallery
172:scores.
133:blunger
79:glazing
59:ceramic
55:pottery
39:Mithras
1008:Persia
869:Saggar
844:Firing
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440:
337:Turkey
150:relief
93:Engobe
51:slurry
993:Korea
988:Japan
978:China
909:Malwa
899:Jorwe
317:near
110:Usage
75:mould
73:with
998:Maya
854:Kiln
673:Slip
658:Frit
648:Clay
504:ISBN
471:2024
438:ISBN
248:.
97:flux
67:body
47:slip
231:or
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81:or
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45:A
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20:)
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