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Slip (ceramics)

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194: 31: 305: 182: 327: 289: 106:, typically to mask the appearance of the underlying clay body. They can be sprayed onto pieces in a similar method to glaze and through the addition of coloring oxides they can achieve a wide variety of colors, though not with the same vibrancy as glazes. Among artists engobes are often confused with slip, and the term is sometimes used interchangeably. 243:
also, used to cover whole vessels over 4,000 years ago. Principal techniques include slip-painting, where the slip is treated like paint and used to create a design with brushes or other implements, and slip-trailing, where the slip, usually rather thick, is dripped onto the body. Slip-trailed
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Chinese pottery also used techniques where patterns, images or calligraphy were created as part-dried slip was cut away to reveal a lower layer of slip or the main clay body in a contrasting colour. The latter of these is called the "cut-glaze" technique.
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When slip is used to join two pieces of greenware together, it is generally used with a technique known as scratch and slip, whereby the contact points on both pieces are scored with multiple criss-crossing lines and slip painted on one piece over the
304: 127:, can be added to disperse the raw material particles. This allows a higher solids content to be used, or allows a fluid to be produced with a minimal amount of water so that drying shrinkage is minimised, which is important during 215:
would give. Often only pottery where the slip creates patterns or images will be described as slipware, as opposed to the many types where a plain slip is applied to the whole body, for example most fine wares in
326: 189:, English, c. 1685. The plate's diameter is 43 cm; such large plates, for display rather than use, take slip-trailing to an extreme, building up lattices of thick trails of slip. 224:(note: "slip ware" not "slipware"). Decorative slips may be a different colour than the underlying clay body or offer other decorative qualities such as a shiny surface. 99:, in addition to fillers and other materials. This is in contrast to slips, which are historically considered to be a liquid suspension of only clay or clays in water. 193: 949: 277:
A slip may be made for various other purposes in the production and decoration of ceramics, such as slip can be used to mix the constituents of a clay body.
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the pottery by painting or dipping the pottery with slip. Pottery on which slip has been applied either for glazing or decoration is called
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wares. Liquified clay, in which there is no fixed ratio of water and clay, is called slip or clay slurry which is used either for joining
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clay body surface by dipping, painting or splashing. Some slips will also give decreased permeability, though not as much as a
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Slipware may be carved or burnished to change the surface appearance of the ware. Specialized slip recipes may be applied to
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Selectively applying layers of colored slips can create the effect of a painted ceramic, such as in the
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is a technique for painting wares in polychrome slips to make painting-like images on pottery.
158: 445: 972: 597: 511: 236: 221: 217: 34: 878: 838: 755: 750: 8: 103: 95:, from the French word for slip, is a related term for a liquid suspension of clays and 1065: 928: 883: 697: 692: 405: 863: 831: 826: 790: 785: 503: 437: 197: 153: 74: 777: 1060: 977: 725: 715: 590: 256: 140: 1007: 1002: 735: 240: 124: 1022: 858: 549:. Arthur Dodd & David Murfin. 3rd edition. The Institute Of Minerals. 1994. 396:. Arthur Dodd & David Murfin. 3rd edition. The Institute Of Minerals. 1994. 354: 314: 1049: 997: 908: 898: 848: 212: 82: 805: 332: 228: 208: 186: 120: 96: 62: 959: 933: 720: 642: 335:
showing a red body covered by white slip, then painted in blue, c. 1400,
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although it can be done using other types of mixers or even by hand.
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plate with red slip, now wearing away, 7th century BC, excavated at
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Ceramic Whitewares - History, Technology And Applications
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sugar bowl with combed, slip-marbled decoration, c. 1795
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wares, especially if Early Modern English, are called
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Conservation and restoration of ancient Greek pottery
207:is pottery decorated by slip placed onto a wet or 525:. F.Singer, S.S.Singer. Chapman & Hall. 1971. 488:. New York and London: Plenum Press. p. 114. 1047: 131:. Usually the mixing of slip is undertaken in a 537:. Rexford Newcomb, Jr. Pitman Publishing, 1947. 152:decoration produced separately, for example by 239:. Slip decoration is an ancient technique in 598: 486:Dictionary of Ceramic Science and Engineering 434:Making Marks: Discovering the Ceramic Surface 408:, thepotterywheel.com, accessed 10 July 2021. 176: 579:, 1991, British Museum Press, 9780714114705 605: 591: 612: 272: 192: 180: 29: 417: 14: 1048: 483: 422:(3 ed.). Val Cushing. p. 25. 114: 586: 465:. CMS, Hosting & Web Development 399: 139:To join sections of unfired ware or 436:, 2004, Krause Publications Craft, 24: 502:, 2002, Laurence King Publishing, 25: 1082: 456: 102:Engobes are commonly used in the 325: 303: 287: 69:(pieces of pottery) together by 561: 552: 540: 459:"PPP: Using Decorative Engobes" 185:Charger with Charles II in the 528: 516: 492: 477: 450: 426: 411: 387: 298:vase with cut-glaze decoration 41:slaying the bull, 400 ± 50 AD. 13: 1: 577:Chinese Pottery and Porcelain 380: 156:. This technique is known as 143:, such as handles and spouts. 914:Northern Black Polished Ware 148:To fix into place pieces of 7: 1071:Types of pottery decoration 343: 10: 1087: 280: 958: 942: 819: 776: 706: 631:Base minerals, and glazes 630: 624:Glossary of pottery terms 621: 498:Peterson, Susan and Jan, 360:Glossary of pottery terms 177:Decoration and protection 820:Processes and decoration 109: 27:Slurry of clay and water 406:What is slip in pottery 547:Dictionary Of Ceramics 394:Dictionary Of Ceramics 201: 190: 42: 983:Pre-conquest Americas 418:Cushing, Val (1994). 273:Other uses in pottery 237:Ancient Greek pottery 222:African red slip ware 218:Ancient Roman pottery 196: 184: 65:(semi-hardened) clay 35:African red slip ware 33: 484:McColm, Ian (1984). 123:properties, such as 708:Main types, by body 523:Industrial Ceramics 115:Joining and molding 960:History of pottery 884:Black and red ware 778:Forming techniques 558:Vainker, 17, 22-23 420:Cushing's Handbook 259:and then refired. 233:red-figure pottery 202: 191: 43: 1056:Ceramic materials 1043: 1042: 919:Painted Grey Ware 832:biscuit porcelain 510:, 9781856693172, 500:Working with Clay 444:, 9780873495042, 198:Chinese porcelain 119:An additive with 16:(Redirected from 1078: 726:Egyptian faience 716:Asbestos-ceramic 607: 600: 593: 584: 583: 568: 567:Vainker, 116-117 565: 559: 556: 550: 544: 538: 532: 526: 520: 514: 496: 490: 489: 481: 475: 474: 472: 470: 463:Ceramic Industry 454: 448: 430: 424: 423: 415: 409: 403: 397: 391: 329: 307: 291: 162:; an example is 104:ceramic industry 53:used to produce 21: 1086: 1085: 1081: 1080: 1079: 1077: 1076: 1075: 1046: 1045: 1044: 1039: 1028:list of potters 954: 938: 815: 772: 702: 626: 617: 611: 575:Vainker, S.J., 572: 571: 566: 562: 557: 553: 545: 541: 533: 529: 521: 517: 497: 493: 482: 478: 468: 466: 455: 451: 432:Hopper, robin, 431: 427: 416: 412: 404: 400: 392: 388: 383: 346: 339: 330: 321: 308: 299: 292: 283: 275: 241:Chinese pottery 179: 125:sodium silicate 117: 112: 28: 23: 22: 15: 12: 11: 5: 1084: 1074: 1073: 1068: 1063: 1058: 1041: 1040: 1038: 1037: 1032: 1031: 1030: 1023:Studio pottery 1020: 1015: 1010: 1005: 1000: 995: 990: 985: 980: 975: 970: 968:Ancient Greece 964: 962: 956: 955: 953: 952: 946: 944: 940: 939: 937: 936: 931: 926: 921: 916: 911: 906: 901: 896: 891: 889:Blue and white 886: 881: 876: 871: 866: 861: 856: 851: 846: 841: 836: 835: 834: 827:Biscuit firing 823: 821: 817: 816: 814: 813: 811:Wheel throwing 808: 803: 798: 793: 788: 782: 780: 774: 773: 771: 770: 765: 760: 759: 758: 753: 743: 738: 733: 728: 723: 718: 712: 710: 704: 703: 701: 700: 695: 690: 685: 680: 675: 670: 665: 660: 655: 650: 645: 640: 634: 632: 628: 627: 622: 619: 618: 610: 609: 602: 595: 587: 581: 580: 570: 569: 560: 551: 539: 527: 515: 491: 476: 449: 425: 410: 398: 385: 384: 382: 379: 378: 377: 372: 367: 362: 357: 355:Ceramic glazes 352: 345: 342: 341: 340: 331: 324: 322: 315:Mogador Island 309: 302: 300: 293: 286: 282: 279: 274: 271: 178: 175: 174: 173: 168: 167: 145: 144: 116: 113: 111: 108: 26: 9: 6: 4: 3: 2: 1083: 1072: 1069: 1067: 1064: 1062: 1059: 1057: 1054: 1053: 1051: 1036: 1033: 1029: 1026: 1025: 1024: 1021: 1019: 1016: 1014: 1011: 1009: 1006: 1004: 1001: 999: 996: 994: 991: 989: 986: 984: 981: 979: 976: 974: 971: 969: 966: 965: 963: 961: 957: 951: 948: 947: 945: 941: 935: 932: 930: 927: 925: 922: 920: 917: 915: 912: 910: 907: 905: 902: 900: 897: 895: 892: 890: 887: 885: 882: 880: 877: 875: 872: 870: 867: 865: 862: 860: 857: 855: 852: 850: 847: 845: 842: 840: 837: 833: 830: 829: 828: 825: 824: 822: 818: 812: 809: 807: 804: 802: 799: 797: 794: 792: 789: 787: 784: 783: 781: 779: 775: 769: 766: 764: 761: 757: 754: 752: 749: 748: 747: 744: 742: 739: 737: 734: 732: 729: 727: 724: 722: 719: 717: 714: 713: 711: 709: 705: 699: 696: 694: 691: 689: 686: 684: 681: 679: 676: 674: 671: 669: 666: 664: 661: 659: 656: 654: 651: 649: 646: 644: 641: 639: 636: 635: 633: 629: 625: 620: 615: 608: 603: 601: 596: 594: 589: 588: 585: 578: 574: 573: 564: 555: 548: 543: 536: 531: 524: 519: 513: 509: 505: 501: 495: 487: 480: 464: 460: 457:Zamek, Jeff. 453: 447: 443: 439: 435: 429: 421: 414: 407: 402: 395: 390: 386: 376: 373: 371: 368: 366: 363: 361: 358: 356: 353: 351: 348: 347: 338: 334: 328: 323: 320: 316: 312: 306: 301: 297: 290: 285: 284: 278: 270: 268: 264: 260: 258: 253: 249: 247: 242: 238: 234: 230: 225: 223: 219: 214: 213:ceramic glaze 210: 206: 199: 195: 188: 183: 170: 169: 165: 161: 160: 155: 151: 147: 146: 142: 138: 137: 136: 134: 130: 126: 122: 107: 105: 100: 98: 94: 90: 88: 84: 80: 76: 72: 68: 64: 60: 56: 52: 48: 40: 36: 32: 19: 973:Ancient Rome 943:Conservation 879:Black-figure 806:Slip casting 801:RAM pressing 672: 616:and claywork 576: 563: 554: 546: 542: 534: 530: 522: 518: 512:google books 499: 494: 485: 479: 467:. Retrieved 462: 452: 446:google books 433: 428: 419: 413: 401: 393: 389: 333:Miletus ware 276: 261: 257:biscuit ware 254: 250: 229:black-figure 226: 209:leather-hard 203: 187:Boscobel Oak 157: 121:deflocculant 118: 101: 92: 91: 63:leather-hard 46: 44: 18:Ceramic slip 934:Sea pottery 721:Earthenware 693:Salt glazed 683:Lead-glazed 643:China stone 296:Cizhou ware 267:art pottery 129:slipcasting 71:slipcasting 1050:Categories 929:Red-figure 924:Rang Mahal 839:Burnishing 768:Terracotta 756:soft-paste 751:hard-paste 741:Jasperware 698:Tin-glazed 688:Lustreware 508:1856693171 469:8 February 442:0873495047 381:References 311:Phoenician 235:styles of 220:, such as 164:Jasperware 83:decorating 57:and other 49:is a clay 37:: moulded 1066:Silicates 1013:Delftware 864:Pit fired 763:Stoneware 746:Porcelain 736:Ironstone 678:Ash glaze 663:Kaolinite 365:Porcelain 319:Essaouira 263:Barbotine 159:sprigging 141:greenware 1035:Tilework 904:Kakiemon 874:Slipware 859:Painting 796:Pinching 791:Moulding 731:Fritware 668:Petuntse 653:Feldspar 638:Bone ash 375:Slipware 350:Ceramics 344:See also 294:Chinese 246:slipware 205:Slipware 154:moulding 87:slipware 1061:Pottery 1018:Faience 1003:Islamic 894:Celadon 849:Glazing 786:Coiling 614:Pottery 370:Pottery 281:Gallery 172:scores. 133:blunger 79:glazing 59:ceramic 55:pottery 39:Mithras 1008:Persia 869:Saggar 844:Firing 506:  440:  337:Turkey 150:relief 93:Engobe 51:slurry 993:Korea 988:Japan 978:China 909:Malwa 899:Jorwe 317:near 110:Usage 75:mould 73:with 998:Maya 854:Kiln 673:Slip 658:Frit 648:Clay 504:ISBN 471:2024 438:ISBN 248:. 97:flux 67:body 47:slip 231:or 89:. 81:or 1052:: 461:. 77:, 45:A 606:e 599:t 592:v 473:. 166:. 20:)

Index

Ceramic slip

African red slip ware
Mithras
slurry
pottery
ceramic
leather-hard
body
slipcasting
mould
glazing
decorating
slipware
flux
ceramic industry
deflocculant
sodium silicate
slipcasting
blunger
greenware
relief
moulding
sprigging
Jasperware

Boscobel Oak

Chinese porcelain
Slipware

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