31:
255:), while other theorists of the same period make the distinction the other way around. In actual usage in music history, the term "chaconne" has not been so clearly distinguished from passacaglia as regards the way the given piece of music is constructed, and "modern attempts to arrive at a clear distinction are arbitrary and historically unfounded." In fact, the two genres were sometimes combined in a single composition, as in the
1468:
285:, who was probably the first composer to treat the chaconne and passacaglia comparatively, usually (but not always) sets the former in major key, with two compound triple-beat groups per variation, giving his chaconne a more propulsive forward motion than his passacaglia, which usually has four simple triple-beat groups per variation. Both are usually in
225:. However, recently it has been proposed that Bach's "Ciaccona" (he used the Italian form of the name, rather than the French "Chaconne") is really cast in the form of a French theatrical dance known as the "passacaille", although it also incorporates Italian and German style features as well.
190:
at the end of the sixteenth century and quickly spread to Europe. The dance became popular both in the elite courts and in the general population. "Un sarao de la chacona" is one of the earliest known examples of a "chacona", written down by
Spanish musician
248:
The chaconne has been understood by some nineteenth and early twentieth-century theorists to be a set of variations on a harmonic progression, as opposed to a set of variations on a melodic bass pattern (to which is assigned the term
1355:
The Larger Forms of
Musical Composition: An Exhaustive Explanation of the Variations, Rondos, and Sonata Designs, for the General Student of Musical Analysis, and for the Special Student of Structural Composition
710:(1687–1750): Chaconne, eleventh movement in Sonata 1; another, ninth movement in Sonata 2; another, seventh movement in Sonata 10; another, seventh movement in Sonata 12; all for lute (all undated)
644:(1685–1759): Chaconne in G major and 21 variations for harpsichord (written 1705–17, published 1733); another in G major and 62 variations for organ (written 1703–06, published 1733)
433:(1633–1694): Eighteen chaconnes for harpsichord, all unpublished in the composer's lifetime, perhaps the most chaconnes written by any known 17th-, 18th-, or 19th-century composer
240:
suggest its continuing influence. However, the form saw a very substantial revival during the 20th century, with more than two dozen composers contributing examples (see below).
734:
1454:(The Music Story Series, edited by Frederick J. Crowest. London: The Walter Scott Publishing Co., Ltd.; New York: Charles Scribner’s Sons, 1908) page 203.
1344:
Raymond
Erickson, "Toward a 21st-Century Interpretation of Bach's Ciaccona for Solo Violin, BWV 1004/5," The American Bach Society Newsletter, Spring 2003
1450:
172:, as a quick dance-song characterized by suggestive movements and mocking texts, the chaconne by the early eighteenth century had evolved into a slow
1370:(The Music Story Series, edited by Frederick J. Crowest. London: The Walter Scott Publishing Co., Ltd.; New York: Charles Scribner’s Sons, 1908), 203.
650:(1656–1728): Chaconne, eighth movement in Suite 3 in F major; another, final movement in Suite in A major; both for viola da gamba and continuo, from
1265:
19:
This article is about the musical form. For the last movement of J. S. Bach's second violin partita, commonly referred to as "the
Chaconne", see
293:, and have a theme of four measures (or a close multiple thereof). (In more recent times the chaconne, like the passacaglia, need not be in
580:(1743–1805): "Chaconne that represents Hell . . . in imitation of the one by M. Gluck," finale to Symphony in D minor, op. 12, no. 4 (1771)
364:
360:
356:
121:) which offers a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the
1396:
1639:
1513:
1288:
Juan Arañés, ‘¡A la vida bona!’, chacona a4 from Libro segundo de tonos y villancicos (Rome: Giovanni
Battista Robletti, 1624).
684:(1681–1767): "Lilliputian Chaconne," second movement of "Gulliver's Travels," Intrada-Suite in D major for 2 violins, from
233:
974:
1251:
30:
780:
1445:
1328:
74:
1126:(1965). Act 1, Scene 2 (Ciacona 1). Act 2, Scene 2 (Capriccio, Corale e Ciacona II). Act 4, Scene 2 (Ciacona III)
704:(1678–1741): Ciaccona, third movement of Concerto in G minor for flute, oboe, violin, bassoon, strings (c. 1720)
571:
504:
206:
35:
20:
205:
One of the best known and most masterful and expressive examples of the chaconne is the final movement from the
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134:
130:
919:
1172:
309:
845:
757:
391:
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Outstanding examples of early baroque chaconnes are
Monteverdi's "Zefiro torna" and "Es steh Gott auf" by
1506:
583:
467:(1594/95–1665): "Su la cetra amorosa," aria in ciaccona for soprano and instrumental accompaniment, from
668:
1649:
1472:
1438:
851:
338:
977:(according to one writer, technically a passacaglia, but according to others, technically a chaconne)
815:
617:
600:(1668–1733): "La Favorite," chaconne, ninth movement in Ordre 3ème in C minor for harpsichord, from
1316:
Gerald Drebes: "Schütz, Monteverdi und die 'Vollkommenheit der Musik' – 'Es steh Gott auf' aus den
1214:
1192:
1150:
1054:
867:
403:
386:
179:
1429:
Budd Udell, "Standard Works for Band: Gustav Holst's First Suite in E♭ Major for
Military Band."
1020:
724:
1644:
1634:
1499:
1119:
1066:
912:
799:
681:
641:
477:(dates unknown): Chaconne bass line in three keys (G major, C major, F major) for guitar, from
117:
on a repeated short harmonic progression, often involving a fairly short repetitive bass-line (
1198:
628:
423:(1583–1643): Four ciaccone (in F major, A minor, G major, A minor again) for harpsichord from
707:
567:
499:
430:
210:
1156:
834:
657:
420:
282:
264:
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487:(1567–1643): "Zefiro torna," ciaccona for two tenors and instrumental accompaniment, from
276:
8:
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526:
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474:
436:
352:
1042:
1393:
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895:
662:
484:
457:(1656–1728): Chaconne in G major for two violas da gamba and continuo, no. 47 from the
1558:
1286:
and is also known as "Chacona: A la vida bona". Lyrics with
English translation here:
540:
345:(undated); another in the Partita no. 3 in A major for seven string instruments, from
199:
1441:
1195:: Chaconne, 2nd movement of Symphony No. 1 "For the heart is an organ of fire" (2013)
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Passacaglia and
Ciaccona: Genre Pairing and Ambiguity from Frescobaldi to Couperin
1004:
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379:(1616–1678): Ciaccona a tre con il suo balletto for two violins and violone, from
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minor, for organ. (1925) Arranged for orchestra (transposed to D minor) in 1931.
879:
831:
John
Corigliano: Chaconne, 3rd movement of Symphony No. 1 "Giulio's Song" (1990)
818:: "El Sueño de la Razón Produce Monstruos", from "24 Caprichos de Goya", Op. 195
1208:
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312:'s Chaconne/Ground Bass, where every section is built on seven-beats patterns)
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Il Vitalino raddoppiato: ciaccona per violino soloista e orchestra da camera
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Toccate d’intavolatura di cimbalo et organo, partite di diverse arie . . .
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The ground bass, if there is one, may typically descend stepwise from the
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Toccate d’intavolatura di cimbalo et organo, partite di diverse arie ...
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413:(1653–1713): Chaconne in G major in the Sonata op. 2, no. 12, from the
1538:
999:
Toccata und Chaconne: über den Choral "Ja ich glaub an Jesum Christum"
756:: second movement "Chaconne: Body Through Which the Dream Flows" from
1613:
1598:
1533:
1202:
232:, the chaconne fell into decline during the 19th century, though the
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795:: "Chacony," third movement of the String Quartet No. 2, in C (1945)
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543:(1655–1732/33): Two chaconnes (in F major, G major) for guitar from
1603:
1578:
1563:
1543:
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769:
Malcolm Arnold: second movement "Chaconne: Andante con moto" from
766:: second movement "Chaconne" from Recorder Sonatina, Op. 41 (1953)
335:(1605–1669): Ciaccona in C major for violin and continuo (undated)
164:
Though it originally emerged during the late sixteenth century in
1568:
1231:
497:(1653–1706): Two chaconnes (in C major, D major) for organ, from
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as actually having been a sexily swirling dance that appeared in
1491:
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113:) is a type of musical composition often used as a vehicle for
789:: Chaconne (from Lifecycle, sequence of 24 piano solos) (1975)
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152:; the harmonies given to the upper parts may emphasize the
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355:(c. 1638–1707): Prelude, fugue, and chaconne in C Major (
1420:, ed. S. Sadie and J. Tyrrell (London: Macmillan, 2001).
1185:: Chaconnes in C major, C minor and D minor for baroque
415:
Sonate da camera a tre: doi violini, e violone o cembalo
1071:
Chaconne and Interludes: (The Instruments of Peace III)
660:(1683–1764): chaconne in D minor from the opera-ballet
586:(1689–1755): Chaconne in A major for two cellos, from
75:
66:
60:
798:
Benjamin Britten: "Ciaccona," fifth movement of the
125:. It originates and was particularly popular in the
886:, op. 51 (Chaconne, Musette, Dithyrambe), for organ
213:. This 256-measure chaconne takes a plaintive four-
168:culture, having reputedly been introduced from the
57:
1440:(Oxford: Heinemann Educational Publishers, 2001.
666:(1735); another in D minor from the opera-ballet
1626:
672:(1739); another in A major from the comic opera
1437:– Pam Hurry, Mark Phillips, and Mark Richards,
1418:The New Grove Dictionary of Music and Musicians
1266:The New Grove Dictionary of Music and Musicians
1161:Ciaccona in memoria Giovanni Paolo II per archi
892:: Chaconne for harp and string orchestra (1976)
779:: first movement, "Tempo di ciaccona" from the
735:Sarabande und Chaconne aus dem Singspiel Almira
549:Livre de pieces pour la guittarre, dédié au roi
341:(1644–1704): Ciacona in D major for violin and
221:of musical expression in both major and minor
1507:
975:First Suite in E-flat major for Military Band
842:Nun komm, der Heiden Heiland: kleine Chaconne
129:; a large number of Chaconnes exist from the
34:The "Ciaccona" from Johann Sebastian Bach's
626:(1762); the same chaconne also in the opera
908:for two violins and string orchestra (1995)
590:(1737); another in G major, from the opera
243:
23:. For George Balanchine's 1976 ballet, see
1514:
1500:
632:(1774); a different chaconne in the opera
517:(1659–1695): Chaconne from the semi-opera
481:(1606), perhaps the first written chaconne
1273:and J. Tyrrell (London: Macmillan, 2001).
610:(1671–1745): Chaconne "La Buisson", from
570:(1685–1750): Chaconne, fifth movement of
572:Partita no. 2 in D minor for solo violin
29:
1282:"Un sarao de la chacona" translates as
1149:: "Chaconni," second movement from her
870:: Chaconne, for violin and piano (1951)
743:: Ciacona in F minor, op. 32, for organ
489:Scherzi musicali cioè arie et madrigali
1627:
1023:: Chaconne, for cello and piano (1931)
837:: Chaconne in A minor for organ (1933)
1495:
1079:: Chaconne, for tuba and piano (1938)
942:Suite for Violin and American Gamelan
810:Toccata: Preludio, Fantasia, Ciaccona
524:(1690); two more from the semi-opera
469:Madrigali et altre musiche concertate
439:(1632–1687): Chaconne from the opera
389:(1643–1704): Chaconne from the opera
104:
95:
86:
1405:Journal of Seventeenth-Century Music
531:(1691); another from the semi-opera
381:Correnti, balletti, galiarde a 3 è 4
367:160); all for organ (probably 1690s)
1486:Passacaglias and Chaconnes for Lute
698:for violin and piano (c. 1710–1730)
620:(1714–1787): Chaconne in the opera
612:Pieces de viole avec basse continue
13:
898:: Chaconne op. 8, for piano (1932)
289:, begin on the second beat of the
14:
1661:
1521:
1461:
1357:(: G. Schirmer, 1915), 29 and 40.
1045:: Chaconne, op. 50, for orchestra
725:Symphony No. 4 in E minor, Op. 98
547:(1682); another in G minor, from
156:or a derivative pattern thereof.
1466:
1263:Alexander Silbiger, "Chaconne,"
1234:with their song Chaconne (2023).
967:: Chaconne for solo cello (1975)
862:Variations, Chaconne, and Finale
588:Neuf petites sonates et chaconne
545:Livre de guittarre, dédié au roi
47:
1423:
1416:Alexander Silbiger, "Chaconne"
1410:
1386:
1139:: Chacoinas (2) in A minor for
1130:
1094:Fantasia, Chaconne, and Allegro
854:: Chaconne for orchestra (1994)
808:: "Ciaccona", third section of
747:
714:
555:
503:(1699); four more (in D major,
479:Nuova inventione d'intavolatura
447:(1685); another from the opera
443:(1683); another from the opera
401:(1688); another from the opera
395:(1685); another from the opera
363:159), and chaconne in E minor (
320:
21:Partita for Violin No. 2 (Bach)
1640:Dance forms in classical music
1373:
1360:
1347:
1338:
1310:
1300:"Alex Ross: The Rest Is Noise"
1292:
1276:
1257:
1245:
562:List of 18th-century Chaconnes
519:Prophetess, or The History of
327:List of 17th-century Chaconnes
257:Cento partite sopra passacagli
1:
1383:(New York: Norton, 1947), 42.
1366:Lucas, Clarence Lucas, 1908.
1238:
1033:, op. 32, for piano (1916–17)
182:describes the origins of the
1448:) p. 238. – Clarence Lucas,
1304:Alex Ross: The Rest Is Noise
1163:(for string orchestra) from
1017:: Chaconne, for Piano (1946)
934:: Chaconne, for piano (1962)
928:: Chaconne, for organ (1985)
846:Nun komm, der Heiden Heiland
217:phrase through a continuous
7:
1435:(JSTOR subscription access)
1175:: Chaconne/Ground Bass for
1104:Dance in Form of a Chaconne
1084:Canon, Chacony, & Fugue
584:Joseph Bodin de Boismortier
359:137), chaconne in C minor (
347:Harmonia artificioso-ariosa
315:
16:Type of musical composition
10:
1666:
1433:69, no. 4 (1982) page 28.
1211:: Ciaccona per pianoforte.
1173:Francesco Tristano Schlimé
1051:: Chaconne for solo guitar
1039:: Chaconne for solo violin
987:, from the film music for
559:
339:Heinrich Ignaz Franz Biber
324:
310:Francesco Tristano Schlimé
159:
18:
1529:
1451:The Story of Musical Form
1368:The Story of Musical Form
985:Chaconne de l'impératrice
826:The Red Violin (Chaconne)
816:Mario Castelnuovo-Tedesco
618:Christoph Willibald Gluck
461:, premier livre (1686–89)
373:(1587 – c.1641): Ciaccona
308:time; see, for instance,
271:(1726) as well as in the
267:, and the first suite of
207:Violin Partita in D minor
1381:Music in the Baroque Era
1224:Michael Blake: Kora for
1009:Hungarian Rock: Chaconne
959:Concerto for Double Bass
922:, second movement (1987)
876:: Ciaconna gotica (1920)
828:for violin and orchestra
686:Der getreue Musikmeister
654:, quatrième livre (1717)
387:Marc-Antoine Charpentier
244:Chaconne and passacaglia
234:32 Variations in C minor
36:Partita for Violin No. 2
1431:Music Educators Journal
961:, third movement (1966)
915:, third movement (1995)
529:, or The British Worthy
1120:Bernd Alois Zimmermann
1067:Reginald Smith Brindle
840:Johann Nepomuk David:
781:Sonata for violin solo
682:Georg Philipp Telemann
642:George Frideric Handel
604:, premier livre (1713)
101:
92:
38:
1480:Ciaccona Book trailer
1475:at Wikimedia Commons
1392:Alexander Silbiger, "
1221:, first dance (1994).
920:Violin Concerto No. 1
708:Sylvius Leopold Weiss
568:Johann Sebastian Bach
511:) for organ (undated)
500:Hexachordum Apollinis
431:Jean-Nicolas Geoffroy
211:Johann Sebastian Bach
33:
1157:Krzysztof Penderecki
835:Johann Nepomuk David
658:Jean-Philippe Rameau
421:Girolamo Frescobaldi
392:Les arts florissants
265:Girolamo Frescobaldi
106:[tʃakˈkoːna]
1324:, volume 14, 1992,
1217:: French Suite for
1199:Marc-André Dalbavie
1001:, op. 13, for piano
957:Hans Werner Henze:
696:Chaconne in G minor
629:Iphigénie en Aulide
475:Girolamo Montesardo
437:Jean-Baptiste Lully
353:Dieterich Buxtehude
176:instrumental form.
109:; earlier English:
1399:2008-05-15 at the
1379:Manfred Bukofzer,
1353:Percy Goetschius,
1331:2016-03-03 at the
1114:Chaconne in C-moll
973:: "Chaconne" from
896:Gunnar de Frumerie
663:Les Indes galantes
602:Pièces de clavecin
485:Claudio Monteverdi
97:[tʃaˈkona]
39:
1650:Variation (music)
1622:
1621:
1471:Media related to
1318:Symphoniae sacrae
1179:(1997/2004/2012).
1073:, for two guitars
1011:, for harpsichord
948:Hans Werner Henze
932:Sofia Gubaidulina
858:Norman Dello Joio
771:Quintet For Brass
623:Orfeo ed Euridice
608:Antoine Forqueray
598:François Couperin
411:Arcangelo Corelli
398:David et Jonathas
371:Francesca Caccini
277:François Couperin
25:Chaconne (ballet)
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1320:II (1647)". In:
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1284:A chacona soirée
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1169:(added in 2005).
1116:for organ (1996)
1106:for piano (1941)
1090:David Van Vactor
1086:for organ (1948)
1062:
1061:
1043:Knudåge Riisager
806:Ferruccio Busoni
793:Benjamin Britten
741:Heinrich Reimann
733:: Chaconne from
669:Les fêtes d'Hébé
592:Daphnis et Chloé
578:Luigi Boccherini
495:Johann Pachelbel
465:Tarquinio Merula
459:Pièces de violes
377:Maurizio Cazzati
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273:Pièces de Violes
154:circle of fifths
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1333:Wayback Machine
1322:Schütz-Jahrbuch
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1201:: Ciaccona for
1151:violin concerto
1147:Jennifer Higdon
1133:
1096:, for orchestra
1059:
1058:
1057:: Chaconne in C
1015:Douglas Lilburn
981:Arthur Honegger
926:Alexander Goehr
874:Cornelis Dopper
852:Robert Davidson
822:John Corigliano
812:, BV 287 (1922)
773:, Op. 73 (1961)
758:Violin Concerto
750:
721:Johannes Brahms
717:
702:Antonio Vivaldi
652:Pièces de viole
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541:Robert de Visée
534:The Fairy-Queen
449:Acis et Galatée
333:Antonio Bertali
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200:Heinrich Schütz
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913:Symphony No. 3
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746:
745:
744:
738:
737:, S.181 (1879)
728:
716:
713:
712:
711:
705:
699:
692:Tommaso Vitali
689:
679:
655:
645:
639:
615:
605:
595:
581:
575:
560:Main article:
557:
554:
553:
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538:
512:
492:
482:
472:
462:
452:
434:
428:
418:
408:
384:
374:
368:
350:
349:(written 1696)
343:basso continuo
336:
325:Main article:
322:
319:
317:
314:
299:
245:
242:
230:Baroque period
161:
158:
15:
9:
6:
4:
3:
2:
1662:
1651:
1648:
1646:
1645:Musical forms
1643:
1641:
1638:
1636:
1635:Baroque dance
1633:
1632:
1630:
1615:
1612:
1610:
1607:
1605:
1602:
1600:
1597:
1595:
1592:
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1550:
1547:
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1537:
1535:
1532:
1531:
1528:
1524:
1523:Baroque dance
1517:
1512:
1510:
1505:
1503:
1498:
1497:
1494:
1488:
1487:
1483:
1481:
1478:
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1474:
1469:
1453:
1452:
1447:
1446:0-435-81258-0
1443:
1439:
1436:
1432:
1426:
1419:
1413:
1406:
1402:
1398:
1395:
1389:
1382:
1376:
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1363:
1356:
1350:
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1334:
1330:
1327:
1323:
1319:
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1301:
1295:
1289:
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1279:
1272:
1271:Stanley Sadie
1268:
1267:
1260:
1253:
1248:
1244:
1233:
1230:
1227:
1223:
1220:
1216:
1215:Michael Blake
1213:
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1207:
1204:
1200:
1197:
1194:
1193:Simon Andrews
1191:
1188:
1184:
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1091:
1088:
1085:
1082:Leo Sowerby:
1081:
1078:
1075:
1072:
1068:
1065:
1056:
1055:Franz Schmidt
1053:
1050:
1047:
1044:
1041:
1038:
1035:
1032:
1028:
1025:
1022:
1019:
1016:
1013:
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1005:György Ligeti
1003:
1000:
996:
993:
990:
986:
982:
979:
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972:
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966:
963:
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949:
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930:
927:
924:
921:
917:
914:
910:
907:
903:
900:
897:
894:
891:
890:Jean Françaix
888:
885:
881:
878:
875:
872:
869:
868:David Diamond
866:
864:for orchestra
863:
859:
856:
853:
850:
847:
843:
839:
836:
833:
830:
827:
823:
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694:(1663–1745):
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515:Henry Purcell
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196:
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188:South America
185:
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177:
175:
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167:
157:
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148:pitch of the
147:
143:
138:
136:
132:
128:
124:
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116:
112:
107:
103:
98:
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89:
81:
80:
71:
44:
37:
32:
26:
22:
1553:
1485:
1465:
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1404:
1388:
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1375:
1367:
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1349:
1340:
1321:
1317:
1312:
1303:
1294:
1283:
1278:
1264:
1259:
1247:
1164:
1160:
1137:Paulo Galvão
1131:21st century
1124:Die Soldaten
1123:
1113:
1103:
1100:Stefan Wolpe
1093:
1083:
1070:
1027:Carl Nielsen
1021:Frank Martin
1008:
998:
995:Ernst Krenek
988:
984:
971:Gustav Holst
958:
951:
941:
938:Lou Harrison
905:
902:Philip Glass
883:
880:Marcel Dupré
861:
841:
825:
809:
802:No. 2 (1967)
787:Howard Blake
748:20th century
715:19th century
685:
673:
667:
661:
651:
648:Marin Marais
633:
627:
621:
611:
601:
591:
587:
556:18th century
548:
544:
532:
525:
518:
498:
488:
478:
468:
458:
455:Marin Marais
448:
444:
440:
424:
414:
402:
396:
390:
380:
346:
321:17th century
300:
287:triple meter
281:
272:
268:
260:
256:
250:
247:
227:
219:kaleidoscope
204:
197:
183:
178:
174:triple meter
163:
139:
110:
42:
40:
1609:Ritournelle
1594:Passacaille
1254:, naxos.com
1077:Leo Sowerby
1049:Poul Ruders
848:" for organ
800:Cello Suite
777:Béla Bartók
731:Franz Liszt
527:King Arthur
507:, F major,
283:Frescobaldi
269:Les Nations
263:(1637), by
252:passacaglia
193:Juan Arañés
127:Baroque era
123:passacaglia
119:ground bass
100:; Italian:
91:; Spanish:
1629:Categories
1239:References
754:John Adams
521:Dioclesian
275:(1728) by
228:After the
1614:Sarabande
1599:Passepied
1534:Allemande
1473:Chaconnes
1326:pp. 25–55
1203:orchestra
991:(1926–27)
884:Triptyque
688:(1728–29)
238:Beethoven
180:Alex Ross
170:New World
115:variation
1604:Rigaudon
1579:Hornpipe
1564:Galliard
1554:Chaconne
1544:Courante
1397:Archived
1329:Archived
1252:Chaconne
1122:: opera
1060:♯
1031:Chaconne
989:Napoléon
727:, finale
316:Examples
146:dominant
102:ciaccona
43:chaconne
1569:Gavotte
1539:Bourrée
1232:Enhypen
1228:(2009).
1205:(2002).
906:Echorus
509:F minor
505:D minor
441:Phaëton
259:, from
184:chacona
166:Spanish
160:History
144:to the
111:chacony
93:chacona
84:French:
1589:Minuet
1559:Entrée
1549:Canary
1444:
1269:, ed.
1153:(2008)
954:(1977)
944:(1974)
783:(1944)
760:(1993)
678:(1745)
675:Platée
638:(1777)
635:Armide
614:(1747)
594:(1747)
574:(1720)
551:(1686)
537:(1692)
491:(1632)
471:(1633)
451:(1686)
445:Roland
427:(1637)
417:(1685)
407:(1694)
383:(1659)
1584:Loure
1574:Gigue
1219:piano
1177:piano
404:Médée
365:BuxWV
361:BuxWV
357:BuxWV
223:modes
150:scale
142:tonic
131:17th-
1442:ISBN
1226:harp
1187:lute
844:on "
133:and
76:shə-
1403:,"
291:bar
236:by
215:bar
209:by
78:KON
1631::
1302:.
1159::
1112::
1102::
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1007::
997::
983::
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940::
904::
882::
860::
824::
723::
279:.
202:.
195:.
137:.
82:,
41:A
1515:e
1508:t
1501:v
1335:.
1306:.
1189:.
1143:.
301:4
70:/
67:n
64:ɒ
61:k
58:ˈ
55:ə
52:ʃ
49:/
45:(
27:.
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