275:(1867) and other plays by Shakespeare. He generally had a good "stock" company, in which several actors and actresses of mark received their training. The financial viability of the ventures he was associated with seems to have varied. The Prince's Theatre passed into the hands of a company in 1868 who quickly rebuilt it, allowing Calvert to fulfill his promise of providing "dramatic entertainment of the highest class". His connection with the theatre ended in 1875, shortly before which Calvert had staged a very successful production of Henry V in New York. After leaving the Prince's Theatre he produced, at the Theatre Royal, Manchester,
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187:, Calvert began the series of Shakespearean "revivals" which were the chief efforts of his professional life. Convinced that Shakespeare could be "made to pay," he consistently produced plays with elaborate attention to scenery, costume, and every other element of stage effect. The Shakespearean plays revived by Calvert were the following:
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From a draft in his handwriting it appears to have been his intention, had his connection with the Prince's
Theatre continued, to crown the series by an arrangement of the three parts of Henry VI together with Richard III in three plays, under the title of
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His last years were migratory, spent at the head of a traveling company which appeared in
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In 1859, Calvert became stage-manager and principal actor of the
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Richard
Foulkes, โCalvert, Charles Alexander (1828โ1879)โ, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Jan 2008
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in London, where he played leading youthful parts of a "legitimate" type. A year after his arrival in London he married the actress
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Theatre programme, Theatre Royal
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canon featuring elaborate staging and what were considered historically accurate sets and costumes.
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in 1877, for which he commissioned a new score for the fifth act by
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Calvert was born in London on 28 February 1828, and educated at
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120:(28 February 1828 โ 12 June 1879) was a British actor and
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