162:'s song, "The Man Who Broke the Bank at Monte Carlo". When Gilbert first offered the song, Coborn was reluctant to adopt it. In his autobiography he stated: " liked the tune very much, especially the chorus, but I was rather afraid that some of the phrasing was rather too highbrow for an average music hall audience." But when he found that he could not get the chorus out of his mind, he decided to use it. The song became a regular of his act, and he performed it while touring, using different languages for it throughout the world. Coborn later estimated that he had performed the song 250,000 times in the course of his career, and could sing it in 14 languages. Coborn confirmed that Gilbert's inspiration was the gambler and confidence trickster
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155:'s song "My Nellie's Blue Eyes". Liking the melody but not the words, Coborn rewrote it as "Two Lovely Black Eyes", and began performing it regularly wearing a faded frock coat, carrying a battered umbrella and with two blackened eyes. He premièred it at the Paragon Theatre, in the Mile End Road, and the song was instantly successful.
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Coborn's other, less successful, songs included "Should
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during 1900. Described as a 'literate man of high principles', he was never accepted completely by the music hall establishment, but performed much charitable work during the
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and later as an effort to improve the conditions of music hall entertainers. He continued to make occasional performances, including a one in the 1943 movie
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singer and comedian. During a long career, Coborn was known largely for two comic songs: "Two Lovely Black Eyes", and "
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in a Jewish-owned theatre (he apologised afterwards, but was banned from appearing in the venue again).
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includes two recordings. You can also hear him singing "The Man who Broke the Bank at Monte Carlo",
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Coborn, C.: The Man who Broke the Bank at Monte Carlo (pp. 227–8): (London: Hutchinson, c. 1928)
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Recordings that he made during the 1920s can be found on the album
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in London as "The Comic of the Day". In 1886, he heard
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Sing Us One of the Old Songs: A Guide to
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