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Deas returned to New York in 1848 and expressed a desire to open a gallery of Indian art. Before he could do this he was declared legally insane. While he was institutionalized, his paintings were described as being particularly intense. "One of his wild pictures, representing a black sea, over which
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Deas was most famous while he was still alive. One critic, in 1947, stated that the painter was considered to have "enjoyed more of a reputation during his own lifetime" than currently. Between 1841 and 1848, Deas' regularly exhibited his works in St. Louis at the "Mechanics Fairs." He also shipped
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a figure hung, suspended from a ring, while from the waves a monster was springing, was so horrible, that a sensitive artist fainted at the sight."
177:. During this time, Deas would typically spend "a few months among the Indian tribes, familiarizing himself with their manners and customs."
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The artist's works are described as expressing "psychological tension, perceived danger, alarm, and flight," epitomized by his painting
149:, New York. As a young man, he studied under John Sanderson in Philadelphia, and subsequently embarked upon a career as a painter. The
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which depicts an Indian and trapper locked in combat while falling to their deaths from a cliff.
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A summer in the wilderness; embracing a canoe voyage up the
Mississippi and around Lake Superior
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104:(December 22, 1818 – March 23, 1867) was an American painter noted for his oil paintings of
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Deas died of "apoplexy" (possible stroke) in
Bloomingdale Asylum on March 23, 1867.
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in New York soon recognized his work, electing him as an associate member in 1839.
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Baur, John I. H. (Summer 1947). "Unknown
American Painters of the 19th Century".
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165:, and travel westward in the United States. It was during travels through the
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Izard) Deas (1764–1863), a daughter of the 18th century
American politician
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120:, Pennsylvania. He was a son of William Allan Deas (1764-1863) and Anne (
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426:, New York: D. Appleton & Company, 1847. pp. 202–214. (OCLC
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698:. Norman, Oklahoma: University of Oklahoma Press. pp. 35–45.
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Self portrait of
Charles Deas held at the National Academy Museum
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Catlin and his contemporaries : the politics of patronage
604:. Columbia, MO : University of Missouri Press. pp.
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By 1840, he had decided to emulate one of his influences,
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He attempted, and failed, to obtain an appointment to the
733:"Artist’s Work, Out of Attics, Goes to Walls of a Museum"
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Territory that he became a noted painter of trappers and
637:. Lincoln : University of Nebraska Press. p.
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216:). He was institutionalized for the rest of his life.
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405:, Norman : University of Oklahoma Press, 2009. (
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Appletons' cyclopædia of
American biography (vol. 2)
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Winnebago with Bear-Claw
Necklace and Gun-Stock Club
598:Rubin, Beth (1999). Lawrence O. Christensen (ed.).
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208:On May 23, 1848, Deas was committed to New York's
495:Artists of the Nineteenth Century and Their Works
493:Clement, Clara Erskine; Hutton, Laurence (1885).
173:. By 1841, Deas decided to establish his base in
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482:. New York, NY: Grove's Dictionaries, Inc.: 588.
390:Indian Warrior on the Edge of a Precipice (1847)
563:(4): 280. Retrieved March 3, 2010 from JSTOR.
540:. New York : D. Appleton and Co. p.
423:Artist-life: or, Sketches of American painters
745:SIRIS (Smithsonian) listing of Deas paintings
665:Book of the Artists: American Artistic Life
323:, (1843), oil on canvas, private collection
497:. Boston: Osgood and Company. p. 187.
108:and fur trappers of the mid-19th century.
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668:. New York: G.B. Putnam and Son. p.
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513:Marquis Who Was Who in America 1607–1984
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474:Clark, Carol (1996). "Deas, Charles".
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269:(1840), graphite on buff wove paper,
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188:many of his works, for sale, to the
723:Artcyclopedia entry on Charles Deas
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288:with Peace Medal and Red Pipestone
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454:. New York, D. Appleton. p.
297:Winnebago with Bear-Claw Necklace
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190:Pennsylvania Academy of Fine Arts
601:Dictionary of Missouri Biography
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420:Tuckerman, Henry T., "Deas" IN
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770:19th-century American painters
696:Charles Deas and 1840s America
403:Charles Deas and 1840s America
143:United States Military Academy
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785:Artists of the American West
662:Tuckerman, Henry T. (1867).
310:St. Louis Mercantile Library
301:St. Louis Mercantile Library
292:St. Louis Mercantile Library
280:St. Louis Mercantile Library
262:Virginia Museum of Fine Arts
244:St. Louis Mercantile Library
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315:Winnebagos Playing Checkers
253:Houston Museum of Fine Arts
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780:Painters from Philadelphia
694:Clark, Carol (2009). "1".
376:Boston Museum of Fine Arts
367:Boston Museum of Fine Arts
363:The Trapper and His Family
338:(1844), private collection
317:(1842), private collection
151:National Academy of Design
383:, (1847), oil on canvas,
374:, (1846), oil on canvas,
356:, (1845), oil on canvas,
192:as well as to New York's
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116:Charles Deas was born in
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534:Lanman, Charles (1847).
212:(a site now occupied by
344:(1845), oil on canvas,
336:Dragoons Crossing River
329:(1844), oil on canvas,
308:(1840), oil on canvas,
299:(1840), oil on canvas,
290:(1840), oil on canvas,
278:(1840), oil on canvas,
260:(1838), oil on canvas,
251:(1838), oil on canvas,
242:(1838), oil on canvas,
775:American male painters
629:Dippie, Brian (1990).
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234:(1840) by Charles Deas
40:(1846) by Charles Deas
476:The Dictionary of Art
448:Wilson, James Grant.
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136:Alice De Lancey Izard
795:Van Cortlandt family
401:Clark, Carol et al.
321:Devil and Tom Walker
557:College Art Journal
276:Wa-kon-cha-hi-re-ga
232:Wa-kon-cha-hi-re-ga
214:Columbia University
210:Bloomingdale Asylum
175:St. Louis, Missouri
738:The New York Times
358:Amon Carter Museum
342:The Death Struggle
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194:American Art Union
741:, August 24, 2010
705:978-0-8061-4030-8
331:Denver Art Museum
249:Walking the Chalk
240:Robert Watts, Jr.
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182:Death Struggle
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134:and his wife,
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92:Known for
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73:(1867-03-23)
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765:1867 deaths
760:1818 births
351:A Group of
128:Ralph Izard
84:Nationality
754:Categories
435:References
365:, (1845),
327:Long Jakes
147:West Point
112:Early life
52:1818-12-22
585:191257926
415:258767488
286:Winnebago
167:Wisconsin
519:March 3,
413:) (OCLC
95:painting
87:American
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515:. 2009
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157:Career
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353:Sioux
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521:2010
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68:Died
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
