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friend of the couple. Charles and Eero
Saarinen were hired to design Case Study House number 8, which would be the residence of Charles and Ray, and Case Study House number 9, which would house John Entenza, in 1945. The two homes (alongside other Case Study houses) would share a five-acre parcel of land in the Pacific Palisades neighborhood north of Santa Monica, which overlooked the Pacific Ocean. Because of post-war material rationing, the materials ordered for the first draft of the Eames House (called “the Bridge House”) were backordered. Charles and Ray spent many days and nights on-site in the meadow picnicking, shooting arrows, and socializing with family, friends, and coworkers. They learned of their love for the eucalyptus grove, the expanse of land, and the unobstructed view of the ocean. They chose not to build the Bridge House and instead reconfigured the materials to create two separate structures nestled into the property's hillside. Eero Saarinen had no part in this second draft of the Eames House; it was a full collaboration between Charles and Ray. The materials were finally delivered, and the house was erected from February through December 1949. The Eameses moved in on Christmas Eve, and it became their only residence for the remainder of their lives. It remains a milestone of
564:"I think the search for rewarding experience comes directly from the business of getting on with daily life. When we planned the IBM wall, we weren’t immediately worrying about communicating with the public. We were simply trying to understand the computer ourselves. I feel that if we can genuinely satisfy ourselves, we have a fair chance of reaching other people. Never for one moment did we think of the exhibition as a marriage of art and science; we always viewed it as part of life."
551:"One of the things that seems to be common among those who tend to not be miserable is the ability to have concern , get pleasure from, and respect objects, people, and things that are of no immediate value to them. Respect for the thing that isn’t going to pay off tomorrow. Because tomorrow’s problems are going to be different, and the things that come to your rescue are often the things you learn to respect when you had no idea they were going to be of value."
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512:"I think of myself officially as an architect; I look at the problems around us as problems of structure. The tools we use are often connected with the arts, but we use them to solve very specific problems. . . .I think of architects as tradesmen–and it doesn’t seem an unflattering idea. Anyone who calls himself an artist is suspect to me because an artist is a title you sort of earn, you don’t gain it by choosing a line of work."
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working there, because I'm not prepared to say that the banana leaf that one eats off of is the same as the other eats off of, but it's that process that has happened within the man that changes the banana leaf. And as we attack these problems—and I hope and I expect that the total amount of energy used in this world is going to go from high to medium to a little bit lower—the banana leaf idea might have a great part in it.
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The Eames Office designed a few more pieces of architecture, many of which were never put into fruition. The Herman Miller
Showroom on Beverly Boulevard in Los Angeles was built in 1950 and the De Pree House was constructed in Zeeland, Michigan for the founder of Herman Miller's son, Max De Pree, and
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But you can go beyond that and the guys that have not only means, but a certain amount of knowledge and understanding, go the next step and they eat off of a banana leaf. And I think that in these times when we fall back and regroup, that somehow or other, the banana leaf parable sort of got to get
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in the hopes of showcasing examples of economically priced modern homes that utilized wartime and industrial materials. John
Entenza, the owner and editor of Arts & Architecture magazine, recognized the importance of Charles and Ray's thinking and design practices—alongside becoming a close
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and his interest in modern architects. The university reportedly dropped him because of his "too modern" views. Other sources, less frequently cited, note that while a student, Charles Eames was also employed as an architect at the firm of
Trueblood and Graf. The demands on his time from this
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Charles was born in St. Louis to
Charles Eames Sr., a railway security officer, and Marie Adele Celine Eames (née Lambert) on June 17, 1907. He had one elder sibling, a sister called Adele. Charles attended Yeatman High School and developed an early interest in architecture and photography.
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being the most basic eating utensil in southern India. He related the progression of design and its process where the banana leaf is transformed into something fantastically ornate. He explains the next step and ties it to the design process by finishing the parable
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While at
Washington University, he met his first wife, Catherine Woermann, whom he married in 1929. A year later, they had a daughter, Lucia Dewey Eames. Charles and Catherine were married for over a decade, and their divorce was finalized in early 1941.
362:"Organic Design in Home Furnishings" competition. He met Ray Kaiser during this project; she was a student at Cranbrook and helped with graphic design. Eames and Saarinen's work displayed the new technique of wood molding (originally developed by
538:"The best preparation is a general education. I’ve never found a good mind that allowed techniques to stand in its way. By education I do not mean schooling—I mean the development of a sensitivity to the forces that give structure to life."
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department. In order to apply for the
Architecture and Urban Planning Program, Eames defined an area of focus—the St. Louis waterfront. Together with Eero Saarinen he designed prize-winning furniture for
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at
Washington University in St. Louis on an architecture scholarship. After two years of study, he left the university. Many sources claim that he was dismissed for his advocacy of
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From 1943 until his death in 1978, Charles and Ray worked together with a team of staff and produced an unparalleled breadth of creative design work across many disciplines.
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In 1930, Charles began his own architectural practice in St. Louis with partner
Charles Gray. They were later joined by a third partner, Walter Pauley.
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his growing family. Unbuilt projects include the Billy Wilder House, the prefabricated kit home known as the
Kwikset House, and a national aquarium.
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Three years after arriving in Los Angeles, Charles and Ray were asked to participate in the Case Study House Program, a housing program sponsored by
246:, he made groundbreaking contributions in the fields of architecture, furniture design, industrial design, manufacturing and the photographic arts.
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Charles Eames died of a heart attack on August 21, 1978, while on a consulting trip in his native Saint Louis. He was buried in the
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In 1941, Charles and Catherine divorced, and soon after, he married his Cranbrook colleague Ray Kaiser. He relocated with her to
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242:(June 17, 1907 – August 21, 1978) was an American designer, architect and filmmaker. In professional partnership with his wife
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742:(25th anniversary ed.). Köln: Taschen. pp. 225–233.
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Charles Eames was greatly influenced by the Finnish architect
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675:. The Metropolitan Museum of Art. Accessed 12 December 2007.
349:. Charles quickly became an instructor and the head of the
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American designer, architect and film maker (1907–1978)
724:. Eames Office resources. Accessed 11 December 2007.
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St. Mary's Catholic Church, Paragould, Arkansas, 1935
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Members of the American Academy of Arts and Letters
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621:"Charles Ormond Eames: Architect Biography"
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213:and the collective work of The Eames Office
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270:Sam Fox School of Design & Visual Arts
481:In 1970 and 1971, Charles Eames gave the
310:Dinsmoor House, St. Louis, Missouri, 1936
301:St. Mary's Church, Helena, Arkansas, 1934
298:Sweetzer House, St. Louis, Missouri, 1931
116:Learn how and when to remove this message
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738:Fiell, Charlotte; Fiell, Peter (2005).
689:. stlouiswalkoffame.org. Archived from
469:in St. Louis. He now has a star on the
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487:Harvard University
390:In Popular Culture
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