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Charles Eliot Norton Lectures

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was established in 1925 as an annual lectureship in "poetry in the broadest sense" and named for the university's former professor of fine arts. Distinguished creative figures and scholars in the arts, including painting, architecture, and music deliver customarily six lectures. The lectures are
148:. The following table lists all the published lecture series, with academic year given and year of publication, together with unpublished lectures as are known. Titles under which the lectures were published are not necessarily titles under which they were given. 278:(The Relation of Criticism and Poetry—Poetry and Criticism in the Time of Elizabeth—The Classical Tradition: Dryden and Johnson—The Theories of Coleridge and Wordsworth—The Practice of Shelley and Keats— 1248:(In Praise of Shadows—A Brief History of Colonial Revolts—Vertical Thinking: A Johannesburg Biography—Practical Epistemology: Life in the Studio—In Praise of Mistranslation—Anti-Entropy) 482:(Adapting an Island Language to a Continental Thought—Thoreau, or the Bean-Row in the Wilderness—Emily Dickinson, or the Articulate Inarticulate—Walt Whitman and the American Loneliness) 319:(The Old Way to Be New—Vocal Imagination, the Merger of Form and Content—Does Wisdom Signify—Poetry as Prowess (Feat of Words)—Before the Beginning of a Poem—After the End of a Poem) 1269:(The Wisdom of Miles Davis—Breaking the Rules—Cultural Diplomacy and the Voice of Freedom—Innovation and New Technologies—Buddhism and Creativity—Once upon a Time...) 1983: 2007: 2254: 1227:(What Happens to Us as We Read Novels—Mr. Pamuk, Did You Really Live All of This?—Character, Time, Plot—Pictures and Things—Museums and Novels—The Center) 639:
The Paradox of Structuralism, Comments on the Collaboration Between Architects and Engineers, The Creative Process and the Expressiveness of Inner Space
1404: 2210: 1183:: Anxiety and Perspective at the Seashore—Real Beauty: The Body in Realism—More Beautiful than a Beautiful Thing: The Body, Old Age, Ruin, and Death) 1882: 1312:(The Search for Story, Structure, and Meaning in Documentary Film: Part I—The Search for Story, Structure, and Meaning in Documentary Film: Part II) 1932: 53: 1391: 2239: 2234: 2229: 100: 72: 1289:(Romancing Slavery—Being and Becoming the Stranger—The Color Fetish—Configurations of Blackness—Narrating the Other—The Foreigner's Home) 1822: 79: 822: 1206:
as: Sound and Thought—Listening and Hearing—Freedom of Thought and Interpretation—The Orchestra—A Tale of Two Palestinians—Finale)
1958: 425: 2152: 86: 1735: 2203: 24: 1654: 1629: 68: 20: 1603: 2079: 1859: 1799: 1459: 968: 119: 1433: 2196: 2031: 1042: 1710: 1392:
Article from Harvard Gazette naming 2006 lecturer (date later changed to fall 2006) and giving history of series
57: 2103: 1774: 872: 93: 258:(8 lectures: ???—The Old Poetry—The Sagas of Iceland—...—The World of Reality—The World of Dreams...) 2244: 1933:"The Charles Eliot Norton Lectures by Herbie Hancock; Set 1: The Wisdom of Miles Davis | Harvard College" 1396: 141:
usually dated by the academic year in which they are given, though sometimes by just the calendar year.
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The Use of Poetry and the Use of Criticism: Studies in the Relation of Criticism to Poetry in England
2055: 1589: 1518: 2249: 347: 145: 46: 890: 2127: 1576: 1505: 1410: 1984:"Frederick Wiseman: The Search for Story, Structure and Meaning in Documentary Film Part II" 1849: 1138:
Lasting Origins—Rain of Fire—Magnificus—Maîtres à Penser—On Native Ground—Unaging Intellect)
2008:"Frederick Wiseman: The Search for Story, Structure and Meaning in Documentary Film Part I" 133: 1907: 8: 926: 2176: 1688: 646: 233: 137: 251: 1855: 1795: 1397:
List of incumbents, 1926–2002, as reported by Harvard University's English Department
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Many but not all of the Norton Lectures have subsequently been published by the
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The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting
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Aesthetics and technology in building : the twenty-first-century edition
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Not to be confused with the Charles Eliot Norton Memorial Lectureship of the
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Icon and Idea: The Function of Art in the Development of Human Consciousness
1736:"Three Architects Share Norton Lecture Series | News | The Harvard Crimson" 1018: 982: 944: 619: 529: 312: 215: 1336: 1218: 1036: 798: 673: 439: 269: 1460:"NORDAL LAUDS ICELAND IN FIRST NORTON TALK | News | The Harvard Crimson" 1175:
and the Death of the Heroic Landscape—The Man in the Bathtub: Picasso's
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Norton Lectures at the Mahindra Humanities Center at Harvard University
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Ruin the Sacred Truths: Poetry and Belief from the Bible to the Present
804:
Children of the Mire: Modern Poetry from Romanticism to the Avant-Garde
547: 353:
Painter and Poet: Studies in the Literary Relations of English Painting
1604:"FROST GIVES SECOND NORTON TALK TONIGHT | News | The Harvard Crimson" 1000: 788:
Problems Relating to Visual Communication and the Visual Environment
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and the Academic Mind—The Modern Mind: I—The Modern Mind: II)
480:
The American Characteristics in Classic American Literature
371:
Space, Time and Architecture: The Growth of a New Tradition
860:
The Genesis of Secrecy: On the Interpretation of Narrative
842:
The Secular Scripture: A Study of the Structure of Romance
1167:: Bathing as Practice, Bathing as Representation—Manet's 2153:"Weaving refugee's life into histories of U.S., Vietnam" 1883:"Pamuk delivers first Norton lecture; five more to come" 1655:"Wilder Cites 'Independence' Theme of American Classics" 426:
Early Netherlandish Painting: Its Origins and Character
1823:"Barenboim to deliver Charles Eliot Norton Lectures" 60:. Unsourced material may be challenged and removed. 1359:Spending the War Without You: Virtual Backgrounds 1286:The Origin of Others - The Literature of Belonging 1959:"Morrison's first Norton Lecture set for March 2" 2221: 1342:(Poetry in Motion—The Visible and the Invisible) 151: 1374:To Save and To Destroy: On Writing as an Other 2204: 2080:"Wim Wenders: The Visible and the Invisible" 1681:"Penelope Niven on Thornton Wilder, reading" 1382:The post had no incumbent in years omitted. 463:A Composer's World: Horizons and Limitations 2255:Northeastern United States university stubs 1434:"ELIOT GIVES FIRST IN NORTON LECTURE GROUP" 389:Poetics of Music in the Form of Six Lessons 2211: 2197: 1847: 1791:Bathers, Bodies, Beauty: The Visceral Eye 1775:"Lessons of the Masters — George Steiner" 1752: 1327:(The 7th Art and Me—Crossing the Borders) 1308:Wide Angle: The Norton Lectures on Cinema 1156:Bathers, Bodies, Beauty: The Visceral Eye 120:Learn how and when to remove this message 1428: 1426: 589:Language and Poetry: Some Poets of Spain 2150: 1956: 1787: 1763:. Urbana: University of Illinois Press. 2222: 2151:O’Grady, Eileen (September 12, 2023). 1537:. Harvard University. 1931. p. 44 1224:The Naive and the Sentimental Novelist 1097:"The Mute Image and the Meddling Text" 157:Table of lecturers and lectures held: 1758: 1423: 662:Aesthetics and Technology in Building 407:Literary Currents in Hispanic America 25:Southern Baptist Theological Seminary 2240:Recurring events established in 1925 2235:Lecture series at Harvard University 2230:1925 establishments in Massachusetts 2163: 203:Italian Sculpture of the Renaissance 58:adding citations to reliable sources 29: 16:Lecture series at Harvard University 1708: 256:The Spirit of Icelandic Literature 21:Archaeological Institute of America 13: 2132:mahindrahumanities.fas.harvard.edu 2108:mahindrahumanities.fas.harvard.edu 2084:mahindrahumanities.fas.harvard.edu 2060:mahindrahumanities.fas.harvard.edu 2056:"Agnès Varda: Crossing the Border" 2036:mahindrahumanities.fas.harvard.edu 2012:mahindrahumanities.fas.harvard.edu 1988:mahindrahumanities.fas.harvard.edu 1957:Radsken, Jill (22 February 2016). 1179:and the Gender of Bathing—Monet's 715:Romanesque Architectural Sculpture 14: 2266: 2032:"Agnès Varda: The 7th Art and Me" 1678: 1385: 969:Six Memos for the Next Millennium 185:The Classical Tradition in Poetry 2167: 1043:Six Walks in the Fictional Woods 221:Poetry and the Criticism of Life 34: 2144: 2120: 2104:"Wim Wenders: Poetry in Motion" 2096: 2072: 2048: 2024: 2000: 1976: 1950: 1925: 1900: 1875: 1841: 1815: 1781: 1767: 1728: 1702: 1534:Annual Report (Fogg Art Museum) 69:"Charles Eliot Norton Lectures" 45:needs additional citations for 1672: 1647: 1622: 1596: 1549: 1525: 1478: 1452: 300:The Spirit of Man in Asian Art 1: 1887:Harvard University Press Blog 1416: 896:In Defence of the Imagination 152:Charles Eliot Norton Lectures 2183:. 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Harvard University Press. 7: 679:Tragedy in the Art of Music 155: 136:Professorship of Poetry at 10: 2271: 2162: 1848:Barenboim, Daniel (2009). 1759:Nervi, Pier Luigi (2018). 770:Sincerity and Authenticity 23:or the Norton Lectures at 18: 1557:"Harvard Alumni Bulletin" 1486:"Harvard Alumni Bulletin" 1297: 630: 336:The Poetry of Chiaroscuro 445:The Romantic Imagination 348:Chauncey Brewster Tinker 146:Harvard University Press 1788:Nochlin, Linda (2006). 1181:HĂ´tel des Roches Noires 914:The Romantic Generation 823:The Unanswered Question 1709:Gardner, Frederick H. 1630:"Wilder Views Thoreau" 1584:Cite journal requires 1513:Cite journal requires 1131:Lessons of the Masters 1113:Concerto Conversations 1062:Remembering the Future 2179:related article is a 932:The Witness of Poetry 751:Questions about Music 624:The Springs of Pathos 499:Music and Imagination 402:Pedro HenrĂ­quez Ureña 317:The Renewal of Words 571:The Shape of Content 553:The Estate of Poetry 134:Charles Eliot Norton 54:improve this article 1937:college.harvard.edu 1908:"William Kentridge" 1851:Music Quickens Time 1829:. 21 September 2006 1715:The Harvard Crimson 1659:The Harvard Crimson 1634:The Harvard Crimson 1608:The Harvard Crimson 1466:. November 28, 1931 1464:The Harvard Crimson 1438:The Harvard Crimson 1245:Six Drawing Lessons 1204:Music Quickens Time 733:This Craft of Verse 158: 2245:Works about poetry 2177:Harvard University 1912:AFASIAARCHZINE.COM 1740:www.thecrimson.com 1689:Library of America 1440:. November 4, 1932 1403:- see copy at the 1266:The Ethics of Jazz 1200:Sound and Thought 647:Buckminster Fuller 517:i: six nonlectures 234:Arthur Mayger Hind 156: 138:Harvard University 2192: 2191: 2128:"Norton Lectures" 1679:Niven, Penelope. 1380: 1379: 1370:Viet Thanh Nguyen 1343: 1328: 1313: 1303:Frederick Wiseman 1290: 1270: 1249: 1240:William Kentridge 1228: 1207: 1184: 1139: 1080:Writing and Being 817:Leonard Bernstein 728:Jorge Luis Borges 697:The Lyric Impulse 483: 320: 283: 259: 130: 129: 122: 104: 2262: 2213: 2206: 2199: 2171: 2164: 2157: 2156: 2148: 2142: 2141: 2139: 2138: 2124: 2118: 2117: 2115: 2114: 2100: 2094: 2093: 2091: 2090: 2076: 2070: 2069: 2067: 2066: 2052: 2046: 2045: 2043: 2042: 2028: 2022: 2021: 2019: 2018: 2004: 1998: 1997: 1995: 1994: 1980: 1974: 1973: 1971: 1969: 1954: 1948: 1947: 1945: 1943: 1929: 1923: 1922: 1920: 1918: 1904: 1898: 1897: 1895: 1893: 1879: 1873: 1872: 1870: 1868: 1845: 1839: 1838: 1836: 1834: 1819: 1813: 1812: 1810: 1808: 1785: 1779: 1778: 1771: 1765: 1764: 1756: 1750: 1749: 1747: 1746: 1732: 1726: 1725: 1723: 1721: 1706: 1700: 1699: 1697: 1695: 1676: 1670: 1669: 1667: 1665: 1651: 1645: 1644: 1642: 1640: 1626: 1620: 1619: 1617: 1615: 1610:. 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Verso Books. 1846: 1842: 1832: 1830: 1827:Harvard Gazette 1821: 1820: 1816: 1806: 1804: 1802: 1786: 1782: 1773: 1772: 1768: 1757: 1753: 1744: 1742: 1734: 1733: 1729: 1719: 1717: 1707: 1703: 1693: 1691: 1677: 1673: 1663: 1661: 1653: 1652: 1648: 1638: 1636: 1628: 1627: 1623: 1613: 1611: 1602: 1601: 1597: 1585: 1583: 1574: 1573: 1566: 1564: 1563:(17). 1933: 488 1555: 1554: 1550: 1540: 1538: 1531: 1530: 1526: 1514: 1512: 1503: 1502: 1495: 1493: 1492:(19). 1932: 601 1484: 1483: 1479: 1469: 1467: 1458: 1457: 1453: 1443: 1441: 1432: 1431: 1424: 1419: 1405:Wayback Machine 1388: 1355:Laurie Anderson 1310: 1307: 1301: 1285: 1265: 1244: 1223: 1160: 1155: 1135: 1130: 1112: 1079: 1075:Nadine Gordimer 1061: 1041: 1023: 1005: 987: 967: 949: 931: 913: 895: 877: 859: 841: 821: 803: 768: 764:Lionel Trilling 750: 732: 714: 696: 692:Cecil Day-Lewis 678: 607:Musical Thought 606: 588: 570: 552: 534: 516: 498: 476:Thornton Wilder 462: 444: 424: 406: 388: 384:Igor Stravinsky 370: 352: 335: 299: 295:Laurence Binyon 274: 252:SigurĂ°ur Nordal 238: 220: 202: 184: 154: 126: 115: 109: 106: 63: 61: 51: 39: 28: 17: 12: 11: 5: 2268: 2258: 2257: 2252: 2247: 2242: 2237: 2232: 2216: 2215: 2208: 2201: 2193: 2190: 2189: 2172: 2159: 2158: 2143: 2119: 2095: 2071: 2047: 2023: 1999: 1975: 1949: 1924: 1899: 1874: 1860: 1840: 1814: 1800: 1780: 1766: 1751: 1727: 1711:"Eric Bentley" 1701: 1671: 1646: 1621: 1595: 1586:|journal= 1548: 1524: 1515:|journal= 1477: 1451: 1421: 1420: 1418: 1415: 1414: 1413: 1408: 1402: 1394: 1387: 1386:External links 1384: 1378: 1377: 1375: 1372: 1367: 1363: 1362: 1360: 1357: 1352: 1348: 1347: 1344: 1339: 1333: 1332: 1329: 1324: 1318: 1317: 1314: 1305: 1299: 1295: 1294: 1291: 1283: 1278: 1274: 1273: 1271: 1263: 1261:Herbie Hancock 1258: 1254: 1253: 1250: 1242: 1237: 1233: 1232: 1229: 1221: 1216: 1212: 1211: 1208: 1202:(published in 1198: 1193: 1189: 1188: 1185: 1159:(published as: 1153: 1148: 1144: 1143: 1140: 1134:(published as: 1128: 1126:George Steiner 1123: 1119: 1118: 1115: 1110: 1105: 1101: 1100: 1098: 1095: 1090: 1086: 1085: 1082: 1077: 1072: 1068: 1067: 1064: 1059: 1054: 1050: 1049: 1046: 1039: 1034: 1030: 1029: 1026: 1021: 1016: 1012: 1011: 1008: 1003: 998: 994: 993: 990: 985: 980: 976: 975: 972: 965: 960: 956: 955: 952: 947: 942: 938: 937: 934: 929: 927:CzesĹ‚aw MiĹ‚osz 924: 920: 919: 916: 911: 906: 902: 901: 898: 893: 888: 884: 883: 880: 875: 870: 866: 865: 862: 857: 852: 848: 847: 844: 839: 834: 830: 829: 826: 819: 814: 810: 809: 806: 801: 796: 792: 791: 789: 786: 781: 777: 776: 773: 766: 761: 757: 756: 753: 748: 746:Roger Sessions 743: 739: 738: 735: 730: 725: 721: 720: 717: 712: 710:Meyer Schapiro 707: 703: 702: 699: 694: 689: 685: 684: 681: 676: 671: 667: 666: 663: 660: 654: 653: 651: 649: 643: 642: 640: 637: 632: 628: 627: 625: 622: 617: 613: 612: 609: 604: 599: 595: 594: 591: 586: 581: 577: 576: 573: 568: 563: 559: 558: 555: 550: 545: 541: 540: 537: 532: 527: 523: 522: 519: 514: 512:E. 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