1313:
910:, Marylebone, London, from 1929 to 1965. He taught singing, conducted the College Choir, and was involved in the governance of the College. The College holds an archive relating to him, including manuscripts of some choral works, personal notebooks, concert programmes including many for the Oriana Madrigal Society, press cuttings and letters including correspondence received from well-known English composers. The collection also includes programmes from the memorial services of famous musicians which belonged to Kathleen Ewart, a singer in the Phoebus Singers, also a choir conducted by Scott. Scott died, aged 88, in London.
963:
book is a shortened biography written almost solely by C. K. S. Both manuscripts remain unpublished, however, work has been done to digitally copy the hard copy's as part of ongoing work to create the digital back up of the Scott family
Archive. this work is being done by James Scott, and Tim Barron who are both Charles's great grandchildren, they also plan to publish an edited version of one of these books at some time in the future once more work has been done to add some extra detail to what will become the publishable biography or life story of C. W. A. Scott.
896:
653:
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379:
206:
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838:(one in St Margaret's Church and one in Queen's Hall), twenty-five Church Cantatas, four Motets, three secular Cantatas, and various composite programmes and instrumental works. The subscription rate was 24 shillings (£1.4s.0d., i.e. £1.20p sterling) for a single seat to five concerts, £2.2s.0d. (two guineas) for a double ticket and £3 for a treble. Single Guest Tickets were 5s.9d. per concert.
33:
202:, and formed the determination to lift English Elizabethan music from its position of comparative neglect. He scored many examples over the next years and held gatherings which became the core of his society. Later on the number of voices was increased to 60, and its work was extended to include modern compositions, both English and foreign, but always with emphasis on the English.
756:, who from time to time acted as organist at the Society's concerts. The choir of the Club consisted of twenty-five singers, mostly professional, while the instrumental work was an ensemble of London players called the Bach Chamber Orchestra. The choral concerts mostly took place at St. Margaret's, Westminster, and the orchestral performances at the
416:). Most of its concerts took place in the Queen's Hall, where the space available limited the membership to about 300. The choir contained a large professional element, especially among the tenors, to achieve a high standard of performance: the costs of their employment were met principally by Balfour Gardiner.
342:, remaining closely connected with both for much of his life. He was musical director and organist at the Ethical Church in Bayswater from 1911. Scott lived in a buiding on the grounds of the Church and contributed the second volume of Social Worship (1913), edited by Stanton Coit. During the war, along with
962:
Scott also compiled and wrote two biographies detailing the life of his son C. W. A. Scott the famous aviator, one of the books mainly contains letters he received home from C. W. A. Scott over his entire life, with a biographical context added throughout the book by
Charles Kennedy Scott. The other
624:
of Mozart and Brahms, and many of the Handel oratorios. As an offshoot of the
Philharmonic Choir appeared the Junior Philharmonic Choir, consisting of two to three hundred girls and young men from the London Secondary Schools' Festival, who gave several concerts from 1932 onwards in major religious
1216:
Elkin, writing in c.1944 phrased it thus: 'Owing to the dispersal of its members, however, the
Philharmonic Choir has been obliged to suspend its activities during the war, and the destruction of Queen's Hall will probably entail some modification of the scheme when normal conditions are resumed.'
648:
Scott created the A Cappella
Singers as a small group of 14 professional singers, for singing madrigals and part-songs under chamber-music conditions rather than in the concert hall. It was first assembled in 1922, and gave most of its performances in private houses or for music clubs, though
634:
Mozart: Requiem Mass, K 626 (abridged version): Requiem aeternam, Kyrie, Dies Irae, Domine Jesu
Christe, Hostias, Agnus Dei, Lux aeterna, Cum sanctis tuis. Soloists, Philharmonic Chorus and Orchestra, directed by C. Kennedy Scott, 6 July 1926, Queen's Hall (3 12" 78rpm, HMV D 1147–49: others
638:
Schubert: Mass in G major: Kyrie eleison, Gloria in
Excelsis, Credo, Sanctus, Benedictus, Agnus Dei. Elsie Suddaby, soprano; Howard Fry, baritone; Percy Manchester, tenor; Philharmonic Choir; London Symphony Orchestra; directed by Charles Kennedy Scott, 2 and 3 July 1928 (3 12" 78rpm, HMV D
350:, to continue to provide opportunities for engagement with music, theatre, and art in wartime. Scott later lived at 13, Prince of Wales Terrace, London which remains the headquarters of the British Humainst Assosiastion,he played an important role in the
819:
Bach
Chamber Orchestra: Two orchestras, each with two first violins, two second violins, two violas, two cellos, one double bass, two flutes, and two oboes (alternating with oboi d'amore and cor anglais in the first orchestra). (Leader: William
217:
The Oriana Choir brought high standards of precision and flexibility to choral performance, which had a beneficial influence on choral music in general. Their work naturally drew Scott towards the contemporary
English scene, and he came to know
119:(16 November 1876 – 2 July 1965) was an English organist and choral conductor who played an important part in developing the performance of choral and polyphonic music in England, especially of early and modern English music.
796:
Recitatives by Elsie Warner (Pilate's wife), Helen
Tresillian, Ethel Robinson (Damsels), Mary Morris, Herbert Parsons (False witnesses), Wesley Dennison (High Priest), Arthur Cranmer (Peter), Walter Millard (Pilate), Leonard Rogers
925:
and held several England-Australia record solo flights, they also had a son John Kennedy Scott and a daughter Barbara Hamilton Scott, who married Major Leslie Stewart-Brown in October 1926. In 1946 whilst posted at the
335:
815:
Bach Cantata Choir: Two choirs, each with eight sopranos, four contraltos, three tenors and four basses (the numbers made up with the assistance of members of the Oriana and Philharmonic Choirs). Also The Boys of St
975:(folio), 20 traditional songs arranged for piano by Charles Kennedy Scott, with calligraphy by Margaret Shipton and 21 full and half-page chromolithographs by Juliet Wigan (Cresset Press Ltd, London 1927).
760:. A command performance of the unaccompanied motets was given before the king and queen at Buckingham Palace in 1927, and the Motet 'Jesu Joy and Treasure' was recorded for HMV in the same year.
574:
The choir was suspended in 1939 at the outbreak of World War II: when the London Philharmonic Choir was formed in 1946 Scott was unable to resume direction, and a new conductor was appointed.
1077:
Scott had the vision of raising choral standards generally by establishing a few leading choral societies to a standard equivalent to that of the professional orchestras, see 1920 interview
777:, in English, using Dr Troutbeck's version and rejecting the Elgar-Atkin treatment, was given at Westminster with a 90-minute interval for dinner. The following resources were employed:
736:
of J. S. Bach and his instrumental works, performed with resources similar to those which Bach himself must have planned for when he was composing. In this project Scott was joined by
876:(Strings of Bach Cantata Club) Like as the love-lorn turtle (with Doris Owens); Bach: E major violin concerto (with Yovanovitch Bratza); Sinfonia to Church Cantata 156 (with
148:
288:
and Holst at a Festival for the International Society of Contemporary Music, and in 1936 they formed the core of a 100-voice chorus for the first London performance of
419:
The Choir gave two or three concerts of its own each season under its own conductor, but also made very numerous appearances with the Royal Philharmonic Society, the
187:
927:
190:, consisting of 36 voices, which made its first public appearance at the Portman Rooms in July 1905. Its initially stated object was 'to press the claims of our
271:. In 1922 they sang in a special concert of the works of Arnold Bax, with the Goossens Orchestra, giving the first performance of his motet for double choir
1417:
Scott family archive, held by Tim Barron, (digital copy by James Scott) please leave a message on this page's talk page if you wish to request a viewing.
267:
741:
273:
136:
347:
253:
Thus the Oriana gave madrigal concerts in the two series devoted to English contemporary music, of 1912 and 1913, promoted by Gardiner, and in the
689:
536:
847:
Bach: Jesus, Joy and Treasure (Jesu meine Freude) motet, Bach Cantata Club conducted by Charles Kennedy Scott, 1927 (2 78rpm HMV D 1256–57).
1253:
1227:
944:
Madrigal Singing: A Few Remarks on the Study of Madrigal Music with an explanation of the Modes and a Note on their Relation to Polyphony
950:
Word and Tone: An English Method of Vocal Technique for Solo Singers and Choralists. In Two Books. Book I Theoretical, Book II Practical
1442:
178:
He settled in London in 1898 as a professional organist and teacher, and married a second cousin who had also studied at Brussels.
423:, the BBC, and the Courtauld-Sargent Concerts (established 1929). On 25 March 1920 they gave the first performance of Holst's
194:
school', and 'to devote itself solely to the singing of English madrigals.' Scott was by chance shown the publications of the
1437:
319:
745:
1186:(London: London Philharmonic Choir, London 2007), p. 127-33 – Appendix II: 'The History of the Philharmonic Choir'.
922:
748:(who contributed programme notes, and gave a lecture on Bach's Chorales and Chorale Preludes in 1927) and from Dr
135:
in 1894. Beginning by studying the violin, he transferred to the organ under the outstanding virtuoso and teacher
752:, director of the Newcastle Bach Choir (on which the London Club was partly modelled). The Vice-President was Dr
390:. This first appeared at a Philharmonic Society concert in February 1920, to give the first performance of
1447:
1287:
978:
195:
107:
1402:
685:
409:
128:
1406:
1030:
854:
429:, the composer conducting: they went on to introduce many modern works to London, including Delius's
420:
387:
369:: Norman Stone (tenor), Oriana Madrigal Society directed by Charles Kennedy Scott (Dutton CD AX 8006)
354:’ experiments in ‘social worship,’ and remained a devoted humanist and lover of the arts to the end.
258:
907:
693:
547:
488:
413:
396:
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Arts & Humanities Research Council: Concert Programmes. C. Kennedy Scott Archive (1934–1976).
508:
257:
concert of 20 November 1913, under Scott and Balfour Gardiner, which also included part-songs by
757:
582:
528:
1257:
1231:
956:
The Fundamentals of Singing: An Inquiry into the Mechanical and Expressive Aspects of the Art.
732:
The Bach Cantata Club was formed in 1926, with the aim of making known the church and secular
700:(Sorceress), Olive Dyer (Spirit), Dr Sydney Northcote (Sailor), Gladys Currie (Second woman),
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144:
132:
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744:(organist of the Chapel Royal), and they received assistance from the Bach musicologist Dr
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Organ (Herbert Dawson); Harpsichord (Frederic Jackson); Conductor (Charles Kennedy Scott).
8:
946:(London 1907): 2nd, Amplified Edition (OUP, London 1931): Reprint (Greenwood Press 1970).
602:
They gave many performances of the great standard works such as the Mass in B minor, the
552:
516:
280:
In 1926 and 1927 the Oriana joined with the Bach Cantata Club for performances of Bach's
219:
913:
Charles Kennedy Scott and his wife Mary (née Donaldson) were the parents of the aviator
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was given complete with Dorothy Silk, Margaret Balfour, Henry Wendon and Keith Falkner.
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in December 1926, and undertook much of the choral work in the Delius Festival of 1929.
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773:
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In October 1919 Scott founded the Philharmonic Choir, the predecessor of the present
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On 27 November 1929, at the Annual Extra Meeting, a bicentennial performance of the
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805:
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occasionally singing at Queen's Hall in company with other Kennedy Scott choirs.
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542:
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311:
307:
281:
720:, X 101–107, 7 12" 78rpm records, by subscription only for the Purcell Society).
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914:
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By this date the Club had held 22 meetings including three performances of the
737:
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In 1914, at the Glastonbury Festival, Scott conducted the first performance of
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and Gladys Currie (Witches), Charles Kennedy Scott's A Cappella Singers,
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697:
496:
343:
265:. In 1920 they gave the first hearing of Delius's unaccompanied choruses
199:
191:
164:
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Columbia History of Music, Volume II – to the death of Bach and Handel:
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The choir played a major part with the London Symphony Orchestra in Sir
330:
Charles Kennedy Scott was the musical director, and longtime member, of
809:
365:
223:
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652:
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705:
378:
1096:
Nothing so Charming as Musick! The Life and Times of Frederic Austin
1328:
Baker's Biographical Dictionary of 20th Century Classical Musicians
1078:
1029:
For archive of concert programmes of the Oriana Madrigal Club, see
205:
984:
edited and arranged by Charles Kennedy Scott, (OUP London c.1927).
318:, usually three times yearly, and often in collaboration with the
1184:
Hallelujah! An Informal History of the London Philharmonic Choir
880:); Rondeau and Badinerie from Suite in B minor for flute (with
53:
594:
1182:
For a history of the Philharmonic Choir, see Daniel Snowman,
160:
139:, who encouraged a special interest in plainchant and in the
1388:
Columbia 10" 78rpm, DB 500 and DB 503–507. See Catalogue of
32:
209:
Charles Kennedy Scott with his daughter Barbara and son
724:
Also in 1922 Scott founded the Euterpe String Players.
1361:
Information from Concert Programme, 27 November 1929.
1370:
Circulars with Concert Programme 1929 (cited above).
1352:
Circulars with Concert Programme 1929 (cited below).
1172:
https://heritage.humanists.uk/charles-kennedy-scott/
1301:The Gramophone Shop Encyclopedia of Recorded Music
336:West London Ethical Society and the Ethical Church
147:'s organ music: he also studied composition under
716:(conductor), Hubert J. Foss (Musical director). (
1424:
1000:Stainton de B. Taylor, "Charles Kennedy Scott",
314:, but latterly most Oriana concerts were at the
1312:For a full-length review of this recording see
1133:, revised edition (Severn House, 1975), p. 188.
310:. All of these performances were given at the
277:, a work dedicated to Charles Kennedy Scott.
952:(2 vols, J.M. Dent & Sons, London 1933).
899:Charles Kennedy Scott, (right) with his son
1161:https://heritage.humanists.uk/stanton-coit/
684:Purcell: Dido and Aeneas (first complete):
1018:A Dictionary of Modern Music and Musicians
31:
268:To be Sung of a Summer Night on the Water
92:Major contributor in English choral music
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1425:
1045:(Ryder & Co., London 1944), 64–65.
127:Scott was born in Romsey. Educated at
643:
373:
198:, including a volume of madrigals by
16:English organist and choral conductor
1198:
1120:(Ryder & Co., London 1946), 139.
1057:
1031:Arts and Humanities Research Council
1004:92 (November 1951) (1305), 492–496.
800:Obbligati by Joseph Slater (flute),
793:, Archibald Winter, Arthur Cranmer.
346:and Gustav Holst, Scott formed the
117:Charles James Kennedy Osborne Scott
13:
284:: in 1931 they sang works by Bax,
163:, and under the organist-composer
14:
1464:
1303:(Gramophone Shop, New York 1936).
958:(Cassell & Co., London 1954).
325:
167:(1854–1912). In 1897 he took the
1195:Elkin 1944, 65: Elkin 1946, 148.
1098:(Thames, London 1999, pp. 68–70.
930:headquarters in Germany his son
923:The Schlesinger African Air Race
857:; Handel: May no rash intruder (
827:For the grand event of 1930 the
538:Summer's Last Will and Testament
1443:English male conductors (music)
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906:Scott was a member of staff of
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1101:
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1:
1254:"Darrell 1936, 411: see also"
1228:"Darrell 1936, 324: see also"
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363:Delius, arr. Percy Grainger:
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340:British Humainst Assosiastion
169:Premier Prix avec distinction
867:Herzlich thut mich verlangen
804:and James McDonagh (oboes),
7:
1290:. Retrieved 9 December 2015
979:Giovanni Battista Pergolesi
937:
304:History of the Resurrection
196:Musical Antiquarian Society
108:Giovanni Battista Pergolesi
10:
1469:
1438:English conductors (music)
1317:, December 1935, p. 19 ff.
1054:Taylor 1951 (cited above).
871:Jesu Joy of Man's Desiring
863:Vater unser in Himmelreich
853:(Bach Cantata Club Choir)
412:(directed by Scott, under
338:which was a precursor for
320:English Folk Dance Society
186:In 1904 Scott founded the
149:Hubert Ferdinand Kufferath
129:Southampton Grammar School
1392:, September 1933, p. 80).
1020:(Dent, London 1924), 449.
855:Rejoice in the Lord alway
525:Flourish for a Coronation
421:London Symphony Orchestra
388:London Philharmonic Choir
259:Charles Villiers Stanford
96:
88:
77:
61:
39:
30:
23:
1403:Trinity College of Music
988:
908:Trinity College of Music
781:Bruce Flegg (Narrator);
451:St Patrick's Breastplate
397:A Song of the High Hills
151:(1818–1896) (a pupil of
1288:Museum of Music History
1085:1 October 1920, p. 659.
1043:Queen's Hall, 1893–1941
581:'s 'revitalisation' of
501:The Canterbury Pilgrims
188:Oriana Madrigal Society
903:
768:
758:Royal College of Music
657:
599:
583:George Frideric Handel
529:Ralph Vaughan Williams
485:San Francesco d'Assisi
383:
214:
72:London, United Kingdom
1332:Bach Cantatas website
1079:Charles Kennedy Scott
973:The Chelsea Song Book
919:MacRobertson Air Race
898:
766:
746:Charles Sanford Terry
728:The Bach Cantata Club
655:
597:
505:In Honour of the City
473:by Balfour Gardiner;
381:
208:
145:Johann Sebastian Bach
133:Brussels Conservatory
103:The Chelsea Song Book
1016:A. Eaglefield-Hull,
967:Musical publications
661:Involvement in opera
513:Ode on a Grecian Urn
255:Philharmonic Society
1260:on 21 November 2010
1234:on 21 November 2010
1151:Elkin 1944, 65, 79.
934:committed suicide.
767:Bust of Scott, 1925
553:Sergei Rachmaninoff
517:Philip Napier Miles
402:Sing Ye to the Lord
226:, and through them
220:H. Balfour Gardiner
175:for organ playing.
1448:People from Romsey
1343:Elkin 1944, 66–67.
1207:Elkin 1944, 65–66.
1118:Royal Philharmonic
904:
829:Christmas Oratorio
774:St Matthew Passion
769:
708:String Orchestra,
658:
644:A Cappella Singers
617:Christmas Oratorio
605:St Matthew Passion
600:
476:Psalmus Hungaricus
400:, and also Bach's
384:
374:Philharmonic Choir
215:
1379:Darrell 1936, 22.
1002:The Musical Times
754:Albert Schweitzer
714:Clarence Raybould
672:The Immortal Hour
459:This Worldes Joie
438:Songs of Farewell
426:The Hymn of Jesus
352:ethical societies
131:, he entered the
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1390:Columbia Records
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1256:. Archived from
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1230:. Archived from
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1131:Frederick Delius
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806:William Primrose
791:Margaret Balfour
742:E. Stanley Roper
667:Rutland Boughton
568:Mathis der Maler
533:Constant Lambert
274:Mater ora filium
232:Frederick Delius
155:'s), teacher of
99:
82:Choral Conductor
68:
56:, United Kingdom
50:16 November 1876
49:
47:
35:
25:Charles K. Scott
21:
20:
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1401:See website of
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1299:R. D. Darrell,
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1278:Elkin 1944, 66.
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1273:
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1252:
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1226:
1225:
1221:
1217:Elkin 1944, 67.
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1199:
1194:
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1170:
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1159:
1155:
1150:
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1142:Elkin 1944, 47.
1141:
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1128:
1124:
1115:
1111:
1107:Elkin 1944, 45.
1106:
1102:
1094:M. Lee-Browne,
1093:
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1076:
1072:
1068:Elkin 1944, 65.
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1058:
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1040:
1036:
1028:
1024:
1015:
1011:
999:
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969:
940:
893:
844:
836:Mass in B Minor
750:W. G. Whittaker
730:
681:
663:
646:
631:
625:works by Bach.
611:St John Passion
543:Igor Stravinsky
467:George Henschel
376:
360:
328:
308:Nadia Boulanger
300:Heinrich Schütz
282:Mass in B minor
261:, Gardiner and
184:
137:Alphonse Mailly
125:
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73:
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57:
51:
45:
43:
26:
17:
12:
11:
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1315:The Gramophone
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917:, who won the
915:C. W. A. Scott
901:C. W. A. Scott
892:
889:
888:
887:
886:
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882:Robert Murchie
874:
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738:Hubert J. Foss
729:
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630:
627:
579:Thomas Beecham
563:Paul Hindemith
375:
372:
371:
370:
359:
356:
348:League of Arts
327:
326:Ethical Church
324:
240:Percy Grainger
228:Norman O'Neill
211:C. W. A. Scott
183:
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124:
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112:
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89:Known for
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69:(aged 88)
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1262:. Retrieved
1258:the original
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1232:the original
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443:César Franck
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410:9th Symphony
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395:
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332:Stanton Coit
329:
316:Aeolian Hall
312:Queen's Hall
303:
293:
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263:Hubert Parry
252:
250:and others.
236:Gustav Holst
216:
185:
182:Oriana Choir
177:
173:Mailly Prize
172:
168:
157:counterpoint
126:
123:Early career
116:
115:
106:
102:
98:Notable work
84:and Organist
67:(1965-07-02)
18:
1453:1965 deaths
1433:1876 births
1405:. See also
816:Margaret's.
702:Gwen Catley
698:Mary Jarred
692:(Belinda),
690:Mary Hamlin
686:Nancy Evans
548:Oedipus Rex
497:Ethel Smyth
455:Walsinghame
344:Cecil Sharp
200:John Wilbye
192:Elizabethan
165:Edgar Tinel
153:Mendelssohn
65:2 July 1965
1427:Categories
1116:R. Elkin,
1041:R. Elkin,
891:Later life
842:Recordings
820:Primrose).
810:Ivor James
808:(violin),
696:(Aeneas),
679:Recordings
629:Recordings
521:Magnificat
493:The Prison
366:Brigg Fair
358:Recordings
298:, and for
224:Arnold Bax
46:1876-11-16
861:); Bach:
785:(Jesus);
710:Boris Ord
706:Boyd Neel
669:'s opera
639:1478–80).
558:The Bells
489:Malipiero
406:Beethoven
938:Writings
812:(cello).
797:(Judas).
734:cantatas
688:(Dido),
622:Requiems
461:by Bax;
213:in 1908.
171:and the
141:phrasing
859:Solomon
588:Messiah
465:by Sir
432:Requiem
295:Requiem
1264:4 July
1238:4 July
620:, the
614:, the
447:Psyche
392:Delius
306:under
54:Romsey
989:Notes
928:UNRRA
471:April
161:fugue
1266:2024
1240:2024
865:and
740:and
608:and
561:and
523:and
503:and
457:and
435:and
404:and
222:and
159:and
62:Died
40:Born
585:'s
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555:'s
545:'s
535:'s
527:by
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