Charlotte Perkins Gilman

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businesses in the U.S., who challenges gender norms and roles, and who believed that women could provide the solution to the corruption in big business in society. Gilman chooses to have Diantha choose a career that is stereotypically not one a woman would have because in doing so, she is showing that the salaries and wages of traditional women's jobs are unfair. Diantha's choice to run a business allows her to come out of the shadows and join society. Gilman's works, especially her work with "What Diantha Did", are a call for change, a battle cry that would cause panic in men and power in women. Gilman used her work as a platform for a call to change, as a way to reach women and have them begin the movement toward freedom.

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list of injuries to , greatly outnumbering the counter list." She proposed that those Black Americans who were not "self-supporting" or who were "actual criminals" (which she clearly distinguished from "the decent, self-supporting, progressive negroes") could be "enlisted" into a quasi-military state labour force, which she viewed as akin to conscription in certain countries. Such force would be deployed in "modern agriculture" and infrastructure, and those who had eventually acquired adequate skills and training "would be graduated with honor" – Gilman believed that any such conscription should be "compulsory at the bottom, perfectly free at the top."

574: 467:, a neurologist, in the late 19th century. The treatment typically involved a strict regimen of bed rest, isolation from mental and physical stimulation, limited social interaction, and a highly regulated diet. Patients were often confined to bed for weeks or even months at a time, with minimal physical activity and intellectual stimulation. The treatment was controversial and had mixed results. While some patients reported improvement in their symptoms, others experienced worsening mental health and physical debilitation due to prolonged inactivity and social isolation. It is now considered outdated and potentially harmful in many cases. 865: 217: 765:

a boardinghouse for men in Colorado. The innocent central character, Vivian Lane, falls in love with Morton Elder, who has both gonorrhea and syphilis. The concern of the novel is not so much that Vivian will catch syphilis, but that, if she were to marry and have children with Morton, she would harm the "national stock." The novel was written, in Gilman’s words, as a "story . . . for young women to read . . . in order that they may protect themselves and their children to come." What was to be protected was the civic imperative to produce "pureblooded" citizens for a utopian ideal.

691: 821:). For the twenty weeks the magazine was printed, she was consumed in the satisfying accomplishment of contributing its poems, editorials, and other articles. The short-lived paper's printing came to an end as a result of a social bias against her lifestyle which included being an unconventional mother and a woman who had divorced a man. After a four-month-long lecture tour that ended in April 1897, Gilman began to think more deeply about sexual relationships and economics in American life, eventually completing the first draft of 33: 362:, Gilman wrote that her mother showed affection only when she thought her young daughter was asleep. Although she lived a childhood of isolated, impoverished loneliness, she unknowingly prepared herself for the life that lay ahead by frequently visiting the public library and studying physics, literature, history (particularly ancient civilizations) on her own. Her father's love for literature influenced her, and years later he contacted her with a list of books he felt would be worthwhile for her to read. 723:

illustrating how women's lack of autonomy is detrimental to their mental, emotional, and even physical wellbeing. This story was inspired by her treatment from her first husband. The narrator in the story must do as her husband (who is also her doctor) demands, although the treatment he prescribes contrasts directly with what she truly needs—mental stimulation and the freedom to escape the monotony of the room to which she is confined. "The Yellow Wallpaper" was essentially a response to the doctor (Dr.

542:, called "Delle". Cynthia J. Davis describes how the two women had a serious relationship. She writes that Gilman "believed that in Delle she had found a way to combine loving and living, and that with a woman as life mate she might more easily uphold that combination than she would in a conventional heterosexual marriage." The relationship ultimately came to an end. Following the separation from her husband, Gilman moved with her daughter to Pasadena, California, where she became active in 825:(1898). This book discussed the role of women in the home, arguing for changes in the practices of child-raising and housekeeping to alleviate pressures from women and potentially allow them to expand their work to the public sphere. The book was published in the following year and propelled Gilman into the international spotlight. In 1903, she addressed the International Congress of Women in Berlin. The next year, she toured in England, the Netherlands, Germany, Austria, and Hungary. 1186:, are good examples of Gilman focusing her work on how women are not just stay-at-home mothers they are expected to be; they are also people who have dreams, who are able to travel and work just as men do, and whose goals include a society where women are just as important as men. The world-building that is executed by Gilman, as well as the characters in these two stories and others, embody the change that was needed in the early 1900s in a way that is now commonly seen as feminism. 1199:

they do not believe that human beings should be "claimed" by others. In this society, Gilman makes it to where women are focused on having leadership within the community, fulfilling roles that are stereotypically seen as being male roles, and running an entire community without the same attitudes that men have concerning their work and the community. However, the attitude men carried concerning women were degrading, especially by progressive women, like Gilman. Using

773:"Suffrage Songs and Verses" is a collection of poems and songs written by Charlotte Perkins Gilman, published during the suffrage movement in the early 20th century. In this collection, Gilman uses her poetic voice to advocate for women's rights, particularly the right to vote. Through verse, she expresses the frustrations of women who were denied political participation and calls for gender equality. The poems celebrate the strength, resilience, and determination of 1203:, Gilman challenged this stereotype, and made the society of Herland a type of paradise. Gilman uses this story to confirm the stereotypically devalued qualities of women are valuable, show strength, and shatters traditional utopian structure for future works. Essentially, Gilman creates Herland's society to have women hold all the power, showing more equality in this world, alluding to changes she wanted to see in her lifetime. 4522: 596:, Houghton and Charlotte exchanged letters and spent as much time as they could together before she left. In her diaries, she describes him as being "pleasurable" and it is clear that she was deeply interested in him. From their wedding in 1900 until 1922, they lived in New York City. Their marriage was very different from her first one. In 1922, Gilman moved from New York to Houghton's old homestead in 478:... Lie down an hour after each meal. Have but two hours' intellectual life a day. And never touch pen, brush or pencil as long as you live." She tried for a few months to follow Mitchell's advice, but her depression deepened, and Gilman came perilously close to a full emotional collapse. Her remaining sanity was on the line and she began to display 358:, educationalist. Her schooling was erratic: she attended seven different schools, for a cumulative total of just four years, ending when she was fifteen. Her mother was not affectionate with her children. To keep them from getting hurt as she had been, she forbade her children from making strong friendships or reading fiction. In her autobiography, 719:, and textbooks, though not always in its original form. For instance, many textbooks omit the phrase "in marriage" from a very important line in the beginning of story: "John laughs at me, of course, but one expects that in marriage." The reason for this omission is a mystery, as Gilman's views on marriage are made clear throughout the story. 1143:

her into her home, but she was also expected to like it, to be cheerful and gay, smiling and good-humored." When the sexual-economic relationship ceases to exist, life on the domestic front would certainly improve, as frustration in relationships often stems from the lack of social contact that the domestic wife has with the outside world.

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motherhood by the toys that are marketed to them and the clothes designed for them. She argued that there should be no difference in the clothes that little girls and boys wear, the toys they play with, or the activities they do, and described tomboys as perfect humans who ran around and used their bodies freely and healthily.

802:(1893), a collection of satirical poems, that first brought her recognition. During the next two decades she gained much of her fame with lectures on women's issues, ethics, labor, human rights, and social reform. She often referred to these themes in her fiction. Her lecture tours took her across the United States. 1166:

constructed. This would allow individuals to live singly and still have companionship and the comforts of a home. Both males and females would be totally economically independent in these living arrangements allowing for marriage to occur without either the male or the female's economic status having to change.

333:. She had only one brother, Thomas Adie, who was fourteen months older, because a physician advised Mary Perkins that she might die if she bore other children. During Charlotte's infancy, her father moved out and abandoned his wife and children, and the remainder of her childhood was spent in poverty. 430:

Letters between the two women chronicles their lives from 1883 to 1889 and contains over 50 letters, including correspondence, illustrations and manuscripts. They pursued their relationship until Luther ended the relationship in order to marry a man in 1881. Gilman was devastated and detested romance

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After her divorce from Stetson, she began lecturing on Nationalism. She was inspired from Edward Bellamy's utopian socialist romance Looking Backward. Alys Eve Weinbaum, "Writing Feminist Genealogy: Charlotte Perkins Gilman, Racial Nationalism, and the Reproduction of Maternalist Feminism", Feminist

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were surrendering their country to immigrants who were diluting the nation's racial purity. When asked about her stance on the matter during a trip to London she declared "I am an Anglo-Saxon before everything." In an effort to gain the vote for all women, she spoke out against literacy voting tests

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Ultimately the restructuring of the home and manner of living will allow individuals, especially women, to become an "integral part of the social structure, in close, direct, permanent connection with the needs and uses of society." That would be a dramatic change for women, who generally considered

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The structural arrangement of the home is also redefined by Gilman. She removes the kitchen from the home, leaving rooms to be arranged and extended in any form and freeing women from the provision of meals in the home. The home would become a true personal expression of the individual living in it.

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The Crux is an important early feminist work that brings to the fore complicated issues of gender, citizenship, eugenics, and frontier nationalism. First published serially in the feminist journal The Forerunner in 1910, The Crux tells the story of a group of New England women who move west to start

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the supposedly superior sex becomes the inferior or disadvantaged ..." In this utopian world, the women reproduce asexually and consider it an honor to be mothers. Unlike the patriarchal society that exists outside of Herland, the women do not have surnames for themselves or their children, as

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which argued, among other things, that women are subjugated by men, that motherhood should not preclude a woman from working outside the home, and that housekeeping, cooking, and child care, would be professionalized. "The ideal woman," Gilman wrote, "was not only assigned a social role that locked

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and argues for greater autonomy and fulfillment for women beyond domestic responsibilities. Gilman critiques the notion of the home as solely a woman's domain and advocates for social and economic reforms to empower women and improve their well-being. "The Home: Its Work and Influence" is a seminal

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read, "The story could hardly, it would seem, give pleasure to any reader, and to many whose lives have been touched through the dearest ties by this dread disease, it must bring the keenest pain. To others, whose lives have become a struggle against heredity of mental derangement, such literature

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would "need some scheme of race betterment" rather than vice versa. Gilman was unequivocal about the ills of slavery and the wrongs which many White Americans had done to Black Americans, stating that irrespective of any crimes committed by Black Americans, " were the original offender, and have a

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Gilman argued that the home should be socially redefined. The home should shift from being an "economic entity" where a married couple live together because of the economic benefit or necessity, to a place where groups of men and groups of women can share in a "peaceful and permanent expression of

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The story is about a woman who suffers from mental illness after three months of being closeted in a room by her husband for the sake of her health. She becomes obsessed with the room's revolting yellow wallpaper. Gilman wrote this story to change people's minds about the role of women in society,

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Perkins-Gilman married Charles Stetson in 1884, and less than a year later gave birth to their daughter Katharine. Already susceptible to depression, her symptoms were exacerbated by marriage and motherhood. A good proportion of her diary entries from the time she gave birth to her daughter until

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with which we still grapple; the origins of women's subjugation, the struggle to achieve both autonomy and intimacy in human relationships; the central role of work as a definition of self; new strategies for rearing and educating future generations to create a humane and nurturing environment."

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Gilman addresses the ills of animal domestication related to inbreeding. In "When I Was a Witch", the narrator witnesses and intervenes in instances of animal use as she travels through New York, liberating work horses, cats, and lapdogs by rendering them "comfortably dead". One literary scholar

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In 1894, Gilman sent her daughter east to live with her former husband and his second wife, her friend Grace Ellery Channing. Gilman reported in her memoir that she was happy for the couple, since Katharine's "second mother was fully as good as the first, better in some ways." Gilman also held

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Gilman believed having a comfortable and healthy lifestyle should not be restricted to married couples; all humans need a home that provides these amenities. She suggested that a communal type of housing open to both males and females, consisting of rooms, rooms of suites and houses, should be

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culture. She believed that womankind was the underdeveloped half of humanity, and improvement was necessary to prevent the deterioration of the human race. Gilman believed economic independence is the only thing that could really bring freedom for women and make them equal to men. In 1898 she

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in "What Diantha Did". One character in this story, Diantha, breaks through the traditional expectation of women, showing Gilman's desires for what a woman would be able to do in real-life society. Throughout the story, Gilman portrays Diantha as a character who strikes through the image of

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Her main argument was that sex and domestic economics went hand in hand; for a woman to survive, she was reliant on her sexual assets to please her husband so that he would financially support his family. From childhood, young girls are forced into a social constraint that prepares them for

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Along with many women during the late 19th century, Perkins-Gilman dealt with the trauma of the rest cure treatment due to the lack of societal attitudes, limited understanding of mental health, and the authority of the medical profession. However, as awareness and understanding of

490:, away from Walter, and it was there where her depression began to lift. She writes of herself noticing positive changes in her attitude. She returned to Providence in September. She sold property that had been left to her in Connecticut, and went with a friend, Grace Channing, to 651:

magazine, her poem "Similar Cases" was a satirical review of people who resisted social change, and she received positive feedback from critics for it. Throughout that same year, 1890, she became inspired enough to write fifteen essays, poems, a novella, and the short story

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minority in America. Although calling Black Americans "a large body of aliens" whose skin color made them "widely dissimilar and in many respects inferior," Gilman claimed that the economic and social situation of Black Americans was "to us a social injury" and noted that

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and served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. Her works were primarily focused on gender, specifically gendered labor division in society, and the problem of male domination. She has been inducted into the

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to demonstrate the equality that she longed to see. The women of Herland are the providers as there are no men in their society. This makes them appear to be the dominant sex, taking over the gender roles that are typically given to men. Elizabeth Keyser notes, "In

514:, after initially declining his proposal because her intuition told her it was not the right thing for her. Their only child, Katharine Beecher Stetson (1885–1979), was born the following year on March 23, 1885. Charlotte Perkins Gilman suffered a serious bout of 881:, in which much of her fiction appeared. By presenting material in her magazine that would "stimulate thought", "arouse hope, courage and impatience", and "express ideas which need a special medium", she aimed to go against the mainstream media which was overly 3158:

Tuttle, Jennifer S. "Rewriting the West Cure: Charlotte Perkins Gilman, Owen Wister, and the Sexual Politics of Neurasthenia." The Mixed Legacy of Charlotte Perkins Gilman. Eds. Catherine J. Golden and Joanna Schneider Zangrando. Newark: U of Delaware P, 2000.

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Gilman argued that male aggressiveness and maternal roles for women were artificial and no longer necessary for survival in post-prehistoric times. She wrote, "There is no female mind. The brain is not an organ of sex. Might as well speak of a female liver."

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while critiquing the patriarchal society that oppresses women. "Suffrage Songs and Verses" serves as both a literary work and a rallying cry for the suffrage movement, capturing the spirit and passion of the activists who fought for women's enfranchisement.

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Literary critic Susan S. Lanser says "The Yellow Wallpaper" should be interpreted by focusing on Gilman's racism. Other literary critics have built on Lanser's work to understand Gilman's ideas in relation to turn-of-the-century culture more broadly.

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and argued that Darwin's theories of evolution presented only the male as the given in the process of human evolution, thus overlooking the origins of the female brain in society that rationally chose the best suited mate that they could find.

846:, proposing that women are oppressed in their home and that the environment in which they live needs to be modified in order to be healthy for their mental states. In between traveling and writing, her career as a literary figure was secured. 399:

During her time at the Rhode Island School of Design, Gilman met Martha Luther in about 1879 and was believed to be in a romantic relationship with Luther. Gilman described the close relationship she had with Luther in her autobiography:

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Ganobcsik-Williams, Lisa. "The Intellectualism of Charlotte Perkins Gilman: Evolutionary Perspectives on Race, Ethnicity, and Gender." Charlotte Perkins Gilman: Optimist Reformer. Eds. Jill Rudd and Val Gough. Iowa City: U of Iowa P,

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that involved talk of pistols and chloroform, as recorded in her husband's diaries. By early summer the couple had decided that a divorce was necessary for her to regain sanity without affecting the lives of her husband and daughter.

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Over the course of her career, in addition to publishing poems and fiction, Gilman published six significant books of non-fiction; a contribution which led her to be seen as one of the woman founders of the discipline of

3875:"Charlotte Perkins Gilman--Gender and Social Structure," in "The Women Founders: Sociology & Social Theory, 1830-1930" by Patricia Madoo Lengermann and Gillian Niebrugge.(Long Grove, IL: Waveland Press, 2006). 3681:"Charlotte Perkins Gilman--Gender and Social Structure," in "The Women Founders: Sociology & Social Theory, 1830-1930" by Patricia Madoo Lengermann and Gillian Niebrugge.(Longgrove, IL: Waveland Press, 2006). 3672:"Charlotte Perkins Gilman--Gender and Social Structure," in "The Women Founders: Sociology & Social Theory, 1830-1930" by Patricia Madoo Lengermann and Gillian Niebrugge.(Longgrove, IL: Waveland Press, 2006). 3162:

Von Rosk, Nancy. "Women, Work and Cross-Class Alliances in the Fiction of Charlotte Perkins Gilman." Working Women in American Literature, 1865–1950. Miriam Gogol ed. New York: Rowman and Littlefield, 2018.

1150:, and family. Housework, she argued, should be equally shared by men and women, and that at an early age women should be encouraged to be independent. In many of her major works, including "The Home" (1903), 587:

After her mother died in 1893, Gilman decided to move back east for the first time in eight years. She contacted Houghton Gilman, her first cousin, whom she had not seen in roughly fifteen years, who was a

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from her husband—a rare occurrence in the late nineteenth century. They officially divorced in 1894. After their divorce, Stetson married Channing. During the year she left her husband, Charlotte met

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meant that it was the responsibility of White Americans to alleviate this situation, observing that if White Americans "cannot so behave as to elevate and improve ", then it would be the case that

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book "The Home: Its Work and Influence". In this influential work, Gilman explores the role of the home in society and its impact on individuals, particularly women. She challenges traditional

660:, published in 1893. As a successful lecturer who relied on giving speeches as a source of income, her fame grew along with her social circle of similar-minded activists and writers of the 640: 518:. This was an age in which women were seen as "hysterical" and "nervous" beings; thus, when a woman claimed to be seriously ill after giving birth, her claims were sometimes dismissed. 384:

Her natural intelligence and breadth of knowledge always impressed her teachers, who were nonetheless disappointed in her because she was a poor student. Her favorite subject was "

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We were closely together, increasingly happy together, for four of those long years of girlhood. She was nearer and dearer than any one up to that time. This was love, but not sex

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Positive reviewers describe it as impressive because it is the most suggestive and graphic account of why women who live monotonous lives are susceptible to mental illness.

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progressive views about paternal rights and acknowledged that her ex-husband "had a right to some of society" and that Katharine "had a right to know and love her father."

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has been cited as being "perhaps the greatest literary accomplishment of her long career". After its seven years, she wrote hundreds of articles that were submitted to the

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movement which worked to "end capitalism's greed and distinctions between classes while promoting a peaceful, ethical, and truly progressive human race." Published in the

3551: 8001: 5878: 5811: 5609: 672:. These works, and additional published journal articles, exposed both gender and class inequality, criticizing it as illegitimate and unfair. She was a member of the 5668: 885:. Over seven years and two months the magazine produced eighty-six issues, each twenty eight pages long. The magazine had nearly 1,500 subscribers and featured such 5714: 5724: 3510: 3148:

Scharnhorst, Gary, and Denise D. Knight. "Charlotte Perkins Gilman's Library: A Reconstruction." Resources for American Literary Studies 23:2 (1997): 181–219.

5729: 731:" and who is mentioned in the story: "John says if I don’t pick up faster he shall send me to Weir Mitchell in the fall." She sent him a copy of the story. 8106: 5832: 5801: 5749: 8081: 8076: 5739: 3124: 3091:

Reprinted in "The Yellow Wallpaper": Charlotte Perkins Gilman. Eds. Thomas L. Erskine and Connie L. Richards. New Brunswick: Rutgers UP, 1993. 225–256.

2457:"A Rational Position on Suffrage/At the Request of the New York Times, Mrs. Gilman Presents the Best Arguments Possible in Behalf of Votes for Women." 1276:

connected the regression of the female narrator in "The Yellow Wallpaper" to the parallel status of domesticated felines. She wrote in a letter to the

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Deegan, Mary Jo. "Introduction." With Her in Ourland: Sequel to Herland. Eds. Mary Jo Deegan and Michael R. Hill. Westport, CT: Praeger, 1997. 1–57.

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Carter-Sanborn, Kristin. "Restraining Order: The Imperialist Anti-Violence of Charlotte Perkins Gilman." Arizona Quarterly 56.2 (Summer 2000): 1–36.

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Fama, Katherine A. (2017). "Domestic Data and Feminist Momentum: The Narrative Accounting of Helen Stuart Campbell and Charlotte Perkins Gilman".

5699: 1711:"The Widow's Might." Forerunner 2:1 (1911): 3–7. "The Yellow Wall-Paper" and Other Stories. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 139–147. 1313:, she seemed out of tune with her times. In her autobiography she admitted that "unfortunately my views on the sex question do not appeal to the 4598: 474:

After nine weeks, Gilman was sent home with Mitchell's instructions, "Live as domestic a life as possible. Have your child with you all the time

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Weinbaum, Alys Eve. "Writing Feminist Genealogy: Charlotte Perkins Gilman, Racial Nationalism, and the Reproduction of Maternalist Feminism."

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McKenna, Erin (2012). "Charlotte Perkins Gilman: Women, Animals, and Oppression". In Hamington, Maurice; Bardwell-Jones, Celia (eds.).

705:. She wrote it on June 6 and 7, 1890, in her home of Pasadena, and it was printed a year and a half later in the January 1892 issue of 551: 336:

Since their mother was unable to support the family on her own, the Perkinses were often in the presence of her father's aunts, namely

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Seitler, Dana (March 2003). "Unnatural Selection: Mothers, Eugenic Feminism, and Charlotte Perkins Gilman's Regeneration Narratives".

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complex of today, nor are people satisfied with a presentation of religion as a help in our tremendous work of improving this world."

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treatment" was a medical treatment popular in the late 19th and early 20th centuries primarily for women suffering from symptoms like

8006: 5864: 1404:, 1st ed. Oakland: McCombs & Vaughn, 1893. London: T. Fisher Unwin, 1895. 2nd ed.; San Francisco: Press of James H. Barry, 1895. 8121: 7961: 3003:

Huber, Hannah, "‘The One End to Which Her Whole Organism Tended’: Social Evolution in Edith Wharton and Charlotte Perkins Gilman."

439: 3069:---. "Introduction." Herland: A Lost Feminist Utopian Novel by Charlotte Perkins Gilman. 1915. Rpt. New York: Pantheon Books, 1979 619:. In both her autobiography and suicide note, she wrote that she "chose chloroform over cancer" and she died quickly and quietly. 8031: 4438:" section of Kim Well's website: Wells, Kim. Domestic Goddesses. August 23, 1999. Online. Internet. Accessed October 27, 2008. 4049:

Donaldson, Laura E. (March 1989). "The Eve of De-Struction: Charlotte Perkins Gilman and the Feminist Recreation of Paradise".

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The majority of Gilman's dramas are inaccessible as they are only available from the originals. Some were printed/reprinted in

656:. Her career was launched when she began lecturing on Nationalism and gained the public's eye with her first volume of poetry, 4395:

Henry B. Blackwell, "Literary Notices: The Yellow Wall Paper," The Woman's Journal, June 17, 1899, p.187 in Julie Bates Dock,

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Wegener, Frederick. "What a Comfort a Woman Doctor Is!’ Medical Women in the Life and Writing of Charlotte Perkins Gilman. In

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improved over time, the rest cure fell out of favor, recognized as an outdated and potentially harmful approach to treatment.

8101: 4541: 4293: 2867: 3758: 2635:"The Labor Movement." Alameda County Federation of Trades, 1893. Alameda County, CA Labor Union Meetings. September 2, 1892. 1182:

Gilman created a world in many of her stories with a feminist point of view. Two of her narratives, "What Diantha Did", and

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in which she set out her views on what she perceived to be a "sociological problem" concerning the condition of the large

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Kessler, Carol Farley. "Dreaming Always of Lovely Things Beyond’: Living Toward Herland, Experiential foregrounding." in

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Eldredge, Charles C. Charles Walter Stetson, Color, and Fantasy. Lawrence: Spencer Museum of Art, The U of Kansas, 1982.

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7:6 (1916): 141–45. '"The Yellow Wall-Paper" and Other Stories. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 314–322.

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Gilman published 186 short stories in magazines, newspapers, and many were published in her self-published monthly,

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Women and Economics: A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution. (1898)

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attorney. They began spending time together almost immediately and became romantically involved. While she went on

302: 697:, one of Gilman's most popular works, originally published in 1892, before her marriage to George Houghton Gilman. 388:", especially what later would become known as physics. In 1878, the eighteen-year-old enrolled in classes at the 7991: 7645: 7108: 1338: 724: 701:

In 1890, Gilman wrote her short story "The Yellow Wallpaper", which is now the all-time best selling book of the

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Gilman's feminist works often included stances and arguments for reforming the use of domesticated animals. In

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Discovering Reality: Feminist Perspectives on Epistemology, Metaphysics, Methodology and Philosophy of Science

8111: 8051: 7971: 3127:. "Charlotte Perkins Gilman v. Ambrose Bierce: The Literary Politics of Gender in Fin-de-Siècle California." 3085:, Vol. 15, No. 3, Feminist Reinterpretations/Reinterpretations of Feminism (Autumn, 1989), pp. 415–441. 1221: 1129:

Gilman argued that women's contributions to civilization, throughout history, have been halted because of an

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Eds. Denise D. Knight and Cynthia J. David. New York: Modern Language Association of America, 2003. 125–132.

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Lawrence J. Oliver, "W. E. B. Du Bois, Charlotte Perkins Gilman, and 'A Suggestion on the Negro Problem',"

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Oliver, Lawrence J. "W. E. B. Du Bois, Charlotte Perkins Gilman, and ‘A Suggestion on the Negro Problem.’"

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Women and economics. A study of the economic relation between men and women as a factor in social evolution

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Women and Economics: A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution

1231: 5856: 1412:. New York: Charlton Co., 1911. Microfilm. New Haven: Research Publications, 1977, History of Women #6558. 8046: 6721: 2141: 2125: 1948: 1399: 895: 4935: 573: 6329: 4977: 4586: 4581: 3484: 2133: 1290:"The Yellow Wallpaper" was initially met with a mixed reception. One anonymous letter submitted to the 4240:, Vol. 15, No. 3, Feminist Reinterpretations/Reinterpretations of Feminism (Autumn, 1989), pp. 415–441 3840:, 24(1), 72–92. Retrieved October 28, 2008, from GenderWatch (GW) database. (Document ID: 1298797291). 1381: 1357: 494:

where the recovery of her depression can be seen through the transformation of her intellectual life.

396:. She was a tutor, and encouraged others to expand their artistic creativity. She was also a painter. 4595: 3102:

Mitchell, S. Weir, M.D. "Camp Cure." Nurse and Patient, and Camp Cure. Philadelphia: Lippincott, 1877

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Lanser, Susan S. "Feminist Criticism, 'The Yellow Wallpaper,' and the Politics of Color in America."

3046:---. "Introduction." Herland, `The Yellow Wall-Paper’ and Selected Writings. New York: Penguin, 1999. 2848:

New York and London: D. Appleton-Century Co., 1935; NY: Arno Press, 1972; and Harper & Row, 1975.

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Charlotte Perkins Gilman's "The Yellow Wall-Paper" and the History of Its Publication and Reception,

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Charlotte Perkins Gilman's "The Yellow Wall-Paper" and the History of Its Publication and Reception.

3235: 817:, a literary weekly that was published by the Pacific Coast Women's Press Association (formerly the 7986: 7058: 6962: 6661: 5103: 4627: 3208: 2149: 707: 601: 562:), the Parents Association, and the State Council of Women, in addition to writing and editing the 374: 330: 7332: 4397:

Charlote Perkins Gilman's "The Yellow Wall-paper" and the History of Its Publication and Reception

4384:

Charlotte Perkins Gilman's "The Yellow Wallpaper" and the History of Its Publication and Reception

2997:

Dictionary of Literary Biography, Volume 381: Writers on Women's Rights and United States Suffrage

2116:. NY and London: Century Co., 1923; London: T. Fisher Unwin, 1924; Westport: Hyperion Press, 1976. 1371: 8011: 7452: 7342: 7195: 6701: 6570: 6038: 5663: 5306: 4799: 4729: 4615: 3012:

Karpinski, Joanne B., "The Economic Conundrum in the Lifewriting of Charlotte Perkins Gilman. in

2950:---. "`Written to Drive Nails With’: Recalling the Early Poetry of Charlotte Perkins Gilman." in 864: 377:. What friends she had were mainly male, and she was unashamed, for her time, to call herself a " 337: 216: 3718: 3357: 3203: 2157: 392:

with the monetary help of her absent father, and subsequently supported herself as an artist of

7956: 7398: 6893: 6757: 6716: 6449: 6419: 6002: 5280: 5176: 5013: 3023:

Eds. Catherine J. Golden and Joanna Schneider Zangrando. Newark: U of Delaware P, 2000. 89–103.

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Berman, Jeffrey. "The Unrestful Cure: Charlotte Perkins Gilman and 'The Yellow Wallpaper.'" In

1147: 932: 911: 511: 151: 4267: 4010: 3977: 3485:"Channing, Grace Ellery, 1862–1937. Papers of Grace Ellery Channing, 1806–1973: A Finding Aid" 690: 7912: 7599: 7190: 7154: 6992: 6777: 6530: 6489: 6459: 6359: 6354: 6277: 6202: 5490: 5228: 5160: 5044: 4884: 4879: 4874: 4869: 4804: 4749: 4719: 4485: 4349: 3005: 2111: 1496:

5 (1892): 647–56; Boston: Small, Maynard & Co., 1899; NY: Feminist Press, 1973 Afterword

1278: 1000:

His Religion and Hers: A Study of the Faith of Our Fathers and the Work of Our Mothers (1923)

859: 786: 712: 530: 515: 487: 345: 326: 306: 54: 6853: 4644: 3692: 615:

for the terminally ill, Gilman died by suicide on August 17, 1935, by taking an overdose of

7951: 7946: 7907: 7609: 7317: 7291: 7210: 6782: 6535: 5997: 5108: 4992: 4956: 4889: 4844: 4819: 1282:

that the automobile would eliminate the cruelty to horses used to pull carriages and cars.

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contains deadly peril. Should such stories be allowed to pass without severest censure?"

1247: 886: 842: 749: 716: 133: 2905:"Chloroformed: Anesthetic Utopianism and Eugenic Feminism in Charlotte Perkins Gilman's 7785: 7736: 7711: 7640: 7584: 7538: 7477: 7462: 7378: 6878: 6828: 6813: 6706: 6676: 6605: 6575: 6560: 6555: 6479: 6409: 6394: 6344: 6324: 6192: 6150: 5658: 5653: 5552: 5381: 5365: 5285: 5275: 5129: 4904: 4330: 4128: 4093: 3723: 3028:

Charlotte Perkins Gilman: A Study of the Short Fiction, Twayne Studies in Short Fiction

2719:"Women and Social Service." Warren: National American Woman Suffrage Association, 1907. 2607:

There are 90 reports of the lectures that Gilman gave in The United States and Europe.

1497: 412:... We were not only extremely fond of each other, but we had fun together, deliciously 385: 6908: 3453: 3134:

Palmeri, Ann. "Charlotte Perkins Gilman: Forerunner of a Feminist Social Science." in

1271:, Gilman's utopian society excludes all domesticated animals, including livestock. In 529:

Gilman moved to Southern California with her daughter Katherine and lived with friend

7882: 7846: 7816: 7655: 7467: 7246: 7175: 7159: 7118: 7103: 7073: 6987: 6747: 6731: 6540: 6525: 6308: 5992: 5987: 5770: 5648: 5311: 5150: 4859: 4814: 4789: 4744: 4734: 4498: 4334: 4289: 4196: 4132: 4097: 4014: 4003: 3981: 3970: 3698: 2877: 2863: 1292: 1226: 917: 661: 644: 559: 460: 355: 88: 4611: 2926:

Charlotte Perkins Gilman and Her Contemporaries: Literary and Intellectual Contexts.

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Carl N. Degler, "Charlotte Perkins Gilman on the Theory and Practice of Feminism",

2698:"Woman and Work/ Popular Fallacy that They are a Leisure Class, Says Mrs. Gilman." 711:. Since its original printing, it has been anthologized in numerous collections of 534: 231: 32: 4062: 3107:---. Wear and Tear, or Hints for the Overworked. 1887. New York: Arno Press, 1973. 2835:

2 Vols. Ed. Denise D. Knight. Charlottesville: University Press of Virginia, 1994.

1174:

themselves restricted by family life built upon their economic dependence on men.

365: 7917: 7790: 7775: 7726: 7716: 7569: 7543: 7482: 7347: 7307: 7266: 7261: 7185: 7180: 7068: 7042: 6977: 6913: 6888: 6858: 6792: 6752: 6691: 6686: 6681: 6590: 6565: 6439: 6414: 6334: 6134: 6113: 6108: 5962: 5922: 5837: 5573: 5469: 5464: 5417: 5412: 5355: 5197: 5098: 5008: 4925: 4920: 4864: 4854: 4764: 4714: 4602: 4489: 4465: 4443: 4190: 2070: 1989: 1935: 1428: 1376: 1352: 1087: 901: 127: 99: 4236:

Susan S. Lanser, "The Yellow Wallpaper," and the Politics of Color in America,"

2973:

Hill, Mary Armfield. "Charlotte Perkins Gilman and the Journey From Within." in

2013: 7897: 7892: 7856: 7731: 7650: 7635: 7594: 7518: 7472: 7281: 7230: 7205: 7098: 7078: 6982: 6838: 6833: 6787: 6671: 6666: 6656: 6646: 6630: 6615: 6610: 6595: 6585: 6580: 6484: 6469: 6464: 6389: 6384: 6282: 6012: 5972: 5967: 5594: 5542: 5474: 5386: 5360: 5316: 5290: 5249: 5181: 4961: 4784: 4458: 4435: 3138:. Eds. Sandra Harding and Merrill B. Hintikka. Dordrecht: Reidel, 1983. 97–120. 3052: 2989:

Wild Unrest: Charlotte Perkins Gilman and the Making of "The Yellow Wall-Paper"

2860:

The Feminism of Charlotte Perkins Gilman: Sexualities, Histories, Progressivism

2827:

A Journey from Within: The Love Letters of Charlotte Perkins Gilman, 1897–1900.

882: 870: 753: 702: 5796: 4147: 3016:

Ed. Catherine J. Golden and Joanne S. Zangrando. U of Delaware P, 2000. 35–46.

604:

in 1934, Gilman moved back to Pasadena, California, where her daughter lived.

7940: 7872: 7841: 7795: 7691: 7660: 7630: 7614: 7579: 7574: 7548: 7492: 7408: 7403: 7337: 7327: 7286: 7271: 7256: 7251: 7225: 7093: 6903: 6898: 6868: 6797: 6762: 6726: 6620: 6600: 6520: 6454: 6364: 6155: 6033: 6028: 5952: 5947: 5775: 5683: 5578: 5547: 5526: 5495: 5443: 5391: 5233: 5059: 5049: 5018: 4982: 4930: 4614:, Rare Books, Special Collections, and Preservation, River Campus Libraries, 4571: 4494: 2959:

Gough, Val. "`In the Twinkling of an Eye’: Gilman's Utopian Imagination." in

2904: 2018:

Ed. Catherine J. Golden and Denise D. Knight. New York: Feminist Press, 1997.

1314: 1146:

Gilman became a spokesperson on topics such as women's perspectives on work,

1130: 632: 608: 555: 539: 499: 286: 4537: 2890:

edited by Catherine Golden. New York: Feminist Press, 1992, pp. 211–41.

2874:

Building Domestic Liberty: Charlotte Perkins Gilman's Architectural Feminism

877:

From 1909 to 1916 Gilman single-handedly wrote and edited her own magazine,

7902: 7877: 7821: 7696: 7675: 7670: 7665: 7553: 7533: 7528: 7457: 7393: 7388: 7373: 7368: 7063: 7037: 7022: 6997: 6972: 6818: 6651: 6550: 6474: 6429: 6238: 6233: 6223: 6176: 6171: 6054: 5982: 5957: 5932: 5886: 5516: 5433: 5407: 5223: 5155: 4894: 4839: 4399:, (University Park, PA: The Pennsylvania State University Press, 1998) 107. 4386:, (University Park, PA: The Pennsylvania State University Press, 1998) 103. 2975:

A Very Different Story: Studies on the Fiction of Charlotte Perkins Gilman.

2961:

A Very Different Story: Studies on the Fiction of Charlotte Perkins Gilman.

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and continues to be studied for its insights into gender, society, and the

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several years later describe the oncoming depression that she was to face.

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University Park, PA: The Pennsylvania State University Press, 1998; p. 6.

2566:. Eds V. F. Calverton and S. D. Schmalhausen. NY: Macaulay, 1929. 109–23. 1658: 1310: 774: 744: 740: 635:

movements. As a delegate, she represented California in 1896 at both the

589: 393: 282: 4251: 3797:

Charlotte Perkins Gilman, "Women and Economics" in Alice S. Rossi, ed.,

3090: 261:; July 3, 1860 – August 17, 1935), also known by her first married name 7706: 7701: 7513: 7215: 7002: 6848: 6823: 6515: 6434: 6228: 6197: 6064: 5673: 5254: 5124: 4987: 4824: 4739: 4551: 4252:

Denise D. Knight, "Charlotte Perkins Gilman and the Shadow of Racism,"

4235: 4175: 3336:

Kate Bolick, "The Equivocal Legacy of Charlotte Perkins Gilman" (2019).

2342:. Ed Margaret Sangster. Philadelphia: Booklovers Library, 1901. 93–101. 1091: 616: 612: 341: 3511:"Love and Economics: Charlotte Perkins Gilman on "The Woman Question"" 3170:. Eds. Jill Rudd & Val Gough. Iowa City: U of Iowa P, 1999. 45–73. 3097:

MLA Approaches to Teaching Gilman's The Yellow Wall-Paper and Herland.

2921:(Stanford University Press; 2010) 568 pages; major scholarly biography 1303:

Although Gilman had gained international fame with the publication of

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Sari Edelstein, "Charlotte Perkins Gilman and the Yellow Newspaper".

2970:

Ed. Sheryl L. Meyering. Ann Arbor: UMI Research Press, 1989. 191–201.

2954:. Eds. Jill Rudd and Val Gough. Iowa City: U of Iowa P, 1999. 243-66. 1095: 1083: 728: 669: 566:, a journal published by one of the earlier-mentioned organizations. 547: 525:

Gilman (right) with her daughter, Katherine Beecher Stetson, ca. 1897

448: 3276:, (Charlottesville, VA: University Press of Virginia: 1994), p. xiv. 2963:

Eds. Val Gough and Jill Rudd. Liverpool: Liverpool UP, 1998. 129–43.

1090:. She believed the domestic environment oppressed women through the 1073: 7831: 7276: 4516: 4512: 4311:"Marking Her Territory: Feline Behavior in "The Yellow Wall-Paper"" 2035:"Dame Nature Interviewed on the Woman Question as It Looks to Her" 1635:

1 (1909–11); NY: Charlton Co., 1910; London: T. Fisher Unwin, 1912.

1445:. Ed. Robert Shulman. Oxford: Oxford University Press, 1995. 32–38. 1243: 1139: 1115: 1079: 297: 290: 278: 270: 266: 4001:

Gilman, Charlotte Perkins (2005). Kolmar & Bartkowski (eds.).

3968:

Gilman, Charlotte Perkins (2005). Kolmar & Bartkowski (eds.).

3347:"Charlotte Perkins Gilman: The Lost Letters to Martha Luther Lane" 2977:

Eds. Val Gough and Jill Rudd. Liverpool: Liverpool UP, 1998. 8–23.

4527: 2114:: A Study of the Faith of Our Fathers and the Work of Our Mothers 1697:"The Crux.A NOVEL." Forerunner 2 (1910); NY: Charlton Co., 1911; 1158:(1911), Gilman also advocated women working outside of the home. 828: 486:

During the summer of 1888, Charlotte and Katharine spent time in

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beliefs upheld by society. Gilman embraced the theory of reform

1064:

Suffrage Songs and Verses New York: The Charlton Company. (1911)

1005:

The Living of Charlotte Perkins Gilman: An Autobiography. (1935)

1325: 734: 631:. After moving to Pasadena, Gilman became active in organizing 378: 274: 2814: 2688:. Ed Countess of Aberdeen. London: T. Unwin Fisher, 1900. 109. 2618:"Our Place Today", Los Angeles Woman's Club, January 21, 1891. 836:

In 1903 she wrote one of her most critically acclaimed books,

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To Herland and Beyond: The Life of Charlotte Perkins Gilman.

2888:

The Captive Imagination: A Casebook on The Yellow Wallpaper,

676:

from the time of its founding in 1905 to her death in 1935.

3062:---. "The Fictional World of Charlotte Perkins Gilman." in 2982:

Charlotte Perkins Gilman: The Making of a Radical Feminist.

2943:

he Captive Imagination: A Casebook on The Yellow Wallpaper.

2821:

Charlotte Perkins Gilman: The Making of a Radical Feminist.

16:

American feminist, writer, artist, and lecturer (1860–1935)

3035:---. "Charlotte Perkins Gilman and the Shadow of Racism." 2823:

Mary A. Hill. Philadelphia: Temple University Press, 1980.

1433:. Many literary critics have ignored these short stories. 4468:

Women Writers.net, August 23, 1999. www.womenwriters.net/

2846:

The Living of Charlotte Perkins Gilman: An Autobiography.

2599:

Seven volumes, 1909–16. Microfiche. NY: Greenwood, 1968.

727:) who had tried to cure her of her depression through a " 240: 237: 2966:

Gubar, Susan. "She in Herland: Feminism as Fantasy." in

2806:"Fiction of America Being Melting Pot Unmasked by CPG." 2559:. Ed. Baker Brownell. NY: D. Van Nostrand, 1929. 115–42. 768: 3620: 3618: 3616: 3406: 3404: 1890:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 304–313. 1879:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 277–285. 1861:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 286–294. 1850:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 295–303. 1839:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 269–276. 1828:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 262–268. 1799:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 253–261. 1788:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 218–226. 1766:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 226–234. 1755:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 235–243. 1744:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 200–209. 1733:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 191–199. 1722:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 182–191. 1708:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 148–158. 1704:"The Jumping-off Place." Forerunner 2:4 (1911): 87–93. 1683:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 182–190. 1672:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 159–171. 1646:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 130–138. 1628:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 107–121. 1617:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 122–129. 1500:; Oxford: Oxford UP, 1995. Introduction Robert Shulman. 627:

At one point, Gilman supported herself by selling soap

8117:

National American Woman Suffrage Association activists

3694:

A Study Guide for Charlotte Perkins Gilman's "Herland"

3120:, www.jstor.org/stable/10.5406/amerlitereal.48.1.0025. 3095:

Long, Lisa A. "Herland and the Gender of Science." in

3000:, edited by George P. Anderson. Gale, pp. 140–52. 2573:. Ed. S. D. Schmalhausen. NY: Liveright, 1931. 110–26. 1595:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 98–106. 970:

The Man-Made World; or, Our Andocentric Culture (1911)

1915:

7 (1916); Westport: Greenwood Publishing Group, 1997.

1777:

Ed. Robert Shulman. Oxford: Oxford UP, 1995. 210–217.

1606:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 92–97. 1584:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 73–77. 1573:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 87–91. 1562:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 83–86. 1551:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 78–82. 1540:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 69–72. 1529:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 62–65. 1522:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 66–68. 1511:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 51–61. 1489:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 39–47. 1478:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 48–50. 1467:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 25–31. 1456:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 20–24. 1324:

that "Gilman offered perspectives on major issues of

789:

Art Gems for the Home and Fireside"/ "This Our World"

607:

In January 1932, Gilman was diagnosed with incurable

4434:

The bibliographic information is accredited to the "

4177:

Studies, Vol. 27, No. 4 (Summer, 2001), pp. 271–302.

4036:

Looking Backward: From Herland to Gulliver's Travels

3613: 3401: 2359:"The Passing of the Home in Great American Cities." 798:(1888); however, it was her first volume of poetry, 243: 1911:"With Her in Ourland: Sequel to Herland. A NOVEL." 1525:"Deserted." San Francisco Call July 17, 1893: 1–2. 1177: 813:In 1894–95 Gilman served as editor of the magazine 679: 246: 234: 8002:American women science fiction and fantasy writers 4382:, April 8, 1892, p.6, col.2. in Julie Bates Dock, 4146:Gilman, Charlotte Perkins (July 1908 – May 1909). 4002: 3969: 3697:. Gale, Cengage Learning. p. Introduction 5. 3422: 3420: 3332: 3330: 2080:"The Ceaseless Struggle of Sex: A Dramatic View." 1082:and was an early contributor to the discipline of 931:, which she began to write in 1925, was published 805: 3009:, edited by Myrto Drizou, Salem Press, pp. 48–62. 2968:Charlotte Perkins Gilman: The Woman and Her Work. 1074:Reform Darwinism and the role of women in society 794:In 1888 Perkins-Gilman published her first book, 434: 7938: 3637:Polly Wynn Allen, Building Domestic Liberty, 54. 3155:Ed. Mary A. Hill. Philadelphia: Temple UP, 1985. 1061:Oakland, California: McCombs & Vaughn (1893) 4486:Works by Charlotte Perkins Gilman in eBook form 4425:. (Newark: University of Delaware P, 2000) 211. 3925:Charlotte Perkins Gilman and Her Contemporaries 3417: 3327: 2829:Ed. Mary A. Hill. Lewisburg: Bucknill UP, 1995. 2192: 2159:The Man-Made World or, Our Androcentric Culture 2154:. New York: McClure, Phillips, & Co., 1904. 2146:. New York: McClure, Phillips, & Co., 1903. 1701:. Ed. Ann J. Lane. NY: Pantheon, 1980. 116–122. 1694:. Ed. Ann J. Lane. NY: Pantheon, 1980. 178–188. 1418:Newark, DE: University of Delaware Press, 1996. 1118:by Gilman and a photo of her as printed in the 554:, the Woman's Alliance, the Economic Club, the 3799:The Feminist Papers: From Adams to de Beauvoir 3153:Endure: The Diaries of Charles Walter Stetson. 3145:Boston: Twayne, 1985. Studies Gilman as writer 2928:Tuscaloosa: University of Alabama Press, 2004. 2898:Charlotte Perkins Gilman: A Nonfiction Reader. 2712:"Straight Talk by Mrs. Gilman is Looked For." 2310:"Causes and Uses of the Subjection of Women." 1817:. Ed. Robert Shulman. Oxford: Oxford UP, 1995. 849: 643:in London. In 1890, she was introduced to the 5872: 4660: 3901:(Boston, MA: Small, Maynard & Co., 1898). 3021:The Mixed Legacy of Charlotte Perkins Gilman, 3014:The Mixed Legacy of Charlotte Perkins Gilman. 2408:"How Home Conditions React Upon the Family." 1908:. Ed. Ann J. Lane. NY: Pantheon, 1980. 39–45. 1806:5 (1914); NY: Such and Such Publishing, 1998. 1416:The Later Poetry of Charlotte Perkins Gilman. 739:In 1903 Charlotte Perkins Gilman published a 4633:2 short radio episodes of Gilman's writing, 4596:Charlotte Perkins Gilman Digital Collection. 4566:"Charlotte Perkins Gilman: Domestic Goddess" 4423:The Mixed Legacy of Charlotte Perkins Gilman 4421:Golden, Catherine J., and Joanna Zangrando. 4256:, Vol. 32, No. 2 (Winter, 2000), pp. 159–169 3198: 3196: 3194: 3192: 3190: 2680:"Scientific Training of Domestic Servants." 1253:National American Woman Suffrage Association 1219:In 1908, Gilman published an article in the 637:National American Woman Suffrage Association 4348:Stetson, Charlotte Perkins (June 3, 1899). 4145: 3552:"The Evolution of Charlotte Perkins Gilman" 3518:ATQ (The American Transcendental Quarterly) 3477: 3168:Charlotte Perkins Gilman: Optimist Reformer 2994:Huber, Hannah, "Charlotte Perkins Gilman." 2952:Charlotte Perkins Gilman: Optimist Reformer 2815:Diaries, journals, biographies, and letters 2736:"Warless World When Women's Slavery Ends." 1742:"The Yellow Wall-Paper" and Other Stories'' 600:. Following Houghton's sudden death from a 5879: 5865: 4667: 4653: 4608:, Radcliffe Institute, Harvard University. 4592:, Radcliffe Institute, Harvard University. 4504:Works by or about Charlotte Perkins Gilman 4453: 4451: 3066:Ed. Ann J. Lane. New York: Pantheon, 1980. 3051:Lane, Ann J. "Gilman, Charlotte Perkins"; 2991:(New York: Oxford University Press, 2010). 2757:"Adam the Real Rib, Mrs. Gilman Insists." 2188:Ed. Freda Kirchway. NY: Boni, 1930. 53–66. 1775:"The Yellow Wall-Paper" and Other Stories. 1206:Gilman's feministic approach differs from 938: 641:International Socialist and Labor Congress 431:and love until she met her first husband. 313:", which she wrote after a severe bout of 31: 8082:20th-century American short story writers 8077:19th-century American short story writers 4188: 4048: 3187: 2628:"Safeguards Suggested for Social Evils." 2576:"Birth Control, Religion and the Unfit." 2138:. Boston: Small, Maynard & Co., 1900. 1888:"The Yellow Wall-Paper" and Other Stories 1877:"The Yellow Wall-Paper" and Other Stories 1859:"The Yellow Wall-Paper" and Other Stories 1848:"The Yellow Wall-Paper" and Other Stories 1837:"The Yellow Wall-Paper" and Other Stories 1826:"The Yellow Wall-Paper" and Other Stories 1815:"The Yellow Wall-Paper" and Other Stories 1797:"The Yellow Wall-Paper" and Other Stories 1786:"The Yellow Wall-Paper" and Other Stories 1764:"The Yellow Wall-Paper" and Other Stories 1753:"The Yellow Wall-Paper" and Other Stories 1731:"The Yellow Wall-Paper" and Other Stories 1720:"The Yellow Wall-Paper" and Other Stories 1706:"The Yellow Wall-Paper" and Other Stories 1681:"The Yellow Wall-Paper" and Other Stories 1670:"The Yellow Wall-Paper" and Other Stories 1644:"The Yellow Wall-Paper" and Other Stories 1626:"The Yellow Wall-Paper" and Other Stories 1615:"The Yellow Wall-Paper" and Other Stories 1604:"The Yellow Wall-Paper" and Other Stories 1593:"The Yellow Wall-Paper" and Other Stories 1582:"The Yellow Wall-Paper" and Other Stories 1571:"The Yellow Wall-Paper" and Other Stories 1560:"The Yellow Wall-Paper" and Other Stories 1549:"The Yellow Wall-Paper" and Other Stories 1538:"The Yellow Wall-Paper" and Other Stories 1527:"The Yellow Wall-Paper" and Other Stories 1520:"The Yellow Wall-Paper" and Other Stories 1509:"The Yellow Wall-Paper" and Other Stories 1487:"The Yellow Wall-Paper" and Other Stories 1476:"The Yellow Wall-Paper" and Other Stories 1465:"The Yellow Wall-Paper" and Other Stories 1454:"The Yellow Wall-Paper" and Other Stories 1443:"The Yellow Wall-Paper" and Other Stories 369:Charlotte Perkins Gilman as a child, 1868 3549: 3543: 2924:Davis, Cynthia J. and Denise D. Knight. 2833:The Diaries of Charlotte Perkins Gilman, 2471:"The Housekeeper and the Food Problem." 2247:"A Lady on the Cap and Apron Question." 2130:. Boston, Small, Maynard & Co., 1899 1109: 960:The Home: Its Work and Influence. (1903) 863: 689: 639:convention in Washington, D.C., and the 572: 520: 438: 408:... With Martha I knew perfect happiness 364: 305:. Her best remembered work today is her 8107:Pacific Coast Women's Press Association 4448: 4347: 4283: 4272:, Vol. 48, No. 1 (Fall 2015), pp. 25–39 4110: 4038:. G.K. Hall & Company. p. 160. 3274:The Diaries of Charlotte Perkins Gilman 2785:"Mrs. Gilman Urges Hired Mother Idea." 2686:International Congress of Women of 1899 2282:"Official Report of Woman's Congress." 2205:"Why Women Do Not Reform Their Dress." 2122:Providence: J. A. and R. A. Reid, 1888. 2100:Boston: Small, Maynard & Co., 1898. 759: 552:Pacific Coast Women's Press Association 193: 1900; died 1934) 7939: 4534:, with 107 library catalog records 4308: 4182: 4033: 4000: 3967: 2722:"Higher Marriage Mrs. Gilman's Plea." 2387:"Why Cooperative Housekeeping Fails." 2352:"Fortschritte der Frauen in Amerika." 2120:Gems of Art for the Home and Fireside. 1919: 929:The Living of Charlotte Perkins Gilman 781: 443:Portrait of Gilman at age 24, ca. 1884 423:The Living of Charlotte Perkins Gilman 360:The Living of Charlotte Perkins Gilman 7757: 7429: 6934: 6259: 6090: 5899: 5860: 5630: 5337: 5080: 4686: 4648: 4542:Internet Speculative Fiction Database 4192:Charlotte Perkins Gilman: A Biography 3958:Degler, "Theory and Practice," 27–35. 3508: 3502: 3039:, vol. 32, no. 2, 2000, pp. 159–169. 2919:Charlotte Perkins Gilman: A Biography 2876:, University of Massachusetts Press, 2733:, December 7, 1909: 1:1–2 and 14:5–6. 2705:"A New Light on the Woman Question." 2436:"How to Lighten the Labor of Women." 2401:"A Suggestion on the Negro Problem." 1393: 1285: 463:. The rest cure was developed by Dr. 4075: 3690: 3558:. Harvard University. Archived from 3064:The Charlotte Perkins Gilman Reader. 2810:, February 15, 1926: 9:7–8 and 15:8. 2602: 2591: 2340:Child Stude For Mothers and Teachers 1576:"The Misleading of Pendleton Oaks." 975:Our Brains and What Ails Them (1912) 889:works as "What Diantha Did" (1910), 373:Much of Gilman's youth was spent in 325:Gilman was born on July 3, 1860, in 112:Rhode Island School of Design (1878) 8067:19th-century American women writers 8062:20th-century American women writers 8017:Drug-related suicides in California 4148:"A Suggestion on the Negro Problem" 4139: 3914:, Vol. 8, No. 1 (Spring, 1956), 26. 3116:, vol. 48, no. 1, 2015, pp. 25–39. 2852: 2219:"The Providence Ladies Gymnasium." 1906:The Charlotte Perkins Gilman Reader 1868:6 (1915); NY: Pantheon Books, 1979. 1699:The Charlotte Perkins Gilman Reader 1692:The Charlotte Perkins Gilman Reader 1655:The Charlotte Perkins Gilman Reader 1242:Gilman's racism led her to espouse 13: 8092:American women non-fiction writers 8057:American women short story writers 8042:20th-century American philosophers 8037:19th-century American philosophers 7997:Writers from Hartford, Connecticut 4552:Essays by Charlotte Perkins Gilman 4288:. New York: Routledge Publishing. 3949:Degler, "Theory and Practice," 27. 3311:Gilman, "Autobiography", Chapter 5 3216:from the original on June 23, 2018 3054:American National Biography Online 2778:"Great Duty for Women After War." 2541:"Progress through Birth Control." 2254:"The Reactive Lies of Gallantry." 2022: 1690:2 (1911); NY: Charlton Co., 1911; 1068: 1016:"The Yellow Wallpaper" 5 , (1892). 796:Art Gems for the Home and Fireside 735:"The Home: Its Work and Influence" 14: 8138: 6039:Mildred "Babe" Didrikson Zaharias 4795:Katharine Martha Houghton Hepburn 4513:Works by Charlotte Perkins Gilman 4495:Works by Charlotte Perkins Gilman 4474: 4152:The American Journal of Sociology 3458:MacDowell studios (macdowell.org) 2569:"Parasitism and Civilized Vice." 2275:"The Business League for Women." 831:The Home: Its Work and Influence" 674:American Sociological Association 8007:American science fiction writers 4676:Connecticut Women's Hall of Fame 4587:Charlotte Perkins Gilman Papers. 4561:"A Guide for Research Materials" 4520: 4481:Charlotte Perkins Gilman Society 4286:Contemporary Feminist Pragmatism 4009:. Boston: McGraw Hill. pp. 3801:(1997), section 1 only, 572–576. 3509:Davis, Cynthia (December 2005). 3043:, www.jstor.org/stable/27746975. 3006:Critical Insights: Edith Wharton 2984:(Temple University Press, 1980). 2839: 2743:"Lecture Given by Mrs. Gilman." 2555:"Feminism and Social Progress." 2485:"The Socializing of Education." 2380:"Some Light on the 'Problem.'" 2317:"The Automobile as a Reformer." 2212:"A Protest Against Petticoats." 2143:The Home. Its Work and Influence 2088: 1802:"Begnina Machiavelli. A NOVEL." 1422: 1178:Feminism in stories and novellas 838:The Home: Its Work and Influence 510:In 1884, she married the artist 230: 215: 167: 8122:American women magazine editors 7962:20th-century American novelists 7109:Harriet Williams Russell Strong 4641:from California Legacy Project. 4612:Charlotte Perkins Gilman Papers 4428: 4415: 4402: 4389: 4372: 4341: 4309:Golden, Catherine (Fall 2007). 4302: 4277: 4261: 4245: 4229: 4216: 4169: 4104: 4069: 4042: 4027: 3994: 3976:. Boston: McGraw Hill. p. 3961: 3952: 3943: 3930: 3917: 3904: 3891: 3878: 3869: 3856: 3843: 3830: 3817: 3804: 3791: 3778: 3765: 3751: 3738: 3711: 3691:Gale, Cengage Learning (2016). 3684: 3675: 3666: 3653: 3640: 3631: 3600: 3587: 3574: 3464: 3446: 3433: 3388: 3375: 3339: 2945:New York: Feminist Press, 1992. 2862:, University of Chicago Press, 2506:"Cross-Examining Santa Claus." 2499:"Making Towns Fit to Live In." 2198:"On Advertising for Marriage." 1332: 190: 163: 6788:Ernestine Louise Potowski Rose 4621: 4078:Studies in American Naturalism 3550:Harrison, Pat (July 3, 2013). 3314: 3305: 3292: 3279: 3266: 3253: 3228: 2729:"Three Women Leaders in Hub." 2645:"All the Comforts of a Home." 2473:Annals of the American Academy 2166:Our Brains and What Ails Them. 2162:. New York: Charton Co., 1911. 2104: 1474:, September 23, 1891:199–200. 1189:Gilman uses world-building in 943: 435:Overcoming personal challenges 1: 8032:Philosophers from Connecticut 7758: 7430: 6935: 6260: 6091: 5900: 5889:National Women's Hall of Fame 4195:. Stanford University Press. 4063:10.1080/00497878.1989.9978776 3240:National Women's Hall of Fame 2792:"Eulogize Susan B. Anthony." 2789:, September 23, 1919: 36:1–2. 2652:"The Washington Convention." 2548:"Divorce and Birth Control." 2536:New York Jewish Daily Forward 2513:"Is America Too Hospitable?" 2466:Boston Sunday Herald Magazine 2429:"Should Women Use Violence?" 2410:American Journal of Sociology 2403:American Journal of Sociology 2396:American Journal of Sociology 2373:"The Home and the Hospital." 2240:"Are Women Better Than Men?" 1631:"What Diantha Did. A NOVEL". 1437:"Circumstances Alter Cases." 1222:American Journal of Sociology 390:Rhode Island School of Design 329:, to Mary Fitch Westcott and 320: 303:National Women's Hall of Fame 8102:American socialist feminists 7135:Paulina Kellogg Wright Davis 4350:"The Automobile as Reformer" 3524:(4): 242–248. Archived from 3181: 2900:New York: Columbia UP, 1991. 2764:"Advocates a 'World City.'" 2750:"Mrs. Gilman Assorts Sins." 2666:"Bellamy Memorial Meeting." 2656:, February 15, 1896: 49–50. 2580:, January 27, 1932: 108–109. 2268:"The Saloon and Its Annex." 2193:Short and serial non-fiction 1900:"The Girl in the Pink Hat." 1661:. NY: Pantheon, 1980. 21–31. 1382:Resources in other libraries 1358:Resources in other libraries 505: 7: 8072:20th-century American poets 8022:American women sociologists 7318:Martha Coffin Pelham Wright 6722:Josephine St. Pierre Ruffin 4630:, Suspense, CBS radio, 1948 4519:(public domain audiobooks) 4436:Guide to Research Materials 3454:"Katharine Beecher Stetson" 3236:"Gilman, Charlotte Perkins" 2987:Horowitz, Helen Lefkowitz, 2796:, February 16, 1920: 15:6. 2673:"An Evening With Kipling." 2552:, January 25, 1928: 130–31. 2338:"Ideals of Child Culture." 2296:"The American Government." 1536:, September 13, 1893: 166. 1366:By Charlotte Perkins Gilman 1255:convention in New Orleans. 1020:The Yellow Wallpaper (1899) 769:"Suffrage Songs and Verses" 10: 8143: 8087:Novelists from Connecticut 6874:Katharine Dexter McCormick 6172:Mary "Mother" Harris Jones 5766:Cora Lee Bentley Radcliffe 4978:Elizabeth Hart Jarvis Colt 4601:September 1, 2017, at the 4572:"Charlotte Perkins Gilman" 4179:Accessed November 3, 2008. 4034:Keyser, Elizabeth (1992). 3897:Charlotte Perkins Gilman, 3759:"Charlotte Perkins Gilman" 3489:Harvard University Library 3204:"Charlotte Perkins Gilman" 3030:(Twayne Publishers, 1997). 2872:Allen, Polly Wynn (1988). 2747:, November 15, 1911: 7:3. 2663:, November 10, 1897: 8:1. 2482:, June 22, 1918: 478, 483. 2289:"John Smith and Armenia." 2261:"The Vegetable Chinaman." 1591:, February 16, 1895: 4–5. 1569:, December 29, 1894: 4–5. 1262: 1050:With Her in Ourland (1916) 1040:Benigna Machiavelli (1916) 1030:Moving the Mountain (1911) 1010: 955:Concerning Children (1900) 857: 683: 550:organizations such as the 8127:American magazine editors 8097:Writers of Gothic fiction 7977:American feminist writers 7865: 7809: 7768: 7764: 7753: 7684: 7623: 7562: 7506: 7440: 7436: 7425: 7356: 7300: 7239: 7168: 7127: 7051: 6945: 6941: 6930: 6806: 6740: 6732:Hannah Greenebaum Solomon 6639: 6503: 6317: 6301: 6270: 6266: 6255: 6211: 6185: 6164: 6143: 6122: 6101: 6097: 6086: 6047: 6021: 5910: 5906: 5895: 5820: 5789: 5758: 5692: 5641: 5637: 5631: 5626: 5587: 5561: 5535: 5509: 5483: 5457: 5426: 5400: 5374: 5348: 5344: 5338: 5333: 5299: 5268: 5242: 5216: 5190: 5169: 5143: 5117: 5091: 5087: 5081: 5076: 5037: 5001: 4970: 4944: 4913: 4730:Evelyn Longman Batchelder 4697: 4693: 4687: 4682: 4582:Suffrage Songs and Verses 4380:Boston Evening Transcript 4315:American Literary Realism 4270:American Literary Realism 4258:, accessed March 9, 2019. 4254:American Literary Realism 4224:Building Domestic Liberty 3864:Building Domestic Liberty 3287:Building Domestic Liberty 3177:27 (Summer 2001): 271–30. 3151:Stetson, Charles Walter. 3143:Charlotte Perkins Gilman. 3114:American Literary Realism 3076:New York: Pantheon, 1990. 3037:American Literary Realism 2782:, February 26, 1918: 2:7. 2768:, January 6, 1915: 15:5. 2761:, February 19, 1914: 9:3. 2740:, November 14, 1910: 4:1. 2726:, December 29, 1908: 2:3. 2702:, February 26, 1903: 7:1. 2695:, December 11, 1902: 8:4. 2691:"Society and the Child." 2682:Women and Industrial Life 2659:"Woman Suffrage League." 2562:"Sex and Race Progress." 2450:"Gum Chewing in Public." 2443:"What 'Love' Really Is." 2366:"The Beauty of a Block." 2314:, December 24, 1898: 410. 2233:"Altering Human Nature." 2226:"How Much Must We Read?" 2046:(November 10, 1894): 4–5. 1871:"Mrs. Merrill's Duties." 1602:, January 12, 1895: 4–5. 1598:"An Unpatented Process." 1547:, October 13, 1894: 4–5. 1505:Worthington's Illustrated 1492:"The Yellow Wall-paper." 1409:Suffrage Songs and Verses 1377:Resources in your library 1353:Resources in your library 1055: 622: 581:Frances Benjamin Johnston 263:Charlotte Perkins Stetson 214: 209: 201: 140: 116: 108: 78: 61: 39: 30: 23: 7967:American women novelists 6963:Marjory Stoneman Douglas 6773:Wilhelmina Cole Holladay 6546:Charlotte Perkins Gilman 5812:Regina Winters-Toussaint 5610:Elizabeth George Plouffe 5104:Adrianne Baughns-Wallace 4760:Charlotte Perkins Gilman 4538:Charlotte Perkins Gilman 4528:Charlotte Perkins Gilman 4464:August 12, 2013, at the 4442:August 12, 2013, at the 4378:M.D., "Perlious Stuff," 4274:, accessed March 5, 2019 3209:Encyclopaedia Britannica 3123:Oliver, Lawrence J. and 2775:, April 14, 1917: 14:1. 2709:, April 25, 1904: 76–77. 2621:"With Women Who Write." 2557:Problems of Civilization 2524:, June 11, 1924: 671–73. 2489:, April 5, 1919: 348–49. 2391:41 (July 1907): 625–629. 2303:"When Socialism Began." 2293:, January 12, 1895: 2–3. 2202:11, September 1, 1885: 7 2082:Kate Field's Washington. 1609:"According to Solomon." 1580:, October 6, 1894: 4–5. 1441:, July 23, 1890: 55–56. 1390:Gilman's works include: 1344:Charlotte Perkins Gilman 1078:Gilman called herself a 995:Growth and Combat (1916) 990:The Dress of Women(1915) 708:The New England Magazine 577:Charlotte Perkins Gilman 375:Providence, Rhode Island 331:Frederic Beecher Perkins 226:Charlotte Perkins Gilman 25:Charlotte Perkins Gilman 7453:Dorothy Harrison Eustis 7343:Catherine Filene Shouse 7196:Patricia Roberts Harris 6834:Mary Steichen Calderone 6702:Lillian Moller Gilbreth 6571:Frances Wisebart Jacobs 6375:Martha Wright Griffiths 5669:Clara Hill (suffragist) 5664:Sarah Lee Brown Fleming 5307:Martha Minerva Franklin 4800:Isabella Beecher Hooker 4616:University of Rochester 3719:"The Yellow Wall-paper" 2799:"Walt Whitman Dinner." 2632:, April 24, 1892: 12:4. 2468:, September 3, 1916: 7. 2461:, March 7, 1915: 14–15. 2459:New York Times Magazine 2415:"Children's Clothing." 2370:, July 14, 1904: 67–72. 2209:, October 9, 1886: 338. 2071:"Something to Vote For" 2060:, November 24, 1894: 5. 2053:, November 17, 1894: 5. 2037:Kate Field's Washington 1831:"Mr. Peebles's Heart." 1686:"Moving the Mountain." 1620:"Three Thanksgivings." 1587:"An Unnatural Mother." 1558:, December 1, 1894: 5. 1534:Kate Field's Washington 1472:Kate Field's Washington 1463:, May 21, 1890: 335–6. 1461:Kate Field's Washington 1439:Kate Field's Washington 1309:in 1898, by the end of 1246:beliefs, claiming that 1214: 1025:What Diantha Did (1910) 939:Works by Perkins-Gilman 750:early feminist movement 338:Isabella Beecher Hooker 7992:American LGBTQ writers 7399:Rebecca Talbot Perkins 6894:Eunice Kennedy Shriver 6758:Frances Xavier Cabrini 6672:Elizabeth Hanford Dole 6450:Ellen Swallow Richards 6420:Constance Baker Motley 6070:Elizabeth Bayley Seton 6003:Elizabeth Cady Stanton 5715:Khalilah L. Brown-Dean 5281:Patricia Goldman-Rakic 5177:Dotha Bushnell Hillyer 5014:Constance Baker Motley 4242:Accessed March 5, 2019 2858:Allen, Judith (2009). 2803:, June 1, 1921: 16:7. 2738:San Francisco Examiner 2716:, July 16, 1905: 33:2. 2677:, March 14, 1899: 4:2. 2647:San Francisco Examiner 2623:San Francisco Examiner 2478:"Concerning Clothes." 2331:"Esthetic Dyspepsia." 2235:California Nationalist 2216:, January 8, 1887: 60. 2186:Our Changing Morality. 2084:April 9, 1890, 239–40. 2056:"The Story Guessers", 1780:"Mrs. Hines's Money." 1679:2:12 (1911): 311–315. 1649:"When I Was a Witch." 1481:"The Giant Wistaria." 1320:Ann J. Lane writes in 1126: 874: 840:, which expanded upon 698: 680:"The Yellow Wallpaper" 584: 526: 512:Charles Walter Stetson 444: 428: 370: 152:Charles Walter Stetson 8027:American sociologists 7913:Anna Wessels Williams 7600:Carlotta Walls LaNier 7333:Elisabeth Kübler-Ross 7191:Martha Matilda Harper 7155:Mary Engle Pennington 6993:Frances Oldham Kelsey 6778:Anne Morrow Lindbergh 6531:Jane Cunningham Croly 6460:Katherine Siva Saubel 6355:Marian Wright Edelman 6278:Margaret Bourke-White 6203:Harriet Beecher Stowe 5491:Margaret Bourke-White 5229:Mary Townsend Seymour 5161:Miriam Therese Winter 5045:Jane Hamilton-Merritt 4885:Harriet Beecher Stowe 4880:Hilda Crosby Standish 4875:Smiths of Glastonbury 4870:Virginia Thrall Smith 4805:Emeline Roberts Jones 4750:Katharine Seymour Day 4720:Beatrice Fox Auerbach 4459:"Domestic Goddesses," 4354:Saturday Evening Post 4327:10.1353/alr.2008.0017 4090:10.1353/san.2017.0006 3886:To Herland and Beyond 2903:Class, Claire Marie. 2571:Woman's Coming of Age 2543:North American Review 2534:"American Radicals." 2440:40 (1912): 14–15, 77. 2433:14 (1912): 11, 78–79. 2345:"Should Wives Work?" 2335:, August 4, 1900: 12. 2333:Saturday Evening Post 2328:, April 7, 1900: 105. 2324:"Superfluous Women." 2319:Saturday Evening Post 2112:His Religion and Hers 1864:"Herland. A NOVEL. " 1857:6:5 (1915): 113–117. 1842:"Dr. Clair's Place." 1762:4:7 (1913): 169–173. 1751:4:8 (1913): 197–201. 1740:3:12 (1912): 309–14. 1725:"Mrs. Elder's Idea." 1503:"The Rocking-Chair." 1452:, May 17, 1890: 158. 1279:Saturday Evening Post 1113: 927:. Her autobiography, 867: 860:Forerunner (magazine) 693: 576: 533:. In 1888, Charlotte 531:Grace Ellery Channing 524: 516:postpartum depression 488:Bristol, Rhode Island 442: 421:Charlotte P. Gilman, 402: 368: 346:Harriet Beecher Stowe 327:Hartford, Connecticut 307:semi-autobiographical 55:Hartford, Connecticut 8112:American eugenicists 8052:American suffragists 7972:American women poets 7610:Mary Harriman Rumsey 7448:St. Katharine Drexel 7292:Mary Burnett Talbert 7287:Blanche Stuart Scott 7272:Mother Marianne Cope 7252:Ruth Fulton Benedict 7211:Mildred Robbins Leet 6909:Angelina Grimké Weld 6783:Maria Goeppert Mayer 6753:Charlotte Anne Bunch 6330:Antoinette Blackwell 6309:Gertrude Belle Elion 6239:Ida B. Wells-Barnett 6008:Helen Brooke Taussig 5998:Margaret Chase Smith 5725:Callie Gale Heilmann 5135:Maria Miller Stewart 5109:Mary Goodrich Jenson 4993:Laura Wheeler Waring 4890:Gladys Tantaquidgeon 4845:Theodate Pope Riddle 4820:Rachel Taylor Milton 4628:The Yellow Wallpaper 4125:10.1353/aq.2003.0001 3562:on November 25, 2018 3363:on February 14, 2020 3354:betweenthecovers.com 2941:Golden, Catherine. T 2896:Ceplair, Larry, ed. 2615:, June 21, 1890: 6. 2583:"The Right to Die." 2510:105 (1922): 169–174. 2503:102 (1921): 361–366. 2464:"What is Feminism?" 2454:, May 20, 1914:12:5. 2394:"Social Darwinism." 2321:, June 3, 1899: 778. 2263:Housekeeper's Weekly 1886:7:5 (1916): 113–18. 1846:6:6 (1915): 141–45. 1835:5:9 (1914): 225–29. 1795:5:6 (1914): 141–45. 1747:"A Council of War." 1718:2:9 (1911): 227–32. 1668:2:7 (1911): 171–77. 1543:"A Day's Berryin.'" 1518:, July 10, 1893: 1. 1494:New England Magazine 1483:New England Magazine 1470:"An Extinct Angel." 1121:Atlanta Constitution 985:Social Ethics (1914) 924:Buffalo Evening News 808:Women and Economics" 695:The Yellow Wallpaper 686:The Yellow Wallpaper 654:The Yellow Wallpaper 598:Norwich, Connecticut 315:postpartum psychosis 311:The Yellow Wallpaper 166: 1884; 122:The Yellow Wallpaper 72:Pasadena, California 7982:American socialists 7827:Rebecca S. Halstead 7801:Mary Church Terrell 7488:Barbara A. Mikulski 7216:Patsy Takemoto Mink 7201:Stephanie L. Kwolek 7140:Ruth Bader Ginsburg 7114:Emily Howell Warner 7059:Dorothy H. Andersen 7033:Annie Dodge Wauneka 7028:Mary Edwards Walker 6953:Faye Glenn Abdellah 6884:Edith Nourse Rogers 6864:Shirley Ann Jackson 6839:Mary Ann Shadd Cary 6717:Sandra Day O'Connor 6697:Matilda Joslyn Gage 6293:Florence B. Seibert 6130:Carrie Chapman Catt 6060:Juliette Gordon Low 5943:Elizabeth Blackwell 5938:Mary McLeod Bethune 5730:Jerimarie Liesegang 5449:Augusta Lewis Troup 5260:Glenna Collett-Vare 5203:Helen Frankenthaler 5029:Mabel Osgood Wright 4936:María Colón Sánchez 4900:Hannah Bunce Watson 4850:Edna Negron Rosario 4810:Barbara B. Kennelly 4725:Emma Fielding Baker 4635:"California Colors" 4606:Schlesinger Library 4590:Schlesinger Library 4532:Library of Congress 3938:Women and Economics 3899:Women and Economics 3761:. October 26, 2021. 3141:Scharnhorst, Gary. 3131:(July 1993): 52–60. 3129:Journal of the West 2914:41.1 (2024): 75-98. 2808:Dallas Morning News 2754:, June 3, 1913: 3:8 2649:, May 22, 1895: 9. 2625:, March 1891, 3:3. 2587:94 (1935): 297–300. 2564:Sex in Civilization 2545:224 (1927): 622–29. 2527:"The Nobler Male." 2520:"Toward Monogamy." 2517:70 (1923): 1983–89. 2492:"A Woman's Party." 2412:14 (1909): 592–605. 2384:62 (1906): 4270428. 2265:, June 24, 1893: 3. 2237:, May 10, 1890: 10. 2135:Concerning Children 2002:With Her in Ourland 1979:Benigna Machiavelli 1949:Moving the Mountain 1920:Novels and novellas 1893:"Joan's Defender." 1882:"A Surplus Woman." 1875:6:3 (1915): 57–61. 1820:"If I Were a Man." 1813:5:3 (1914): 57–61. 1784:4:4 (1913): 85–89. 1773:4:2 (1913): 29–33. 1729:3:2 (1912): 29–32. 1675:"Making a Change." 1448:"That Rare Jewel." 1306:Women and Economics 1273:Moving the Mountain 1248:Old Stock Americans 1136:Women and Economics 896:Moving the Mountain 843:Women and Economics 823:Women and Economics 782:Other notable works 725:Silas Weir Mitchell 717:American literature 602:cerebral hemorrhage 465:Silas Weir Mitchell 134:Women and Economics 8047:Utopian socialists 7786:Barbara Rose Johns 7737:Flossie Wong-Staal 7712:Nicole Malachowski 7641:Lorraine Hansberry 7585:Marcia Greenberger 7539:Mary Joseph Rogers 7478:Coretta Scott King 7463:Abby Kelley Foster 7379:Susan Kelly-Dreiss 7267:Rita Rossi Colwell 7043:Frances E. Willard 6879:Rozanne L. Ridgway 6829:Lydia Moss Bradley 6814:Madeleine Albright 6707:Nannerl O. Keohane 6677:Anne Dallas Dudley 6606:Betty Bone Schiess 6576:Susette La Flesche 6561:Zora Neale Hurston 6556:Helen LaKelly Hunt 6480:Madam C. J. Walker 6395:Mary Putnam Jacobi 6345:Jacqueline Cochran 6325:Ethel Percy Andrus 6193:Barbara McClintock 5659:Catherine Flanagan 5654:Frances Ellen Burr 5553:Regina Rush-Kittle 5382:Isabelle M. Kelley 5366:Maggie Wilderotter 5286:Barbara McClintock 5276:Jewel Plummer Cobb 5130:Catherine Roraback 4905:Chase G. Woodhouse 4547:The Feminist Press 4189:Davis, C. (2010). 4113:American Quarterly 3923:Davis and Knight, 3912:American Quarterly 3744:Julie Bates Dock, 3724:The Feminist Press 3556:Radcliffe Magazine 3285:Polly Wynn Allen, 3272:Denise D. Knight, 3026:Knight, Denise D. 2917:Davis, Cynthia J. 2745:San Francisco Call 2714:San Francisco Call 2630:San Francisco Call 2613:Weekly Nationalist 2475:74 (1917): 123–40. 2447:14 (1913): 11, 57. 2398:12 (1907): 713–14. 2363:38 (1904): 137–47. 2300:, June 6, 1896: 3. 2251:, June 6, 1891: 3. 2221:Providence Journal 1853:"Girls and Land." 1824:32 (1914): 31–34. 1642:1:10 (1910): 1–5. 1638:"The Cottagette." 1516:San Francisco Call 1507:1 (1893): 453–59. 1485:4 (1891): 480–85. 1459:"The Unexpected." 1394:Poetry collections 1322:Herland and Beyond 1286:Critical reception 1156:The Man-Made World 1127: 875: 713:women's literature 699: 585: 527: 445: 386:natural philosophy 371: 265:, was an American 7934: 7933: 7930: 7929: 7926: 7925: 7888:Kimberlé Crenshaw 7883:Elouise P. Cobell 7847:Katherine Johnson 7817:Octavia E. Butler 7749: 7748: 7745: 7744: 7656:Clare Boothe Luce 7468:Helen Murray Free 7421: 7420: 7417: 7416: 7282:Patricia A. Locke 7247:Florence E. Allen 7231:Sheila E. Widnall 7176:Linda G. Alvarado 7160:Mercy Otis Warren 7119:Victoria Woodhull 7104:Barbara Holdridge 7099:Beatrice A. Hicks 7074:Lydia Maria Child 6988:Leontine T. Kelly 6926: 6925: 6922: 6921: 6748:Louisa May Alcott 6662:Mary Breckinridge 6541:Geraldine Ferraro 6526:Annie Jump Cannon 6251: 6250: 6247: 6246: 6082: 6081: 6078: 6077: 5988:Eleanor Roosevelt 5887:Inductees to the 5854: 5853: 5850: 5849: 5846: 5845: 5833:Melissa Bernstein 5802:Laura Cruickshank 5771:Jennifer Rizzotti 5750:Teresa C. Younger 5649:Josephine Bennett 5622: 5621: 5618: 5617: 5329: 5328: 5325: 5324: 5312:Carolyn M. Mazure 5151:Florence Griswold 5072: 5071: 5068: 5067: 4957:Madeleine L'Engle 4860:Susan Saint James 4815:Clare Boothe Luce 4790:Katharine Hepburn 4745:Prudence Crandall 4735:Catharine Beecher 4576:Books and Writers 4570:Petri Liukkonen. 4499:Project Gutenberg 4295:978-0-203-12232-7 3531:on August 9, 2017 2909:and Other Works." 2868:978-0-226-01463-0 2773:Boston Transcript 2661:Boston Advertiser 2603:Selected lectures 2592:Self-publications 2531:74 (1925): 19–21. 2405:14 (1908): 78–85. 2382:American Magazine 2375:Good Housekeeping 2354:Neues Frauenleben 2049:"Story Studies", 1904:7 (1916): 39–46. 1791:"A Partnership." 1664:"In Two Houses." 1401:In This Our World 1339:Library resources 1293:Boston Transcript 1125:December 10, 1916 965:Human Work.(1904) 918:The Baltimore Sun 912:Louisville Herald 800:In This Our World 662:feminist movement 658:In This Our World 645:Nationalist Clubs 611:. An advocate of 560:Adrian John Ebell 480:suicidal behavior 356:Catharine Beecher 351:Uncle Tom's Cabin 223: 222: 89:commercial artist 43:Charlotte Perkins 8134: 7766: 7765: 7755: 7754: 7722:Louise Slaughter 7646:Victoria Jackson 7605:Philippa Marrack 7590:Barbara Iglewski 7498:Kathrine Switzer 7493:Donna E. Shalala 7438: 7437: 7427: 7426: 7384:Allie B. Latimer 7364:Louise Bourgeois 7338:Judith L. Pipher 7145:Katharine Graham 7089:Marian de Forest 7008:Anna Howard Shaw 6958:Emma Smith DeVoe 6943: 6942: 6932: 6931: 6844:Joan Ganz Cooney 6768:Oveta Culp Hobby 6763:Mary A. Hallaren 6626:Sarah Winnemucca 6495:Gloria Yerkovich 6490:Rosalyn S. Yalow 6445:Jeannette Rankin 6425:Georgia O'Keeffe 6380:Fannie Lou Hamer 6340:Shirley Chisholm 6288:Billie Jean King 6268: 6267: 6257: 6256: 6219:Gwendolyn Brooks 6099: 6098: 6088: 6087: 5928:Susan B. Anthony 5908: 5907: 5897: 5896: 5881: 5874: 5867: 5858: 5857: 5740:Marilyn Ondrasik 5639: 5638: 5628: 5627: 5439:Barbara Franklin 5346: 5345: 5335: 5334: 5208:Rosalind Russell 5089: 5088: 5078: 5077: 4952:Edythe J. 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2194: 2191: 2190: 2189: 2183: 2178:Serialized in 2176:Social Ethics. 2173: 2168:Serialized in 2163: 2155: 2147: 2139: 2131: 2123: 2117: 2106: 2103: 2102: 2101: 2090: 2087: 2086: 2085: 2078: 2068: 2067:2 (1911): 134. 2061: 2054: 2047: 2040: 2024: 2021: 2020: 2019: 2010: 1998: 1986: 1975: 1966: 1957: 1945: 1933: 1921: 1918: 1917: 1916: 1909: 1898: 1891: 1880: 1869: 1862: 1851: 1840: 1829: 1818: 1809:"Fulfilment." 1807: 1800: 1789: 1778: 1769:"Her Beauty." 1767: 1756: 1745: 1734: 1723: 1712: 1709: 1702: 1695: 1684: 1673: 1662: 1647: 1636: 1629: 1618: 1607: 1596: 1585: 1574: 1563: 1554:"Five Girls." 1552: 1541: 1530: 1523: 1512: 1501: 1490: 1479: 1468: 1457: 1446: 1430:The Forerunner 1424: 1421: 1420: 1419: 1413: 1405: 1395: 1392: 1385: 1384: 1379: 1374: 1368: 1364: 1361: 1360: 1355: 1349: 1348: 1337: 1336: 1334: 1331: 1287: 1284: 1264: 1261: 1227:Black American 1216: 1213: 1179: 1176: 1075: 1072: 1070: 1067: 1066: 1065: 1062: 1057: 1054: 1053: 1052: 1047: 1045:Herland (1915) 1042: 1037: 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7995: 7993: 7990: 7988: 7985: 7983: 7980: 7978: 7975: 7973: 7970: 7968: 7965: 7963: 7960: 7958: 7957:1935 suicides 7955: 7953: 7950: 7948: 7945: 7944: 7942: 7919: 7916: 7914: 7911: 7909: 7906: 7904: 7901: 7899: 7896: 7894: 7891: 7889: 7886: 7884: 7881: 7879: 7876: 7874: 7873:Patricia Bath 7871: 7870: 7868: 7864: 7858: 7855: 7853: 7850: 7848: 7845: 7843: 7842:Emily Howland 7840: 7838: 7835: 7833: 7830: 7828: 7825: 7823: 7820: 7818: 7815: 7814: 7812: 7808: 7802: 7799: 7797: 7796:Toni Morrison 7794: 7792: 7789: 7787: 7784: 7782: 7779: 7777: 7774: 7773: 7771: 7767: 7763: 7756: 7752: 7738: 7735: 7733: 7730: 7728: 7725: 7723: 7720: 7718: 7715: 7713: 7710: 7708: 7705: 7703: 7700: 7698: 7695: 7693: 7692:Gloria Allred 7690: 7689: 7687: 7683: 7677: 7674: 7672: 7669: 7667: 7664: 7662: 7661:Aimee Mullins 7659: 7657: 7654: 7652: 7649: 7647: 7644: 7642: 7639: 7637: 7634: 7632: 7631:Matilda Cuomo 7629: 7628: 7626: 7622: 7616: 7615:Eleanor Smeal 7613: 7611: 7608: 7606: 7603: 7601: 7598: 7596: 7593: 7591: 7588: 7586: 7583: 7581: 7580:Martha Graham 7578: 7576: 7575:Nancy Brinker 7573: 7571: 7568: 7567: 7565: 7561: 7555: 7552: 7550: 7549:Anna Schwartz 7547: 7545: 7542: 7540: 7537: 7535: 7532: 7530: 7527: 7525: 7522: 7520: 7517: 7515: 7512: 7511: 7509: 7505: 7499: 7496: 7494: 7491: 7489: 7486: 7484: 7481: 7479: 7476: 7474: 7471: 7469: 7466: 7464: 7461: 7459: 7456: 7454: 7451: 7449: 7446: 7445: 7443: 7439: 7435: 7428: 7424: 7410: 7409:Kate Stoneman 7407: 7405: 7404:Susan Solomon 7402: 7400: 7397: 7395: 7392: 7390: 7387: 7385: 7382: 7380: 7377: 7375: 7372: 7370: 7367: 7365: 7362: 7361: 7359: 7355: 7349: 7346: 7344: 7341: 7339: 7336: 7334: 7331: 7329: 7328:Winona LaDuke 7326: 7324: 7321: 7319: 7316: 7314: 7311: 7309: 7306: 7305: 7303: 7299: 7293: 7290: 7288: 7285: 7283: 7280: 7278: 7275: 7273: 7270: 7268: 7265: 7263: 7260: 7258: 7257:Betty Bumpers 7255: 7253: 7250: 7248: 7245: 7244: 7242: 7238: 7232: 7229: 7227: 7226:Anne Sullivan 7224: 7222: 7219: 7217: 7214: 7212: 7209: 7207: 7204: 7202: 7199: 7197: 7194: 7192: 7189: 7187: 7184: 7182: 7179: 7177: 7174: 7173: 7171: 7167: 7161: 7158: 7156: 7153: 7151: 7148: 7146: 7143: 7141: 7138: 7136: 7133: 7132: 7130: 7126: 7120: 7117: 7115: 7112: 7110: 7107: 7105: 7102: 7100: 7097: 7095: 7094:Althea Gibson 7092: 7090: 7087: 7085: 7082: 7080: 7077: 7075: 7072: 7070: 7067: 7065: 7062: 7060: 7057: 7056: 7054: 7050: 7044: 7041: 7039: 7036: 7034: 7031: 7029: 7026: 7024: 7021: 7019: 7016: 7014: 7011: 7009: 7006: 7004: 7001: 6999: 6996: 6994: 6991: 6989: 6986: 6984: 6981: 6979: 6976: 6974: 6971: 6969: 6966: 6964: 6961: 6959: 6956: 6954: 6951: 6950: 6948: 6944: 6940: 6933: 6929: 6915: 6912: 6910: 6907: 6905: 6904:Florence Wald 6902: 6900: 6899:Beverly Sills 6897: 6895: 6892: 6890: 6887: 6885: 6882: 6880: 6877: 6875: 6872: 6870: 6869:Shannon Lucid 6867: 6865: 6862: 6860: 6857: 6855: 6852: 6850: 6847: 6845: 6842: 6840: 6837: 6835: 6832: 6830: 6827: 6825: 6822: 6820: 6817: 6815: 6812: 6811: 6809: 6805: 6799: 6798:Edith Wharton 6796: 6794: 6791: 6789: 6786: 6784: 6781: 6779: 6776: 6774: 6771: 6769: 6766: 6764: 6761: 6759: 6756: 6754: 6751: 6749: 6746: 6745: 6743: 6739: 6733: 6730: 6728: 6727:Pat Schroeder 6725: 6723: 6720: 6718: 6715: 6713: 6710: 6708: 6705: 6703: 6700: 6698: 6695: 6693: 6690: 6688: 6685: 6683: 6680: 6678: 6675: 6673: 6670: 6668: 6665: 6663: 6660: 6658: 6655: 6653: 6650: 6648: 6645: 6644: 6642: 6638: 6632: 6629: 6627: 6624: 6622: 6621:Oprah Winfrey 6619: 6617: 6614: 6612: 6609: 6607: 6604: 6602: 6601:Wilma Rudolph 6599: 6597: 6594: 6592: 6589: 6587: 6584: 6582: 6579: 6577: 6574: 6572: 6569: 6567: 6564: 6562: 6559: 6557: 6554: 6552: 6549: 6547: 6544: 6542: 6539: 6537: 6534: 6532: 6529: 6527: 6524: 6522: 6521:Myra Bradwell 6519: 6517: 6514: 6512: 6509: 6508: 6506: 6502: 6496: 6493: 6491: 6488: 6486: 6483: 6481: 6478: 6476: 6473: 6471: 6468: 6466: 6463: 6461: 6458: 6456: 6455:Elaine Roulet 6453: 6451: 6448: 6446: 6443: 6441: 6438: 6436: 6433: 6431: 6428: 6426: 6423: 6421: 6418: 6416: 6413: 6411: 6408: 6406: 6403: 6401: 6398: 6396: 6393: 6391: 6388: 6386: 6383: 6381: 6378: 6376: 6373: 6371: 6368: 6366: 6365:Betty Friedan 6363: 6361: 6358: 6356: 6353: 6351: 6348: 6346: 6343: 6341: 6338: 6336: 6333: 6331: 6328: 6326: 6323: 6322: 6320: 6316: 6310: 6307: 6306: 6304: 6300: 6294: 6291: 6289: 6286: 6284: 6281: 6279: 6276: 6275: 6273: 6269: 6265: 6258: 6254: 6240: 6237: 6235: 6232: 6230: 6227: 6225: 6222: 6220: 6217: 6216: 6214: 6210: 6204: 6201: 6199: 6196: 6194: 6191: 6190: 6188: 6184: 6178: 6175: 6173: 6170: 6169: 6167: 6163: 6157: 6156:Lucretia Mott 6154: 6152: 6149: 6148: 6146: 6142: 6136: 6133: 6131: 6128: 6127: 6125: 6121: 6115: 6112: 6110: 6107: 6106: 6104: 6100: 6096: 6089: 6085: 6071: 6068: 6066: 6063: 6061: 6058: 6056: 6053: 6052: 6050: 6046: 6040: 6037: 6035: 6034:Margaret Mead 6032: 6030: 6029:Abigail Adams 6027: 6026: 6024: 6020: 6014: 6011: 6009: 6006: 6004: 6001: 5999: 5996: 5994: 5991: 5989: 5986: 5984: 5981: 5979: 5976: 5974: 5971: 5969: 5966: 5964: 5961: 5959: 5956: 5954: 5953:Rachel Carson 5951: 5949: 5948:Pearl S. Buck 5946: 5944: 5941: 5939: 5936: 5934: 5931: 5929: 5926: 5924: 5921: 5919: 5916: 5915: 5913: 5909: 5905: 5898: 5894: 5890: 5882: 5877: 5875: 5870: 5868: 5863: 5862: 5859: 5839: 5836: 5834: 5831: 5829: 5826: 5825: 5823: 5819: 5813: 5810: 5808: 5805: 5803: 5800: 5798: 5795: 5794: 5792: 5788: 5782: 5779: 5777: 5776:Lhakpa Sherpa 5774: 5772: 5769: 5767: 5764: 5763: 5761: 5757: 5751: 5748: 5746: 5743: 5741: 5738: 5736: 5733: 5731: 5728: 5726: 5723: 5721: 5718: 5716: 5713: 5711: 5708: 5706: 5703: 5701: 5700:Enola G. Aird 5698: 5697: 5695: 5691: 5685: 5684:Emily Pierson 5682: 5680: 5677: 5675: 5672: 5670: 5667: 5665: 5662: 5660: 5657: 5655: 5652: 5650: 5647: 5646: 5644: 5640: 5636: 5629: 5625: 5611: 5608: 5606: 5603: 5601: 5598: 5596: 5593: 5592: 5590: 5586: 5580: 5579:Tina Weymouth 5577: 5575: 5572: 5570: 5567: 5566: 5564: 5560: 5554: 5551: 5549: 5548:Ruth A. Lucas 5546: 5544: 5541: 5540: 5538: 5534: 5528: 5527:Joyce Yerwood 5525: 5523: 5520: 5518: 5515: 5514: 5512: 5508: 5502: 5499: 5497: 5496:Carolyn Miles 5494: 5492: 5489: 5488: 5486: 5482: 5476: 5473: 5471: 5468: 5466: 5463: 5462: 5460: 5456: 5450: 5447: 5445: 5444:Linda Lorimer 5442: 5440: 5437: 5435: 5432: 5431: 5429: 5425: 5419: 5416: 5414: 5411: 5409: 5406: 5405: 5403: 5399: 5393: 5392:Patricia Wald 5390: 5388: 5385: 5383: 5380: 5379: 5377: 5373: 5367: 5364: 5362: 5359: 5357: 5354: 5353: 5351: 5347: 5343: 5336: 5332: 5318: 5315: 5313: 5310: 5308: 5305: 5304: 5302: 5298: 5292: 5289: 5287: 5284: 5282: 5279: 5277: 5274: 5273: 5271: 5267: 5261: 5258: 5256: 5253: 5251: 5248: 5247: 5245: 5241: 5235: 5234:Anne Stanback 5232: 5230: 5227: 5225: 5222: 5221: 5219: 5215: 5209: 5206: 5204: 5201: 5199: 5196: 5195: 5193: 5189: 5183: 5180: 5178: 5175: 5174: 5172: 5168: 5162: 5159: 5157: 5154: 5152: 5149: 5148: 5146: 5142: 5136: 5133: 5131: 5128: 5126: 5123: 5122: 5120: 5116: 5110: 5107: 5105: 5102: 5100: 5097: 5096: 5094: 5090: 5086: 5079: 5075: 5061: 5060:Florence Wald 5058: 5056: 5053: 5051: 5050:Sophie Tucker 5048: 5046: 5043: 5042: 5040: 5036: 5030: 5027: 5025: 5022: 5020: 5019:Rosa Ponselle 5017: 5015: 5012: 5010: 5007: 5006: 5004: 5000: 4994: 4991: 4989: 4986: 4984: 4983:Annie Dillard 4981: 4979: 4976: 4975: 4973: 4969: 4963: 4960: 4958: 4955: 4953: 4950: 4949: 4947: 4943: 4937: 4934: 4932: 4931:Donna Lopiano 4929: 4927: 4924: 4922: 4919: 4918: 4916: 4912: 4906: 4903: 4901: 4898: 4896: 4893: 4891: 4888: 4886: 4883: 4881: 4878: 4876: 4873: 4871: 4868: 4866: 4863: 4861: 4858: 4856: 4853: 4851: 4848: 4846: 4843: 4841: 4838: 4836: 4833: 4831: 4828: 4826: 4823: 4821: 4818: 4816: 4813: 4811: 4808: 4806: 4803: 4801: 4798: 4796: 4793: 4791: 4788: 4786: 4783: 4781: 4778: 4776: 4773: 4771: 4768: 4766: 4763: 4761: 4758: 4756: 4753: 4751: 4748: 4746: 4743: 4741: 4738: 4736: 4733: 4731: 4728: 4726: 4723: 4721: 4718: 4716: 4713: 4711: 4708: 4706: 4703: 4702: 4700: 4696: 4692: 4685: 4681: 4677: 4670: 4665: 4663: 4658: 4656: 4651: 4650: 4647: 4640: 4636: 4632: 4629: 4626: 4625: 4617: 4613: 4610: 4607: 4604: 4600: 4597: 4594: 4591: 4588: 4585: 4583: 4580: 4577: 4573: 4569: 4567: 4564: 4562: 4559: 4557: 4553: 4550: 4548: 4545: 4543: 4539: 4536: 4533: 4529: 4526: 4518: 4514: 4511: 4509: 4505: 4502: 4500: 4496: 4493: 4491: 4487: 4484: 4482: 4479: 4478: 4467: 4463: 4460: 4454: 4452: 4445: 4441: 4437: 4431: 4424: 4418: 4411: 4405: 4398: 4392: 4385: 4381: 4375: 4359: 4355: 4351: 4344: 4336: 4332: 4328: 4324: 4320: 4316: 4312: 4305: 4297: 4291: 4287: 4280: 4273: 4271: 4264: 4257: 4255: 4248: 4241: 4239: 4232: 4225: 4219: 4204: 4202:9780804738897 4198: 4194: 4193: 4185: 4178: 4172: 4157: 4153: 4149: 4142: 4134: 4130: 4126: 4122: 4118: 4114: 4107: 4099: 4095: 4091: 4087: 4083: 4079: 4072: 4064: 4060: 4056: 4052: 4045: 4037: 4030: 4022: 4020:9780072826722 4016: 4012: 4007: 4006: 3997: 3989: 3987:9780072826722 3983: 3979: 3974: 3973: 3964: 3955: 3946: 3939: 3933: 3926: 3920: 3913: 3907: 3900: 3894: 3887: 3884:Ann J. Lane, 3881: 3872: 3865: 3859: 3852: 3846: 3839: 3833: 3826: 3820: 3813: 3807: 3800: 3794: 3787: 3781: 3774: 3768: 3760: 3754: 3747: 3741: 3726: 3725: 3720: 3714: 3706: 3704:9781410348029 3700: 3696: 3695: 3687: 3678: 3669: 3662: 3656: 3649: 3648:Autobiography 3643: 3634: 3627: 3621: 3619: 3617: 3609: 3603: 3596: 3590: 3583: 3577: 3561: 3557: 3553: 3546: 3527: 3523: 3519: 3512: 3505: 3490: 3486: 3480: 3473: 3472:Autobiography 3467: 3459: 3455: 3449: 3442: 3441:Autobiography 3436: 3429: 3423: 3421: 3413: 3407: 3405: 3397: 3396:Autobiography 3391: 3384: 3378: 3359: 3355: 3348: 3342: 3333: 3331: 3323: 3322:Autobiography 3317: 3308: 3301: 3300:Autobiography 3295: 3288: 3282: 3275: 3269: 3262: 3256: 3241: 3237: 3231: 3215: 3211: 3210: 3205: 3199: 3197: 3195: 3193: 3191: 3186: 3176: 3172: 3169: 3165: 3161: 3157: 3154: 3150: 3147: 3144: 3140: 3137: 3133: 3130: 3126: 3122: 3119: 3115: 3111: 3110: 3106: 3105: 3101: 3098: 3094: 3092: 3088: 3084: 3080: 3079: 3075: 3071: 3068: 3065: 3061: 3060: 3056: 3055: 3050: 3049: 3045: 3042: 3038: 3034: 3033: 3029: 3025: 3022: 3018: 3015: 3011: 3008: 3007: 3002: 2999: 2998: 2993: 2990: 2986: 2983: 2979: 2976: 2972: 2969: 2965: 2962: 2958: 2957: 2953: 2949: 2948: 2944: 2940: 2936: 2933: 2930: 2927: 2923: 2920: 2916: 2913: 2910: 2908: 2902: 2899: 2895: 2892: 2889: 2885: 2883: 2882:0-87023-627-X 2879: 2875: 2871: 2869: 2865: 2861: 2857: 2856: 2847: 2844: 2843: 2840:Autobiography 2834: 2831: 2828: 2825: 2822: 2819: 2818: 2809: 2805: 2802: 2798: 2795: 2791: 2788: 2784: 2781: 2777: 2774: 2770: 2767: 2763: 2760: 2756: 2753: 2749: 2746: 2742: 2739: 2735: 2732: 2728: 2725: 2721: 2718: 2715: 2711: 2708: 2704: 2701: 2697: 2694: 2690: 2687: 2683: 2679: 2676: 2672: 2670:4: (1898): 3. 2669: 2665: 2662: 2658: 2655: 2651: 2648: 2644: 2642:1 (1894): 2. 2641: 2637: 2634: 2631: 2627: 2624: 2620: 2617: 2614: 2611:"Club News." 2610: 2609: 2608: 2600: 2598: 2586: 2582: 2579: 2575: 2572: 2568: 2565: 2561: 2558: 2554: 2551: 2547: 2544: 2540: 2537: 2533: 2530: 2526: 2523: 2519: 2516: 2512: 2509: 2505: 2502: 2498: 2495: 2491: 2488: 2484: 2481: 2477: 2474: 2470: 2467: 2463: 2460: 2456: 2453: 2449: 2446: 2442: 2439: 2435: 2432: 2428: 2425: 2421: 2418: 2414: 2411: 2407: 2404: 2400: 2397: 2393: 2390: 2386: 2383: 2379: 2377:40 (1905): 9. 2376: 2372: 2369: 2365: 2362: 2358: 2355: 2351: 2348: 2344: 2341: 2337: 2334: 2330: 2327: 2323: 2320: 2316: 2313: 2309: 2306: 2302: 2299: 2295: 2292: 2288: 2285: 2281: 2278: 2274: 2271: 2270:Stockton Mail 2267: 2264: 2260: 2257: 2253: 2250: 2246: 2243: 2239: 2236: 2232: 2229: 2225: 2222: 2218: 2215: 2211: 2208: 2204: 2201: 2197: 2196: 2187: 2184: 2181: 2177: 2174: 2171: 2167: 2164: 2161: 2160: 2156: 2153: 2152: 2148: 2145: 2144: 2140: 2137: 2136: 2132: 2129: 2128: 2124: 2121: 2118: 2115: 2113: 2109: 2108: 2099: 2097: 2093: 2092: 2083: 2079: 2076: 2072: 2069: 2066: 2062: 2059: 2055: 2052: 2048: 2045: 2041: 2038: 2034: 2033: 2032: 2030: 2017: 2015: 2011: 2008: 2005: 2003: 1999: 1996: 1993: 1991: 1987: 1984: 1981: 1980: 1976: 1973: 1970: 1967: 1964: 1961: 1960:Mag-Marjorie. 1958: 1955: 1951: 1950: 1946: 1943: 1939: 1938: 1934: 1931: 1927: 1924: 1923: 1914: 1910: 1907: 1903: 1899: 1896: 1892: 1889: 1885: 1881: 1878: 1874: 1870: 1867: 1863: 1860: 1856: 1852: 1849: 1845: 1841: 1838: 1834: 1830: 1827: 1823: 1819: 1816: 1812: 1808: 1805: 1801: 1798: 1794: 1790: 1787: 1783: 1779: 1776: 1772: 1768: 1765: 1761: 1757: 1754: 1750: 1746: 1743: 1739: 1735: 1732: 1728: 1724: 1721: 1717: 1713: 1710: 1707: 1703: 1700: 1696: 1693: 1689: 1685: 1682: 1678: 1674: 1671: 1667: 1663: 1660: 1656: 1652: 1648: 1645: 1641: 1637: 1634: 1630: 1627: 1623: 1619: 1616: 1612: 1608: 1605: 1601: 1597: 1594: 1590: 1586: 1583: 1579: 1575: 1572: 1568: 1564: 1561: 1557: 1553: 1550: 1546: 1542: 1539: 1535: 1531: 1528: 1524: 1521: 1517: 1513: 1510: 1506: 1502: 1499: 1498:Elaine Hedges 1495: 1491: 1488: 1484: 1480: 1477: 1473: 1469: 1466: 1462: 1458: 1455: 1451: 1447: 1444: 1440: 1436: 1435: 1434: 1432: 1431: 1423:Short stories 1417: 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Charlotte Perkins Gilman

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