Charly García - Knowledge

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with an acoustic guitar, so Vida's repertoire began to liven up campfires, increasing the happiness of many young people who achieved their first success with the guitar from a Sui Generis song. But, in retrospect, what may have been the duo's great strength was their ability to denounce hypocrisy, double standards, and the double discourse of Argentine society, in a language any teenager could understand. It was like a clarification of the hermetic codes that rock had handled until then, but without falling into unabashed protest or pamphleteering.

1387:. An article of the time, from the magazine Pelo, highlights the presence of "girls who are not the usual ones at concerts, who had come in groups of four or five", drawn by songs in which "true love, tenderness as a genuine gesture of giving" were intertwined. The overwhelming success of "Canción para mi muerte" at that time generated a sort of thematic and musical misunderstanding, which tended to pigeonhole the duo outside of rock, within the romantic pop genre. Nito Mestre recognized this situation in a 1973 interview: 972:, an institution that was traditional at the time but rejected by a significant part of the youth, including those who had made long hair a symbol of rebellion and change. Young people resorted to various ploys to "escape the draft." Charly García was no exception. After his hopes of escaping through a "low number" (in the preliminary lottery) were dashed, Charly resorted to all possible tricks: seeking "arrangements" with officials known to his parents (which at least managed to have him sent to the 935:. However, several members of the group were unable to attend, so Sui Generis had to perform as a duo consisting of Charly García and Nito Mestre. The performance took place on February 5 or 6. "We were very surprised because people started to like our vibe," says Nito. Two statues of Nito and Charly, located at Rivadavia and Santa Fe, where the theater used to be, commemorate that event, although the concert took place when they were still a band. 2831:("B ! Behind the Walls") was edited as the second and last Sui Generis's LP in this new era. It was a mash up between live versions of the Boca Juniors's concert, new songs (as "Telepáticamente") and some versions of old songs. (such as "Rasguña Las Piedras", featuring Gustavo Cerati, former leader of Soda Stereo). Besides on October 23, 2001, Charly reached age 50. For the occasion, a special concert in the Colliseum Theater was organized. 1642: 2288:, Minister of Economy during the last civil-military dictatorship in Argentina. The lyrics sarcastically criticized Martínez de Hoz's tenure: "José Mercado compra todo importado (...)/José es licenciado en Economía, pasa la vida comprando porquerías" ("Market Joe only buys imported stuff (...)/Joe has a degree in Economics/And spends his life buying garbage"), targeting Argentina's then-recent policy of economic neoliberalism. 704:) in Spanish. At this time, García began to break away from the classical piano concert career that his family's education was imposing on him. While watching the program and after arguing with his mother, he composed his first song, “Corazón de hormigón,” attributing his mother's hardness of heart to the song. In 2010, nearly fifty years later, García recorded the song with Palito Ortega and included it in the album 990:." An additional incident happened more or less simultaneously: Charly had to carry a stretcher with a corpse to the morgue, but instead, he took it to the Officers' Casino, causing a scandal. The military then sent him home, and a few days later, he was discharged for suffering from "hysterical neurosis, schizoid personality." Charly detailed this experience in "Botas locas," which would be included in the album 490:"Rasguña las piedras" was considered in 2002 as the third-best song of all time in Argentine rock, and the 53rd in Latin American rock. Other songs by him have also been considered among the 100 best of Argentine rock: "Seminare", "Canción para mi muerte", "Demoliendo hoteles", "Los dinosaurios", "Yo no quiero volverme tan loco", "No llores por mí, Argentina", "Chipi chipi", and "Cerca de la revolución". 2295:, titled "Llorando en el espejo" ("Crying in The Mirror"), contained the famous verse: "La línea blanca se terminó/no hay señales en tus ojos y estoy/llorando en el espejo..." ("The white line is up/there are no signs in your eyes/and I'm crying in the mirror..."), portraying cocaine addiction in clear terms. At the time, these lyrics did not attract much attention from military censors. 2581:

song titled "Shisyastawuman" (a deliberately direct transliteration of "She's just a woman"), the first song García recorded in English that was written to a woman. The woman left him after hearing the song, just like Lebón had warned. A song named "Zocacola" that Charly dedicated to Zoca was included in this LP as well. A couple of months after the record was released, Zoca left him.

2043:, which brought together Argentine personalities from various genres. There, García was accused of making "foreignizing" music "that had nothing to do with the national sentiment", apart from lacking "the quality of the old tangos" and that "in 20 years, no one would remember him". This experience would inspire García to compose "Los sobrevivientes" and "A los jóvenes de ayer". 1288:. Long hair for men was a generational flag. At that time, Charly had no defined political commitment, beyond a strong rebellion against the hypocrisy of "adults", social prejudices, or the rigidity of the educational system, but this was not the case for María Rosa Yorio or Jorge Álvarez, who had a clearly left-wing stance, including sympathy for the revolutionary currents of 1144:" ("She kicked me out of her room, shouting: 'You have no profession'"), "Quizás porque" ("Perhaps because I am none of that is why you are here in my bed"), and "Cuando comenzamos a nacer" ("And you discover that love is more than one night and together we watch the sunrise"). Yorio, for her part, would be the recipient of a large number of Charly's songs, such as " 1583:, with the original songs and lyrics. Charly, Nito, and the rest of the band were illegally detained in Uruguay, beaten, and interrogated by intelligence services, without legal counsel or communication with the Argentine embassy. Twenty years later, when the album was reissued by Microfón in digital format, the two excluded tracks were included as 'bonus tracks'. 546:. The family included three brothers: Enrique, Daniel, and Josi. His mother was dedicated to the care and education of her children, with the help of professional nannies. Each child had their own room. The family home was a large apartment located on the fifth floor of José María Moreno Street 63, in the heart of the Caballito neighborhood, and ten blocks from 565:. In 1959, the family's economic situation went into crisis when the factory closed, leading to the subsequent loss of most of the family's properties, including the house on José María Moreno Street and the country house in Paso del Rey. The García family then had to move to a rented apartment located in Darregueyra and Paraguay, in the then neighborhood of 2123:. Despite the commercial success of Sui Generis, Charly was nearly destitute. By 1978, he was living a nature-focused life with Zoca in Brazil, fishing and gathering fruit. With a new musical partner, Charly began playing again, planting the seed for a new musical project. He was determined to form a new band, despite financial challenges. Upon returning to 756:, let his hair grow long, and started to clash with his father, who had hoped he would become a concert pianist or an engineer. This relationship never fully recovered; although they were no longer struggling financially, his father started insisting that he get a job to finance his "vices." However, his relationship with his mother was different: 2245:. Spinetta Jade's darker and more complex style of music was harder for general audiences to understand at the time, making Spinetta a less popular star than Charly. Nevertheless, Spinetta and Charly dispelled the myth of their rivalry on September 13, 1980, when both their bands, Serú Girán and Spinetta Jade, played together for the first time. 580:, which was experiencing what came to be known as "the folklore boom." Due to her work, it became common for the mother to invite prominent folklore musicians to their home, where "Carlitos" would play the piano. The family's economic situation improved, and they moved to an apartment located in Vidt 1955 9th “B”, between Charcas and Güemes, in 3033:(part of the Ministry of Culture), celebrated García's birthday with live music, a series of talks/lectures and performances. A series of live concerts were held at the CCK, where several of Argentina's most important musicians covered García's classic repertoire. Charly himself made a surprise appearance and performed for the cheering crowd. 641:, his parents enrolled him in 1956 in the Thibaud Piazzini Conservatory. However, his mother arranged for him to take piano and music lessons at home. His teacher was Julieta Sandoval, whom Charly describes as a very strict, "super Catholic" teacher who believed in suffering and pain as necessary to become a good classical concert pianist: 1167:(founder of the legendary label Mandioca), agreed to an audition. Both were satisfied, even though the adolescent lyrics and acoustic sound did not completely convince them, but Charly's performance and his mastery of the piano overcame any reservations they might have had. They agreed to record a single, with the song " 2174:. Serú Girán won several categories from 1978 to 1981, including best guitarist, keyboardist, bassist, drummer, composer (García), and live group. Additional awards included revelation group of 1978; best singer (Lebón) in 1980 and 1981; best song in 1978 ("Seminare"), and in 1981 ("Peperina"); and best album in 1978 ( 2182:

Girán represented a complete departure, featuring a new sound where Aznar's fretless bass guitar was central, and lyrics full of poetry and striking aesthetics. The audience actively requested Sui Generis' old songs. In response to the prevailing Disco music trend in Argentina in 1978, Serú Girán played a song called

2211:), fashionable music, and radio, nearly resulted in the band's imprisonment. However, the album was enthusiastically received by the public. The band's performances improved, eventually being held in larger venues. The specialized press changed its attitude, and a romance developed between the people and Serú Girán. 453:(1990). Simultaneously, he began to be involved in various media scandals due to his exorbitant and extravagant behavior, and he suffered his first health accident due to increasing drug addiction during the 90s. By the end of the 90s and the beginning of the 2000s, García entered his controversial and chaotic 2787:

In February 1999, García performed at the closing of the free public-rock festival "Buenos Aires Vivo III" (BA Live III). There he played a huge concert for 250.000 fans who attended one of the biggest concerts in Argentina up to that date. In July 1999, Charly agreed to give a private performance on

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During Argentina's last military dictatorship (1976—1983), Charly almost faced imprisonment in 1979 due to the band's lyrics, which were considered too clear and direct. The political message in their songs became stronger yet concealed to avoid censorship and further confrontations with the military

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Initially, Sui Generis focused on vocal harmonization. Charly, Nito, and Piegari took singing lessons from a teacher who lived opposite Piegari's family home in Flores. Charly stated that his model for both To Talk Spanish and Sui Generis was the American band Vanilla Fudge, from whom he took the use

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Serú Girán's commercial success grew, earning them the title of "The Argentine Beatles". Charly began to receive recognition as a great artist. The band was the first popular rock group to attract a following among both the rich and the poor/working class, breaking rock music out of its historically

2196:, published a disparaging article titled "Charly García: ¿Ídolo o qué?" ("Idol or what?"). Despite the cold reception, the members of Serú Girán were convinced they had a strong project and continued to organize more shows, gradually winning acceptance from an audience that warmed up to their style. 2181:

Despite returning to Buenos Aires with high expectations for Charly García's new project, the beginnings were difficult. It was 1978, and the first album did not convince a skeptical public. The band's first concert was poorly received, as the audience expected a new incarnation of Sui Generis. Serú

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Charly's frustration at being unable to release the fourth album was decisive in his decision to leave Sui Generis, which essentially meant dissolving the group. The cycle was complete and it was evident to Nito as well. For the fans and the rock world, it was a cold shower. Businessmen screamed and

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style, including innovative electronic instruments for the time and a marked political critique of the basic "institutions" of society: the family, the military, police repression, censorship, political assassinations. García specified that the institutions "were Power, the military, well, those who

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Sui Generis had a meteoric success. Vida, their first album, had simple, accessible songs with lyrics that spoke the language of adolescence. Charly unwittingly hit the mark: Sui Generis taught those teenagers to sing, starting from their own doubts turned into songs. Moreover, these could be played

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In 2000, Charly and Nito Mestre decided to bring Sui Generis back to life. For the special occasion, they both composed the songs for a new LP, "Sinfonías para adolescentes" ("Symphonies for Adolescents"). This new period would be marked by García's new "sound concept" of Maravillización or "Making

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The original project for the album had a political directness that was moderated at the suggestion of Jorge Álvarez (director of the Talent label), for safety, to avoid putting Sui Generis on the Triple A's death threat list. Some lyrics were modified, and two songs were excluded, "Botas locas" and

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The album achieved exceptional sales and reaffirmed that Sui Generis' explosive popularity over the past year was not due to a misunderstanding or a one-off hit. The success of the album dispelled Charly's fears and insecurities about the real possibility of making a living from music, which he had

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was released and simultaneously the live version of "Canción para mi muerte" recorded in the film was launched as a single. In March, they gave a concert at the Lasalle College (of which there is a recorded version) and in April, Sui Generis surprised everyone with a massive turnout of teenagers at

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I always knew where Carlitos was going to get to. After my other children and grandchildren were born, I realized that he was special. Sometimes, I was even afraid because I thought: "How can a three-year-old boy play anything on the piano?" Charly was something special; I'm wrong to say it, but it

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When I heard The Beatles, I went crazy: I thought it was Martian music. Classical music from Mars. I immediately understood the message: 'we play our instruments, we write our songs, and we are young'. For my time and my upbringing, that was very strange. It was not supposed that young people would

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in the late 70s, becoming one of the most important bands in the history of Argentine music for their musical quality and lyrics, including challenging songs towards the military dictatorship that haunted the country at that time. The group dissolved in 1982 after releasing four studio albums and a

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After a year-long recovery living in Ortega's estate, a cured and stable Charly came back in August 2009 with a new song called "Deberías Saber Por qué" (You Should Know Why). The song became a hit and soon Charly embarked on a large tour through Chile and Perú to promote his return. On October 23

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and the Argentine dictatorship. "Encuentro con el diablo" ("A Meeting with the Devil") referenced the band's encounter with Interior minister Albano Harguindeguy, informally known as "the Devil". Harguindeguy had conversations with some artists at the time, ordering them to tone down their work or

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Many girls who come to interview us for school magazines are surprised that we have political ideas and other things; many believe that we are romantic characters, suffering readers of poetry or hardened intellectuals. The general public, when they hear our show, is surprised not to find what they

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Charly's father had long ago told him, "Never write an anagram for someone if you don't want him or her to be pissed off". During the Serú Girán years, his friend David Lebón told him something similar: "Do not write a song for a woman if you love her, because she'll leave you". The LP includes a

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in "Plateado sobre plateado (huellas en el mar)" ("Silver on Silver, Footprints on the Sea"), repression in "Nos siguen pegando abajo" ("They keep hitting us down there"), "No me dejan salir" ("They won't let me out") and "Los dinosaurios" ("The Dinosaurs"), a nostalgic but defiant remembrance of

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in March 1977. Despite the arrival of the baby, the marriage was not going well. Charly García was deeply involved in his projects, focusing solely on his music, and María Rosa felt alone. A few months later, they decided to separate. It wasn't long before María Rosa found new companionship: none

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In 1974, when Charly García had achieved widespread recognition in the rock world and was enjoying the massive popularity attained with Sui Generis, a proposal emerged to form a supergroup of musicians from the so-called "acoustic rock" to embark on a tour without a formal musical project, but to

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In December 1969, when most of the group members were concluding high school, the sextet Sui Generis was invited to perform at the graduation party in front of hundreds of people, held at the Instituto Santa Rosa (Rosario 638). Adolescence was ending, school was no longer the setting that brought

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There are four known recordings of Sui Generis from this period, made on two Minisurco acetate discs in 1969 and 1970. The first disc contains "De las brumas regresaré," composed by Charly García and Alejandro Correa, and "Escuchando al juglar en silencio," by Correa. The second disc features two

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During this period, Charly composed music but initially did not write lyrics, a role filled mainly by Piegari and also by Correa. Charly has mentioned that he and Piegari were "the Lennon and McCartney of the school." In 1968, they composed a rock opera in Spanish titled "Teo," about a son of the

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organized Mi Buenos Aires Rock (My B.A. rock), a public rock festival on Avenue 9 de Julio, the city's most famous avenue. Every act was scheduled to play 30 minutes, but Charly played for over two hours. He closed the festival playing his version of the national anthem to one hundred thousand

2163:, a largely unnoticed 1979 album. This album contained "Loco (no te sobra una moneda)", the ironic disco song "Discoshock" (both by García), and a new funky version of "Treinta y dos macetas" from David Lebón's celebrated solo album, renamed "Toda la gente". After this formation was disbanded, 1949:

Sui Géneris was already a thing of the past, and Charly had begun to explore other musical paths. At the same time, he started going to a psychoanalyst as he continued to feel very anguished. He spent all day locked in his apartment, playing and composing, virtually without speaking to anyone.

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This was a much more polished album than the first one, which had to be recorded "on the sly" when the label did not believe Sui Generis could be successful. "It was a much more polished album," says Mestre. That year both musicians had grown, gained experience, and adopted a more professional

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was a new concept for García: "'Say No More' would be in music what painting directly on the canvas would be for a painter", he explained. He also said that the LP "will only be understood in 20 years". Today the album is considered García's masterpiece, and "Say no more" the classic slogan

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The city was plastered with advertising posters with the legend "Adiós Sui Géneris" over which multitudes of young people full of disbelief and pain wrote "Why are they separating?". The call exceeded all expectations and it was decided to hold a second concert, immediately after the first.

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We thought it was the end of a dream, but we were forced to get on stage. We had already spent the money on beer and couldn't return the fee to the person who hired us. We gathered courage and went out, Charly with the acoustic guitar and me with my little flute. I was terrified, but Charly

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The album was highly praised though it did not sell as expected. The public and producers struggled to understand Charly's musical evolution and demanded a return to the acoustic and simple style of the first two albums. Meanwhile, García, Mestre, and the rest of the band had begun using

1594:. In some ways, "Instituciones" marked a return to the original style of Sui Generis, before it became a duo, when they followed the model of Vanilla Fudge. The album also featured backing vocals by María Rosa Yorio and contributions from guest musicians such as Alejandro Correa (bass), 1268:

At the same time, some historical rockers criticized these two disheveled-looking adolescents as "soft". Pappo said that Sui Géneris "softened the milanesa". Spinetta also declared that he did not like Sui Generis because he found their themes childish (he likened them to the songs of

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marginal position. David Lebón later reflected, "Actually, we were much more like Procol Harum than The Beatles, a legendary band: a rock 'viola' (slang for guitar) player (Lebón), a classical pianist (García), an infernal percussionist (Moro) and a virtuoso bass player (Aznar)."

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movement. But one day María Rosa got tired and told him to choose between her or Maggie. He chose her. Due to the conflictive relationship they both had with their families, they soon moved to a boarding house in Aráoz and Soler (Palermo) and later to a slightly better one in the

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Here, he was invited by Alberto "Beto" Rodríguez, the drummer, to form a band. They called it To Walk Spanish, a name given by García that expresses the act of expelling or throwing a person out by grabbing them by the neck of the jacket and the belt. To Walk Spanish consisted of

1408:. The intention of the album was to make it clear to their audience that Sui Generis was a rock band and to correct any misunderstanding about the band's profile. "We don't want to disappoint the audience," Charly summed up when explaining what the album was about at that time. 893:

Moon and a cat, blending bossa nova with tango and rock. It had 16 different parts in rock, blues, and bossa nova rhythms. Some of the opera's themes, such as "Teo," "Marina," and "Juana," later influenced songs like "Eiti Leda" and some riffs from La máquina de hacer pájaros.

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Charly invents a new way of telling the pop world, renewing it, refreshing it, and giving it gravity and grace. Before were Manal, Los Gatos, Almendra, but it is Charly who installs the pop idea in people. This is undeniable. He has done it with a very divine grace and unique

610:. When his parents returned from the trip, his mother noticed that Charly had learned to play "Torna a Surriento," a famous Neapolitan melody that was in a family music box, by ear. Charly has mentioned that he believes the solo of "Seminare" was derived from that melody. 1194:, under the Talent Microfón label and produced by Jorge Álvarez. Álvarez was not convinced of the value of recording the album, and it was Billy Bond who decisively influenced the decision, recording it in an almost secretive manner. The duo was accompanied by former 673:), but he did not reveal it due to fear of his teacher's reaction. In 2004, García paid tribute to his childhood piano teacher by unexpectedly appearing at the centenary celebration of the Thibaud Piazzini Conservatory to perform two of his own compositions from the 2218:("Bicycle") – a name that Charly had originally favored for the band but was rejected by the other members. The band's sound on this record was more mature, with modern and strong music marked by prominent melodies. Pedro Aznar's bass guitar played a central role. 1018:

It was the summer of 1972: the sextet had been narrowing down. It was about to become a duo consisting of Charly and Nito. However, several of the original members of Sui Generis would continue to maintain some musical contact with Sui Generis or Charly García:

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were probably Charly's best in a long, long time. With the strong support of María Gabriela Epumer in chorus and guitar, Charly showed up in many different concerts, such as two in the Luna Park Stadium, Viña del Mar and Cosquín Rock with correct performances.

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doping, which he failed, preventing him from playing. After Diego was sent home, Argentina lost two important matches and was knocked out of the World Cup. When the last match was about to end, Charly called Diego on his cell phone and sang to him "live" the

2508:("Part of the Religion"), a very interesting LP. Many songs from that LP became hits. Two of them, "No voy en tren" ("I don't take the train") and "Necesito tu amor" ("I need your love") are the perfect symbol of García's dichotomies: the first one says " 1476:. It is accompanied by other classic songs from Charly García's songbook, such as "Cuando ya me empiece a quedar solo", "Bienvenidos al tren", "Lunes otra vez", "Aprendizaje", and "Tribulaciones, lamentos y ocaso de un tonto rey imaginario, o no ". 985:

that his mother had brought to the hospital. The overdose caused an extreme state of excitement, making him think he was going to die. In those conditions, he wrote in one go the song that would become his first massive hit just a few months later:

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In 1990, Charly had many ideas but no band. Another important member of the band, Fabián "Zorrito" Von Quintiero, had left to join another band, Los Ratones Paranoicos (The Paranoid Mice). Hilda Lizarazu was busy with her band called Man Ray. For

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His first public performance was on October 6, 1956, at just four years old, at the Conservatory, presented in the program as "Carlitos Alberto García Moreno." He performed two classical pieces, one anonymous and the other written by his teacher.

2796:. On a televised bit of this event he was seen in good spirits, carrying out antics such as playing with the security cameras, or trying to teach the president how to play the piano. A limited edition of a disc memorializing the famous concert, 2985:

In 2016 Charly had several health problems and appeared to walk in and out of clinics and medical controls. On February 24, 2017, after months of speculation about Charly's health, he surprisingly announced the release of his new studio album,

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1970 was a year of changes for the band. First, they performed at the Club Italiano in Caballito, which García recalls as the band's debut,. At the same time, Nito Mestre considers the performance at the Instituto Santa Rosa as their debut.

5473: 5443: 1672:. The band recorded the entire album, but the 'managers' and producers refused to release it, pressuring the group to return to the initial ballads that had guaranteed commercial success. Reluctantly, they had to settle for releasing an 2869:, his voice often sounds out of tune and, once again the LP contained too many versions and translated covers such as "Linda Bailarina" ("Pretty Ballerina", Michael Brown) or "Wonder" ("Love´S in Need of Love Today" by Stevie Wonder). 2446:

On December 10, the course of Argentine history took a turn as the government became a democracy. Charly performed many well-received shows in 1984, and recorded another album during its last months. García also recorded an LP called

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were taken nearby. As both parents had to go out to work, Carlitos was sent to finish primary school at the Argentine Aeronautical School, located on Quilmes Street in the Pompeya neighborhood, due to its double schooling system.

1927: 1794: 829:(bass), Charly García (guitar), and Alberto "Beto" Rodríguez (drums). The band composed their songs in English, with music by García and lyrics by Correa. They also performed a few covers, including "Feel a Whole Lot Better" by 809:

record player in his room where he listened to rock records he exchanged at the Centro Cultural del Disco in return for promotional albums his mother received. García recalls that among the records he especially listened to was

1218:), "Mariel y el capitán", "Estación", and "Cuando comenzamos a nacer". A series of songs that would remain in the popular songbook for decades, especially "Canción para mi muerte", which was chosen by the Argentine edition of 2189:

The specialized press the next day dubbed Serú Girán "the worst band" in Argentina and accused David Lebón's vocals of sounding "homosexual". This led to a strained relationship with the media. A popular Argentine magazine,

1580: 3818: 870:, a name chosen by García to signify not only the musical originality he aspired to but also as a defense of the 'freak,' the odd, the 'nerd,' and their path, in the face of derogatory comments they received at the time. 1999:, in which García introduced the novelty of two simultaneous keyboard players. This band was one of the most meticulously crafted Argentine bands in terms of sound, but it was not well-received by critics and the public. 2823:

Many journalists criticized this return, stating that the main cause for it was the money and that both members of the band had changed so much, that the new album and show had nothing to do with the "real" Sui Generis.

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regiment, in the Buenos Aires suburbs); simulating physical and mental illnesses and fainting spells; disobeying orders; making life impossible for the soldiers; etc. As a result of these simulations, he was sent to the

2604:("Cheap Philosophy and Rubber Shoes") Charly gathered many of his old friends, who helped record most of the songs. Assisting him, among others, were Andrés Calamaro, Rinaldo Rafanelli, Fabiana Cantilo, "Nito" Mestre, 2910:

due to a violent episode in which the musician thrashed a hotel room in Mendoza. Sources related the incident to an overdose of drugs and alcohol. After the incident García's friend, the singer and former politician

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Musically, since 1967, an original current of "national rock", as it was called at the time, had been developing mainly in Buenos Aires, with lyrics in Spanish, and having as its greatest exponents until that moment

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It was the first thing I played on the piano when they tested me. I went to a piano, and that was the first thing I played. Here it's called 'Giacomo Capelettini' (after a television advertisement that used the same

961:, in downtown Buenos Aires, which at the time was a rock hub. They performed on Thursday, Friday, Saturday, and Sunday nights to gain recognition. There, the following year, when the band had become a duo, they met 3056: 375:, with whom he released key albums to establish progressive rock in the Latin American music scene. After leaving both projects, García went to Brazil, returning to Argentina shortly after to found the supergroup 2720:("I was on fire when went to bed"). All of the songs in this album are in English except for "Te recuerdo invierno" ("I remember you, winter"), which García had written in the early 1970s but never recorded with 614:

When I heard him play that song, I took him to the apartment of a neighbor who lived upstairs and had a grand piano, and he immediately started playing as if it were nothing. The next day, I went and bought him

2838:("Influence") in 2002. This new disc contained some interesting songs that made an impact in the Latin American world of Rock, such as "Tu Vicio" ("Your Vice"), "Influencia" ("Influence", translated cover from 421: 1749: 4052: 2685:, a song he composed for him. Diego cried when he heard "Un accidente no es pecado/y no es pecado estar así" ("An accident is not a sin/And is not a sin to be like this"), and the two struck up a friendship. 3990: 2642:, the largest in Argentina. Serú Girán had always been at its best when live, the four members playing very well together. This time, in Moro's words, "the show sounded like Charly García and Serú Girán". 4668: 3303: 2588:, with violent songs such as "No toquen" ("Do Not Touch"), or a depressive and dark style as shown in "No me verás en el subte" ("You Won't See Me in the Subway"). Different and adverse times lay ahead. 2167:

was officially formed, with virtuoso melodies and lyrics that depicted the situation under the Argentine dictatorship. The band's popularity was also reflected in the traditional surveys of the magazine

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We went to live in a hotel that still exists and looks the same: the Impala, on Arenales and Libertad. There we stayed for two and a half months, on the second floor, each in his own room. Charly set up

1277: 1938:, responsible for kidnappings, assassinations, forced disappearances, rapes, confiscations, baby thefts, identity thefts, and forcing thousands into exile. Argentina was entering its darkest hour, with 2933:

García celebrated his 58th birthday with a concert in Velez Sarfield's Stadium, Argentina. This concert has been referred to as "The Underwater Concert" because of the heavy rain that fell that night.

2451:("Intensive care"), another movie soundtrack. One of Charly's shows that year took place in an underground bar, with his new group named "Giovanni y los de Plástico" ("Giovanni and the Plastic Ones"). 1772: 1080: 6283: 6232: 4447: 2222:

junta. However, the general message of protest remained discernible. The classic single "Canción de Alicia en el país" ("Song of Alice in The Country") drew a clever analogy between Lewis Carroll's

2142:. The new band was composed of Charly García (vocals, keyboards), David Lebón (vocals, guitars), Pedro Aznar (bass, vocals), and Oscar Moro (drums). Charly and David were the principal songwriters. 889:. Additionally, Carlos "Lito" Lareu (guitar), Diego Monteverde, Hugo Alfredo Negri (bass), Diego Fraschetti, and Daniel Bernareggi, who played bass on the 1970 album, also participated in the band. 969: 510: 6180: 4391: 1939: 1708:

was not released; because we recorded it and everything. It was a very crazy thing, with Charly's lyrics talking about the worms in people's minds. But yes: it wasn't Sui Generis as it was known.

978: 1280:, in a context of almost three decades of dictatorships. This generation has been known as "the seventies generation," characterized by strong youthful idealism, with flags like "liberation", 835: 659:

As a child, Charly loved classical music and despised popular music, just like his parents. He barely slept – feeling that doing so was a waste of time – and spent whole days playing works by

606:, the children were left under the care of nannies and a grandmother. The stress caused by his parents' absence triggered a nervous crisis in Charly, a disorder that caused his characteristic 449: 5187: 3787: 3654: 3353: 2438:("Modern Clicks") that was different from anything previously done in Argentine rock – it was highly singable rock music you could also dance to. Its strong message referred the past years: 1723:, the country's largest indoor stadium, something that no Argentine rock artist had even dreamed of. The proposal was completed with the idea of filming the concert live and making a movie. 4021: 1985: 1503:"), launched a campaign of persecution and extermination of militants, artists, and intellectuals labeled as "leftists". However, influenced by Yorio, Álvarez, and especially by the writer 920:, discovered Sui Generis when they were still a sextet. Bayona tirelessly insisted in musical production circles about the extraordinary qualities of the group, particularly Charly García. 6006: 2990:, his first studio album in seven years, which is entirely made of new original compositions. Since its release, the album has received mostly positive reviews and important record sales. 2584:

García had changed. Physically, he looked older. His music was dark, and the earlier symphonical García from La Máquina de Hacer Pájaros was gone. Now, Charly's sound was closer to either

2013:, where they premiered some of the songs that would later compose the album bearing the same name as the band. For several months, from Thursday to Sunday, they performed at La Bola Loca, 1159:

By mid-1972, after trying all the record companies and suffering the miseries of the music industry, Pierre Bayona's persistent efforts to get an opportunity for the duo finally paid off.

1755: 4887: 2306:'s band a full year later, in 1983. In March 1982, Serú returned to Obras Sanitarias to bid farewell to Pedro with a highly successful show, which was recorded and released that year as 2006:, had created a regime of terror in which no one was safe. Charly lived in fear and went out as little as possible, believing that his name could appear on the blacklists at any moment. 3715: 3582: 2359:") showed the panic in lived out in the city during the Falklands War, and strongly criticized Argentina's last civil-military dictatorship (1976–1983), especially then ruling dictator 1376:

Between November 1972 and April 1973, Sui Generis became Argentina's most popular rock band, especially among the younger crowd and particularly among women. In February 1973, the film

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In São Paulo, Charly met Zoca's parents, the Pederneiras, an artistic family who were captivated by his talent. Artistically, Charly was influenced by Brazilian musicians, especially

1731:

was a show that gathered more than twenty-five thousand people and set a record audience for national rock that would take a long time to be surpassed. At the concert, several of the

667:. However, he also felt the urge to compose, something his teacher systematically repressed. At the age of 9, in 1960, he composed his first piece, "Corazón de hormigón" (included in 547: 2612:", or the Argentine national anthem. Amid controversy, García's version of the national anthem was forbidden for some days, but García was victorious, a judge authorizing the song. 2071:, among others. García struggled to adjust to this new life as a father, distant from María Rosa. During this difficult time, he met Marisa Zoca Pederneiras, a Brazilian dancer from 1140:

neighborhood. Neither of them had a good income, so those were difficult times. Charly even had to sell his amplifier to pay for the pension. This moment is reflected in songs like "

713:

In 1963, at the age of twelve, he received a diploma as a teacher of theory and solfeggio, but the following year, in 1964, García, like tens of thousands of young Argentines, heard

6458: 5031: 4485: 1041:(1980). He continued his career as a professional musician and composer. In 1974, Correa recorded his song "Canción para elegir" with keyboards by Charly García, released on the LP 3409: 3048: 3042: 479: 3810: 3757: 3624: 3060: 1428: 1365: 6256: 3435: 3245: 1431:, an intimate theme that Charly asked Nito to perform alone, reflecting the fears and sacrifices involved in launching into the life of an artist, against his family's opinion: 558:. Dinosaurs, planets, and Greek myths were the three topics that fascinated Charly as a child. The family also had a weekend country house with a swimming pool in Paso del Rey. 5154: 3142: 1317: 3417: 1931: 1798: 1500: 3510: 2038: 1533: 4106: 2392:

Stadium (or Ferro). As the song "No bombardeen Buenos Aires" drew to a close near the end of the show, backdrop props simulating Buenos Aires were destroyed with fireworks.

1309: 1020: 878: 826: 5474:"Nito Mestre, a 50 años del primer show de Sui Generis: the memory of that day, the relationship with his "little brother" Charly García and the advice from Paul McCartney" 4576: 1816: 798:, imposing a regime in which dictatorships alternated with unstable civilian governments under military tutelage, with the legitimacy questioned due to the proscription of 467: 3128: 3052: 1916: 1863:. The name combines the men but omits the only woman, one of the few active in Argentine rock at the time. The band took inspiration from what North American artists like 1744: 395: 5575: 2034:. At the time, they had a peculiar record; their first album had been the most expensive in Argentine history, costing more than double the production of a common album. 1807: 1719:

even reproached him for being a "fool" who was "killing the goose that laid the golden eggs". As a compromise, the company proposed to García to do a farewell concert at

3951: 2285: 360:

in the early 70s. Together, they released three successful studio albums, which became anthems for generations of Argentines and separated in 1975 with a concert at the

5671: 4264: 3879: 3064: 2131: 1211: 794:, a nearby school in his birth neighborhood, attended by military family members. This was a time when the Armed Forces had overthrown the constitutional government of 2378:"Yendo de la cama al living" ("Going from the bed to the living room") used the experience of being trapped in a confined space as a symbol of the repression of ideas. 2153:. Bond produced their eponymous album but made them sign an exploitative contract. Unsatisfied, Bond used some tracks recorded by the band that were discarded for the 1329: 1137: 645:

I had been instilled with the Christian idea that through pain, one reached sublimation... I self-flagellated, cut myself, hit my arms... I believed in pain as a drug.

313:", García is widely acclaimed for his recording work, both in his multiple groups and as a soloist, for the complexity of his music compositions, covering genres like 2971:) and his bandmates "The Prostitution". At the venue, they made classical arrangements to Charly's own songs under his own musical direction. Charly then traveled to 2689: 954:

invited them to participate in a concert at the Luz y Fuerza Theater. They met, mutual admiration developed, and from then on Gieco and García became "soul friends."

443: 4044: 3188: 2753:. Both had known each other since his childhood, so they decided to publish a collaborative work on which Mercedes would sing her favorite García songs of all time. 2159: 399:(1982), which was critically acclaimed, García embarked on a prolific solo career, composing several generational songs of Latin music and pushing the boundaries of 3327: 2520:" ("I need your love/your love saves me and is useful to me"). This LP is also featured a song, "Rezo por vos" ("I pray for you"), which was part of a project with 437: 7139: 3474: 1693: 1647: 1545: 388: 5295: 4365: 2577:("How to get girls"). This would probably be his last "normal" album. He described it as "Just a bunch of songs that were never published for different reasons". 2096:, particularly due to his stage behavior, decided to leave the band in 1977. He traveled to Brazil with his friend David Lebón, a fellow musician from the era of 1465: 1145: 465:(2003), he took a long hiatus, with sporadic appearances for rehabilitation from his addiction issues. He returned to the public scene with his latest live album 3982: 1635: 1363:. They performed "Canción para mi muerte". It was the first time they played for a massive audience. The trio's performance was filmed and included in the movie 538:

on October 23, 1951, into an upper-middle-class family. He was the firstborn of Carmen Moreno and Carlos Jaime García Lange, an entrepreneur who owned the first

4660: 3728:

Gustavo Cerati... Desde la admiración que tenía por García y Spinetta se convirtió en el único músico capaz de disputarles la categoría de máximos referentes...

3595:

Gustavo Cerati... Desde la admiración que tenía por García y Spinetta se convirtió en el único músico capaz de disputarles la categoría de máximos referentes...

572:

His father began working as a physics and mathematics teacher, and his mother started working as a producer of radio and later television programs dedicated to

5631:"Colimba" is an Argentine slang term for military service, formed from the initial syllables of the words "corre" (run), "limpia" (clean), and "baila" (dance). 5242: 4515: 3361: 1035:. He joined Sui Generis in some performances between 1972 and 1974, including the BA Rock III festival in 1972. His song "Gaby" was included in García's album 913: 4948: 4698: 4328: 2919:, where Ortega helped him to begin a treatment with several doctors and psychiatrists to cure his addiction. The recovery process took almost an entire year. 2030: 6451: 6280: 6228: 4083: 4917: 3499: 3288: 2276: 1981: 577: 3280: 2101: 2048: 1037: 301:, is an Argentine singer-songwriter, multi-instrumentalist, composer and record producer, considered one of the most important and avant-garde figures of 4790: 2116:. This choice was driven by Charly's need to be close to his girlfriend Zoca Pederneira and to escape the repressive military dictatorship in Argentina. 2061: 1413: 1168: 1069:

remained as the drummer for Sui Generis, even when Charly and Nito were contracted to record the first album. He participated in the Sui Generis albums,

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The initial formation was a sextet comprising Charly (vocals, keyboards, and guitar), Nito (vocals and flute), Piegari (guitar), Beto Rodríguez (drums),

4848: 4387: 4204: 912:

At that time, Pierre Bayona, a music producer and 'dealer' in the rock world, was known as "el gordo Pierre" and immortalized by that name in the song "

726:". I realized what was happening with the fourths and a couple of other interesting things. And there, kaboom!, my career as a classical musician ended. 6176: 3104: 2693: 1736: 1685: 1677: 1611: 1207: 965:, a groupie and singer, who would become Charly's partner, a backup singer for Sui Generis, and one of the first female rock singers in Latin America. 562: 473: 461: 2256:, claiming their shows in the interior were inferior to those in the Capital Federal. Serú Girán responded to this criticism through their fourth LP, 1348:. Sui Generis began to establish itself at the same level, and Charly García started to rise as a leading figure of the movement, alongside Spinetta. 787:

organized by his mother, where he pointed out to the folk musician that his guitar's fifth string was out of tune, something no one else had noticed.

2170: 1627: 1352: 1066: 886: 882: 6444: 5726: 5179: 5061: 4425: 3779: 3646: 2434: 1215: 1046: 863: 6083: 5899: 5524: 1370: 5998: 4294: 4013: 3383: 3096: 1977: 1595: 1524: 1356: 1313: 1199: 1083:. He graduated as an architect and dedicated himself to his profession without abandoning music, focusing on jazz. By the end of 1971, the young 1031: 992: 958: 932: 924: 566: 5124: 4871: 4226: 3849: 3707: 3685: 3574: 2963:

In September 2013, Charly performed in an exclusive show called "Líneas Paralelas, Artificio imposible" (Parallel Lines, Impossible Craft) at

2312:("Don't cry for me, Argentina"). The loss of Aznar led to the band's dissolution, as both Lebón and Charly were ready to pursue solo careers. 791: 7109: 6206: 5090: 4638: 3551: 3443: 2072: 1301: 1177: 928: 874: 822: 455: 419:(1984), ranked among the best albums in the history of Argentine rock by Liam Young . In the subsequent years, García worked on the projects 4720: 2893:

Human Rights' Organization, commemorating their 30th Anniversary. Also around that time García routinely performed throughout Argentina and

2531:("What is to come"), the soundtrack of which he also composed. Being a nurse had long been one of García's obsessions. Later that year, the 2241:, was one of the first in Argentine rock, predating Sui Generis. By the late 1970s, Spinetta had formed a jazz fusion/jazz rock band called 1214:" (also released as a single), "Dime quién me lo robó" (about his religious crisis), "Necesito", "Quizás porque", "Natalio Ruiz" (lyrics by 7124: 7099: 7079: 2696:) and named it as "Casandra Lange". His idea with the band was to play songs Charly had heard as a teen, such as "Sympathy for the Devil" ( 2146: 1821: 1615: 1160: 1123:

at ABC in 1972. They started dating clandestinely because the musician had his official girlfriend named Maggie, who worked in the musical

1116: 839:

under the title "Me siento mucho mejor," with changed lyrics ("I feel much stronger without your love"), but without altering the meaning.

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Finally Sui Generis played again in the Boca Juniors's Stadium, for 25,000 fans on December 7, 2000. Charly played for almost four hours.

2608:, Fabián Von Quintiero and even Hilda Lizarazu. The first issue came once the disc was released. Its last song was a rock version of the " 518: 4477: 3741: 3608: 2639: 1360: 5949: 2432:

In 1983, Charly left Buenos Aires with a small suitcase. When he returned to Buenos Aires from New York, he brought a quality LP titled

7089: 6253: 6135: 4978: 1740: 1689: 1508: 1149: 5970:

The tracks that accompanied "Alto en la torre" on the 1975 EP were "Quizás porque", "Tango en segunda", and "Confesiones de invierno".

4759: 2842:'s original "Influenza") and "I'm Not In Love" (featuring Tony Sheridan). Even though it included old songs as "Happy And Real" (from 2384:"Yo no quiero volverme tan loco" ("I don't want to go so crazy") was a song about the adolescent spirit of freedom and rebelliousness. 7119: 6339: 5146: 3456: 931:, at the Teatro Diagonal in Mar del Plata and then at the Teatro de la Comedia, directed by Gregorio Nachman, as the opening act for 427: 5641: 5325: 2075:'s ballet. Zoca would be his partner until the late 1980s and inspired several of his songs, such as "Zocacola" and "Ella adivinó". 6052: 5610: 3871: 1182: 5823: 4545: 4114: 602:

by ear and later continued with a small toy piano that his maternal grandmother gave him. When García's parents went on a trip to

6467: 5549: 4568: 4448:"Mercedes Sosa and the horrible phrase of Julio Maharbiz in Cosquín: "What is that woman looking like a servant doing on stage?"" 1905:

In 1976, after Sui Generis had disbanded and following several delays and issues, they recorded an album under the group's name,

917: 4174: 4144: 2653:

After not having released any new solo material since 1990, in 1994 García was ready to strike back. The new project was called

1775:. I showed Charly my stuff while he crossed the room to record "Cómo mata el viento norte" which is on La Máquina's first album. 1152:", "Bubulina", "Dime quién me lo robó", "Pequeñas delicias de la vida conyugal" and "Antes de gira (tema para María)". The book 561:

In 1958, he began his primary education at the public school No. 3, "Primera Junta," located two blocks from his home, opposite

5567: 345:. His lyrics are known for being transgressive and critical towards modern Argentine society, especially during the era of the 3959: 2308: 7129: 7094: 5663: 4256: 2490:. The record had some interesting material, but it did not achieve commercial success primarily due to limited distribution. 7114: 5355: 2315:

In 2019, the surviving members of Serú Girán, including Pedro Aznar and David Lebón, announced the remastering of the album

459:

era, in which critics and sales poorly received his albums, but his concerts were an absolute success. After the release of

7149: 7084: 1276:

Argentina was at that time experiencing the moments before a brief reconquest of democracy without proscriptions, with the

555: 2591:

For the international tour in 1989/1990, García formed a new band with Hilda Lizarazu, who sang backup vocals for Charly.

1797:

that caused thousands of disappearances, murders, kidnappings, torture, rapes, baby thefts, and exiles, with a network of

5417: 5386: 2731:, which is often considered by music critics as the last time that the rock star played his music to his full potential. 2372: 1762:

Nito Mestre recounts that after the concert, he went to live with Charly and María Rosa, to prepare their next projects:

1171:", which amazed them, and an album. The good performance of the duo allowed Bayona to get Charly contracted to accompany 506: 4388:"Charly García turns 69: his arrival in music, the songs, and the consecration – Portal de noticias Radio UNO Pergamino" 2877:

In 2004 García achieved one of his most remarkable and positive landmarks of that era: he played for the second time in

2381:"Inconsciente colectivo" ("Collective unconscious") was a message of hope and liberty for the stricken Argentine people. 7104: 5287: 4357: 2130:

Charly needed a bass player and a drummer. He found them during a live performance by the backing band of the rock duo

1099:(its three foundational groups) had just disbanded, and their former members were attempting to create new formations: 6159: 3319: 415: 6924: 6109: 5701: 3369: 5234: 4507: 7154: 4940: 4320: 3167: 2093: 1969: 1959: 1915:

and the coup groups preparing to overthrow the constitutional government. It had to be released without the track "

1768: 1079:, and in performances until the end of 1973, including the BA Rock III festival of 1972. Later, he joined the band 372: 268: 2940:'s final episode. While appearing on the show, he performed the song "Desarma y Sangra", originally from his band 2003: 1786: 1464:, the album again is composed of songs that almost entirely entered the popular songbook. Foremost among them is " 505:

Award three times (2002, 2003, and 2018), the most important in his country in music. In 2010, he was declared an

349:, and for his rebellious and extravagant personality, which has drawn significant media attention over the years. 5270: 4075: 3928: 1923: 1912: 1880: 1790: 1488: 346: 5868: 4909: 2902: 2028:

During that winter, La Máquina gathered in a basement that flooded whenever it rained, to shape a second album:

7014: 4690: 3265: 2284:), used as a tea. This album carried a political message, with the song "José Mercado" being a clear parody of 1586:

Musically, the album represented a fundamental stylistic shift, more complex, conceptual, and oriented towards

862:

in high school, also a student at Dámaso Centeno, who was part of the band The Century Indignation, along with

4782: 2267: 1049:

wrote the lyrics for several songs later performed by some of Charly García's bands, such as "Natalio Ruiz", (

7144: 6332: 4840: 4196: 1210:(violin), and Francisco Prati (drums), who came from the pre-duo Sui Generis band. Among the main songs are " 17: 5147:"María Rosa Yorio: 'It hurts me not to have been able to love Charly as he was, even with his infidelities'" 2635:. It enjoyed great commercial success, but musically was sharply different from Serú Girán's other records. 6800: 3029:

organized a special event to celebrate Charly García's 70th birthday. In a historic and emotional day, the

2952: 2947: 2890: 1512: 2237:, another Argentine rock star of the time, would eventually cross paths with Serú. Spinetta's first band, 2760:("Holding On") was released. This production featured many covers translated to Spanish by García, like " 6878: 6550: 5723: 5053: 4417: 1235:

The biographer of Charly García, Sergio Marchi, narrates the impact of the album's release in this way:

1164: 7134: 6542: 6075: 5891: 5516: 2351:("Going from the bed to the living room"). Four hit songs from this album left their historical mark: 1661: 1156:

by Larrea and Balmaceda dedicates nineteen pages to Charly García's songs related to María Rosa Yorio.

688:" aired in Buenos Aires, gaining a large youth audience due to the presence of very young singers like 4286: 1805:, in what is remembered as "the greatest tragedy in our history and the most savage" (prologue to the 1680:") and three tracks from previous albums. The complete content and recordings of the frustrated album 1383:

their first solo concert at the Astral Theatre, one of the most important in Buenos Aires, located on

905:

them together, and the young members were starting their adult lives, each following their own paths.

710:. In his later songbook, he revisited the theme of "the new wave" in "Mientras miro las nuevas olas." 6407: 4358:"Carlitos before Charly García: how was the childhood of the precocious genius with absolute hearing" 3221: 3026: 2975:

to present various compositions made across his life, specially the ones he created since the 2000s.

2609: 2409: 1378: 901:

songs from the opera "Teo": "Marina" and "Grita," both credited to Charly García and Carlos Piegari.

5120: 4234: 3512:

Esta noche toca Charly. Un viaje por los recitales de Charly García. Tomo 2: Say No More (1994-2008)

2850:, 1998) and different versions of the same songs, this was probably García's best album since 1994. 2482:, which was García's consecration as a soloist, 1985 was a year to slow down. Charly met again with 771:

Among the anecdotes from his childhood as a prodigy, Sergio Marchi recounts that, in the mid-1960s,

6325: 3841: 3677: 3080: 3030: 2937: 2299: 2203:("Grease of The Capitals" or "The Fat of The Capitals"), featured a cover that mocked the magazine 2105: 2066: 2053: 1886:

In May, PorSuiGieco began their group activities with a concert at the Auditorio Kraft, located on

1720: 1652: 1190: 817:

During his time in secondary school, he often skipped classes to play the piano in the auditorium.

590: 381: 361: 6602: 6538: 6202: 4630: 3543: 2056:, on November 11, 1977, where they shared the stage with Nito Mestre, León Gieco, Raúl Porchetto, 6572: 6486: 6399: 3811:"Musico argentino Charly Garcia tera sua historia retratada em musical que-estreia em SP em 2020" 3213: 3088: 3017: 1404: 1141: 1075: 1061:, 2000). He also composed the song "Gaby," with music by Alejandro Correa, included in the album 1025: 664: 897:

of the organ, multi-part musical themes, psychedelia, and symphonic rock in their early stages.

775:

went to dinner at García Moreno's house. Upon hearing Carlitos play the piano, she commented to

7074: 2777: 2669: 1943: 1825: 1747:". Before the end of the year, Talent released the concert recording, in a double album titled 957:

The group also started to play frequently at the Teatro ABC, located on Esmeralda Street, near

581: 306: 6628: 6131: 2253: 2207:. The album's direct and strong lyrics, which criticized the media (especially magazines like 1684:

have never been publicly disclosed. It is known that at least it included "Entra eléctrico", "

6890: 2916: 2834:

After this interruption in his solo Career, Charly got back to the spotlight after releasing

2532: 2521: 2493: 2423: 2234: 2192: 1325: 1100: 237: 43: 7040: 5941: 4970: 1417: 7069: 6576: 5862:"When National Rock became popularized beyond the incredible adventures of Mr. Scissors..." 4751: 2458:

During these years, García's band was home to many future Argentine music stars, including

2400: 1496: 780: 660: 514: 6736: 6524: 6436: 2865:("Rock and Roll, Me"), dedicated to María Gabriela. The songs weren't as good as those in 2793: 2252:, covered a concert of Serú Girán and strongly criticized them after their performance in 1270: 8: 6974: 6908: 6830: 6598: 5633: 5317: 3159: 2769: 2498: 2371:, on the other side of the trenches at that time, also criticized Galtieri in their 1983 2057: 1907: 1341: 677:

era, "Desarma y sangra" and "Veinte trajes verdes," the latter dedicated to the composer

501:, as the best rock instrumentalist in Argentina in the decade from 1975-1984. He won the 49: 7028: 6984: 6836: 6508: 2688:

1995 was again a musical year. García formed a new band for touring on summertime (with

1911:. The album suffered from the pressure of self-censorship imposed by the actions of the 1890:. In July 1974, they went on a tour through the province of Buenos Aires, performing in 1856: 1120: 962: 585: 6546: 6281:

Charly García sang at the celebrations for his birthday at the Kirchner Cultural Center

6046: 5815: 5602: 4537: 3071: 2972: 2922: 2907: 2761: 2705: 2665: 2566:, from Venezuela, as a tribute to "Rock en Español"; the song was featured in Wilkins' 1619: 1384: 737: 723: 487: 365: 353: 302: 183: 6792: 6724: 5546: 2882: 2459: 6950: 6766: 6706: 6650: 6504: 6415: 5023: 4879: 4166: 4136: 3906: 3749: 3616: 3229: 2967:, along with two string quartets (baptized "Kashmir Orchestra" in homage to the band 2805: 2544: 2527:

In 1988, Charly made his acting debut at the age of 36, playing a nurse in the movie

2389: 2360: 2120: 2017:'s club, which hosted more than two hundred people each night to see them play live. 1697: 1529: 1333: 1285: 539: 6970: 6672: 6612: 2657:("The Tear's Daughter"). This LP would be an introduction to the future concept of 2340:) in June, social chaos erupted and the military government lost part of its power. 2092:

In São Paulo, Charly García, amidst escalating tensions with the younger members of

1946:, and mass impoverishment from which it would not recover in the following decades. 1883:, one of Charly García's musical/choral models since his high school musician days. 1844: 1172: 7036: 6946: 6856: 6822: 6732: 6423: 3237: 2789: 2548: 2258: 2227:

threatening them with leaving the country, assassination, or forced disappearance.

1548:", "Para quien canto yo entonces", and "Las increíbles aventuras del Sr. Tijeras". 1337: 1203: 1112: 685: 318: 6882: 6874: 6808: 6804: 6516: 4721:"Left-handed, with absolute hearing and two-tone mustache: Charly García turns 70" 4661:"Charly García turns 70 and there will be a marathon of events throughout October" 2881:, the Argentine Government Palace. This event took place during the presidency of 2559: 2347:("Angelical Pubis"), which was the eponymous movie's soundtrack, and the powerful 2262:, which was named after Perea's nickname and included a song about her. The title 1484: 795: 776: 752:. This marked the end of his classical music career. He passionately requested an 7010: 6920: 6886: 6762: 6594: 6482: 6348: 6287: 6260: 6163: 5730: 5553: 5347: 5274: 3204: 2941: 2624: 2562:

invited Charly to record his classic "Yo No Quiero Volverme Tan Loco", alongside

2467: 2238: 2164: 2150: 2087: 2014: 1321: 1104: 1088: 753: 674: 376: 273: 198: 6818: 6490: 5999:"Testimony. 40 years later, Nito Mestre tells the intimacy of Adiós Sui Generis" 2964: 2956: 2021: 1891: 1412:

demeanor. The album was recorded on eight tracks at the RCA studios. They hired

784: 598:

Music began very early in García's life: at two years old, he learned to play a

7006: 7002: 6980: 6912: 6848: 6826: 6778: 6744: 6714: 6688: 6658: 6624: 6590: 6580: 6560: 6554: 6520: 6494: 6308: 4872:"Charly García: a documentary that explores the life of the national rock icon" 4045:"El cumpleaños 66 de Charly García, la leyenda viviente de la música argentina" 3983:"Charly García: la leyenda sin fín, con la magia intacta para el nuevo milenio" 3501:

Esta noche toca Charly. Un viaje por los recitales de Charly García (1956-1993)

3311: 2713: 2701: 2113: 1996: 1868: 1587: 1540: 1492: 1124: 1084: 950:

Meanwhile, the band continued to visit record labels, but without any success.

638: 502: 409: 404: 330: 322: 310: 188: 6852: 6758: 6748: 6654: 6646: 6367: 5693: 5409: 5378: 1618:(chorus). On his part, Charly began to play complex keyboards, newly acquired 1603: 1504: 7063: 7032: 6992: 6966: 6954: 6866: 6784: 6774: 6754: 6740: 6616: 6498: 6229:"Charly y el Colón: dos líneas paralelas en un artificio para nada imposible" 6156: 5027: 4883: 3910: 3753: 3620: 3465: 3448: 2912: 2906:

newspaper reported that Charly García was taken to a hospital in the city of

2894: 2886: 2839: 2750: 2727: 2540: 2333: 2319:. This announcement marked a significant moment in the legacy of Serú Girán. 2242: 1899: 1887: 1673: 1220: 973: 772: 697: 693: 689: 494: 6896: 6840: 6684: 6530: 3491:

Charly en el país de las alegorías. Un viaje por las letras de Charly García

2623:

In December 1992, Charly again embraced his past and surprisingly re-formed

2552: 2486:

in New York by chance, but they took advantage of this meeting and recorded

1852: 1599: 1544:

had appropriated the institutions". Notable songs include "Instituciones", "

951: 6844: 6814: 6728: 6710: 6680: 6606: 6568: 6564: 2968: 2781: 2631:

and Oscar Moro were back after ten years. A new album was recorded, titled

2616: 2563: 2536: 2364: 2356: 2124: 1864: 535: 78: 6962: 6788: 6676: 6265: 6105: 5267: 2463: 2248:

Patricia Perea, an 18-year-old student and correspondent for the magazine

1743:", "Fabricante de mentiras", and "censored" songs like "Botas locas" and " 1421: 1250: 7048: 7022: 7018: 6702: 6374: 3780:"Argentine Rock Icon Charly Garcia Breaks Silence on 'Random': Interview" 3647:"Argentine Rock Icon Charly Garcia Breaks Silence on 'Random': Interview" 3426: 3150: 3002: 2998: 2878: 2792:(the Argentine Presidential residence), at the request of the president, 2773: 2765: 2721: 2709: 2697: 2628: 2605: 2483: 2419: 2303: 2135: 2097: 1872: 1860: 1848: 1837: 1665: 1575:"Juan Represión". The following year, Sui Generis performed a concert in 1351:

On December 16, 1972, Sui Generis performed as a trio (Charly, Nito, and

1281: 982: 867: 859: 853: 714: 498: 432: 368: 357: 263: 258: 193: 6904: 6254:

Charly Garcia accused Bruno Mars of plagiarism and a scandal broke loose

1528:. The band had ceased to be a duo and was now a quartet, also including 7044: 6860: 6664: 6586: 6381: 2994: 2439: 2368: 2281: 2139: 1989: 1935: 1876: 1802: 1607: 1065:(1980). He continued his career as a musician and professional writer. 701: 678: 242: 178: 173: 163: 3005:" stole the initial chords and riff of his classic song "Fanky", from 2010: 968:

At the end of 1971, Charly was drafted by the Army to serve a year of

6958: 6916: 6900: 6770: 6694: 6668: 6512: 5861: 5180:"María Rosa Yorio: When I met Charly García he was like a scarecrow'" 2677: 2585: 1631: 1623: 1522:

Towards the end of the year, Sui Generis released their third album,

1297: 1092: 830: 811: 745: 741: 543: 400: 342: 338: 314: 168: 82: 2923:

Third Period - Comeback and status as a living legend (2009-present)

2109: 1641: 6988: 6718: 6534: 6303: 2817:

something marvellous", replacing the old dark "Say no more" style.

1289: 1188:

Finally, in February 1973, Sui Generis released their first album,

1181:, which in turn convinced Billy Bond to hire him to join his band, 799: 706: 669: 607: 551: 334: 3901:

Guerrero, Gloria (March 2002). "Los 100 hits del rock argentino".

1828:, was released, rated "prohibited for minors under 18 years old". 1696:", and possibly also "La fuga del paralítico", an instrumental by 1487:

died, and the country entered a spiral of political violence. The

6996: 6698: 6312: 3708:"Las diez principales figuras del medio siglo del rock argentino" 3575:"Las diez principales figuras del medio siglo del rock argentino" 2473: 1843:"share good times, have fun playing and singing." Charly García, 1576: 749: 5016:"Charly García, the story of a genius as fragile as unbreakable" 4227:"Ley 3745 - Sr. Charly García - Ciudadano Ilustre - Declaración" 3924: 2186:

as a joke, further alienating the audience and marred the show.

1995:

La Máquina was Argentina's most complex and profound attempt at

814:'s "Like a Rolling Stone" in 1965, which caused him a paroxysm. 6870: 6796: 5091:"Interview with Alejandro Correa, first bassist of Sui Generis" 2514:" ("I don't need anybody around me"), and the second one says " 1895: 1516: 1131: 981:, where, to make his "character" credible, he took a bottle of 717:

for the first time, which caused a radical change in his life:

603: 599: 5733:» Official Portal of the Government of the Argentine Republic. 2332:

In 1982, Argentina was undergoing political change. After the

2298:

In early 1982, Pedro Aznar left the band to study at Boston's

2108:, November 11, 1977), they rented a house for three months in 1507:, Charly had become politically committed to the ideas of the 6317: 6203:"Internaron a Charly García en una clínica neuropsiquiátrica" 4569:"Charly García: the 70 years of a porteño and universal icon" 4257:"Charly García, Visitante Distinguido y Doctor Honoris Causa" 3021:

Charly García performing at his 70th birthday concert in 2021

1973: 1345: 1328:, not to mention the importance of other decisive bands like 1305: 1195: 1108: 1096: 923:

In the summer of 1971, the band acted as the opening act for

806: 588:

to a nearby boarding house. The photos included in the album

573: 4014:"Charly García perpetuó su leyenda ante un colmado Gran Rex" 2668:

was being played in the United States. Soccer player legend

722:

make songs and sing. The first thing I heard from them was "

692:, who performed original songs of the so-called "new wave" ( 584:, where the musician lived until 1972 when he moved in with 6466: 5437: 5435: 5348:"When Sui Generis were 6... Two unreleased songs from 1969" 2673: 2214:

In 1980, expectations were high for Serú Girán's new album

2020:

In July 1976, María Rosa became pregnant and gave birth to

1664:. Charly then decided to create a new concept album around 326: 5921: 5919: 5917: 5174: 5172: 2804:

has been out of print, and is currently available only in

2455:

was released in 1984, completing García's golden trilogy.

2134:. There, he recruited a talented 19-year-old bass player, 1499:, known as "the sorcerer" (Charly would allude to him in " 1402:

In October 1973, Sui Generis released their second album:

3952:"Charly García cumple 66: una leyenda difícil de igualar" 2953:

former Chief of government of Buenos Aires Mauricio Macri

2037:

In 1977, García attended an interview with the newspaper

1972:(a name taken from a comic strip by Argentine cartoonist 1953: 1225: 387:

Following the composition of the soundtrack for the film

5936: 5934: 5432: 4478:"Mercedes Sosa and Charly García: a story of friendship" 2199:

Serú Girán's evolution continued in 1979. Their new LP,

1355:) at the third edition of the BA Rock Festival of 1972 ( 866:. In the second half of 1968, both bands merged to form 736:

With The Beatles came other influential artists such as

352:

In his teenage years, García founded the folk-rock band

297:(born October 23, 1951), better known by his stage name 6026: 6024: 5973: 5914: 5796: 5786: 5784: 5771: 5769: 5444:"Nito Mestre, a 50 años del primer show de Sui Generis" 5169: 4998: 4996: 2872: 2716:). He recorded the performances and edit a live album, 2149:

met García and Lebón in São Paulo as they were shaping

2052:

marked the last performance of La Máquina, at a packed

1902:. On July 5, 1975, they returned to perform in Tandil. 5992: 5990: 5988: 2692:, Juan Bellia, Fabián Von Quintiero, Jorge Suárez and 5931: 5085: 5083: 5081: 5079: 4817: 2343:

Charly García debuted as a soloist with a double LP,

1480:

expressed in the song that gave the album its title.

1087:

movement was going through a generational change, as

940:

encouraged me. I don't know how, but people loved it.

790:

In 1965, Charly began his secondary education at the

6021: 5838: 5781: 5766: 5736: 5568:"A mustache, two colors, a piano, and Rock and Roll" 5496: 4993: 4941:"Carlitos before Charly: the absolute ear of García" 4805: 4321:"Carlitos before Charly: the absolute ear of García" 4107:"Charly García: 67 años siendo una leyenda del rock" 3544:"Charly García | Biography, Albums, Streaming Links" 2784:, a band that Charly has admittedly always admired. 2388:

The LP's presentation took place in December at the

2157:

album, added his voice over them, and used them for

2138:, and his former colleague from La Máquina, drummer 6041: 6039: 5985: 4076:"Charly García: algo más que el peso de la leyenda" 1519:position, which would be noticeable in his themes. 5076: 3864: 2776:). A significant song which was not included was " 1560:you have days to give even without your pants on." 1253:, who was 9 years old at the time, reflects thus: 5022:(in Spanish). Redacción LA NACION. May 30, 2020. 3894: 3742:"A Mannequin for a Beat, Buñuel for Intermission" 3609:"A Mannequin for a Beat, Buñuel for Intermission" 2327: 1539:The album surprised both critics and fans with a 1472:magazine and MTV network considered as the third 7061: 6036: 5942:"New LP by Sui Generis. Confesiones de invierno" 833:, which Charly would later include in the album 403:. His successful trilogy was completed with the 7140:Latin Grammy Lifetime Achievement Award winners 6132:"Information about La Máquina de Hacer Pájaros" 5757: 5597: 5595: 5593: 4713: 4566: 2638:Serú Girán performed two sold-out shows at the 2539:. Starring international and local rock stars, 2517:Yo necesito tu amor/tu amor me salva y me sirve 2443:those who were kidnapped, tortured, or killed. 2338:Guerra de las Malvinas/Guerra del Atlántico Sur 5539: 4629:Daniel Riera, Fernando Sánchez (May 1, 2002). 4560: 4352: 4350: 4348: 4346: 2936:In October 2011, Charly was the last guest on 2811: 2645: 2573:Later that year, Charly released a new album, 2474:Massive stardom and classic albums (1985–1989) 2466:, Pablo Guyot, Willy Iturri, Alfredo Toth and 2322: 2025:other than Nito Mestre, Charly's best friend. 842: 684:In 1962, a musical television program called " 534:Carlos Alberto García was born in the city of 435:and released a second successful trilogy with 6452: 6333: 6067: 4567:Fernández Bitar, Marcelo (October 22, 2021). 4197:"Charly García se quedó con el Gardel de Oro" 3917: 3493:. Buenos Aires: Gourmet Musical. p. 192. 2885:. On April 30, 2007, Charly performed in the 2800:, was released that year. Since its release, 2742:identifying Charly García and all his music. 2594: 2515: 2509: 1444:And even though they say it will be very easy 1435:She kicked me out of her room, shouting at me 5855: 5853: 5590: 5262: 5260: 4628: 1861:PorSuiGieco y su Banda de Avestruces Domadas 1676:, with only one of the new album's tracks (" 1558:"You have Saturdays, women, and televisions, 1491:, financed by the CIA and the Italian lodge 1023:participated as a bassist and in the albums 497:for Musical Excellence. In 1985, he won the 5890:Provéndola, Juan Ignacio (March 31, 2020). 5758:Larrea, Agustina; Balmaceda, Tomas (2014). 5753: 5751: 5480:(in European Spanish). September 29, 2019. 5235:"Ser y hacer. The facets of Carlos Piegari" 4667:(in European Spanish). September 30, 2021. 4624: 4622: 4620: 4618: 4616: 4614: 4454:(in European Spanish). September 25, 2021. 4343: 3842:"Charly García: rebelde busca la inocencia" 3678:"Charly García: rebelde busca la inocencia" 2846:, 1991) or "Uno A Uno" ("One to one", from 2640:Estadio Monumental Antonio Vespucio Liberti 1468:", a heartrending cry for freedom that the 792:Instituto Social Militar Dr. Dámaso Centeno 6459: 6445: 6340: 6326: 5889: 5228: 5226: 5224: 5222: 5220: 5213:. Buenos Aires: Ezequiel Abalos Ediciones. 4612: 4610: 4608: 4606: 4604: 4602: 4600: 4598: 4596: 4594: 4411: 4409: 4263:(in European Spanish). September 4, 2018. 3872:"Los 100 Mejores Discos del Rock Nacional" 3808: 3304:Pubis Angelical/Yendo de la Cama al Living 3097:Pequeñas anécdotas sobre las instituciones 3057:Discography of La Máquina de Hacer Pájaros 2355:"No bombardeen Buenos Aires" ("Don't bomb 2302:. Contrary to common belief, Aznar joined 2004:dictatorship established on March 24, 1976 1913:Alianza Anticomunista Argentina (Triple A) 1525:Pequeñas anécdotas sobre las instituciones 1509:Revolutionary Communist Party of Argentina 1489:Alianza Anticomunista Argentina (Triple A) 1427:The album's title carries the name of the 1032:Pequeñas anécdotas sobre las instituciones 1002:I was 20 years old and had very short hair 993:Pequeñas anécdotas sobre las instituciones 847: 637:Recognizing "Carlitos'" innate talent and 6290:Argentina.gob.ar, 10-25-2021 (in Spanish) 5925: 5850: 5514: 5407: 5376: 5288:"Sui Generis: 'Teo, the son of the moon'" 5257: 5232: 5054:"Discos con Mucho Polvo: To Walk Spanish" 4870:Lingenti, Alejandro (November 11, 2018). 4841:"The day the Beatles saved Charly García" 4823: 3809:Cavalcanti, Tatiana (December 27, 2018). 3508: 3497: 3488: 2927: 2889:in Buenos Aires at the invitation of the 2861:Finally in October 2003, Charly released 2081: 1831: 1750:Adiós Sui Géneris, parte I & parte II 1424:in "Cuando ya me empiece a quedar solo." 1359:), held at the Campo Las Malvinas of the 1230:100 most outstanding Argentine rock songs 1119:. After leaving the military, Charly met 1081:Nito Mestre y Los Desconocidos de Siempre 885:, and in 1970, Rodríguez was replaced by 519:National University of General San Martín 5748: 4910:"Charly García surprised everyone again" 4869: 4011: 3950:Toledo, Fernando G. (October 23, 2017). 3900: 3016: 3001:of plagiarism, stating that their song " 2946: 2492: 2100:. With the money they had earned at the 1640: 1554:a radio in my room tells me everything". 1183:Billy Bond y La Pesada del Rock and Roll 513:, and in 2013, he received the title of 6468:Latin Grammy Lifetime Achievement Award 5565: 5217: 5127:from the original on September 23, 2023 4749: 4591: 4415: 4406: 3739: 3606: 2915:, took Charly to his country estate in 1700:. Rafanelli himself commented on this: 1450:And the hunger of waiting weighs on me. 1006:Because for them, the crazy one was me. 511:Legislature of the City of Buenos Aires 14: 7062: 6138:from the original on November 16, 2023 6073: 6030: 5996: 5979: 5892:"The festival of the Peronist triumph" 5859: 5844: 5802: 5790: 5775: 5742: 5664:"Interview with Alejandro Pipi Correa" 5515:Rodríguez, Carlos (February 6, 2013). 5502: 5441: 5310: 5233:Matatagui, Sebastián (March 3, 2019). 5208: 5002: 4811: 4793:from the original on December 21, 2023 4780: 4731:from the original on November 28, 2021 4159: 4104: 4073: 3981:Ramos, Sebastián (February 17, 2018). 3949: 3519: 2497:Charly García in a 1989 photograph by 1954:1976-1977: La Máquina de Hacer Pájaros 1206:(bass), Carlos "Lito" Lareu (guitar), 881:(bass). Later, Correa was replaced by 6440: 6321: 6209:from the original on December 6, 2008 6177:"Reedición La grasa de las capitales" 5420:from the original on October 29, 2021 5389:from the original on October 29, 2021 4951:from the original on January 14, 2023 4939:Jofré, Alejandro (October 23, 2017). 4938: 4834: 4832: 4691:"Curiosities of Charly García's life" 4368:from the original on January 10, 2024 4331:from the original on January 14, 2023 4319:Jofré, Alejandro (October 23, 2017). 4318: 4314: 4312: 4267:from the original on February 3, 2023 4177:from the original on February 3, 2023 4147:from the original on February 3, 2023 4129: 4074:Natali, Hernani (February 16, 2018). 4042: 3980: 3931:from the original on January 29, 2023 3882:from the original on November 5, 2013 3839: 3821:from the original on February 3, 2023 3790:from the original on October 21, 2021 3718:from the original on February 3, 2023 3675: 3657:from the original on October 21, 2021 3585:from the original on February 3, 2023 3554:from the original on February 3, 2023 2511:No necesito a nadie a nadie alrededor 1824:, with production and supervision by 7110:Illustrious Citizens of Buenos Aires 6235:from the original on August 19, 2014 6076:"Intimidades de la gira PorSuiGieco" 5698:Official website of Alejandro Correa 5484:from the original on October 6, 2021 5442:Riggio, Pablo (September 29, 2019). 4787:Charly Garcia.com.ar/Revista Playboy 4416:Larocca, Bruno (September 3, 2016). 3840:Seitz, Maximiliano (March 9, 2007). 3676:Seitz, Maximiliano (March 9, 2007). 2873:Drop into the background (2004–2008) 2418:(Left): García with former bandmate 2127:, he began searching for bandmates. 1202:(electric guitar and harmonica) and 1004:But my friend, there was a confusion 783:." Another story tells of a show by 556:Argentine Museum of Natural Sciences 7125:Argentine people of Spanish descent 7100:21st-century Argentine male singers 7080:20th-century Argentine male singers 6183:from the original on April 21, 2023 6086:from the original on April 17, 2023 6055:from the original on April 17, 2023 6009:from the original on April 17, 2023 5952:from the original on April 17, 2023 5826:from the original on April 12, 2023 5644:from the original on April 16, 2023 5613:from the original on April 16, 2023 5578:from the original on April 17, 2023 5527:from the original on April 17, 2023 5454:from the original on April 17, 2023 5358:from the original on April 16, 2023 5328:from the original on April 17, 2023 5245:from the original on April 17, 2023 5190:from the original on April 17, 2023 5157:from the original on April 17, 2023 5101:from the original on April 17, 2023 5064:from the original on April 17, 2023 5034:from the original on April 12, 2023 4981:from the original on April 12, 2023 4920:from the original on April 17, 2023 4890:from the original on April 17, 2023 4851:from the original on April 16, 2023 4762:from the original on April 16, 2023 4701:from the original on April 17, 2023 4641:from the original on April 16, 2023 4579:from the original on April 17, 2023 4548:from the original on April 17, 2023 4488:from the original on April 20, 2023 4458:from the original on April 17, 2023 4394:from the original on April 17, 2023 4297:from the original on April 17, 2023 4207:from the original on March 10, 2021 4086:from the original on April 17, 2023 4055:from the original on April 17, 2023 4024:from the original on April 17, 2023 3760:from the original on March 15, 2017 3627:from the original on March 15, 2017 3572: 2270:of mixing yerba mate with the herb 1552:"Listen, son, things are like this, 507:Illustrious Citizen of Buenos Aires 24: 5902:from the original on June 19, 2023 5871:from the original on April 7, 2022 4839:N, Felipe Retamal (May 23, 2019). 4829: 4671:from the original on July 24, 2023 4518:from the original on April 7, 2022 4508:"Charly García: genius and figure" 4309: 4043:Calvo, Gastón (October 23, 2017). 3993:from the original on March 4, 2021 3852:from the original on June 11, 2017 3688:from the original on June 11, 2017 3341:Filosofía Barata y Zapatos de Goma 2993:On April 19, 2017, Charly accused 2602:Filosofía barata y zapatos de goma 836:Filosofía barata y Zapatos de goma 550:, where Charly often went to draw 450:Filosofía barata y zapatos de goma 25: 7166: 7090:Argentine male singer-songwriters 6297: 6112:from the original on May 21, 2017 5674:from the original on May 22, 2023 5566:Sánchez, Gastón (June 17, 2020). 5298:from the original on May 22, 2023 4838: 4783:"Torna Sorrento: Charly x Lanata" 4428:from the original on June 9, 2023 4012:Hernando, Gabriel (May 1, 2018). 3354:Estaba en llamas cuando me acosté 2718:Estaba en llamas cuando me acosté 2266:also referred to the practice in 1926:took power, imposing a regime of 1392:expected but is not disappointed. 1373:, premiered on February 8, 1973. 1344:, and the "blues" line headed by 1175:on keyboards on his debut album, 364:. García then became part of the 127:1.88 m (6 ft 2 in) 7120:Argentine multi-instrumentalists 5997:Mestre, Nito (August 30, 2015). 5704:from the original on May 7, 2021 4390:(in Spanish). October 23, 2020. 4291:www.francisconoe.freeservers.com 3653:. Estados Unidos. June 7, 2007. 3515:. Buenos Aires: Gourmet Musical. 3504:. Buenos Aires: Gourmet Musical. 2408: 2399: 1881:Crosby, Stills, Nash & Young 1053:, 1973); "Tu alma te mira hoy" ( 371:and founded another supergroup, 42: 6274: 6247: 6221: 6195: 6169: 6150: 6124: 6098: 5964: 5883: 5808: 5716: 5686: 5656: 5625: 5559: 5508: 5466: 5401: 5370: 5340: 5280: 5202: 5139: 5113: 5046: 5008: 4963: 4932: 4902: 4863: 4781:Lanata, Jorge (December 2005). 4774: 4752:"Carlitos before Charly García" 4743: 4683: 4653: 4530: 4500: 4470: 4440: 4380: 4279: 4261:Diario El Ciudadano y la Región 4249: 4219: 4189: 4098: 4067: 4036: 4005: 3974: 3943: 3925:"Esenciales del Rock Argentino" 3833: 3740:Pareles, Jon (April 27, 2012). 3607:Pareles, Jon (April 27, 2012). 3482: 3012: 2672:was involved in a dispute with 2558:In 1989, Puerto Rican pop star 2504:In 1987, García came back with 1988:(bass and backing vocals), and 1814:On September 2, 1976, the film 1793:in power, imposing a regime of 1284:, political militancy, and the 471:(2010) and released the albums 6347: 6074:Mestre, Nito (March 5, 2018). 6048:ProSuiGieco: La salud acústica 4750:Larocca, Bruno (August 2016). 3802: 3772: 3733: 3700: 3669: 3639: 3600: 3566: 3536: 3266:Yo no quiero volverme tan loco 3036: 3031:Kirchner Cultural Centre (CCK) 2627:. Charly García, David Lebón, 2328:Early solo success (1982–1985) 1638:strings, and string ensemble. 1366:Rock hasta que se ponga el sol 1228:network as song #11 among the 1111:was starting to rehearse with 766:Carmen Moreno, Charly's mother 620:Carmen Moreno, Charly's mother 529: 13: 1: 5860:Rosich, Ana (July 21, 2019). 3905:. No. 48. Buenos Aires. 3529: 3524:. Buenos Aires: Sudamericana. 2745:During 1997, García recorded 2615:That year, the Government of 1984:(guitar and backing vocals), 1932:clandestine detention centers 1799:clandestine detention centers 1756:Adiós Sui Géneris volumen III 1645:The audience at the historic 1416:to arrange the orchestra and 7130:People with bipolar disorder 7095:Argentine singer-songwriters 6801:El Gran Combo de Puerto Rico 6166:en el sitio web Rock.com.ar. 5318:"Sui Generis is from Flores" 3121:Adiós Sui Géneris I & II 3049:Videography of Charly García 3043:Discography of Charly García 2891:Mothers of the Plaza de Mayo 1968:, García's next project was 1735:songs were played, such as " 1513:Communist Party of Argentina 1511:, a splinter group from the 1501:Song of Alice in the country 1446:It's very hard to get better 1129:, an emblematic work of the 524: 7: 7150:Gramavision Records artists 7085:Musicians from Buenos Aires 6543:Richie Ray & Bobby Cruz 4105:Malala (October 23, 2018). 3246:No llores por mí, Argentina 3176:La Máquina de Hacer Pájaros 3168:La Máquina de Hacer Pájaros 3136:Sinfonías para adolescentes 2812:Maravillización (2000–2003) 2323:Second Period - Solo career 2309:No llores por mí, Argentina 1970:La Máquina de Hacer Pájaros 1960:La Máquina de Hacer Pájaros 1924:civic-military dictatorship 1791:civic-military dictatorship 1769:La Máquina de Hacer Pájaros 1581:civic-military dictatorship 1483:On July 1, 1974, President 1448:It's cold and I need a coat 1441:In winter, there is no sun. 1059:Sinfonías para adolescentes 843:First Period - Music groups 373:La Máquina de Hacer Pájaros 269:La Máquina de Hacer Pájaros 10: 7171: 6286:November 17, 2021, at the 6162:December 24, 2023, at the 5517:"Sui Generis in real size" 5273:September 6, 2008, at the 4756:Charly. Bookazine Especial 4113:. Paraguay. Archived from 3143:Si - Detrás de las Paredes 3053:Discography of Sui Generis 3046: 3040: 2829:¡Si! Detrás de las paredes 2808:copies on Internet sites. 2724:. In May, Charly recorded 2676:regarding a drug test for 2595:Days of excess (1990–1993) 2349:Yendo de la cama al living 2085: 1964:After recording the album 1957: 1917:El fantasma de Canterville 1835: 1745:El fantasma de Canterville 1662:lysergic acid diethylamide 1579:, which was governed by a 1439:I had to face my condition 1043:Rock para mis amigos Vol.4 1000:I was part of a crazy army 970:mandatory military service 851: 396:Yendo de la cama al living 7115:Rock en Español musicians 7105:Singers from Buenos Aires 6933: 6649:/ Las Hermanas Márquez / 6638: 6474: 6408:La Grasa de las Capitales 6391: 6355: 6106:"Page on www.rock.com.ar" 5209:Ábalos, Ezequiel (2012). 5121:"The Century Indignation" 4758:. Revista Rolling Stone. 3509:Di Pietro, Roque (2021). 3498:Di Pietro, Roque (2020). 3222:La Grasa de las Capitales 3061:Discography of Serú Girán 2978: 2524:that was never finished. 2317:La grasa de las capitales 2201:La grasa de las capitales 1753:. In 1996, a third part, 1379:Hasta que se ponga el sol 1332:and their historic opera 979:Central Military Hospital 493:In 2009, he received the 282: 251: 230: 207: 156: 149: 143:Carlos Jaime García Lange 139: 131: 123: 115: 89: 57: 41: 34: 4418:"Carlitos before Charly" 3489:Favoretto, Mara (2013). 2610:Himno Nacional Argentino 2300:Berklee College of Music 1992:(drums and percussion). 1944:extremely high inflation 1532:on bass and guitars and 1474:best Argentine rock song 1437:"You have no profession" 1420:(1943-2022) to play the 468:El concierto subacuático 7155:Latin music songwriters 6573:Os Paralamas do Sucesso 6259:April 20, 2017, at the 6051:. Pelo. December 1974. 5634:"Run, clean, and dance" 5556:» La Historia del Rock. 5547:Sui Generis - Biography 4697:(in European Spanish). 4514:(in European Spanish). 3520:Marchi, Sergio (1997). 3418:La lógica del escorpión 3197:Billy Bond and The Jets 3189:Billy Bond and The Jets 3089:Confesiones de Invierno 2938:Susana Giménez' TV show 2749:("High Fidelity") with 2655:La hija de "La Lágrima" 2535:festival wrapped up in 2422:in 1982; (right): with 2160:Billy Bond and the Jets 1773:Desconocidos de Siempre 1704:I never understood why 1668:and thought of a name: 1455:Confesiones de invierno 1405:Confesiones de invierno 1361:Argentinos Juniors club 1142:Confesiones de invierno 1076:Confesiones de invierno 1026:Confesiones de invierno 1021:Alejandro "Pipi" Correa 864:Carlos "Piraña" Piegari 848:Sui Generis (1972–1975) 827:Alejandro "Pipi" Correa 309:. Named "the father of 5729:March 7, 2007, at the 5552:March 5, 2016, at the 5058:Discos con Mucho Polvo 3065:Songs of Charly García 3027:Argentina's government 3022: 2960: 2928:Recovery, new material 2900:On June 14, 2008, the 2778:A Whiter Shade of Pale 2670:Diego Armando Maradona 2664:Also during 1994, the 2516: 2510: 2501: 2337: 2082:Serú Girán (1978–1982) 1832:1974-1975: PorSuiGieco 1826:Leopoldo Torre Nilsson 1783: 1716: 1694:Fabricante de mentiras 1656: 1572: 1546:El tuerto y los ciegos 1458: 1429:song of the same title 1400: 1266: 1248: 1212:Canción para mi muerte 1185:, on a national tour. 1067:Francisco “Paco” Prati 1057:, 1976), "Monoblock" ( 1016: 948: 887:Francisco “Paco” Prati 769: 734: 653: 635: 623: 48:Portrait of García by 6603:María Dolores Pradera 6539:César Camargo Mariano 6304:Charly García fanpage 5822:. December 11, 2015. 5670:. September 5, 2010. 5294:. September 5, 2010. 3927:. Rock.com.ar. 2007. 3573:DPA (June 19, 2017). 3347:La Hija de la Lágrima 3335:Cómo Conseguir Chicas 3129:Adiós Sui Géneris III 3020: 3007:Cómo conseguir chicas 2950: 2917:Buenos Aires Province 2690:María Gabriela Epumer 2575:Cómo conseguir chicas 2533:Amnesty International 2522:Luis Alberto Spinetta 2496: 2478:After the success of 2424:Luis Alberto Spinetta 2250:El Expreso Imaginario 2235:Luis Alberto Spinetta 1922:On March 24, 1976, a 1785:On March 24, 1976, a 1764: 1702: 1644: 1550: 1433: 1389: 1326:Luis Alberto Spinetta 1255: 1237: 998: 937: 758: 719: 643: 624: 612: 444:Cómo conseguir chicas 380:final concert at the 347:military dictatorship 292:Carlos Alberto García 238:Universal Music Group 62:Carlos Alberto García 7145:People with vitiligo 6577:Los Tigres del Norte 5097:. December 3, 2019. 4727:. October 23, 2021. 4364:. October 19, 2021. 3362:Hello! MTV Unplugged 3328:Parte de la Religión 3273:Other Collaborations 2551:, Charly García and 2506:Parte de la Religión 2291:One of the songs on 2286:José Martínez de Hoz 1495:and led by Minister 1278:March 1973 elections 918:Redonditos de Ricota 914:Pierre, el vitricida 779:: "This kid is like 515:Doctor Honoris Causa 438:Parte de la religión 307:Latin American music 6975:Gilberto Santa Rosa 6925:José Luis Rodríguez 6879:José María Napoleón 6629:Marco Antonio Muñiz 6157:Datos de Serú Girán 4975:www.pagina12.com.ar 3289:Charly & Charly 2802:Charly & Charly 2798:Charly & Charly 2770:Roll over Beethoven 2499:Alejandro Kuropatwa 2224:Alice in Wonderland 2058:Gustavo Santaolalla 2022:Miguel Ángel García 1986:José Luis Fernández 1515:that had adopted a 1466:Rasguña las piedras 1342:Gustavo Santaolalla 1146:Rasguña las piedras 499:Konex Platino Award 356:with his classmate 50:Alejandro Kuropatwa 7041:Los Ángeles Azules 6653:/ Joseíto Mateo / 6547:Paloma San Basilio 5762:. Reservoir Books. 4544:. March 31, 2009. 4237:on August 15, 2022 3746:The New York Times 3613:The New York Times 3259:En Vivo I & II 3023: 2961: 2951:Charly García and 2502: 2277:Bystropogon mollis 1982:Gustavo Bazterrica 1713:Rinaldo Rafanelli. 1657: 1562:Don't ask anymore! 1556:Don't ask anymore! 1418:Juan José Mosalini 1385:Avenida Corrientes 738:The Rolling Stones 578:Argentine folklore 27:Argentine musician 7135:EMI Latin artists 7057: 7056: 6737:Totó la Momposina 6707:Milton Nascimento 6651:Armando Manzanero 6434: 6433: 5982:, pp. 49–50. 5805:, pp. 31–32. 5668:El Blog de Charly 5324:. July 13, 2020. 5292:El Blog de Charly 5186:. June 16, 2019. 4725:El País (Uruguay) 4573:El Planeta Urbano 4231:www2.cedom.gob.ar 4082:. Mar del Plata. 3817:(in Portuguese). 3714:. June 19, 2017. 2863:Rock and Roll, Yo 2853:Live concerts of 2794:Carlos Saúl Menem 2737:arrived in 1996. 2545:Bruce Springsteen 2449:Terapia intensiva 2390:Ferrocarril Oeste 2361:Leopoldo Galtieri 2121:Milton Nascimento 2102:Festival del Amor 2062:Makaroff Brothers 2049:Festival del Amor 1817:Adiós Sui Géneris 1771:and I set up the 1729:Adiós Sui Géneris 1698:Rinaldo Rafanelli 1648:Adiós Sui Géneris 1598:(Hammond organ), 1530:Rinaldo Rafanelli 1414:Eduardo Zvetelman 1286:sexual revolution 1271:María Elena Walsh 1224:magazine and the 1169:Song for my death 1154:Quien es la chica 988:Song for my death 927:, a group led by 858:García first met 548:Parque Centenario 393:, and his album, 289: 288: 116:Years active 16:(Redirected from 7162: 7037:Alejandro Lerner 6985:Myriam Hernández 6947:Martinho da Vila 6909:Lupita D'Alessio 6857:Guadalupe Pineda 6837:Lucecita Benítez 6823:Ricardo Montaner 6733:Roberto Menescal 6509:Generoso Jiménez 6461: 6454: 6447: 6438: 6437: 6342: 6335: 6328: 6319: 6318: 6291: 6278: 6272: 6271: 6251: 6245: 6244: 6242: 6240: 6225: 6219: 6218: 6216: 6214: 6199: 6193: 6192: 6190: 6188: 6173: 6167: 6154: 6148: 6147: 6145: 6143: 6128: 6122: 6121: 6119: 6117: 6102: 6096: 6095: 6093: 6091: 6071: 6065: 6064: 6062: 6060: 6043: 6034: 6028: 6019: 6018: 6016: 6014: 5994: 5983: 5977: 5971: 5968: 5962: 5961: 5959: 5957: 5938: 5929: 5923: 5912: 5911: 5909: 5907: 5887: 5881: 5880: 5878: 5876: 5857: 5848: 5842: 5836: 5835: 5833: 5831: 5812: 5806: 5800: 5794: 5788: 5779: 5773: 5764: 5763: 5755: 5746: 5740: 5734: 5720: 5714: 5713: 5711: 5709: 5690: 5684: 5683: 5681: 5679: 5660: 5654: 5653: 5651: 5649: 5640:. May 28, 2016. 5629: 5623: 5622: 5620: 5618: 5599: 5588: 5587: 5585: 5583: 5563: 5557: 5543: 5537: 5536: 5534: 5532: 5512: 5506: 5500: 5494: 5493: 5491: 5489: 5470: 5464: 5463: 5461: 5459: 5439: 5430: 5429: 5427: 5425: 5405: 5399: 5398: 5396: 5394: 5374: 5368: 5367: 5365: 5363: 5344: 5338: 5337: 5335: 5333: 5314: 5308: 5307: 5305: 5303: 5284: 5278: 5264: 5255: 5254: 5252: 5250: 5230: 5215: 5214: 5206: 5200: 5199: 5197: 5195: 5176: 5167: 5166: 5164: 5162: 5153:. June 5, 2019. 5143: 5137: 5136: 5134: 5132: 5117: 5111: 5110: 5108: 5106: 5087: 5074: 5073: 5071: 5069: 5050: 5044: 5043: 5041: 5039: 5012: 5006: 5000: 4991: 4990: 4988: 4986: 4967: 4961: 4960: 4958: 4956: 4936: 4930: 4929: 4927: 4925: 4906: 4900: 4899: 4897: 4895: 4867: 4861: 4860: 4858: 4856: 4836: 4827: 4821: 4815: 4809: 4803: 4802: 4800: 4798: 4778: 4772: 4771: 4769: 4767: 4747: 4741: 4740: 4738: 4736: 4717: 4711: 4710: 4708: 4706: 4687: 4681: 4680: 4678: 4676: 4657: 4651: 4650: 4648: 4646: 4626: 4589: 4588: 4586: 4584: 4564: 4558: 4557: 4555: 4553: 4542:Anecdotas García 4534: 4528: 4527: 4525: 4523: 4504: 4498: 4497: 4495: 4493: 4482:www.telam.com.ar 4474: 4468: 4467: 4465: 4463: 4444: 4438: 4437: 4435: 4433: 4413: 4404: 4403: 4401: 4399: 4384: 4378: 4377: 4375: 4373: 4354: 4341: 4340: 4338: 4336: 4316: 4307: 4306: 4304: 4302: 4283: 4277: 4276: 4274: 4272: 4253: 4247: 4246: 4244: 4242: 4233:. Archived from 4223: 4217: 4216: 4214: 4212: 4203:. May 29, 2018. 4193: 4187: 4186: 4184: 4182: 4163: 4157: 4156: 4154: 4152: 4133: 4127: 4126: 4124: 4122: 4117:on June 30, 2020 4102: 4096: 4095: 4093: 4091: 4071: 4065: 4064: 4062: 4060: 4040: 4034: 4033: 4031: 4029: 4009: 4003: 4002: 4000: 3998: 3978: 3972: 3971: 3969: 3967: 3962:on June 30, 2020 3958:. Archived from 3947: 3941: 3940: 3938: 3936: 3921: 3915: 3914: 3898: 3892: 3891: 3889: 3887: 3868: 3862: 3861: 3859: 3857: 3837: 3831: 3830: 3828: 3826: 3806: 3800: 3799: 3797: 3795: 3786:. June 7, 2007. 3776: 3770: 3769: 3767: 3765: 3737: 3731: 3730: 3725: 3723: 3704: 3698: 3697: 3695: 3693: 3673: 3667: 3666: 3664: 3662: 3643: 3637: 3636: 3634: 3632: 3604: 3598: 3597: 3592: 3590: 3570: 3564: 3563: 3561: 3559: 3540: 3525: 3516: 3505: 3494: 3397:Rock and Roll Yo 3105:Alto en la Torre 3025:In October 2021 2790:Quinta de Olivos 2694:Fernando Samalea 2683:Maradona's Blues 2666:Soccer World Cup 2519: 2513: 2412: 2403: 2268:Córdoba Province 2070: 2009:They debuted in 1879:were doing with 1857:María Rosa Yorio 1781: 1759:, was released. 1737:Nena (Eiti Leda) 1714: 1686:Nena (Eiti Leda) 1678:Alto en la torre 1622:, Rhodes piano, 1612:Jorge Pinchevsky 1570: 1456: 1398: 1264: 1246: 1208:Jorge Pinchevsky 1204:Alejandro Medina 1148:", "Necesito", " 1121:María Rosa Yorio 1014: 963:María Rosa Yorio 946: 879:Alejandro Correa 767: 732: 686:El Club del Clan 651: 633: 621: 586:María Rosa Yorio 563:Parque Rivadavia 462:Rock and Roll YO 382:Obras Sanitarias 319:progressive rock 75: 72:October 23, 1951 71: 69: 46: 32: 31: 21: 7170: 7169: 7165: 7164: 7163: 7161: 7160: 7159: 7060: 7059: 7058: 7053: 7011:Arturo Sandoval 6929: 6921:Omara Portuondo 6887:Wilfrido Vargas 6793:Ángela Carrasco 6763:Carlos do Carmo 6634: 6595:Astrud Gilberto 6551:Alberto Vázquez 6483:Antonio Aguilar 6470: 6465: 6435: 6430: 6387: 6351: 6346: 6311:discography at 6300: 6295: 6294: 6288:Wayback Machine 6279: 6275: 6269: 6261:Wayback Machine 6252: 6248: 6238: 6236: 6227: 6226: 6222: 6212: 6210: 6205:. August 2008. 6201: 6200: 6196: 6186: 6184: 6175: 6174: 6170: 6164:Wayback Machine 6155: 6151: 6141: 6139: 6130: 6129: 6125: 6115: 6113: 6104: 6103: 6099: 6089: 6087: 6072: 6068: 6058: 6056: 6045: 6044: 6037: 6029: 6022: 6012: 6010: 5995: 5986: 5978: 5974: 5969: 5965: 5955: 5953: 5948:. August 1973. 5940: 5939: 5932: 5924: 5915: 5905: 5903: 5888: 5884: 5874: 5872: 5858: 5851: 5843: 5839: 5829: 5827: 5814: 5813: 5809: 5801: 5797: 5789: 5782: 5774: 5767: 5760:Who is the girl 5756: 5749: 5741: 5737: 5731:Wayback Machine 5721: 5717: 5707: 5705: 5692: 5691: 5687: 5677: 5675: 5662: 5661: 5657: 5647: 5645: 5632: 5630: 5626: 5616: 5614: 5603:"A bed for two" 5601: 5600: 5591: 5581: 5579: 5564: 5560: 5554:Wayback Machine 5544: 5540: 5530: 5528: 5513: 5509: 5501: 5497: 5487: 5485: 5472: 5471: 5467: 5457: 5455: 5440: 5433: 5423: 5421: 5408:García-Carlos. 5406: 5402: 5392: 5390: 5377:García-Carlos. 5375: 5371: 5361: 5359: 5346: 5345: 5341: 5331: 5329: 5322:Flores de Papel 5316: 5315: 5311: 5301: 5299: 5286: 5285: 5281: 5275:Wayback Machine 5265: 5258: 5248: 5246: 5231: 5218: 5207: 5203: 5193: 5191: 5178: 5177: 5170: 5160: 5158: 5145: 5144: 5140: 5130: 5128: 5119: 5118: 5114: 5104: 5102: 5089: 5088: 5077: 5067: 5065: 5052: 5051: 5047: 5037: 5035: 5014: 5013: 5009: 5001: 4994: 4984: 4982: 4969: 4968: 4964: 4954: 4952: 4937: 4933: 4923: 4921: 4908: 4907: 4903: 4893: 4891: 4868: 4864: 4854: 4852: 4837: 4830: 4822: 4818: 4810: 4806: 4796: 4794: 4779: 4775: 4765: 4763: 4748: 4744: 4734: 4732: 4719: 4718: 4714: 4704: 4702: 4689: 4688: 4684: 4674: 4672: 4659: 4658: 4654: 4644: 4642: 4627: 4592: 4582: 4580: 4565: 4561: 4551: 4549: 4536: 4535: 4531: 4521: 4519: 4506: 4505: 4501: 4491: 4489: 4476: 4475: 4471: 4461: 4459: 4446: 4445: 4441: 4431: 4429: 4414: 4407: 4397: 4395: 4386: 4385: 4381: 4371: 4369: 4356: 4355: 4344: 4334: 4332: 4317: 4310: 4300: 4298: 4285: 4284: 4280: 4270: 4268: 4255: 4254: 4250: 4240: 4238: 4225: 4224: 4220: 4210: 4208: 4195: 4194: 4190: 4180: 4178: 4171:Fundación Konex 4167:"Charly García" 4165: 4164: 4160: 4150: 4148: 4141:Fundación Konex 4137:"Charly García" 4135: 4134: 4130: 4120: 4118: 4103: 4099: 4089: 4087: 4072: 4068: 4058: 4056: 4041: 4037: 4027: 4025: 4010: 4006: 3996: 3994: 3979: 3975: 3965: 3963: 3948: 3944: 3934: 3932: 3923: 3922: 3918: 3899: 3895: 3885: 3883: 3876:Rate Your Music 3870: 3869: 3865: 3855: 3853: 3838: 3834: 3824: 3822: 3807: 3803: 3793: 3791: 3778: 3777: 3773: 3763: 3761: 3738: 3734: 3721: 3719: 3706: 3705: 3701: 3691: 3689: 3674: 3670: 3660: 3658: 3645: 3644: 3640: 3630: 3628: 3605: 3601: 3588: 3586: 3571: 3567: 3557: 3555: 3542: 3541: 3537: 3532: 3485: 3480: 3281:Música del alma 3067: 3045: 3039: 3015: 2983: 2930: 2925: 2883:Néstor Kirchner 2875: 2814: 2706:There's a Place 2651: 2649:era (1994–2000) 2597: 2476: 2468:Fabiana Cantilo 2460:Andrés Calamaro 2430: 2429: 2428: 2427: 2415: 2414: 2413: 2405: 2404: 2345:Pubis Angelical 2330: 2325: 2090: 2084: 2078: 2064: 2015:Atilio Stampone 1962: 1956: 1928:state terrorism 1840: 1834: 1795:state terrorism 1782: 1779: 1715: 1712: 1651:concert at the 1628:clavinet Hohner 1571: 1566: 1561: 1559: 1557: 1555: 1553: 1497:José López Rega 1457: 1454: 1449: 1447: 1445: 1443: 1442: 1440: 1438: 1436: 1399: 1396: 1265: 1262: 1247: 1244: 1105:Pescado Rabioso 1063:Música del alma 1038:Música del alma 1015: 1010: 1005: 1003: 1001: 947: 944: 883:Rolando Fortich 856: 850: 845: 768: 765: 754:electric guitar 733: 730: 724:There's a Place 652: 649: 634: 631: 622: 619: 532: 527: 390:Pubis Angelical 285: 278: 247: 226: 203: 144: 111: 85: 76: 73: 67: 65: 64: 63: 53: 37: 28: 23: 22: 15: 12: 11: 5: 7168: 7158: 7157: 7152: 7147: 7142: 7137: 7132: 7127: 7122: 7117: 7112: 7107: 7102: 7097: 7092: 7087: 7082: 7077: 7072: 7055: 7054: 7052: 7051: 7025: 7007:Manuel Mijares 7003:Carmen Linares 6999: 6981:Rosario Flores 6977: 6971:Joaquín Sabina 6943: 6937: 6935: 6931: 6930: 6928: 6927: 6913:Hugo Fattoruso 6893: 6863: 6849:Víctor Heredia 6833: 6827:Ednita Nazario 6811: 6781: 6779:Ney Matogrosso 6751: 6745:Eddie Palmieri 6721: 6715:Poncho Sanchez 6691: 6689:Linda Ronstadt 6673:José Feliciano 6661: 6659:Susana Rinaldi 6642: 6640: 6636: 6635: 6633: 6632: 6625:Tania Libertad 6613:Cándido Camero 6609: 6599:Angélica María 6591:Cheo Feliciano 6583: 6581:Chavela Vargas 6561:Alberto Cortez 6557: 6555:Johnny Ventura 6527: 6521:Johnny Pacheco 6501: 6487:Roberto Carlos 6478: 6476: 6472: 6471: 6464: 6463: 6456: 6449: 6441: 6432: 6431: 6429: 6428: 6420: 6412: 6404: 6395: 6393: 6389: 6388: 6386: 6385: 6378: 6371: 6364: 6356: 6353: 6352: 6345: 6344: 6337: 6330: 6322: 6316: 6315: 6306: 6299: 6298:External links 6296: 6293: 6292: 6273: 6246: 6220: 6194: 6168: 6149: 6123: 6097: 6080:Radio Nacional 6066: 6035: 6020: 5984: 5972: 5963: 5930: 5926:Di Pietro 2020 5913: 5882: 5849: 5837: 5807: 5795: 5780: 5765: 5747: 5735: 5715: 5685: 5655: 5624: 5609:. April 1973. 5589: 5558: 5538: 5507: 5495: 5465: 5431: 5400: 5369: 5339: 5309: 5279: 5256: 5216: 5201: 5168: 5138: 5123:(in Spanish). 5112: 5095:La Retaguardia 5075: 5045: 5007: 4992: 4962: 4931: 4901: 4878:(in Spanish). 4862: 4828: 4824:Di Pietro 2020 4816: 4804: 4773: 4742: 4712: 4682: 4652: 4590: 4559: 4529: 4499: 4469: 4439: 4405: 4379: 4342: 4308: 4278: 4248: 4218: 4188: 4158: 4128: 4097: 4066: 4035: 4004: 3973: 3942: 3916: 3893: 3863: 3832: 3801: 3771: 3732: 3699: 3668: 3638: 3599: 3565: 3534: 3533: 3531: 3528: 3527: 3526: 3517: 3506: 3495: 3484: 3481: 3479: 3478: 3475:Alta fidelidad 3469: 3468: 3461: 3460: 3452: 3439: 3430: 3429: 3422: 3421: 3413: 3405: 3399: 3393: 3387: 3379: 3373: 3365: 3357: 3349: 3343: 3337: 3331: 3323: 3315: 3312:Clics modernos 3307: 3298: 3297: 3293: 3292: 3284: 3275: 3274: 3270: 3269: 3261: 3255: 3249: 3241: 3233: 3225: 3217: 3208: 3207: 3200: 3199: 3192: 3191: 3185: 3184: 3178: 3171: 3170: 3164: 3163: 3154: 3153: 3147: 3146: 3138: 3132: 3124: 3116: 3109: 3100: 3092: 3084: 3075: 3074: 3068: 3041:Main article: 3038: 3035: 3014: 3011: 2982: 2977: 2929: 2926: 2924: 2921: 2874: 2871: 2813: 2810: 2747:Alta Fidelidad 2714:Paul McCartney 2702:Keith Richards 2650: 2644: 2596: 2593: 2475: 2472: 2435:Clics Modernos 2417: 2416: 2407: 2406: 2398: 2397: 2396: 2395: 2394: 2386: 2385: 2382: 2379: 2376: 2329: 2326: 2324: 2321: 2272:menta peperina 2114:Rio de Janeiro 2086:Main article: 2083: 2080: 1997:symphonic rock 1958:Main article: 1955: 1952: 1869:Stephen Stills 1845:Raúl Porchetto 1836:Main article: 1833: 1830: 1820:, directed by 1777: 1710: 1620:Yamaha Strings 1614:(violin), and 1564: 1541:symphonic rock 1534:Juan Rodríguez 1493:Propaganda Due 1452: 1394: 1369:, directed by 1260: 1242: 1216:Carlos Piegari 1173:Raúl Porchetto 1085:Argentine rock 1047:Carlos Piegari 1008: 942: 852:Main article: 849: 846: 844: 841: 763: 761:was like that. 728: 647: 639:absolute pitch 629: 617: 531: 528: 526: 523: 486:His song from 410:Clics modernos 323:symphonic rock 287: 286: 284:Musical artist 283: 280: 279: 277: 276: 271: 266: 261: 255: 253: 249: 248: 246: 245: 240: 234: 232: 228: 227: 225: 224: 221: 218: 215: 211: 209: 205: 204: 202: 201: 196: 191: 186: 181: 176: 171: 166: 160: 158: 154: 153: 151:Musical career 147: 146: 141: 137: 136: 133: 129: 128: 125: 121: 120: 117: 113: 112: 110: 109: 106: 103: 100: 97: 93: 91: 87: 86: 77: 61: 59: 55: 54: 47: 39: 38: 35: 26: 9: 6: 4: 3: 2: 7167: 7156: 7153: 7151: 7148: 7146: 7143: 7141: 7138: 7136: 7133: 7131: 7128: 7126: 7123: 7121: 7118: 7116: 7113: 7111: 7108: 7106: 7103: 7101: 7098: 7096: 7093: 7091: 7088: 7086: 7083: 7081: 7078: 7076: 7075:Living people 7073: 7071: 7068: 7067: 7065: 7050: 7046: 7042: 7038: 7034: 7033:Lolita Flores 7030: 7026: 7024: 7020: 7016: 7012: 7008: 7004: 7000: 6998: 6994: 6993:Amanda Miguel 6990: 6986: 6982: 6978: 6976: 6972: 6968: 6967:Milly Quezada 6964: 6960: 6956: 6955:Pete Escovedo 6952: 6948: 6944: 6942: 6939: 6938: 6936: 6932: 6926: 6922: 6918: 6914: 6910: 6906: 6902: 6898: 6894: 6892: 6888: 6884: 6883:Chucho Valdés 6880: 6876: 6875:Andy Montañez 6872: 6868: 6867:Erasmo Carlos 6864: 6862: 6858: 6854: 6850: 6846: 6842: 6838: 6834: 6832: 6828: 6824: 6820: 6816: 6812: 6810: 6809:Pablo Milanés 6806: 6805:Víctor Manuel 6802: 6798: 6794: 6790: 6786: 6785:Gato Barbieri 6782: 6780: 6776: 6775:Valeria Lynch 6772: 6768: 6764: 6760: 6756: 6755:Willy Chirino 6752: 6750: 6746: 6742: 6741:Palito Ortega 6738: 6734: 6730: 6726: 6722: 6720: 6716: 6712: 6708: 6704: 6700: 6696: 6692: 6690: 6686: 6682: 6678: 6674: 6670: 6666: 6662: 6660: 6656: 6652: 6648: 6644: 6643: 6641: 6637: 6631:/ Juan Romero 6630: 6626: 6622: 6621:Charly García 6618: 6617:Beth Carvalho 6614: 6610: 6608: 6604: 6600: 6596: 6592: 6588: 6584: 6582: 6578: 6574: 6570: 6566: 6562: 6558: 6556: 6552: 6548: 6544: 6540: 6536: 6532: 6528: 6526: 6522: 6518: 6517:Sérgio Mendes 6514: 6513:Jorge Ben Jor 6510: 6506: 6502: 6500: 6499:Mercedes Sosa 6496: 6492: 6488: 6484: 6480: 6479: 6477: 6473: 6469: 6462: 6457: 6455: 6450: 6448: 6443: 6442: 6439: 6426: 6425: 6421: 6418: 6417: 6413: 6410: 6409: 6405: 6402: 6401: 6397: 6396: 6394: 6392:Studio albums 6390: 6384: 6383: 6379: 6377: 6376: 6372: 6370: 6369: 6365: 6363: 6362: 6361:Charly García 6358: 6357: 6354: 6350: 6343: 6338: 6336: 6331: 6329: 6324: 6323: 6320: 6314: 6310: 6309:Charly García 6307: 6305: 6302: 6301: 6289: 6285: 6282: 6277: 6268: 6267: 6262: 6258: 6255: 6250: 6234: 6230: 6224: 6208: 6204: 6198: 6182: 6178: 6172: 6165: 6161: 6158: 6153: 6137: 6133: 6127: 6111: 6107: 6101: 6085: 6081: 6077: 6070: 6054: 6050: 6049: 6042: 6040: 6033:, p. 50. 6032: 6027: 6025: 6008: 6004: 6000: 5993: 5991: 5989: 5981: 5976: 5967: 5951: 5947: 5943: 5937: 5935: 5928:, p. 77. 5927: 5922: 5920: 5918: 5901: 5897: 5893: 5886: 5870: 5866: 5863: 5856: 5854: 5847:, p. 31. 5846: 5841: 5825: 5821: 5817: 5811: 5804: 5799: 5793:, p. 34. 5792: 5787: 5785: 5778:, p. 35. 5777: 5772: 5770: 5761: 5754: 5752: 5745:, p. 47. 5744: 5739: 5732: 5728: 5725: 5719: 5703: 5699: 5695: 5689: 5673: 5669: 5665: 5659: 5643: 5639: 5635: 5628: 5612: 5608: 5604: 5598: 5596: 5594: 5577: 5573: 5569: 5562: 5555: 5551: 5548: 5542: 5526: 5522: 5518: 5511: 5505:, p. 44. 5504: 5499: 5483: 5479: 5475: 5469: 5453: 5449: 5445: 5438: 5436: 5419: 5415: 5411: 5404: 5388: 5384: 5380: 5373: 5357: 5353: 5349: 5343: 5327: 5323: 5319: 5313: 5297: 5293: 5289: 5283: 5277:» Rock.com.ar 5276: 5272: 5269: 5263: 5261: 5244: 5240: 5236: 5229: 5227: 5225: 5223: 5221: 5212: 5211:Rock de acá 2 5205: 5189: 5185: 5181: 5175: 5173: 5156: 5152: 5148: 5142: 5126: 5122: 5116: 5100: 5096: 5092: 5086: 5084: 5082: 5080: 5063: 5059: 5055: 5049: 5033: 5029: 5025: 5021: 5017: 5011: 5005:, p. 28. 5004: 4999: 4997: 4980: 4976: 4972: 4966: 4950: 4946: 4942: 4935: 4919: 4915: 4911: 4905: 4889: 4885: 4881: 4877: 4873: 4866: 4850: 4846: 4842: 4835: 4833: 4825: 4820: 4814:, p. 24. 4813: 4808: 4792: 4788: 4784: 4777: 4761: 4757: 4753: 4746: 4730: 4726: 4722: 4716: 4700: 4696: 4692: 4686: 4670: 4666: 4662: 4656: 4640: 4636: 4632: 4631:"Charly talk" 4625: 4623: 4621: 4619: 4617: 4615: 4613: 4611: 4609: 4607: 4605: 4603: 4601: 4599: 4597: 4595: 4578: 4574: 4570: 4563: 4547: 4543: 4539: 4533: 4517: 4513: 4509: 4503: 4487: 4483: 4479: 4473: 4457: 4453: 4449: 4443: 4427: 4423: 4422:Charly García 4419: 4412: 4410: 4393: 4389: 4383: 4367: 4363: 4359: 4353: 4351: 4349: 4347: 4330: 4326: 4322: 4315: 4313: 4296: 4292: 4288: 4282: 4266: 4262: 4258: 4252: 4236: 4232: 4228: 4222: 4206: 4202: 4198: 4192: 4176: 4172: 4168: 4162: 4146: 4142: 4138: 4132: 4116: 4112: 4108: 4101: 4085: 4081: 4077: 4070: 4054: 4050: 4046: 4039: 4023: 4019: 4015: 4008: 3992: 3988: 3984: 3977: 3961: 3957: 3953: 3946: 3930: 3926: 3920: 3912: 3908: 3904: 3903:Rolling Stone 3897: 3881: 3877: 3873: 3867: 3851: 3847: 3843: 3836: 3820: 3816: 3812: 3805: 3789: 3785: 3781: 3775: 3759: 3755: 3751: 3747: 3743: 3736: 3729: 3717: 3713: 3709: 3703: 3687: 3683: 3679: 3672: 3656: 3652: 3648: 3642: 3626: 3622: 3618: 3614: 3610: 3603: 3596: 3584: 3580: 3576: 3569: 3553: 3549: 3545: 3539: 3535: 3523: 3522:No digas nada 3518: 3514: 3513: 3507: 3503: 3502: 3496: 3492: 3487: 3486: 3477: 3476: 3471: 3470: 3467: 3466:Mercedes Sosa 3463: 3462: 3459: 3458: 3453: 3450: 3449:Enrique Pinti 3446: 3445: 3440: 3438: 3437: 3432: 3431: 3428: 3424: 3423: 3420: 3419: 3414: 3412: 3411: 3406: 3404: 3400: 3398: 3394: 3392: 3388: 3386: 3385: 3384:Demasiado ego 3380: 3378: 3374: 3372: 3371: 3366: 3364: 3363: 3358: 3356: 3355: 3350: 3348: 3344: 3342: 3338: 3336: 3332: 3330: 3329: 3324: 3322: 3321: 3316: 3314: 3313: 3308: 3306: 3305: 3300: 3299: 3295: 3294: 3291: 3290: 3285: 3283: 3282: 3277: 3276: 3272: 3271: 3268: 3267: 3262: 3260: 3256: 3254: 3250: 3248: 3247: 3242: 3240: 3239: 3234: 3232: 3231: 3226: 3224: 3223: 3218: 3216: 3215: 3210: 3209: 3206: 3202: 3201: 3198: 3194: 3193: 3190: 3187: 3186: 3183: 3179: 3177: 3173: 3172: 3169: 3166: 3165: 3162: 3161: 3156: 3155: 3152: 3149: 3148: 3145: 3144: 3139: 3137: 3133: 3131: 3130: 3125: 3123: 3122: 3117: 3114: 3110: 3107: 3106: 3101: 3099: 3098: 3093: 3091: 3090: 3085: 3083: 3082: 3077: 3076: 3073: 3070: 3069: 3066: 3062: 3058: 3054: 3050: 3044: 3034: 3032: 3028: 3019: 3010: 3008: 3004: 3000: 2996: 2991: 2989: 2981: 2976: 2974: 2970: 2966: 2958: 2954: 2949: 2945: 2943: 2939: 2934: 2920: 2918: 2914: 2913:Palito Ortega 2909: 2905: 2904: 2898: 2896: 2895:South America 2892: 2888: 2887:Plaza de Mayo 2884: 2880: 2870: 2868: 2864: 2859: 2856: 2851: 2849: 2845: 2841: 2840:Todd Rundgren 2837: 2832: 2830: 2827:During 2001, 2825: 2821: 2818: 2809: 2807: 2803: 2799: 2795: 2791: 2785: 2783: 2779: 2775: 2771: 2767: 2763: 2759: 2754: 2752: 2751:Mercedes Sosa 2748: 2743: 2740: 2736: 2732: 2730: 2729: 2728:MTV Unplugged 2723: 2719: 2715: 2711: 2707: 2703: 2699: 2695: 2691: 2686: 2684: 2679: 2675: 2671: 2667: 2662: 2660: 2656: 2648: 2643: 2641: 2636: 2634: 2630: 2626: 2621: 2618: 2613: 2611: 2607: 2603: 2592: 2589: 2587: 2582: 2578: 2576: 2571: 2569: 2565: 2561: 2556: 2554: 2550: 2546: 2542: 2541:Peter Gabriel 2538: 2534: 2530: 2529:Lo que vendrá 2525: 2523: 2518: 2512: 2507: 2500: 2495: 2491: 2489: 2485: 2481: 2471: 2469: 2465: 2461: 2456: 2454: 2450: 2444: 2441: 2437: 2436: 2425: 2421: 2411: 2402: 2393: 2391: 2383: 2380: 2377: 2374: 2370: 2366: 2362: 2358: 2354: 2353: 2352: 2350: 2346: 2341: 2339: 2335: 2334:Falklands War 2320: 2318: 2313: 2311: 2310: 2305: 2301: 2296: 2294: 2289: 2287: 2283: 2280:, similar to 2279: 2278: 2273: 2269: 2265: 2261: 2260: 2255: 2251: 2246: 2244: 2243:Spinetta Jade 2240: 2236: 2232: 2228: 2225: 2219: 2217: 2212: 2210: 2206: 2202: 2197: 2195: 2194: 2187: 2185: 2179: 2177: 2173: 2172: 2166: 2162: 2161: 2156: 2152: 2148: 2143: 2141: 2137: 2133: 2128: 2126: 2122: 2117: 2115: 2111: 2107: 2103: 2099: 2095: 2089: 2079: 2076: 2074: 2068: 2063: 2059: 2055: 2051: 2050: 2044: 2042: 2041: 2035: 2033: 2032: 2026: 2023: 2018: 2016: 2012: 2007: 2005: 2000: 1998: 1993: 1991: 1987: 1983: 1980:(keyboards), 1979: 1978:Carlos Cutaia 1975: 1971: 1967: 1961: 1951: 1947: 1945: 1941: 1940:external debt 1937: 1933: 1929: 1925: 1920: 1918: 1914: 1910: 1909: 1903: 1901: 1900:Mar del Plata 1897: 1893: 1889: 1888:calle Florida 1884: 1882: 1878: 1874: 1870: 1866: 1862: 1858: 1854: 1850: 1846: 1839: 1829: 1827: 1823: 1819: 1818: 1812: 1810: 1809: 1804: 1800: 1796: 1792: 1788: 1776: 1774: 1770: 1763: 1760: 1758: 1757: 1752: 1751: 1746: 1742: 1738: 1734: 1730: 1724: 1722: 1709: 1707: 1701: 1699: 1695: 1691: 1687: 1683: 1679: 1675: 1671: 1667: 1663: 1654: 1650: 1649: 1643: 1639: 1637: 1633: 1629: 1625: 1621: 1617: 1613: 1609: 1605: 1602:(harmonica), 1601: 1597: 1596:Carlos Cutaia 1593: 1591: 1584: 1582: 1578: 1569: 1568:Instituciones 1563: 1549: 1547: 1542: 1537: 1535: 1531: 1527: 1526: 1520: 1518: 1514: 1510: 1506: 1502: 1498: 1494: 1490: 1486: 1485:Juan D. Perón 1481: 1477: 1475: 1471: 1470:Rolling Stone 1467: 1463: 1451: 1432: 1430: 1425: 1423: 1419: 1415: 1409: 1407: 1406: 1393: 1388: 1386: 1381: 1380: 1374: 1372: 1368: 1367: 1362: 1358: 1357:B.A. Rock III 1354: 1349: 1347: 1343: 1339: 1335: 1331: 1327: 1323: 1319: 1315: 1311: 1307: 1303: 1299: 1293: 1291: 1287: 1283: 1279: 1274: 1272: 1259: 1254: 1252: 1245:Sergio Marchi 1241: 1236: 1233: 1231: 1227: 1223: 1222: 1221:Rolling Stone 1217: 1213: 1209: 1205: 1201: 1200:Claudio Gabis 1197: 1193: 1192: 1186: 1184: 1180: 1179: 1174: 1170: 1166: 1165:Jorge Álvarez 1162: 1157: 1155: 1151: 1147: 1143: 1139: 1134: 1133: 1128: 1127: 1122: 1118: 1114: 1113:Pappo's Blues 1110: 1106: 1103:was founding 1102: 1098: 1094: 1090: 1086: 1082: 1078: 1077: 1072: 1068: 1064: 1060: 1056: 1052: 1048: 1044: 1040: 1039: 1034: 1033: 1028: 1027: 1022: 1013: 1007: 997: 995: 994: 989: 984: 980: 975: 974:Campo de Mayo 971: 966: 964: 960: 955: 953: 941: 936: 934: 933:Pedro y Pablo 930: 926: 921: 919: 915: 910: 906: 902: 898: 894: 890: 888: 884: 880: 876: 871: 869: 865: 861: 855: 840: 838: 837: 832: 828: 824: 818: 815: 813: 808: 805:García had a 803: 801: 797: 796:Juan D. Perón 793: 788: 786: 782: 778: 777:Ariel Ramírez 774: 773:Mercedes Sosa 762: 757: 755: 751: 747: 743: 739: 731:Charly García 727: 725: 718: 716: 711: 709: 708: 703: 699: 695: 694:rock and roll 691: 690:Palito Ortega 687: 682: 680: 676: 672: 671: 666: 662: 657: 650:Charly García 646: 642: 640: 632:Charly García 628: 616: 611: 609: 605: 601: 596: 593: 592: 587: 583: 579: 575: 570: 568: 567:Palermo Viejo 564: 559: 557: 553: 549: 545: 541: 537: 522: 520: 516: 512: 508: 504: 503:Gardel de Oro 500: 496: 491: 489: 484: 482: 481: 476: 475: 470: 469: 464: 463: 458: 457: 452: 451: 446: 445: 440: 439: 434: 430: 429: 424: 423: 418: 417: 412: 411: 406: 402: 398: 397: 392: 391: 385: 383: 378: 374: 370: 367: 363: 359: 355: 350: 348: 344: 340: 336: 332: 328: 324: 320: 316: 312: 311:rock nacional 308: 304: 300: 299:Charly García 296: 293: 281: 275: 272: 270: 267: 265: 262: 260: 257: 256: 254: 250: 244: 241: 239: 236: 235: 233: 229: 222: 219: 216: 213: 212: 210: 206: 200: 197: 195: 192: 190: 187: 185: 182: 180: 177: 175: 172: 170: 167: 165: 162: 161: 159: 155: 152: 148: 145:Carmen Moreno 142: 138: 134: 130: 126: 122: 118: 114: 107: 104: 101: 98: 95: 94: 92: 88: 84: 80: 74:(age 72) 60: 56: 51: 45: 40: 36:Charly García 33: 30: 19: 18:Charly Garcia 6940: 6845:Ilan Chester 6819:Eugenia León 6815:El Consorcio 6767:Dúo Dinámico 6729:Juan Formell 6725:Oscar D'León 6711:Daniela Romo 6681:Les Luthiers 6620: 6607:Estela Raval 6569:Olga Guillot 6565:Lucho Gatica 6505:Rocío Dúrcal 6491:Willie Colón 6422: 6414: 6406: 6398: 6380: 6373: 6366: 6360: 6359: 6276: 6270:(in Spanish) 6264: 6263:2017-04-19, 6249: 6237:. 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Retrieved 3547: 3538: 3521: 3511: 3500: 3490: 3483:Bibliography 3473: 3455: 3442: 3434: 3416: 3408: 3402: 3396: 3390: 3382: 3376: 3368: 3360: 3352: 3346: 3340: 3334: 3326: 3318: 3310: 3302: 3287: 3279: 3264: 3258: 3252: 3244: 3236: 3228: 3220: 3212: 3196: 3181: 3175: 3158: 3141: 3135: 3127: 3119: 3115:(unreleased) 3112: 3103: 3095: 3087: 3079: 3024: 3013:Recent years 3006: 2992: 2987: 2984: 2979: 2973:Mendoza City 2969:Led Zeppelin 2965:Teatro Colón 2962: 2957:Teatro Colón 2935: 2931: 2901: 2899: 2876: 2866: 2862: 2860: 2854: 2852: 2847: 2843: 2835: 2833: 2828: 2826: 2822: 2819: 2815: 2801: 2797: 2786: 2782:Procol Harum 2757: 2755: 2746: 2744: 2738: 2734: 2733: 2725: 2717: 2687: 2682: 2663: 2658: 2654: 2652: 2646: 2637: 2632: 2622: 2617:Buenos Aires 2614: 2601: 2598: 2590: 2583: 2579: 2574: 2572: 2567: 2564:Ilan Chester 2557: 2555:were there. 2537:Buenos Aires 2528: 2526: 2505: 2503: 2487: 2479: 2477: 2457: 2452: 2448: 2445: 2433: 2431: 2387: 2365:Roger Waters 2357:Buenos Aires 2348: 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5393:October 29, 5383:Sui Generis 5362:October 29, 5352:La Cofradía 5332:January 16, 5302:January 16, 5268:Sui Generis 5249:January 16, 5194:January 16, 5161:January 16, 5105:January 15, 5003:Marchi 1997 4971:"Página/12" 4955:January 15, 4812:Marchi 1997 4797:January 15, 4766:January 15, 4735:October 28, 4695:lt10.com.ar 4645:January 15, 4583:January 15, 4552:January 15, 4432:January 15, 4372:January 15, 4287:"Biography" 4211:February 3, 4181:February 3, 4151:February 3, 4090:January 15, 4059:January 15, 4028:January 15, 3997:January 15, 3935:January 15, 3661:February 3, 3589:February 3, 3444:Radio Pinti 3427:Pedro Aznar 3370:Say No More 3160:Porsuigieco 3151:PorSuiGieco 3072:Sui Generis 3037:Discography 3003:Uptown Funk 2999:Mark Ronson 2879:Casa Rosada 2774:Chuck Berry 2766:Small Faces 2762:Tin Soldier 2739:Say No More 2735:Say No More 2722:Sui Generis 2710:John Lennon 2698:Mick Jagger 2659:Say No More 2647:Say No More 2629:Pedro Aznar 2606:Pedro Aznar 2484:Pedro Aznar 2420:Nito Mestre 2304:Pat Metheny 2184:Disco Shock 2136:Pedro Aznar 2112:, north of 2098:Sui Géneris 2073:Oscar Araiz 2065: [ 1966:PorSuiGieco 1936:task forces 1908:PorSuiGieco 1873:Graham Nash 1849:Nito Mestre 1838:PorSuiGieco 1803:task forces 1787:coup d'état 1780:Nito Mestre 1666:psychedelia 1604:David Lebón 1505:David Viñas 1397:Nito Mestre 1371:Aníbal Uset 1302:Lito Nebbia 1282:Che Guevara 1178:Cristo Rock 1055:PorSuiGieco 1012:Botas locas 945:Nito Mestre 929:Lito Nebbia 875:Juan Bellia 868:Sui Generis 860:Nito Mestre 854:Sui Generis 823:Juan Bellia 715:The Beatles 542:factory in 530:Early years 488:Sui Generis 477:(2010) and 456:Say no More 433:Pedro Aznar 413:(1983) and 369:PorSuiGieco 358:Nito Mestre 354:Sui Generis 264:PorSuiGieco 259:Sui Generis 252:Formerly of 223:bass guitar 208:Instruments 194:jazz fusion 90:Occupations 7064:Categories 7045:Draco Rosa 6897:Eva Ayllón 6861:Cuco Valoy 6841:João Bosco 6685:Rubén Rada 6665:Joe Arroyo 6587:Vikki Carr 6531:León Gieco 6400:Serú Girán 6382:Oscar Moro 6349:Serú Girán 6239:August 15, 6213:August 27, 5708:October 1, 5582:October 6, 5488:October 6, 5239:La Bandeja 5131:October 6, 5068:October 6, 5038:October 6, 4985:October 6, 4945:La Tercera 4894:October 6, 4855:October 6, 4845:La Tercera 4705:October 6, 4675:October 6, 4522:October 6, 4512:DiarioShow 4492:October 6, 4462:October 6, 4398:October 6, 4335:October 6, 4325:La Tercera 4301:October 6, 4271:October 6, 4241:October 6, 4080:La Capital 3956:Los Andres 3530:References 3391:Influencia 3377:El Aguante 3214:Serú Girán 3205:Serú Girán 3047:See also: 2995:Bruno Mars 2942:Serú Girán 2867:Influencia 2855:Influencia 2848:El Aguante 2836:Influencia 2758:El aguante 2625:Serú Girán 2553:León Gieco 2369:Pink Floyd 2336:(Spanish: 2282:peppermint 2176:Serú Giran 2165:Serú Girán 2155:Serú Girán 2151:Serú Girán 2147:Billy Bond 2140:Oscar Moro 2094:La Máquina 2088:Serú Girán 2040:La Opinión 1990:Oscar Moro 1877:Neil Young 1853:León Gieco 1822:Bebe Kamin 1616:Billy Bond 1608:Oscar Moro 1600:León Gieco 1536:on drums. 1161:Billy Bond 1117:Billy Bond 952:León Gieco 877:(guitar), 825:(guitar), 702:beat music 679:Erik Satie 675:Serú Girán 377:Serú Girán 366:supergroup 274:Serú Girán 243:Sony Music 102:songwriter 68:1951-10-23 6963:Fito Páez 6959:Sheila E. 6917:Pimpinela 6901:Joan Baez 6789:Ana Belén 6771:Los Lobos 6695:Luz Casal 6677:Álex Lora 6669:Gal Costa 6495:José José 6416:Bicicleta 6266:La Nación 5896:Página 12 5820:Cinefanía 5521:Página 12 5151:La Nación 5028:0325-0946 5020:La Nación 4924:August 4, 4884:0325-0946 4876:La Nación 4635:La Nación 4362:La Nación 4018:La Nación 3987:La Nación 3911:0329-5656 3784:Billboard 3754:0362-4331 3692:March 14, 3651:Billboard 3621:0362-4331 3320:Piano Bar 3230:Bicicleta 3182:Películas 2756:In 1998, 2678:ephedrine 2586:punk rock 2480:Piano Bar 2464:Fito Páez 2453:Piano Bar 2373:Final Cut 2216:Bicicleta 2145:In 1978, 2106:Luna Park 2054:Luna Park 2031:Películas 1811:report). 1808:Nunca más 1721:Luna Park 1653:Luna Park 1632:mellotron 1624:mini Moog 1610:(drums), 1422:bandoneón 1340:, led by 1338:Arco Iris 1334:La Biblia 1324:, led by 1298:Los Gatos 1263:Fito Páez 1251:Fito Páez 1198:members, 1138:San Telmo 1093:Los Gatos 831:The Byrds 812:Bob Dylan 746:The Byrds 742:Bob Dylan 552:dinosaurs 544:Argentina 525:Biography 517:from the 416:Piano bar 401:pop music 384:stadium. 362:Luna Park 343:synth-pop 339:funk rock 315:folk rock 303:Argentine 220:keyboards 199:classical 140:Parent(s) 83:Argentina 6989:Rita Lee 6951:Emmanuel 6905:José Cid 6719:Toquinho 6535:Graciela 6424:Peperina 6284:Archived 6257:Archived 6233:Archived 6207:Archived 6181:Archived 6160:Archived 6136:Archived 6110:Archived 6084:Archived 6053:Archived 6007:Archived 5950:Archived 5900:Archived 5869:Archived 5824:Archived 5727:Archived 5702:Archived 5672:Archived 5642:Archived 5611:Archived 5576:Archived 5550:Archived 5525:Archived 5482:Archived 5452:Archived 5418:Archived 5410:"Marina" 5387:Archived 5356:Archived 5326:Archived 5296:Archived 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1460:Like in 1453:— 1395:— 1322:Almendra 1318:Martínez 1290:Peronism 1261:— 1243:— 1150:Seminare 1101:Spinetta 1089:Almendra 1045:(1975). 1009:— 943:— 800:Peronism 764:— 729:— 707:Kill Gil 670:Kill Gil 648:— 630:— 618:— 608:vitiligo 483:(2017). 474:Kill Gil 441:(1987), 405:new wave 335:pop rock 331:new wave 189:new wave 132:Children 105:producer 96:Musician 6997:Yordano 6699:Leo Dan 6313:Discogs 5724:El Rock 5478:infobae 5448:Infobae 5379:"Grita" 4665:infobae 4452:infobae 4049:Infobae 3457:Tango 4 3113:Ha Sido 2959:in 2013 2908:Mendoza 2806:bootleg 2768:), or " 2726:Hello! 2704:) and " 2633:Serú 92 2570:album. 2560:Wilkins 2426:in 1984 2375:album). 2254:Córdoba 2011:Cosquín 1930:, with 1859:formed 1733:Ha sido 1706:Ha sido 1682:Ha sido 1670:Ha sido 1577:Uruguay 1330:Vox Dei 1320:), and 1300:led by 959:Lavalle 750:The Who 627:melody) 582:Palermo 554:at the 540:Formica 509:by the 428:Tango 4 407:albums 108:pianist 7029:Albita 7027:2024: 7015:Simone 7001:2023: 6979:2022: 6945:2021: 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