1165:, and the first movement in particular, are noted for the difficulty they pose for the performers. For example, the opening is difficult for the tenors, owing to the unusually wide vocal range, rhythmic complexity, and the consistent presence of strange and difficult-to-maintain parallel 7ths between the tenor and bass parts. The interval of a seventh figures prominently throughout the piece because of its numerological importance in the Judeo-Christian tradition; the first movement is written in the unusual
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eventually give way to a unison note on the last syllable of the text—another example of word painting, since the final Hebrew word, Yaḥad, means "together" or, more precisely, "as one". This same note is that on which the choir then sings the Amen, while one muted trumpet plays the opening motif one last time and the orchestra, too, ends on a unison G, with a tiny hint of a
880:). This is gradually overpowered by the soprano voices (with the direction—at measure 102 in the vocal score only—"blissfully unaware of threat") with David serenely reaffirming the second portion of Psalm 23. However, the last measures of the movement contain notes which recall the interrupting section, symbolizing mankind's unending struggle with conflict and faith.
418:
and fifths). This leitmotif is found elsewhere in the work, including the end of the first movement ("Ki tov Adonai," m. 109–116), the third movement prelude, and in the soprano part of the final a cappella section of movement three ("Hineh mah tov," m.60), with a haunting reintroduction of the material in the harp on unison G's during the "Amen" of m. 64.
1103:
In the score, Bernstein notes that the soprano and alto parts were written "with boys' voices in mind," and that it is "possible but not preferable" to use women's voices instead. However, he states that the male alto solo "must not be sung by a woman," but either by a boy or a countertenor. This was
417:
in the soprano and alto parts consisting of a descending perfect fourth, ascending minor seventh, and descending perfect fifth. The motif is also found with the seventh inverted as a descending major second. It conjures up images of tuning the harp and psaltery (especially the use of perfect fourths
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The finale comes in from the third movement without interruption. The principal motifs from the introduction return here to unify the work and create a sense of returning to the beginning, but here the motifs are sung pianississimo and greatly extended in length. Particularly luminous harmonies
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significantly features the harp; the full orchestral version requires two intricate harp parts. Bernstein completed the harp parts before composing the accompanying orchestral and choral parts, thus granting the harpists a pivotal role in realizing the music. In rehearsals, he is noted to have
554:
meter, sung in a festive fashion, as is implored in the first verse of the psalm. Its last words, "Ki tov Adonai," recall the 7th interval presented as the main theme in the introduction. The music progresses in three asymmetrical beats, with the groupings shown by the composer as 2+2+3.
873:) with a tranquil melody, sung by the boy treble (or countertenor), and repeated by the soprano voices in the chorus. This is abruptly interrupted by the orchestra and the low, rumbling sounds (again word painting) of the men's voices singing Psalm 2 (also notably featured in
410:
is used in that the dissonant sevenths present in every chord sound like clanging bells, indicating that we are being told to awaken in a deep and profound way. In the first measure, Bernstein also introduces a
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The third movement begins with a conflicted and busy instrumental prelude which recapitulates the chords and melody from the introduction, then suddenly it breaks into the gentle chorale set in a rolling
344:, a former pupil of Bernstein. The treble solo was sung by the Chichester Head Chorister, Jago Brazier. Alexander Bernstein, Bernstein's son, was in the audience, as he had been in 1965.
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51:
274:, on 15 July 1965 with the composer conducting, followed by the performance at Chichester on July 31, 1965, conducted by the cathedral's Organist and Master of the Choristers,
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352:
Bernstein made his own selection from the psalms, and decided to retain the original Hebrew for an ecumenical message, focused on the "brotherhood of Man".
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227:. Bernstein scored the work for a reduced orchestra, but also made a version for an even smaller ensemble of organ, one harp, and percussion.
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requested that the harpists play through the piece before the rest of the orchestra to emphasize the importance of the harps' role.
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309:. These two works are his two most overtly Jewish compositions. While both works have a chorus singing texts in Hebrew, the
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1248:. In 2018 another recording by the Choir of King's College, Cambridge was released, this time conducted by
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and performed by the London
Academic Orchestra and London Student Chorale, it was paired with Britten's
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The music for the beginning of the second movement is taken from sketches from
Bernstein's unfinished
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This article is about
Leonard Bernstein's composition. For Peter Martins' ballet to this music, see
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in New York City on 15 July 1965, conducted by the composer. That was followed by a performance at
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recorded the work in the 1980s, the composer gave his approval for the solo part to be sung by
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1956:
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celebrations to mark the centenary of
Bernstein's birth, the choirs of Chichester Cathedral,
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The introduction (presented in the score as part of movement one) begins gathering energy.
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1149:. A reduction written by the composer pared down the orchestral performance forces to
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The first performance in London took place on 10 June 1966 in the Duke's Hall of the
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as the countertenor soloist. The instrumentalists were David
Corkhill (percussion),
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to reinforce the liturgical meaning of the passage sung, perhaps to suggest that
1392:"Leonard Bernstein / On the Waterfront / Chichester Psalms (1965) / On the Town"
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The second movement begins with the Psalm of David set in a conventional meter (
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1918:
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1327:
Church and patronage in 20th century
Britain : Walter Hussey and the arts
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Symphony has been described as a work often at the edge of despair, while
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1446:"Leonard Bernstein's Chichester Psalms / An Analysis and Companion Piece"
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1237:
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1212:, in the version with only three instrumentalists. It was conducted by
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195:, choir and orchestra. The text was arranged by the composer from the
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1536:
Why The
Unusual Chichester Psalms is Quintessential Leonard Bernstein
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208:
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103:
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87:
83:
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1417:"Boosey & Hawkes Composers, Classical Music and Jazz Repertoire"
242:, for which it was commissioned, on 31 July that year, conducted by
50:
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1120:
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216:
95:
1471:"Vaughan Williams, Dona Nobis Pacem: Bernstein, Chichester Psalms"
1240:. A 2003 recording was performed by Thomas Kelly (treble) and the
2076:
Songfest: A Cycle of
American Poems for Six Singers and Orchestra
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in
Chichester Cathedral. They were accompanied by the
887:. The men's theme was adapted from material cut from
1034:) which recalls desert palms swaying in the breeze.
301:was Bernstein's first composition after his 1963
2371:
1329:. London: Palgrave Macmillan. pp. 189–198.
266:. However, the world premiere took place in the
2315:Leonard Bernstein Festival of the Creative Arts
1889:Fanfare for the Inauguration of John F. Kennedy
1275:"Bernstein, Leonard / Chichester Psalms (1965)"
521:We are His people and the sheep of His pasture.
511:Make a joyful noise unto the Lord all ye lands.
2320:New York Philharmonic concert of April 6, 1962
2102:Non troppo presto (Music for the Dance No. 1)
1571:
1190:
796:He leadeth me in the paths of righteousness,
1356:
1354:
790:He maketh me to lie down in green pastures,
531:And His truth endureth to all generations.
179:is an extended choral composition in three
1790:A Party with Betty Comden and Adolph Green
1578:
1564:
1439:
1437:
1385:
1383:
822:Against the Lord and against His anointed.
803:Through the valley of the shadow of death,
788:The Lord is my shepherd, I shall not want.
320:On 24 November 2018, as the finale of the
49:
1363:"Bernstein's Psalms return to Chichester"
1360:
1294:
1292:
1242:Bournemouth Symphony Chorus and Orchestra
848:And I will dwell in the house of the Lord
824:Saying, let us break their bands asunder,
2330:The Unanswered Question (lecture series)
1543:"Three Windows into Leonard Bernstein's
1443:
1389:
1351:
1269:
1267:
1265:
1252:with George Hill as the treble soloist.
1112:, was to be heard as if sung by the boy
989:As a child that is weaned of his mother,
846:Shall follow me all the days of my life,
527:Be thankful unto Him and bless His name.
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1380:
1324:
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529:the Lord is good, His mercy everlasting
254:The work was commissioned for the 1965
18:Choral composition by Leonard Bernstein
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1318:
1289:
818:The kings of the earth set themselves,
792:He leadeth me beside the still waters,
523:Come unto His gates with thanksgiving,
515:Come before His presence with singing.
442:הוּא־עָשָׂנוּ, ולא (וְלוֹ) אֲנַחְנוּ--
1585:
1559:
1262:
1361:Westbrook, Roy (November 25, 2018).
820:And the rulers take counsel together
816:And the people imagine a vain thing?
452:כִּי־טוֹב יְהוָה, לְעוֹלָם חַסְדּוֹ;
440:דְּעוּ-- כִּי יְהוָה, הוּא אֱלֹהִים:
317:is affirmative and serene at times.
983:Too wonderful for me to understand.
607:וְנַשְׁלִיכָה מִמֶּנּוּ עֲבֹתֵימוֹ.
13:
1949:Serenade after Plato's "Symposium"
1526:Bernstein Chichester Psalms Review
1210:Choir of King's College, Cambridge
991:My soul is even as a weaned child.
826:And cast away their cords from us.
627:יִרְדְּפוּנִי-- כָּל־יְמֵי חַיָּי;
558:
539:The first movement is in a joyous
14:
2406:
2380:Compositions by Leonard Bernstein
1814:The Madwoman of Central Park West
1492:
1299:Roberts, Stephen (May 22, 2012).
1208:was recorded in the 1970s by the
925:נַפְשִׁי: כְּגָמֻל, עֲלֵי אִמּוֹ;
896:
571:בִּנְאוֹת דֶּשֶׁא, יַרְבִּיצֵנִי;
421:
347:
2354:
2353:
2293:Academy for the Love of Learning
839:Thou anointest my head with oil,
835:Thou preparest a table before me
2309:Inside Pop: The Rock Revolution
1444:Fishbein, Joshua Henry (2014).
960:
772:
764:
746:
732:
718:
710:
688:
664:
654:
644:
639:"David" and sopranos (Psalm 23)
620:דִּשַּׁנְתָּ בַשֶּׁמֶן רֹאשִׁי,
605:נְנַתְּקָה, אֶת־מוֹסְרוֹתֵימוֹ;
525:And into His court with praise.
498:
488:
477:
465:
436:עִבְדוּ אֶת־יְהוָה בְּשִׂמְחָה;
434:הָרִיעוּ לַיהוָה, כָּל־הָאָרֶץ.
385:
355:
55:First page of the vocal score,
1921:(1986, 1988, 1989, originally
1463:
1409:
1108:, a "Psalm of David" from the
929:יַחֵל יִשְׂרָאֵל, אֶל־יְהוָה--
837:In the presence of my enemies,
828:He that sitteth in the heavens
517:Know that the Lord, He is God.
454:וְעַד־דֹּר וָדֹר, אֱמוּנָתוֹ.
338:Bournemouth Symphony Orchestra
1:
1255:
995:From henceforth and forever.
981:In great matters or in things
726:V'nashlichah mimenu avoteimo.
616:תַּעֲרֹךְ לְפָנַי, שֻׁלְחָן--
599:יִתְיַצְּבוּ, מַלְכֵי־אֶרֶץ--
577:יַנְחֵנִי בְמַעְגְּלֵי־צֶדֶק,
573:עַל-מֵי מְנֻחוֹת יְנַהֲלֵנִי.
513:Serve the Lord with gladness.
461:Hari'u l'Adonai kol ha'arets.
446:בֹּאוּ שְׁעָרָיו, בְּתוֹדָה--
1153:, one harp, and percussion.
1119:The orchestra consists of 3
979:Neither do I exercise myself
832:Shall have them in derision!
603:עַל־יְהוָה, וְעַל־מְשִׁיחוֹ.
450:הוֹדוּ־לוֹ, בָּרְכוּ שְׁמוֹ.
438:בֹּאוּ לְפָנָיו, בִּרְנָנָה.
332:again joined forces to sing
256:Southern Cathedrals Festival
240:Southern Cathedrals Festival
70:Southern Cathedrals Festival
7:
1904:Slava! A Political Overture
1277:. Boosey & Hawkes. 1965
993:Let Israel hope in the Lord
629:וְשַׁבְתִּי בְּבֵית־יְהוָה,
601:וְרוֹזְנִים נוֹסְדוּ־יָחַד:
597:וּלְאֻמִּים, יֶהְגּוּ־רִיק.
590:שִׁבְטְךָ וּמִשְׁעַנְתֶּךָ,
562:
519:He made us, and we are his.
372:עוּרָה, הַנֵּבֶל וְכִנּוֹר;
10:
2411:
1396:musicweb-international.com
1191:Publication and recordings
1098:
917:בִּגְדֹלוֹת וּבְנִפְלָאוֹת
706:Yit'yats'vu malchei erets,
569:יְהוָה רֹעִי, לֹא אֶחְסָר.
444:עַמּוֹ, וְצֹאן מַרְעִיתוֹ.
360:Psalm 108 (verse 2 in the
249:
230:The work premiered at the
23:Chichester Psalms (ballet)
20:
2351:
2285:
2267:
2232:
2194:
2110:Music for the Dance No. 2
2093:
2038:
1998:
1967:
1932:
1875:) (1948–49, revised 1965)
1851:
1824:
1646:
1611:
1593:
1198:was published in 1965 by
1037:
954:Naf'shi k'gamul alei imo,
927:כַּגָּמֻל עָלַי נַפְשִׁי.
844:Surely goodness and mercy
830:Shall laugh, and the Lord
650:Bin'ot deshe yarbitseini,
396:Awake, psaltery and harp:
262:by the cathedral's Dean,
150:
142:
119:
109:
79:
64:
48:
37:
30:
1941:Prelude, Fugue and Riffs
1806:1600 Pennsylvania Avenue
1156:
975:My heart is not haughty,
931:מֵעַתָּה, וְעַד־עוֹלָם.
814:Why do the nations rage,
724:N'natkah et mos'roteimo,
684:Shiv't'cha umishan'techa
595:לָמָּה, רָגְשׁוּ גוֹיִם;
504:V'ad dor vador emunato.
473:D'u ki Adonai Hu Elohim.
381:Urah, hanevel, v'chinor!
2335:Young People's Concerts
1521:bernstein.classical.org
1515:about Chichester Psalms
1390:Serotsky, Paul (2003).
1325:Webster, Peter (2017).
1078:And how pleasant it is,
778:V'shav'ti b'veit Adonai
754:Dishanta vashemen roshi
668:eini b'ma'aglei tsedek,
494:Hodu lo, bar'chu sh'mo.
471:Bo'u l'fanav bir'nanah.
448:חֲצֵרֹתָיו בִּתְהִלָּה;
398:I will rouse the dawn!
322:Bernstein in Chichester
2325:Pacific Music Festival
2303:Bernstein–Mahler cycle
1919:Concerto for Orchestra
496:Ki tov Adonai, l'olam
283:Royal Academy of Music
124:15 July 1965
2084:My Twelve Tone Melody
1793:(1958, collaboration)
1538:wrti.org May 25, 2018
1301:"John Birch obituary"
1080:For brethren to dwell
1019:meter (subdivided as
964:el Yis'rael el Adonai
956:Kagamul alai naf'shi.
885:The Skin of Our Teeth
809:Thy rod and Thy staff
807:For Thou art with me.
794:He restoreth my soul,
744:Ta'aroch l'fanai shul
741:(sopranos (Psalm 23))
588:כִּי־אַתָּה עִמָּדִי;
492:atseirotav bit'hilah,
485:Bo'u sh'arav b'todah,
463:Iv'du et Adonai b'sim
364:; verse 3 in Hebrew)
2118:Sonata for the Piano
1817:(1979, contribution)
1598:List of compositions
985:Surely I have calmed
977:Nor mine eyes lofty,
946:Big'dolot uv'niflaot
841:My cup runneth over.
805:I will fear no evil,
798:For His name's sake.
770:Yird'funi kol y'mei
716:Al Adonai v'al m'shi
695:(Tenors and basses (
609:יוֹשֵׁב בַּשָּׁמַיִם
326:Winchester Cathedral
260:Chichester Cathedral
236:Chichester Cathedral
74:Chichester Cathedral
2385:Choral compositions
1754:One Hand, One Heart
1733:Gee, Officer Krupke
1200:Boosey & Hawkes
1082:Together in unity.
987:And quieted myself,
966:Me'atah v'ad olam.
921:אִם־לֹא שִׁוִּיתִי,
913:וְלֹא־רָמוּ עֵינַי;
911:לֹא־גָבַהּ לִבִּי--
704:Ul'umim yeh'gu rik?
702:Lamah rag'shu goyim
592:הֵמָּה יְנַחֲמֻנִי.
575:נַפְשִׁי יְשׁוֹבֵב;
483:Amo v'tson mar'ito.
330:Salisbury Cathedral
57:Boosey & Hawkes
2206:(incidental music)
2195:Other compositions
2064:(song cycle, 1947)
2056:(song cycle, 1943)
1873:The Age of Anxiety
1761:Something's Coming
1663:New York, New York
1612:Opera and operetta
1550:The Choral Journal
1513:in other libraries
1507:Library resources
915:וְלֹא־הִלַּכְתִּי,
801:Yea, though I walk
708:V'roznim nos'du ya
625:אַךְ, טוֹב וָחֶסֶד
611:יִשְׂחָק: אֲדֹנָי,
584:בְּגֵיא צַלְמָוֶת,
374:אָעִירָה שָּׁחַר.
362:King James Version
219:, and Part 3 uses
39:Choral composition
2390:1965 compositions
2365:
2364:
2015:Chichester Psalms
1620:Trouble in Tahiti
1587:Leonard Bernstein
1545:Chichester Psalms
1524:Andrew McGregor:
1519:Chichester Psalms
1336:978-1-13-736909-3
1206:Chichester Psalms
1196:Chichester Psalms
1184:Chichester Psalms
1088:
1087:
1050:הִנֵּה מַה־טּוֹב,
1042:Psalm 133, vs. 1
1001:
1000:
856:
855:
728:Yoshev bashamayim
660:Naf'shi y'shovev,
642:Adonai ro-i, lo e
631:לְאֹרֶךְ יָמִים.
537:
536:
475:Hu asanu v'lo ana
404:
403:
334:Chichester Psalms
315:Chichester Psalms
299:Chichester Psalms
292:Cantata academica
268:Philharmonic Hall
232:Philharmonic Hall
185:Leonard Bernstein
176:Chichester Psalms
172:
171:
43:Leonard Bernstein
32:Chichester Psalms
2402:
2357:
2356:
2286:Related articles
2276:The Joy of Music
2233:Film adaptations
2061:La Bonne Cuisine
2048:(art song, 1935)
1852:Orchestral music
1798:The Race to Urga
1580:
1573:
1566:
1557:
1556:
1504:
1503:
1501:Official website
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1483:
1481:
1467:
1461:
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1450:escholarship.org
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1250:Stephen Cleobury
1179:
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1177:
1176:
1137:, a five-person
1128:
1127:
1076:Behold how good,
1045:
1044:
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1018:
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1016:
1015:
963:
962:
942:V'lo ramu einai,
904:
903:
872:
871:
870:
869:
811:They comfort me.
775:
774:
767:
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749:
748:
735:
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721:
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691:
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678:B'gei tsalmavet,
667:
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657:
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647:
646:
622:כּוֹסִי רְוָיָה.
586:לֹא־אִירָא רָע--
582:גַּם כִּי־אֵלֵךְ
563:
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303:Third Symphony (
199:in the original
138:
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53:
28:
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2401:
2400:
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2370:
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2366:
2361:
2347:
2298:Artful Learning
2281:
2263:
2257:West Side Story
2249:West Side Story
2228:
2190:
2089:
2034:
1994:
1981:Clarinet Sonata
1963:
1928:
1847:
1820:
1781:Tonight Quintet
1712:A Boy Like That
1704:West Side Story
1642:
1607:
1589:
1584:
1552:, December 2018
1509:in your library
1499:
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1244:, conducted by
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1052:וּמַה־נָּעִים--
1051:
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1023:
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939:
938:Adonai, Adonai,
933:
930:
928:
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924:
923:וְדוֹמַמְתִּי--
922:
920:
918:
916:
914:
912:
910:
899:
890:West Side Story
868:
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780:L'orech yamim.
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658:ot y'nahaleini,
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579:לְמַעַן שְׁמוֹ.
578:
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559:Second movement
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285:. Conducted by
252:
238:as part of the
168:
133:
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125:
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60:
26:
19:
12:
11:
5:
2408:
2398:
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2395:Psalm settings
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2222:Opening Prayer
2218:
2210:
2198:
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2188:
2180:
2172:
2164:
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2026:
2019:
2011:
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1996:
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1936:
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1930:
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1916:
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1900:
1892:
1886:
1879:Symphony No. 3
1876:
1869:Symphony No. 2
1866:
1859:Symphony No. 1
1855:
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1687:Wonderful Town
1683:
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1554:
1553:
1541:Michael Slon:
1539:
1532:
1522:
1516:
1505:
1494:
1493:External links
1491:
1488:
1487:
1462:
1433:
1421:www.boosey.com
1408:
1379:
1350:
1335:
1317:
1288:
1260:
1259:
1257:
1254:
1230:Richard Hickox
1228:(organ). When
1226:James Lancelot
1192:
1189:
1171:
1158:
1155:
1100:
1097:
1086:
1085:
1074:
1072:
1063:Hineh mah tov,
1061:
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1025:
1010:
999:
998:
971:
969:
940:Lo gavah libi,
936:
934:
907:
898:
897:Third movement
895:
864:
854:
853:
785:
783:
752:Neged tsor'rai
682:Ki Atah imadi.
670:L'ma'an sh'mo.
636:
634:
618:נֶגֶד צֹרְרָי;
613:יִלְעַג־לָמוֹ.
566:
560:
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545:
535:
534:
509:
507:
459:
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432:
423:
422:First movement
420:
402:
401:
394:
392:
379:
377:
370:
357:
354:
349:
348:Text and music
346:
251:
248:
211:, Part 2 uses
203:. Part 1 uses
197:Book of Psalms
170:
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2158:Thirteen Ann.
2155:
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2147:
2144:
2143:
2139:
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2130:
2128:
2127:
2126:Anniversaries
2123:
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2119:
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2012:
2009:
2008:
2004:
2003:
2001:
1997:
1990:
1989:
1985:
1982:
1979:
1976:
1973:
1972:
1970:
1968:Chamber music
1966:
1959:
1958:
1954:
1951:
1950:
1946:
1943:
1942:
1938:
1937:
1935:
1931:
1924:
1923:Jubilee Games
1920:
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1740:I Feel Pretty
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1636:A Quiet Place
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1534:Susan Lewis:
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1367:bachtrack.com
1364:
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1215:
1214:Philip Ledger
1211:
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1107:
1096:
1094:
1093:Picardy third
1083:
1073:
1070:
1060:
1057:
1054:שֶׁבֶת אַחִים
1047:
1046:
1043:
1035:
1028:
1013:
996:
970:
967:
950:Im lo shiviti
944:V'lo hilachti
935:
932:
906:
905:
902:
894:
892:
891:
886:
881:
879:
878:
867:
851:
784:
781:
760:
756:Cosi r'vayah.
742:
700:
698:
676:Gam ki eilech
674:
640:
635:
632:
565:
564:
556:
548:
532:
508:
505:
458:
455:
431:
430:
427:
419:
416:
415:
409:
408:Word painting
399:
393:
390:
378:
375:
369:
368:
365:
363:
353:
345:
343:
340:conducted by
339:
335:
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327:
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318:
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312:
308:
306:
300:
296:
294:
293:
288:
284:
279:
277:
273:
269:
265:
264:Walter Hussey
261:
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210:
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186:
182:
178:
177:
164:
161:
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155:
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149:
145:
141:
136:
135:New York City
122:
118:
115:
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108:
105:
101:
97:
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78:
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71:
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63:
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52:
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44:
40:
36:
33:
29:
24:
16:
2367:
2340:
2307:
2274:
2256:
2248:
2240:
2220:
2212:
2203:
2201:
2182:
2176:Bridal Suite
2174:
2166:
2156:
2148:
2140:
2132:
2129:(1942—1988)
2124:
2116:
2108:
2100:
2074:
2059:
2053:I Hate Music
2051:
2029:Missa Brevis
2023:Olympic Hymn
2014:
2013:
2005:
1986:
1955:
1947:
1939:
1922:
1912:Divertimento
1910:
1902:
1894:
1882:
1872:
1862:
1839:
1831:
1812:
1804:
1796:
1788:
1702:
1685:
1677:
1653:
1634:
1626:
1618:
1549:
1544:
1478:. Retrieved
1474:
1465:
1453:. Retrieved
1449:
1424:. Retrieved
1420:
1411:
1399:. Retrieved
1395:
1372:November 26,
1370:. Retrieved
1366:
1326:
1320:
1308:. Retrieved
1305:The Guardian
1304:
1279:. Retrieved
1218:James Bowman
1205:
1204:
1195:
1194:
1183:
1182:
1172:
1162:
1160:
1118:
1110:Hebrew Bible
1102:
1089:
1075:
1062:
1056:גַּם־יָחַד.
1049:
1041:
1026:
1011:
1002:
972:
937:
908:
900:
889:
884:
882:
876:
865:
857:
786:
758:
740:
738:Yil'ag lamo!
694:
672:
638:
637:
567:
546:
538:
510:
460:
433:
425:
412:
405:
395:
380:
371:
359:
356:Introduction
351:
333:
321:
319:
314:
310:
304:
298:
297:
290:
280:
253:
229:
193:countertenor
175:
174:
173:
31:
15:
2343:(2023 film)
2259:(2021 film)
2251:(1961 film)
2243:(1949 film)
2241:On the Town
2168:Four Sabras
2094:Piano music
2007:Hashkiveinu
1988:Dance Suite
1933:Concertante
1670:Lonely Town
1655:On the Town
1455:October 15,
1401:October 14,
1310:October 14,
1281:October 15,
1246:Marin Alsop
1224:(harp) and
1222:Osian Ellis
1141:section, 2
1067:Shevet aḥim
1065:Umah na'im,
973:Lord, Lord,
952:V'domam'ti,
699:, vs. 1-4))
652:Al mei m'nu
342:Marin Alsop
2374:Categories
2171:(ca. 1950)
2134:Seven Ann.
1975:Piano Trio
1833:Fancy Free
1475:Gramophone
1345:1012344270
1256:References
1234:Aled Jones
1139:percussion
1069:Gam yaḥad
919:מִמֶּנִּי.
901:Psalm 131
762:Ach tov va
736:ak, Adonai
686:Hemah y'na
680:Lo ira ra,
673:(sopranos)
426:Psalm 100
383:A-irah sha
276:John Birch
244:John Birch
205:Psalms 100
189:boy treble
158:boy treble
128:1965-07-15
84:Psalms 100
2153:(1949–51)
2150:Five Ann.
2142:Four Ann.
2137:(1942–43)
2069:So Pretty
2046:Psalm 148
1896:CBS Music
1768:Somewhere
1679:Peter Pan
1480:March 18,
1426:April 24,
1236:, then a
1131:trombones
1116:himself.
875:Handel's
850:Forever.
414:leitmotif
287:Roy Wales
181:movements
165:orchestra
143:Movements
120:Performed
2359:Category
2204:The Lark
2086:" (1988)
2071:" (1968)
2025:" (1981)
1885:) (1963)
1865:) (1942)
1863:Jeremiah
1647:Musicals
1126:♭
1121:trumpets
1106:Psalm 23
272:New York
110:Language
65:Occasion
2341:Maestro
2184:Touches
1883:Kaddish
1774:Tonight
1719:America
1707:(1957)
1690:(1953)
1658:(1944)
1628:Candide
1180:meter.
1147:strings
1135:timpani
1099:Scoring
948:Mimeni.
909:יְהוָה,
877:Messiah
759:"David"
697:Psalm 2
311:Kaddish
305:Kaddish
250:History
151:Scoring
126: (
59:edition
2225:(1986)
2217:(1971)
2209:(1955)
2187:(1980)
2179:(1960)
2161:(1988)
2145:(1948)
2121:(1938)
2113:(1938)
2105:(1937)
2079:(1977)
2031:(1988)
2018:(1965)
2010:(1945)
1999:Choral
1991:(1989)
1983:(1942)
1977:(1937)
1960:(1981)
1952:(1954)
1944:(1948)
1915:(1980)
1907:(1977)
1899:(1976)
1891:(1961)
1844:(1974)
1841:Dybbuk
1836:(1944)
1825:Ballet
1809:(1976)
1801:(1968)
1682:(1950)
1639:(1983)
1631:(1956)
1623:(1951)
1603:Awards
1343:
1333:
1238:treble
1163:Psalms
1145:, and
1038:Finale
692:amuni.
502:as'do,
201:Hebrew
114:Hebrew
2268:Books
2039:Vocal
1957:Ḥalil
1747:Maria
1216:with
1157:Music
1151:organ
1143:harps
1114:David
162:choir
146:three
68:1965
2214:Mass
1726:Cool
1695:Ohio
1531:2003
1511:and
1482:2024
1457:2018
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