Chimamanda Ngozi Adichie

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TEDxEuston Talk, "We Should All Be Feminists" praised her as a "gifted storyteller", who was able to intimately connect with her audience. Behrmann stated that the talk used language that made it relatable to children and adults, giving a basic foundation for students to learn about feminist ideas and issues, as well as learning about how gender is socially-constructed by culture. She also said that Adichie demonstrated that gender inequality is a global challenge, and offered solutions to combat disparities by focussing less on gender roles and more on developing skills based upon ability and interests. However, Behrmann criticised the lack of discussion in the talk on the intersectional aspects of peoples' identities and Adichie's reliance on binary terms (boy/girl, man/woman, male/female), which left "little room to imagine and explore how transgender and genderqueer" people contribute to or are impacted by feminism. Emenyonu said that her "talks, blogs, musings on social media, essays and commentaries, workshop mentoring for budding writers and lecture circuit discourses...expand and define her mission as a writer". Scholar Grace Musila said Adiche's brand encompasses her reputation as a writer, public figure, and fashionista which expanded her reach and the legitimacy of her ideas far beyond academic circles.

1485: 1806:, saying that she liked and admired Beyoncé and gave permission to use her text because the singer "reached many people who would otherwise probably never have heard the word feminism." But, she went on to state that the sampling caused a media frenzy with requests from newspapers world-wide who were keen to report on her new-found fame because of Beyoncé. Adichie said, "I am a writer and I have been for some time and I refuse to perform in this charade that is now apparently expected of me". She was disappointed by the media portrayal, but acknowledged that "Thanks to Beyoncé, my life will never be the same again." Adichie was outspoken against critics who later questioned the singer's credentials as a feminist because she uses her sexuality to "pander to the male gaze". In defence of Beyoncé, Adichie said: "Whoever says they're feminist is bloody feminist." 2808:

the impulse to say that trans women are women just like women born female are women comes from a need to make trans issues mainstream. Because by making them mainstream, we might reduce the many oppressions they experience.... Perhaps I should have said trans women are trans women and cis women are cis women and all are women. Except that 'cis' is not an organic part of my vocabulary. And would probably not be understood by a majority of people. Because saying 'trans' and 'cis' acknowledges that there is a distinction between women born female and women who transition, without elevating one or the other, which was my point.... I have and will continue to stand up for the rights of transgender people. Not merely because of the violence they experience but because they are equal human beings deserving to be what they are".

1019:", love in her works is typically expressed through cultural identity, personal identity, and the human condition, and how these are impacted by social and political conflict. She frequently explores the intersections of class, culture, gender, (post-)imperialism, power, race, and religion. Struggle is a predominant theme throughout African literature, and Adichie's works follow in that tradition by examining families, communities, and relationships. Her explorations go beyond political strife and the struggle for rights, and typically examine what it is to be human. Many of her works deal with how the characters reconcile themselves with the trauma in their lives and how they move from being silenced and voiceless to self-empowered and able to tell their own stories. 903:, Adichie begins with a character opening the refrigerator and describes how as the cool air embraced him, he saw oranges, beer, and a "roasted shimmering chicken". This contrasts to the later period in the novel when people are dying of starvation, in which her characters are forced to eat powdered eggs and lizards. She also repeatedly references real places and historic figures, to draw readers into the stories. Adichie deliberately demonstrates the interconnections between cultures by alluding to historic events and well-known personality types, demonstrating conflicts and relationships through interactions between characters. By utilising pure realistic, and intimate details, she compels the reader to look at the meaning of events and relationships. 1818: 953:

written works acknowledge that men and women experience history differently. By using narratives from characters of different segments of society, she reiterates her message in her TED talk, "The Danger of a Single Story", that there is no single truth about the past. Scholar Silvana Carotenuto argues that by drawing on themes which have had global impacts on shared history, Adichie is compelling her readers to recognise their own responsibility for everyone else and the injustice which exists in the world. According to Nigerian literary scholar and researcher Stanley Ordu, building unity and finding wholeness by removing oppression from all humans to effect change is a facet of African

768: 1814:, a professor of history, in an evaluation of scholarship in Nigeria, criticised the policy of elevating academic figures prematurely. He argued that scholarship, particularly in the humanities, should challenge policies and processes to strengthen the social contract between citizens and government. He suggested that the focus should shift from recognising scholars who merely influenced other scholars to the acknowledgement of intellectuals who use their talents to benefit the state and serve as mentors to Nigerian youth. Adichie was among those he felt qualified as "intellectual heroes", who had "push forward the boundaries of social change". 1617: 305: 33: 1194: 1393:. She has questioned whether consensual homosexual conduct between adults rises to the standard of a crime, as crime requires a victim and harm to society. When Nigeria passed an anti-homosexuality bill in 2014, she was among the Nigerian writers who objected to the law, calling it unconstitutional, unjust, and "a strange priority to a country with so many real problems". She stated that adults expressing affection for each other did not cause harm to society, but that the law would "lead to crimes of violence". Adichie was close friends with Kenyan writer 1102:, eventually discover ways to connect with communities in the location. Ifemelu's connections are made through self-exploration, which rather than leading to assimilation of her new culture, lead her to a heightened awareness of being part of the African diaspora, and adoption of a dual perspective which reshapes and transforms her sense of self. Awareness of Blackness as part of identity, initially a foreign concept to Africans upon arriving in the United States, is shown not only in those works, but also in her feminist tract, 854:

love...Fiction gives me a transcendent joy I feel as though I am suspended in my fictional walls. Here in Lagos, Nigeria, my desk was made by this furniture maker who's young. It's white with two pullout drawers on either side. On the table itself, I have my laptop and a couple of books. I also happen to have a bottle of a cream liqueur, called Wild Africa Cream. When I'm writing, I don't want any alcohol in my body at all. But when it's not going well, then I'm like, "All right. Maybe we just need to take a swig."

1932: 11998: 1687:(Future Conference) in Santiago, Chile, focused on the importance of listening. She said that to become an effective advocate, a person must understand a wide variety of perspectives. She stressed that people become better problem solvers if they learn to listen to people with whom they may not agree, because other points of view help everyone recognise their common humanity. She was the keynote speaker of the 2021 Reykjavik International Literature Festival held in the Háskólbíó cinema at the 1218:

amount of prestige and respectability they will be given by society. She began to recognise that people were judged for the way that they dressed. Particularly women writers wrote disparagingly about or trivialised attention to fashion, depicting woman who enjoyed fashion and makeup as silly, shallow, or vain and without any depth. Acknowledging the relationship between beauty, fashion, and style, and socio-political inequalities, Adichie became committed to promoting

920:, the meaning of Ọlanna's name is given as "God's Gold", but Nwankwọ points out that "ọla" means precious and "nna" means father (which can be understood as either God the father or a parent). By shunning popular Igbo names, Adichie intentionally imbues her characters with multi-ethnic, gender plural, and global personas. She typically does not use English names for African characters, and when she does, it is a device to represent negative traits or behaviors. 615:, where she lived with her sister Ijeoma, who was a medical doctor there. In 2000, Adichie published her short story "My Mother, the Crazy African", which discusses the problems that arise when a person is facing two cultures that are complete opposites from each other. After finishing her undergraduate degree, she continued studying and simultaneously pursuing a writing career. While a senior at Eastern Connecticut, she wrote articles for the university paper 1141:, Adichie examined these themes using the family as a miniature representation of violence for the setting. Female sexuality, both within patriarchal marriage relationships and outside of marriage are frequent themes, which Adichie typically uses to explore romantic complexities and boundaries. For homosexuality in her work, she discusses it as marital affairs in stories like "Transition to Glory", taboo topics like romantic feelings for clergy in 11986: 11962: 1149:, and social expectation. For example, in the short story "Zikora", she deals with the interlocking biological, cultural, and political aspects of becoming a mother and expectations placed upon women. The story examines the failure of contraception and an unexpected pregnancy, abandonment by her partner, single motherhood, social pressure, and Zikora's identity crisis, and the various emotions she experiences about becoming a mother. 12043: 11974: 1602:, a conservative magazine. Tempted to walk out of the interview, Adichie decided to continue because she wanted to discuss her views on how economic disenfranchisement had led to Trump's victory. The debate turned adversarial when Tyrrell said "I do not respond emotionally like this lady", and then declared that "Trump hasn't been a racist". Adichie countered his statements and gave an example citing Trump's statement that Judge 12060: 12026: 1030:, and African patriotism, in general. Her writing is an intentional dialogue with the West, intent on reclaiming African dignity and humanity. A recurring theme in Adichie's works is the Biafran War. The civil war was a "defining moment" in the post-colonial history of Nigeria and examining the conflict dramatises the way that the identity of the country was shaped. Her major work on the war, 1262:. Scholar Matthew Lecznar stated that Adichie often challenges feminist stereotypes through references to fashion. He called her allowing Dior to feature her text a skillful way to use various media forms to not only deliver political messaging, but also to develop her image as a multi-faceted intellectual, literary, and fashionable "transmedia phenomenon". She became the face of 1286:

Just as important was the idea of persuading Nigerians to buy local products, as opposed to purchasing garments abroad, as had been done in the past. The posts on her page do not focus on her private life, but instead highlight her professional appearances all over the world, in an effort to show that style has the power to push boundaries and have global impact. She won a

1860:, along with fourteen other historically influential women. The fifteen women were selected by members of the neighborhood to give a visible representation of the role of women in history and to serve as a symbol of equality. The neighborhood residents defeated a move by conservative politicians to remove the mural in 2021 through a petition drive of collected signatures. 11950: 676:

broader range of readers. Eventually, Djana Pearson Morris, a literary agent working at Pearson Morris and Belt Literary Management, accepted the manuscript. Morris recognised that marketing would be challenging, since Adichie was Black but neither African-American nor Caribbean. Morris submitted it to potential publishers until it was eventually accepted by

1788:, Adichie became the "poster girl for modern feminism after her 2012 TED Talk 'We Should All Be Feminists' went stratospheric and was distributed in book form to every 16-year-old in Sweden". Adichie has become "a global feminist icon" and a recognised "public thinker" per journalist Lauren Alix Brown. Parts of Adichie's TEDx Talk were sampled in the song " 1160:. Her examination of war shines a light on how both sides of any conflict commit atrocities and neither side is blameless for the unfolding violence. Her narrative demonstrates that knowledge and understanding of diverse classes and ethnic groups is necessary to create harmonious multi-ethnic communities. Other forms of violence, like sexual abuse, rape, 1258:, featured in her debut collection a T-shirt with the title of Adichie's TED talk, "We Should All Be Feminists". Adichie was surprised to learn that Dior had never had a woman rule its creative division and agreed to a collaboration with Chiuri, who invited her as an honoured guest to sit in the front-row of the company's spring runway show during the 1518:

Should All Be Feminists", Adichie stressed the importance of reclaiming the word "feminist" to combat the negative connotations previously associated with it. She said that feminism should be about exploring the intersections of oppression, such as how class, race, gender, and sexuality influences equal opportunities and human rights, causing global

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lived experience. After the apology, Adichie attempted to clarify her statement, by stressing that girls are socialised in ways that damage their self-worth, which has a lasting impact throughout their lives, whereas boys benefit from the advantages of male privilege, before transitioning. Some accepted her apology, and others rejected it as a

949:, and female characters were often overlooked or became background material for male characters who were engaged in the socio-political and economic life of the community. Her style often focuses on strong women and adds gender perspectives to topics previously explored by other authors, such as colonialism, religion, and power relationships. 1319:. They discussed that for democracy to survive, people needed to preserve their traditions and history, be informed about intolerance, and learn to accept diversity. Adichie said that she often uses fashion to educate people about diversity and Merkel agreed that it could serve as a cultural bridge to bring people together globally. 10002: 800:, and her personal writing experiences. Clips from her talks "The Danger of a Single Story" and "We Should All Be Feminists" were also aired at some of the events and discussed in the question and answer segment following her varied presentations. In 2015, Adichie wrote a letter to a friend and posted it on 1656:

in Germany, about breaking the cycles which silence women's voices. She stated that studies had shown that women read literature created by men and women, but men primarily read works by other men. She urged men to begin to read women writers' works to gain an understanding and be able to acknowledge

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in Britain. She apologised, and acknowledged that trans women need support and that they have experienced severe oppression, but she also stated that transgender women and other women's experiences are different, and one could acknowledge those differences without invalidating or diminishing either's

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Although Adichie was raised as a Catholic, she considers her views, especially those on feminism, to sometimes conflict with her religion. As sectarian tensions in Nigeria arose between Christians and Muslims in 2012, she urged leaders to preach messages of peace and togetherness. Adichie stated that

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called Adichie a "star", stating that she spoke with fluency and power, exuding authority and confidence. She called "The Danger of a Single Story" an "accessible essay on how we might see the world through another's eyes". Media and communications professor Erika M. Behrmann, who reviewed Adichie's

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is the stylistic variation – her choice of linguistic and literary features, and the pattern of application of the features in such a wondrous juxtaposition of characters' reasoning and thought." Adichie's work has garnered significant critical acclaim and numerous awards. Book critics such as

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in 2019, Adichie addressed violence in the country and urged leaders to focus on educating citizens from childhood to reject violence and sexual exploitation and end violent behaviors. Her speech was given in the Nelson Mandela barrio, one of the poorest neighborhoods of the city, and she encouraged

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because of his Mexican heritage. After the debate, she wrote on her Facebook that she felt ambushed by the BBC and that they had "sneakily against a Trump supporter" to create adversarial entertainment. In response, the BBC issued an apology for not informing her of the nature of the interview, but

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account that was managed by her nieces Chisom and Amaka, and gained around 600,000 followers. Adichie's goal was to help protect Nigeria's cultural heritage by showcasing the quality of craftsmanship and use of innovative hand-made techniques, materials and textiles being used by Nigerian designers.

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that "women who wanted to be taken seriously were supposed to substantiate their seriousness with a studied indifference to appearance." The western concept contrasted with her upbringing in Nigeria, because in West Africa the attention that a person pays to their fashion and style correlates to the

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consistently examine themes of belonging, adaptation, and discrimination. It is often shown as an obsession to assimilate and is demonstrated by characters changing their names, a common theme to most of Adiche's short fiction, which is used to point out hypocrisy. By using the theme of immigration,

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highlights how policies, corruption, religious dogmatism, and strife played into the expulsion of the Igbo population and then forced their reintegration into the nation. Both actions had consequences, and Adichie presents the war as an unhealed wound, because of the reluctance for political leaders

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as her inspiration, her style juxtaposes Western and African influences, particularly, the Igbo culture. Most of her works, including writings and speeches, often explore the themes of religion, immigration, gender, and feminism. Adichie also use fashion as a medium to break down stereotypes and was

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broke out in 1967 and James started working for the Biafran government at the Biafran Manpower Directorate. Adichie lost her maternal and paternal grandfathers. After Biafra ceased to exist in 1970, her father returned to the University of Nigeria while the mother worked for the government at Enugu

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post as, "I said, in an interview, that trans women are trans women, that they are people who, having been born male, benefited from the privileges that the world affords men, and that we should not say that the experience of women born female is the same as the experience of trans women…. I think

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Adichie co-curated the 2015 Pen World Voices Festival in New York City, along with Laszlo Jakab Orsos.i The festival theme was contemporary literature of Africa and its diaspora. She closed the conference with her Arthur Miller Freedom to Write lecture, which focused on censorship and using one's

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Adichie accepted an invitation to speak in London in 2012, at TEDxEuston, because a series of talks focusing on African affairs was being organised by her brother Chuks, who worked in the technology and information development department there, and she wanted to help him. In her presentation, "We

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entitled "The Danger of a Single Story." In the talk Adichie expressed her concern that accepting one version of a story perpetrates myths and stereotypes because it fails to recognise the complexities of human life and situations. She argued that under-representation of the layers that make up a

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Adichie evaluates major social issues by deconstructing them to explore various interpretations. As an example, she often separates characters into social classes or traditional hierarchies to illustrate social ambiguities, attitudes, contradictions, power structures, restrictions, and roles. Her

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in school and had no understanding of the racism associated with being Black in the United States or class structures in the United Kingdom. It explores the central message of a "shared Black consciousness", as both of the characters, one in Britain and the other in America, experiences a loss of

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In developing characters, Adichie often exaggerates attitudes to contrast differences between traditional culture and westernisation. Her stories often point out failed cultures, particularly those which leave her characters in a limbo between bad options. At times, she creates a character as an

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within the dynamics and generations of a family, touching on themes of class, gender, race, and violence. She sent her manuscript to publishing houses and literary agents, who either rejected it or requested that she change the setting from Africa to America, so as to make it more familiar to a

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in Washington, D.C. The lecture was presented to a sold-out crowd and focused on her development as a writer. That year, she also spoke at the Foreign Affairs Symposium held at Johns Hopkins University. Her talk focused on the fragility of optimism in the face of the current political climate.

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development of writing novels, African novelists used these traditions to contest western distortions of African cultures. Following in these traditions, Adichie's works typically have ambiguous endings, indicating that cross-cultural experiences are in a continuous state of change. As Belgian

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campus in 2014. The Renowned African Writers/African and African Diaspora Artists Visit Series required her to engage with students and teachers from high schools and universities, patrons of the local public library, and the community at large in forums, workshops, and lectures that discussed

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Scholar Matthew Lecznar said that Adichie's stature as "one of most prominent writers and feminists of the age" allowed her to use her celebrity "to demonstrate the power of dress and empower people from diverse contexts to embrace ...which has everything to do with the politics of identity".

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for a more complex character. According to writer Izuu Nwankwọ, Adichie's choice of character names is a conscious selection used to identify various ethnicities. Most of her characters are given easily recognisable common names related to the intended ethnicity, such as Mohammed for a Muslim

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As a Nigerian, who was educated bilingually, Adichie consciously uses both Igbo and English in her works. Rather than writing in English, she mixes language and speech patterns so that her works speak to a global audience. Igbo phrases are typically shown in italics and followed by an English

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in London addressing the theme "Connecting Cultures". Adichie said, "Realistic fiction is not merely the recording of the real, as it were, it is more than that, it seeks to infuse the real with meaning. As events unfold, we do not always know what they mean. But in telling the story of what

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the character Auntie Ifeoma embodies a womanist world-view through coaching and encouraging all family members to work as a team and with consensus, so that each person's talents are utilised to their highest potential. By focusing on the group as a collective unit, Adichie promotes not only

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to enable interaction between the storyteller and the community. Stories became communal productions which allowed the past and future the flexibility to encompass more than one truth, by incorporating both informative and creative elements. When the shift was made from oral retelling to the

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stated that Adichie's fame led to her comments on trans women being elevated and the voices of other African women, both trans and cis, being silenced. According to Camminga, Adichie disregarded her own advice in "The Danger of a Single Story" by telling a "single story of trans existence".

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and reminded students that they should not allow their ideologies to exclude other ideas and should "minister to the world in a way that can change it. Minister radically in a real, active, practical, 'get your hands dirty' way". She has spoken at many commencement ceremonies, including at

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I'm not even joking when I say that chocolate is a fundamental part of process of creativity... That perfect in between—not too milky, not too dark. With a bit of hazelnuts. Writing is the love of my life. It's the thing that makes me happiest when it is going well—apart from the people I

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Adichie has been the keynote speaker at numerous global conferences. In 2018, she spoke at the 7th Annual International Igbo Conference, and encouraged the audience to preserve their culture and fight misconceptions and inaccuracies about Igbo heritage. She revealed in her presentation

1876:, while Izuu Nwankwọ called her invented Igbo naming scheme as an "artform", which she has perfected in her works. He lauded her ability to insert Igbo language and meaning into an English-language text without disrupting the flow or distorting the storyline. In the judgement of 944:

Daria Tunca describes, refusal to provide closure "skillfully avoids reproducing" the questionable behaviors which Adichie has highlighted. Adichie breaks with tradition as well, in that in earlier African literature, women writers were often absent from the Nigerian

1373:" ("Dreaming as a Single Humanity"), Adichie recalled being berated at her mother's funeral for having criticised the church's focus on money, but she also acknowledged that Catholic rituals gave her solace during her mourning. She stated that Pope Francis' call in 572:. Adichie began to study her father's stories about Biafra when she was thirteen. In visits to Abba, she saw houses that were destroyed and rusty bullets scattered on the ground. She would later incorporate these memories and her father's accounts into her novels. 1440:. In response, Adichie penned "It Is Obscene: A True Reflection in Three Parts" and posted it on her website in June 2021, criticising the use of social media to air out grievances. The following month, students who were members of the LGBT community at the 993:

expressions. These observations are incorporated into her writing and lectures, to represent the diverse "showiness of the Nigerian national character", and spirit, resilience, and initiative of its people. Adichie has increasingly developed a contemporary

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said that Adichie's thoughts on grief "puts a welcome, authentic voice to this most universal of emotions, which is also one of the most universally avoided." She has been widely recognised as "the literary daughter of Chinua Achebe." Jane Shilling of the

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reached sales of 500,000 copies in the US within two years of its 2013 release. As of 2022, "The Danger of a Single Story" had received more than 27 million views. As of 1 September 2023, the talk is one of the top 25 most viewed TED Talks of all time.

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stated that Adichie is "regarded as one of the most vital and original novelists of her generation". Her works have been translated into more than 30 languages. Obi-Young Otosirieze pointed out in his cover story about Adichie for the Nigerian magazine

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she is able to develop dialogue on how her characters' perceptions and identity are changed by living abroad and encountering different cultural norms. Initially alienated by the customs and traditions of a new place, the characters, such as Ifemelu in

7672: 745:, published by Knopf in 2009. The stories focuses on the experiences of Nigerian women, living at home or abroad, examining the tragedies, loneliness, and feelings of displacement, which result from their marriages, relocations, or violent events. 9611: 998:

view of gender issues, becoming less interested in the way the West sees Africa and more interested in how Africa sees itself. She commonly breaks the unwritten rule to memorise her material for her speeches, and according to South African writer

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when she said, "So somebody who looks like my brother – he says, 'I'm a woman', and walks into the women's bathroom, and a woman goes, 'You're not supposed to be here', and she's transphobic?" The interview, according to the LGBT magazine

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and English. Although Igbo was not a popular subject, she continued taking courses in the language throughout high school. She completed her secondary education at the University of Nigeria Campus Secondary School, with top distinction in the

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character. For Igbo characters, she invents names to convey to the reader the aesthetic and political connotations of Igbo naming traditions, which are assigned to depict character traits, personality, and social connections. For example, in

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Academics Floriana Bernardi and Enrica Picarelli credited her support of the Nigerian fashion industry with helping put Nigeria "at the forefront" of the movement to use fashion as a globally-recognised political mechanism of empowerment.

810:, which was an expansion of her ideas on how to raise a feminist daughter. The book was published in 2017. In 2020, Adichie published "Zikora", a stand-alone short story about sexism and single motherhood, and an essay "Notes on Grief" in 11825: 10946: 2092:

lawyer and human rights activist. The Women's Prize for Fiction, formerly known as the Orange Prize, selected 25 candidates for its Winner of Winners in honour of its 25th anniversary celebrations in 2020. The public chose Adichie for

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Adichie married Ivara Esege, a Nigerian doctor, in 2009, and their daughter was born in 2016. The family primarily lives in the United States because of Esege's medical practice, but they also maintain a home in Nigeria. Adichie has

1130:, such as marriageability tests which reduce a woman's worth to that of a prize, seeing only her value as a man's wife. Her women characters repeatedly resist being defined by stereotypes and embody a quest for women's empowerment. 842:

under the pseudonym Nwa Grace James. Illustrations for the book were made by Joelle Avelino, a Congolese-Angolan illustrator. The book tells the story of the connections of generations through family interactions with a head scarf.

9931: 680:, a small independent company, in 2003. Algonquin created support for the book by providing advance copies to booksellers, reviewers, and media houses. They also sponsored Adichie on a promotional tour and sent the manuscript to 306: 831:

in a children's edition illustrated by Leire Salaberria. Translations of it were authorised for publication in Croatian, French, Korean, Portuguese, and Spanish. She spent a year and a half writing her first children's book,

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happened, meaning emerges and we are able to make connections with emotive significance." She stated that literature could build bridges between cultures because it united the imaginations of all who read the same books.

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person's identity or culture deprives them of their humanity. Adichie has continued to reuse the message drawn from the talk in her subsequent speeches, including her address at the Hilton Humanitarian Symposium of the

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shows that Adichie "remains insensitive to the nuances or sensitivities of the ongoing fight for trans rights" and thus, criticised her for perpetuating "harmful rhetoric about trans people". Cheryl Stobie of the

10527: 6574: 1543:'s Class Day, giving a lecture in 2019 which encouraged students to be open to new experiences and ideas and "find a way to marry idealism and pragmatism because there are complicated shades of grey everywhere". 8269: 1090:, although the indigenous people had fished the river for generations. But, Odenigbo cautions Ugwu that even though the story of Park's discovery is false, he must use the wrong answer or he will fail his exam. 11106: 6877: 11215: 8445: 1145:, and seduction of a friend's boyfriend in "Light Skin". Miscarriage, motherhood, and the struggles of womanhood are recurring themes in Adichie's works, and are often examined in relation to Christianity, 736:. The novel expands on the Biafran conflict weaving together a love story that includes people from various regions and social classes of Nigeria, and how the war and encounters with refugees changes them. 7662: 9601: 1328:

her relationship to Catholicism is complicated because she identifies culturally as Catholic, but feels that the focus of the church on money and guilt are not in-line with her values. In a 2017 event at

1567:, is a form of censorship which hides the truth that Boko Haram opposes western-style education for anyone. Although she did not speak of her father's recent kidnapping and release, writer Nicole Lee of 7479: 8584: 1867:

said, "Adichie's novel treats clear and lofty subjects and themes. But the subjects and themes, however, are not new to African novels. The remarkable difference of excellence in Chimamanda Adichie's

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interview about that, Adichie responded that "anything that gets young people talking about feminism is a very good thing." She later refined the statement in an interview with the Dutch newspaper

8391: 7328: 8337: 1230:, taking particular pride in her African features such as her skin colour, hair texture, and curves, and wearing bold designs featuring bright colours to make a statement about self-empowerment. 11332: 8418: 11858: 11810: 10936: 11659: 1671:" ("Igbo Is Igbo") that she only speaks to her daughter in Igbo, which was the only language her daughter spoke at the age of two. Speaking at the inaugural Gabriel García Márquez Lecture in 1038:

The University of Nigeria, Nsukka, reappears in Adichie's novels to illustrate the transformative nature of education in developing political consciousness, and symbolises the stimulation of

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in September that she was "deeply hurt" by the backlash and began a period of self-reflection on her biases, informed by reading anything she could find to help her understand trans issues.

11447: 8832: 6664: 7786: 7646: 9923: 9850: 7971: 7620: 7433: 10003:"Review: Ernest E. Emenyonu (editor), A Companion to Chimamanda Ngozi Adichie. Woodbridge: James Currey (hb £30 – 978 1 84701 162 6; pb £17.99 – 978 1 84701 241 8). 2017, xii + 300 pp" 8252: 8165: 7594: 10698: 1471:, South Africa, said that Adichie supported an "exclusionary conceptualisation of gender". B. Camminga, a postdoctoral fellow at the African Centre for Migration & Society at the 9103: 7857: 10878: 10784: 6466: 2654: 9242: 7107:

Bragg, Beauty (Winter 2017). "Racial Identification, Diaspora Subjectivity, and Black Consciousness in Chimamanda Ngozi Adichie's Americanah and Helen Oyeyemi's Boy, Snow, Bird".

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profile began with "wife" instead of her own accomplishments became the focus of media attention, prompting Clinton to change her Twitter bio. Later that year, she spoke at the

465:, she made up the Igbo name "Chimamanda" in the 1990s to keep her legal English name and conform with Igbo Christian naming customs. Adichie's father, James was born in Abba in 10815: 9215: 6747: 10262: 9046: 8659: 6601: 6564: 10626: 10463: 9510: 1914:

Adichie has gained wide praise for her speeches and lectures. Journalist Shreya Ila Anasuya described Adichie's public speaking as delightful and articulate, noting that her

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On 8 May 2017, Adichie announced her "Wear Nigerian" campaign on her Facebook page. The government of Nigeria had launched a "Buy Nigerian to Grow the Naira", after the

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While completing her Hodder and MacArthur fellowships, Adichie published short stories in various magazines. Twelve of these stories were collected into her third book,

11767: 10500: 10975: 7017: 6763: 1661:'s Langford Auditorium. The speech focused on her development as a storyteller, and her motives for addressing systemic inequalities to create a more inclusive world. 1133:

Adichie's works often deal with inter-generational explorations of family units which allow her to examine differing experiences of oppression and liberation. In both

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to Wainaina in 2019 perfectly captured the spirit of the "bold LGBTQ activist the African literary world where homosexuality is still treated as a fringe concept."

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allowed sufficient pausing for the audience response, before she continued by distilling "her wisdom into the simplest and most compassionate of telling". Critic

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for recognition of everyone as part of the human family and for their responsibility to care for each other allowed her to re-imagine what the church might be.

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Adichie's works show a deep interest in humanity and the complexities of the human condition. She repeats themes like forgiveness and betrayal in works such as

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Tunca, Daria (Winter 2018). "Chimamanda Ngozi Adichie as Chinua Achebe's (Unruly) Literary Daughter: The Past, Present, and Future of 'Adichebean' Criticism".

7157: 11002: 7469: 6520: 6303: 584:(WAEC), and academic prizes. She was admitted to the University of Nigeria, and studied medicine and pharmacy for a year and half. She was also the editor of 8574: 11387: 10218: 7714: 7268: 12776: 12706: 12569: 1657:

women's struggles in society. In 2019, as part of the Chancellor's Lecture Series, she gave the speech "Writer, Thinker, Feminist: Vignettes from Life" at

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In both her written works and public speaking, Adichie incorporates keen observation and humour. To make complex ideas easier to understand, she uses

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s paperback release in 2006 reached 500,000 copies sold, the benchmark of commercial success for a book, by October 2009 in the UK alone. Her novel

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voice to speak out against injustices. In addressing her audience, she pointed out cultural differences between Nigeria and America, such as the

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focused on uplifting humanity. She clarified that "I think of myself as agnostic and questioning". That year, her reflections on Pope Francis's

12696: 12333: 12226: 12191: 12181: 9840: 9127: 7961: 7610: 6547: 1397:, whom she credited with demystifying and humanising homosexuality when he publicly came out in 2014. Writer Bernard Dayo said that Adichie's 1180:. Each of these themes are used to symbolise the universality of power or the misuse of power and its impact on and manifestation in society. 12602: 12493: 12382: 9388: 9066: 8557: 8272:[Feminism Kicks Off the Future Congress with a Talk by Chimamanda Ngozi Adichie: 'We have to be open to knowing the other stories']. 8242: 8155: 7584: 7301: 2515: 10686: 10669: 1484: 12851: 12766: 12726: 12701: 12686: 12221: 9478: 9093: 6404: 1243: 428:, "The Danger of a Single Story" is one of the most viewed TED Talks and her 2012 talk, "We Should All Be Feminists" was sampled by singer 10774: 9019: 6452: 2644: 12926: 12761: 9772: 9499: 9232: 1066:, by recognising that colonial literature tells only part of the story and minimises African contributions. Adichie illustrates this in 373:, which killed both of her grandfathers, and was the setting for her first novel and the subject of her second. She was educated at the 9346: 9330: 957:. Ordu classifies Adichie's feminism as womanist because her analysis of patriarchal systems goes beyond sexist treatment of women and 8601: 7177: 6710: 6680: 6320: 528:

included stories with characters who were white and blue-eyed, modeled on British children she had read about. At ten, she discovered

12746: 12736: 12731: 10801: 9205: 6737: 1711:" speech. Her talk explored how to balance the right to freedom of speech against those who undermine facts with partisan messaging. 10252: 9036: 8270:"El feminismo da el vamos a Congreso Futuro con charla de Chimamanda Ngozi Adichie: "Hay que abrirse a conocer las otras historias"" 6948: 6591: 2697: 12831: 12801: 12721: 12716: 12691: 10473: 1026:, generally examine cultural identity. Igbo identity is typically at the forefront of her works, which celebrate Igbo language and 961:, looking instead at socio-economic, political, and racial struggles women face to survive and cooperate with men. For example, in 509:. Her siblings include Ijeoma Rosemary, Uchenna "Uche", Chukwunweike "Chuks", Okechukwu "Okey", and Kenechukwu "Kene". Adichie was 11463: 6385: 2663: 1263: 1126:, exercising freedom of expression in how they wear their hair (including rejecting patronising curiosity about it), and avoiding 11626: 11359: 10627:"Adichie: 'Protect and Value the Truth': Class Day Speaker Urges Graduating Seniors to Embrace That Principle in Their Own Lives" 9808: 9714: 8489: 6483: 1336:

leaders caused divisions in Nigerian society during her childhood and she left the church around the time of the inauguration of

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In contrast to western separation of history into objective and scientific facts and literature into creative imaginings of art,

11151:"Space as the Representation of Cultural Conflict and Gender Relations in Chimamanda Ngozi Adichie's The Thing Around Your Neck" 9155: 8519: 12090: 12032: 11019: 10434: 10369: 10062: 9743: 8354: 7240: 6792: 1062:

by students. The university teaches the colonial accounts of history and develops the means to contest its distortions through

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with a major in political science and a minor in communications in 2001. She earned a master's degree in creative writing from

11489: 10490: 10282: 10184: 8632: 1884:, Adichie was "the leading and most engaging voice of her era" and he has described her as "Africa's preeminent storyteller". 1676:

Black women to work with men to change the violent culture and celebrate their African roots. Her keynote address at the 2020

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in 2018 for her "Wear Nigerian" campaign, and in 2019 was selected as one of 15 women to appear on the cover of the issue of

441: 10964: 6775: 1274:, Adichie argued that minimising femininity and its expression through fashion and makeup is "part of a culture of sexism". 12681: 9985: 7934: 6819: 2137: 1993: 1873: 608: 382: 78: 11726: 11403: 10395: 7528: 2026: 1344:

drew her back to the Catholic faith and a decision to raise her child as Catholic. By 2021, Adichie stated that she was a

604:, which was her initial exploration of the theme of war. These early works were written under the name Amanda N. Adichie. 12014: 11123: 8849: 8296: 6953: 1414: 7688: 989:, and professionals on the streets of Lagos, taking note of the cultural diversity in the city, which includes Igbo and 2629: 2008: 1636: 10714: 10378: 10121: 8691: 7814: 6435: 513:, and family's home parish was St. Paul's Parish in Abba. Adichie's father died of kidney failure in 2020, during the 12916: 12911: 12906: 12896: 12871: 12821: 12771: 12651: 12647: 12083: 10905: 9177: 8097:"The Women of Things Fall Apart, Speaking from a Different Perspective: Chimamanda Adichie's Headstrong Storytellers" 7873:

Daniels, Juliana (2022). "Alternative Feminism: Interrogating Marriage and Motherhood in Chimamanda Ngozie Adichie's

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Adichie's name has been pronounced a variety of ways in English. This transcription attempts to best approximate the

2748: 2435: 2367: 1564: 1123: 1003:, Adiche is "rebellious...she read her talk because she not the sort who would be pushed to adhere to silly rules". 684:, who accepted the book for publication in the United Kingdom in 2004. Adichie hired the agent Sarah Chalfant of the 581: 8066:"1. Narrating the Past: Orality, History & the Production of Knowledge in the Works of Chimamanda Ngozi Adichie" 7147: 935:. The genre utilises the custom of African societies to produce knowledge by revising and owning oral narratives in 10992: 9948: 9606: 9417: 7474: 7059: 6510: 6293: 784: 701:, which she worked on for four years, researching extensively and studying her father's memories of the period and 2553: 1648:

in Manhattan. Although the speech was centered on feminism and censorship, Adichie's questioning of why Clinton's

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translation. She uses metaphors, language, and food to trigger sensory experiences in the reader. For example, in

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in education, pay, and power. In 2015, Adichie returned to the theme of feminism at the commencement address for

1472: 759:, published in 2013. It was the story of a young Nigerian woman and her male schoolmate, who had not studied the 8156:"'British Women did not own properties, but Igbo Women could trade and own properties'—Chimamanda Ngozi Adichie" 6620:(2021). "Transformations in Global Blackness: African and African American Relations, c. 1960 to Recent Times". 1947:

Short Story Competition for "That Harmattan Morning", while her short story "The American Embassy" won the 2003

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in Oakland, California, and later earned a degree in sociology and anthropology from the University of Nigeria.

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such as stereotypical perceptions of Black women's physical appearance, their hair, and their objectification.

12305: 9602:"Chimamanda Ngozi Adichie Pays Touching Tribute to Binyavanga Wainaina: 'A great and rare and genuine talent'" 9528:"On Translating Postcolonial African Writing: French Translation of Chimamanda Adichie's Half of a Yellow Sun" 6894: 6350: 1304: 501:

until 1973 before becoming an administration officer at the University of Nigeria, and later the first female

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Hewett, Heather (May 2005). "Coming of Age: Chimamanda Ngozi Adichie and the Voice of the Third Generation".

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Daria Tunca wrote that Adichie's work is considerably relevant and stated that she was a major voice in the

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The pseudonym "Nwa Grace James was a dedication by Adichie to her parents, as Nwa means "child of" in Igbo.

2580: 2037: 1968: 1817: 11514: 8756: 8184:[The Madrid Neighborhood of la Concepción Unites to Demand That a Feminist Mural Not Be Touched]. 2699:

The Inaugural Gabriel García Márquez Lecture: Para reivindicar a la mujer negra / To Vindicate Black Women

1822: 12936: 12876: 12866: 12856: 12826: 11784: 10738: 8181: 7558: 6425: 2420: 1988: 1964: 1841: 1502: 1464: 1433: 12049: 10148: 9233:"Zikora: A Short Story by Chimamanda Ngozi Adichie, Review: A Taut Tale of Sexism and Single Motherhood" 8919: 7291: 12841: 12617: 12594: 11940: 11849:"'I believe literature is in peril': Chimamanda Ngozi Adichie Comes Out Fighting for Freedom of Speech" 11097:"Chimamanda Ngozi Adichie Co-Curates PEN World Voices Festival in NYC with Focus on African Literature" 11024: 10422: 10019: 9867: 9731: 9372: 7203: 2304: 2267: 1976: 760: 741: 470: 336: 150: 11529: 11047:"Some Reflections on Selected Themes in Chimamanda Ngozi Adichie's Fiction and Her Feminist Manifesto" 9474: 2080:

s list of the "100 Most Influential Africans" in 2019. In 2018, she was selected as the winner of the

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to stimulate the memories of his works to her readers. Similarly, the name of Kambili, a character in

726:, who also released the book later under its Vintage Canada label. It was also published in France as 667:

and set it in her childhood home of Nsukka. The book explores post-colonial Nigeria during a military

12786: 12448: 11266: 10937:"Frankfurt Book Fair Discussions Focus on Female Authors, Diversity and Responsibility of Publishers" 9732:"Themes and Techniques in African Novel: A Review of Ngozi Chimamanda Adichie's Half of a Yellow Sun" 9259: 8783: 2157: 1980: 1864: 1588:. When she arrived at the studio, she was informed that the format would be a debate between her and 1571:

said that the crowd was aware of her personal ordeal, which made her speech "all the more poignant".

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in 2016. Adichie has received numerous academic awards, fellowships, and other honours, among them a

9119: 7373:"Disregard and Danger: Chimamanda Ngozi Adichie and the Voices of Trans (And Cis) African Feminists" 6233:"Remediating Biafra: Adichie's Half of a Yellow Sun as a Symbolic Vehicle of Postwar Reconciliation" 1444:, South Africa, boycotted her public lecture on their campus. Adichie admitted in an interview with 505:. Adichie stayed at the campus of the University of Nigeria, previously occupied by Nigerian writer 12886: 12206: 11874:

Zabus, Chantal (Fall 2015). "Reviewed Work: Stylistic Approaches to Nigerian Fiction Daria Tunca".

10941: 10665: 10315: 9803: 8946: 7810: 7434:"12. 'A Kind of Paradise' Chimamanda Ngozi Adichie's Claim to Agency, Responsibility & Writing" 6537: 6246: 2362: 2109: 1898:

as "an elegant, moving contribution to the literature of death and dying." Leslie Gray Streeter of

1721: 1349: 834: 626: 612: 478: 386: 354: 84: 9377: 9076: 8545: 6949:"Book and Media Reviews: Adichie, Chimamanda Ngozi. 'We Should All Be Feminists', TEDxEuston Talk" 2390: 2100:

In 2017, Adichie was elected as one of 228 new members to be inducted into the 237th class of the

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was well received with positive reviews from book critics. the book sold well and was awarded the

12811: 12806: 12796: 12791: 11046: 10779: 10657: 10068: 9126:. Reykjavík, Iceland: Reykjavík Institute for Gender, Equality and Difference. 7 September 2021. 8490:"'It is obscene': Chimamanda Ngozi Adichie Pens Blistering Essay against Social Media Sanctimony" 8003: 7377: 6488: 2586: 2230: 2161: 2117: 1506: 1441: 1408:, initially for saying that "my feeling is trans women are trans women" in an interview aired on 1363: 946: 821: 681: 473:

until his graduation in 1957. James married Grace Odigwe on 15 April 1963, and moved with her to

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showed that that market could care about African histories". In an earlier article published in

12836: 11556: 11408: 11323:"Chimamanda Ngozi Adichie's Notes on Grief Captures the Bewildering Messiness of Loss – Review" 11237: 10468: 10324: 9009: 8606: 8305: 8247: 7890: 7809:. Vol. 13, no. 1. Baltimore, Maryland: Zanvyl Krieger School of Arts & Sciences, 7742:"Award-Winning Author Chimamanda Ngozi Adichie Has Had a Baby, Not That It's Anyone's Business" 7719: 7615: 7500: 6742: 6617: 6596: 6542: 6515: 2041: 1888:, a professor of history hailed her along other writers, as "intellectual heroes". Her memoir, 1598: 1589: 1390: 1235: 11675:

Vanzanten, Susan (Summer 2015). "'The Headstrong Historian': Writing with Things Fall Apart".

7898: 7858:"Chimamanda Ngozi Adichie Defends Beyoncé: 'Whoever Says They're Feminist is Bloody Feminist'" 1853: 12483: 11905: 11785:"New Yorkers Just Selected a Book for the Entire City to Read in America's Biggest Book Club" 11552: 11548: 10832: 10694: 10087: 9539: 8611: 8108: 8065: 7918: 7444: 7109: 2125: 1704: 1688: 1658: 1386: 1329: 1087: 1063: 502: 482: 374: 313: 11706: 11609: 11375: 10963: 9807: 9629:"The Danger of a Singular Fashion: Studies of Race, Fashion, and Beauty in American Studies" 9527: 9498: 9376: 9176: 8690: 8215: 8182:"El madrileño barrio de la Concepción se une para exigir que no se toque un mural feminista" 7991: 7239: 7207: 7010:

22. Chimamanda Ngozi Adichie as Fashion Icon: Addressing Nationalism and Feminism with Style

2497: 2481: 2480: 733: 12671: 12156: 11821: 10883: 10278: 10248: 10219:"Chimamanda Ngozi Adichie's Purple Hibiscus Turns 15: The Best Moments of a Modern Classic" 10214: 10180: 7962:"Read Chimamanda Adichie's Elegantly Moving Tribute to Binyavanga Wainaina and Cry with Us" 7746: 7269:"Chimamanda Ngozi Adichie: 'Sometimes it feels like the universe is conspiring against me'" 7009: 6797: 6637: 2465: 2250: 2235: 1555:. She stated that molding a story to fit an existing narrative, such as characterising the 1489: 1445: 1432:

backlash from critics of her opinion, which included a former graduate of one of Adichie's

697: 642: 630: 474: 437: 324: 138: 12315: 12254: 1616: 767: 592:, a collection of poems, and later moved to the United States, to study communications at 8: 12816: 12478: 11763: 11563:. Vol. 1: Abach-Brand. New York, New York: Oxford University Press. pp. 94–95. 11438:"The Chimamanda Ngozi Adichie's Parents' Memoirs (2) Knowing Each Other before You Marry" 11210: 10915: 10604: 10058: 9494: 9383: 9310: 9183: 7834: 7715:"Chimamanda to Receive 16th Honorary PhD from the Catholic University of Louvain Belgium" 7533: 7350: 6999: 3456: 2703: 2684: 2455: 2405: 2121: 2108:. As of March 2022, Adichie had received 16 honorary degrees from universities including 1741: 1672: 1653: 1536: 1394: 1251: 1012: 588:, a student-run magazine in the university. In 1997, at the age of 19, Adichie published 11250: 10833:"Becoming a Mother: The Transition to Motherhood in Chimamanda Ngozi Adichie's 'Zikora'" 10758: 10733: 10567: 9788: 7513: 1644:

delivered the 2018 PEN World Voices Festival, Arthur Miller Freedom to Write Lecture at

369:, Nigeria, Adichie's childhood was influenced by the aftermath of colonial rule and the 12584: 12498: 12397: 11901: 11758: 11702: 11605: 11442: 11382: 10997: 10970: 10910: 10743: 10636: 10518:"An Encounter with Toyin Falola: Between Celebration and Canonization of Intellectuals" 10374: 9819: 9662: 9633: 9210: 8761: 8735: 8697: 8660:"Hillary Clinton and Chimamanda Ngozi Adichie Talk Censorship, Feminism, and Pizzagate" 7641: 7589: 7246: 7214: 7126: 7013: 6633: 6377: 2045: 2003: 1759:

proved that there was an international market for African realist fiction post-Achebe

1682: 1626: 1532: 1259: 1223: 1055: 1015:, stated that the overriding theme of her works was love. Using the feminist argument " 932: 710: 564: 529: 377:

and moved to the United States at the age of nineteen to undertake higher education at

370: 11349: 9700: 7663:"Chimamanda Ngozi Adichie on Her Writing Quirks and How She Deals with Writer's Block" 5968: 2498: 645:

that same year, plus other academic prizes, including the 2011–2012 Fellowship of the

312:; born 15 September 1977) is a Nigerian author who is regarded as a central figure in 12503: 12412: 12372: 12136: 12002: 11909: 11893: 11710: 11694: 11652:"Anti-Gay Law: Chimamanda Adichie Writes, 'Why can't he just be like everyone else?'" 11613: 11597: 11564: 11533: 11413: 11302: 11294: 11246: 11178: 11170: 11076: 11068: 10858: 10754: 10746: 10579: 10571: 10438: 10344: 10336: 10164: 10107: 10072: 10039: 10031: 9960: 9845: 9784: 9747: 9670: 9654: 9561: 9553: 9437: 9429: 9351: 9293: 9285: 9264: 9014: 8984: 8962: 8891: 8793: 8743: 8727: 8227: 8128: 8120: 8081: 8025: 8017: 7910: 7902: 7842: 7509: 7454: 7406: 7398: 7134: 7118: 7088: 7080: 7068: 7035: 6982: 6974: 6641: 6625: 6266: 6258: 2635: 2612: 2563: 2536: 2371: 2350: 2333: 2308: 2293: 2272: 2255: 2239: 2215: 2196: 2113: 2073: 2012: 1952: 1944: 1603: 1523: 1510: 1451:

In late 2022, she faced further criticism for her views after another interview with

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While studying in the US, Adichie started researching and writing her first novel,

213: 11889: 11290: 11232: 11150: 10185:"As Sales Approach the Million Mark, Is Americanah Now Adichie's Signature Novel?" 9405: 9281: 8243:"Chimamanda Adichie Delivers Lecture at American University Commencement Ceremony" 7495: 6970: 32: 12630: 12574: 12473: 12417: 12295: 12176: 12161: 12106: 11966: 11690: 11593: 11515:"Of French Fries and Cookies: Chimamanda Ngozi Adichie's Diasporic Short Fiction" 11327: 10853: 10802:"Chimamanda Ngozi Adichie Warns Humanitarians About the Danger of a Single Story" 10631: 10095: 9919: 9898: 9872: 9071: 8211: 8069: 7922: 7440: 7423: 7386: 6457: 6254: 6145: 3441: 2289: 2153: 2149: 2145: 2129: 1907: 1900: 1881: 1877: 1641: 1593: 1548: 1540: 1267: 1219: 1209: 1127: 1000: 941: 928: 924: 896: 788: 723: 689: 677: 659: 638: 634: 621: 554: 490: 390: 318: 132: 90: 12534: 12437: 9975: 9628: 8096: 7178:"Chimamanda Ngozi Adichie: 'Can people please stop telling me feminism is hot?'" 6764:"Announcing the National Book Critics Awards Finalists for Publishing Year 2013" 6565:"Akwaeke Emezi: Non-binary Author Shares Heartbreak at Chimamanda Ngozi Adichie" 6232: 6082: 4747: 1931: 1635:

Adichie delivered the 2nd annual Eudora Welty Lecture on 8 November 2017 at the

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in Nigeria in 2004, and subsequently translated into more than forty languages.

12554: 12549: 12508: 12488: 12463: 12422: 12407: 12392: 12196: 12146: 11990: 11468: 10806: 10126: 9505: 9469: 8819:"Chimamanda Adichie Debuts Children's Book Under the Pseudonym Nwa Grace James" 8637: 8515: 7667: 7287: 7235: 5780: 4585: 3136: 3134: 3132: 2722: 2504: 2487: 2470: 2425: 2410: 2395: 2345: 2322: 2050: 1948: 1894: 1700: 1357: 1278: 1247: 1227: 1199: 1165: 1039: 995: 990: 986: 875:, the arrival of a king to challenge colonial and religious leaders symbolises 861: 817: 812: 702: 569: 413: 348: 11913: 11714: 11617: 11306: 11182: 11080: 10583: 10043: 10027: 9674: 9565: 9441: 9297: 8747: 8132: 8116: 8029: 7914: 7410: 7138: 7092: 6986: 6645: 6270: 5880: 5878: 5876: 5874: 5872: 5870: 3513: 3312: 2616: 2450: 12665: 12564: 12559: 12468: 12458: 12453: 12402: 12320: 12300: 12249: 12201: 12186: 11978: 11933: 11897: 11731: 11698: 11601: 11417: 11298: 11174: 11166: 11161:(1). Pullman, Washington: Rocky Mountain Modern Language Association: 18–36. 11072: 10862: 10750: 10658:"Chimamanda Ngozi Adichie Talks Politics, Race, and Writing at Johns Hopkins" 10575: 10442: 10348: 10340: 10223: 10189: 10168: 10035: 9956: 9751: 9696: 9658: 9557: 9433: 9289: 9149: 9062: 8966: 8895: 8823: 8797: 8731: 8664: 8124: 8021: 7930: 7906: 7777: 7402: 7394: 7152: 7122: 7084: 7076: 7031: 6978: 6872: 6629: 6321:"Hillary Clinton Has Changed Her Twitter Bio and It Does Not Start with Wife" 6262: 2769: 2567: 1975:

garnered acclaim including winning the Orange Prize for Fiction in 2007, the

1802: 1765: 1708: 1579: 1437: 1421: 1312: 1308: 1292: 1287: 839: 719: 576: 539: 506: 466: 409: 405: 11124:"Chimamanda Ngozi Adichie: Religious Leaders Must Help End Nigeria Violence" 10332: 6421: 5350: 5348: 3129: 2716: 12589: 12432: 12387: 12356: 12151: 12121: 12075: 11853: 11844: 11722: 11195: 11128: 11063: 10724: 10687:"Award-Winning Author Adichie Explores Faith, Feminism at Georgetown Event" 10228: 10194: 10103: 9705: 9687: 9454: 9325: 8924: 8828: 8524: 8494: 8467: 8440: 8413: 8386: 8359: 8332: 8274: 8223: 8145: 8077: 7939: 7470:"Chimamanda Ngozi Adichie Named a Nouvelle Héroïne of Literature in France" 7450: 7323: 7296: 7182: 7173: 6868:"Why I Stopped Attending Catholic Churches in Nigeria — Chimamanda Adichie" 6659: 6655:"Chimamanda Ngozi Adichie: 'America under Trump felt like a personal loss'" 6592:"Chimamanda Ngozi Adichie Reveals How She Came about the Name 'Chimamanda'" 6399: 6355: 6346: 6283: 5867: 2440: 2105: 2089: 2062: 1919: 1915: 1885: 1845: 1811: 1645: 1575: 1505:

in 2019. On 15 March 2012, Adichie became the youngest person to deliver a

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were published in Italian in the 5 July edition of the Vatican's newspaper

1341: 1027: 936: 672: 664: 597: 462: 418: 10600:"Nigerian Author Adichie Urges Williams Grads to Commit to Social Justice" 9425: 8757:"Why 'Americanah' Author Chimamanda Ngozi Is All About Nigerian Designers" 8409:"Binyavanga Wainaina, Kenyan Author and Gay Rights Activist, Dies Aged 48" 8382:"Chimamanda Ngozi Adichie Accepts PEN Pinter Prize with Call to Speak Out" 7773:"The Controversy over Chimamanda Ngozi Adichie and Trans Women, Explained" 7637:"Chimamanda Ngozi Adichie Delivers BBC Reith Lecture on Freedom of Speech" 6384:. Multi-Ethnic Anthology. San Francisco, California: Spectrum Publishers. 2994: 2992: 2943: 2941: 2853: 2851: 2849: 2847: 2845: 461:, as the fifth out of six children to Igbo parents. Bearing Amanda as her 12625: 12539: 12351: 12285: 12239: 11754:"Chimamanda Adichie Talks Black Hair and the Narrow Definition of Beauty" 11655: 11101: 10719: 10423:"Thematic and Stylistic Analysis of Chimamanda Adichie's Purple Hibiscus" 9894:"Meghan Markle Puts Sinéad Burke on the Cover of Vogue's September Issue" 9650: 9260:"Texts, Talks and Tailoring: Chimamanda Ngozi Adichie's Fashion Politics" 8160: 7830: 7346:"Love in the Time of Cornrows: Chimamanda Ngozi Adichie on Her New Novel" 6431: 6007: 5693: 5516: 5345: 5260: 3339: 1405: 1340:

in 2005. She acknowledged that the birth of her daughter and election of

1214: 1083: 876: 549: 521: 497: 366: 10881:[Chimamanda Came to the Hay Festival to Vindicate Black Women]. 10562:(2). Kolkata, India: Supriyo Chakraborty Penprints Publications: 61–73. 9666: 8739: 7585:"Chimamanda Makes History as First African to Speak at Yale's Class Day" 7529:"Chimamanda Adichie Schools White Man: 'You Don't Get To Define Racism'" 7130: 4725: 4723: 1424:'s article on gender and sex, in an interview in the British newspaper, 12518: 12377: 12346: 12328: 12290: 12234: 12131: 10723:. London, UK: The Caine Prize for African Writing. 2009. Archived from 10491:"'Literature Is Like Faith': Chimamanda Adichie's Commonwealth Lecture" 9378:"In Grieving for Her Father, a Novelist Discovers the Failure of Words" 2989: 2938: 2842: 2284: 1849: 1755:

in September 2021, that "her novels...broke down a wall in publishing.

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claimed they had designed the program to offer a balanced perspective.

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stresses the political importance of using African names, rejection of

755: 330: 144: 12066: 11350:"Feminism Is Fashionable for Nigerian Writer Chimamanda Ngozi Adichie" 10396:"Chimamanda Adichie Comes under Same Fire as Rowling over Transphobia" 9701:"Feminism Is Fashionable for Nigerian Writer Chimamanda Ngozi Adichie" 9321:"Chimamanda Ngozi Adichie: 'Fear of Causing Offence Becomes a Fetish'" 8850:"This Is Why Chimamanda Ngozi Adichie Is Only Wearing Nigerian Brands" 7611:"Chimamanda Ngozi Adichie, a Pride to Africa, a Treasure to the World" 6845:"What the Outspoken Author Chimamanda Ngozi Adichie Told Me at Dinner" 2785:"Chimamanda" means "my spirit is unbreakable" or "My God cannot fail". 2621:

We Should All Be Feminists by Chimamanda Ngozi Adichie Full Transcript

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The controversy emerged again in 2020 when Adichie voiced support for

879:. In the same book, she uses language references from Chinua Achebe's 520:

As a child, Adichie read only English-language stories, especially by

429: 12635: 12264: 11928: 11627:"Buhari to Confer National Honours on Chimamanda Adichie, 436 Others" 11282: 11242: 10906:"Here's Why Chimamanda Ngozi Adichie Is Wearing Only Nigerian Brands" 9780: 9548: 9273: 9172: 8669: 8579: 8463:"Chimamanda Ngozi Adichie to Publish Memoir about Her Father's Death" 8328:"Chimamanda Ngozi Adichie Wins US National Book Critics Circle Award" 8043: 8012: 7987: 7782: 7751: 7538: 7505: 7023: 6962: 6899: 6849: 6715: 6711:"Chimamanda Ngozi Adichie Speaks as Well as She Writes, Maybe Better" 6684: 6298: 5489: 4720: 2782: 1584: 1428:, calling the essay "perfectly reasonable". That interview sparked a 1409: 1282: 908: 525: 486: 481:. After returning to Nigeria, he began working as a professor at the 4698: 4696: 4531: 4529: 4527: 2508:. Vol. 91, no. 8. New York City, New York. pp. 64–69. 2491:. Vol. 89, no. 5. New York City, New York. pp. 66–73. 981:

to underscore a particular point of view. Adichie often watches the

12544: 11490:"Top 10 Nigerians in Africa Report's 100 Most Influential Africans" 10879:"Chimamanda vino al Hay Festival para reivindicar a la mujer negra" 10522: 10283:"Chimamanda Ngozi Adichie's Children's Picture Book Coming in 2023" 9980: 9067:"Chimamanda Ngozi Adichie: The World's 100 Most Influential People" 7693: 7563: 7055:, London: Fourth Estate, 2017. 80 pages, ₹250. ISBN: 9780008241032" 6926: 2804: 2067: 2058: 1693:

In Pursuit of Joy: On Storytelling, Feminism, and Changing My Mind.

1458: 982: 970: 958: 954: 801: 510: 425: 11973: 10464:"Chimamanda Adichie Did Not Accept National Honour, Team Confirms" 8436:"Chimamanda Ngozi Adichie Voted Women's Prize 'Winner of Winners'" 7319:"Chimamanda Ngozi Adichie Slams BBC 'Ambush' with Trump Supporter" 6922:"Author Chimamanda Ngozi Adichie Doubles Down on Anti-trans Views" 1911:

called her "one who makes storytelling seem as easy as birdsong".

11057:(1). Potchefstroom, South Africa: Bureau for Scholarly Journals. 9814: 9579: 9206:"Chimamanda: From Pushing Boundaries to Harvard's Highest Honour" 7837:. In Beyer, Theresa; Burkhalter, Thomas; Liechti, Hannes (eds.). 6681:"'Americanah' Author Explains 'Learning' To Be Black in the U.S." 5654: 4708: 4693: 4573: 4524: 1649: 1429: 1059: 575:

Adichie began her formal education, where she was taught in both

11206:"The Thing Around Your Neck by Chimamanda Ngozi Adichie: Review" 11020:"African Feminist Reflects on 'Fratelli Tutti' in Vatican Paper" 10965:"Chimamanda Ngozi Adichie Talks Beauty, Femininity and Feminism" 9094:"Writer Chimamanda Ngozi Adichie to Accept 16th Honorary Degree" 6351:"The Famous Five Back on TV? A New Generation Is in for a Treat" 607:

Two years after moving to the United States, she transferred to

489:, Anambra State. Grace began her university studies in 1964, at 10495: 10400: 9178:"Chimamanda Adichie's Children's Book Has No Agenda beyond Joy" 8784:"Power to Define Yourself: The Diaspora of Female Black Voices" 7966: 2669: 2531: 1857: 1826: 1398: 1332:, she stated that differences in ideology between Catholic and 1254:, the first female creative director of French fashion company 1137:

and "The Headstrong Historian", one of the stories included in

978: 859:—Chimamanda Ngozi Adichie, in describing her creative process, 804:

in 2016. Comments on the post convinced her to turn to a book,

776: 633:, where she taught introductory fiction. She began studying at 10092:: A Review of Religious/Traditional Superiority & Silence" 9773:"The Fading Use of Indigenous Languages in African Households" 9102:. New York City, New York: Earl G. Graves Publishing Company. 8546:"Four Speakers to Deliver the BBC Radio 4 Reith Lectures 2022" 5929: 5477: 2104:, making her the second Nigerian to be given the honour after 895:" ("Live and Let Live"), the title of a song by Igbo musician 283: 12008: 11412:. New York City, New York. 1 October 2016. pp. 125–151. 7241:"Chimamanda Ngozi Adichie: 'My Madness Will Now Bare Itself'" 7053:

Dear Ijeawele, or a Feminist Manifesto in Fifteen Suggestions

6294:"Chimamanda Adichie Tackles Hillary Clinton over Twitter Bio" 5158: 5156: 2330:

Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions

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for 2010. One story from the book, "Ceiling" was included in

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Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions

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Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions

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their identity when they try to navigate their lives abroad.

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and examines the cultural conflicts between Christianity and

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Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions

286: 237: 219: 194: 63: 10149:"Traditions of Naming in Chimamanda Ngozi Adichie's Fiction" 6820:"In the Footsteps of Achebe: Enter Chimamanda Ngozi Adichie" 4961: 4353: 3967: 3965: 2022:

Chère Ijeawele, ou un manifeste pour une éducation féministe

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In 2016, Adichie was invited to speak about her thoughts on

1104:

Dear Ijeawele or A Feminist Manifesto in Fifteen Suggestions

647:

Radcliffe Institute for Advanced Study at Harvard University

397:, a poetry collection, in 1997, and was followed by a play, 11727:"Chimamanda Ngozi Adichie: 'I Wanted To Claim My Own Name'" 9868:"Chimamanda Ngozi Adichie Continues To Be the Hero We Need" 8890:(1). Milwaukee, Wisconsin: Igbo Studies Association: 7–10. 8602:"Chimamanda Ngozi Adichie Talks Feminism and Story-Telling" 6793:"Exploring the Literary Genius of Chimamanda Ngozi Adichie" 5299: 5297: 5214: 5212: 5210: 5197: 5195: 4978: 4976: 4848: 4846: 4806: 4804: 4762: 3545: 3543: 3528: 2979: 2665:

Arthur Miller Freedom to Write Lecture with Hillary Clinton

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and the David T. Wong International Short Story Prize from

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in 2003, and for the next two years was a Hodder Fellow at

433: 295: 289: 274: 269: 263: 254: 251: 246: 228: 11267:"Taking wing: Vulnerability and queer/trans resistance in 9500:"Chimamanda Ngozi Adichie Comes to Terms with Global Fame" 9037:"Debate at Barnard over Selection of Commencement Speaker" 7889:(1). Champaign, Illinois: Common Ground Research Network, 5368: 5366: 5153: 4774: 4488: 4271: 4269: 4167: 4165: 3875: 2977: 2975: 2973: 2971: 2969: 2967: 2965: 2963: 2961: 2959: 1848:

in 2013. In 2018, a painting of Adichie was included in a

838:, which was written in 2019, and was published in 2023 by 816:, after her father's death. She expanded the essay into a 432:

and was featured on a T-shirt by the French fashion house

11354: 11233:"Chimamanda Adichie – Toeing the Line of Literary Giants" 10775:"Novelist Chimamanda Ngozi Adichie Goes Anti-Trans Again" 9710: 8961:(1). Beijing, China: Universal Academic Services: 69–86. 8854: 8553: 8191: 6689: 6325: 5720: 5548: 5546: 4993: 4991: 4936: 4934: 4932: 4605: 4603: 4546: 4544: 4466: 4464: 4329: 4293: 3962: 3810: 3786: 3055: 3053: 3051: 3049: 3047: 3045: 1797: 1696: 1106:. In it, she evaluates themes of identity which recur in 260: 222: 6895:"Chimamanda Elected into US Academy of Arts and Science" 6511:"Chimamanda Adichie Wins Shorty Awards Literature Prize" 6160: 6133: 5855: 5294: 5207: 5192: 5093: 5081: 4973: 4871: 4869: 4867: 4865: 4863: 4861: 4843: 4801: 4654: 4201: 3666: 3555: 3540: 3476: 3474: 3263: 3261: 3259: 3257: 3242: 3194: 3043: 3041: 3039: 3037: 3035: 3033: 3031: 3029: 3027: 3025: 2176:

in 2022, but Adichie rejected the national distinction.

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On 30 November 2022, Adichie delivered the first of the

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as the site of resistance to authoritarian rule through

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of a particular aspect of cultural behavior to create a

9610:. Johannesburg, South Africa: Ben Williams Publishing. 8575:"Video: Nigerian Author's 'Americanah' Comes to France" 7478:. Johannesburg, South Africa: Ben Williams Publishing. 5642: 5407: 5405: 5363: 5168: 4642: 4620: 4618: 4563: 4561: 4559: 4437: 4281: 4266: 4254: 4162: 4128: 4126: 4113: 4111: 3926: 3902: 3892: 3890: 3841: 3839: 3837: 3764: 3762: 3725: 3723: 3710: 3708: 3683: 3681: 3594: 3572: 3570: 2956: 1307:, Adichie spoke with the former Chancellor of Germany, 11809: 10308:"History and Ideology in Chimamanda Adichie's Fiction" 10253:"Chimamanda Ngozi Adichie Is in a Different Place Now" 10130:. New York City, New York: Kirkus Media. 11 May 2021. 8164:. Accra, Ghana: Modern Ghana Media Communication Ltd. 8039:"Chimamanda Adichie Receives Harvard's Highest Honour" 7864:. Houston, Texas: Sutton New Media LLC. Archived from 7496:"Chimamanda Adichie – Quintessence of a Literary Icon" 6738:"Chimamanda Adichie Receives Her 11th Honorary Degree" 5917: 5843: 5831: 5671: 5669: 5543: 5504: 5429: 5318: 5316: 5314: 5312: 5236: 5131: 5129: 5116: 5114: 5112: 5110: 5108: 5069: 5008: 5006: 4988: 4929: 4791: 4789: 4600: 4541: 4512: 4476: 4461: 4425: 4389: 4377: 4365: 4059: 4057: 4044: 4042: 4040: 4038: 4036: 4034: 4032: 4030: 4028: 3950: 3938: 3822: 3798: 3747: 3735: 3630: 3462: 3290: 3288: 3172: 3170: 3168: 3166: 3164: 2582:

To Instruct and Delight: A Case for Realist Literature

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According to Lisa Allardice, a journalist writing for

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empowerment, but a focus on team member's well-being.

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Adichie grew up bilingually and writes in English and

11938: 11472:. New York City, New York: Kirkus Media. 1 May 2009. 10742:. Vol. 39, no. 1. New York City, New York: 9349:[Children's Books to Celebrate Women's Day]. 9145:"Ngozi Adichie: Beyoncé's Feminism Isn't My Feminism" 6826:. Williamstown, New Jersey: African Writer Magazine. 6762: 6422:"Chimamanda Ngozi Adichie Chooses Ben Enwonwu's Tutu" 5974: 5941: 5905: 5893: 5819: 5807: 5795: 5744: 5732: 5681: 5630: 5582: 5378: 5180: 5059: 5057: 5042: 4858: 4671: 4669: 4449: 4341: 4317: 4305: 4232: 4230: 4228: 4213: 4074: 4072: 3989: 3977: 3642: 3471: 3381: 3369: 3300: 3254: 3082: 3080: 3022: 3012: 3010: 2885: 2883: 2881: 2832: 2830: 2828: 2826: 2824: 2749: 457:

Adichie was born on 15 September 1977, and raised in

266: 240: 216: 9347:"Libros infantiles para celebrar el Día de la Mujer" 6208: 6046: 5708: 5558: 5453: 5402: 5335: 5333: 5331: 5224: 5018: 4951: 4949: 4831: 4821: 4819: 4615: 4556: 4500: 4413: 4401: 4189: 4177: 4150: 4123: 4108: 3887: 3863: 3851: 3834: 3774: 3759: 3720: 3705: 3693: 3678: 3606: 3567: 3393: 3119: 3117: 3115: 3113: 3111: 3109: 3107: 2926: 2866: 280: 243: 10088:"2. Deconstructing Binary Oppositions of Gender in 8947:"Graphology as Style in Chimamanda Ngozi Adichie's 8692:"Chimamanda Ngozi Adichie's Blueprint for Feminism" 6196: 6184: 6172: 6109: 6097: 6034: 5995: 5666: 5570: 5531: 5309: 5284: 5282: 5280: 5278: 5126: 5105: 5030: 5003: 4786: 4138: 4096: 4054: 4025: 3914: 3654: 3618: 3582: 3491: 3489: 3285: 3230: 3206: 3182: 3161: 3065: 2914: 1404:Since 2017, Adichie has been repeatedly accused of 1011:Adichie, in a 2011 conversation with Kenyan writer 783:Adichie was invited to be a visiting writer at the 417:recognised for her "Wear Nigerian Campaign" with a 277: 257: 234: 231: 225: 12862:Nigerian expatriate academics in the United States 11520:. In Gyssels, Kathleen; Ledent, Bénédicte (eds.). 11374: 9154: 8945:Ishaya, Yusuf Tsojon; Gunn, Michael (March 2022). 7992:"Purple Hibiscus: A Postcolonial Feminist Reading" 6121: 6070: 6058: 6022: 5983: 5959: 5768: 5756: 5618: 5594: 5465: 5417: 5390: 5248: 5054: 4905: 4893: 4881: 4735: 4681: 4666: 4242: 4225: 4084: 4069: 4013: 4001: 3429: 3417: 3359: 3357: 3218: 3077: 3007: 2904: 2902: 2900: 2898: 2878: 2821: 2514: 2172:selected her to be honoured as a recipient of the 2029:in the category of best non-fiction book in 2017. 1943:for her story, "You in America." She also won the 1539:(2019). Adichie was the first African to speak at 10545:"Womanism and Patriarchy in Chimamanda Adichie's 9345: 8792:. London, UK: The Times Literary Supplement Ltd. 8267: 7935:"Americanah by Chimamanda Ngozi Adichie – Review" 7883:The International Journal of Humanities Education 7016:; Manlow, Veronica; Wissinger, Elizabeth (eds.). 7007: 5660: 5483: 5441: 5328: 5141: 4946: 4917: 4816: 4729: 4714: 4702: 4630: 4579: 4535: 3447: 3327: 3273: 3149: 3104: 3092: 1935:Adichie at the Fall for the Book Festival in 2013 600:, Pennsylvania. In 1998, she wrote a play called 12942:Yale Graduate School of Arts and Sciences alumni 12677:20th-century Nigerian dramatists and playwrights 12663: 11818:Foreign Rights Catalog: Books for Kids and Teens 11631:International Centre for Investigative Reporting 10993:"Chimamanda Adichie, a Growing Literary Prodigy" 9575:"Nigerian Author Wins Top Women's Fiction Prize" 8355:"Chimamanda Ngozi Adichie Wins PEN Pinter Prize" 7713: 6151: 5275: 3501: 3486: 2001:was listed among the "10 Best Books of 2013" by 334:(2013). Her other works include the book essays 316:. She is the author of the award-winning novels 11488: 10732:Richardson, Catherine (January–February 2011). 9892: 8002:(2). Stellenbosch, Western Cape, South Africa: 7559:"Chimamanda Adichie Wins French Literary Award" 7008:Bernardi, Floriana; Picarelli, Enrica (2022). " 6538:"Chimamanda Ngozi Adichie: The Fearless Writer" 6393:Adichie, Chimamanda Ngozi (15 September 2006). 6088: 5606: 4753: 3405: 3354: 2895: 2034:Andrew Carnegie Medal for Excellence in Fiction 899:. To describe pre- and post-war conditions, in 771:Adichie at the reading and signing of her work 753:, which was also the theme of her fourth book, 142:(2006), "The Danger of a Single Story" (2009), 11462: 10120: 9843:[Love and War in the Time of Biafra]. 8630: 8268:Espinoza Cárdenas, Natalia (13 January 2020). 7661: 6451:Adichie, Chimamanda Ngozi (20 February 2014). 5786: 4768: 3519: 3318: 2680:Frankfurter Buchmesse Opening Press Conference 2271:(short-story collection). London: 4th Estate. 12091: 11230: 11121: 10427:Ansu Journal of Language and Literary Studies 9955:. Vol. 364. Farmington Hills, Michigan: 9736:Ansu Journal of Language and Literary Studies 8633:"Merkel Speaks with Chimamanda Ngozi Adichie" 5162: 4780: 2516:"'The Arrangements': A Work of Short Fiction" 2349:(memoir/personal essay). London: 4th Estate. 1368: 1348:and only attended mass when she could find a 12105: 9355:(in Spanish). Seville, Spain. 6 March 2020. 7839:Seismographic Sounds: Visions of a New World 7803:"Curriculum Vitae: Chimamanda Ngozi Adichie" 7609: 3140: 2020: 1417:view that biological sex determines gender. 727: 695:After her first book, Adichie began writing 688:to represent her. The book was published by 637:, and completed a second master's degree in 12777:Eastern Connecticut State University alumni 12707:21st-century African-American women writers 11751: 11402: 11094: 10713: 10684: 10370:Radcliffe Institute for Advanced Study News 10122:"Notes on Grief by Chimamanda Ngozi Adiche" 10057: 9493: 9465:"Chimamanda Ngozi Adichie: Nigerian Author" 8631:Gopalakrishnan, Manasi (9 September 2021). 6892: 6735: 6166: 6139: 5861: 5303: 4810: 4660: 4591: 2983: 2772:pronunciation for English-speaking readers. 2464:——— (20 September 2010). 1620:Adichie at the speaker's podium during the 485:in 1966, at Nsukka. Her mother was born in 292: 12098: 12084: 11404:"The 2016 International Best Dressed List" 11095:Sefa-Boakye, Jennifer (17 February 2015). 10731: 10488: 8944: 8877:"Profile: Professor Ernest Nneji Ememyonu" 7494: 7431: 7019:The Routledge Companion to Fashion Studies 6616: 6482:Adichie, Chimamanda Ngozie (5 July 2021). 5935: 5884: 5726: 5174: 4359: 3971: 3672: 3561: 3549: 3534: 2434:——— (28 December 2008). 2366:(children picture book). London/New York: 1666: 1077: 1071: 890: 31: 12902:Nigerian women dramatists and playwrights 12757:American women dramatists and playwrights 11674: 11650:Useni, Mohammed, ed. (19 February 2014). 11148: 11062: 10961: 10852: 10624: 10365:"Chimamanda Selected as Radcliffe Fellow" 10277: 10247: 10213: 10179: 9547: 9462: 9075:. New York City, New York. Archived from 8955:LWATI: A Journal of Contemporary Research 8688: 8599: 8544: 8011: 6679: 6652: 6589: 6486:[Dreaming as a Single Humanity]. 5552: 5510: 5435: 5242: 4997: 4609: 3932: 3908: 3881: 3480: 3387: 3345: 3267: 3059: 2932: 2872: 2689:Why Chimamanda Adichie Will Not 'Shut Up' 2449:——— (1 February 2010). 2404:——— (22 January 2007). 2057:s "20 Under 40" authors in 2010, and the 1939:In 2002, Adichie was shortlisted for the 1926: 1551:which in the United States often acts as 1281:experienced a devaluation. She set up an 11843: 11320: 11203: 11122:Shariatmadari, David (13 January 2012). 10990: 10962:Safronova, Valeriya (28 November 2016). 10783:. Los Angeles, California: Pride Media. 10462:Olaiya, Tope Templer (13 October 2022). 9838: 9572: 9153:. Amsterdam, Netherlands. Archived from 9010:"James Nwoye Adichie (1932 – 2020)" 8980:"Tartt, Goodwin Awarded Carnegie Medals" 8294: 8210: 8180: 8063: 7855: 7770: 7687: 7635: 7583: 7557: 7527: 7370: 6946: 6842: 6420:Adichie, Chimamanda Ngozi (3 May 2013). 6345: 6291: 6013: 5947: 5911: 5899: 5837: 5825: 5801: 5699: 5687: 5636: 5588: 5522: 5384: 5354: 5266: 5218: 5201: 5186: 5099: 5087: 5048: 4982: 4967: 4875: 4852: 4443: 4287: 4275: 4260: 3828: 3816: 3804: 3792: 3375: 2857: 2552:——— (6 October 2009). 2459:. New York City, New York: Guernica Inc. 2027:Le Grand Prix de l'Héroïne Madame Figaro 1930: 1880:, one of the most prominent scholars of 1816: 1615: 1483: 1389:, who has been vocal in her support for 1385:Adichie is an activist and supporter of 1213:, described becoming aware of a Western 1192: 1183: 1082:, that he will learn in school that the 766: 452: 346:(2017); a memoir tribute to her father, 11752:Weatherford, Ashley (8 December 2016). 11522:Présence africaine en Europe et au-delà 11436: 10597: 10362: 10146: 10100:A Companion to Chimamanda Ngozi Adichie 9946: 9918: 9865: 9802: 9770: 9525: 9403: 9257: 9034: 9008: 8920:"Adichie Wins a $ 500,000 Genius Grant" 8781: 8572: 8220:A Companion to Chimamanda Ngozi Adichie 8094: 8074:A Companion to Chimamanda Ngozi Adichie 7872: 7801: 7446:A Companion to Chimamanda Ngozi Adichie 7267:Brown, Lauren Alix (11 December 2017). 7172: 7145: 6790: 6708: 6562: 6481: 6453:"Why Can't a Smart Woman Love Fashion?" 6450: 6419: 6392: 6375: 6318: 6214: 6052: 5750: 5648: 5564: 5459: 5411: 5372: 5230: 5024: 4837: 4648: 4624: 4567: 4506: 4482: 4102: 4063: 4048: 3956: 3944: 3780: 3768: 3753: 3741: 3729: 3648: 3636: 3612: 3306: 3294: 3236: 3212: 3188: 3176: 3071: 2998: 2947: 2889: 2836: 2601:——— (December 2012). 2530:——— (October 2020). " 2496:——— (13 April 2015). 2479:——— (18 March 2013). 1207:Adichie, in a 2014 article written for 1035:to address the issues that sparked it. 827:In 2020, Adichie adapted and published 12664: 11782: 11721: 11624: 11362:from the original on 28 September 2019 11281:(4). Abingdon-on-Thames, Oxfordshire: 11264: 11044: 10877:Rojas, Juan Carlos (4 February 2019). 10830: 10655: 10515: 10461: 10435:Chukwuemeka Odumegwu Ojukwu University 10393: 10305: 10000: 9976:"The New Face of Nigerian Literature?" 9973: 9744:Chukwuemeka Odumegwu Ojukwu University 9717:from the original on 28 September 2019 9695: 9626: 9526:Madueke, Sylvia Ijeoma (August 2019). 9371: 9272:(1). Abingdon-on-Thames, Oxfordshire: 9203: 9091: 8977: 8918:Irvine, Lindesay (24 September 2008). 8917: 8717: 8487: 8475:from the original on 16 September 2023 8460: 8379: 8352: 7829: 7739: 7689:"Chimamanda's Mother for Burial May 1" 7343: 7202: 7156:. Seattle, Washington: BlackPast.org. 6961:(3). Abingdon-on-Thames, Oxfordshire: 6893:Ayo-Aderele, Adesola (12 April 2017). 6865: 6843:Assheton, Richard (1 September 2023). 6736:Aneasoronye, Modestus (17 June 2019). 6590:Akinyoade, Akinwale (5 January 2021). 6202: 6190: 6178: 6115: 6103: 6040: 6001: 5923: 5849: 5738: 5675: 5576: 5537: 5322: 5135: 5120: 5075: 5036: 5012: 4940: 4795: 4550: 4518: 4494: 4470: 4455: 4431: 4419: 4407: 4395: 4383: 4371: 4219: 4207: 4195: 4183: 4171: 4156: 4090: 4078: 3896: 3869: 3435: 3423: 3224: 3086: 3016: 2649:(video). Williamstown, Massachusetts: 2631:Wellesley College Commencement Address 2419:——— (16 June 2008). 1796:on 13 December 2013. When asked in an 12697:21st-century American women academics 12079: 11873: 11770:from the original on 30 November 2023 11649: 11577: 11546: 11526:African Presence in Europe and Beyond 11512: 11464:"The Thing Around Your Neck: Stories" 11446:. Lagos, Nigeria. 14 September 2019. 11335:from the original on 2 September 2023 11321:Streeter, Leslie Gray (16 May 2021). 10934: 10876: 10685:Pongsajapan, Robert (17 March 2017). 10420: 10408:from the original on 20 November 2020 10085: 9988:from the original on 22 November 2022 9880:from the original on 20 December 2023 9866:Medrano, Kastalia (1 December 2016). 9758:from the original on 16 November 2023 9599: 9191:from the original on 20 December 2023 9142: 9061: 8973:from the original on 9 November 2022. 8847: 8754: 8657: 8600:Gonçalves, Emily (22 November 2019). 8514: 8433: 8406: 8325: 8313:from the original on 20 November 2023 8240: 8154:Ekpo, Nathan Nathaniel (7 May 2018). 8036: 7482:from the original on 21 February 2024 7467: 7286: 7266: 7234: 7190:from the original on 3 September 2019 7146:Braimah, Ayodale (13 February 2018). 7106: 7048: 6934:from the original on 30 December 2023 6919: 6667:from the original on 15 November 2020 6577:from the original on 25 November 2020 6535: 6508: 6496:from the original on 26 November 2022 6292:Abimbola, Oluwakemi (23 April 2018). 6127: 6076: 6064: 6028: 5989: 5813: 5714: 5624: 5600: 5471: 5423: 5396: 5254: 5063: 4911: 4899: 4887: 4741: 4687: 4675: 4347: 4335: 4323: 4311: 4299: 4132: 4117: 3920: 3857: 3845: 3714: 3699: 3687: 3576: 3399: 3333: 3279: 3200: 3155: 3123: 3098: 2920: 2646:Williams College Commencement Address 2513:——— (3 July 2016). 2389:——— (4 June 2006). 2102:American Academy of Arts and Sciences 1852:at the Municipal Sport Center in the 1492:at the New America Conference in 2017 442:American Academy of Arts and Sciences 381:. She studied at three universities; 12015: 11797:from the original on 24 October 2017 11739:from the original on 18 October 2023 11662:from the original on 9 December 2023 11496:. Maitama, Nigeria. 9 October 2019. 11231:Stephen-David, Pembi (7 June 2013). 11136:from the original on 29 January 2020 11109:from the original on 2 November 2023 11032:from the original on 2 December 2023 11017: 10991:Sam-Duru, Prisca (22 January 2014). 10922:from the original on 5 December 2023 10903: 10891:from the original on 1 December 2023 10799: 10772: 10625:Pazzanese, Christina (24 May 2018). 10542: 10530:from the original on 4 December 2022 10394:Okafor, Chinedu (17 November 2020). 10064:Ethnic Politics in Kenya and Nigeria 9729: 9614:from the original on 2 December 2020 9359:from the original on 5 December 2022 9171: 9118: 8874: 8816: 8755:Hobdy, Dominique (26 October 2020). 8587:from the original on 17 October 2022 8573:Germain, Nicolas (23 January 2015). 8340:from the original on 16 January 2024 8295:Felperin, Leslie (11 October 2013). 8153: 7986: 7959: 7649:from the original on 1 December 2022 7358:from the original on 7 December 2023 7316: 7304:from the original on 4 February 2017 6907:from the original on 26 January 2022 6817: 6709:Anasuya, Shreya Ila (20 June 2015). 6696:from the original on 16 October 2019 6653:Allardice, Lisa (14 November 2020). 6536:Agbo, Njideka (26 September 2018b). 6230: 5774: 5762: 5495: 5447: 5339: 5147: 4955: 4923: 4825: 4636: 4248: 4236: 4144: 4019: 4007: 3995: 3983: 3660: 3624: 3600: 3588: 3507: 3495: 3248: 2908: 2579:——— (March 2012). 2138:Eastern Connecticut State University 1994:The Best American Short Stories 2011 1874:Third Generation of Nigerian writers 1509:. The presentation was given at the 1086:was discovered by a white man named 749:was a bridge between Africa and the 609:Eastern Connecticut State University 383:Eastern Connecticut State University 79:Eastern Connecticut State University 12852:Nigerian dramatists and playwrights 12767:American writers of African descent 12727:21st-century Nigerian women writers 12702:21st-century American women writers 12687:20th-century Nigerian women writers 11476:from the original on 14 August 2022 10945:. Abu Dhabi, United Arab Emirates. 10701:from the original on 1 October 2023 10568:10.47365/litinfinite.3.2.2021.61-73 10489:Olanrewaju, Lekan (19 March 2012). 10306:Ogwude, Sophia O. (February 2011). 10175:from the original on 30 March 2024. 9841:"Amore e guerraal tempo del Biafra" 9839:Medeossi, Paolo (29 January 2009). 9318: 9230: 9120:"Keynote: Chimamanda Ngozi Adichie" 9035:Jaschik, Scott (28 February 2016). 8804:from the original on 1 October 2020 8645:from the original on 9 October 2023 8532:from the original on 5 January 2024 8461:Flood, Alison (11 February 2021a). 8448:from the original on 5 January 2024 8367:from the original on 4 January 2024 7974:from the original on 21 August 2020 7929: 7899:10.18848/2327-0063/CGP/v21i01/53-66 7645:. Lagos, Nigeria. 1 December 2022. 7160:from the original on 10 August 2022 7022:. Abingdon-on-Thames, Oxfordshire: 6830:from the original on 4 October 2023 6388:from the original on 31 March 2024. 5288: 3411: 3363: 2742: 2634:(video). Wellesley, Massachusetts: 1606:could not be impartial in the case 1415:trans-exclusionary radical feminist 1188: 619:She received her bachelor's degree 13: 12927:Nigerian women short story writers 12762:American women short story writers 11861:from the original on 19 March 2024 11625:Ufuoma, Vincent (2 October 2022). 11549:"Adichie, Chimamanda Ngozi (1977)" 11500:from the original on 21 March 2022 11424:from the original on 24 April 2024 11390:from the original on 18 April 2024 11347: 11218:from the original on 29 March 2024 11149:Sharobeem, Heba M. (Spring 2015). 11005:from the original on 2 August 2023 10978:from the original on 22 March 2024 10516:Olaopa, Tunji (27 November 2022). 10503:from the original on 17 March 2017 10449:from the original on 24 March 2024 10235:from the original on 27 March 2024 10201:from the original on 27 March 2024 10134:from the original on 25 March 2024 9826:from the original on 16 April 2024 9587:from the original on 2 August 2023 9481:from the original on 23 April 2024 9463:Luebering, J. E. (30 April 2024). 9404:Luckett, Jeanne B. (Spring 2018). 9258:Lecznar, Matthew (February 2017). 9204:Kumolu, Charles (2 October 2022). 8932:from the original on 22 March 2024 8817:Ibeh, Chukwuebuka (7 April 2022). 8658:Grady, Constance (24 April 2018). 8560:from the original on 23 March 2024 8434:Flood, Alison (12 November 2020). 8394:from the original on 2 August 2023 8278:(in Spanish). Providencia, Chile. 8037:Edeme, Victoria (7 October 2022). 7947:from the original on 16 April 2024 7856:Danielle, Britni (20 March 2014). 7789:from the original on 25 March 2024 7727:from the original on 22 March 2022 7675:from the original on 27 March 2024 7623:from the original on 23 March 2024 7148:"Chimamanda Ngozi Adichie (1977–)" 6805:from the original on 27 March 2024 6604:from the original on 25 April 2024 6563:Akhabau, Izin (18 November 2020). 6407:from the original on 31 March 2024 5612: 2591:To Instruct and Delight transcript 2009:National Book Critics Circle Award 1479: 931:to present truths in the style of 663:. She wrote it during a period of 447: 14: 12953: 11922: 11450:from the original on 1 April 2024 10831:Roifah, Miftahur (October 2021). 10656:Pearce, Katie (9 February 2017). 10499:. Lagos, Nigeria: Generation Y!. 10404:. Lagos, Nigeria: Generation Y!. 10293:from the original on 1 April 2023 9951:. In Trudeau, Lawrence J. (ed.). 9906:from the original on 29 July 2019 9902:. Dublin, Ireland. 29 July 2019. 9771:Mbamalu, Socrates (17 May 2018). 9513:from the original on 5 March 2021 9391:from the original on 18 June 2021 9245:from the original on 7 April 2023 8905:from the original on 2 April 2024 8835:from the original on 1 April 2023 8705:from the original on 15 June 2018 8502:from the original on 29 June 2021 8421:from the original on 28 June 2023 8380:Flood, Alison (9 October 2018b). 7970:. Lagos, Nigeria: Generation Y!. 7771:Crockett, Emily (15 March 2017). 7723:. Lagos, Nigeria. 22 March 2022. 6920:Baska, Maggie (1 December 2022). 6774:. 14 January 2014. Archived from 6550:from the original on 3 April 2024 6523:from the original on 21 June 2021 6469:from the original on 7 April 2024 2195:(poetry). London: Minerva Press. 2179: 1042:and a desire for independence in 582:West African Examinations Council 12747:African-American women academics 12737:21st-century short story writers 12732:21st-century non-fiction writers 12058: 12041: 12024: 11996: 11984: 11972: 11960: 11948: 11831:from the original on 19 May 2024 10949:from the original on 19 May 2024 10935:Saeed, Saeed (15 October 2018). 10887:(in Spanish). Bogotá, Colombia. 10818:from the original on 11 May 2024 10800:Rios, Carmen (21 October 2019). 10787:from the original on 10 May 2024 10472:. Lagos, Nigeria. Archived from 10363:Okachie, Leonard (19 May 2011). 10265:from the original on 2 June 2023 10018:(4). Cambridge, Cambridgeshire: 10001:Musila, Grace A. (August 2020). 9924:"All Your Faves Are Problematic" 9853:from the original on 17 May 2024 9607:The Johannesburg Review of Books 9600:Malec, Jennifer (26 July 2017). 9573:Majendie, Paul (9 August 2007). 9418:University of Pennsylvania Press 9218:from the original on 15 May 2024 9130:from the original on 17 May 2024 9022:from the original on 22 May 2022 8875:Igwe, Chidi, ed. (Winter 2017). 8689:Greenberg, Zoe (15 March 2017). 8676:from the original on 18 May 2024 8282:from the original on 14 May 2024 8218:. In Ememyonu, Ernest N. (ed.). 8198:from the original on 14 May 2024 8168:from the original on 17 May 2024 7835:"Re-Imagining Gender in Nigeria" 7758:from the original on 4 July 2016 7701:from the original on 22 May 2022 7671:. Mumbai, India. 30 March 2022. 7571:from the original on 17 May 2022 7545:from the original on 18 May 2024 7475:The Johannesburg Review of Books 7385:(4). Thousand Oaks, California: 7344:Calkin, Jessamy (6 April 2013). 7331:from the original on 18 May 2024 7222:from the original on 15 May 2024 7067:(2). Thousand Oaks, California: 7060:Indian Journal of Gender Studies 6954:Women's Studies in Communication 6947:Behrmann, Erika M. (July 2017). 6866:Augoye, Jayne (2 January 2021). 6791:Anthony, Joseph (9 April 2023). 6723:from the original on 5 June 2023 6509:Agbo, Njideka (19 April 2018a). 6363:from the original on 17 May 2024 6333:from the original on 18 May 2024 6306:from the original on 18 May 2024 2803:B. Camminga reprinted Adichie's 2797: 2382: 2214:(play). Ibadan: Spectrum Books. 2044:(2022), the highest honour from 1714: 1022:Adichie's works, beginning with 314:postcolonial feminist literature 212: 12832:Johns Hopkins University alumni 12802:Igbo dramatists and playwrights 12722:21st-century Nigerian novelists 12717:21st-century Nigerian educators 12692:21st-century American academics 11877:Research in African Literatures 11783:Weller, Chris (16 March 2017). 11678:Research in African Literatures 11637:from the original on 7 May 2024 11581:Research in African Literatures 11561:Dictionary of African Biography 11265:Stobie, Cheryl (October 2021). 11204:Shilling, Jane (2 April 2009). 10773:Ring, Trudy (2 December 2022). 10672:from the original on 5 May 2024 10643:from the original on 5 May 2024 10612:from the original on 5 May 2024 10543:Ordu, Stanley (December 2021). 10161:Sorbonne Paris North University 9953:Contemporary Literary Criticism 9934:from the original on 9 May 2024 9143:Kiene, Aimée (7 October 2016). 9106:from the original on 7 May 2024 9092:Jordan, Atiya (24 March 2022). 9049:from the original on 7 May 2024 9018:. Lagos, Nigeria. 3 July 2020. 8978:Italie, Hillel (30 June 2014). 8862:from the original on 7 May 2024 8769:from the original on 7 May 2024 8618:from the original on 7 May 2024 8488:Flood, Alison (16 June 2021b). 8353:Flood, Alison (12 June 2018a). 8326:Flood, Alison (14 March 2014). 8255:from the original on 5 May 2024 8064:Egbunike, Louisa Uchum (2017). 8051:from the original on 5 May 2024 7841:. Berne, Switzerland: Norient. 7697:. Apapa, Lagos. 16 March 2021. 7597:from the original on 5 May 2024 7593:. Lagos, Nigeria. 20 May 2019. 7567:. Lagos, Nigeria. 6 July 2017. 7468:Chela, Efemia (7 August 2017). 7317:Cain, Sian (28 November 2016). 7254:from the original on 2 May 2024 6880:from the original on 9 May 2024 6750:from the original on 7 May 2024 6484:"Sognare come un'unica umanità" 6438:from the original on 6 May 2013 6238:Research in African Literatures 6223: 2788: 2332:" (essay). London: 4th Estate. 2307:" (essay). London: 4th Estate. 1941:Caine Prize for African Writing 1473:University of the Witwatersrand 1244:International Best-Dressed List 1176:, and the stories collected in 722:, a trade-paperback imprint of 718:was first published in 2006 by 517:, and her mother died in 2021. 440:in 2008 and induction into the 352:(2021); and a children's book, 171: 11811:"'We Should All Be Feminists'" 10845:University of Trunojoyo Madura 10598:Parnass, Larry (4 June 2017). 9730:Mbah, Victor Chukwudi (2015). 9643:Johns Hopkins University Press 9416:. Philadelphia, Pennsylvania: 9231:Law, Katie (29 October 2020). 8782:Hubbard, Ladee (10 May 2019). 7740:Chutel, Lynsey (3 July 2016). 7209:"The Danger of a Single Story" 7049:Bhuta, Aishwarya (June 2018). 6688:. Philadelphia, Pennsylvania: 6463:Hearst Magazines Digital Media 6378:"My Mother, the Crazy African" 6376:Adichie, Amanda Ngozi (2000). 6319:Adebayo, Bukola (2 May 2018). 2775: 2715:——— (2022). 2696:——— (2019). 2677:——— (2018). 2668:(video). Manhattan, New York: 2662:——— (2018). 2643:——— (2017). 2628:——— (2015). 2522:The New York Times Book Review 2368:HarperCollins Children's Books 2210:——— (1998). 2191:——— (1997). 2166:Catholic University of Louvain 2032:Adichie was a finalist of the 1863:Luke Ndidi Okolo, a lecture a 1380: 1370:Sognare come un'unica umanitàs 1250:as her style idol. That year, 1070:, when mathematics instructor 1: 11906:10.2979/reseafrilite.46.3.234 11890:10.2979/reseafrilite.46.3.234 11291:10.1080/17533171.2022.2062173 11018:Sarr, Lucie (4 August 2021). 10734:"Dayton Literary Peace Prize" 10608:. Pittsfield, Massachusetts. 10323:(1). Pretoria, South Africa: 9974:Murray, Senan (8 June 2007). 9809:"No Life Away from Her Books" 9282:10.1080/19392397.2016.1275324 8789:The Times Literary Supplement 8407:Flood, Alison (22 May 2019). 8241:Erezi, Dennis (13 May 2019). 8190:(in Spanish). Madrid, Spain. 8107:(2). Durham, North Carolina: 7960:Dayo, Bernard (28 May 2019). 7051:"Book Review: Adichie, C.N., 6971:10.1080/07491409.2017.1334456 6818:Anya, Ike (15 October 2005). 6231:Abba, Abba A. (Winter 2021). 5661:Bernardi & Picarelli 2022 4730:Bernardi & Picarelli 2022 4715:Bernardi & Picarelli 2022 4703:Bernardi & Picarelli 2022 4580:Bernardi & Picarelli 2022 4536:Bernardi & Picarelli 2022 2730: 2708:Transcript summary in Spanish 2683:(video). Frankfurt, Germany: 2254:(novel). London: 4th Estate. 2174:Order of the Federal Republic 2168:(2022). President of Nigeria 2134:Rhode Island School of Design 1983:. Her book story collection, 1496:In 2009, Adichie delivered a 469:, and studied mathematics at 12892:Nigerian short story writers 12882:Nigerian satirical novelists 12752:American short story writers 12742:21st-century women educators 11707:10.2979/reseafrilite.46.2.85 11691:10.2979/reseafrilite.46.2.85 11610:10.2979/reseafrilite.49.4.08 11594:10.2979/reseafrilite.49.4.08 10854:10.21107/prosodi.v15i2.12184 10812:Liberty Media for Women, LLC 10739:Poets & Writers Magazine 10635:. Cambridge, Massachusetts: 10433:(3). Uli, Anambra, Nigeria: 10373:. Cambridge, Massachusetts: 9849:(in Italian). Udine, Italy. 9742:(2). Uli, Anambra, Nigeria: 9329:. London, UK. Archived from 8848:Idowu, Torera (9 May 2017). 7432:Carotenuto, Silvana (2017). 6772:National Book Critics Circle 6719:. Cambridge, Massachusetts. 6492:(in Italian). Vatican City. 6255:10.2979/reseafrilite.51.4.01 2815: 2555:The Danger of a Single Story 2061:under 40 authors during the 2038:Barnard Medal of Distinction 1736: 1592:, a Trump supporter and the 1565:Taliban's treatment of women 1270:. In her 2016 Facebook post 641:in 2008. Adichie received a 7: 12682:20th-century Nigerian poets 11820:. New York City, New York: 11762:. New York City, New York: 11377:"The 10 Best Books of 2013" 11105:. New York City, New York. 11045:Sebola, Moffat (May 2022). 10914:. New York City, New York: 10843:(2). Bangkalan, Indonesia: 10159:(3). Villetaneuse, France: 9876:. New York City, New York. 9627:Mannur, Anita (June 2017). 9509:. New York City, New York. 9319:Lee, Nicole (11 May 2015). 8765:. New York City, New York. 8309:. Los Angeles, California. 7813:. Fall 2015. Archived from 7750:. New York City, New York: 7537:. New York City, New York: 6770:. New York City, New York: 6638:10.2979/transition.131.1.08 6461:. New York City, New York: 6245:(4). Bloomington, Indiana: 2065:in 2014, She was listed in 1989:Dayton Literary Peace Prize 1965:Hurston-Wright Legacy Award 1961:Commonwealth Writers' Prize 1503:Conrad N. Hilton Foundation 1465:University of KwaZulu-Natal 1322: 1305:Düsseldorfer Schauspielhaus 1076:, explains to his houseboy 477:to complete his PhD at the 16:Nigerian writer (born 1977) 10: 12958: 12618:Natalia Pasternak Taschner 12595:Sevidzem Ernestine Leikeki 11824:: 109. January–June 2021. 11025:National Catholic Reporter 10691:Georgetown University News 10421:Okolo, Luke Ndudi (2016). 10020:Cambridge University Press 9949:"Chimamanda Ngozi Adichie" 8949:The Thing Around Your Neck 7371:Camminga, B. (July 2020). 2685:Frankfurter Buchmesse GmbH 2604:We Should All Be Feminists 2525:. New York City, New York. 2474:. New York City, New York. 2429:. New York City, New York. 2421:"The Headstrong Historian" 2414:. New York City, New York. 2399:. New York City, New York. 2305:We Should All Be Feminists 2268:The Thing Around Your Neck 2019:, translated in French as 1985:The Thing Around Your Neck 1977:International Nonino Prize 1967:, and shortlisted for the 1963:for the Best Book (2005), 1892:was positively praised by 1631:, Santiago, Chile, in 2020 1178:The Thing Around Your Neck 1139:The Thing Around Your Neck 1116:The Thing Around Your Neck 927:draw on figures from Igbo 829:We Should All Be Feminists 761:trans-Atlantic slave trade 747:The Thing Around Your Neck 742:The Thing Around Your Neck 652: 471:University College, Ibadan 337:We Should All Be Feminists 151:We Should All Be Feminists 12644: 12527: 12365: 12278: 12114: 11348:Ta, Amy (18 March 2014). 11269:The Thirty Names of Night 11028:. Kansas City, Missouri. 10904:Ryan, Lisa (8 May 2017). 10028:10.1017/S0001972020000467 9641:(2). Baltimore, Marylan: 8117:10.2979/meridians.15.2.02 7292:"Buchi Emecheta Obituary" 2572:Transcript by James Clear 2545: 2158:SOAS University of London 1987:was the runner-up to the 1981:Anisfield-Wolf Book Award 1865:Nnamdi Azikiwe University 1823:Concepción Feminist Mural 1731: 1726:permanent resident status 1691:, and presented the talk 1667: 1561:kidnapping of schoolgirls 1369: 1334:Church Missionary Society 1298:Meghan, Duchess of Sussex 1296:that was guest-edited by 1078: 1072: 1040:Pan-African consciousness 1017:The personal is political 1006: 820:, which was published by 189: 181: 158: 125: 117: 100: 71: 42: 30: 23: 12917:Nigerian women novelists 12912:Nigerian women essayists 12907:Nigerian women educators 12897:Nigerian women academics 12872:Nigerian Roman Catholics 12822:Igbo short story writers 12772:Drexel University alumni 12217:Chimamanda Ngozi Adichie 12207:Depelsha Thomas McGruder 12011:Chimamanda Ngozi Adichie 11167:10.1353/rmr.2015.a580802 10744:Poets & Writers Inc. 10666:Johns Hopkins University 10316:Tydskrif vir Letterkunde 10067:. Huntington, New York: 9818:. Melbourne, Australia. 9538:(1). Edmonton, Alberta: 8610:. Nashville, Tennessee: 7811:Johns Hopkins University 7395:10.1177/0038026120934695 7077:10.1177/0971521518761445 7032:10.4324/9780429264405-22 6247:Indiana University Press 2735: 2288:(novel). New York City: 2184: 2110:Johns Hopkins University 1969:Orange Prize for Fiction 1303:In a 2021 discussion at 1233:Adichie was included on 1226:. She began to focus on 1197:Adichie on the cover of 846: 729:L'autre moitié du soleil 627:Johns Hopkins University 613:Willimantic, Connecticut 479:University of California 387:Johns Hopkins University 208:Chimamanda Ngozi Adichie 85:Johns Hopkins University 25:Chimamanda Ngozi Adichie 12279:Entertainment and sport 11557:Akyeampong, Emmanuel K. 11199:(subscription required) 10664:. Baltimore, Maryland: 10333:10.4314/tvl.v48i1.63824 10102:. Woodbridge, Suffolk: 10069:Nova Science Publishers 9947:Mullane, Janet (2014). 9691:(subscription required) 9475:Encyclopædia Britannica 9458:(subscription required) 9314:(subscription required) 8988:. Seattle, Washington. 8222:. Woodbridge, Suffolk: 8149:(subscription required) 8095:Ejikeme, Anene (2017). 8076:. Woodbridge, Suffolk: 8004:Stellenbosch University 7449:. Woodbridge, Suffolk: 7427:(subscription required) 7378:The Sociological Review 7003:(subscription required) 6287:(subscription required) 2587:Commonwealth Foundation 2537:Amazon Original Stories 2318:New Daughters of Africa 2162:Northwestern University 2118:University of Edinburgh 1609:Low v. Trump University 1442:University of Cape Town 1168:are repeated themes in 12932:O. Henry Award winners 12782:English-language poets 12712:21st-century essayists 11528:]. Paris, France: 11194: – via 11064:10.4102/lit.v43i1.1723 10325:University of Pretoria 10147:Nwankwọ, Izuu (2023). 9930:. Brooklyn, New York. 9686: – via 9453: – via 9309: – via 8607:The Vanderbilt Hustler 8306:The Hollywood Reporter 8144: – via 7891:University of Illinois 7862:Clutch Magazine Online 7422: – via 6998: – via 6282: – via 5727:Ishaya & Gunn 2022 5484:Espinoza Cárdenas 2020 3673:Ishaya & Gunn 2022 3562:Ishaya & Gunn 2022 3550:Ishaya & Gunn 2022 3535:Ishaya & Gunn 2022 3464:Foreign Rights Catalog 2436:"A Private Experience" 2042:W. E. B. Du Bois Medal 2021: 1936: 1927:Awards and recognition 1842:film of the same title 1833: 1632: 1599:The American Spectator 1590:R. Emmett Tyrrell, Jr. 1582:for the BBC's program 1493: 1391:LGBT rights in Nigeria 1222:as a means to acquire 1204: 1093:Adichie's works about 1046:. It appeared in both 891: 856: 785:University of Michigan 780: 728: 393:. She first published 66:, Enugu State, Nigeria 12847:The New Yorker people 12366:Politics and activism 12127:Oluyemi Adetiba-Orija 12115:Culture and education 11553:Gates Jr, Henry Louis 11547:Tunca, Daria (2011). 11513:Tunca, Daria (2010). 11155:Rocky Mountain Review 10810:Arlington, Virginia: 10695:Georgetown University 10279:Obi-Young, Otosirieze 10251:(20 September 2021). 10249:Obi-Young, Otosirieze 10227:. Chicago, Illinois: 10215:Obi-Young, Otosirieze 10193:. Chicago, Illinois: 10181:Obi-Young, Otosirieze 10086:Ndula, Janet (2017). 9820:New York Times Agency 9540:University of Alberta 9473:. Chicago, Illinois: 9426:10.1353/ewr.2018.0012 9175:(12 September 2023). 8827:. Chicago, Illinois: 8612:Vanderbilt University 8556:. 30 September 2022. 8109:Duke University Press 7110:South Atlantic Review 5976:National Book Critics 2721:(video). London, UK: 2607:(video). London, UK: 2585:(video). London, UK: 2558:(video). Oxford, UK: 2363:Mama's Sleeping Scarf 2126:Georgetown University 1934: 1820: 1705:Franklin D. Roosevelt 1689:University of Iceland 1659:Vanderbilt University 1619: 1487: 1387:LGBT rights in Africa 1350:progressive community 1330:Georgetown University 1196: 1184:Views and controversy 851: 835:Mama's Sleeping Scarf 818:book of the same name 770: 483:University of Nigeria 453:Family and background 375:University of Nigeria 355:Mama's Sleeping Scarf 12922:Nigerian women poets 12449:Fiamē Naomi Mataʻafa 12438:Elisa Loncón Antileo 12157:Melinda French Gates 11847:(28 November 2022). 11822:Penguin Random House 11532:. pp. 291–309. 11530:Éditions L'Harmattan 10727:on 12 December 2009. 10693:. Washington, D.C.: 10469:The Guardian Nigeria 10059:Mwakikagile, Godfrey 9709:. Washington, D.C.: 9651:10.1353/aq.2017.0034 9495:MacFarquhar, Larissa 9311:Taylor & Francis 8858:. Atlanta, Georgia. 8668:. Washington, D.C.: 8299:Half of a Yellow Sun 8248:The Guardian Nigeria 7875:Half of a Yellow Sun 7781:. Washington, D.C.: 7720:The Guardian Nigeria 7541:. 12 November 2016. 7453:. pp. 169–184. 7026:. pp. 215–222. 7000:Taylor & Francis 6618:Akyeampong, Emmanuel 6597:The Guardian Nigeria 6543:The Guardian Nigeria 6516:The Guardian Nigeria 6489:L'Osservatore Romano 3251:, pp. 222, 227. 2781:In translation, the 2706:: The Hay Festival. 2655:Commencement Address 2391:"Sierra Leone, 1997" 2251:Half of a Yellow Sun 2095:Half of a Yellow Sun 2048:. She was listed in 2036:(2014). She won the 1973:Half of a Yellow Sun 1838:Half of a Yellow Sun 1771:Half of a Yellow Sun 1761:Half of a Yellow Sun 1722:Nigerian nationality 1507:Commonwealth Lecture 1490:Anne-Marie Slaughter 1446:Otosirieze Obi-Young 1364:L'Osservatore Romano 1174:Half of a Yellow Sun 1154:Half of a Yellow Sun 1112:Half of a Yellow Sun 1068:Half of a Yellow Sun 1064:indigenous knowledge 1044:Half of a Yellow Sun 1032:Half of a Yellow Sun 973:, and often employs 925:Igbo-Nigerian novels 918:Half of a Yellow Sun 901:Half of a Yellow Sun 824:the following year. 716:Half of a Yellow Sun 698:Half of a Yellow Sun 643:MacArthur Fellowship 631:Princeton University 438:MacArthur Fellowship 325:Half of a Yellow Sun 139:Half of a Yellow Sun 47:Amanda Ngozi Adichie 12479:Halima Sadaf Karimi 11934:Adichie on Facebook 11790:Business Insider UK 11725:(3 November 2015). 11386:. 4 December 2013. 11358:. Washington, D.C. 11211:The Daily Telegraph 10605:The Berkshire Eagle 10556:Litinfinite Journal 10217:(15 October 2018). 10096:Ememyonu, Ernest N. 9928:Africa Is a Country 9410:Eudora Welty Review 9406:"Practical Matters" 9387:. Washington, D.C. 9384:The Washington Post 9187:. Washington, D.C. 9184:The Washington Post 9159:on 20 November 2020 9079:on 20 November 2015 9045:. Washington, D.C. 8212:Ememyonu, Ernest N. 8194:. 24 January 2021. 8070:Ememyonu, Ernest N. 7441:Ememyonu, Ernest N. 7351:The Daily Telegraph 7290:(3 February 2017). 7014:Paulicelli, Eugenia 6349:(6 November 2012). 5938:, pp. 114–115. 4970:, pp. 819–820. 4769:Gopalakrishnan 2021 4732:, pp. 218–219. 4497:, pp. 182–183. 4338:, pp. 129–131. 4302:, pp. 299–300. 3603:, pp. 226–227. 3203:, pp. 297–298. 2704:Cartagena, Colombia 2540:. Asin: BO8K942N84. 2122:American University 1840:was adapted into a 1742:Larissa MacFarquhar 1673:Cartagena, Colombia 1654:Frankfurt Book Fair 1578:'s election to the 1537:American University 1395:Binyavanga Wainaina 1367:. In her article, " 1252:Maria Grazia Chiuri 1013:Binyavanga Wainaina 12937:Writers from Enugu 12877:Nigerian satirists 12867:Nigerian feminists 12857:Nigerian essayists 12827:Igbo women writers 12585:Mia Krisna Pratiwi 12570:Zarlasht Halaimzai 12528:Science and health 12499:Piper Stege Nelson 12398:Marcelina Bautista 11929:Adichie on Twitter 11633:. Abuja, Nigeria. 11469:Kirkus Reviews.com 11383:The New York Times 11271:by Zeyn Joukhadar" 11241:. Abuja, Nigeria. 11001:. Lagos, Nigeria. 10971:The New York Times 10715:"Previous Winners" 10637:Harvard University 10381:on 16 October 2019 10375:Harvard University 10289:. Lagos, Nigeria. 10261:. Lagos, Nigeria. 10127:Kirkus Reviews.com 10106:. pp. 31–44. 9984:. Abuja, Nigeria. 9806:(8 October 2006). 9634:American Quarterly 9333:on 2 November 2023 9214:. Lagos, Nigeria. 8698:The New York Times 8251:. Lagos, Nigeria. 8080:. pp. 15–30. 8047:. Lagos, Nigeria. 7807:A & S Magazine 7504:. Abuja, Nigeria. 7247:The New York Times 7215:The New York Times 6903:. Lagos, Nigeria. 6876:. Abuja, Nigeria. 6778:on 15 January 2014 6746:. Lagos, Nigeria. 6600:. Lagos, Nigeria. 6546:. Lagos, Nigeria. 6519:. Lagos, Nigeria. 6302:. Lagos, Nigeria. 5961:The New York Times 5163:Stephen-David 2013 4781:Shariatmadari 2012 2534:: A Short Story". 2370:/Alfred A. Knopf. 2212:For Love of Biafra 2046:Harvard University 2004:The New York Times 1937: 1834: 1633: 1533:Harvard University 1494: 1311:, and journalists 1260:Paris Fashion Week 1205: 1056:civil disobedience 933:historical fiction 781: 734:Éditions Gallimard 711:Destination Biafra 602:For Love of Biafra 565:Joys of Motherhood 530:African literature 399:For Love of Biafra 371:Nigerian Civil War 12842:MacArthur Fellows 12659: 12658: 12504:Ann Rose Nu Tawng 12413:Najla El Mangoush 12373:Muqadasa Ahmadzai 12316:Chloé Lopes Gomes 12260:Adelaide Lala Tam 12255:Barbara Smolińska 12137:Catherine Corless 11764:New York Magazine 11570:978-0-19-538207-5 11539:978-2-296-12803-3 10916:New York Magazine 10183:(27 March 2017). 10153:Postcolonial Text 10113:978-1-84701-162-6 10078:978-1-56072-967-9 9966:978-1-4144-9987-1 9922:(10 April 2017). 9846:Messaggero Veneto 9699:(18 March 2014). 9352:Diario de Sevilla 9265:Celebrity Studies 9065:(16 April 2015). 8985:The Seattle Times 8720:English in Africa 8641:. Bonn, Germany. 8583:. Paris, France. 8520:"Endurance Tests" 8233:978-1-84701-162-6 8226:. pp. 1–14. 8087:978-1-84701-162-6 7933:(15 April 2013). 7868:on 22 April 2014. 7848:978-3-9524496-0-8 7817:on 2 October 2023 7508:. 5 August 2018. 7460:978-1-84701-162-6 7206:(19 April 2016). 7069:SAGE Publications 7041:978-0-367-20956-8 4362:, pp. 90–91. 4210:, pp. 85–86. 4174:, pp. 79–80. 3998:, pp. 61–63. 3986:, pp. 63–64. 3884:, pp. 87–88. 3819:, pp. 17–18. 3795:, pp. 18–19. 3537:, pp. 73–74. 3449:Diario de Sevilla 2718:Freedom of Speech 2636:Wellesley College 2376:978-0-00-855007-3 2355:978-0-593-32080-8 2338:978-0-00-827570-9 2313:978-0-00-811527-2 2298:978-0-307-27108-2 2277:978-0-00-730621-3 2260:978-0-00-720028-3 2244:978-0-00-718988-5 2234:(novel). London: 2221:978-978-029-032-0 2202:978-1-86106-422-6 2114:Haverford College 2074:The Africa Report 2015:(2017). Her book 2013:One City One Book 1953:PEN International 1945:BBC World Service 1854:Concepción barrio 1769:, he stated that 1604:Gonzalo P. Curiel 1524:Wellesley College 1434:writing workshops 1338:Pope Benedict XVI 937:retelling stories 882:Things Fall Apart 594:Drexel University 560:Ngũgĩ wa Thiong'o 545:The African Child 535:Things Fall Apart 515:COVID-19 pandemic 379:Drexel University 205: 204: 118:Years active 57:15 September 1977 12949: 12787:Feminist writers 12613:Tlaleng Mofokeng 12608:Mohadese Mirzaee 12514:Benafsha Yaqoobi 12270:Malala Yousafzai 12142:Pashtana Durrani 12100: 12093: 12086: 12077: 12076: 12071: 12063: 12062: 12061: 12054: 12046: 12045: 12044: 12037: 12029: 12028: 12027: 12017: 12001: 12000: 11999: 11989: 11988: 11987: 11977: 11976: 11965: 11964: 11963: 11953: 11952: 11951: 11944: 11917: 11870: 11868: 11866: 11840: 11838: 11836: 11830: 11815: 11806: 11804: 11802: 11779: 11777: 11775: 11748: 11746: 11744: 11718: 11671: 11669: 11667: 11646: 11644: 11642: 11621: 11574: 11543: 11519: 11509: 11507: 11505: 11485: 11483: 11481: 11459: 11457: 11455: 11433: 11431: 11429: 11399: 11397: 11395: 11379: 11371: 11369: 11367: 11344: 11342: 11340: 11317: 11315: 11313: 11261: 11259: 11257: 11227: 11225: 11223: 11200: 11193: 11191: 11189: 11145: 11143: 11141: 11118: 11116: 11114: 11091: 11089: 11087: 11066: 11041: 11039: 11037: 11014: 11012: 11010: 10987: 10985: 10983: 10967: 10958: 10956: 10954: 10931: 10929: 10927: 10900: 10898: 10896: 10873: 10871: 10869: 10856: 10827: 10825: 10823: 10796: 10794: 10792: 10769: 10767: 10765: 10728: 10710: 10708: 10706: 10681: 10679: 10677: 10652: 10650: 10648: 10621: 10619: 10617: 10594: 10592: 10590: 10553: 10539: 10537: 10535: 10526:. Apapa, Lagos. 10512: 10510: 10508: 10485: 10483: 10481: 10476:on 2 August 2023 10458: 10456: 10454: 10417: 10415: 10413: 10390: 10388: 10386: 10377:. Archived from 10359: 10357: 10355: 10312: 10302: 10300: 10298: 10287:Open Country Mag 10281:(4 April 2022). 10274: 10272: 10270: 10258:Open Country Mag 10244: 10242: 10240: 10210: 10208: 10206: 10176: 10143: 10141: 10139: 10117: 10090:Purple Hibiscus 10082: 10054: 10052: 10050: 10007: 9997: 9995: 9993: 9970: 9957:Cengage Learning 9943: 9941: 9939: 9920:Msimang, Sisonke 9915: 9913: 9911: 9889: 9887: 9885: 9862: 9860: 9858: 9835: 9833: 9831: 9811: 9804:McGrath, Charles 9799: 9797: 9795: 9767: 9765: 9763: 9726: 9724: 9722: 9692: 9685: 9683: 9681: 9623: 9621: 9619: 9596: 9594: 9592: 9569: 9551: 9549:10.21992/tc29446 9522: 9520: 9518: 9502: 9490: 9488: 9486: 9459: 9452: 9450: 9448: 9400: 9398: 9396: 9380: 9368: 9366: 9364: 9342: 9340: 9338: 9315: 9308: 9306: 9304: 9254: 9252: 9250: 9238:Evening Standard 9227: 9225: 9223: 9200: 9198: 9196: 9180: 9168: 9166: 9164: 9158: 9139: 9137: 9135: 9115: 9113: 9111: 9099:Black Enterprise 9088: 9086: 9084: 9058: 9056: 9054: 9042:Inside Higher Ed 9031: 9029: 9027: 9005: 9003: 9001: 8992:. Archived from 8990:Associated Press 8974: 8941: 8939: 8937: 8914: 8912: 8910: 8904: 8881: 8871: 8869: 8867: 8844: 8842: 8840: 8813: 8811: 8809: 8778: 8776: 8774: 8751: 8714: 8712: 8710: 8694: 8685: 8683: 8681: 8654: 8652: 8650: 8627: 8625: 8623: 8596: 8594: 8592: 8569: 8567: 8565: 8541: 8539: 8537: 8511: 8509: 8507: 8484: 8482: 8480: 8457: 8455: 8453: 8430: 8428: 8426: 8403: 8401: 8399: 8376: 8374: 8372: 8349: 8347: 8345: 8322: 8320: 8318: 8301:: London Review" 8291: 8289: 8287: 8264: 8262: 8260: 8237: 8207: 8205: 8203: 8177: 8175: 8173: 8150: 8143: 8141: 8139: 8091: 8060: 8058: 8056: 8033: 8015: 8013:10.7832/46-2-311 7983: 7981: 7979: 7956: 7954: 7952: 7926: 7869: 7852: 7826: 7824: 7822: 7798: 7796: 7794: 7767: 7765: 7763: 7736: 7734: 7732: 7710: 7708: 7706: 7684: 7682: 7680: 7658: 7656: 7654: 7632: 7630: 7628: 7619:. 24 June 2016. 7606: 7604: 7602: 7580: 7578: 7576: 7554: 7552: 7550: 7524: 7522: 7520: 7491: 7489: 7487: 7464: 7438: 7428: 7421: 7419: 7417: 7367: 7365: 7363: 7340: 7338: 7336: 7313: 7311: 7309: 7283: 7281: 7279: 7263: 7261: 7259: 7243: 7231: 7229: 7227: 7211: 7199: 7197: 7195: 7176:(4 March 2017). 7169: 7167: 7165: 7142: 7103: 7101: 7099: 7045: 7004: 6997: 6995: 6993: 6943: 6941: 6939: 6916: 6914: 6912: 6889: 6887: 6885: 6862: 6860: 6858: 6839: 6837: 6835: 6814: 6812: 6810: 6787: 6785: 6783: 6759: 6757: 6755: 6732: 6730: 6728: 6705: 6703: 6701: 6692:. 27 June 2013. 6676: 6674: 6672: 6649: 6613: 6611: 6609: 6586: 6584: 6582: 6559: 6557: 6555: 6532: 6530: 6528: 6505: 6503: 6501: 6478: 6476: 6474: 6447: 6445: 6443: 6416: 6414: 6412: 6395:"Truth and Lies" 6389: 6372: 6370: 6368: 6342: 6340: 6338: 6315: 6313: 6311: 6288: 6281: 6279: 6277: 6218: 6212: 6206: 6200: 6194: 6188: 6182: 6176: 6170: 6167:Aneasoronye 2019 6164: 6158: 6153:Guardian Nigeria 6149: 6143: 6140:Ayo-Aderele 2017 6137: 6131: 6125: 6119: 6113: 6107: 6101: 6095: 6086: 6080: 6074: 6068: 6062: 6056: 6050: 6044: 6038: 6032: 6026: 6020: 6011: 6005: 5999: 5993: 5987: 5981: 5972: 5966: 5957: 5951: 5945: 5939: 5933: 5927: 5921: 5915: 5909: 5903: 5897: 5891: 5882: 5865: 5862:Caine Prize 2009 5859: 5853: 5847: 5841: 5835: 5829: 5823: 5817: 5811: 5805: 5799: 5793: 5784: 5778: 5772: 5766: 5760: 5754: 5748: 5742: 5736: 5730: 5724: 5718: 5712: 5706: 5697: 5691: 5685: 5679: 5673: 5664: 5658: 5652: 5646: 5640: 5634: 5628: 5622: 5616: 5610: 5604: 5598: 5592: 5586: 5580: 5574: 5568: 5562: 5556: 5550: 5541: 5535: 5529: 5520: 5514: 5508: 5502: 5493: 5487: 5481: 5475: 5469: 5463: 5457: 5451: 5445: 5439: 5433: 5427: 5421: 5415: 5409: 5400: 5394: 5388: 5382: 5376: 5370: 5361: 5352: 5343: 5337: 5326: 5320: 5307: 5304:Sefa-Boakye 2015 5301: 5292: 5286: 5273: 5264: 5258: 5252: 5246: 5240: 5234: 5228: 5222: 5216: 5205: 5199: 5190: 5184: 5178: 5172: 5166: 5160: 5151: 5145: 5139: 5133: 5124: 5118: 5103: 5097: 5091: 5085: 5079: 5073: 5067: 5061: 5052: 5046: 5040: 5034: 5028: 5022: 5016: 5010: 5001: 4995: 4986: 4980: 4971: 4965: 4959: 4953: 4944: 4938: 4927: 4921: 4915: 4909: 4903: 4897: 4891: 4885: 4879: 4873: 4856: 4850: 4841: 4835: 4829: 4823: 4814: 4811:Pongsajapan 2017 4808: 4799: 4793: 4784: 4778: 4772: 4766: 4760: 4751: 4745: 4739: 4733: 4727: 4718: 4712: 4706: 4700: 4691: 4685: 4679: 4673: 4664: 4661:Weatherford 2016 4658: 4652: 4646: 4640: 4634: 4628: 4622: 4613: 4607: 4598: 4589: 4583: 4577: 4571: 4565: 4554: 4548: 4539: 4533: 4522: 4516: 4510: 4504: 4498: 4492: 4486: 4480: 4474: 4468: 4459: 4453: 4447: 4441: 4435: 4429: 4423: 4417: 4411: 4405: 4399: 4393: 4387: 4381: 4375: 4369: 4363: 4357: 4351: 4345: 4339: 4333: 4327: 4321: 4315: 4309: 4303: 4297: 4291: 4285: 4279: 4273: 4264: 4258: 4252: 4246: 4240: 4234: 4223: 4217: 4211: 4205: 4199: 4193: 4187: 4181: 4175: 4169: 4160: 4154: 4148: 4142: 4136: 4130: 4121: 4115: 4106: 4100: 4094: 4088: 4082: 4076: 4067: 4061: 4052: 4046: 4023: 4017: 4011: 4005: 3999: 3993: 3987: 3981: 3975: 3969: 3960: 3954: 3948: 3942: 3936: 3930: 3924: 3918: 3912: 3906: 3900: 3894: 3885: 3879: 3873: 3867: 3861: 3855: 3849: 3843: 3832: 3826: 3820: 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2518: 2509: 2501: 2492: 2484: 2475: 2460: 2451:"Quality Street" 2445: 2430: 2415: 2400: 2225: 2206: 2170:Muhammadu Buhari 2142:Williams College 2086:Waleed Abulkhair 2082:PEN Pinter Prize 2079: 2056: 2040:(2016), and the 2024: 2011:(2014), and the 1979:(2009), and the 1775: 1752:Open Country Mag 1686: 1670: 1669: 1630: 1563:as equal to the 1535:(2018), and the 1529:Williams College 1469:Pietermaritzburg 1372: 1371: 1346:nominal Catholic 1241: 1189:Feminist fashion 1095:African diaspora 1081: 1080: 1075: 1074: 894: 892:i biri ka m biri 866: 779:, Germany (2014) 751:African diaspora 731: 707: 311: 310: 309: 308: 301: 298: 297: 294: 291: 288: 285: 282: 279: 276: 272: 271: 268: 265: 262: 259: 256: 253: 249: 248: 245: 242: 239: 236: 233: 230: 227: 224: 221: 218: 201: 198: 196: 175: 173: 128: 60: 56: 54: 35: 21: 20: 12957: 12956: 12952: 12951: 12950: 12948: 12947: 12946: 12887:Women satirists 12662: 12661: 12660: 12655: 12640: 12631:Roshanak Wardak 12575:Nasrin Husseini 12523: 12474:Manjula Pradeep 12428:Momena Ibrahimi 12418:Shila Ensandost 12361: 12306:Carolina García 12296:Sevda Altunoluk 12274: 12177:Shamsia Hassani 12172:Najlla Habibyar 12162:Saghi Ghahraman 12110: 12104: 12074: 12064: 12059: 12057: 12047: 12042: 12040: 12030: 12025: 12023: 12020: 12016:sister projects 12013:at Knowledge's 12007: 11997: 11995: 11985: 11983: 11971: 11961: 11959: 11949: 11947: 11939: 11925: 11920: 11864: 11862: 11834: 11832: 11828: 11813: 11800: 11798: 11773: 11771: 11742: 11740: 11665: 11663: 11640: 11638: 11571: 11540: 11517: 11503: 11501: 11494:Ventures Africa 11479: 11477: 11453: 11451: 11427: 11425: 11393: 11391: 11365: 11363: 11338: 11336: 11328:The Independent 11311: 11309: 11255: 11253: 11221: 11219: 11198: 11187: 11185: 11139: 11137: 11112: 11110: 11085: 11083: 11035: 11033: 11008: 11006: 10981: 10979: 10952: 10950: 10925: 10923: 10894: 10892: 10867: 10865: 10821: 10819: 10790: 10788: 10763: 10761: 10704: 10702: 10675: 10673: 10646: 10644: 10632:Harvard Gazette 10615: 10613: 10588: 10586: 10551: 10547:Purple Hibiscus 10533: 10531: 10506: 10504: 10479: 10477: 10452: 10450: 10411: 10409: 10384: 10382: 10353: 10351: 10310: 10296: 10294: 10268: 10266: 10238: 10236: 10204: 10202: 10137: 10135: 10114: 10079: 10048: 10046: 10005: 9991: 9989: 9967: 9937: 9935: 9909: 9907: 9899:The Irish Times 9883: 9881: 9856: 9854: 9829: 9827: 9793: 9791: 9761: 9759: 9720: 9718: 9690: 9679: 9677: 9617: 9615: 9590: 9588: 9516: 9514: 9497:(28 May 2018). 9484: 9482: 9457: 9446: 9444: 9394: 9392: 9362: 9360: 9336: 9334: 9313: 9302: 9300: 9248: 9246: 9221: 9219: 9194: 9192: 9162: 9160: 9133: 9131: 9109: 9107: 9082: 9080: 9052: 9050: 9025: 9023: 8999: 8997: 8996:on 15 July 2014 8935: 8933: 8908: 8906: 8902: 8879: 8865: 8863: 8838: 8836: 8807: 8805: 8772: 8770: 8708: 8706: 8679: 8677: 8648: 8646: 8621: 8619: 8590: 8588: 8563: 8561: 8535: 8533: 8518:(16 May 2009). 8516:Forna, Aminatta 8505: 8503: 8478: 8476: 8451: 8449: 8424: 8422: 8397: 8395: 8370: 8368: 8343: 8341: 8316: 8314: 8285: 8283: 8258: 8256: 8234: 8201: 8199: 8171: 8169: 8148: 8137: 8135: 8088: 8054: 8052: 7977: 7975: 7950: 7948: 7879:Purple Hibiscus 7849: 7820: 7818: 7792: 7790: 7761: 7759: 7730: 7728: 7704: 7702: 7678: 7676: 7652: 7650: 7626: 7624: 7600: 7598: 7574: 7572: 7548: 7546: 7518: 7516: 7485: 7483: 7461: 7436: 7426: 7415: 7413: 7387:Sage Publishing 7361: 7359: 7334: 7332: 7307: 7305: 7288:Busby, Margaret 7277: 7275: 7257: 7255: 7236:Broom, Sarah M. 7225: 7223: 7193: 7191: 7163: 7161: 7097: 7095: 7042: 7002: 6991: 6989: 6937: 6935: 6910: 6908: 6883: 6881: 6856: 6854: 6833: 6831: 6808: 6806: 6781: 6779: 6768:bookcritics.org 6753: 6751: 6726: 6724: 6699: 6697: 6670: 6668: 6607: 6605: 6580: 6578: 6553: 6551: 6526: 6524: 6499: 6497: 6472: 6470: 6441: 6439: 6410: 6408: 6382:In Posse Review 6366: 6364: 6336: 6334: 6309: 6307: 6286: 6275: 6273: 6226: 6221: 6213: 6209: 6201: 6197: 6189: 6185: 6177: 6173: 6165: 6161: 6150: 6146: 6138: 6134: 6126: 6122: 6114: 6110: 6102: 6098: 6090:Ventures Africa 6087: 6083: 6075: 6071: 6063: 6059: 6051: 6047: 6039: 6035: 6027: 6023: 6012: 6008: 6000: 5996: 5988: 5984: 5973: 5969: 5958: 5954: 5946: 5942: 5936:Richardson 2011 5934: 5930: 5922: 5918: 5910: 5906: 5898: 5894: 5883: 5868: 5860: 5856: 5848: 5844: 5836: 5832: 5824: 5820: 5812: 5808: 5800: 5796: 5785: 5781: 5773: 5769: 5761: 5757: 5749: 5745: 5737: 5733: 5725: 5721: 5713: 5709: 5698: 5694: 5686: 5682: 5674: 5667: 5659: 5655: 5647: 5643: 5635: 5631: 5623: 5619: 5611: 5607: 5599: 5595: 5587: 5583: 5575: 5571: 5563: 5559: 5551: 5544: 5536: 5532: 5521: 5517: 5509: 5505: 5494: 5490: 5482: 5478: 5470: 5466: 5458: 5454: 5446: 5442: 5434: 5430: 5422: 5418: 5410: 5403: 5395: 5391: 5383: 5379: 5371: 5364: 5353: 5346: 5338: 5329: 5321: 5310: 5302: 5295: 5287: 5276: 5265: 5261: 5253: 5249: 5241: 5237: 5229: 5225: 5217: 5208: 5200: 5193: 5185: 5181: 5175:Olanrewaju 2012 5173: 5169: 5161: 5154: 5146: 5142: 5134: 5127: 5119: 5106: 5098: 5094: 5086: 5082: 5074: 5070: 5062: 5055: 5047: 5043: 5035: 5031: 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4014: 4006: 4002: 3994: 3990: 3982: 3978: 3972:Carotenuto 2017 3970: 3963: 3955: 3951: 3943: 3939: 3931: 3927: 3919: 3915: 3907: 3903: 3895: 3888: 3880: 3876: 3868: 3864: 3856: 3852: 3844: 3835: 3827: 3823: 3815: 3811: 3803: 3799: 3791: 3787: 3779: 3775: 3767: 3760: 3756:, pp. 2–3. 3752: 3748: 3744:, pp. 5–6. 3740: 3736: 3728: 3721: 3713: 3706: 3698: 3694: 3686: 3679: 3671: 3667: 3659: 3655: 3647: 3643: 3635: 3631: 3623: 3619: 3611: 3607: 3599: 3595: 3587: 3583: 3575: 3568: 3560: 3556: 3548: 3541: 3533: 3529: 3518: 3514: 3506: 3502: 3494: 3487: 3479: 3472: 3461: 3457: 3446: 3442: 3434: 3430: 3422: 3418: 3410: 3406: 3398: 3394: 3386: 3382: 3374: 3370: 3362: 3355: 3344: 3340: 3332: 3328: 3317: 3313: 3305: 3301: 3293: 3286: 3278: 3274: 3266: 3255: 3247: 3243: 3235: 3231: 3223: 3219: 3211: 3207: 3199: 3195: 3187: 3183: 3175: 3162: 3154: 3150: 3139: 3130: 3122: 3105: 3097: 3093: 3085: 3078: 3070: 3066: 3058: 3023: 3015: 3008: 2997: 2990: 2982: 2957: 2946: 2939: 2931: 2927: 2919: 2915: 2907: 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Knopf 2231:Purple Hibiscus 2222: 2209: 2203: 2190: 2187: 2182: 2154:Bowdoin College 2150:Amherst College 2146:Duke University 2130:Yale University 2097:for the award. 2077: 2054: 1957:Purple Hibiscus 1929: 1908:Daily Telegraph 1901:The Independent 1882:Igbo literature 1878:Ernest Emenyonu 1869:Purple Hibiscus 1836:Adichie's book 1821:Adichie on the 1773: 1757:Purple Hibiscus 1739: 1734: 1717: 1680: 1678:Congreso Futuro 1642:Hillary Clinton 1637:Lincoln Theatre 1624: 1622:Congreso Futuro 1594:editor-in-chief 1549:code of silence 1541:Yale University 1482: 1480:Public speaking 1383: 1325: 1239: 1220:body positivity 1191: 1186: 1170:Purple Hibiscus 1143:Purple Hibiscus 1135:Purple Hibiscus 1128:commodification 1108:Purple Hibiscus 1024:Purple Hibiscus 1009: 1001:Sisonke Msimang 991:Yoruba cultural 963:Purple Hibiscus 929:oral traditions 907:oversimplified 897:Oliver De Coque 887:Purple Hibiscus 873:Purple Hibiscus 868: 858: 849: 794:Purple Hibiscus 724:Alfred A. Knopf 705: 690:Kachifo Limited 678:Algonquin Books 673:Igbo traditions 660:Purple Hibiscus 655: 639:African studies 635:Yale University 622:summa cum laude 617:Campus Lantern. 555:Weep Not, Child 491:Merritt College 455: 450: 448:Life and career 424:Adichie's 2009 391:Yale University 319:Purple Hibiscus 304: 303: 273: 250: 215: 211: 193: 177: 174: 2009) 169: 165: 133:Purple Hibiscus 126: 113: 96: 91:Yale University 72:Alma mater 67: 61: 58: 52: 50: 49: 48: 38: 37:Adichie in 2015 26: 17: 12: 11: 5: 12955: 12945: 12944: 12939: 12934: 12929: 12924: 12919: 12914: 12909: 12904: 12899: 12894: 12889: 12884: 12879: 12874: 12869: 12864: 12859: 12854: 12849: 12844: 12839: 12834: 12829: 12824: 12819: 12814: 12812:Igbo novelists 12809: 12807:Igbo educators 12804: 12799: 12797:Igbo activists 12794: 12792:Igbo academics 12789: 12784: 12779: 12774: 12769: 12764: 12759: 12754: 12749: 12744: 12739: 12734: 12729: 12724: 12719: 12714: 12709: 12704: 12699: 12694: 12689: 12684: 12679: 12674: 12657: 12656: 12645: 12642: 12641: 12639: 12638: 12633: 12628: 12623: 12620: 12615: 12610: 12605: 12600: 12597: 12592: 12587: 12582: 12580:Amena Karimyan 12577: 12572: 12567: 12562: 12557: 12555:Azmina Dhrodia 12552: 12550:Faiza Darkhani 12547: 12542: 12537: 12531: 12529: 12525: 12524: 12522: 12521: 12516: 12511: 12509:Emma Theofelus 12506: 12501: 12496: 12491: 12489:Mahbouba Seraj 12486: 12481: 12476: 12471: 12466: 12464:Basira Paigham 12461: 12456: 12451: 12446: 12443: 12440: 12435: 12430: 12425: 12423:Fatima Gailani 12420: 12415: 12410: 12408:Razia Barakzai 12405: 12400: 12395: 12393:Natasha Asghar 12390: 12385: 12380: 12375: 12369: 12367: 12363: 12362: 12360: 12359: 12354: 12349: 12344: 12342:Fatima Sultani 12339: 12336: 12331: 12326: 12323: 12318: 12313: 12308: 12303: 12298: 12293: 12288: 12282: 12280: 12276: 12275: 12273: 12272: 12267: 12262: 12257: 12252: 12247: 12242: 12237: 12232: 12229: 12224: 12219: 12214: 12212:Fahima Mirzaie 12209: 12204: 12199: 12197:Helena Kennedy 12194: 12189: 12184: 12179: 12174: 12169: 12167:Angela Ghayour 12164: 12159: 12154: 12149: 12147:Saeeda Etebari 12144: 12139: 12134: 12129: 12124: 12118: 12116: 12112: 12111: 12109:by BBC in 2021 12103: 12102: 12095: 12088: 12080: 12073: 12072: 12055: 12053:from Wikiquote 12038: 12009: 12006: 12005: 11993: 11981: 11969: 11957: 11937: 11936: 11931: 11924: 11923:External links 11921: 11919: 11918: 11884:(3): 234–236. 11871: 11857:. 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London, UK. 8915: 8884:ISA Newsletter 8872: 8845: 8814: 8779: 8752: 8715: 8686: 8655: 8638:Deutsche Welle 8628: 8597: 8570: 8552:. London, UK: 8542: 8528:. London, UK. 8512: 8498:. London, UK. 8485: 8471:. London, UK. 8458: 8444:. London, UK. 8431: 8417:. London, UK. 8404: 8390:. London, UK. 8377: 8363:. London, UK. 8350: 8336:. London, UK. 8323: 8292: 8265: 8238: 8232: 8216:"Introduction" 8208: 8178: 8151: 8092: 8086: 8061: 8034: 7990:(April 2019). 7984: 7957: 7943:. London, UK. 7931:Day, Elizabeth 7927: 7870: 7853: 7847: 7827: 7799: 7768: 7737: 7711: 7685: 7668:Times of India 7659: 7633: 7607: 7581: 7555: 7525: 7492: 7465: 7459: 7429: 7368: 7354:. London, UK. 7341: 7327:. London, UK. 7314: 7300:. London, UK. 7284: 7264: 7238:(9 May 2021). 7232: 7200: 7186:. London, UK. 7170: 7143: 7117:(4): 121–138. 7104: 7046: 7040: 7005: 6944: 6930:. London, UK. 6917: 6890: 6863: 6840: 6824:African Writer 6815: 6798:Herald Nigeria 6788: 6760: 6733: 6706: 6677: 6663:. London, UK. 6650: 6624:(131): 78–95. 6614: 6587: 6573:. London, UK. 6560: 6533: 6506: 6479: 6448: 6430:. London, UK. 6417: 6403:. London, UK. 6390: 6373: 6359:. 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Henry Award 1928: 1925: 1895:Kirkus Reviews 1890:Notes On Grief 1746:The New Yorker 1738: 1735: 1733: 1730: 1716: 1713: 1703:, inspired by 1701:Reith Lectures 1481: 1478: 1382: 1379: 1375:Fratelli tutti 1358:Fratelli tutti 1324: 1321: 1317:Léa Steinacker 1279:Nigerian naira 1248:Michelle Obama 1190: 1187: 1185: 1182: 1162:domestic abuse 1048:Purple Hibisus 1008: 1005: 996:Pan-Africanist 959:anti-male bias 947:literary canon 862:Times of India 850: 848: 845: 813:The New Yorker 703:Buchi Emecheta 654: 651: 570:Buchi Emecheta 454: 451: 449: 446: 414:Buchi Emecheta 349:Notes on Grief 203: 202: 191: 187: 186: 183: 179: 178: 167: 163: 162: 160: 156: 155: 129: 123: 122: 119: 115: 114: 112: 111: 110:public speaker 108: 104: 102: 98: 97: 95: 94: 88: 82: 75: 73: 69: 68: 62: 46: 44: 40: 39: 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 12954: 12943: 12940: 12938: 12935: 12933: 12930: 12928: 12925: 12923: 12920: 12918: 12915: 12913: 12910: 12908: 12905: 12903: 12900: 12898: 12895: 12893: 12890: 12888: 12885: 12883: 12880: 12878: 12875: 12873: 12870: 12868: 12865: 12863: 12860: 12858: 12855: 12853: 12850: 12848: 12845: 12843: 12840: 12838: 12837:Living people 12835: 12833: 12830: 12828: 12825: 12823: 12820: 12818: 12815: 12813: 12810: 12808: 12805: 12803: 12800: 12798: 12795: 12793: 12790: 12788: 12785: 12783: 12780: 12778: 12775: 12773: 12770: 12768: 12765: 12763: 12760: 12758: 12755: 12753: 12750: 12748: 12745: 12743: 12740: 12738: 12735: 12733: 12730: 12728: 12725: 12723: 12720: 12718: 12715: 12713: 12710: 12708: 12705: 12703: 12700: 12698: 12695: 12693: 12690: 12688: 12685: 12683: 12680: 12678: 12675: 12673: 12670: 12669: 12667: 12654: 12653: 12649: 12643: 12637: 12634: 12632: 12629: 12627: 12624: 12621: 12619: 12616: 12614: 12611: 12609: 12606: 12604: 12601: 12598: 12596: 12593: 12591: 12588: 12586: 12583: 12581: 12578: 12576: 12573: 12571: 12568: 12566: 12565:Laila Haidari 12563: 12561: 12560:Jamila Gordon 12558: 12556: 12553: 12551: 12548: 12546: 12543: 12541: 12538: 12536: 12533: 12532: 12530: 12526: 12520: 12517: 12515: 12512: 12510: 12507: 12505: 12502: 12500: 12497: 12495: 12492: 12490: 12487: 12485: 12482: 12480: 12477: 12475: 12472: 12470: 12469:Monica Paulus 12467: 12465: 12462: 12460: 12459:Amanda Nguyen 12457: 12455: 12454:Salima Mazari 12452: 12450: 12447: 12444: 12441: 12439: 12436: 12434: 12431: 12429: 12426: 12424: 12421: 12419: 12416: 12414: 12411: 12409: 12406: 12404: 12403:Crystal Bayat 12401: 12399: 12396: 12394: 12391: 12389: 12386: 12384: 12381: 12379: 12376: 12374: 12371: 12370: 12368: 12364: 12358: 12355: 12353: 12350: 12348: 12345: 12343: 12340: 12337: 12335: 12332: 12330: 12327: 12324: 12322: 12321:Tanya Muzinda 12319: 12317: 12314: 12312: 12309: 12307: 12304: 12302: 12301:Nilofar Bayat 12299: 12297: 12294: 12292: 12289: 12287: 12284: 12283: 12281: 12277: 12271: 12268: 12266: 12263: 12261: 12258: 12256: 12253: 12251: 12250:Mina Smallman 12248: 12246: 12245:Anisa Shaheed 12243: 12241: 12238: 12236: 12233: 12230: 12228: 12225: 12223: 12220: 12218: 12215: 12213: 12210: 12208: 12205: 12203: 12202:Iman Le Caire 12200: 12198: 12195: 12193: 12190: 12188: 12187:Freshta Karim 12185: 12183: 12180: 12178: 12175: 12173: 12170: 12168: 12165: 12163: 12160: 12158: 12155: 12153: 12150: 12148: 12145: 12143: 12140: 12138: 12135: 12133: 12130: 12128: 12125: 12123: 12120: 12119: 12117: 12113: 12108: 12101: 12096: 12094: 12089: 12087: 12082: 12081: 12078: 12070:from Wikidata 12069: 12068: 12056: 12052: 12051: 12039: 12035: 12034: 12022: 12021: 12018: 12012: 12004: 11994: 11992: 11982: 11980: 11975: 11970: 11968: 11958: 11956: 11946: 11945: 11942: 11935: 11932: 11930: 11927: 11926: 11915: 11911: 11907: 11903: 11899: 11895: 11891: 11887: 11883: 11879: 11878: 11872: 11860: 11856: 11855: 11850: 11846: 11845:Williams, Zoe 11842: 11827: 11823: 11819: 11812: 11808: 11796: 11792: 11791: 11786: 11781: 11769: 11765: 11761: 11760: 11755: 11750: 11738: 11734: 11733: 11732:British Vogue 11728: 11724: 11723:Wagner, Erica 11720: 11716: 11712: 11708: 11704: 11700: 11696: 11692: 11688: 11685:(2): 85–103. 11684: 11680: 11679: 11673: 11661: 11657: 11653: 11648: 11636: 11632: 11628: 11623: 11619: 11615: 11611: 11607: 11603: 11599: 11595: 11591: 11587: 11583: 11582: 11576: 11572: 11566: 11562: 11558: 11554: 11550: 11545: 11541: 11535: 11531: 11527: 11523: 11516: 11511: 11499: 11495: 11491: 11487: 11475: 11471: 11470: 11465: 11461: 11449: 11445: 11444: 11439: 11435: 11423: 11419: 11415: 11411: 11410: 11405: 11401: 11389: 11385: 11384: 11378: 11373: 11361: 11357: 11356: 11351: 11346: 11334: 11330: 11329: 11324: 11319: 11308: 11304: 11300: 11296: 11292: 11288: 11284: 11280: 11276: 11272: 11270: 11263: 11252: 11248: 11244: 11240: 11239: 11234: 11229: 11217: 11213: 11212: 11207: 11202: 11197: 11184: 11180: 11176: 11172: 11168: 11164: 11160: 11156: 11152: 11147: 11135: 11131: 11130: 11125: 11120: 11108: 11104: 11103: 11098: 11093: 11082: 11078: 11074: 11070: 11065: 11060: 11056: 11052: 11048: 11043: 11031: 11027: 11026: 11021: 11016: 11004: 11000: 10999: 10994: 10989: 10977: 10973: 10972: 10966: 10960: 10948: 10944: 10943: 10938: 10933: 10921: 10917: 10913: 10912: 10907: 10902: 10890: 10886: 10885: 10880: 10875: 10864: 10860: 10855: 10850: 10846: 10842: 10838: 10834: 10829: 10817: 10813: 10809: 10808: 10803: 10798: 10786: 10782: 10781: 10776: 10771: 10760: 10756: 10752: 10748: 10745: 10741: 10740: 10735: 10730: 10726: 10722: 10721: 10716: 10712: 10700: 10696: 10692: 10688: 10683: 10671: 10667: 10663: 10659: 10654: 10642: 10638: 10634: 10633: 10628: 10623: 10611: 10607: 10606: 10601: 10596: 10585: 10581: 10577: 10573: 10569: 10565: 10561: 10557: 10550: 10548: 10541: 10529: 10525: 10524: 10519: 10514: 10502: 10498: 10497: 10492: 10487: 10475: 10471: 10470: 10465: 10460: 10448: 10444: 10440: 10436: 10432: 10428: 10424: 10419: 10407: 10403: 10402: 10397: 10392: 10380: 10376: 10372: 10371: 10366: 10361: 10350: 10346: 10342: 10338: 10334: 10330: 10326: 10322: 10318: 10317: 10309: 10304: 10292: 10288: 10284: 10280: 10276: 10264: 10260: 10259: 10254: 10250: 10246: 10234: 10230: 10226: 10225: 10224:Brittle Paper 10220: 10216: 10212: 10200: 10196: 10192: 10191: 10190:Brittle Paper 10186: 10182: 10178: 10174: 10170: 10166: 10162: 10158: 10154: 10150: 10145: 10133: 10129: 10128: 10123: 10119: 10115: 10109: 10105: 10101: 10097: 10093: 10091: 10084: 10080: 10074: 10070: 10066: 10065: 10060: 10056: 10045: 10041: 10037: 10033: 10029: 10025: 10021: 10017: 10013: 10012: 10004: 9999: 9987: 9983: 9982: 9977: 9972: 9968: 9962: 9958: 9954: 9950: 9945: 9933: 9929: 9925: 9921: 9917: 9905: 9901: 9900: 9895: 9891: 9879: 9875: 9874: 9869: 9864: 9852: 9848: 9847: 9842: 9837: 9825: 9821: 9817: 9816: 9810: 9805: 9801: 9790: 9786: 9782: 9778: 9774: 9769: 9757: 9753: 9749: 9745: 9741: 9737: 9733: 9728: 9716: 9712: 9708: 9707: 9702: 9698: 9694: 9689: 9676: 9672: 9668: 9664: 9660: 9656: 9652: 9648: 9644: 9640: 9636: 9635: 9630: 9625: 9613: 9609: 9608: 9603: 9598: 9586: 9582: 9581: 9576: 9571: 9567: 9563: 9559: 9555: 9550: 9545: 9541: 9537: 9533: 9532:TranscUlturAl 9529: 9524: 9512: 9508: 9507: 9501: 9496: 9492: 9480: 9476: 9472: 9471: 9466: 9461: 9456: 9443: 9439: 9435: 9431: 9427: 9423: 9419: 9415: 9411: 9407: 9402: 9390: 9386: 9385: 9379: 9374: 9370: 9358: 9354: 9353: 9348: 9344: 9332: 9328: 9327: 9322: 9317: 9312: 9299: 9295: 9291: 9287: 9283: 9279: 9275: 9271: 9267: 9266: 9261: 9256: 9244: 9240: 9239: 9234: 9229: 9217: 9213: 9212: 9207: 9202: 9190: 9186: 9185: 9179: 9174: 9170: 9157: 9152: 9151: 9150:De Volkskrant 9146: 9141: 9129: 9125: 9121: 9117: 9105: 9101: 9100: 9095: 9090: 9078: 9074: 9073: 9068: 9064: 9060: 9048: 9044: 9043: 9038: 9033: 9021: 9017: 9016: 9011: 9007: 8995: 8991: 8987: 8986: 8981: 8976: 8972: 8968: 8964: 8960: 8956: 8952: 8950: 8943: 8931: 8927: 8926: 8921: 8916: 8901: 8897: 8893: 8889: 8885: 8878: 8873: 8861: 8857: 8856: 8851: 8846: 8834: 8830: 8826: 8825: 8824:Brittle Paper 8820: 8815: 8803: 8799: 8795: 8791: 8790: 8785: 8780: 8768: 8764: 8763: 8758: 8753: 8749: 8745: 8741: 8737: 8733: 8729: 8725: 8721: 8716: 8704: 8700: 8699: 8693: 8687: 8675: 8671: 8667: 8666: 8661: 8656: 8644: 8640: 8639: 8634: 8629: 8617: 8613: 8609: 8608: 8603: 8598: 8586: 8582: 8581: 8576: 8571: 8559: 8555: 8551: 8547: 8543: 8531: 8527: 8526: 8521: 8517: 8513: 8501: 8497: 8496: 8491: 8486: 8474: 8470: 8469: 8464: 8459: 8447: 8443: 8442: 8437: 8432: 8420: 8416: 8415: 8410: 8405: 8393: 8389: 8388: 8383: 8378: 8366: 8362: 8361: 8356: 8351: 8339: 8335: 8334: 8329: 8324: 8312: 8308: 8307: 8302: 8300: 8293: 8281: 8277: 8276: 8271: 8266: 8254: 8250: 8249: 8244: 8239: 8235: 8229: 8225: 8221: 8217: 8213: 8209: 8197: 8193: 8189: 8188: 8183: 8179: 8167: 8163: 8162: 8157: 8152: 8147: 8134: 8130: 8126: 8122: 8118: 8114: 8110: 8106: 8102: 8098: 8093: 8089: 8083: 8079: 8075: 8071: 8067: 8062: 8050: 8046: 8045: 8040: 8035: 8031: 8027: 8023: 8019: 8014: 8009: 8005: 8001: 7997: 7993: 7989: 7988:Dube, Musa W. 7985: 7973: 7969: 7968: 7963: 7958: 7946: 7942: 7941: 7936: 7932: 7928: 7924: 7920: 7916: 7912: 7908: 7904: 7900: 7896: 7892: 7888: 7884: 7880: 7876: 7871: 7867: 7863: 7859: 7854: 7850: 7844: 7840: 7836: 7832: 7828: 7816: 7812: 7808: 7804: 7800: 7788: 7784: 7780: 7779: 7774: 7769: 7757: 7753: 7749: 7748: 7743: 7738: 7726: 7722: 7721: 7716: 7712: 7700: 7696: 7695: 7690: 7686: 7674: 7670: 7669: 7664: 7660: 7648: 7644: 7643: 7638: 7634: 7622: 7618: 7617: 7612: 7608: 7596: 7592: 7591: 7586: 7582: 7570: 7566: 7565: 7560: 7556: 7544: 7540: 7536: 7535: 7530: 7526: 7515: 7511: 7507: 7503: 7502: 7497: 7493: 7481: 7477: 7476: 7471: 7466: 7462: 7456: 7452: 7448: 7447: 7442: 7435: 7430: 7425: 7424:SAGE Journals 7412: 7408: 7404: 7400: 7396: 7392: 7388: 7384: 7380: 7379: 7374: 7369: 7357: 7353: 7352: 7347: 7342: 7330: 7326: 7325: 7320: 7315: 7303: 7299: 7298: 7293: 7289: 7285: 7274: 7270: 7265: 7253: 7249: 7248: 7242: 7237: 7233: 7221: 7217: 7216: 7210: 7205: 7204:Brooks, David 7201: 7189: 7185: 7184: 7179: 7175: 7174:Brockes, Emma 7171: 7159: 7155: 7154: 7149: 7144: 7140: 7136: 7132: 7128: 7124: 7120: 7116: 7112: 7111: 7105: 7094: 7090: 7086: 7082: 7078: 7074: 7070: 7066: 7062: 7061: 7056: 7054: 7047: 7043: 7037: 7033: 7029: 7025: 7021: 7020: 7015: 7011: 7006: 7001: 6988: 6984: 6980: 6976: 6972: 6968: 6964: 6960: 6956: 6955: 6950: 6945: 6933: 6929: 6928: 6923: 6918: 6906: 6902: 6901: 6896: 6891: 6879: 6875: 6874: 6873:Premium Times 6869: 6864: 6852: 6851: 6846: 6841: 6829: 6825: 6821: 6816: 6804: 6800: 6799: 6794: 6789: 6777: 6773: 6769: 6765: 6761: 6749: 6745: 6744: 6739: 6734: 6722: 6718: 6717: 6712: 6707: 6695: 6691: 6687: 6686: 6682: 6678: 6666: 6662: 6661: 6656: 6651: 6647: 6643: 6639: 6635: 6631: 6627: 6623: 6619: 6615: 6603: 6599: 6598: 6593: 6588: 6576: 6572: 6571: 6566: 6561: 6549: 6545: 6544: 6539: 6534: 6522: 6518: 6517: 6512: 6507: 6495: 6491: 6490: 6485: 6480: 6468: 6464: 6460: 6459: 6454: 6449: 6437: 6433: 6429: 6428: 6423: 6418: 6406: 6402: 6401: 6396: 6391: 6387: 6383: 6379: 6374: 6362: 6358: 6357: 6352: 6348: 6347:Adewunmi, Bim 6344: 6332: 6328: 6327: 6322: 6317: 6305: 6301: 6300: 6295: 6290: 6285: 6272: 6268: 6264: 6260: 6256: 6252: 6248: 6244: 6240: 6239: 6234: 6229: 6228: 6216: 6211: 6204: 6199: 6192: 6187: 6180: 6175: 6168: 6163: 6156: 6154: 6148: 6141: 6136: 6129: 6124: 6117: 6112: 6105: 6100: 6093: 6091: 6085: 6078: 6073: 6066: 6061: 6054: 6049: 6042: 6037: 6030: 6025: 6018: 6016: 6010: 6003: 5998: 5991: 5986: 5979: 5977: 5971: 5964: 5962: 5956: 5949: 5948:Sam-Duru 2014 5944: 5937: 5932: 5925: 5920: 5913: 5912:Medeossi 2009 5908: 5901: 5900:Majendie 2007 5896: 5889: 5887: 5881: 5879: 5877: 5875: 5873: 5871: 5863: 5858: 5851: 5846: 5839: 5838:Ememyonu 2017 5834: 5827: 5826:Shilling 2009 5822: 5815: 5810: 5803: 5802:Streeter 2021 5798: 5791: 5789: 5783: 5776: 5771: 5764: 5759: 5752: 5747: 5741:, p. 75. 5740: 5735: 5729:, p. 75. 5728: 5723: 5717:, p. 12. 5716: 5711: 5704: 5702: 5696: 5689: 5688:Felperin 2013 5684: 5677: 5672: 5670: 5662: 5657: 5650: 5645: 5638: 5637:Danielle 2014 5633: 5626: 5621: 5614: 5609: 5602: 5597: 5590: 5589:Assheton 2023 5585: 5578: 5573: 5566: 5561: 5554: 5549: 5547: 5539: 5534: 5527: 5525: 5519: 5512: 5507: 5500: 5498: 5492: 5485: 5480: 5473: 5468: 5461: 5456: 5449: 5444: 5437: 5432: 5425: 5420: 5413: 5408: 5406: 5398: 5393: 5386: 5385:Abimbola 2018 5381: 5374: 5369: 5367: 5359: 5357: 5351: 5349: 5341: 5336: 5334: 5332: 5324: 5319: 5317: 5315: 5313: 5305: 5300: 5298: 5290: 5285: 5283: 5281: 5279: 5271: 5269: 5263: 5256: 5251: 5244: 5239: 5232: 5227: 5220: 5219:Behrmann 2017 5215: 5213: 5211: 5203: 5202:Behrmann 2017 5198: 5196: 5188: 5187:Adewunmi 2012 5183: 5176: 5171: 5164: 5159: 5157: 5149: 5144: 5137: 5132: 5130: 5122: 5117: 5115: 5113: 5111: 5109: 5101: 5100:Camminga 2020 5096: 5089: 5088:Camminga 2020 5084: 5077: 5072: 5065: 5060: 5058: 5050: 5049:Williams 2022 5045: 5038: 5033: 5026: 5021: 5014: 5009: 5007: 4999: 4994: 4992: 4984: 4983:Camminga 2020 4979: 4977: 4969: 4968:Camminga 2020 4964: 4957: 4952: 4950: 4942: 4937: 4935: 4933: 4925: 4920: 4913: 4908: 4901: 4896: 4889: 4884: 4877: 4876:Crockett 2017 4872: 4870: 4868: 4866: 4864: 4862: 4854: 4853:Camminga 2020 4849: 4847: 4839: 4834: 4827: 4822: 4820: 4812: 4807: 4805: 4797: 4792: 4790: 4782: 4777: 4770: 4765: 4758: 4756: 4750: 4743: 4738: 4731: 4726: 4724: 4716: 4711: 4704: 4699: 4697: 4689: 4684: 4677: 4672: 4670: 4662: 4657: 4650: 4645: 4638: 4633: 4626: 4621: 4619: 4611: 4606: 4604: 4596: 4594: 4588: 4581: 4576: 4569: 4564: 4562: 4560: 4552: 4547: 4545: 4537: 4532: 4530: 4528: 4520: 4515: 4508: 4503: 4496: 4491: 4485:, p. 54. 4484: 4479: 4472: 4467: 4465: 4458:, p. 81. 4457: 4452: 4446:, p. 26. 4445: 4444:Egbunike 2017 4440: 4433: 4428: 4421: 4416: 4409: 4404: 4397: 4392: 4385: 4380: 4373: 4368: 4361: 4356: 4349: 4344: 4337: 4332: 4325: 4320: 4313: 4308: 4301: 4296: 4290:, p. 22. 4289: 4288:Egbunike 2017 4284: 4278:, p. 21. 4277: 4276:Egbunike 2017 4272: 4270: 4263:, p. 20. 4262: 4261:Egbunike 2017 4257: 4250: 4245: 4238: 4233: 4231: 4229: 4222:, p. 79. 4221: 4216: 4209: 4204: 4198:, p. 84. 4197: 4192: 4186:, p. 90. 4185: 4180: 4173: 4168: 4166: 4159:, p. 76. 4158: 4153: 4146: 4141: 4134: 4129: 4127: 4119: 4114: 4112: 4104: 4099: 4092: 4087: 4080: 4075: 4073: 4065: 4060: 4058: 4050: 4045: 4043: 4041: 4039: 4037: 4035: 4033: 4031: 4029: 4022:, p. 72. 4021: 4016: 4010:, p. 70. 4009: 4004: 3997: 3992: 3985: 3980: 3973: 3968: 3966: 3958: 3953: 3946: 3941: 3935:, p. 26. 3934: 3929: 3922: 3917: 3911:, p. 90. 3910: 3905: 3899:, p. 80. 3898: 3893: 3891: 3883: 3878: 3872:, p. 77. 3871: 3866: 3859: 3854: 3847: 3842: 3840: 3838: 3831:, p. 18. 3830: 3829:Egbunike 2017 3825: 3818: 3817:Egbunike 2017 3813: 3807:, p. 17. 3806: 3805:Egbunike 2017 3801: 3794: 3793:Egbunike 2017 3789: 3782: 3777: 3770: 3765: 3763: 3755: 3750: 3743: 3738: 3731: 3726: 3724: 3716: 3711: 3709: 3701: 3696: 3689: 3684: 3682: 3675:, p. 76. 3674: 3669: 3662: 3657: 3651:, p. 11. 3650: 3645: 3638: 3633: 3626: 3621: 3614: 3609: 3602: 3597: 3590: 3585: 3578: 3573: 3571: 3564:, p. 78. 3563: 3558: 3552:, p. 74. 3551: 3546: 3544: 3536: 3531: 3524: 3522: 3516: 3509: 3504: 3497: 3492: 3490: 3482: 3477: 3475: 3467: 3465: 3459: 3452: 3450: 3444: 3437: 3432: 3425: 3420: 3413: 3408: 3401: 3396: 3389: 3384: 3377: 3376:Ememyonu 2017 3372: 3365: 3360: 3358: 3350: 3348: 3342: 3335: 3330: 3323: 3321: 3315: 3309:, p. 49. 3308: 3303: 3296: 3291: 3289: 3281: 3276: 3269: 3264: 3262: 3260: 3258: 3250: 3245: 3238: 3233: 3226: 3221: 3214: 3209: 3202: 3197: 3190: 3185: 3178: 3173: 3171: 3169: 3167: 3165: 3157: 3152: 3145: 3143: 3137: 3135: 3133: 3125: 3120: 3118: 3116: 3114: 3112: 3110: 3108: 3100: 3095: 3088: 3083: 3081: 3073: 3068: 3061: 3056: 3054: 3052: 3050: 3048: 3046: 3044: 3042: 3040: 3038: 3036: 3034: 3032: 3030: 3028: 3026: 3018: 3013: 3011: 3003: 3001: 2995: 2993: 2985: 2980: 2978: 2976: 2974: 2972: 2970: 2968: 2966: 2964: 2962: 2960: 2952: 2950: 2944: 2942: 2934: 2929: 2922: 2917: 2910: 2905: 2903: 2901: 2899: 2891: 2886: 2884: 2882: 2874: 2869: 2862: 2860: 2854: 2852: 2850: 2848: 2846: 2838: 2833: 2831: 2829: 2827: 2825: 2820: 2806: 2800: 2791: 2784: 2778: 2771: 2767: 2766: 2745: 2741: 2724: 2720: 2719: 2713: 2709: 2705: 2701: 2700: 2694: 2690: 2686: 2682: 2681: 2675: 2671: 2667: 2666: 2660: 2656: 2652: 2648: 2647: 2641: 2637: 2633: 2632: 2626: 2622: 2618: 2614: 2610: 2606: 2605: 2599: 2592: 2588: 2584: 2583: 2577: 2573: 2569: 2565: 2561: 2557: 2556: 2550: 2549: 2539: 2538: 2533: 2528: 2524: 2523: 2517: 2511: 2507: 2506: 2500: 2494: 2490: 2489: 2483: 2477: 2473: 2472: 2467: 2462: 2458: 2457: 2452: 2447: 2444:. London, UK. 2443: 2442: 2437: 2432: 2428: 2427: 2422: 2417: 2413: 2412: 2407: 2402: 2398: 2397: 2392: 2387: 2386: 2383:Short fiction 2377: 2373: 2369: 2365: 2364: 2359: 2356: 2352: 2348: 2347: 2342: 2339: 2335: 2331: 2328:——— (2017). " 2327: 2324: 2320: 2319: 2314: 2310: 2306: 2303:——— (2014). " 2302: 2299: 2295: 2291: 2287: 2286: 2281: 2278: 2274: 2270: 2269: 2264: 2261: 2257: 2253: 2252: 2247: 2245: 2241: 2237: 2233: 2232: 2227: 2223: 2217: 2213: 2208: 2204: 2198: 2194: 2189: 2188: 2177: 2175: 2171: 2167: 2163: 2159: 2155: 2151: 2147: 2143: 2139: 2135: 2131: 2127: 2123: 2119: 2115: 2111: 2107: 2103: 2098: 2096: 2091: 2090:Saudi Arabian 2087: 2083: 2076: 2075: 2071:in 2015, and 2070: 2069: 2064: 2060: 2053: 2052: 2047: 2043: 2039: 2035: 2030: 2028: 2023: 2018: 2017:Dear Ijeawele 2014: 2010: 2006: 2005: 2000: 1996: 1995: 1990: 1986: 1982: 1978: 1974: 1970: 1966: 1962: 1958: 1954: 1950: 1946: 1942: 1933: 1924: 1921: 1917: 1912: 1910: 1909: 1903: 1902: 1897: 1896: 1891: 1887: 1883: 1879: 1875: 1870: 1866: 1861: 1859: 1855: 1851: 1847: 1843: 1839: 1832: 1828: 1824: 1819: 1815: 1813: 1807: 1805: 1804: 1803:De Volkskrant 1799: 1795: 1791: 1787: 1782: 1779: 1772: 1768: 1767: 1766:Brittle Paper 1762: 1758: 1754: 1753: 1747: 1743: 1729: 1727: 1723: 1715:Personal life 1712: 1710: 1709:Four Freedoms 1706: 1702: 1698: 1694: 1690: 1684: 1679: 1674: 1662: 1660: 1655: 1651: 1647: 1643: 1638: 1628: 1623: 1618: 1614: 1611: 1610: 1605: 1601: 1600: 1595: 1591: 1587: 1586: 1581: 1580:US Presidency 1577: 1572: 1570: 1566: 1562: 1558: 1554: 1550: 1544: 1542: 1538: 1534: 1530: 1525: 1521: 1515: 1512: 1508: 1504: 1499: 1491: 1486: 1477: 1474: 1470: 1466: 1461: 1460: 1454: 1449: 1447: 1443: 1439: 1438:Akwaeke Emezi 1435: 1431: 1427: 1423: 1422:J. K. 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