84:, is very similar to the chirimías of central and southern Mexico. The Jakaltek chirimía is 34.5 cm long, without the double-reed in place. The wooden part is 27 centimeters long and has a cylindrical bore, with 6 vertical holes, and 2 lateral holes. The mouthpiece consists of a staple, a tapered metal cylinder, that is wrapped with string and topped with a wooden pirouette. The bulbous bottom portion of the staple fits snugly into the wooden portion of the instrument, but can be easily removed for cleaning.
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The regular chirimía has 10 holes, while the
Guatemalan and Mexican chirimía has 6 to 10 holes. Although the outward appearance of the chirimías and the number and size of holes vary regionally throughout Mexico and Guatemala, these chirimías are all double-reeded wooden instruments. Some of the
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There are two types of chirimías in
Guatemala, a small one and a large one. The size of the holes and their location determine the sound of the small or large chirimías. In some parts of Latin America, as in Jacaltenango, small and large chirimías are played together with small and large drums.
69:. The music produced is quite unique and varies from one region to another. This tradition is an adaptation of the pre-Columbian practice of accompanying religious ceremonies and processions with drums, flutes, and whistles.
197:
185:
Carol
Ventura. "La Chirimía de los mayas-jakaltekos de Guatemala", in Tradiciones de Guatemala, Ethnomusicología en Guatemala, Universidad de San Carlos, Guatemala, 2006: 63-73.
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Usage of the chirimía varies widely across
Iberomerica and Iberia itself, with the instrument being extinct in some areas, but a living tradition in others.
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The chirimía and drum are used to accompany religious processions and annual commemorative dance-dramas in many remote areas of Latin
America, including
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family of double-reed instruments, introduced to North, Central and South
America in the sixteenth and seventeenth centuries by the Spanish clergy.
176:
J. Eduardo Sánchez. Formación Estética, Guatemala: Educación
Musical, 1969; Joan Rimmer. “The Instruments Called Chirimía in Latin America”, 1976.
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chirimías have a conical bore, while others have a cylindrical bore. The types of reeds and manner in which they are kept in place also vary.
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The chirimía on the left is from
Jacaltenango, Guatemala, and the one on the right is from Antigua, Guatemala.
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This article is about the primitive oboe. For the fipple flute played with a drum, see
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in Peru) is a
Spanish term for a type of woodwind instrument similar to an
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A chirimia and drum accompany a
Catholic procession in
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130:Dale Alan Olsen; Daniel Edward Sheehy (2008).
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133:The Garland handbook of Latin American music
20:. For the Afro-Colombian musical genre, see
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231:International Double Reed Society (2008).
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80:The Jakaltek chirimía, called su’ in the
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112:: disappeared by the mid-19th century.
307:and sextuple reeds; does not include
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201:. Temple University Press. pp.
165:The Chirimia: a Latin American Shawm
237:. International Double Reed Society
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136:. Psychology Press. pp. 47–.
46:. The chirimía is a member of the
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777:Guatemalan musical instruments
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257:Video - Mexican chirimía oboe
195:Cathy Ragland (28 May 2009).
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782:Mexican musical instruments
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346:Cor anglais (English horn)
303:(also includes those with
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787:Early musical instruments
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217:- Access date: 9 May 2011
22:Chirimia (musical genre)
167:. Galpin Society. 1960.
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739:American traditional
658:European traditional
508:African traditional
331:Piccolo heckelphone
425:European classical
381:Semi-contrabassoon
317:European classical
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534:Asian traditional
212:978-1-59213-747-3
143:978-0-415-96101-1
82:Jakaltek language
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396:Contrabassophone
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366:Contrabass oboe
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234:The double reed
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649:Zurna/Surnai
494:Rauschpfeife
439:Baroque oboe
427:(historical)
406:Sarrusophone
341:Oboe d'amore
326:Piccolo oboe
239:. Retrieved
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147:. Retrieved
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95:, Guatemala.
93:Jacaltenango
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63:Jacaltenango
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54:Distribution
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35:
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639:Taepyeongso
391:Contraforte
356:Heckelphone
296:instruments
294:Double reed
38:(sometimes
766:Categories
730:Surma-horn
596:Nadaswaram
581:Kèn đám ma
444:Bassanello
259:at YouTube
117:References
110:Tamaulipas
106:Nuevo Leon
18:Tabor pipe
561:Hichiriki
449:Cornamuse
411:Rothphone
351:Bass oboe
305:quadruple
67:Guatemala
40:chirisuya
746:Chirimía
720:Tárogató
690:Dulzaina
644:Tangmuri
474:Kortholt
459:Crumhorn
454:Cromorne
416:Tromboon
371:Tenoroon
361:Lupophon
319:(modern)
309:bagpipes
36:Chirimía
710:Piffero
705:Musette
680:Bombard
675:Birbynė
620:Sundari
616:Shehnai
576:Kèn bầu
556:Gyaling
541:Balaban
515:Algaita
489:Rackett
464:Dulcian
376:Bassoon
100:Extinct
715:Sopila
700:Gralla
695:Graïle
670:Bifora
629:Sralai
591:Mizmar
586:Kuzhal
520:Rhaita
484:Pommer
209:
140:
772:Oboes
725:Zurna
665:Aulos
634:Suona
624:Sorna
546:Duduk
525:Zukra
499:Shawm
434:Aulos
241:9 May
149:9 May
48:shawm
611:Piri
601:Ottu
551:Guan
336:Oboe
243:2011
207:ISBN
151:2011
138:ISBN
108:and
44:oboe
571:Kèn
566:Hne
205:–.
768::
606:Pi
203:46
65:,
311:)
286:e
279:t
272:v
245:.
215:.
153:.
24:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
