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Christ of Saint John of the Cross

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On the bottom of his studies for the painting, DalĂ­ explained its inspiration: "In the first place, in 1950, I had a 'cosmic dream' in which I saw this image in colour and which in my dream represented the 'nucleus of the atom.' This nucleus later took on a metaphysical sense; I considered it 'the
121:, it is devoid of nails, blood, and a crown of thorns, because, according to DalĂ­, he was convinced by a dream that these features would mar his depiction of Christ. Also in a dream, the importance of depicting Christ in the extreme angle evident in the painting was revealed to him. 197:, then the Director of Glasgow Museums. Honeyman bought the painting for ÂŁ8,200, a price considered high at the time although it was less than the ÂŁ12,000 catalogue price, and included the copyright, which has earned Glasgow Museums back the original cost many times over. 284:
described the image as being utterly different from any other image of the crucifixion, as the angle of view conveys the hanging pain of this method of execution, whilst hiding the ordinarily clichéd facial expressions normally seen in such depictions.
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has continued to generate controversy. At the time of its purchase by Honeyman, the verdict by modern art critics was that producing such a traditional painting was a stunt by an artist already famous for his surrealist art.
149:. The composition of Christ is also based on a triangle and circle (the triangle is formed by Christ's arms; the circle is formed by Christ's head). The triangle, since it has three sides, can be seen as a reference to the 898: 441: 866: 173:
suspended from an overhead gantry, so he could see how the body would appear from the desired angle and also envisage the pull of gravity on the human body. The depicted body of water is the bay of
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The purchase was controversial and a petition against it, arguing that the money should be spent on exhibition space for local artists, was presented to the Corporation by students at
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and lurid", but noted that the painting was "for better or worse, probably the most enduring vision of the crucifixion painted in the 20th century."
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on the cross in a darkened sky floating over a body of water complete with a boat and fishermen. Although it is a depiction of the
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DalĂ­ Seen from the Back Painting Gala from the Back Eternalised by Six Virtual Corneas Provisionally Reflected by Six Real Mirrors
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over several months by conservators at Kelvingrove and returned to public display. In 1993, the painting was moved to the city's
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on 23 June 1952. In 1961 a visitor attacked the painting with a stone and tore the canvas with his hands. It was
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In 2022, the painting was loaned for a five month period to The Auckland Project in
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Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening
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205 cm Ă— 116 cm (80.7 in Ă— 45.67 in)
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Shirley Temple, The Youngest, Most Sacred Monster of the Cinema in Her Time
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A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano
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In order to create the figure of Christ, DalĂ­ had Hollywood stuntman
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Cevasco, George (Winter 1956). "Dali's Christianized Surrealism".
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Soft Construction with Boiled Beans (Premonition of Civil War)
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Young Virgin Auto-Sodomized by the Horns of Her Own Chastity
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The Ghost of Vermeer of Delft Which Can Be Used as a Table
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Geopoliticus Child Watching the Birth of the New Man
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Slave Market with the Disappearing Bust of Voltaire
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Abrams, Inc., 2003. 128: 376: 313: 153:, and the circle may be an allusion to 14: 1578: 811:Couple with Their Heads Full of Clouds 361: 1601:Paintings of the Crucifixion of Jesus 1492: 1466: 626: 562: 553:, GlasgowMuseums.com, 30 August 2005. 499:from the original on 14 December 2021 402: 400: 357: 355: 237: 379:"The Surreal World of Salvador DalĂ­" 362:Davies, Gill Davies (23 June 2011). 234:'s painting of Christ of the Cross. 1596:Religious controversies in painting 563:Jones, Jonathan (27 January 2009). 24: 397: 352: 316:Studies: An Irish Quarterly Review 209:Kelvingrove Art Gallery and Museum 111:Kelvingrove Art Gallery and Museum 89:Kelvingrove Art Gallery and Museum 25: 1632: 1562:Christ of Saint John of the Cross 1043:Galacidalacidesoxyribonucleicacid 963:Christ of Saint John of the Cross 652: 607: 440:. Glasgow Museums. Archived from 243:Christ of Saint John of the Cross 143:Christ of Saint John of the Cross 102:Christ of Saint John of the Cross 35:Christ of Saint John of the Cross 1204:The Secret Life of Salvador DalĂ­ 1011:The Sacrament of the Last Supper 40: 27:Painting by Salvador DalĂ­ (1951) 995:Crucifixion (Corpus Hypercubus) 575: 537: 511: 377:Meisler, Stanley (April 2005). 1343:Morohashi Museum of Modern Art 482: 470:. 22 September 1965. p. 5 456: 430: 370: 339: 326: 307: 295:List of works by Salvador DalĂ­ 160: 137:, c. 1550, which inspired DalĂ­ 18:Christ of St John of the Cross 13: 1: 1364:Gala-Salvador DalĂ­ Foundation 1316:Gala DalĂ­ Castle House-Museum 923:The Temptation of St. Anthony 300: 141:The painting is known as the 755:The Accommodations of Desire 187:intellectual property rights 7: 1196:Giraffes on Horseback Salad 1067:The Hallucinogenic Toreador 288: 10: 1637: 1591:Paintings by Salvador DalĂ­ 1401:The Death of Salvador Dali 1321:Salvador DalĂ­ House Museum 955:The Madonna of Port Lligat 939:Cartel de Don Juan Tenorio 843:Swans Reflecting Elephants 835:Metamorphosis of Narcissus 336:. Paris: Flammarion, 2004. 230:to be displayed alongside 180: 133:Crucifixion sketch by St. 1538: 1500: 1369:Paranoiac-critical method 1351: 1298: 1277: 1234: 1187: 1128: 1109: 779:The Persistence of Memory 669: 660: 84: 76: 66: 58: 48: 39: 34: 1161:Champagne Standard Lamps 747:The First Days of Spring 124: 1374:Salvador DalĂ­ and dance 1306:DalĂ­ Theatre and Museum 915:The Apotheosis of Homer 715:Young Woman at a Window 683:Landscape Near Figueras 334:The Little Book of DalĂ­ 1519:Dark Night of the Soul 1510:Ascent of Mount Carmel 1432:"Salvador DalĂ­" (song) 1270:(1946, completed 2003) 1262:(1945, dream sequence) 1035:The Ecumenical Council 987:The Colossus of Rhodes 971:Galatea of the Spheres 385:. Smithsonian Magazine 249:The picture was voted 138: 113:, Glasgow. 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Glasgow Museums. 444:on 20 November 2012 263:, described it as " 191:Glasgow Corporation 1606:Culture in Glasgow 1528:Spiritual Canticle 1153:Mae West Lips Sofa 1099:The Swallow's Tail 795:Morphological Echo 731:Apparatus and Hand 468:The Glasgow Herald 412:Art Knowledge News 282:John Cooper Clarke 238:Critical reception 189:were acquired for 139: 1573: 1572: 1494:John of the Cross 1460: 1459: 1417:Midnight in Paris 1387:(1948 photograph) 1290:(1927 production) 1137:Lobster Telephone 1075:La Toile Daligram 1019:Living Still Life 771:The Invisible Man 332:Gaultier, Alyse. 185:The painting and 147:John of the Cross 135:John of the Cross 105:is a painting by 98: 97: 16:(Redirected from 1628: 1566: 1556: 1549: 1531: 1522: 1513: 1487: 1480: 1473: 1464: 1463: 1359:Gala DalĂ­ (wife) 1243:Un Chien Andalou 1217:Philippe Halsman 1177:A Logician Devil 647: 640: 633: 624: 623: 601: 600: 598: 596: 579: 573: 572: 560: 554: 541: 535: 534: 532: 530: 515: 509: 508: 506: 504: 486: 480: 479: 477: 475: 460: 454: 453: 451: 449: 434: 428: 427: 425: 423: 414:. 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Index

Christ of St John of the Cross

Salvador DalĂ­
Oil on canvas
Kelvingrove Art Gallery and Museum
Glasgow
Salvador DalĂ­
Kelvingrove Art Gallery and Museum
Jesus Christ
crucifixion

John of the Cross
John of the Cross
Trinity
Platonic thought
Russell Saunders
Port Lligat
intellectual property rights
Glasgow Corporation
Tom Honeyman
Glasgow School of Art
Kelvingrove Art Gallery and Museum
restored
St Mungo Museum of Religious Life and Art
Bishop Auckland
County Durham
El Greco
Scotland
The Guardian
Jonathan Jones

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