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dog angrily moaning despite being asleep, fading flames on torches suddenly reigniting, Geraldine being unable to cross an iron gate, denial of prayer) seem to indicate that all is not well. They spend the night together, but while
Geraldine undresses, she shows a terrible but undefined mark: "Behold! her bosom and half her side— / A sight to dream of, not to tell! / And she is to sleep by Christabel" (246–48).
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Christabel's father, Sir
Leoline, becomes enthralled with Geraldine and orders a grand procession to announce her rescue. He ignores the weak objections of his daughter, who, although under enchantment, is starting to realize the enormity of Geraldine's malign nature. The unfinished poem ends here.
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Christabel goes into the woods to pray by the large oak tree, where she hears a strange noise. Upon looking behind the tree, she finds
Geraldine who says that she had been abducted from her home by men on horseback. Christabel pities her and takes her home with her. However, supernatural signs (a
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s
Geraldine; for instance, she cannot cross the threshold of a house, and seems to be stronger at night. Likewise, the heroines of the two works are similar, both Christabel and Laura are the children of deceased mothers currently in the charge of their widowed fathers. Geraldine's presence gives
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The transgressive plot of
Christabel revolves around the relationship, implicitly sexual, of Geraldine and Christabel. Geraldine takes on a proto-vampiric role, with all the antecedent features that that necessitates: external beauty, a revelatory bodily mark, and a physical encounter (with the
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which tend to transcend traditional composure. Indeed, in many respects the consistency of the poem – most apparent from the structural formality and rhythmic rigidity (four accentual beats to every line), when regarded alongside the unyielding mysticism of the account – creates the greatest
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173:. A year later, he added a "Conclusion". The poem is, nevertheless, considered unfinished. He later noted that he was distracted by too many possible endings. He wrote, "I should have more nearly realized my ideal , than I would have done in my first attempt."
38:, in two parts. The first part was reputedly written in 1797, and the second in 1800. Coleridge planned three additional parts, but these were never completed. Coleridge prepared for the first two parts to be published in the 1800 edition of
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the description of the hall, the lamp suspended from the image, and more particularly of the girl herself as she went forth in the evening – all took a hold on my imagination which I never shall wish to shake off.
48:, but left it out on Wordsworth's advice. The exclusion of the poem, coupled with his inability to finish it, left Coleridge in doubt about his poetical power. It was published in a pamphlet in 1816, alongside
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485:
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Nethercot, Arthur H. "Coleridge's 'Christabel' and LeFanu's 'Carmilla.'” Modern
Philology 47.1 (Aug. 1949): 32–38. Washington College Lib., Chestertown, MD. JSTOR. 13 March 2006.
356:, a friend of Coleridge's, after reading the poem, purportedly had nightmares and was obsessed with the poem; Epipsychidion, one of his later works, is partially inspired by it.
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concerns a central female character of the same name and her encounter with a stranger called
Geraldine, who claims to have been abducted from her home by a band of rough men.
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Christabel similar symptoms as
Carmilla's does to Laura; both heroines experience troubled sleep and weakness in the morning after spending the night with their guest.
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that he intended "to finish
Christabel" before the end of the year, though he would not meet his goal. The poem was first published in the collection of three poems:
161:. The first part of the poem was likely completed that year, however. He continued to work on Part II of the poem for the next three years and finished it at
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Thematically the poem is one of
Coleridge's most cohesive constructs, with the narrative plot more explicit than previous works such as the fragmented
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73:: even though the number of syllables in each line can vary from four to twelve, the number of accents per line rarely deviates from four.
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A novel of the supernatural features protagonists named Christabel and Geraldine who meet in circumstances closely paralleling the poem.
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was similarly taken by the poem, and especially the relationship between the women, and wrote to Coleridge (on 18 October 1815):
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Bate, Walter Jackson. merit. The exclusion "increased his sense of faltering poetic power."
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The poem is the inspiration for the song "Christabel", by Texan singer and songwriter
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The poem remained unpublished for several years. On his birthday in 1803, he wrote in
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Christabel, with its female-centric slant, became a symbol of female emancipation.
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was not complete in time for the book's 1798 publication, though it did include
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For a history-based feminist interpretation of "Christabel", see Roy, Pinaki. "
763:"Frankenstein and Christabel: Intertextuality, Biography, and Gothic Ambiguity"
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129:(Note: Geraldine and Leoline's names are pronounced to rhyme with "recline.")
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It is unclear when Coleridge began writing the poem which would become
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names a fictional romantic poet Christabel in her award-winning novel
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577:, (Introduction by William Keach), Harmondsworth: Penguin Classics,
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by Debra Channick, University of California, Irvine at erudit.org
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The Living Dead: A Study of the Vampire in Romantic Literature
410:. Le Fanu's antagonist Carmilla has certain similarities with
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369:, the renowned feminist and suffragette, named her daughter,
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919:“A Logic of Its Own”: Repetition in Coleridge’s “Christabel”
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is named after the poem and depicts the titular character.
649:
Coleridge, Samuel Taylor (1997). William Keach (ed.).
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Ann Minot, Leslie; Minot, Walter S. (1 March 2004).
697:, p 528, Cambridge, Massachusetts: Blackwell, 1994,
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Christabel; Kubla Khan: A Vision; The Pains of Sleep
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1422:Reflections on Having Left a Place of Retirement
373:after the eponymous character. L'Etre Double by
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848:. New York: Russell & Russell, 1962: 154.
575:The Complete Poems of Samuel Taylor Coleridge
597:. New York: The Macmillan Company, 1968: 73.
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1144:Introduction to the Tale of the Dark Ladie
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714:Grossberg, Benjamin Scott (10 July 2001).
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352:victims) that leaves them incapacitated.
331:Learn how and when to remove this message
844:Campbell, Killis. "The Origins of Poe",
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147:, a book on which he collaborated with
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868:"Julia Margaret Cameron | Christabel"
806:. Duke University Press. p. 81.
1417:The Nightingale: A Conversation Poem
789:– via Taylor and Francis+NEJM.
750:– via Taylor and Francis+NEJM.
479:Christabel was also an influence on
269:adding citations to reliable sources
240:
16:1800 poem by Samuel Taylor Coleridge
486:Join the Dots: B-Sides and Rarities
450:, which appeared on his 1984 album
428:In 2002, US experimental filmmaker
133:Composition and publication history
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396:" (1831). It has been argued that
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85:"So halfway from her bed she rose,
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1621:Poetry by Samuel Taylor Coleridge
1104:Monody on the Death of Chatterton
912:
846:The Mind of Poe and Other Studies
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232:Problems playing this file? See
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1485:The Rime of the Ancient Mariner
1035:Person on business from Porlock
892:Travis Crawford (Spring 2001).
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677:. Oxford: Oxford UP, 1982: 20.
610:. Oxford: Oxford UP, 1982: 16.
557:. Oxford: Oxford UP, 1982: 10.
256:needs additional citations for
158:The Rime of the Ancient Mariner
89:to look at the Lady Geraldine."
44:, his collection of poems with
1427:This Lime-Tree Bower My Prison
1083:The Destruction of the Bastile
872:The Metropolitan Museum of Art
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406:is an homage or adaptation of
34:is a long narrative ballad by
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1208:Lines Written at Shurton Bars
653:. Penguin. pp. 505–506.
630:. New York: Twayne, 1966: 77.
544:. New York: Twayne, 1966: 66.
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69:, based on the count of only
1201:Lines on an Autumnal Evening
1132:The Ballad of the Dark Ladié
380:
87:And on her elbow did recline
7:
934:public domain audiobook at
828:"Gale - Institution Finder"
779:10.1080/1050958042000180683
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348:juxtaposition in the poem.
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1118:Pain: Composed in Sickness
1040:Coleridge's theory of life
952:4.1 (January 2013): 49-55.
462:also influenced the song "
432:released a feature-length
1575:Christabel Rose Coleridge
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1229:Poems on Various Subjects
1222:Ode on the Departing Year
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695:Romanticism: An Anthology
392:, particularly his poem "
1581:Ernest Hartley Coleridge
1499:Time, Real And Imaginary
942:Reinterpreting Geraldine
800:Twitchell, J.B. (1981).
767:European Romantic Review
720:Journal of Homosexuality
1601:(nephew and son-in-law)
1215:On Receiving an Account
1163:The Fall of Robespierre
1055:Suspension of disbelief
987:Samuel Taylor Coleridge
628:Samuel Taylor Coleridge
542:Samuel Taylor Coleridge
398:Joseph Sheridan Le Fanu
109:Longmans, Green and Co.
36:Samuel Taylor Coleridge
1599:Henry Nelson Coleridge
1194:The Destiny of Nations
593:Bate, Walter Jackson.
573:Coleridge, S. (2004),
509:(MX publishing, 2024)
419:Julia Margaret Cameron
280:"Christabel" poem
224:Recording of the poem.
203:
111:
26:
1432:To William Wordsworth
1050:Romantic epistemology
732:10.1300/J082v41n02_08
202:
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1646:Poems about vampires
1528:Biographia Literaria
1492:The Devil's Thoughts
896:. Filmmaker Magazine
626:Radley, Virginia L.
540:Radley, Virginia L.
437:cinematic adaptation
388:was an influence on
371:Christabel Pankhurst
265:improve this article
1471:Hymn Before Sunrise
1125:Songs of the Pixies
716:"Making Christabel"
464:Beauty of the Beast
93:The Blue Fairy Book
65:using an accentual
1264:To the River Otter
1111:On Quitting School
1020:Albatross metaphor
948:'s 'New Woman'?".
651:The Complete Poems
507:The Woodland Grave
367:Emmeline Pankhurst
204:
149:William Wordsworth
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56:The Pains of Sleep
46:William Wordsworth
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1587:Herbert Coleridge
1569:Hartley Coleridge
1563:Derwent Coleridge
1506:The Knight's Tomb
1412:Frost at Midnight
1407:Fears in Solitude
1397:Dejection: An Ode
1243:Religious Musings
832:galeapps.gale.com
813:978-0-8223-0789-1
673:Holmes, Richard.
660:978-0-14-042353-2
606:Holmes, Richard.
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553:Holmes, Richard.
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1325:To Kosciusko
1311:To Priestley
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1074:Early poetry
1045:Organic form
1030:Pantisocracy
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1519:other works
1367:To Sheridan
434:avant-garde
412:Christabel'
394:The Sleeper
97:Andrew Lang
1636:1816 poems
1631:1800 poems
1626:1797 poems
1615:Categories
1589:(grandson)
1583:(grandson)
1559:(daughter)
1478:Kubla Khan
1457:Christabel
1360:To Southey
1318:To Fayette
1297:To Erskine
1286:Characters
1257:To Fortune
1090:Dura Navis
1025:Lake Poets
1010:Early life
931:Christabel
525:References
499:Possession
494:A.S. Byatt
460:Christabel
441:Christabel
423:Christabel
408:Christabel
386:Christabel
345:Kubla Khan
291:newspapers
234:media help
210:Christabel
163:Greta Hall
153:Christabel
139:Christabel
116:Christabel
107:. London,
101:H. J. Ford
63:Christabel
51:Kubla Khan
31:Christabel
25:Christabel
1595:(brother)
1541:Notebooks
1353:To Godwin
1339:To Bowles
1015:Opium use
787:145510787
675:Coleridge
608:Coleridge
595:Coleridge
555:Coleridge
470:'s album
468:Nightwish
381:Influence
184:, by the
99:; illus.
1304:To Burke
936:LibriVox
748:23693074
740:11482425
513:See also
481:The Cure
476:(2002).
403:Carmilla
321:May 2018
192:Analysis
77:Synopsis
1332:To Pitt
1284:Eminent
1173:Zapolya
900:25 June
877:7 April
466:" from
305:scholar
167:Keswick
71:accents
1550:Family
1003:Topics
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1565:(son)
1388:poems
1271:Lewti
1155:Plays
783:S2CID
744:S2CID
358:Byron
312:JSTOR
298:books
171:opium
91:from
1139:Love
902:2009
879:2024
808:ISBN
736:PMID
699:ISBN
679:ISBN
655:ISBN
612:ISBN
579:ISBN
559:ISBN
284:news
103:and
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