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Several of Hammer's works were published by
Heinrich Rittner, a Dresden art dealer, in the volume "Dresden mit seinen Pachtgebäuden und schönsten Umgebungen" ("Dresden with her splendid buildings and beautiful surroundings"). An 1810 volume printed by Carl Christian Meinhold had prompted a great deal
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Hammer's works are extensive: including his own designs in sepia, watercolor, and opaque colors, and also copper etchings from his own drafts and those of other artists, such as Caspar David
Friedrich,
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Four years later he had become the senior apprentice of Johann
Phillip Veith, who himself had learned landscape drawing and copper etching from Adrian Zingg at the same establishment.
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His works consist primarily of landscapes and city views, particularly in Saxony and his home town of
Dresden, and the vicinity. He also took inspiration from
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In 1816 Hammer became an academy member, joining the famous circle of
Dresden Romanticism, accompanying the likes of
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Around the period 1820–1840, Count
Hermann Rochus zu Lynar (1797–1878), the owner of the castle of
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Hammer was one of the first painters to discover the pristine water world of the
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42:– 7 February 1864, Dresden), was an influential German
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165:, a set of Hammer's works collected by Duke
149:A great admirer of C. G. Hammer's works was
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58:Hammer began his studies in 1794 at the
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124:of interest in Dresden at that time.
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60:Dresden University of Visual Arts
250:19th-century German male artists
215:18th-century German male artists
77:and Johann Christian Klengel.
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189:Dresden State Art Collections
225:19th-century German painters
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80:In 1829 he was appointed as
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82:Professor extraordinarius
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178:Goethe National Museum,
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28:Christian Gottlob Hammer
23:Christian Gottlob Hammer
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151:Johann Wolfgang Goethe
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75:Caspar David Friedrich
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111:Georg Heinrich Crola
173:Dresden City Museum
107:Johann Clausen Dahl
157:Public collections
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163:Albertina, Vienna
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44:landscape painter
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185:Lübbenau castle.
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48:engraver
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180:Weimar
69:Career
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88:Style
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