Hymn - Knowledge

1433: 270: 40: 520: 1468: 741:, favoured by many Zwinglians, Calvinists and some radical reformers, considered anything that was not directly authorised by the Bible to be a novel and Catholic introduction to worship, which was to be rejected. All hymns that were not direct quotations from the Bible fell into this category. Such hymns were banned, along with any form of instrumental musical accompaniment, and organs were removed from churches. Instead of hymns, biblical psalms were chanted, most often without accompaniment, to very basic melodies. This was known as 1450: 941: 873: 756: 1878:

sadhakas during their meditation or act of devotion. The contents of these strotras are of varied nature ranging from simple act of confession, qualities of Buddhas and Bodhisattvas, praises of deities of both mundane and supra-mundane , iconographic data of various tantric deities and also explanation of Buddha’s teachings themselves in the form of verses. These stotras can be sung with melodious music and can imprint the devotees significantly even in this modern world through the multimedia device.

5574: 6039: 2162:(Sabbath hymns) translated variously as table songs, domestic songs and home songs. These are a specific set of religious poems in Hebrew or Aramaic written mostly between the 10th and 17th centuries, which are sung during and directly after Sabbath meals. The musical versions are numerous and heterogeneous reflecting a wealth of different styles and geographic origins, and comprising an ever expanding body of folk material. 6049: 2344:...poets who have mystical experiences and project them in verse have occasionally been successful but mystics who write poetry do it badly. Religious hymns, however notable the religious sentiment they express are not notably poetic. Great religious poetry undoubtedly exists but the greatness is unequally divided between the poetry and religion, while perfect integration between the two is rare. 1467: 1314:(the so-called "better music boys") were actively campaigning for the introduction of more "refined" and modern singing styles, and eventually these American tune books were replaced in many churches, starting in the Northeast and urban areas, and spreading out into the countryside as people adopted the gentler, more soothing tones of 1019:, and others who produced testimonial music for revivals, camp meetings, and evangelistic crusades. The tune style or form is technically designated "gospel songs" as distinct from hymns. Gospel songs generally include a refrain (or chorus) and usually (though not always) a faster tempo than the hymns. As examples of the distinction, " 322:, among other Scriptural verses, encourage Christians to sing hymns to praise God. As such, since the earliest times, Christians have sung "psalms and hymns and spiritual songs", both in private devotions and in corporate worship. Non-scriptural hymns (i.e. not psalms or canticles) from the Early Church still sung today include ' 1421:

indicates long meter, which is 88.88 (four lines, each eight syllables long); S.M. is short meter (66.86); C.M. is common metre (86.86), while D.L.M., D.S.M. and D.C.M. (the "D" stands for double) are similar to their respective single meters except that they have eight lines in a verse instead of four.

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The Gathas are also filled with word plays and deliberate ambiguities, and they were likely intended to be used by initiates as meditative instruments to enlightenment. Only occasionally do the Gathas give an exact and clear picture of Zoroaster’s actual teachings, but in general they reflect them in

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In prosperity or distress, the Nepalese people worship and pray to the Buddhas and Bodhisattvas for protection, good health, prosperity, and family welfare and also for liberation from cyclic existence. The stotras or hymns throw light on various aspects of Buddhist doctrines. The stotras are sung by

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The meter is often denoted by a row of figures besides the name of the tune, such as "87.87.87", which would inform the reader that each verse has six lines, and that the first line has eight syllables, the second has seven, the third line eight, etc. The meter can also be described by initials; L.M.

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for singing. In practice many hymns conform to one of a relatively small number of meters (syllable count and stress patterns). Care must be taken, however, to ensure that not only the metre of words and tune match, but also the stresses on the words in each line. Technically speaking an iambic tune,

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to do their church's singing, rather than having the entire congregation participate. But in many rural areas the old traditions lived on, not in churches, but in weekly, monthly or annual conventions were people would meet to sing from their favorite tunebooks. The most popular one, and the only one

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Relying heavily on Scripture, Watts wrote metered texts based on New Testament passages that brought the Christian faith into the songs of the church. Isaac Watts has been called "the father of English hymnody", but Erik Routley sees him more as "the liberator of English hymnody", because his hymns,

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into hymns came from slave songs of the United States a collection of slave hymns, compiled by William Francis Allen, who had difficulty pinning them down from the oral tradition, and though he succeeded, he points out the awe-inspiring effect of the hymns when sung in by their originators. Some of

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followed this tradition, but is also credited as having written the first English hymn which was not a direct paraphrase of Scripture. Watts (1674–1748), whose father was an Elder of a dissenter congregation, complained at age 16, that when allowed only psalms to sing, the faithful could not even

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One definition of a hymn is "...a lyric poem, reverently and devotionally conceived, which is designed to be sung and which expresses the worshipper's attitude toward God or God's purposes in human life. It should be simple and metrical in form, genuinely emotional, poetic and literary in style,

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and other more complex features. During this period, hymns were incredibly popular in the United States, and one or more of the above-mentioned tunebooks could be found in almost every household. It is not uncommon to hear accounts of young people and teenagers gathering together to spend an

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that rhymes ABAB and alternates four-stress and three-stress iambic lines - which was the typical way hymns were sung. Noting in his preface the fondness of other compilers for tunes in common measure, Billings promised his subscribers a well-balanced collection, with "a Sufficiency in each

1131:(expressions of one's personal experience of God). This distinction is not perfectly clear; and purists remove the second two types from the classification as hymns. It is a matter of debate, even sometimes within a single congregation, often between revivalist and traditionalist movements. 429:

In many Evangelical churches, traditional songs are classified as hymns while more contemporary worship songs are not considered hymns. The reason for this distinction is unclear, but according to some it is due to the radical shift of style and devotional thinking that began with the

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in New England, spread throughout churches a new idea of how to sing hymns, in which anyone could sing a hymn any way they felt led to; this idea was opposed by a writer of the time, Rev. Thomas Walter, who felt it was "like Five Hundred different Tunes roared out at the same time".

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sing about their Lord, Christ Jesus. His father invited him to see what he could do about it; the result was Watts' first hymn, "Behold the glories of the Lamb". Found in few hymnals today, the hymn has eight stanzas in common metre and is based on Revelation 5:6, 8, 9, 10, 12.

403:; the same word is used for the collectivity of hymns belonging to a particular denomination or period (e.g. "nineteenth century Methodist hymnody" would mean the body of hymns written and/or used by Methodists in the 19th century). A collection of hymns is called a 892: 556:

congregations, hymns are typically sung in unison. In some cases complementary full settings for organ are also published, in others organists and other accompanists are expected to adapt the available setting, or extemporise one, on their instrument of choice.

414:. These may or may not include music; among the hymnals without printed music, some include names of hymn tunes suggested for use with each text, in case readers already know the tunes or would like to find them elsewhere. A student of hymnody is called a 2024:

and Australia’s The Brothahood use hip-hop music to get their spiritual message across to a new generation of young Muslims. The nasheeds in English by South Africa’s Zain Bhikha secured him a large following in Europe and the Middle East.

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The links below are restricted to either material that is historical or resources that are non-denominational or inter-denominational. Denomination-specific resources are mentioned from the relevant denomination-specific articles.

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Other groups of Christians have historically excluded instrumental accompaniment, citing the absence of instruments in worship by the church in the first several centuries of its existence, and adhere to an unaccompanied

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a modified and elaborated form, many times marked by complexity and ornateness of style, the prophet demonstrating his poetical skill in order to stimulate Ahura Mazdā to fulfil his requests or to answer his questions.

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means literally 'songs' or 'hymns' but is used to refer to two specific repertories: The first, according to the Sephardic tradition, refers to the preliminary section of psalms and biblical verses recited during the

958: 3806: 1027:" is a gospel song. During the 19th century, the gospel-song genre spread rapidly in Protestantism and to a lesser but still definite extent, in Roman Catholicism; the gospel-song genre is unknown in the worship 1126:

This long tradition has resulted in a wide variety of hymns. Some modern churches include within hymnody the traditional hymn (usually describing God), contemporary worship music (often directed to God) and

934:, not only within Methodism, but in most Protestant churches. He developed a new focus: expressing one's personal feelings in the relationship with God as well as the simple worship seen in older hymns. 774: 1959:

was originally defined by what it didn’t contain: no strings, brass, or wind instruments and no female vocals. The only instrument initially allowed was minimal percussion by an Arabic drum called the

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and other holy days, is that it is almost entirely vocal. Though today, accompanying instruments such as the organ might be utilized in worship, the emphasis on congregational song and the art of the

889: 3791:, ed. Geraint Evans & Helen Fulton (Cambridge University Press, 2019); E. Wyn James, 'German Chorales and American Songs and Solos: Contrasting Chapters in Welsh Congregational Hymn-Singing', 950: 1466: 1153:

Hymn writing, composition, performance and the publishing of Christian hymnals were prolific in the 19th-century and were often linked to the abolitionist movement by many hymn writers.

772: 677:. Organs and other instruments were excluded from church use, although they were employed in imperial ceremonies. However, instruments are common in some other Oriental traditions. The 4434: 4233:"Shape Note Singing | Ritual and Worship | Musical Styles | Articles and Essays | The Library of Congress Celebrates the Songs of America | Digital Collections | Library of Congress" 890: 2055:

hymns are composed and performed to praise the Jinas. Written in every language Jains have used, the predominant pada form reflects Jain involvement in Indian poetics and in the

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style began in the late 1960s and became very popular during the 1970s, as young hymnists sought ways in which to make the music of their religion relevant for their generation.

3814:. National Museums of Canada Bulletin No. 231, Folklore Series No. 7. Translated by E. A. Popoff (song texts). Ottawa: The National Museums of Canada; Queen's Printer of Canada. 824:. Luther and his followers often used their hymns, or chorales, to teach tenets of the faith to worshipers. The first Protestant hymnal was published in Bohemia in 1532 by the 1424:

Also, if the number of syllables in one verse differ from another verse in the same hymn (e.g., the hymn "I Sing a Song of the Saints of God"), the meter is called Irregular.

4172: 1790:. The text remains the holy scripture of the Sikhs, regarded as the teachings of the Ten Gurus. The role of Guru Granth Sahib, as a source or guide of prayer, is pivotal in 1286:, and literally many dozens of others. Shape notes were important in the spread of (then) more modern singing styles, with tenor-led 4-part harmony (based on older English 4705: 2108:, meaning ‘First Lord’. The title comes from the first verse, which says that ‘his feet enhance the lustre of the jewels set in the crowns lowered by the devoted gods’. 310:

wrote to the Ephesian and Colossian churches, enjoining the singing of psalms and hymns for "mutual encouragement and edification." This was demonstrated when he joined

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There are six obligatory acts that are expected to be performed by Jains sequentially as a single act twice daily. The second one of these is showing reverence to the

143:). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. 4949: 1702:

movement. That is, the new hymns themselves received the status of holy scripture. An example of a hymnist, both lyricist and composer is the 15th–16th centuries

4232: 4173:"The American Musical Landscape - Part III Three Composers and a Song - William Billings (1746-1800) and American Psalmody: a Study of Musical Dissemination" 2175:– developed their own form of religious worship. Their services were enhanced by the addition of poetry for special occasions such as the major festivals ( 3884: 3913: 3383:. The Coptic encyclopedia. New York : Toronto : New York: Macmillan ; Collier Macmillan Canada ; Maxwell Macmillan International. 3110: 489:

in early writings, the actual musical forms in the early church can only be surmised. During the Middle Ages a rich hymnody developed in the form of

43: 2369: 5903: 3826: 3787:, ed. I. Rivers & D. L. Wykes (Oxford University Press, 2011); E. Wyn James, 'Popular Poetry, Methodism, and the Ascendancy of the Hymn', in 2513: 1138:

mapped 20,000 melody variants for Swedish hymns and helped create the Swedish Choral Registrar, which displays the wide variety of hymns today.

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Music have reset old lyrics to new melodies, revised old hymns and republished them, or simply written a song in a hymn-like fashion such as "

4994: 4931: 2265:" raises the value of the subject intensely. It should be translated "the sublime greatest of great gods". In praxis there are two kinds of 730:." ("A hymn is the praise of God with song; a song is the exultation of the mind dwelling on eternal things, bursting forth in the voice.") 5928: 2005:. The songs often run from 15 to 30 minutes and include instrumental preludes, repeated refrains and vocal improvisation. In recent times, 4013: 3408: 1432: 4906: 2500:

A short praise poem or hymn in Sanskrit verse, usually intended to be sung. They are frequently excerpted or anthologized in Stotramāla.

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accept it, counting 44 and 48 stanzas respectively. It is dedicated to the first Jina, Ṛṣabhanātha or Lord Ṛṣabha, frequently known as

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use studio trickery and manipulate backing vocals to sound like a synth piano or string section. In the West, groups such as America’s

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aimed at raising the level of church music in America, publishing their "Collection of Church Music" in 1822. In the late 19th century

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teacher, created the first tune book with only American born compositions. Within his books, Billings did not put as much emphasis on "

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Music, David. Hymnology A Collection of Source Readings. 1. 1. Lanham MD: Scarecrow Press, Inc., 1996. 179/185–186/192/199/206. Print.

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adherents incorporate music into worship. The most popular are services undertaken by Mevlevi Sufis, which include chanting and the

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and hymns like them, moved worshippers beyond singing only Old Testament psalms, inspiring congregations and revitalizing worship.

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Anderson, Warren; Mathiesen, Thomas J.; Boynton, Susan; Ward, Tom R.; Caldwell, John; Temperley, Nicholas; Eskew, Harry (2001).

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Musically, Jain hymns can be grouped into the folk genres of devotional music in western India, such as Gujarāti rās-garbā and

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traditions, stotras are melodic expressions of devotion and inspiration found in other Sanskrit religious movements as well.

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In some radical Protestant movements, their own sacred hymns completely replaced the written Bible. An example of this, the

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spiritual in quality, and in its ideas so direct and so immediately apparent as to unify a congregation while singing it."

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afternoon singing hymns and anthems from tune books, which was considered great fun, and there are surviving accounts of

5413:"Hymns Without Words – a collection of freely downloadable recordings of classic hymns for use in congrgational singing" 1340:

prior to this). Since then there has been a renaissance in "Sacred Harp singing", with annual conventions popping up in

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One of the main features of devotional music and hymns in Judaism, especially when utilized in synagogue ritual on the

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However, in places such as Turkey and Southeast Asia, several new styles of spiritual songs have developed. In Turkey,

209:, a collection of ancient Greek hymns, the oldest of which were written in the 7th century BC, praising deities of the 5379: 1820:

followers to carry out in their daily lives. Temple service chanting may include: dedications to the Three Treasures (

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in Spain (c. 950-1150). Among these were Solomon ibn Gabriol, Judah Halevi and the two Ibn Ezras—Abraham and Moshe.

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In modern times, hymn use has not been limited to strictly religious settings, including secular occasions such as

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In Christianity, church congregations often sing hymns together as part of their worship (Pictured: worshippers at

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The sacred songs attributed to Zoroaster (Zarathustra), the poet-priest and founder of Zoroastrianism, are called

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According to Japanese mythology, Shinto music stems from the time of the gods when there was no earth and sea. In

1108:(1909) is firstly printed hymnal containing songs, which to have been composed as an oral piece to be sung aloud. 6083: 5973: 5968: 5948: 5758: 1042:, which continued into the first half of the 19th century. The most prominent names among Welsh hymn-writers are 738: 5038: 315: 6098: 821: 805: 17: 5339:. "Praying Twice: The Music and Words of Congregational Song". Louisville: Westminster John Knox Press, 2000. 1873:. Min Bahadur Shakya, former director of the Nagarjuna Institute of Exact Methods in Lalitpur, Nepal, writes: 1221:, exploded in America, and professional singing masters went from town to town teaching the population how to 616:

congregational singing of hymns. These groups include the 'Brethren' (often both 'Open' and 'Exclusive'), the

5538: 5484: 5408:—Extensive database of hymns and hymnology resources; incorporates the Dictionary of North American Hymnology 3578: 2856: 2607:, Harvard Oriental Series, Opera Minora, vol. 2, Cambridge: Harvard University Press, pp. 259–264, 817: 718: 686: 4340: 3921: 5958: 5943: 5595: 5590: 1926: 1120: 813: 812:

is notable not only as a reformer, but as the author of hymns including "Ein feste Burg ist unser Gott" ("

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Christian hymns are often written with special or seasonal themes and these are used on holy days such as

5963: 3661:. Princeton: Prestige Publications, Inc. p. Part 7, "Isaac Watts, the Liberator of English Hymnody". 2876: 2872: 2806:(Oxford: Clarendon Press, 8th edition 1897, 1985 printing), p. 1849; entry on 'hymnus,' Lewis and Short, 2194: 1086: 1043: 765: 519: 5449: 4953: 1111:

Many churches today use contemporary worship music which includes a range of styles often influenced by

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Hymnus est laus Dei cum cantico; canticum autem exultatio mentis de aeternis habita, prorumpens in vocem

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Continuum Encyclopedia of Popular Music of the World: VolumeII: Performance and Production, Volume 11

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were renderings of Isaac Watts hymns written in the African-American vernacular English of the time.

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is strictly reserved and dedicated to the Imperial house and the highest nobility and clergy; rural

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that had been used before that. During this period hundreds of tune books were published, including

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is a most colourful and vivid presentation of the popular feats of supramortal and mortal heroes.

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Atiya, Aziz S.; Moftah, Ragheb; Robertson, Marian; Roy, Martha (1991). Atiya, Aziz Suryal (ed.).

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hymns or eulogies sung in praise of the divine and the transcendent. Usually associated with the

1230: 386: 3739:"Change and Differentiation: The Adoption of Black American Gospel Music in the Catholic Church" 1836:, which record the teachings of the Buddha; compositions of Pure Land Buddhist teachers such as 5610: 3412: 2450: 1135: 992: 734: 274: 153: 134: 4492: 3348: 3120: 2683: 5999: 5702: 5349: 4814: 4808: 3539: 2224: 1581: 1337: 1274: 1157:

wrote a number of hymns that were used during church services during this era of publishing.

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by Eastern Orthodox churches, which rely exclusively on traditional chants (a type of hymn).

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Processional Hymns, for Use in the Cathedral of All Saints, Albany, New York | Hymnary.org

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is the earliest and foundational Indian collection of over a thousand liturgical hymns in

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during times of slavery to the modern, lively black gospel style. The first influences of

8: 6088: 5751: 5272: 4550: 3197: 3165: 1695: 726:, in the introduction to his commentary on the Psalms, defined the Christian hymn thus: " 378: 327: 296: 5518: 4195:"The Boston Handel and Haydn Society Collection of Church Music (Mason, Lowell) - IMSLP" 3259: 2965: 2914: 573: 5712: 5678: 5543: 5192: 4855: 4081: 3766: 3463: 3193: 2808: 2568: 1287: 1249: 1078: 742: 629: 617: 399:

A writer of hymns is known as a hymnodist, and the practice of singing hymns is called

350: 56: 52: 48: 5432: 2597: 5883: 5767: 5641: 5533: 5357: 5340: 5319: 5297: 5184: 5044: 4974: 4880: 4818: 4754: 4734: 4639: 4614: 4589: 4564: 4554: 4523: 4414: 4073: 3987: 3950: 3893: 3863: 3758: 3677: 3637: 3545: 3493: 3455: 3384: 3352: 3185: 3124: 3046: 3010: 2990: 2944: 2741: 2716: 2689: 2598:"The Development of the Vedic Canon and its Schools: The Social and Political Milieu" 2489: 2300: 2294: 2244: 2034: 2009:

artists from the Gulf have found innovative ways to overcome the no-instrument rule.

1965:. This minimal form remains widely practiced in the Gulf and some other parts of the 1921:, with its collection of poems and folk songs, was heavily valued by the philosopher 1905: 1894: 1775: 1771: 1729: 1560: 1376: 1035: 652: 565: 467: 188: 178: 3566:. The Hymns of Martin Luther set to their original Melodies with an English version, 5868: 5646: 4847: 4065: 3979: 3750: 3568:

ed. Leonard Woolsey Bacon and Nathan H. Allen (London: Hodder and Stoughton, 1884).

3447: 3344: 3177: 3116: 2770: 2481: 2374: 1744: 1733: 1567: 1372: 1279: 1264: 1244: 1166: 967: 656: 648: 569: 486: 307: 3066: 2774: 2399: 745:. Examples of this may still be found in various places, including in some of the 6108: 6004: 5898: 5893: 5888: 5857: 5801: 5791: 5707: 5661: 5500: 4968: 4874: 4583: 4544: 4517: 4054:"Ministers vs. Laymen: The Singing Controversy in Puritan New England, 1720-1740" 3944: 3857: 3487: 3148: 3040: 2127: 1930: 1619: 1615: 1603: 1520: 1412:

of a hymn. This provides a means of marrying the hymn's text with an appropriate

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Music, Culture and Identity in the Muslim World: Performance, Politics and Piety

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Cai, Zong-qi (July 1999). "In Quest of Harmony: Plato and Confucius on Poetry".

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In Pakistan and Southeast Asia, the most recognized form of devotional music is

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in singing hymns in the Phillipian jail, even during unfortunate circumstances.

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describing the qualities of God and why one should meditate on God's name. The

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The earlier English writers tended to paraphrase biblical texts, particularly

295:") in the Scriptures, Christian hymns are generally directed as praise to the 6067: 5697: 5685: 5666: 5354:

Flame in the Mountains: Williams Pantycelyn, Ann Griffiths and the Welsh Hymn

5188: 5082: 4568: 4147: 4077: 3983: 3762: 3459: 3189: 2354: 2216: 2187:(High Holidays). Most of these poetic insertions are rhymed, metrical hymns ( 2105: 1977: 1956: 1817: 1749: 1659: 1635: 1341: 1315: 1222: 1203: 1112: 1047: 1020: 1016: 996: 809: 785: 694: 674: 540: 206: 4027: 3514:"The Regulative Principle of Worship – Free Presbyterian Church of Scotland" 2605:

Inside the Texts, Beyond the Texts: New Approaches to the Study of the Vedas

2303:. The Gathas, consist of seventeen hymns composed by the great poet-prophet 6019: 5873: 5843: 5828: 5823: 5816: 5796: 5692: 5615: 5605: 5383: 3971: 3310: 2633:"Shijing | Classical Poetry, Ancient Texts & Confucianism | Britannica" 2632: 2425: 1397: 1385: 1311: 1291: 1128: 1082: 1012: 1008: 1004: 1000: 497:, and most often by monastic choirs. While they were written originally in 494: 323: 300: 282: 254: 229: 213:. Surviving from the 3rd century BC is a collection of six literary hymns ( 130: 5573: 5118:"Non-Ashkenazic traditions - Leitmotifs in Sephardic High Holiday Liturgy" 3335:

Levy, Kenneth; Troelsgård, Christian (2016). Troelsgård, Christian (ed.).

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Levin, Neil (1997). Z'mirot Anthology. Hal Leonard Corp. ISBN 0933676050.

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around 1200 BC. They are arranged into five groups based on their meter:

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is also sung after the tithes and offerings are brought up to the altar.

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Critical Thought: An Anthology of Twentieth Century Indian English Essay

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A hymnody acquired tremendous importance during the medieval era of the

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or hymn books. Hymns may or may not include instrumental accompaniment.

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Hughes, Charles, Albert Christ Janer, and Carleton Sprague Smith, eds.

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resulted in two conflicting attitudes towards hymns. One approach, the

664: 663:, chant is used for all forms of liturgical worship: if it is not sung 621: 612: 603: 552: 524: 220: 123: 4101:"The Sabbath in Puritan New England, Chapter 15 | The Reformed Reader" 4085: 4053: 3770: 3738: 3467: 3435: 3211: 2079:, which is done by reciting a twenty-four-verse hymn of praise to the 5848: 5514: 5412: 4410: 2304: 2240: 2139: 2101: 1922: 1837: 1707: 1675: 1667: 1647: 1627: 1588: 1413: 1361: 1217:

Earlier in the 19th century, the use of musical notation, especially

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Along with the more classical sacred music of composers ranging from

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churches) has a variety of ancient hymnographical traditions. In the

443: 423: 419: 366: 342: 193: 161: 5420: 4851: 3698:

Christian Hymns, An Introduction to Their Story (Audio Book) op. cit

3409:"St. Thomas's Introduction to his Exposition of the Psalms of David" 564:

practice, hymns are sung (often accompanied by an organ) during the

550:

Today, except for choirs, more musically inclined congregations and

186:), a collection of Chinese poems from 11th to 7th centuries BC; the 5213: 4782: 4314: 4069: 3892:. USA: Presbyterian and Reformed Publishing Company. pp. 6–8. 3754: 3451: 3235:"Why we worship Acapella? ‹ High School Road Church of Christ" 2941:

The Lost Gospel of Mary: The Mother of Jesus in Three Ancient Texts

2657: 2062: 1869:

world, the practice of singing these hymns is still alive today in

1866: 1855: 1851: 1539: 1178: 1161: 1096:(Russian: "Zhivotnaya kniga") is the name of all oral hymns of the 931: 863: 859: 781: 599: 501:, many have been translated; a familiar example is the 4th century 292: 110:), which means "a song of praise". A writer of hymns is known as a 5469: 4272: 3700:. p. Part 7, "Isaac Watts, the Liberator of English Hymnody". 1408:

The meter indicates the number of syllables for the lines in each

539:

as the norm, adopting major and minor keys, and came to be led by

5811: 5523: 4348: 3970:

Caron, Nathalie (2022), Aje, Lawrence; Raynaud, Claudine (eds.),

2852: 2848: 2359: 2201: 2132: 2052: 2006: 1985: 1950: 1942: 1929:. His remarks on the subject have become an invaluable source in 1859: 1841: 1779: 1754: 1712: 1691: 1663: 1527: 1502: 1477: 1438: 1417:

for instance, cannot be used with words of, say, trochaic metre.

1353: 1349: 1101: 536: 370: 331: 172: 158: 111: 5453: 2171:

Over many centuries the Jews of Spain and Portugal–the original

257:

songs of praise, and frequently used the word as a synonym for "

129:

Although most familiar to speakers of English in the context of

5316:

Notes on the Hymns and Biographies of the Authors and Composers

4014:"Reminder: 'O Holy Night Started Out As An Abolitionist Anthem" 3972:"Abolition in the United States as a Religious Social Movement" 3042:

Sing with Understanding: An Introduction to Christian Hymnology

2987:

Sing with Understanding, An Introduction to Christian Hymnology

2250: 2236: 2212: 2205: 2189: 2121: 2117: 2057: 2002: 1973: 1914: 1847: 1829: 1825: 1678:) in local languages in a number of groups, namely Dadu panth, 1671: 1651: 1623: 1611: 1607: 1544: 1516: 1498: 1409: 1357: 1295: 1066: 808:, produced a burst of hymn writing and congregational singing. 706: 682: 405: 374: 354: 346: 288: 258: 198: 139: 119: 82: 4371:"Sacred Harp in Poland | Polish Sacred Harp Community Website" 3436:"The Organ Controversy in the Netherlands Reformation to 1640" 2964:

Pinnock, William Henry (1858). "Te Deum, a Separate Service".

2211:

The one salient exception to this is an instrument called the

1344:

and in a number of European countries recently, including the

5770: 5239: 4481:. Vol. 9 (Revised 3rd ed.). 1981. pp. 166–167. 3976:

Ending Slavery : The Antislavery Struggle in Perspective

3793:

The Bulletin of the Hymn Society of Great Britain and Ireland

2795: 2712:

The Homeric Hymns: A Translation, with Introduction and Notes

2193:) and were the products of great literary figures during the 2086:

One of the most popular devotional hymns of the Jains is the

2044: 1998: 1870: 1813: 1703: 1655: 1643: 1319: 1051: 843: 498: 362: 311: 250: 240: 214: 101: 86: 3659:

Christian Hymns, An Introduction to Their Story (Audio Book)

3108: 1997:(a type of keyboard) and percussion instruments including a 1038:

of the 18th century created an explosion of hymn-writing in

568:

to the altar, during the receiving of communion, during the

493:

or plainsong. This type was sung in unison, in one of eight

418:, and the scholarly study of hymns, hymnists and hymnody is 4370: 3633: 3579:"Appendix B: Early German Lutheran and Reformation Hymnals" 1791: 1786:

affirmed the sacred text as his successor, elevating it to

1763: 1725: 1699: 702: 479: 475: 471: 358: 74: 2215:, a ram's horn which is sounded on the High Holidays (the 858:

Later writers took even more freedom, some even including

442:

seen a revival in some churches, usually more Reformed or

5395: 4300:

History of the Town of Medfield, Massachusetts, 1650–1886

1961: 5445:—2000 pages of hymns in both staff and neumatic notation 1899:

The earliest entries in the oldest extant collection of

572:, and sometimes at other points during the service. The 32:"Hymns" and "hymnus" redirect here. For other uses, see 4407:

Encyclopedia of Religious Rites, Rituals, and Festivals

3378: 2480:(1 ed.). Oxford University Press. 1 January 2009. 81:, specifically written for the purpose of adoration or 3671: 2889:"BBC One - Songs of Praise - A Brief History of Hymns" 2812:(Oxford: Clarendon Press 1879, 1987 printing), p. 872. 1333:

in the 1960s (although it had been well-documented by

1160:

Thomas Symmes, a clergyman of the third generation of

233:

are a collection of 87 short poems in Greek religion.

176:, an Indian collection of Vedic hymns; hymns from the 5310:. New York: Columbia University Press, 1989. 2 vols. 4546:

The Sants: Studies in a Devotional Tradition of India

3676:. Chicago: G.I.A. Publications, Inc. pp. 40–41. 1832:) common to all Buddhist traditions; selections from 624:, several Anabaptist-based denominations—such as the 27:

Religious song for the purpose of adoration or prayer

5037:

Robinson, Thomas Arthur; Rodrigues, Hillary (2006).

3859:

Stones for Bread: A Critique of Contemporary Worship

3783:

E. Wyn James, 'The Evolution of the Welsh Hymn', in

3166:"Mendelssohn in Nineteenth-Century American Hymnody" 2763:"Orphism, Orphic poetry In Brill's New Pauly Online" 1694:, completely or significantly replaced all previous 906:'s most popular hymns, is commonly sung to the tune 291:

and other poetic passages (commonly referred to as "

4813:(2nd ed.). New York: The Free Press. pp. 4519:

The Rigveda: The Earliest Religious Poetry of India

3541:

Beyond the Bible: Moving from Scripture to Theology

1003:, and a new explosion of sacred music writing with 712: 5380:"The Hymn Society in the United States and Canada" 4405:Salamone, Frank A. (2004). Levinson, David (ed.). 3713:"Is There a Difference Between a Hymn and a Song?" 2061:devotional movement more commonly associated with 5036: 4581: 1762:is divided by their musical setting in different 1436:Sanskrit manuscript page from the "Vivaha sukta" 1190:has many tunes whose declamation is based on the 361:. Others are used to encourage reverence for the 205:The Western tradition of hymnody begins with the 192:—Avestan hymns believed to have been composed by 6065: 5170: 3808:Songs of the Doukhobors: An Introductory Outline 2943:. Brewster MA: Paraclete Press. pp. 85–87. 2370:List of English-language hymnals by denomination 1766:into fourteen hundred and thirty pages known as 1077:continued to produce many popular hymns such as 365:or to celebrate Christian practices such as the 114:. The singing or composition of hymns is called 5421:"The Hymn Society of Great Britain and Ireland" 4237:Library of Congress, Washington, D.C. 20540 USA 4222:. 1. 1. Lanham MD: Scarecrow Press, Inc., 1996. 3862:. Westminster John Knox Press. pp. 11–12. 3492:. Westminster John Knox Press. pp. 35–57. 2938: 2822: 2820: 2818: 1816:chanting is a religious action recommended for 1474:Recitation of a Gaaram melody of Samaveda from 1100:, the Russian denomination, similar to western 438:. In recent years, Christian traditional hymns 5766: 5173:"Dances and Songs of the Japanese Shintō Cult" 4707:Sri Guru Granth Sahib — A Juristic Person 4582:Sivaramkrishna, M.; Roy, Sumita, eds. (1996). 4575: 4453:"How to Use the Metrical Index in Your Hymnal" 3886:Contemporary Worship Music: A Biblical Defense 3627: 3564:Dr. Martin Luther’s Deutsche Geistliche Lieder 3334: 1993:group would often use instruments such as the 966:The Battle Hymn of the Republic, performed by 5752: 5485: 5043:. Hymns Ancient and Modern Ltd. p. 228. 4907:"Music of the Arab World: The sound of Islam" 4543:Schomer, Karine; McLeod, W. H., eds. (1987). 4542: 4175:. University of California Press. p. 129 3920:(in Swedish). 21 January 2013. Archived from 3440:Journal of the American Musicological Society 3163: 3034: 2984: 1323:that survived continuously in print, was the 1318:hymnody, and even adopted dedicated, trained 1303:and his sweetheart singing together from the 422:. The music to which a hymn may be sung is a 4549:. Berkeley Religious Studies Series. Delhi: 2967:The laws and usages of the Church and clergy 2815: 2738:The Oxford dictionary of the classical world 2685:The Oxford Dictionary of the Jewish Religion 1925:and is considered to be one of the official 1548:and others) or their collections there are: 1210:developed the relatively new subcategory of 839:in the 18th century wrote some 2,000 hymns. 709:and other instruments on certain occasions. 5294:Abide with Me: the World of Victorian Hymns 4966: 4148:"Introduction - MUSIC IN BOSTON, 1750–1770" 3855: 2426:"hymn | Search Online Etymology Dictionary" 2158:In Ashkenazic tradition the term refers to 693:(Malankara Orthodox Syrian Church) use the 668: 381:; such hymns are particularly prevalent in 151:Ancient Eastern hymns include the Egyptian 5759: 5745: 5492: 5478: 3795:, No. 295, Vol. 22:2 (Spring 2018), 43–53. 2715:. Univ of California Press. pp. 1–2. 2514:"What Is the Oldest Known Piece of Music?" 2208:has always been, and still is, paramount. 1774:(1666–1708), the tenth guru, after adding 820:" ("Praise be to You, Jesus Christ"), and 461: 446:in nature, as modern hymn writers such as 373:. Some hymns praise or address individual 5466:—Site with extensive hymn searching tools 4688: 4220:Hymnology A Collection of Source Readings 3856:Frankforter, A. Daniel (1 January 2001). 3789:The Cambridge History of Welsh Literature 2740:. New-York: Oxford University press Inc. 2569:"The Hymn to Nikkal – Heritage for Peace" 1955:During the time of the Prophet Mohammed, 747:Presbyterian churches of western Scotland 137:, especially on the Indian subcontinent ( 5333:. Independence, Mo.: Herald House, 1956. 4876:Understanding Islam: The First Ten Steps 4404: 4256: 4250: 3537: 3489:Worship: Reformed According to Scripture 3433: 3035:Eskew, Harry; McElrath, Hugh T. (1980). 2688:. Oxford University Press. p. 589. 1431: 1367: 1148: 543:and choir. It shares many elements with 518: 268: 89:or deities, or to a prominent figure or 38: 5429:"Examples of Byzantine Music for Hymns" 5263: 5144: 4536: 4510: 3914:"Vi gratulerar Elisabet Wentz-Janacek!" 3804: 3656: 3486:Old, Hughes Oliphant (1 January 2002). 3349:10.1093/gmo/9781561592630.article.04494 3121:10.1093/gmo/9781561592630.article.13648 2963: 2957: 2830:. Lillenas Publishing. 1972. p. i. 2735: 2511: 2261:means "the gods' delight". The prefix " 667:, the only accompaniment is usually an 353:, or during particular seasons such as 14: 6066: 6025:Contemporary Catholic liturgical music 5214:"The Gathas ("Hymns") of Zarathushtra" 5208: 5206: 5140: 5138: 4673: 4658: 4608: 4296: 4051: 3824: 3736: 3146: 2970:. Cambridge: J. Hall and Son. p. 2681: 2658:"The Gathas ("Hymns") of Zarathushtra" 2592: 2147:terminology refers to these Psalms as 991:Wesley's contribution, along with the 5740: 5473: 5356:(Tal-y-bont: Y Lolfa, 2017), 320 pp. 4904: 4900: 4898: 4896: 4872: 4806: 4800: 4777: 4775: 4728: 4633: 4627: 4098: 3969: 3882: 3481: 3479: 3477: 3283: 3142: 3140: 2912: 2708: 1797: 1743: 626:Apostolic Christian Church of America 126:is the Greco/Roman goddess of hymns. 6048: 5929:Christian bands and artists by genre 4950:"'Aaj rang hai' – Qawwali revisited" 4783:"Bodhisvara - Melodies of Awakening" 4689:Partridge, Christopher Hugh (2005). 4682: 4493:"I Sing a Song of the Saints of God" 3942: 2486:10.1093/acref/9780198610250.001.0001 1310:By the 1860s musical reformers like 804:The other Reformation approach, the 264: 133:, hymns are also a fixture of other 118:. Collections of hymns are known as 5499: 5237: 5203: 5135: 4837: 4703: 4338: 4273:"The Missouri Harmony 2005 Edition" 3737:DjeDje, Jacqueline Cogdell (1986). 3485: 3403: 2939:Matthewes-Green, Frederica (2007). 507:sung to the 11th century plainsong 24: 5572: 5283: 5115: 4893: 4810:Chinese Civilisation: A Sourcebook 4772: 4676:Guru Granth Sahib an Advance Study 4602: 4398: 3544:. Baker Academic. pp. 40–42. 3474: 3137: 2760: 2614:from the original on 4 August 2020 2512:ANDREWS, EVAN (18 December 2015). 1448: 1134:Swedish composer and musicologist 1119:). This is not new; the Christian 1106:The Book of Life of the Doukhobors 939: 871: 754: 25: 6120: 5368: 4663:. Black Rabbit Books. p. 13. 4661:The Guru Granth Sahib and Sikhism 4152:Colonial Society of Massachusetts 3710: 3583:www.hymnsandcarolsofchristmas.com 3381:Coptic Music: Musical Instruments 2709:Rayor, Diane J. (14 March 2014). 2340:, views on hymns can be divided: 2288: 1989:. Performed by up to nine men, a 1698:. The same and with the songs of 883:"Love Divine All Loves Excelling" 639: 514: 482:were used with psalms and hymns. 6047: 6038: 6037: 5637:Christian electronic dance music 5257: 5231: 5164: 5109: 5100: 5075: 5057: 5030: 5005: 4987: 3604:"Nikolaus Ludwig von Zinzendorf" 3284:Yoder, Harvey (27 August 2018). 2331: 2317:Spentamainyush Gatha (Y47 - Y50) 1488:Problems playing this file? See 1464: 1427: 982:Problems playing this file? See 955: 918:Problems playing this file? See 900:Love Divine, All Loves Excelling 887: 795:Problems playing this file? See 770: 713:Development of Christian hymnody 239:writers began applying the term 77:, and partially synonymous with 5979:Christian worship music artists 4973:. Routledge. pp. 183–184. 4960: 4942: 4924: 4866: 4831: 4747: 4722: 4697: 4691:Introduction to World Religions 4667: 4652: 4485: 4471: 4445: 4427: 4389: 4363: 4332: 4307: 4290: 4265: 4225: 4212: 4187: 4165: 4140: 4115: 4092: 4045: 4020: 4006: 3963: 3936: 3906: 3876: 3849: 3818: 3798: 3777: 3730: 3704: 3690: 3674:A Panorama of Christian Hymnody 3672:Routley and Richardson (1979). 3665: 3650: 3628:Wilson-Dickson, Andrew (1992). 3621: 3596: 3571: 3558: 3531: 3506: 3427: 3397: 3372: 3328: 3303: 3277: 3252: 3227: 3204: 3157: 3102: 3080: 3059: 3028: 3003: 2978: 2932: 2906: 2881: 2834: 2788: 2754: 2729: 2702: 2675: 2650: 1888: 1719: 1023:" is a hymn (no refrain), but " 766:"Ein feste Burg ist unser Gott" 739:regulative principle of worship 523:Hymns are often accompanied by 466:In ancient and medieval times, 303:either directly or indirectly. 277:Parish Church in England, 1944) 85:, and typically addressed to a 5296:. London: S.C.M. Press, 1997. 5171:Harich-Schneider, Eta (1983). 3805:Peacock, Kenneth, ed. (1970). 3311:"Psalm & Praise Resources" 3147:Sfetcu, Nicolae (7 May 2014). 2736:Roberts, John Willoby (2007). 2625: 2586: 2561: 2536: 2505: 2468: 2443: 2418: 2392: 1391: 1375:developed a rich hymnody from 1188:The Singing Master's Assistant 974:, and a mixed quartet in 1908. 806:normative principle of worship 580:Contemporary Christian worship 504:Of the Father's Heart Begotten 13: 1: 5539:Hymnody of continental Europe 5147:"An Overview of Jewish Music" 4905:Saeed, Saeed (31 July 2012). 4873:Hewer, Chris (28 July 2014). 4678:. Hemkunt Press. p. 139. 4261:. A&C Black. p. 146. 3825:Moring, Mark (9 March 2011). 3164:Mercer-Taylor, Peter (2009). 2775:10.1163/1574-9347_bnp_e901320 2385: 1748:), is a collection of hymns ( 1238:, and earlier works like the 1225:, instead of the more common 1085:, O Sacrament Most Holy, and 835:, the Lutheran leader of the 818:Gelobet seist du, Jesu Christ 719:Hymnody of continental Europe 602:, sharing many elements with 5596:Contemporary Christian music 5591:Christian adult contemporary 5326:set comprising both volumes. 5151:www.jewishvirtuallibrary.org 4588:. New Delhi: Sterling Publ. 3946:Hymns and the Christian Myth 3630:The Story of Christian Music 3538:Marshall, I. Howard (2004). 3286:"Our hymns shape our church" 3260:"Direction: Anabaptist Hymn" 3239:www.highschoolroadchurch.com 2767:wikipedialibrary.wmflabs.org 2314:Ushtavaiti Gatha (Y43 - Y46) 2311:Ahunavaiti Gatha (Y28 - Y34) 814:A Mighty Fortress Is Our God 636:have abandoned this stance. 7: 5308:American Hymns, Old and New 4932:"The Mevlevi Sema Ceremony" 4733:. Oxford University Press. 4339:Macadam, Edwin and Sheila. 4099:Earle, Alice Morse (1891). 3434:Bruinsma, Henry A. (1954). 2603:, in Michael Witzel (ed.), 2348: 1802: 1770:(limbs) in Sikh tradition. 1044:William Williams Pantycelyn 951:Battle Hymn of the Republic 681:tradition makes use of the 535:introduced four-part vocal 287:Originally modelled on the 10: 6125: 5657:Christian alternative rock 5601:Contemporary worship music 5125:Journal of Synagogue Music 4995:"Native Deen's Muslim Rap" 4879:. SCM Press. p. 121. 4638:. Routledge. p. 200. 2796: 2365:List of Chinese hymn books 2292: 2234: 2115: 2111: 2032: 2028: 1940: 1892: 1834:The Three Pure Land Sutras 1806: 1554:Naalayira Divya Prabandham 1510: 1496: 1401: 1395: 999:led to a new style called 930:'s hymns spread Methodist 716: 592:contemporary worship music 280: 241: 215: 146: 102: 31: 6033: 5992: 5954:Christian hip hop artists 5934:Christian country artists 5924:Anglican church composers 5916: 5842: 5777: 5733: 5725:Urban contemporary gospel 5624: 5583: 5570: 5507: 4613:. Heinemann. p. 14. 4058:The New England Quarterly 4052:Becker, Laura L. (1982). 4028:"Foster's Complete Songs" 3198:10.1525/ncm.2009.32.3.235 3182:10.1525/ncm.2009.32.3.235 2915:"Ancient Christian Hymns" 2455:www.talesbeyondbelief.com 2323:Vahishtoishti Gatha (Y53) 2320:Vohukhshathra Gatha (Y51) 2253:, sacral music is called 2230: 2096:hymn. Both main sects of 1745:[ɡʊɾuɡɾəntʰsɑhɪb] 1737: 1507:List of suktas and stutis 590:, may include the use of 485:Since there is a lack of 448:Keith & Kristyn Getty 6015:Christian music industry 6010:Christian music festival 5939:Christian hardcore bands 4934:. UNESCO. Archived from 4840:Philosophy East and West 4807:Ebrey, Patricia (1993). 4729:Singh, Kushwant (2005). 4674:Kapoor, Sukhbir (2005). 4319:www.sacredharpbremen.org 4297:Tilden, William (1887), 3984:10.4000/books.pulm.22407 3949:. UBC Press. p. x. 3037:"2 - The Hymn and Music" 2985:Eskew; McElrath (1980). 2919:West Park Baptist Church 2573:www.heritageforpeace.org 2477:A Dictionary of Hinduism 1936: 1381:African-American culture 1200:Handel and Haydn Society 910:composed by W.P.Rowlands 5974:Christian vocal artists 5969:Christian record labels 5949:Christian metal artists 5632:Christian country music 5145:Denburg, Moshe (1997). 5087:jewish-music.huji.ac.il 4636:Sikh Art and Literature 4257:Shepherd, John (2003). 3883:Frame, John M. (1997). 3315:Free Church of Scotland 3015:www.merriam-webster.com 3011:"Definition of HYMNODY" 2803:A Greek-English Lexicon 2404:www.merriam-webster.com 2143:(morning) prayers: the 2018:Mishary Rashid Al Afasy 1384:the first hymns in the 780:Luther's paraphrase of 634:Free Church of Scotland 462:Music and accompaniment 211:ancient Greek religions 6084:Christian music genres 5802:Ethiopian and Eritrean 5611:Neues Geistliches Lied 5577: 4731:A history of the sikhs 4659:Ganeri, Anita (2003). 4345:www.ukshapenote.org.uk 3827:"Pop Goes the Worship" 3657:Routley, Erik (1980). 2913:Ellen (21 June 2021). 2682:Berlin, Adele (2011). 2346: 2195:Golden Age of the Jews 2169: 1886: 1741:Punjabi pronunciation: 1538:Between other notable 1453: 1443: 1136:Elisabet Wentz-Janacek 993:Second Great Awakening 944: 876: 759: 735:Protestant Reformation 669: 528: 306:In the New Testament, 278: 154:Great Hymn to the Aten 66: 6099:Christian terminology 6000:Anglican church music 5703:Latin Christian music 5576: 5331:How to Use the Hymnal 5314:.: Vol. l, ; vol. 2, 4710:. Global Sikh Studies 4634:Brown, Kerry (1999). 4479:Children's Britannica 3943:Adey, Lionel (1986). 3831:ChristianityToday.com 2800:, Liddell and Scott, 2342: 2293:Further information: 2235:Further information: 2156: 2116:Further information: 2033:Further information: 1941:Further information: 1893:Further information: 1875: 1807:Further information: 1606:. When the chanting ( 1582:Shiva Tandava Stotram 1497:Further information: 1452: 1442:, dated 1500–1200 BCE 1435: 1402:Further information: 1368:Black America's hymns 1338:George Pullen Jackson 1256:The American Vocalist 1149:American developments 943: 875: 758: 717:Further information: 531:Later hymnody in the 522: 281:Further information: 272: 42: 34:Hymn (disambiguation) 5959:Christian punk bands 5944:Christian rock bands 5768:Christian liturgical 5508:Roots and beginnings 5386:on 15 December 2007. 5352:(ed. E. Wyn James), 5329:Weddle, Franklyn S. 4967:Kamal Salhi (2013). 4609:Penney, Sue (1995). 4585:Poet-Saints of India 4315:"Sacred Harp Bremen" 4032:www.library.pitt.edu 3636:. pp. 110–111. 3264:directionjournal.org 3067:"In praise of hymns" 2400:"Definition of HYMN" 2160:z'mirot shel Shabbat 2012:Albums by Sharjah’s 1931:ancient music theory 1404:Trochaic septenarius 1117:contemporary worship 1087:Faith of Our Fathers 645:Eastern Christianity 582:, as often found in 5964:Christian ska bands 5450:"HistoricHymns.com" 5273:Sterling Publishing 5065:"Bhaktāmara-stotra" 5013:"Songs of devotion" 4551:Motilal Banarsidass 4016:. 20 December 2020. 3924:on 27 February 2021 3518:www.fpchurch.org.uk 1696:Sanskrit literature 1254:, D.H. Mansfield's 389:and to some extent 379:Blessed Virgin Mary 377:, particularly the 328:Sub tuum praesidium 196:; and the Biblical 5713:Black Gospel music 5679:Christian hardcore 5578: 5544:Exclusive psalmody 5177:The World of Music 5116:Kanter, Maxine R. 4956:on 18 August 2018. 4303:, Boston: GH Ellis 3341:Grove Music Online 3170:19th-Century Music 3045:. Broadman Press. 2989:. Broadman Press. 2809:A Latin Dictionary 2637:www.britannica.com 2430:www.etymonline.com 2153:Z'mirot Anthology. 1978:whirling dervishes 1927:Confucian classics 1913:), were initially 1883:Min Bahadur Shakya 1798:In other religions 1454: 1444: 1307:during his youth. 1288:West Gallery music 1079:Lead, Kindly Light 1025:How Great Thou Art 945: 877: 760: 743:exclusive psalmody 630:Primitive Baptists 618:Churches of Christ 529: 468:string instruments 279: 67: 6061: 6060: 5912: 5911: 5647:Christian R&B 5642:Christian hip hop 5435:on 19 August 2006 5362:978-1-78461-454-6 5244:iranicaonline.org 5238:Humbach, Helmut. 5050:978-0-334-04014-9 5001:on 28 March 2010. 4980:978-1-317-96310-3 4938:on 26 April 2014. 4886:978-0-334-05233-3 4824:978-0-02-908752-7 4560:978-81-208-0277-3 4529:978-0-19-937018-4 4351:on 15 August 2019 4127:Poetry Foundation 3993:978-2-36781-513-8 3956:978-0-7748-0257-4 3869:978-0-664-22284-0 3785:Dissenting Praise 3608:Hymnology Archive 3551:978-0-8010-2775-8 3499:978-0-664-22579-7 3390:978-0-02-897025-7 3337:"Byzantine chant" 3153:. Nicolae Sfetcu. 3130:978-1-56159-263-0 3052:978-0-8054-6809-0 2950:978-1-55725-536-5 2877:Revelation 14:1–5 2873:Revelation 5:8–10 2747:978-0-19-280146-3 2722:978-0-520-28211-7 2695:978-0-19-973004-9 2495:978-0-19-861025-0 2295:Gatha (Zoroaster) 2089:Bhaktāmara-stotra 2035:Bhaktamara Stotra 1906:Classic of Poetry 1895:Classic of Poetry 1788:Guru Granth Sahib 1776:Guru Tegh Bahadur 1772:Guru Gobind Singh 1760:Guru Granth Sahib 1730:Guru Granth Sahib 1561:Ram Raksha Stotra 1469: 1373:African-Americans 1284:Christian Harmony 1275:Christian Harmony 1036:Methodist Revival 961: 893: 775: 699:Tewahedo Churches 653:Oriental Orthodox 509:Divinum Mysterium 387:Eastern Orthodoxy 349:and the Feast of 265:Christian hymnody 179:Classic of Poetry 16:(Redirected from 6116: 6051: 6050: 6041: 6040: 5984:Gospel musicians 5761: 5754: 5747: 5738: 5737: 5494: 5487: 5480: 5471: 5470: 5465: 5463: 5461: 5456:on 4 August 2021 5452:. Archived from 5444: 5442: 5440: 5431:. Archived from 5424: 5416: 5407: 5405: 5403: 5394:. Archived from 5387: 5382:. Archived from 5277: 5276: 5261: 5255: 5254: 5252: 5250: 5235: 5229: 5228: 5226: 5224: 5210: 5201: 5200: 5168: 5162: 5161: 5159: 5157: 5142: 5133: 5132: 5122: 5113: 5107: 5104: 5098: 5097: 5095: 5093: 5079: 5073: 5072: 5061: 5055: 5054: 5034: 5028: 5027: 5025: 5023: 5009: 5003: 5002: 4997:. Archived from 4991: 4985: 4984: 4964: 4958: 4957: 4952:. Archived from 4946: 4940: 4939: 4928: 4922: 4921: 4919: 4917: 4902: 4891: 4890: 4870: 4864: 4863: 4835: 4829: 4828: 4804: 4798: 4797: 4795: 4793: 4779: 4770: 4769: 4767: 4765: 4751: 4745: 4744: 4726: 4720: 4719: 4717: 4715: 4704:Kashmir, Singh. 4701: 4695: 4694: 4686: 4680: 4679: 4671: 4665: 4664: 4656: 4650: 4649: 4631: 4625: 4624: 4606: 4600: 4599: 4579: 4573: 4572: 4540: 4534: 4533: 4514: 4508: 4507: 4505: 4503: 4489: 4483: 4482: 4475: 4469: 4468: 4466: 4464: 4459:. 29 August 2018 4449: 4443: 4442: 4441:. 5 August 2021. 4431: 4425: 4424: 4402: 4396: 4393: 4387: 4386: 4384: 4382: 4375:sacredharp86.org 4367: 4361: 4360: 4358: 4356: 4347:. Archived from 4336: 4330: 4329: 4327: 4325: 4311: 4305: 4304: 4294: 4288: 4287: 4285: 4283: 4269: 4263: 4262: 4254: 4248: 4247: 4245: 4243: 4229: 4223: 4216: 4210: 4209: 4207: 4205: 4191: 4185: 4184: 4182: 4180: 4169: 4163: 4162: 4160: 4158: 4144: 4138: 4137: 4135: 4133: 4123:"Common measure" 4119: 4113: 4112: 4110: 4108: 4096: 4090: 4089: 4049: 4043: 4042: 4040: 4038: 4024: 4018: 4017: 4010: 4004: 4003: 4002: 4000: 3967: 3961: 3960: 3940: 3934: 3933: 3931: 3929: 3910: 3904: 3903: 3891: 3880: 3874: 3873: 3853: 3847: 3846: 3844: 3842: 3837:on 12 March 2011 3833:. Archived from 3822: 3816: 3815: 3813: 3802: 3796: 3781: 3775: 3774: 3734: 3728: 3727: 3725: 3723: 3711:Frank, Cameron. 3708: 3702: 3701: 3694: 3688: 3687: 3669: 3663: 3662: 3654: 3648: 3647: 3632:. Oxford: Lion, 3625: 3619: 3618: 3616: 3614: 3600: 3594: 3593: 3591: 3589: 3575: 3569: 3562: 3556: 3555: 3535: 3529: 3528: 3526: 3524: 3510: 3504: 3503: 3483: 3472: 3471: 3431: 3425: 3424: 3422: 3420: 3415:on 10 April 2016 3411:. Archived from 3401: 3395: 3394: 3376: 3370: 3369: 3367: 3365: 3332: 3326: 3325: 3323: 3321: 3307: 3301: 3300: 3298: 3296: 3290:Anabaptist World 3281: 3275: 3274: 3272: 3270: 3256: 3250: 3249: 3247: 3245: 3231: 3225: 3224: 3222: 3220: 3208: 3202: 3201: 3161: 3155: 3154: 3144: 3135: 3134: 3106: 3100: 3099: 3098: 3096: 3084: 3078: 3077: 3075: 3073: 3063: 3057: 3056: 3032: 3026: 3025: 3023: 3021: 3007: 3001: 3000: 2982: 2976: 2975: 2961: 2955: 2954: 2936: 2930: 2929: 2927: 2925: 2910: 2904: 2903: 2901: 2899: 2885: 2879: 2838: 2832: 2831: 2824: 2813: 2799: 2798: 2792: 2786: 2785: 2783: 2781: 2758: 2752: 2751: 2733: 2727: 2726: 2706: 2700: 2699: 2679: 2673: 2672: 2670: 2668: 2654: 2648: 2647: 2645: 2643: 2629: 2623: 2622: 2621: 2619: 2613: 2602: 2590: 2584: 2583: 2581: 2579: 2565: 2559: 2558: 2556: 2554: 2540: 2534: 2533: 2531: 2529: 2520:. Archived from 2509: 2503: 2502: 2472: 2466: 2465: 2463: 2461: 2451:"Polyhymnia ***" 2447: 2441: 2440: 2438: 2436: 2422: 2416: 2415: 2413: 2411: 2396: 2375:Metrical psalter 2221:Day of Atonement 2167: 1884: 1747: 1742: 1739: 1738:ਗੁਰੂ ਗ੍ਰੰਥ ਸਾਹਿਬ 1616:devotional songs 1604:bhakti movements 1568:Saundarya Lahari 1471: 1470: 1451: 1360:, as well as in 1305:Missouri Harmony 1280:Jeremiah Ingalls 1265:Southern Harmony 1245:Kentucky Harmony 1240:Missouri Harmony 1167:William Billings 1065:H.53 - H.71) to 968:Frank C. Stanley 963: 962: 942: 895: 894: 874: 866:in their texts. 777: 776: 757: 672: 657:Eastern Catholic 649:Eastern Orthodox 596:electric guitars 487:musical notation 299:. Many refer to 244: 243: 218: 217: 105: 104: 63:Man Singing Hymn 60: 21: 6124: 6123: 6119: 6118: 6117: 6115: 6114: 6113: 6104:Christian music 6079:Christian hymns 6074:Religious music 6064: 6063: 6062: 6057: 6029: 6005:Christian media 5988: 5908: 5846: 5838: 5773: 5765: 5729: 5708:Southern gospel 5662:Christian metal 5620: 5579: 5568: 5503: 5501:Christian music 5498: 5459: 5457: 5448: 5438: 5436: 5427: 5419: 5411: 5401: 5399: 5398:on 2 March 2013 5390: 5378: 5371: 5286: 5284:Further reading 5281: 5280: 5265:Ezekiel, Nizzim 5262: 5258: 5248: 5246: 5236: 5232: 5222: 5220: 5212: 5211: 5204: 5169: 5165: 5155: 5153: 5143: 5136: 5120: 5114: 5110: 5105: 5101: 5091: 5089: 5081: 5080: 5076: 5063: 5062: 5058: 5051: 5040:World Religions 5035: 5031: 5021: 5019: 5011: 5010: 5006: 4993: 4992: 4988: 4981: 4965: 4961: 4948: 4947: 4943: 4930: 4929: 4925: 4915: 4913: 4903: 4894: 4887: 4871: 4867: 4852:10.2307/1399898 4836: 4832: 4825: 4805: 4801: 4791: 4789: 4781: 4780: 4773: 4763: 4761: 4753: 4752: 4748: 4741: 4727: 4723: 4713: 4711: 4702: 4698: 4687: 4683: 4672: 4668: 4657: 4653: 4646: 4632: 4628: 4621: 4607: 4603: 4596: 4580: 4576: 4561: 4541: 4537: 4530: 4516: 4515: 4511: 4501: 4499: 4491: 4490: 4486: 4477: 4476: 4472: 4462: 4460: 4451: 4450: 4446: 4433: 4432: 4428: 4421: 4403: 4399: 4394: 4390: 4380: 4378: 4369: 4368: 4364: 4354: 4352: 4337: 4333: 4323: 4321: 4313: 4312: 4308: 4295: 4291: 4281: 4279: 4271: 4270: 4266: 4255: 4251: 4241: 4239: 4231: 4230: 4226: 4217: 4213: 4203: 4201: 4193: 4192: 4188: 4178: 4176: 4171: 4170: 4166: 4156: 4154: 4146: 4145: 4141: 4131: 4129: 4121: 4120: 4116: 4106: 4104: 4097: 4093: 4050: 4046: 4036: 4034: 4026: 4025: 4021: 4012: 4011: 4007: 3998: 3996: 3994: 3968: 3964: 3957: 3941: 3937: 3927: 3925: 3912: 3911: 3907: 3900: 3889: 3881: 3877: 3870: 3854: 3850: 3840: 3838: 3823: 3819: 3811: 3803: 3799: 3782: 3778: 3743:Ethnomusicology 3735: 3731: 3721: 3719: 3709: 3705: 3696: 3695: 3691: 3684: 3670: 3666: 3655: 3651: 3644: 3626: 3622: 3612: 3610: 3602: 3601: 3597: 3587: 3585: 3577: 3576: 3572: 3563: 3559: 3552: 3536: 3532: 3522: 3520: 3512: 3511: 3507: 3500: 3484: 3475: 3432: 3428: 3418: 3416: 3405:Aquinas, Thomas 3402: 3398: 3391: 3377: 3373: 3363: 3361: 3359: 3333: 3329: 3319: 3317: 3309: 3308: 3304: 3294: 3292: 3282: 3278: 3268: 3266: 3258: 3257: 3253: 3243: 3241: 3233: 3232: 3228: 3218: 3216: 3210: 3209: 3205: 3162: 3158: 3150:The Music Sound 3145: 3138: 3131: 3107: 3103: 3094: 3092: 3086: 3085: 3081: 3071: 3069: 3065: 3064: 3060: 3053: 3033: 3029: 3019: 3017: 3009: 3008: 3004: 2997: 2983: 2979: 2962: 2958: 2951: 2937: 2933: 2923: 2921: 2911: 2907: 2897: 2895: 2887: 2886: 2882: 2865:Colossians 3:16 2839: 2835: 2828:Worship in Song 2826: 2825: 2816: 2793: 2789: 2779: 2777: 2759: 2755: 2748: 2734: 2730: 2723: 2707: 2703: 2696: 2680: 2676: 2666: 2664: 2656: 2655: 2651: 2641: 2639: 2631: 2630: 2626: 2617: 2615: 2611: 2600: 2594:Witzel, Michael 2591: 2587: 2577: 2575: 2567: 2566: 2562: 2552: 2550: 2544:"Amarna Belief" 2542: 2541: 2537: 2527: 2525: 2524:on 20 July 2019 2510: 2506: 2496: 2474: 2473: 2469: 2459: 2457: 2449: 2448: 2444: 2434: 2432: 2424: 2423: 2419: 2409: 2407: 2398: 2397: 2393: 2388: 2351: 2334: 2297: 2291: 2247: 2233: 2217:Jewish New Year 2178:Shalosh r’galim 2168: 2166: 2124: 2114: 2037: 2031: 1953: 1939: 1897: 1891: 1885: 1882: 1811: 1805: 1800: 1740: 1728:holy book, the 1722: 1523: 1521:Arti (Hinduism) 1509: 1495: 1494: 1486: 1484: 1483: 1482: 1481: 1472: 1465: 1462: 1455: 1449: 1430: 1406: 1400: 1394: 1370: 1301:Abraham Lincoln 1260:The Social Harp 1223:sing from sight 1208:Dwight L. Moody 1151: 1143:Remembrance Day 1075:Catholic Church 989: 988: 980: 978: 977: 976: 975: 972:Elise Stevenson 964: 956: 953: 946: 940: 925: 924: 916: 914: 913: 912: 911: 896: 888: 885: 878: 872: 837:Moravian Church 802: 801: 793: 791: 790: 789: 788: 778: 771: 768: 761: 755: 721: 715: 691:Indian Orthodox 642: 560:In traditional 545:classical music 517: 491:Gregorian chant 464: 456:In Christ Alone 452:Sovereign Grace 320:Revelation 14:3 285: 267: 149: 135:world religions 91:personification 79:devotional song 46: 44:Arvid Liljelund 37: 28: 23: 22: 15: 12: 11: 5: 6122: 6112: 6111: 6106: 6101: 6096: 6091: 6086: 6081: 6076: 6059: 6058: 6056: 6055: 6045: 6034: 6031: 6030: 6028: 6027: 6022: 6017: 6012: 6007: 6002: 5996: 5994: 5993:Related topics 5990: 5989: 5987: 5986: 5981: 5976: 5971: 5966: 5961: 5956: 5951: 5946: 5941: 5936: 5931: 5926: 5920: 5918: 5914: 5913: 5910: 5909: 5907: 5906: 5901: 5896: 5891: 5886: 5881: 5876: 5871: 5866: 5861: 5854: 5852: 5840: 5839: 5837: 5836: 5831: 5826: 5821: 5820: 5819: 5809: 5804: 5799: 5794: 5789: 5783: 5781: 5775: 5774: 5764: 5763: 5756: 5749: 5741: 5735: 5731: 5730: 5728: 5727: 5722: 5721: 5720: 5710: 5705: 5700: 5695: 5690: 5689: 5688: 5683: 5682: 5681: 5674:Christian punk 5671: 5670: 5669: 5659: 5652:Christian rock 5649: 5644: 5639: 5634: 5628: 5626: 5622: 5621: 5619: 5618: 5613: 5608: 5603: 5598: 5593: 5587: 5585: 5581: 5580: 5571: 5569: 5567: 5566: 5561: 5556: 5551: 5546: 5541: 5536: 5531: 5526: 5521: 5511: 5509: 5505: 5504: 5497: 5496: 5489: 5482: 5474: 5468: 5467: 5446: 5425: 5417: 5409: 5388: 5370: 5369:External links 5367: 5366: 5365: 5347: 5334: 5327: 5304: 5285: 5282: 5279: 5278: 5275:. p. 230. 5256: 5230: 5218:www.avesta.org 5202: 5163: 5134: 5108: 5099: 5074: 5056: 5049: 5029: 5004: 4986: 4979: 4959: 4941: 4923: 4892: 4885: 4865: 4846:(3): 317–345. 4830: 4823: 4799: 4771: 4746: 4739: 4721: 4696: 4693:. p. 223. 4681: 4666: 4651: 4644: 4626: 4619: 4601: 4594: 4574: 4559: 4535: 4528: 4509: 4484: 4470: 4444: 4426: 4419: 4413:. p. 17. 4397: 4388: 4362: 4331: 4306: 4289: 4264: 4249: 4224: 4218:Music, David. 4211: 4186: 4164: 4139: 4114: 4091: 4070:10.2307/365704 4044: 4019: 4005: 3992: 3962: 3955: 3935: 3918:Lunds domkyrka 3905: 3898: 3875: 3868: 3848: 3817: 3797: 3776: 3755:10.2307/851995 3749:(2): 223–252. 3729: 3703: 3689: 3682: 3664: 3649: 3642: 3620: 3595: 3570: 3557: 3550: 3530: 3505: 3498: 3473: 3452:10.2307/829497 3446:(3): 205–212. 3426: 3396: 3389: 3371: 3357: 3327: 3302: 3276: 3251: 3226: 3203: 3176:(3): 235–283. 3156: 3136: 3129: 3101: 3089:Songs of faith 3079: 3058: 3051: 3027: 3002: 2995: 2977: 2956: 2949: 2931: 2905: 2880: 2861:Ephesians 5:19 2833: 2814: 2787: 2753: 2746: 2728: 2721: 2701: 2694: 2674: 2662:www.avesta.org 2649: 2624: 2585: 2560: 2535: 2504: 2494: 2467: 2442: 2417: 2406:. 1 April 2024 2390: 2389: 2387: 2384: 2383: 2382: 2377: 2372: 2367: 2362: 2357: 2350: 2347: 2338:Nissim Ezekiel 2333: 2330: 2325: 2324: 2321: 2318: 2315: 2312: 2290: 2289:Zoroastrianism 2287: 2232: 2229: 2164: 2113: 2110: 2030: 2027: 2014:Ahmed Bukhatir 1938: 1935: 1901:Chinese poetry 1890: 1887: 1880: 1809:Buddhist chant 1804: 1801: 1799: 1796: 1721: 1718: 1706:reformer guru 1688:Radha-vallabha 1640:Hith Harivansh 1600: 1599: 1592: 1585: 1578: 1571: 1564: 1557: 1533:Vedic Sanskrit 1485: 1473: 1463: 1458: 1457: 1456: 1447: 1446: 1445: 1429: 1426: 1396:Main article: 1393: 1390: 1369: 1366: 1270:William Walker 1251:Hesperian Harp 1186:". And indeed 1175:common measure 1171:singing school 1155:Stephen Foster 1150: 1147: 979: 965: 954: 949: 948: 947: 938: 937: 936: 928:Charles Wesley 915: 904:Charles Wesley 897: 886: 881: 880: 879: 870: 869: 868: 826:Unitas Fratrum 792: 779: 769: 764: 763: 762: 753: 752: 751: 724:Thomas Aquinas 714: 711: 661:Byzantine Rite 641: 640:Eastern church 638: 588:Pentecostalism 584:Evangelicalism 533:Western church 516: 515:Western church 513: 463: 460: 432:Jesus movement 289:Book of Psalms 266: 263: 199:Book of Psalms 167:Hymn to Nikkal 164:; the Hurrian 157:, composed by 148: 145: 26: 18:Christian hymn 9: 6: 4: 3: 2: 6121: 6110: 6107: 6105: 6102: 6100: 6097: 6095: 6092: 6090: 6087: 6085: 6082: 6080: 6077: 6075: 6072: 6071: 6069: 6054: 6046: 6044: 6036: 6035: 6032: 6026: 6023: 6021: 6018: 6016: 6013: 6011: 6008: 6006: 6003: 6001: 5998: 5997: 5995: 5991: 5985: 5982: 5980: 5977: 5975: 5972: 5970: 5967: 5965: 5962: 5960: 5957: 5955: 5952: 5950: 5947: 5945: 5942: 5940: 5937: 5935: 5932: 5930: 5927: 5925: 5922: 5921: 5919: 5915: 5905: 5902: 5900: 5897: 5895: 5892: 5890: 5887: 5885: 5882: 5880: 5877: 5875: 5872: 5870: 5867: 5865: 5862: 5859: 5856: 5855: 5853: 5850: 5845: 5841: 5835: 5832: 5830: 5827: 5825: 5822: 5818: 5815: 5814: 5813: 5810: 5808: 5805: 5803: 5800: 5798: 5795: 5793: 5790: 5788: 5785: 5784: 5782: 5780: 5776: 5772: 5769: 5762: 5757: 5755: 5750: 5748: 5743: 5742: 5739: 5736: 5732: 5726: 5723: 5719: 5716: 5715: 5714: 5711: 5709: 5706: 5704: 5701: 5699: 5698:Gospel reggae 5696: 5694: 5691: 5687: 5686:Christian ska 5684: 5680: 5677: 5676: 5675: 5672: 5668: 5667:Unblack metal 5665: 5664: 5663: 5660: 5658: 5655: 5654: 5653: 5650: 5648: 5645: 5643: 5640: 5638: 5635: 5633: 5630: 5629: 5627: 5625:Fusion genres 5623: 5617: 5614: 5612: 5609: 5607: 5604: 5602: 5599: 5597: 5594: 5592: 5589: 5588: 5586: 5584:Modern genres 5582: 5575: 5565: 5562: 5560: 5557: 5555: 5552: 5550: 5547: 5545: 5542: 5540: 5537: 5535: 5532: 5530: 5527: 5525: 5522: 5520: 5516: 5513: 5512: 5510: 5506: 5502: 5495: 5490: 5488: 5483: 5481: 5476: 5475: 5472: 5455: 5451: 5447: 5434: 5430: 5426: 5422: 5418: 5414: 5410: 5397: 5393: 5392:"Hymnary.org" 5389: 5385: 5381: 5377: 5376: 5375: 5363: 5359: 5355: 5351: 5348: 5346: 5345:0-664-25670-8 5342: 5338: 5335: 5332: 5328: 5325: 5324:0-231-05148-4 5321: 5317: 5313: 5309: 5305: 5303: 5302:0-334-02703-9 5299: 5295: 5291: 5288: 5287: 5274: 5271:. 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Sankey 1201: 1197: 1193: 1189: 1185: 1180: 1176: 1172: 1168: 1163: 1158: 1156: 1146: 1144: 1139: 1137: 1132: 1130: 1124: 1122: 1118: 1114: 1113:popular music 1109: 1107: 1103: 1099: 1095: 1090: 1088: 1084: 1080: 1076: 1072: 1068: 1064: 1060: 1055: 1053: 1049: 1048:Ann Griffiths 1045: 1041: 1037: 1032: 1030: 1026: 1022: 1021:Amazing Grace 1018: 1017:Ira D. Sankey 1014: 1010: 1006: 1002: 998: 994: 987: 985: 973: 969: 952: 935: 933: 929: 923: 921: 909: 905: 901: 884: 867: 865: 861: 856: 852: 849: 845: 840: 838: 834: 829: 827: 823: 819: 815: 811: 810:Martin Luther 807: 800: 798: 787: 786:Lutheran hymn 784:is a popular 783: 767: 750: 748: 744: 740: 736: 731: 729: 725: 720: 710: 708: 704: 700: 696: 692: 688: 684: 680: 676: 671: 666: 662: 658: 654: 650: 646: 637: 635: 631: 627: 623: 619: 615: 614: 607: 605: 601: 597: 593: 589: 585: 581: 577: 575: 571: 567: 563: 558: 555: 554: 548: 546: 542: 538: 534: 526: 521: 512: 510: 506: 505: 500: 496: 492: 488: 483: 481: 477: 473: 469: 459: 457: 453: 449: 445: 441: 437: 433: 427: 425: 421: 417: 413: 409: 407: 402: 397: 395: 392: 388: 384: 380: 376: 372: 368: 364: 360: 356: 352: 348: 344: 339: 335: 333: 329: 325: 321: 317: 313: 309: 304: 302: 298: 297:Christian God 294: 290: 284: 276: 271: 262: 260: 256: 252: 248: 238: 234: 232: 231: 226: 222: 212: 208: 207:Homeric Hymns 203: 201: 200: 195: 191: 190: 185: 181: 180: 175: 174: 169: 168: 163: 160: 156: 155: 144: 142: 141: 136: 132: 127: 125: 121: 117: 113: 109: 100: 97:derives from 96: 92: 88: 84: 80: 76: 73:is a type of 72: 64: 58: 54: 50: 45: 41: 35: 30: 19: 6020:Church music 5824:Prostopinije 5693:Gospel blues 5616:Mass (music) 5606:Gospel music 5528: 5458:. 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White's 1216: 1212:gospel hymns 1187: 1159: 1152: 1140: 1133: 1129:gospel music 1125: 1110: 1105: 1094:Book of Life 1093: 1091: 1083:Silent Night 1062: 1056: 1033: 1028: 1013:Philip Bliss 1009:Lina Sandell 1005:Fanny Crosby 990: 981: 926: 917: 907: 857: 853: 841: 830: 803: 794: 732: 727: 722: 643: 611: 608: 594:played with 578: 566:processional 559: 551: 549: 530: 508: 502: 495:church modes 484: 470:such as the 465: 439: 428: 415: 411: 404: 400: 398: 340: 336: 324:Phos Hilaron 305: 301:Jesus Christ 286: 283:Church music 246: 235: 230:Orphic hymns 228: 204: 197: 187: 183: 177: 171: 165: 152: 150: 138: 131:Christianity 128: 115: 107: 94: 70: 68: 62: 29: 5718:Traditional 5554:Sacred Harp 5549:Jesus music 5337:Wren, Brian 4497:Hymnary.org 4439:Masterclass 4377:(in Polish) 2857:1 Cor 14:26 2761:Calame, C. 2380:Sacred Harp 2257:. 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