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Chromogenic print

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subsequently reacts with another chemical, the dye coupler, which is present throughout the emulsion. Different dye couplers are used in each of the three layers, so the reaction forms a different colored dye in each layer. Responding to both exposure and development, a blue-light-sensitive layer forms yellow dye, a green-light-sensitive layer forms magenta dye, and a red-light-sensitive layer forms cyan dye. The remaining silver and silver compounds are then bleached out, leaving a color image composed of dyes in three layers. The exposure of a chromogenic print may be accomplished with a traditional
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Chromogenic processes are characterized by a reaction between two chemicals to create the color dyes that make up a print. After exposure, the silver image is developed (or reduced) by a color developer. In its reaction to the print, the color developer is oxidized in the areas of exposed silver, and
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In 1955, Kodak introduced a chromogenic paper named "Type C", which was the first color negative paper Kodak sold to other labs and individual photographers. Although the paper's name was changed to "Kodak Ektacolor Paper" in 1958, the terminology "Type-C Print" persisted, and has become a popular
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and negatives using indoxyl, and thio-indoxyl-based color developers as dye couplers in a light-sensitive silver halide emulsion. The following year he filed a patent listing various color developers and dye couplers, which have historically been used in
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Due to their simple development process and their cheap price, chromogenic printing became wildly popular in amateur photography, and by the 1960s it overtook black and white printing in the amateur photofinishing market.
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that could be developed using a transparency. Agfa developed a chromogenic negative film by 1939, which could be developed directly on a companion paper to the film, although this film was never commercialized.
724:, Wilmanns, Gustav; Bitterfeld, Kreis & Schneider, Wilhelm et al., "Color photography", published April 10, 1935, issued November 5, 1939, assigned to Agfa Ansco Corp. 173:
which can easily be scattered in the gelatin while loosely tethering to it. Agfa patented both the developer for this print and its photographic process, and promptly developed and released in 1936
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carbon chains which were shorter than Agfa's for their dye couplers, which were suspended within droplets of water in the gelatin layers of the print. In 1942, Kodak released
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Contemporary Analog and Digital Color Photographic Prints: Dye and Pigment Print Process Descriptors, Naming Conventions, Dating, and Permanence Characteristics
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in its first exhibition of color photography in 1962. Other pioneering fine-art color photographers who printed their photographs on chromogenic prints include
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process for making Type-R prints. As of 2008, all of these companies have ceased to produce Type R paper, although Fujifilm still has some stocks remaining.
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workers Gustav Wilmanns and Wilhelm Schneider, who created a print made of three layers of gelatin containing subtractive color dye couplers made of long
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up to the 1970s. The pioneers in the use of chromogenic prints and in the use of color photography as a whole in fine-art were photographers such as
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Developing color by using oxidized developers was first suggested by German chemist Benno Homolka who, in 1907, successfully developed insoluble
351: 858:. American Institution for Conservation 2014 annual conference – via American Institute for Conservation of Historic and Artistic Works. 227:. Their works, and those of many others, caused chromogenic prints to become the preferred medium for contemporary photography by the 1990s. 373:
to achieve color and density accuracy and also to correct paper sensitivity errors. The same technology can also be used to produce digital
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term for chromogenic prints made from negatives still in use today, with the name "Type-R Print" becoming its reversal film counterpart.
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print, is a chromogenic print made from a digital file rather than a negative, and exposed using digital exposure systems such as the
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Notwithstanding the success of chromogenic prints in the amateur and professional market, it wasn't considered a medium for
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The potential of oxidized developers in a color photographic process however, was first realized by another German chemist,
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The print's name is derived from the chromogenic reaction between the dye coupler and the oxidized color developer.
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and thio-indoxyl respectively. He additionally noted these developers could create beautiful photographic effects.
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Read, Shirley (2013). "Chapter 17: Printing for Exhibition by Mike Crawford - Print types: C type print".
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Hirsch, Robert (2014). "Chapter two - A concise history of color photography: Chromogenic negative film".
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too worked to solve the issue of the dye couplers movement, and found a different solution. They used
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The Focal Encyclopedia of Photography: Digital Imaging, Theory and Applications, History, and Science
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that is then developed using conventional silver-based photographic chemicals. The Chromira uses
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Colour: The Professional's Guide: Understanding and Mastering Colour in Art, Design and Culture
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process, with materials, processing, and results quite different from the R-3 process.
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Chromogenic prints made from negatives became obsolete with the release of chromogenic
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process. As of 2017, the major lines of professional chromogenic print paper are
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Chromogenic prints, like most color photographic prints, are developed using the
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print, is a positive-to-positive photographic print made on reversal-type color
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have historically manufactured paper and chemicals for the R-3 process, a
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process. They are composed of three layers of gelatin, each containing an
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Exhibiting Photography: A Practical Guide to Displaying Your Work
427:"Chromogenic Characterization: A Study of Kodak Prints 1942-2008" 170: 119: 720: 1701: 1123: 1073: 1007: 935: 143: 139: 82:, which is used as a light-sensitive material, and a different 1028: 247:
using color filters to adjust the color balance of the print.
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Crystal Archive. Plastic chromogenic "papers" such as Kodak
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Waller, David; Hinz, Zbigniew J.; Filosa, Michael (2000).
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which together, when developed, form a full-color image.
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lasers to expose light-sensitive material to produce a
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Photographic developer § Reversal film development
880:(2nd ed.). United Kingdom: Taylor & Francis. 701: 608:(1st ed.). Amsterdam: Elsevier. pp. 61–64. 869: 867: 865: 459:"Definitions of Print Processes - Chromogenic Print" 292:A reversal film chromogenic print, also known as a 27:
Photographic print made using a chromogenic process
862: 153:This first solution to this problem was found by 2665: 743:Exploring Color Photography: From Film to Pixels 597: 330:A digital chromogenic print, sometimes known as 815: 813: 1044: 420: 418: 325: 810: 778:: 17. January 1945 – via Google Books. 504: 478: 476: 2596:Conservation and restoration of photographs 602:. In Freeman, H. S.; Peters, A. T. (eds.). 177:, the first chromogenic print, which was a 2323:Comparison of digital and film photography 1051: 1037: 844: 842: 819: 787: 785: 453: 451: 449: 447: 424: 415: 253: 2548:Photographs considered the most important 549:: 136–138 – via Barbara Flueckiger. 529: 527: 473: 461:. Santa Fe, New Mexico: Photo-Eye Gallery 314:Another positive-to-positive process was 674:. United Kingdom: Taylor & Francis. 660: 658: 656: 654: 652: 628: 237: 97: 848: 839: 782: 578: 559: 533: 444: 354:. The LightJet and the Lambda both use 281: 14: 2666: 739: 605:Colorants for non-textile applications 524: 1032: 907: 664: 649: 505:Fenstermaker, Will (April 27, 2017). 274:and Duraclear are used for producing 873: 169:. This turned the dye couplers into 2543:Museums devoted to one photographer 908:Dafoe, Taylor (November 22, 2017). 635:. London: Ilex Press. p. 144. 434:Topics in Photographic Preservation 425:Gawain, Weaver; Long, Zach (2009). 24: 2085:Timeline of photography technology 543:The British Journal of Photography 25: 2685: 961:"What is a digital C Type print?" 2646: 2636: 2635: 820:Touchetter, Amy (June 8, 2017). 534:Homolka, Benno (February 1907). 396: 2647: 1058: 1000: 975: 953: 928: 901: 768:"For Better Kodacolor Pictures" 760: 733: 714: 695: 622: 849:Wilhelm, Henry (Spring 2014). 591: 572: 553: 498: 390: 138:and are still in use today in 13: 1: 2135:Painted photography backdrops 2067:Golden triangle (composition) 1347:35 mm equivalent focal length 383: 983:"Digital Chromogenic Prints" 215:, which was profiled by the 7: 1845:Intentional camera movement 797:Hamburg Kennedy Photographs 10: 2690: 2538:Most expensive photographs 1890:Multi-exposure HDR capture 326:Digital chromogenic prints 285: 93: 2631: 2588: 2530: 2430: 2373: 2279: 2163: 2075: 2027: 1772: 1539: 1339: 1066: 897:– via Google Books. 756:– via Google Books. 645:– via Google Books. 618:– via Google Books. 2472:Digital image processing 629:Triedman, Karen (2015). 494:– via Paris Photo. 380:black and white prints. 114:-blue and red dyes on a 2580:Photography periodicals 2140:Photography and the law 665:Peres, Michael (2007). 254:Chromogenic print today 18:Chromogenic color print 2674:Photographic processes 2492:Gelatin silver process 1516:Science of photography 1501:Photographic processes 1479:Perspective distortion 722:US patent 2179239A 703:US patent 2163166A 580:US patent 1102028A 561:US patent 1055155A 107: 1945:Schlieren photography 1489:Photographic printing 1412:Exposure compensation 364:light-emitting diodes 303:Fujifilm, Kodak, and 286:Further information: 278:advertising and art. 245:photographic enlarger 238:Development of prints 101: 1734:Straight photography 1372:Chromatic aberration 691:– via The Eye. 484:"Chromogenic prints" 399:"C-print – Art Term" 282:Reversal film prints 217:Museum of Modern Art 209:fine-art photography 2606:photographic plates 2281:Digital photography 1464:Hyperfocal distance 1377:Circle of confusion 772:Popular Photography 102:Figure from patent 44:silver halide print 2100:Autochrome Lumière 2095:Analog photography 1920:Pigeon photography 1714:Social documentary 1193:discontinued films 963:. 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1460: 1457: 1455: 1452: 1450: 1447: 1443: 1440: 1438: 1435: 1434: 1433: 1430: 1428: 1425: 1423: 1420: 1418: 1415: 1413: 1410: 1408: 1405: 1403: 1400: 1398: 1395: 1393: 1390: 1388: 1387:Color balance 1385: 1383: 1380: 1378: 1375: 1373: 1370: 1368: 1365: 1363: 1360: 1358: 1355: 1353: 1352:Angle of view 1350: 1348: 1345: 1344: 1342: 1338: 1332: 1329: 1325: 1322: 1321: 1320: 1317: 1315: 1312: 1310: 1307: 1305: 1302: 1300: 1299:Manufacturers 1297: 1293: 1290: 1288: 1285: 1283: 1280: 1278: 1275: 1273: 1270: 1268: 1265: 1263: 1260: 1259: 1258: 1255: 1251: 1248: 1246: 1243: 1241: 1238: 1236: 1233: 1231: 1228: 1226: 1223: 1221: 1218: 1216: 1213: 1211: 1208: 1207: 1206: 1203: 1201: 1198: 1194: 1191: 1189: 1186: 1184: 1181: 1179: 1176: 1174: 1171: 1169: 1166: 1165: 1164: 1161: 1157: 1154: 1152: 1149: 1148: 1147: 1144: 1140: 1137: 1135: 1132: 1130: 1127: 1125: 1122: 1120: 1117: 1115: 1112: 1110: 1107: 1105: 1102: 1100: 1097: 1095: 1092: 1090: 1087: 1085: 1082: 1080: 1077: 1076: 1075: 1072: 1071: 1069: 1065: 1061: 1054: 1049: 1047: 1042: 1040: 1035: 1034: 1031: 1013: 1009: 1003: 988: 984: 978: 962: 956: 941: 937: 936:"Pikto Paper" 931: 915: 911: 904: 889: 887:9781136102530 883: 879: 878: 870: 868: 866: 854: 853: 845: 843: 827: 823: 816: 814: 798: 794: 788: 786: 777: 773: 769: 763: 755: 753:9781317911159 749: 745: 744: 736: 723: 717: 704: 698: 683: 681:9780240807409 677: 670: 669: 661: 659: 657: 655: 653: 644: 642:9781781573624 638: 634: 633: 625: 617: 615:9780444828880 611: 607: 606: 601: 594: 581: 575: 562: 556: 548: 544: 537: 530: 528: 512: 508: 501: 485: 479: 477: 460: 454: 452: 450: 448: 439: 435: 428: 421: 419: 404: 400: 393: 389: 381: 379: 376: 372: 369: 365: 361: 357: 353: 349: 345: 341: 337: 333: 323: 321: 317: 312: 310: 306: 301: 299: 295: 289: 279: 277: 273: 269: 265: 261: 251: 248: 246: 235: 233: 228: 226: 225:Stephen Shore 222: 218: 214: 210: 205: 201: 197: 195: 191: 187: 183: 180: 176: 175:Agfacolor Neu 172: 168: 167:sulfonic acid 164: 160: 156: 151: 149: 145: 141: 137: 132: 128: 123: 121: 118:by oxidizing 117: 113: 105: 100: 91: 89: 85: 81: 80:silver halide 77: 73: 69: 65: 64:digital image 61: 57: 53: 49: 45: 41: 37: 33: 19: 2618:Polaroid art 2507:K-14 process 2502:Instant film 2497:Gum printing 2447:C-41 process 2432:Photographic 2387: 2333:Image sensor 2328:Film scanner 1982:Sun printing 1915:Print toning 1707:space selfie 1677:Pictorialism 1607:Ethnographic 1587:Conservation 1459:Guide number 1454:Focal length 1015:. Retrieved 1011: 1002: 990:. Retrieved 986: 977: 965:. Retrieved 955: 943:. Retrieved 939: 930: 918:. Retrieved 913: 903: 893:November 15, 891:. Retrieved 876: 851: 829:. Retrieved 826:envato tuts+ 825: 800:. Retrieved 796: 775: 771: 762: 742: 735: 716: 697: 685:. Retrieved 667: 631: 624: 604: 593: 574: 555: 546: 542: 516:November 13, 514:. Retrieved 510: 500: 490:November 12, 488:. Retrieved 463:. Retrieved 437: 433: 406:. Retrieved 402: 392: 360:latent image 352:ZBE Chromira 348:OcĂ© LightJet 344:Durst Lambda 339: 335: 331: 329: 313: 302: 293: 291: 257: 249: 241: 229: 206: 202: 198: 184: 161:chains, and 152: 124: 116:latent image 109: 60:transparency 54:made from a 47: 43: 40:C-type print 39: 35: 31: 29: 2623:Stereoscopy 2482:E-6 process 2477:Dye coupler 2405:color space 2318:Digiscoping 2311:camera back 2226:Philippines 2155:Visual arts 2145:Glass plate 2130:Heliography 2029:Composition 2004:Ultraviolet 1960:Stereoscopy 1955:Slow motion 1940:Scanography 1855:Kite aerial 1800:Contre-jour 1692:Post-mortem 1682:Pornography 1662:Neues Sehen 1597:Documentary 1531:Zone System 1506:Reciprocity 1432:Film format 1362:Backscatter 1340:Terminology 1210:beauty dish 1114:rangefinder 1079:light-field 1060:Photography 1017:October 28, 992:October 28, 967:October 28, 945:October 28, 914:Artnet news 802:November 3, 465:October 28, 309:chromogenic 266:Endura and 159:hydrocarbon 84:dye coupler 72:chromogenic 2613:Lomography 2434:processing 2383:Print film 2299:comparison 2266:Uzbekistan 2216:Luxembourg 2176:Bangladesh 2125:Dufaycolor 2105:Box camera 2062:Simplicity 2019:Zoom burst 2014:Xerography 2009:Vignetting 1999:Time-lapse 1987:Tilt–shift 1880:Mordançage 1870:Luminogram 1835:Holography 1830:High-speed 1810:Fill flash 1795:Burst mode 1773:Techniques 1754:Vernacular 1749:Underwater 1744:Toy camera 1724:Still life 1652:Monochrome 1642:High-speed 1592:Cloudscape 1582:Conceptual 1484:Photograph 1469:Lens flare 1449:Film speed 1331:Zone plate 1277:wide-angle 1262:long-focus 1008:"Chromira" 408:2020-08-16 384:References 316:Ilfochrome 213:Ernst Haas 163:carboxylic 148:Ektachrome 136:Agfachrome 104:US2113329A 2558:Norwegian 2522:Stop bath 2467:Developer 2462:Cyanotype 2090:Ambrotype 2052:Lead room 1975:Slit-scan 1910:Photogram 1905:Panoramic 1815:Fireworks 1647:Landscape 1292:telephoto 1240:reflector 1235:monolight 1230:lens hood 1215:cucoloris 1156:safelight 1067:Equipment 831:April 15, 687:April 15, 338:print or 272:Duratrans 194:Kodacolor 131:positives 68:developed 2668:Category 2642:Category 2338:CMOS APS 2236:Slovenia 2164:Regional 2110:Calotype 2047:Headroom 1925:Redscale 1840:Infrared 1790:Brenizer 1764:Wildlife 1687:Portrait 1632:Forensic 1622:Fine-art 1557:Aircraft 1547:Abstract 1427:F-number 1407:Exposure 1382:Clipping 1357:Aperture 1225:hot shoe 1151:enlarger 1146:Darkroom 920:April 7, 916:. Artnet 511:Artspace 340:LightJet 268:Fujifilm 171:micelles 76:emulsion 70:using a 2653:Outline 2589:Related 2271:Vietnam 2256:Ukraine 2191:Denmark 2171:Albania 2150:Tintype 2077:History 2042:Framing 1935:Rollout 1900:Panning 1850:Kirlian 1759:Wedding 1637:Glamour 1617:Fashion 1602:Eclipse 1572:Banquet 1494:Albumen 1304:Monopod 1282:fisheye 1250:softbox 1104:pinhole 1094:instant 1084:digital 378:bromide 334:print, 276:backlit 120:indoxyl 94:History 50:, is a 46:, or a 36:C-print 2651:  2640:  2568:street 2563:Polish 2251:Turkey 2246:Taiwan 2231:Serbia 2221:Norway 2196:Greece 2181:Canada 1780:Afocal 1739:Street 1719:Sports 1702:Selfie 1657:Nature 1612:Erotic 1577:Candid 1552:Aerial 1540:Genres 1442:medium 1319:Tripod 1287:swivel 1200:Filter 1178:holder 1173:format 1074:Camera 884:  750:  728:  709:  678:  639:  612:  586:  567:  397:Tate. 336:Lambda 294:Type-R 146:, and 144:Provia 112:indigo 66:, and 2573:women 2531:Lists 2487:Fixer 2365:Pixel 2294:D-SLR 2241:Sudan 2211:Korea 2206:Japan 2201:India 2186:China 1970:Strip 1895:Night 1875:Macro 1785:Bokeh 1729:Stock 1697:Ruins 1437:large 1267:prime 1245:snoot 1205:Flash 1183:stock 1124:still 1109:press 1099:phone 1089:field 940:PIKTO 856:(PDF) 672:(PDF) 539:(PDF) 430:(PDF) 264:Kodak 186:Kodak 2601:film 2306:MILC 1805:ETTR 1667:Nude 1627:Fire 1526:Sync 1324:head 1272:zoom 1257:Lens 1220:gobo 1168:base 1163:Film 1139:view 1019:2017 994:2017 969:2017 947:2017 922:2019 895:2017 882:ISBN 833:2019 804:2017 748:ISBN 689:2019 676:ISBN 637:ISBN 610:ISBN 518:2017 492:2017 467:2017 403:Tate 350:and 305:Agfa 260:RA-4 223:and 155:Agfa 142:and 42:, a 2343:CCD 1134:toy 1129:TLR 1119:SLR 1012:zbe 368:ICC 356:RGB 165:or 86:of 78:of 62:or 38:or 2670:: 1010:. 985:. 938:. 912:. 864:^ 841:^ 824:. 812:^ 795:. 784:^ 776:16 774:. 770:. 651:^ 547:54 545:. 541:. 526:^ 509:. 475:^ 446:^ 438:13 436:. 432:. 417:^ 401:. 346:, 300:. 58:, 30:A 1052:e 1045:t 1038:v 1021:. 996:. 971:. 949:. 924:. 835:. 806:. 520:. 469:. 411:. 20:)

Index

Chromogenic color print
photographic print
color negative
transparency
digital image
developed
chromogenic
emulsion
silver halide
dye coupler
subtractive color

US2113329A
indigo
latent image
indoxyl
Rudolf Fischer
positives
Agfachrome
Fujichrome Velvia
Provia
Ektachrome
Agfa
hydrocarbon
carboxylic
sulfonic acid
micelles
Agfacolor Neu
color print film
Kodak

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