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sustain characteristics and context. This approach often utilizes extended sustain, reshaped timbres, discreet vibrato techniques, textural event layering, and simply breaking down a chord to its basic elements and recording each element separately (as a modified guitar orchestra). The term
Guitarchitecture applies to both Hammer's soundtracks in the digital film medium, and his recorded guitar work.
833:. These soundtracks were widely broadcast internationally and in effect broadened the textural range and darkened the tone of soundtracks that followed in the genre, through merging textural guitar, advanced editing techniques and processed sonic artifacts. The following is a partial list of series and documentary soundtracks he has composed:
318:, and Guitarchitecture. As an artist, Hammer is best known for his Guitarchitecture recordings, though he is also widely regarded as a leading New York City based soundtrack composer, having scored approximately 300 documentary films. He is currently developing a series of improvisational textural guitar recordings.
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multitrack recordings live, utilizing the
Digital Guitar Interface. In 1985 he recorded "Glacial Guitars", a series of Guitarchitecture pieces that deploy cello timbres and string controlled sampling. in 1986 Hammer recorded "Cathedral Guitars", a series of solo acoustic pieces. In November 1986 he
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Textural tracks, such as those on Bowie's "Ashes to Ashes" and "Teenage
Wildlife", exhibited a highly experimental multi-layered approach to recording and composing with the guitar. Hammer's recordings with David Bowie represent one of the most influential and genre defining approaches to textural
430:
Hammer's recorded work is broadly known as
Guitarchitecture, a process and term which he developed in 1977. The underlying thought behind Guitarchitecture is to extend the sonic vocabulary of the guitar. Guitarchitecture involves widening the guitar's textural vocabulary by altering its temporal
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in New York City, a multi media production facility, that focused on film and digital music scoring. Between 1994 and 2004 he composed soundtracks for an extended series of non fiction documentaries; collaborating extensively with
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448:, having been attributed with leading a new era of development in the global guitar community, influencing instrument capabilities, form and functions in music.
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Hammer toured extensively as a textural guitarist with Lou Reed from 1978 through 1980. During these concerts Hammer utilized new guitar technology, known as
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406:", both of which marked the earliest use of guitar-synth in Bowie's catalogue. The actual instruments utilized on these tracks included a
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guitar layering. They are regarded as having opened the door to the textural guitar movement that followed.
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333:. As a guitarist Hammer was a central figure within the Lou Reed Band that hosted the June 1979 concerts at
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Roland GR 500 Guitar Synth
Controller that Hammer used while recording with David Bowie and Lou Reed
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In 2016 Hammer completed the recording and production of "Blind On Blind" with
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Chuck Hammer and Lou Reed performing June 1979, The Bottom Line, New York City
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as the primary instrument to reshape audio elements while recording this
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How 'Ashes To Ashes' Put The First Act Of David Bowie's Career To Rest
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from the article and its talk page, especially if potentially
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with
Eventide Harmonizer and multiple analogue tape delays.
325:, studying classical guitar with Oswald Rantucci, jazz with
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In 1983 Hammer began composing film soundtracks with a
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Between
Thought and Expression: The Lou Reed Anthology
440:, alongside an eclectic and select group, including
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482:Chuck Hammer, recording rig, 2015, Woodstock, NY
207:but its sources remain unclear because it lacks
539:Additional sessions and compilation discography
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784:, triggering synchronized samples, from her
772:Chuck Hammer, recording, New York City, 2018
558:Chuck Hammer, recording, New York City, 2018
724:The Platinum Collection (David Bowie album)
580:, David Bowie, (1980), UK No. 1, US No. 12)
53:Learn how and when to remove these messages
593:The Singles Collection (David Bowie album)
518:Blind On Blind (Hammer–Martin–Tacuma–Saft)
321:He was born in New York City and attended
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97:about living persons that is unsourced or
284:Hammer at Terminal 5, New York City, 2015
256:Learn how and when to remove this message
238:Learn how and when to remove this message
168:Learn how and when to remove this message
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711:, David Bowie (Teenage Wildlife), (2005)
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451:He is currently developing a series of
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748:A New Career in a New Town (1977–1982)
434:Hammer was accorded pioneer status by
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310:, known for textural guitar work with
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392:tracks with David Bowie on the album
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1052:American male film score composers
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764:Chuck Hammer, New York City, 2015
698:The Best of David Bowie 1980/1987
577:Scary Monsters (and Super Creeps)
395:Scary Monsters (And Super Creeps)
34:This article has multiple issues.
1037:American experimental guitarists
1002:Chuck Hammer recordings Bandcamp
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938:Prown, Pete and Newquest, HP -
926:Transformer: The Lou Reed Story
912:David Bowie: We Could Be Heroes
388:In March 1980, Hammer recorded
379:. Hammer recorded with Reed on
337:in New York City that included
42:or discuss these issues on the
756:Film and broadcast soundtracks
609:Rock and Roll Diary: 1967–1980
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1057:Guitarists from New York City
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1062:University at Buffalo alumni
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75:biography of a living person
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799:(BAM). Hammer utilized a
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839:Trauma: Life in the E.R.
827:Discovery Communications
810:In 1989 Hammer designed
716:Sound + Vision (box set)
193:This article includes a
928:(Simon & Schuster)
222:more precise citations.
940:Legends of Rock Guitar
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693:(1990) – album version
685:(1984) – album version
677:(1983) – album version
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89:Please help by adding
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751:, David Bowie, (2017)
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604:, David Bowie, (2002)
596:, David Bowie, (1993)
588:, David Bowie, (1981)
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323:University at Buffalo
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735:(2014) – single edit
701:(2007) – single edit
638:, , Lou Reed, (1992)
565:Growing Up in Public
382:Growing Up in Public
293:Guitarist · Composer
95:Contentious material
884:Women and the Badge
823:National Geographic
732:Nothing Has Changed
523:Path Heart Traverse
984:, October 6, 2017
924:Bockris, Victor -
889:Just Off The Coast
818:The New York Times
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620:Lou Reed, (1985)
612:Lou Reed, (1980)
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426:Guitarchitecture
404:Teenage Wildlife
385:, January 1980.
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327:Archie Shepp
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300:Chuck Hammer
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214:Please help
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36:Please help
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812:AVA studios
668:gramavision
660:Showstopper
643:Perfect Day
617:City Lights
316:David Bowie
220:introducing
1011:Categories
905:References
853:Paramedics
778:Synclavier
666:, (1982),
468:Jamie Saft
345:Early work
339:Don Cherry
290:Occupation
158:April 2010
128:newspapers
39:improve it
899:The Wreck
528:Aetherial
368:The Bells
304:guitarist
80:citations
45:talk page
801:synthaxe
630:, (1986)
572:, (1980)
570:Lou Reed
312:Lou Reed
308:composer
106:libelous
807:piece.
624:Someday
402:" and "
216:improve
142:scholar
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829:, and
466:; and
356:Berlin
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201:, or
149:JSTOR
135:books
73:This
972:ISBN
958:ISBN
944:ISBN
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916:ISBN
444:and
371:and
121:news
82:for
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