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tracks in particular do not have the punch typical of other
Revelation releases at the time, and the overall mix is considered to be thin. A phone call to lead singer Mike "Judge" Ferarro confirmed that he too was unhappy with the finished album, and the group chose to shelve the session and start over in a different studio. Unfortunately for Revelation, label owner Jordan Cooper had already paid for the mastering of the record and the plating of the vinyl stampers โ a point in the manufacture of record too late to fully prevent the release of an album, especially for Revelation Records, which was then still a small
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368:. As is customary the record pressing plant produced a 10% overrun of the album and as a result 110 copies were delivered. Each copy has its number stamped on the bottom corner of the back of the sleeve however the printing on the jacket notes a pressing run of 100 so with the additional 10, those extra sleeves had the "100" altered to say "110". This record has been much sought after by collectors ever since.
533:, the credits are more blunt: The producer credit reads "Not produced" and the engineering credit reads "Engineered by some cokehead loser." If the album had been released in a proper manner, guitarist John Porcell would have taken credit or co-credit for producing the album, as he did with all of Judge's recorded output.
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After the sessions were completed, Porcell and
Siegler listened to the finished mixes while on the Youth of Today European tour and came to the conclusion that while the performances were good, the recordings were not up to the standards of what they had done in the past with Youth of Today. The drum
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the band had been assigned by the studio was a full-blown cocaine addict โ an irony given Judge's militant anti-drug lyrics and moral code. During the second day of the sessions, the engineer on duty failed to show up for work, forcing the band to work with another studio staff engineer totally
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With advance orders already coming in for the as-yet unreleased album, Revelation decided to press a limited run of 100 white-vinyl copies of the album, assigning it catalog number REV:-1 (negative one), and sending these copies to tide over fans who had advance ordered
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album remained a rarity (in spite of two different bootleg editions of the album), and was sought after both for its collectibility and the two rare Judge songs it contained, until 2005, when
Revelation compiled all of Judge's recorded output โ
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at the same studio earlier in the year, so
Porcelly and Siegler were already familiar with the place. According to a 2005 interview with Judge guitarist
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in Europe later that month. The studio was home to many of the popular (and now legendary) rap acts of the day, including the
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The Vinyl
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Judge then scheduled time at
Normandy Studios in Rhode Island โ the same studio where
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features two songs, "Holding On" and "No
Apologies", that were not rerecorded for
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is a limited-pressing colored vinyl album by New York City band
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in New York City (then known as Chung King House of Metal).
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in 1988 โ to record a proper version of their first album,
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album. The title of the album is a direct insult to the
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59:. Unsourced material may be challenged and removed.
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331:; Youth Of Today had recorded their third album
352:unaccustomed to recording punk rock music.
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360:that Cooper was running out of his home.
119:Learn how and when to remove this message
414:What It Meant: The Complete Discography
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315:were set to tour with their main band
609:Albums recorded at Chung King Studios
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131:1989 studio album by Judge
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399:sessions, takes their place.
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512:Jay Anarchy -backing vocals
509:Kevin Egan โ backing vocals
494:Lukey Luke โ backing vocals
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18:Chung King Can Suck It (LP)
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334:We're Not in This Alone
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404:Chung King Can Suck It
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257:Chung King Can Suck It
137:Chung King Can Suck It
473:Mike Ferarro โ vocals
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53:improve this article
599:Judge (band) albums
439:"Bringin' It Down"
349:recording engineer
468:Musical personnel
358:independent label
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460:"Holding On"
445:"Give It Up"
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51:Please help
46:verification
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594:1989 albums
457:"I've Lost"
448:"The Storm"
424:David Bowie
419:Discogs.com
378:Best Wishes
588:Categories
537:References
504:Tom Capone
498:Alex Brown
454:"Like You"
237:chronology
218:Revelation
79:newspapers
451:"Hear Me"
329:LL Cool J
489:Jimmy Yu
225:Producer
175:1989 at
172:Recorded
164:Released
154: by
477:Porcell
339:Porcell
325:Run-DMC
270:(1989)
261:(1989)
252:(1988)
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525:. On
491:โ bass
196:Length
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185:Genre
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100:JSTOR
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402:The
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167:1989
72:news
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341:in
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