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163:, as a china decorator, archivist, and general assistant with the title of secretary. She shared with Storer responsibility for overseeing the decoration and glazing, and beginning in 1881 she taught classes in overglaze painting at Rookwood's new pottery school. Newton was thus deeply involved with two of the institutions—the Cincinnati Pottery Club and Rookwood—that are most closely associated with the
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in
Chicago, Newton played an important role in helping to organize the Cincinnati Room in the Woman's Building. Newton was put in charge of arranging all of the exhibits in the Cincinnati Room, some 280 objects altogether—a quarter of them made by Newton's friend and mentor McLaughlin— ranging from
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Throughout her life, she was a champion of new media and what she called "women's work", pursuing her activism through a variety of arts-and-crafts organizations. Among other things, she was a founding member and secretary of the
Cincinnati Woman's Club (in continuous operation since 1894).
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Newton did not have independent means, so to supplement her work at
Rookwood she opened her own studio in downtown Cincinnati in 1885 and around the same time took a part-time job as a teacher at the Thane Miller School. By the early 1900s, Newton had moved to
202:'s "Ideal Series of Little Masterpieces" (Vol. 2 of 12). These include illuminated capital letters and graceful, full-page arabesques in the Art Nouveau style. At the time, such embellishments were not uncommon in editions intended for collectors.
113:, Newton was the daughter of S.C. Newton, a Vermont merchant who moved his family to Cincinnati in 1852. She attended Miss Appleton's Private School for Girls from 1863-65. When her father died in 1871 and her stepmother moved to
128:. In addition to her artistic abilities, Newton was noted among friends and colleagues for her exceptional memory, business acumen, vivid turns of phrase, and distinctive handwriting.
183:, where she was head of the art department for the Glendale Female Seminary. Over the course of her career, she taught china painting, watercolor, oil painting, and relief modeling.
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Earthenware teapot with bronze handle, inscribed "Made by Clara
Chipman Newton for Maria Longworth Nichols with deepest appreciation and affection Dec. 25, 1882."
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The booklet was hand designed, printed, and bound by the
Stratford Press (the private press of Elmer Frank Gleason; 1882–1965; at his home in
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Newton's personal papers were donated to the
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155:, who was to become a close friend. For more than a decade, beginning with its founding in 1880, she worked at
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101:(October 26, 1848 – December 8, 1936) was an American artist best known as a painter of porcelain and china.
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Owen, Nancy
Elizabeth "On the Road to Rookwood: Women's Art and Culture in Cincinnati, 1870–1890."
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This illuminated book is in the Bishop
Collection of the Mosher Press and can be seen at the
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Mendenhall, Lawrence (1906). "Cincinnati's
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In 1906, Newton provided a group of watercolor decorations for an edition of
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ceramics, paintings, sculpture, and woodcarving to needlework and books.
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Haverstock, Mary Sayre, Jeannette
Mahoney Vance, and Brian L. Meggitt.
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Professional Pursuits: Women and the American Arts and Crafts Movement
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Clara Chipman Newton as painted by Mary Louise McLaughlin
224:(small booklet; limited edition, privately distributed)
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The Ideal Series of Little Masterpieces (Vol. 2 of 12)
311:, delphoscanalcommission.com; accessed March 12, 2017.
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Artists in Ohio, 1787–1900: A Biographical Dictionary
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An example of her porcelain painting work is in the
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234:Eunice Swift Thoms; 1871–1960); Susan Galbraith
147:Newton exhibited her china painting at the 1876
122:School of Design of the University of Cincinnati
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546:"In Memorandum: Mrs. Clara Chipman Newton,"
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329:The Ceramic Career of M. Louise McLaughlin
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408:. Vol. 1, No. 1, Winter 2001. pps. 4–18.
272:Clara Chipman Newton- Metropolitan Museum
222:Clara Chipman Newton: A Memorial Tribute
142:Cooper Hewitt, Smithsonian Design Museum
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735:Woodward High School (Cincinnati, Ohio)
537:by Clara Chipman Newton. ca. 1890–1895.
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230:1887–1977) (chairman); Eunice Resor
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242:(1873–1964); Elizabeth Kellogg
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81:Nationality
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132:Art career
583:/newspage
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181:Glendale
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