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place...” Adams took the picture on a
December, possibly in 1937, just as a rain turned snow storm was beginning to clear away. He explained that his viewpoint had been motivated in part by the landscape: "At this location one cannot move more than a hundred feet or so to the left without reaching the edge of the almost perpendicular cliffs above the Merced River. Moving the same distance to the right would interpose a screen of trees or require an impractical position on the road. Moving forward would invite disaster on a very steep slope falling to the east".
75:
Adams stated that “While living in
Yosemite I had great opportunity to follow the light and the storms, hoping always to encounter exciting situations. There were hundreds of spectacular weather events over the years, but the opportunities to photograph them were limited by accidents of time and
72:. The moment when a snow storm is clearing, allowing the view of the majestic landscape of Yosemite Valley, with their references and the vegetation visible, still covered with some snow, made this one of his most memorable photographs.
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There has been controversy over the time when the photograph was taken, since Adams gave conflicting information. In his book
64:, seen at the left, all of which also appear in other of his pictures. Some of his early photographs depict that landscape at
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567:
444:
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96:
in 2005. Mary Stuar
Alinder suggested the date of December 1935, in accordance with the investigation of Donald W. Olson.
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92:(1984), he states it was from 1944. This date was accepted until an early print with the date of 1938 was sold at
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1937. It is part of a series of natural landscapes photographs that Adams took from
Inspiration Point, at
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A Grand Vision: The David H. Arrington
Collection of Ansel Adams Masterworks, Sotheby's New York
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A Grand Vision: The David H. Arrington
Collection of Ansel Adams Masterworks, Sotheby's New York
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There are prints of the photograph in several public collections, including the
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48:, depicting several natural landmarks visible from that view point, namely
229:"Records abound at NYC Polaroid photo auction, Taiwan News, 24 June 2010"
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88:(1983), he claims that it was taken in 1940. In his following book,
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This became the most famous photograph taken by Adams at the
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A mural-sized print of the photograph sold by $ 722,500 at
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Winter
Sunrise, Sierra Nevada, from Lone Pine, California
21:
Clearing Winter Storm, Yosemite
National Park, California
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363:Lodgepole Pines, Lyell Fork of the Merced River
519:Ansel Adams Award for Conservation Photography
593:Photographs in the Philadelphia Museum of Art
588:Photographs in the Metropolitan Museum of Art
402:Evening, McDonald Lake, Glacier National Park
379:Clearing Winter Storm, Yosemite National Park
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583:Photographs in the Art Institute of Chicago
603:Photographs in the National Gallery of Art
524:Ansel Adams Award (The Wilderness Society)
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24:is a black and white photograph taken by
598:Photographs in the J. Paul Getty Museum
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205:Examples: The Making of 40 Photographs
192:Examples: The Making of 40 Photographs
86:Examples: The Making of 40 Photographs
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445:Parmelian Prints of the High Sierras
68:, but this one was clearly taken in
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512:Ansel Adams: A Documentary Film
394:Moonrise, Hernandez, New Mexico
371:Monolith, the Face of Half Dome
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410:The Tetons and the Snake River
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90:Ansel Adams: An Autobiography
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568:Black-and-white photographs
426:Aspens, Northern New Mexico
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563:Photographs by Ansel Adams
287:Philadelphia Museum of Art
265:Metropolitan Museum of Art
145:Philadelphia Museum of Art
129:Metropolitan Museum of Art
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16:Photograph by Ansel Adams
298:Art Institute of Chicago
149:Art Institute of Chicago
535:The Land of Little Rain
276:National Gallery of Art
137:National Gallery of Art
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40:History and description
578:Yosemite National Park
529:Ansel Adams Wilderness
207:, Boston, 1983, p. 102
194:, Boston, 1983, p. 103
46:Yosemite National Park
573:Landscape photographs
309:J. Paul Getty Museum
254:Museum of Modern Art
161:Toledo Museum of Art
153:J. Paul Getty Museum
121:Museum of Modern Art
476:Born Free and Equal
36:, since the 1930s.
469:Mary Hunter Austin
115:Public collections
558:1930s photographs
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58:Cathedral Rocks
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34:Yosemite Valley
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235:on 3 May 2022
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237:. Retrieved
233:the original
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494:Zone System
464:Taos Pueblo
387: 1937
355:Photographs
348:Ansel Adams
157:Los Angeles
26:Ansel Adams
552:Categories
437:Portfolios
167:References
159:, and the
100:Art market
50:El Capitan
106:Sotheby's
94:Sotheby's
62:Half Dome
133:New York
125:New York
109:New York
487:Related
515:(2002)
499:Group
479:(1944)
448:(1927)
429:(1958)
421:(1944)
413:(1942)
405:(1942)
397:(1941)
374:(1927)
366:(1921)
151:, the
147:, the
143:, the
135:, the
127:, the
70:Winter
66:Summer
60:, and
456:Books
239:3 May
155:, in
139:, in
131:, in
123:, in
241:2022
80:Date
554::
506:64
384:c.
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30:c.
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382:(
340:e
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326:v
243:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.