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Coexist (album)

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454: 612: 1220:"Missing" features a melancholic mood and experiments with echoing vocal effects. The song's lyrics express inner turmoil and deal with themes of separation and isolation. Sim sings lead over Croft's echoed background wails, and vice versa, amid solemn keyboard flourishes. Sim originally wrote the song on the band's tour bus near the end of their tour, but underwent several changes before being one of the last songs recorded for the album. "Tides" opens solely with Croft and Sim's vocals, and features fading musical elements, including 1157: 1027: 1366: 7634: 1802: 1723: 1718: 1685: 1647: 1609: 1847: 1842: 1837: 1832: 1797: 1792: 1787: 1782: 1713: 1708: 1703: 1680: 1675: 1670: 1665: 1642: 1637: 1632: 1627: 1604: 1599: 1594: 1589: 1273: 1007:'s Hayden Woolley views that the album shares its predecessor's "fragility", "quiet gravitas", and "heavy words", but is "an intensely wind-torn and wounded album that cuts even deeper than its predecessor." Music journalist Luke Turner calls its subject matter more "turbulent, sensual and fun" than on the group's first album and states, "of course not necessarily a sexual or romantic one, the 1300:
on the floor – it can look sort of beautiful with the colors that come through it. I looked it up on Google or whatever, and it said oil and water don't mix, they peacefully coexist? And that's what it is when you see those colors. I liked that idea: those two things coming together to make something
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of "did I ... see you ... see me ... in a new light?", and pulsating steel drums lead to a somber, rhythmic dance section. Its pulsating beat transitions into "Sunset", a song about the pain shared by estranged ex-lovers. The song's muted beat adds tension to the narrative, which Calvert interprets
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I was sitting at home knowing people were going to hear us and what they were going to say. But late at night when I was writing things down, I eventually got back to writing about myself. And that's good. Because we've got to sing these songs for a while, so it's really important to feel close to
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style and lyrical themes of loneliness, lust, and love. After the departure of group member Baria Qureshi, the xx exclusively played live concerts throughout 2010, including several high-profile summer music festivals, and garnered a growing fanbase. The band's popularity grew further when their
1264:, and pulsating percussion buildup. It is about the love shared in a friendship; Croft and Sim wrote it to address each other and the band itself: "We've never done that before; we're always addressing the songs outward. It's about the function of love and the love of friends. It's important." 1085:" experiments with musical buildup and subtle flourishes, and muffled 2-step beats. Its lyrics lament a couple's distance from each other. On "Fiction", Sim's emotive lyrics recount romantic illusions such as "last night the world was beneath us", but eventually lead to a catharsis. "Try" has 515:
in November 2011, and used a photography studio in North London to record the songs they had put together. They later used the rehearsal space in East London to practice playing the songs live. They recorded for six months in London and intended to finish before their scheduled music festival
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lyrics about declarations of love, instead employing inner monologues to depict the same situation from two different perspectives. Eric Sundermann asserts that, rather than "simply" being "declarations", the songs serve as "the thought process of how to deal with interpersonal struggles."
31: 1150:'s Harley Brown views that "Reunion" and "Sunset" make up a congruous mix at "the heart of the album", as Smith "indie-streams these house varieties ... slowing down and alienating beats from their context so they're even more universal, unobscured by their dance floor origins." 501:
They wrote, recorded, and emailed music back and forth to each other before working together in a rehearsal space in East London. When he first read them, Smith found Croft and Sim's lyrics to be "purposely ambiguous so people can relate to them", saying in an interview for
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with a restrained style and soft-spoken verses about the idea of being in love. Croft's lyrics compare the premature end of a relationship to "dreaming of angels, and leaving without them", and touch on the private knowledge that is acquired through intimacy.
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with first-week sales of 58,266 copies in the United Kingdom, becoming the band's first number-one album on the chart. The album fell to number four in its second week, selling 22,005 copies. On 14 September 2012, the album was certified gold by the
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music at the time. According to him, "We left when we were 17 and we missed out on that chunk of our lives when everyone else was partying." However, he insisted that "we're not looking to make people dance." They were also influenced by
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feature broader diction than on the xx's first record and employ simple metaphors of light and darkness, and distance and time. They often express emotional stress, yearning, and passive-aggressive attitudes. Some songs feature a lyrical
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percussion, minor strings, an isolated guitar line, and a wavy bassline. Croft and Sim trade lines expressing resignation as their respective partner "leav with the tide", comparing the ebb and flow of a relationship to that of tides.
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appearances for 2012. The xx's direction for the album was partly inspired by the electronic dance scene that occurred while they toured for their first album, as well as the live DJ sets of Smith, who was mostly listening to dark
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remarks that the band's "fantastical, elemental star-crossed-lover talk has been replaced by evocations of a harder, more aggressively worked-at love". Most of the songs have single-word titles that evoke long sentiments.
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critic Jon Caramanica said the record suffers from a difficult second half on what is otherwise "as insular and micro as ambitious pop music can be ... a wonderful experiment in the power of absence." Arnold Pan from
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ballad that features reactive emotions by the narrators. Smith approached its recording as he would remixing a song, working with a demo of bass, guitar, and vocal parts at his own studio and incorporating house and
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applauded the group's preoccupation with "young love" and stated, "these scrupulously abstract verses capture its obsessive doubts and fragile exaltations with delicacy and tenderness." Michael Alan Goldberg of
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writes that they follow "the back-and-forth complexities of a fractured relationship that ... explores a wilderness of residual feelings left over after said relationship has collapsed." Garry Mulholland of
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ranked the album number seven on their list of the most overrated releases of the year, feeling that the trio's dark and minimal sound on the record was not as exciting as on their debut LP.
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comments on the music's lack of dynamism, writing that the band "lets its songs billow out softly and quietly, with only achingly pretty guitar lines to lessen the tension." Michael Hann of
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and mute certain elements during its production. Croft felt that this would help make the music more playable live instead of having to reproduce multiple vocal or guitar elements that were
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interprets the album to be "the story of a relationship broken by the protagonists' tendency to love too much while being unable to express their need to each other." Eric Sundermann of
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elements, and was inspired by the music from Smith's DJing gigs; Croft cited it as "an example of the idea of a kind of song we're all really into, which is heartbreaking dance music".
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or their phones. Both Croft and Sim drew on personal experiences and wrote more direct lyrics than on the band's debut to express complex emotions. Sim said of his songwriting for
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asserts that it is "a far more meditative album" for deviating from its predecessor's "tight, brisk pop songs", "nuanced interplay", and "light dynamics". Jon Caramanica of
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views that the album's songs "all focus on different stages of romantic love, from infatuation to frustration to all the other stuff that falls in between." Kevin Liedel of
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in Los Angeles. Unlike the band's last tour, Smith added live percussion instruments to his repertoire. In December, the xx played a five-date tour in the United Kingdom—
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In June 2012, the xx embarked on a 25-date, international summer tour. The tour lasted into September and featured performances at several music festivals, including
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Croft and Sim echo each other across the album, never quite duetting, more like two people singing their own versions of the same story ... both aching with regret.
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felt that the album "functions as a near-perfect mood piece" and, "because there are so few elements in each song," each sound "makes a bigger impact." Writing for
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s Hayden Woolley writes that the music features "watercolour textures and rhythms that seem to lock-in to the ebbing pulse and cadences of the body." Rory Gibb of
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writes that the album refines the band's "already skeletal frame" and that most of its songs are "defined as much by space as by sound", adding that the music's "
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when starting out with the xx, he subsequently learned its technical aspects and developed a grasp on controlling the crowd through unexpected silences and
5176: 5896: 5873: 6674: 3317: 6678: 6056: 2536: 1324:. In May 2012, the xx played three intimate shows in London, where they previewed material from the album. They also performed on the Mini Stage of the 5275: 1884:, Garry Mulholland called the album a "masterpiece" of conceptually identical but "stronger, deeper, better" music when compared to the xx's debut. In 3337: 1309:. Croft said that "I know it has that connection, but it felt like the right word. It's cool, I guess? It's a nice message? Everybody getting along?" 1409:'s visualisation of flight patterns in the US. The album's stream was posted on a host site upon its release and shared with a fan in London through 969:
felt that the songs follow-up on the "lovebirds" from the xx's debut album, "now separated and devastated ... mus on what went wrong". Puja Patel of
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from November 2011 to May 2012. For the album, the group drew on personal experiences for their songwriting, while their music was influenced by the
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more beautiful than they are. And I liked the idea of us three coming together; only when the three of us are together, that's when it exists.
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while selling 58,266 copies. It also charted in the top 10 in several other countries and was eventually certified platinum by the
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perceives "intimate conversations between forlorn lovers" and an "almost sacred eroticism in Croft and Sim's whispery vocals."
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of this second record is far more earthy, sticky, complicated, like the tension of the second or third encounters after a
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deals with themes of heartbreak, loneliness, and intimacy. Croft and Sim share lead vocals, which occasionally overlap in
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than on the debut album and comments that "the beats and musical backdrops are more varied and command more attention."
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When they informed them of the title, their record label's American office e-mailed them about there being a "Coexist"
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composition, while its percussion increases in tempo before the accompanying instrumentation follows suit. It features
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in the United Kingdom and also sold 350,000 copies in the United States. It showcased their characteristically moody,
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oil spill in the shape of an "X", a variation on the band's white-on-black "X" logo. Croft compared the mixture of
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The album's subsequent songs focus on separation, with lyrics written in past tense. "Unfold" comprises individual
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was more critical, calling it monotonous and "an exercise in delayed gratification", while Randall Roberts of the
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within 24 hours after the stream had been shared with millions of users. It subsequently reached social news site
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synthesizers. Smith experimented with unconventional electronic elements when producing the song. John Calvert of
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to be "the couple's final farewell – the beat serves to denote the passing of time." "Sunset" also has a subtle
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in Belgium, New Zealand, Portugal, and Switzerland. In the United States, it debuted at number five on the
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from pieces of other desks and left doors open during the recording to let sounds from outside the studio
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features a minimalist musical style with spatial arrangements, loose song structure, minimal variation in
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sketches and ending up as huge, blurry color blocks." Reflecting the band's electronic dance influences,
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panned the lyrics as "one-dimensional planes floating through the group's oft-glorious 3-D spaces".
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praised Smith for "somehow widening and deepening the sound without intruding", and Puja Patel from
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guitar." On "Try", the narrators attempt to evoke feelings of hope and functionality to each other.
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was also a success, with several music publications ranking it as one of the year's top-ten albums.
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of an emotionally elusive lover as an apparition or an illusion. Croft and Sim avoid traditional
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comments that "each sound, be it instrument or voice, is given ample room to exist and to soar."
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Rather than expand on their debut's sound, the xx wanted to minimise the songs they recorded for
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believed that the band's songs had taken on "raging emotions" lacking on their debut and making
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in her voice. The lyrics focus on a failing relationship and changes in a romance. Will Ryan of
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To test if the xx could replicate their debut album's viral success, Young Turks' parent label
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Following an exhausting tour, the xx went on a break. The band's producer and percussionist
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as an influence, has more assured vocals, while Croft sings in a shyer style and exhibits
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credited him for "both stretching and magnifying the gritty beauty of his vocalists". In
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In 2011, the xx opened their own recording studio in London and began writing songs for
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found the group's take on the duet concept highly engaging and emotional while deeming
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dance record", but occupies "a hazy space between the two" and is an attempt at "post-
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The album's title was inspired by their idea for the cover artwork, which depicts an
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The album's title was inspired by the colours visible in iridescent oil (pictured).
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songs featured in television shows and commercials, and they were also covered and
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scene that occurred when they had been away on tour. It was produced by the band's
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with 73,000 copies sold in its first week. The album debuted at number two on the
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rating out of 100 to reviews from mainstream publications, the album received an
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bring greater emphasis" to guitar, piano, and vocal elements. Melissa Locker of
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and 9elements on the project. It was designed to show lines on a global map as
1306: 1261: 994: 966: 846: 772: 760: 631: 592: 344: 275:, the xx's band members began to write songs individually before they recorded 183: 5234:"Watch the xx Perform "Chained" and "Sunset" on "Later... With Jools Holland"" 7655: 7165: 5725:"IMPALA Awards for European Independent Acts Hit Record Levels | Impala" 4262: 3832: 3180: 2749: 2363: 1886: 1773: 1491: 1467: 1449: 1422: 1378: 1365: 1253: 1249: 1086: 961: 941: 795: 776: 756: 744: 596: 572: 522: 517: 396:, an annual music prize awarded for the best record from the UK and Ireland. 393: 317: 1875:
gave it 7.8 out of 10, based on their assessment of the critical consensus.
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at number 46 in Australia and at number 38 in Belgium. The second single, "
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as one of 2012's best albums in their year-end, top-ten lists, including
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beats and live percussion instruments. The lyrics, written by guitarist
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The recording location is credited as "Our Studio" in the liner notes.
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by well-known recording artists. In 2010, their debut album won the
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List of Irish Independent Albums Chart number-one albums of 2012
305:. Its songs are characterised by sparse elements such as simple 7414: 6497: 6479: 5399:"The xx land first Official Albums Chart Number 1 with Coexist" 3299: 1942: 1937:
called the album "gorgeous" and said that the music is like a "
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by Smith, who reworked his bandmates' simpler demo of the song.
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Asociación Mexicana de Productores de Fonogramas y Videogramas
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to her holistic view of the band, saying in an interview for
412: 38: 7048: 6707:(in German). Offizielle Deutsche Charts. GfK Entertainment. 4723:"Abebe: On Coexist, the xx Stay Intimate by Getting Grander" 460:(pictured in 2013) wanted to write more personal lyrics for 7221: 5302: 4794:"Earthy & Complicated: The xx's Coexist Track By Track" 4010:"Listen up: Music from the xx, Avett Brothers, David Byrne" 989: 787: 526: 1381:
approached technology companies and agreed to a deal with
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on 11 March 2013. "Sunset" was later serviced to American
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was met with generally positive reviews from critics. At
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The album debuted at number one on the United Kingdom's
6457: 6112:(in French). Hung Medien. Retrieved 14 September 2012. 3346:. London. The New Review section, p. 23. Archived from 407:
styles on other musical projects, creating remixes for
7336:(in Italian). Internet Bookshop Italia. Archived from 6257: 5580:
Tuch, Paul (19 September 2012). "Chart Confidential".
5494:(in Dutch). Hung Medien. Retrieved 14 September 2012. 5365:"Official Charts Analysis: The XX's Coexist sells 58k" 4985:"Album review: Sonic intimacies on the xx's 'Coexist'" 786:; Price likens Croft's use of the guitar to playing a 6264:"GFK Chart-Track – Independent Albums: Week 37, 2012" 6100:(in German). Hung Medien. Retrieved 24 January 2017. 5551:"Dave Matthews Band Debuts at No. 1 on Billboard 200" 3903:"Jamie xx: 'New xx album in time for 2012 festivals'" 3113:
Sales+streaming figures based on certification alone.
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drum machine. "Our Song" features a rewinding guitar
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Some reviewers were less enthusiastic. Andy Gill of
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A remix of the song was released as a single to 6413: 6192: 6165: 6091: 5599:"The xx play new song 'Swept Away' in LA – video" 3019: 1894:hailed the band as "masters of restraint", while 7653: 6353: 6209: 3253:List of UK Albums Chart number ones of the 2010s 771:melodies on his bass, while Croft plays angular 7102:"The xx debut at No.1 with new album I See You" 6997:"Ultratop − Goud en Platina – albums 2012" 6504:"The xx Chart History (Top Alternative Albums)" 6401: 6277: 5465:"British album certifications – XX – Coexist" 3316:: CS1 maint: others in cite AV media (notes) ( 3243:List of number-one albums in 2012 (New Zealand) 3109:Shipments figures based on certification alone. 2069:, except where noted; all music is composed by 826:views Smith as a more prominent contributor on 822:and exhibits Jamaican music influences. Critic 545:, all of whom they listened to while recording 4465:. No. 1224–1225. New York. Archived from 1974:a worthy but occasionally "uneasy listening". 1829: 1779: 1586: 1517:was awarded a platinum certification from the 7399: 6679:Syndicat National de l'Édition Phonographique 5298:"Modern Rock – Available for Airplay Archive" 4574: 4572: 4570: 4419: 4417: 4415: 4413: 4251: 4249: 4247: 4245: 3938: 3936: 3934: 3932: 3930: 3928: 3248:List of number-one hits of 2012 (Switzerland) 1871:score of 79, based on 46 reviews. Aggregator 667:comments that songs "unfold ... beginning as 320:, while Smith's production incorporates both 6385: 5854: 5852: 4568: 4566: 4564: 4562: 4560: 4558: 4556: 4554: 4552: 4550: 4000: 3998: 3495: 3493: 3491: 3489: 1700: 1662: 1624: 1232:and pauses, and incorporates tension in its 871:here hangs around for more than a couple of 6486:"The xx Chart History (Independent Albums)" 6380:Polish Society of the Phonographic Industry 6237: 5487: 5485: 5203:"The xx debut new track 'Chained' – listen" 4837: 4835: 4833: 4831: 4829: 4827: 4825: 4823: 4821: 4819: 3585: 3583: 3581: 3579: 3577: 3575: 3105:Sales figures based on certification alone. 1459:, selling 10,000 copies in its first week. 1405:is shared and was inspired by media artist 587:sounds and live percussion instruments. To 7406: 7392: 6448:"Official Independent Albums Chart Top 50" 6422:. Hung Medien. Retrieved 24 January 2017. 6410:. Hung Medien. Retrieved 24 January 2017. 6365: 6362:. Hung Medien. Retrieved 24 January 2017. 6286:. Hung Medien. Retrieved 24 January 2017. 6218:. Hung Medien. Retrieved 24 January 2017. 6174:. Hung Medien. Retrieved 24 January 2017. 6088:. Hung Medien. Retrieved 24 January 2017. 6022:"XLR8R's Best of 2012: Overrated Releases" 5895:Goldberg, Michael Alan (24 October 2012). 5539:. Hung Medien. Retrieved 24 January 2017. 5524:. Hung Medien. Retrieved 24 January 2017. 5509:. Hung Medien. Retrieved 24 January 2017. 5050: 5048: 5046: 5044: 5042: 5040: 5038: 4978: 4976: 4581:"The xx, 'Coexist': Track-By-Track Review" 4423: 4410: 4255: 4242: 4213: 4211: 4209: 4207: 4205: 4203: 4133: 4131: 4129: 4127: 4125: 4123: 4121: 3942: 3925: 3821: 3819: 3817: 3815: 3813: 3811: 3809: 3773: 3771: 3769: 3767: 3765: 3763: 3729: 3727: 3499: 3417: 3415: 3413: 3411: 1397:. The xx collaborated with designers from 1199:, it is the most dance-influenced song on 1099:asserts that it is a stark "conflation of 845:to unfold, a dance beat to develop, and a 841:, including listeners' expectations for a 264:. It was released 5 September 2012 by the 29: 6651:(in Dutch). dutchcharts.nl. Hung Medien. 6625:(in Danish). Hitlisten.NU. Archived from 6545:Australian Recording Industry Association 6086:"Australiancharts.com – The xx – Coexist" 5987: 5858: 5849: 5548: 5542: 5522:"Portuguesecharts.com – The xx – Coexist" 5209:. IPC Media. 16 July 2012. Archived from 4547: 4493:"Haunted Harmonies on the xx's 'Coexist'" 4094:"Album: The xx, Coexist (Young Turks/XL)" 4045: 4043: 4041: 4039: 4037: 4004: 3995: 3896: 3894: 3892: 3890: 3725: 3723: 3721: 3719: 3717: 3715: 3713: 3711: 3709: 3707: 3679: 3677: 3675: 3673: 3671: 3636: 3634: 3632: 3630: 3628: 3626: 3624: 3622: 3589: 3486: 583:on occasion, as well as both synthesised 472:during the summer. Each member—guitarist 7099: 6757:"End of Year Album Chart Top 100 – 2012" 6522:"The xx Chart History (Top Rock Albums)" 6425: 6392:"Official Scottish Albums Chart Top 100" 6360:"Norwegiancharts.com – The xx – Coexist" 6228:"Offiziellecharts.de – The xx – Coexist" 6182: 6180: 6122:"The xx Chart History (Canadian Albums)" 6051: 6049: 5894: 5653:"The xx December Tour – Tickets On Sale" 5532: 5530: 5482: 5396: 5123:. IPC Media. 3 June 2012. Archived from 4911: 4909: 4877: 4875: 4873: 4871: 4869: 4841: 4816: 4683: 4681: 4679: 4677: 4675: 4651: 4645: 4578: 4522: 4520: 4518: 4291: 4289: 4287: 4285: 4087: 4085: 4083: 4081: 4079: 4077: 3828:"The xx Learn to 'Coexist' With Stardom" 3652:. London. The New Review section, p. 8. 3572: 3457: 3455: 3453: 3451: 3421: 3377: 3375: 3373: 3371: 3369: 3367: 3365: 3331: 3329: 3327: 2275:Credits adapted from the liner notes of 1996:Several critics and publications ranked 1364: 1271: 1089:guitar lines, sluggish snare drums, and 610: 599:into the mix. The xx finished recording 452: 448: 6244:"GFK Chart-Track Albums: Week 37, 2012" 5954: 5818: 5816: 5596: 5054: 5035: 4982: 4973: 4614: 4612: 4610: 4608: 4606: 4379: 4377: 4375: 4373: 4371: 4369: 4217: 4200: 4171: 4169: 4167: 4165: 4137: 4118: 3857: 3855: 3825: 3806: 3777: 3760: 3408: 3384:"The xx Take Risks, Succeed on Coexist" 3290: 3288: 2040:magazine and Christgau in his list for 1961:a greater work than their debut album. 1519:Independent Music Companies Association 1133:elements. Midway, "Reunion" develops a 675:features atmospheric, dance-orientated 341:Independent Music Companies Association 7654: 7075:"Gold-/Platin-Datenbank (The xx;  6783:"Billboard 200 Albums – Year-End 2012" 6603:from the original on 21 September 2013 6420:"Swedishcharts.com – The xx – Coexist" 6408:"Spanishcharts.com – The xx – Coexist" 6284:"Italiancharts.com – The xx – Coexist" 6098:"Austriancharts.at – The xx – Coexist" 6002:from the original on 11 September 2014 5801:from the original on 10 September 2012 5748: 5746: 5709:: CS1 maint: archived copy as title ( 5650: 5623: 5549:Caulfield, Keith (19 September 2012). 5517: 5515: 5459: 5457: 5397:Kreisler, Lauren (16 September 2012). 5328: 4983:Roberts, Randall (15 September 2012). 4791: 4785: 4754: 4752: 4750: 4748: 4652:Thompson, Stephen (2 September 2012). 4503:from the original on 15 September 2012 4487: 4436:from the original on 12 September 2012 4424:Richardson, Mark (10 September 2012). 4332: 4330: 4328: 4326: 4311:from the original on 14 September 2012 4256:Sundermann, Eric (11 September 2012). 4049: 4034: 4022:from the original on 11 September 2012 3979:. The Creators Project. Archived from 3900: 3887: 3733: 3704: 3692:from the original on 17 September 2012 3668: 3640: 3619: 3541: 3539: 3537: 3535: 3533: 3531: 3529: 3424:"The xx Announce New Album, 'Coexist'" 3381: 3335: 2256: 2213: 2202: 1312: 1267: 371:to critical acclaim. It was certified 256:is the second studio album by English 7387: 6177: 6046: 5988:Christgau, Robert (14 January 2013). 5927: 5781: 5779: 5764:from the original on 14 November 2012 5527: 5502: 5500: 5442:from the original on 20 February 2017 5427: 5361: 5231: 5093:. London. 16 May 2012. Archived from 5055:Holpuch, Amanda (11 September 2012). 4915: 4906: 4881: 4866: 4720: 4714: 4687: 4672: 4526: 4515: 4454: 4448: 4295: 4282: 4091: 4074: 3607:from the original on 8 September 2012 3448: 3362: 3324: 2224: 2191: 2180: 2169: 2158: 2147: 2136: 2125: 2106: 2091: 1567: 1534: 1524: 1113:] synths and rumble-bass (think ' 818:. The latter instrument is played in 560:onto a song. Smith, who produced and 271:After a break from touring for their 7112:from the original on 23 January 2017 6967:"Independent Albums – Year-End 2013" 6883:from the original on 1 December 2020 6843:"Alternative Albums – Year-End 2012" 6813:"Independent Albums – Year-End 2012" 6599:(in French). Ultratop. Hung Medien. 6305:from the original on 23 January 2017 6172:"Danishcharts.dk – The xx – Coexist" 5969:from the original on 9 November 2014 5936:from the original on 12 January 2013 5822: 5813: 5579: 5537:"Swisscharts.com – The xx – Coexist" 5343:from the original on 19 January 2013 5023:from the original on 4 February 2013 4804:from the original on 4 February 2013 4618: 4603: 4579:Lipshutz, Jason (7 September 2012). 4455:Maerz, Melissa (21 September 2012). 4398:from the original on 22 October 2013 4383: 4366: 4218:Woolley, Hayden (5 September 2012). 4175: 4162: 4062:from the original on 3 February 2014 3943:Caramanica, Jon (9 September 2012). 3852: 3560:from the original on 4 February 2013 3545: 3382:Locker, Melissa (5 September 2012). 3285: 2387: 906: 728:asserts that "rather than clubland, 7194:(in German). Indigo. Archived from 6793:from the original on 4 January 2015 6705:"Top 100 Album-Jahrescharts – 2012" 6577:from the original on 19 August 2016 6573:(in Dutch). Ultratop. Hung Medien. 6341:from the original on 2 October 2012 6187:"Dutchcharts.nl – The xx – Coexist" 5743: 5731:from the original on 27 August 2017 5651:Murray, Robin (21 September 2012). 5512: 5454: 5378:from the original on 15 August 2017 4942: 4916:Cragg, Michael (7 September 2012). 4882:Brown, Harley (10 September 2012). 4758: 4745: 4721:Abebe, Nitsuh (12 September 2012). 4336: 4323: 3656:from the original on 6 January 2014 3526: 2967:Belgian Albums (Ultratop Flanders) 2891:Swiss Albums (Schweizer Hitparade) 2883:German Albums (Offizielle Top 100) 2851:Belgian Albums (Ultratop Wallonia) 2843:Belgian Albums (Ultratop Flanders) 2291:– art direction, guitar, keyboards 1831: 1781: 1588: 683:, and incorporates influences from 655:and sparse sounds. John Calvert of 13: 6909:from the original on 17 April 2014 6763:from the original on 11 March 2016 6216:"Lescharts.com – The xx – Coexist" 5776: 5497: 5329:Wilson, Mark (17 September 2012). 4854:from the original on 24 March 2016 4842:Marchese, David (16 August 2012). 4457:"Coexist – review – The xx Review" 4384:Hann, Michael (6 September 2012). 4138:Calvert, John (3 September 2012). 4050:Liedel, Kevin (5 September 2012). 3901:Copsey, Robert (8 December 2011). 3683: 3500:Mulholland, Garry (October 2012). 3461: 3121: 2819: 1155: 1025: 14: 7688: 7356: 7100:Homewood, Ben (20 January 2017). 6947:from the original on 14 July 2014 6853:from the original on 29 June 2018 6737:from the original on 3 April 2016 6711:from the original on 9 April 2017 6655:from the original on 26 July 2015 6551:from the original on 7 March 2013 6034:from the original on 4 April 2016 5955:Breihan, Tom (27 November 2012). 5930:"2012 Music Critic Top Ten Lists" 5428:Jones, Alan (24 September 2012). 5362:Jones, Alan (17 September 2012). 5232:Pelly, Jean (28 September 2012). 5067:from the original on 8 March 2016 4759:Pan, Arnold (11 September 2012). 4690:"The xx, 'Coexist' (Young Turks)" 4688:Patel, Puja (10 September 2012). 4654:"First Listen: The xx, 'Coexist'" 4527:Mejia, Paula (6 September 2012). 4342:"Album review: The xx, 'Coexist'" 4092:Price, Simon (9 September 2012). 3004: 1702: 1664: 1626: 1332:, Spain, on 31 May. On 17 July, " 857:to silence throughout the songs. 7633: 7632: 7326: 7296: 7270: 7240: 7210: 7184: 7154: 7124: 7093: 6959: 6921: 6895: 6865: 6835: 6805: 6775: 6749: 6733:. swisscharts.com. Hung Medien. 6723: 6697: 6675:"Classement Albums – année 2012" 6667: 6641: 6615: 6597:"Rapports Annuels 2012 – Albums" 6589: 6563: 6533: 6204:Musiikkituottajat – IFPI Finland 6110:"Ultratop.be – The xx – Coexist" 5928:Dietz, Jason (4 December 2012). 5897:"The xx Inch Out of the Shadows" 5691:from the original on 22 May 2016 5597:Daniels, Colin (1 August 2012). 5492:"Ultratop.be – The xx – Coexist" 5278:from the original on 30 May 2014 4884:"Album Review: The xx – Coexist" 4702:from the original on 7 June 2015 4619:Elan, Priya (7 September 2012). 4529:"Album Review: The xx – Coexist" 4176:Ryan, Will (14 September 2012). 3826:Somaiya, Ravi (21 August 2012). 3778:Barshad, Amos (30 August 2012). 3595:"The xx, Coexist, pop CD review" 3336:Lamont, Tom (1 September 2012). 2392: 2354:Phil Lee – art direction, design 2055: 1845: 1840: 1835: 1830: 1800: 1795: 1790: 1785: 1780: 1721: 1716: 1711: 1706: 1701: 1683: 1678: 1673: 1668: 1663: 1645: 1640: 1635: 1630: 1625: 1607: 1602: 1597: 1592: 1587: 1211:Problems playing this file? See 1171: 1063:Problems playing this file? See 1041: 606: 497:them, to feel like they're real. 7003:. Hung Medien. 14 December 2012 6903:"Jaaroverzichten 2013 – Albums" 6571:"Jaaroverzichten 2012 – Albums" 6454:. Retrieved 16 September 2012. 6438:. Retrieved 16 September 2012. 6432:"Official Albums Chart Top 100" 6398:. Retrieved 16 September 2012. 6382:. Retrieved 21 September 2012. 6317: 6289: 6254:. Retrieved 14 September 2012. 6133: 6014: 5981: 5948: 5921: 5888: 5823:Gill, Andy (8 September 2012). 5787:"Reviews for Coexist by The xx" 5717: 5677: 5644: 5624:Corner, Lewis (6 August 2012). 5617: 5590: 5573: 5421: 5390: 5355: 5322: 5290: 5256: 5225: 5195: 5169: 5139: 5109: 5079: 5009: 4948: 4792:Turner, Luke (21 August 2012). 4481: 4178:"Album Review The xx – Coexist" 3969: 3734:Dombal, Ryan (21 August 2012). 3546:Gibb, Rory (3 September 2012). 3422:Lipshutz, Jason (1 June 2012). 2321:(on "Fiction" and "Swept Away") 1181:"Swept Away" has anticlimactic 743:The songs are characterised by 367:In 2009, the xx released their 18:2012 studio album by the xx 6649:"Jaaroverzichten – Album 2012" 5957:"NME's 50 Best Albums of 2012" 5507:"Charts.nz – The xx – Coexist" 3953:. p. AR65. Archived from 3265: 2311:– beats, engineering, mixing, 2244: 2079: 1878:Reviewing in October 2012 for 1444:also debuted at number one on 1336:" was released as the album's 1103:and indie music", noting its " 779:, and melodies developed from 1: 6873:"Rock Albums – Year-End 2012" 6476:. Retrieved 24 January 2017. 6234:. Retrieved 24 January 2017. 6206:. Retrieved 24 January 2017. 5995:The Barnes & Noble Review 5825:"Album: The xx, Coexist (XL)" 5628:. Digital Spy. Archived from 5601:. Digital Spy. Archived from 5557:. Los Angeles. Archived from 5469:British Phonographic Industry 5179:. Hung Medien. Archived from 5019:. The Quietus. 16 July 2012. 4394:. London. section G2, p. 25. 3278: 2043:The Barnes & Noble Review 1438:British Phonographic Industry 1431:debuted at number one on the 833:The songs are also spatially 755:, ringing guitar, resounding 591:the album, he put together a 362: 7087:Bundesverband Musikindustrie 6731:"Swiss Year-End Charts 2012" 6274:. Retrieved 8 January 2013. 2810: 2792: 2774: 2756: 2742: 2727: 2712: 2700: 2688: 2676: 2661: 2649: 2637: 2625: 2589: 2577: 2565: 2553: 2541: 2529: 2505: 2493: 2469: 2452: 2440: 2428: 2416: 2345:Charlotte Eksteen – strings 2270: 2239:Japanese edition bonus track 853:, vocals, and guitar motifs 849:to change. Elements such as 273:2009 self-titled first album 7: 7677:Young (record label) albums 7667:Albums produced by Jamie xx 6759:. Official Charts Company. 5754:"Coexist by The xx reviews" 5017:"LISTEN: The xx – 'Angels'" 3462:Monger, James Christopher. 3231: 2931:US Top Alternative Albums ( 1351:Later... with Jools Holland 679:, deemphasises traditional 301:, and experimentation with 10: 7693: 7413: 6530:. Retrieved 8 April 2013. 6512:. Retrieved 8 April 2013. 6494:. Retrieved 8 April 2013. 6130:. Retrieved 8 April 2013. 5905:. New York. Archived from 4587:. New York. Archived from 4386:"The xx: Coexist – review" 3836:. New York. Archived from 3646:"The xx: Coexist – review" 3392:. New York. Archived from 2867:Dutch Albums (MegaCharts) 2859:Danish Albums (Hitlisten) 2571:Irish Independent Albums ( 2511:Dutch Alternative Albums ( 2375:James Underwood – strings 2061:All lyrics are written by 1362:radio on 28 January 2013. 1326:San Miguel Primavera Sound 1320:was released worldwide by 419:. He also collaborated on 54:5 September 2012 7628: 7588: 7572: 7547: 7487: 7455: 7421: 6623:"Album Top-100 – År 2012" 5583:Nielsen Music 360° Report 4266:. Chicago. Archived from 3863:"The xx unveil new album" 3221: 3216: 3213: 3208: 3205: 3200: 3195: 3192: 3189: 3170: 3165: 3158: 3155: 3152: 3139: 3134: 3131: 3128: 3102: 3087: 3072: 3057: 3042: 3027: 3016: 3013: 2982: 2974: 2966: 2961: 2958: 2942: 2930: 2918: 2906: 2898: 2890: 2882: 2874: 2866: 2858: 2850: 2842: 2835:Australian Albums (ARIA) 2834: 2829: 2826: 2797: 2779: 2761: 2747: 2732: 2717: 2705: 2693: 2681: 2666: 2654: 2642: 2630: 2618: 2606: 2594: 2582: 2570: 2558: 2546: 2534: 2522: 2510: 2498: 2486: 2474: 2457: 2445: 2433: 2421: 2409: 2402: 2399: 2382: 2351:David Evans – photography 2323:, production, steel pans 2251: 2248: 2243: 2129:"Fiction" (lyrics by Sim) 2086: 2083: 2078: 1575: 1572: 1542: 1539: 1413:. The stream's host site 1369:The xx performing at the 511:The xx started recording 245: 228:Released: 28 January 2013 193: 182: 178: 141: 133: 121: 109: 93: 81: 73: 65: 50: 37: 28: 23: 6297: 6232:GfK Entertainment Charts 6141: 5833:. London. Archived from 5661:. London. Archived from 4926:. London. Archived from 4629:. London. Archived from 4531:. Prefix. Archived from 4146:. London. Archived from 4102:. London. Archived from 3871:. London. Archived from 3780:"Whispering in the Dark" 3510:. London. Archived from 3258: 2339:Sarah Chapman – strings 2046:. However, the magazine 1500:Wolverhampton Civic Hall 1018: 417:Florence and the Machine 77:The xx's studio (London) 69:November 2011 – May 2012 6929:"Official Albums Chart" 6464:"The xx Chart History ( 6452:Official Charts Company 6436:Official Charts Company 6396:Official Charts Company 5403:Official Charts Company 3945:"Lowercase Minimalists" 2983:US Independent Albums ( 2919:US Independent Albums ( 2525:Suomen virallinen lista 2317:(on "Try" and "Reunion) 1373:in Finland in July 2012 1193:elements. According to 369:self-titled debut album 219:Released: 7 August 2012 6905:(in Dutch). Ultratop. 3788:ESPN Internet Ventures 2782:Top Alternative Albums 2369:Ivo Stankov – strings 1374: 1303: 1277: 1160: 1030: 915: 623: 571:recording software, a 499: 465: 445:during his live sets. 237:Released: 12 July 2013 206:Released: 17 July 2012 7280:. HMV. Archived from 7166:Tower Records Ireland 4656:. NPR. Archived from 4491:(14 September 2012). 4340:(28 September 2012). 4299:(11 September 2012). 4008:(10 September 2012). 2875:French Albums (SNEP) 2734:UK Independent Albums 1457:Canadian Albums Chart 1433:Official Albums Chart 1371:Ilosaarirock Festival 1368: 1294: 1275: 1159: 1115:Drop It Like It's Hot 1029: 911: 722:pop". Simon Price of 614: 494: 456: 449:Writing and recording 337:Official Albums Chart 6629:on 14 September 2013 6298:コエグジスト | ザ・エックス・エックス 6030:. 14 December 2012. 5409:on 21 September 2012 5244:on 30 September 2012 5157:on 26 September 2012 4997:on 16 September 2012 4930:on 11 September 2012 4888:Consequence of Sound 4773:on 13 September 2012 4733:on 15 September 2012 4621:"The xx – 'Coexist'" 4462:Entertainment Weekly 4270:on 13 September 2012 4188:on 23 September 2012 4106:on 13 September 2012 3736:"Interviews: The xx" 3644:(8 September 2012). 3593:(7 September 2012). 3464:"The xx | Biography" 2943:US Top Rock Albums ( 2619:New Zealand Albums ( 2334:Additional personnel 2301:– bass, synthesiser 2013:The Austin Chronicle 1530:Professional ratings 1506:on 14 December, and 1496:O2 Academy Newcastle 1296:You see a puddle of 1148:Consequence of Sound 837:and experiment with 291:prior to the album. 7340:on 24 December 2013 7258:on 17 February 2013 7228:on 2 September 2012 7198:on 19 November 2012 7172:on 24 December 2013 7132:"Coexist – Xx, The" 6977:on 19 February 2017 6940:. 2013. p. 8. 5990:"2012: Dean's List" 5876:on 16 November 2012 5862:(19 October 2012). 5665:on 23 November 2012 5183:on 25 December 2013 4961:on 7 September 2012 4660:on 7 September 2012 4535:on 8 September 2012 4230:on 6 September 2012 4150:on 5 September 2012 3957:on 9 September 2012 3794:on 2 September 2012 3748:on 5 September 2012 3600:The Daily Telegraph 3514:on 12 November 2012 3396:on 8 September 2012 3350:on 29 November 2013 3312:cite AV media notes 3010: 2708:Schweizer Hitparade 2655:Portuguese Albums ( 2410:Australian Albums ( 2240: 2099:" (lyrics by Croft) 1907:The Daily Telegraph 1619:The Daily Telegraph 1531: 1313:Marketing and sales 1268:Title and packaging 1000:The Daily Telegraph 979:The xx's lyrics on 936:interplay and slow 7380:(list of releases) 7284:on 14 October 2012 7248:"Coexist – The XX" 7218:"Coexist – The XX" 7192:"xx, The: Coexist" 6685:on 14 October 2013 6067:on 21 January 2013 5864:"The xx/Kid Koala" 5837:on 8 December 2012 5147:"Angels by The xx" 4951:"The xx – Coexist" 4469:on 19 October 2012 4220:"The xx – Coexist" 3950:The New York Times 3913:on 13 January 2012 3686:"Coexist – The xx" 3502:"The XX – Coexist" 3298:(CD liner notes). 3217:11 September 2012 3193:10 September 2012 3009: 2764:Independent Albums 2631:Norwegian Albums ( 2549:Offizielle Top 100 2400:Chart (2012–2014) 2238: 2019:Les Inrockuptibles 1977:The New York Times 1863:, which assigns a 1529: 1525:Critical reception 1375: 1278: 1240:beats, resounding 1161: 1031: 867:comments that "no 747:harmonies, simple 664:The New York Times 624: 466: 7646: 7645: 7427:Romy Madley Croft 7304:"Coexist: The XX" 6057:"The xx: Coexist" 5902:The Village Voice 5860:Christgau, Robert 5632:on 12 August 2012 5274:. 11 March 2013. 5213:on 21 August 2012 5177:"The XX – Angels" 4990:Los Angeles Times 4894:on 5 October 2012 4761:"The xx: Coexist" 4727:Vulture. New York 4633:on 4 October 2012 4426:"The xx: Coexist" 4258:"The xx: Coexist" 4052:"The xx: Coexist" 3840:on 24 August 2012 3684:Phares, Heather. 3474:on 23 August 2014 3229: 3228: 3156:7 September 2012 3143:5 September 2012 3119: 3118: 3114: 3110: 3106: 3001: 3000: 2994: 2993: 2954: 2953: 2815: 2814: 2696:Sverigetopplistan 2595:Japanese Albums ( 2422:Austrian Albums ( 2289:Romy Madley Croft 2267: 2266: 2234: 2233: 2067:Romy Madley Croft 1990:Los Angeles Times 1934:The Village Voice 1854: 1853: 1399:Internet Explorer 1389:that could track 1248:, and a dominant 1176: 1117:') passing under 1046: 940:. Sim, who cites 934:call and response 907:Lyrics and themes 877:multiples of four 792:four on the floor 767:beats. Sim plays 749:chord progression 681:verse-chorus form 646:melodic structure 474:Romy Madley Croft 458:Romy Madley Croft 326:Romy Madley Croft 307:chord progression 249: 248: 174: 173: 7684: 7636: 7635: 7408: 7401: 7394: 7385: 7384: 7368: 7367: 7365:Official website 7350: 7349: 7347: 7345: 7330: 7324: 7323: 7321: 7319: 7314:on 24 March 2014 7310:. Archived from 7300: 7294: 7293: 7291: 7289: 7274: 7268: 7267: 7265: 7263: 7254:. Archived from 7244: 7238: 7237: 7235: 7233: 7224:. Archived from 7214: 7208: 7207: 7205: 7203: 7188: 7182: 7181: 7179: 7177: 7168:. Archived from 7158: 7152: 7151: 7149: 7147: 7138:. Archived from 7128: 7122: 7121: 7119: 7117: 7097: 7091: 7090: 7082: 7078: 7071: 7065: 7064: 7062: 7060: 7045: 7039: 7038: 7036: 7034: 7019: 7013: 7012: 7010: 7008: 6993: 6987: 6986: 6984: 6982: 6973:. Archived from 6963: 6957: 6956: 6954: 6952: 6946: 6933: 6925: 6919: 6918: 6916: 6914: 6899: 6893: 6892: 6890: 6888: 6869: 6863: 6862: 6860: 6858: 6839: 6833: 6832: 6830: 6828: 6823:on 12 April 2017 6819:. Archived from 6809: 6803: 6802: 6800: 6798: 6779: 6773: 6772: 6770: 6768: 6753: 6747: 6746: 6744: 6742: 6727: 6721: 6720: 6718: 6716: 6701: 6695: 6694: 6692: 6690: 6681:. Archived from 6671: 6665: 6664: 6662: 6660: 6645: 6639: 6638: 6636: 6634: 6619: 6613: 6612: 6610: 6608: 6593: 6587: 6586: 6584: 6582: 6567: 6561: 6560: 6558: 6556: 6537: 6531: 6519: 6513: 6501: 6495: 6483: 6477: 6461: 6455: 6445: 6439: 6429: 6423: 6417: 6411: 6405: 6399: 6389: 6383: 6369: 6363: 6357: 6351: 6350: 6348: 6346: 6340: 6329: 6321: 6315: 6314: 6312: 6310: 6293: 6287: 6281: 6275: 6261: 6255: 6241: 6235: 6225: 6219: 6213: 6207: 6200:The xx: Coexist" 6196: 6190: 6184: 6175: 6169: 6163: 6162: 6160: 6158: 6149:. Archived from 6137: 6131: 6119: 6113: 6107: 6101: 6095: 6089: 6083: 6077: 6076: 6074: 6072: 6063:. Archived from 6053: 6044: 6043: 6041: 6039: 6018: 6012: 6011: 6009: 6007: 5985: 5979: 5978: 5976: 5974: 5952: 5946: 5945: 5943: 5941: 5925: 5919: 5918: 5916: 5914: 5909:on 21 March 2013 5892: 5886: 5885: 5883: 5881: 5872:. Archived from 5856: 5847: 5846: 5844: 5842: 5820: 5811: 5810: 5808: 5806: 5783: 5774: 5773: 5771: 5769: 5750: 5741: 5740: 5738: 5736: 5721: 5715: 5714: 5708: 5700: 5698: 5696: 5681: 5675: 5674: 5672: 5670: 5648: 5642: 5641: 5639: 5637: 5621: 5615: 5614: 5612: 5610: 5605:on 3 August 2012 5594: 5588: 5587: 5577: 5571: 5570: 5568: 5566: 5561:on 30 March 2013 5546: 5540: 5534: 5525: 5519: 5510: 5504: 5495: 5489: 5480: 5479: 5477: 5475: 5461: 5452: 5451: 5449: 5447: 5433: 5425: 5419: 5418: 5416: 5414: 5405:. Archived from 5394: 5388: 5387: 5385: 5383: 5367: 5359: 5353: 5352: 5350: 5348: 5326: 5320: 5319: 5317: 5315: 5310:on 22 March 2013 5306:. Archived from 5294: 5288: 5287: 5285: 5283: 5260: 5254: 5253: 5251: 5249: 5240:. Archived from 5229: 5223: 5222: 5220: 5218: 5199: 5193: 5192: 5190: 5188: 5173: 5167: 5166: 5164: 5162: 5153:. Archived from 5143: 5137: 5136: 5134: 5132: 5113: 5107: 5106: 5104: 5102: 5083: 5077: 5076: 5074: 5072: 5052: 5033: 5032: 5030: 5028: 5013: 5007: 5006: 5004: 5002: 4993:. Archived from 4980: 4971: 4970: 4968: 4966: 4957:. Archived from 4946: 4940: 4939: 4937: 4935: 4913: 4904: 4903: 4901: 4899: 4890:. Archived from 4879: 4864: 4863: 4861: 4859: 4839: 4814: 4813: 4811: 4809: 4789: 4783: 4782: 4780: 4778: 4769:. Archived from 4756: 4743: 4742: 4740: 4738: 4729:. Archived from 4718: 4712: 4711: 4709: 4707: 4685: 4670: 4669: 4667: 4665: 4649: 4643: 4642: 4640: 4638: 4616: 4601: 4600: 4598: 4596: 4576: 4545: 4544: 4542: 4540: 4524: 4513: 4512: 4510: 4508: 4485: 4479: 4478: 4476: 4474: 4452: 4446: 4445: 4443: 4441: 4421: 4408: 4407: 4405: 4403: 4381: 4364: 4363: 4361: 4359: 4350:. Archived from 4334: 4321: 4320: 4318: 4316: 4293: 4280: 4279: 4277: 4275: 4253: 4240: 4239: 4237: 4235: 4226:. Archived from 4224:Drowned in Sound 4215: 4198: 4197: 4195: 4193: 4184:. Archived from 4182:Beats Per Minute 4173: 4160: 4159: 4157: 4155: 4135: 4116: 4115: 4113: 4111: 4089: 4072: 4071: 4069: 4067: 4047: 4032: 4031: 4029: 4027: 4002: 3993: 3992: 3990: 3988: 3973: 3967: 3966: 3964: 3962: 3940: 3923: 3922: 3920: 3918: 3909:. Archived from 3898: 3885: 3884: 3882: 3880: 3875:on 4 August 2012 3859: 3850: 3849: 3847: 3845: 3823: 3804: 3803: 3801: 3799: 3790:. Archived from 3775: 3758: 3757: 3755: 3753: 3744:. Archived from 3731: 3702: 3701: 3699: 3697: 3681: 3666: 3665: 3663: 3661: 3638: 3617: 3616: 3614: 3612: 3587: 3570: 3569: 3567: 3565: 3543: 3524: 3523: 3521: 3519: 3497: 3484: 3483: 3481: 3479: 3470:. Archived from 3459: 3446: 3445: 3443: 3441: 3436:on 21 April 2013 3432:. Archived from 3419: 3406: 3405: 3403: 3401: 3379: 3360: 3359: 3357: 3355: 3333: 3322: 3321: 3315: 3307: 3306:. 2012. YT080CD. 3292: 3272: 3269: 3126: 3125: 3112: 3108: 3104: 3088:United Kingdom ( 3011: 3008: 2975:UK Albums (OCC) 2956: 2955: 2899:UK Albums (OCC) 2824: 2823: 2694:Swedish Albums ( 2682:Spanish Albums ( 2607:Mexican Albums ( 2583:Italian Albums ( 2523:Finnish Albums ( 2475:Chinese Albums ( 2446:Belgian Albums ( 2434:Belgian Albums ( 2397: 2396: 2388: 2378: 2372: 2358:Rodaidh McDonald 2348: 2342: 2326: 2322: 2318: 2304: 2294: 2246: 2241: 2237: 2227: 2081: 2076: 2075: 1928:Robert Christgau 1850: 1849: 1848: 1844: 1843: 1839: 1838: 1834: 1833: 1805: 1804: 1803: 1799: 1798: 1794: 1793: 1789: 1788: 1784: 1783: 1726: 1725: 1724: 1720: 1719: 1715: 1714: 1710: 1709: 1705: 1704: 1688: 1687: 1686: 1682: 1681: 1677: 1676: 1672: 1671: 1667: 1666: 1650: 1649: 1648: 1644: 1643: 1639: 1638: 1634: 1633: 1629: 1628: 1612: 1611: 1610: 1606: 1605: 1601: 1600: 1596: 1595: 1591: 1590: 1535:Aggregate scores 1532: 1528: 1510:on 16 December. 1502:on 12 December, 1498:on 11 December, 1242:guitar harmonics 1178: 1177: 1158: 1048: 1047: 1028: 1005:Drowned in Sound 950:Beats Per Minute 925: 918:— Michael Hann ( 881:Stephen Thompson 875:, and rarely in 777:musical patterns 699: 694:Drowned in Sound 535:White Hinterland 405:electronic dance 281:electronic dance 238: 235: 229: 226: 220: 217: 207: 204: 143: 142: 105: 104: 100: 61: 59: 33: 21: 20: 7692: 7691: 7687: 7686: 7685: 7683: 7682: 7681: 7652: 7651: 7649: 7647: 7642: 7624: 7607:Hideous Bastard 7584: 7568: 7543: 7483: 7451: 7417: 7412: 7363: 7362: 7359: 7354: 7353: 7343: 7341: 7332: 7331: 7327: 7317: 7315: 7302: 7301: 7297: 7287: 7285: 7276: 7275: 7271: 7261: 7259: 7246: 7245: 7241: 7231: 7229: 7216: 7215: 7211: 7201: 7199: 7190: 7189: 7185: 7175: 7173: 7160: 7159: 7155: 7145: 7143: 7142:on 14 June 2013 7130: 7129: 7125: 7115: 7113: 7098: 7094: 7080: 7076: 7073: 7072: 7068: 7058: 7056: 7047: 7046: 7042: 7032: 7030: 7021: 7020: 7016: 7006: 7004: 6995: 6994: 6990: 6980: 6978: 6965: 6964: 6960: 6950: 6948: 6944: 6931: 6927: 6926: 6922: 6912: 6910: 6901: 6900: 6896: 6886: 6884: 6871: 6870: 6866: 6856: 6854: 6841: 6840: 6836: 6826: 6824: 6811: 6810: 6806: 6796: 6794: 6781: 6780: 6776: 6766: 6764: 6755: 6754: 6750: 6740: 6738: 6729: 6728: 6724: 6714: 6712: 6703: 6702: 6698: 6688: 6686: 6673: 6672: 6668: 6658: 6656: 6647: 6646: 6642: 6632: 6630: 6621: 6620: 6616: 6606: 6604: 6595: 6594: 6590: 6580: 6578: 6569: 6568: 6564: 6554: 6552: 6539: 6538: 6534: 6520: 6516: 6502: 6498: 6484: 6480: 6462: 6458: 6446: 6442: 6430: 6426: 6418: 6414: 6406: 6402: 6390: 6386: 6370: 6366: 6358: 6354: 6344: 6342: 6338: 6327: 6323: 6322: 6318: 6308: 6306: 6299: 6295: 6294: 6290: 6282: 6278: 6262: 6258: 6242: 6238: 6226: 6222: 6214: 6210: 6197: 6193: 6185: 6178: 6170: 6166: 6156: 6154: 6143: 6139: 6138: 6134: 6120: 6116: 6108: 6104: 6096: 6092: 6084: 6080: 6070: 6068: 6055: 6054: 6047: 6037: 6035: 6020: 6019: 6015: 6005: 6003: 5986: 5982: 5972: 5970: 5953: 5949: 5939: 5937: 5926: 5922: 5912: 5910: 5893: 5889: 5879: 5877: 5857: 5850: 5840: 5838: 5830:The Independent 5821: 5814: 5804: 5802: 5795:CBS Interactive 5785: 5784: 5777: 5767: 5765: 5758:AnyDecentMusic? 5752: 5751: 5744: 5734: 5732: 5723: 5722: 5718: 5702: 5701: 5694: 5692: 5685:"Archived copy" 5683: 5682: 5678: 5668: 5666: 5649: 5645: 5635: 5633: 5622: 5618: 5608: 5606: 5595: 5591: 5578: 5574: 5564: 5562: 5547: 5543: 5535: 5528: 5520: 5513: 5505: 5498: 5490: 5483: 5473: 5471: 5463: 5462: 5455: 5445: 5443: 5426: 5422: 5412: 5410: 5395: 5391: 5381: 5379: 5360: 5356: 5346: 5344: 5327: 5323: 5313: 5311: 5296: 5295: 5291: 5281: 5279: 5262: 5261: 5257: 5247: 5245: 5230: 5226: 5216: 5214: 5201: 5200: 5196: 5186: 5184: 5175: 5174: 5170: 5160: 5158: 5145: 5144: 5140: 5130: 5128: 5115: 5114: 5110: 5100: 5098: 5097:on 16 June 2012 5085: 5084: 5080: 5070: 5068: 5053: 5036: 5026: 5024: 5015: 5014: 5010: 5000: 4998: 4981: 4974: 4964: 4962: 4947: 4943: 4933: 4931: 4914: 4907: 4897: 4895: 4880: 4867: 4857: 4855: 4840: 4817: 4807: 4805: 4790: 4786: 4776: 4774: 4757: 4746: 4736: 4734: 4719: 4715: 4705: 4703: 4686: 4673: 4663: 4661: 4650: 4646: 4636: 4634: 4617: 4604: 4594: 4592: 4577: 4548: 4538: 4536: 4525: 4516: 4506: 4504: 4486: 4482: 4472: 4470: 4453: 4449: 4439: 4437: 4422: 4411: 4401: 4399: 4382: 4367: 4357: 4355: 4347:Chicago Tribune 4335: 4324: 4314: 4312: 4294: 4283: 4273: 4271: 4254: 4243: 4233: 4231: 4216: 4201: 4191: 4189: 4174: 4163: 4153: 4151: 4136: 4119: 4109: 4107: 4099:The Independent 4090: 4075: 4065: 4063: 4048: 4035: 4025: 4023: 4006:Gundersen, Edna 4003: 3996: 3986: 3984: 3983:on 13 July 2012 3975: 3974: 3970: 3960: 3958: 3941: 3926: 3916: 3914: 3899: 3888: 3878: 3876: 3861: 3860: 3853: 3843: 3841: 3824: 3807: 3797: 3795: 3776: 3761: 3751: 3749: 3732: 3705: 3695: 3693: 3682: 3669: 3659: 3657: 3639: 3620: 3610: 3608: 3591:McCormick, Neil 3588: 3573: 3563: 3561: 3544: 3527: 3517: 3515: 3498: 3487: 3477: 3475: 3460: 3449: 3439: 3437: 3420: 3409: 3399: 3397: 3380: 3363: 3353: 3351: 3334: 3325: 3309: 3308: 3294: 3293: 3286: 3281: 3276: 3275: 3270: 3266: 3261: 3234: 3206:United Kingdom 3185: 3124: 3122:Release history 3111: 3107: 3021:Certified units 3007: 3002: 2822: 2820:Year-end charts 2800:Top Rock Albums 2668:Scottish Albums 2643:Polish Albums ( 2547:German Albums ( 2535:French Albums ( 2487:Danish Albums ( 2459:Canadian Albums 2404: 2395: 2385: 2376: 2370: 2346: 2340: 2329:The xx – design 2324: 2320: 2316: 2302: 2292: 2273: 2268: 2235: 2225: 2073:, Sim and Croft 2058: 1967:The Independent 1897:Chicago Tribune 1873:AnyDecentMusic? 1846: 1841: 1836: 1801: 1796: 1791: 1786: 1722: 1717: 1712: 1707: 1695:The Independent 1684: 1679: 1674: 1669: 1646: 1641: 1636: 1631: 1608: 1603: 1598: 1593: 1549:AnyDecentMusic? 1527: 1508:Brixton Academy 1494:on 6 December, 1484:Electric Picnic 1472:Sziget Festival 1464:Primavera Sound 1393:of the album's 1315: 1270: 1218: 1217: 1209: 1207: 1206: 1205: 1204: 1187:downtempo dance 1179: 1172: 1169: 1162: 1156: 1124:"Reunion" is a 1070: 1069: 1061: 1059: 1058: 1057: 1056: 1049: 1042: 1039: 1032: 1026: 1021: 1013:one night stand 927: 917: 909: 732:owes a debt to 725:The Independent 697: 677:song structures 640:categorised as 609: 451: 429:, and produced 421:Gil Scott-Heron 365: 241: 236: 233: 232: 227: 224: 223: 218: 211: 210: 205: 198: 197: 169: 160: 151: 102: 98: 97: 57: 55: 46: 19: 12: 11: 5: 7690: 7680: 7679: 7674: 7669: 7664: 7644: 7643: 7641: 7640: 7629: 7626: 7625: 7623: 7622: 7610: 7603: 7598: 7592: 7590: 7586: 7585: 7583: 7582: 7580:I See You Tour 7576: 7574: 7570: 7569: 7567: 7566: 7559: 7551: 7549: 7545: 7544: 7542: 7541: 7534: 7527: 7520: 7513: 7506: 7499: 7491: 7489: 7485: 7484: 7482: 7481: 7474: 7467: 7459: 7457: 7453: 7452: 7450: 7449: 7445: 7444: 7437: 7430: 7422: 7419: 7418: 7411: 7410: 7403: 7396: 7388: 7382: 7381: 7369: 7358: 7357:External links 7355: 7352: 7351: 7334:"XX – Coexist" 7325: 7295: 7269: 7239: 7209: 7183: 7162:"Xx – Coexist" 7153: 7123: 7092: 7066: 7040: 7014: 6988: 6958: 6920: 6894: 6864: 6834: 6804: 6774: 6748: 6722: 6696: 6666: 6640: 6614: 6588: 6562: 6532: 6514: 6496: 6478: 6456: 6440: 6424: 6412: 6400: 6384: 6364: 6352: 6330:(in Spanish). 6316: 6288: 6276: 6256: 6236: 6220: 6208: 6202:(in Finnish). 6191: 6176: 6164: 6153:on 25 May 2014 6142:综合榜 2014年 第18周 6132: 6114: 6102: 6090: 6078: 6045: 6013: 5980: 5947: 5932:. Metacritic. 5920: 5887: 5848: 5812: 5775: 5742: 5716: 5676: 5643: 5616: 5589: 5572: 5541: 5526: 5511: 5496: 5481: 5453: 5420: 5389: 5354: 5321: 5289: 5255: 5224: 5194: 5168: 5138: 5127:on 5 June 2012 5108: 5078: 5034: 5008: 4972: 4941: 4905: 4865: 4815: 4784: 4744: 4713: 4671: 4644: 4602: 4591:on 28 May 2013 4546: 4514: 4480: 4447: 4409: 4365: 4354:on 27 May 2014 4322: 4281: 4241: 4199: 4161: 4117: 4073: 4056:Slant Magazine 4033: 3994: 3968: 3924: 3886: 3851: 3805: 3759: 3703: 3667: 3618: 3571: 3525: 3485: 3447: 3407: 3361: 3323: 3283: 3282: 3280: 3277: 3274: 3273: 3263: 3262: 3260: 3257: 3256: 3255: 3250: 3245: 3240: 3233: 3230: 3227: 3226: 3223: 3219: 3218: 3215: 3214:United States 3211: 3210: 3207: 3203: 3202: 3198: 3197: 3194: 3191: 3187: 3186: 3184: 3183: 3178: 3174: 3172: 3168: 3167: 3163: 3162: 3157: 3154: 3150: 3149: 3144: 3141: 3137: 3136: 3133: 3130: 3123: 3120: 3117: 3116: 3100: 3099: 3096: 3093: 3085: 3084: 3081: 3078: 3070: 3069: 3066: 3063: 3055: 3054: 3051: 3048: 3040: 3039: 3036: 3033: 3025: 3024: 3018: 3015: 3006: 3005:Certifications 3003: 2999: 2998: 2992: 2991: 2988: 2980: 2979: 2976: 2972: 2971: 2968: 2964: 2963: 2960: 2952: 2951: 2948: 2940: 2939: 2936: 2928: 2927: 2924: 2916: 2915: 2912: 2904: 2903: 2900: 2896: 2895: 2892: 2888: 2887: 2884: 2880: 2879: 2876: 2872: 2871: 2868: 2864: 2863: 2860: 2856: 2855: 2852: 2848: 2847: 2844: 2840: 2839: 2836: 2832: 2831: 2828: 2821: 2818: 2816: 2813: 2812: 2809: 2795: 2794: 2791: 2777: 2776: 2773: 2759: 2758: 2755: 2745: 2744: 2741: 2730: 2729: 2726: 2715: 2714: 2711: 2706:Swiss Albums ( 2703: 2702: 2699: 2691: 2690: 2687: 2679: 2678: 2675: 2664: 2663: 2660: 2652: 2651: 2648: 2640: 2639: 2636: 2628: 2627: 2624: 2616: 2615: 2612: 2609:Top 100 Mexico 2604: 2603: 2600: 2592: 2591: 2588: 2580: 2579: 2576: 2568: 2567: 2564: 2559:Irish Albums ( 2556: 2555: 2552: 2544: 2543: 2540: 2532: 2531: 2528: 2520: 2519: 2516: 2508: 2507: 2504: 2499:Dutch Albums ( 2496: 2495: 2492: 2484: 2483: 2480: 2472: 2471: 2468: 2455: 2454: 2451: 2443: 2442: 2439: 2431: 2430: 2427: 2419: 2418: 2415: 2407: 2406: 2401: 2394: 2391: 2386: 2384: 2381: 2380: 2379: 2373: 2367: 2361: 2355: 2352: 2349: 2343: 2331: 2330: 2327: 2325:(on "Reunion") 2306: 2303:(on "Fiction") 2296: 2293:(on "Chained") 2272: 2269: 2265: 2264: 2261: 2258: 2254: 2253: 2250: 2247: 2236: 2232: 2231: 2228: 2222: 2221: 2218: 2215: 2211: 2210: 2207: 2204: 2200: 2199: 2196: 2193: 2189: 2188: 2185: 2182: 2178: 2177: 2174: 2171: 2167: 2166: 2163: 2160: 2156: 2155: 2152: 2149: 2145: 2144: 2141: 2138: 2134: 2133: 2130: 2127: 2123: 2122: 2119: 2108: 2104: 2103: 2100: 2093: 2089: 2088: 2085: 2082: 2059: 2057: 2054: 2028:magazine, and 1912:Neil McCormick 1852: 1851: 1827: 1819: 1818: 1815: 1807: 1806: 1777: 1769: 1768: 1765: 1757: 1756: 1753: 1745: 1744: 1741: 1738:Expert Witness 1728: 1727: 1698: 1690: 1689: 1660: 1652: 1651: 1622: 1614: 1613: 1584: 1578: 1577: 1574: 1570: 1569: 1565: 1564: 1561: 1555: 1554: 1551: 1545: 1544: 1541: 1537: 1536: 1526: 1523: 1314: 1311: 1307:bumper sticker 1269: 1266: 1208: 1180: 1170: 1165: 1164: 1163: 1154: 1153: 1152: 1060: 1050: 1040: 1035: 1034: 1033: 1024: 1023: 1022: 1020: 1017: 995:Neil McCormick 967:Slant Magazine 910: 908: 905: 847:time signature 798:beats, subtle 759:, slight bass 710:is neither a " 706:believes that 632:Edna Gundersen 608: 605: 575:effects unit, 450: 447: 433:'s 2012 song " 426:We're New Here 423:'s 2011 album 364: 361: 268:record label. 247: 246: 243: 242: 240: 239: 230: 221: 208: 194: 191: 190: 180: 179: 176: 175: 172: 171: 162: 153: 139: 138: 131: 130: 125: 119: 118: 113: 107: 106: 95: 91: 90: 85: 79: 78: 75: 71: 70: 67: 63: 62: 52: 48: 47: 42: 35: 34: 26: 25: 17: 9: 6: 4: 3: 2: 7689: 7678: 7675: 7673: 7672:The xx albums 7670: 7668: 7665: 7663: 7660: 7659: 7657: 7650: 7639: 7631: 7630: 7627: 7620: 7616: 7615: 7611: 7609: 7608: 7604: 7602: 7599: 7597: 7594: 7593: 7591: 7587: 7581: 7578: 7577: 7575: 7571: 7564: 7560: 7557: 7553: 7552: 7550: 7546: 7539: 7535: 7532: 7528: 7525: 7521: 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Club 4259: 4252: 4250: 4248: 4246: 4229: 4225: 4221: 4214: 4212: 4210: 4208: 4206: 4204: 4187: 4183: 4179: 4172: 4170: 4168: 4166: 4149: 4145: 4141: 4134: 4132: 4130: 4128: 4126: 4124: 4122: 4105: 4101: 4100: 4095: 4088: 4086: 4084: 4082: 4080: 4078: 4061: 4057: 4053: 4046: 4044: 4042: 4040: 4038: 4021: 4017: 4016: 4011: 4007: 4001: 3999: 3982: 3978: 3972: 3956: 3952: 3951: 3946: 3939: 3937: 3935: 3933: 3931: 3929: 3912: 3908: 3904: 3897: 3895: 3893: 3891: 3874: 3870: 3869: 3864: 3858: 3856: 3839: 3835: 3834: 3833:Rolling Stone 3829: 3822: 3820: 3818: 3816: 3814: 3812: 3810: 3793: 3789: 3785: 3781: 3774: 3772: 3770: 3768: 3766: 3764: 3747: 3743: 3742: 3737: 3730: 3728: 3726: 3724: 3722: 3720: 3718: 3716: 3714: 3712: 3710: 3708: 3691: 3687: 3680: 3678: 3676: 3674: 3672: 3655: 3651: 3647: 3643: 3642:Empire, Kitty 3637: 3635: 3633: 3631: 3629: 3627: 3625: 3623: 3606: 3602: 3601: 3596: 3592: 3586: 3584: 3582: 3580: 3578: 3576: 3559: 3555: 3554: 3549: 3542: 3540: 3538: 3536: 3534: 3532: 3530: 3513: 3509: 3508: 3503: 3496: 3494: 3492: 3490: 3473: 3469: 3465: 3458: 3456: 3454: 3452: 3435: 3431: 3430: 3425: 3418: 3416: 3414: 3412: 3395: 3391: 3390: 3385: 3378: 3376: 3374: 3372: 3370: 3368: 3366: 3349: 3345: 3344: 3339: 3332: 3330: 3328: 3319: 3313: 3305: 3301: 3297: 3291: 3289: 3284: 3268: 3264: 3254: 3251: 3249: 3246: 3244: 3241: 3239: 3236: 3235: 3224: 3220: 3212: 3204: 3199: 3188: 3182: 3179: 3176: 3175: 3173: 3169: 3164: 3161: 3151: 3148: 3145: 3142: 3138: 3127: 3115: 3101: 3097: 3094: 3091: 3086: 3082: 3079: 3076: 3071: 3067: 3064: 3061: 3056: 3052: 3049: 3046: 3041: 3037: 3034: 3031: 3026: 3022: 3017:Certification 3012: 2997: 2989: 2986: 2981: 2977: 2973: 2969: 2965: 2959:Chart (2013) 2957: 2949: 2946: 2941: 2937: 2934: 2929: 2925: 2922: 2917: 2913: 2910: 2905: 2901: 2897: 2893: 2889: 2885: 2881: 2877: 2873: 2869: 2865: 2861: 2857: 2853: 2849: 2845: 2841: 2837: 2833: 2827:Chart (2012) 2825: 2817: 2807: 2806: 2801: 2796: 2789: 2788: 2783: 2778: 2771: 2770: 2765: 2760: 2754: 2752: 2746: 2739: 2735: 2731: 2724: 2720: 2716: 2709: 2704: 2697: 2692: 2685: 2680: 2673: 2669: 2665: 2658: 2653: 2646: 2641: 2634: 2629: 2622: 2617: 2613: 2610: 2605: 2601: 2598: 2593: 2586: 2581: 2574: 2569: 2562: 2557: 2550: 2545: 2538: 2533: 2526: 2521: 2517: 2514: 2509: 2502: 2501:Album Top 100 2497: 2490: 2485: 2481: 2478: 2473: 2466: 2465: 2460: 2456: 2449: 2444: 2437: 2432: 2425: 2420: 2413: 2408: 2398: 2393:Weekly charts 2390: 2389: 2374: 2368: 2365: 2364:Mandy Parnell 2362: 2359: 2356: 2353: 2350: 2344: 2338: 2337: 2336: 2335: 2328: 2314: 2310: 2307: 2300: 2297: 2290: 2287: 2286: 2285: 2284: 2280: 2278: 2262: 2259: 2255: 2242: 2229: 2226:Total length: 2223: 2219: 2216: 2212: 2208: 2205: 2201: 2197: 2194: 2190: 2186: 2183: 2179: 2175: 2172: 2168: 2164: 2161: 2157: 2153: 2150: 2146: 2142: 2139: 2135: 2131: 2128: 2124: 2120: 2117: 2116:The Crusaders 2113: 2109: 2105: 2101: 2098: 2094: 2090: 2077: 2074: 2072: 2068: 2064: 2056:Track listing 2053: 2051: 2050: 2045: 2044: 2039: 2038: 2033: 2032: 2027: 2026: 2021: 2020: 2015: 2014: 2009: 2008: 2003: 1999: 1994: 1992: 1991: 1986: 1985: 1979: 1978: 1973: 1969: 1968: 1962: 1960: 1956: 1952: 1948: 1944: 1940: 1936: 1935: 1929: 1925: 1924: 1919: 1918: 1913: 1909: 1908: 1903: 1899: 1898: 1893: 1889: 1888: 1887:Rolling Stone 1883: 1882: 1876: 1874: 1870: 1866: 1862: 1858: 1828: 1826: 1825: 1821: 1820: 1816: 1814: 1813: 1809: 1808: 1778: 1776: 1775: 1774:Rolling Stone 1771: 1770: 1766: 1764: 1763: 1759: 1758: 1754: 1752: 1751: 1747: 1746: 1742: 1739: 1735: 1734: 1730: 1729: 1699: 1697: 1696: 1692: 1691: 1661: 1659: 1658: 1654: 1653: 1623: 1621: 1620: 1616: 1615: 1585: 1583: 1580: 1579: 1571: 1568:Review scores 1566: 1562: 1560: 1557: 1556: 1552: 1550: 1547: 1546: 1538: 1533: 1522: 1520: 1516: 1511: 1509: 1505: 1501: 1497: 1493: 1492:Brighton Dome 1489: 1485: 1481: 1477: 1473: 1469: 1468:Rock Werchter 1465: 1460: 1458: 1454: 1452: 1447: 1446:record charts 1443: 1439: 1434: 1430: 1426: 1424: 1423:Beggars Group 1420: 1416: 1412: 1408: 1404: 1400: 1396: 1392: 1388: 1387:visualisation 1384: 1380: 1379:XL Recordings 1372: 1367: 1363: 1361: 1357: 1353: 1352: 1347: 1343: 1339: 1335: 1331: 1327: 1323: 1319: 1310: 1308: 1302: 1299: 1293: 1291: 1287: 1286:oil and water 1283: 1274: 1265: 1263: 1259: 1255: 1254:Roland TR-909 1251: 1247: 1243: 1239: 1235: 1231: 1226: 1223: 1216: 1214: 1202: 1198: 1197: 1192: 1188: 1184: 1168: 1151: 1149: 1145: 1141: 1136: 1132: 1127: 1122: 1120: 1116: 1112: 1111: 1106: 1102: 1098: 1097: 1092: 1088: 1084: 1079: 1075: 1068: 1066: 1054: 1038: 1016: 1014: 1010: 1006: 1002: 1001: 996: 991: 987: 982: 977: 974: 973: 968: 964: 963: 962:The A.V. 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Retrieved 3348:the original 3343:The Observer 3341: 3295: 3267: 3209:Young Turks 3103: 3060:IFPI Danmark 3045:Music Canada 2995: 2984: 2944: 2932: 2920: 2908: 2804: 2786: 2768: 2750: 2463: 2377:(on "Tides") 2371:(on "Tides") 2347:(on "Tides") 2341:(on "Tides") 2333: 2332: 2282: 2281: 2276: 2274: 2260:"Reconsider" 2206:"Swept Away" 2060: 2047: 2041: 2035: 2031:The Guardian 2029: 2023: 2017: 2011: 2007:The Observer 2005: 2002:Kitty Empire 1997: 1995: 1988: 1982: 1975: 1971: 1965: 1963: 1958: 1949:rather than 1932: 1921: 1915: 1905: 1895: 1885: 1879: 1877: 1856: 1855: 1822: 1810: 1772: 1760: 1748: 1731: 1693: 1657:The Guardian 1655: 1617: 1514: 1512: 1504:Colston Hall 1461: 1450: 1441: 1428: 1427: 1407:Aaron Koblin 1402: 1385:to create a 1376: 1349: 1328:festival in 1317: 1316: 1304: 1295: 1279: 1227: 1219: 1210: 1200: 1194: 1167:"Swept Away" 1123: 1108: 1094: 1077: 1071: 1062: 1008: 998: 980: 978: 970: 960: 954: 929: 928: 921:The Guardian 919: 916: 912: 898: 890:The Guardian 888: 864:The Observer 862: 859:Kitty Empire 832: 827: 769:counterpoint 742: 729: 723: 707: 701: 692: 672: 662: 656: 635: 627: 625: 619: 600: 564: 553: 551: 546: 512: 510: 503: 500: 495: 489: 485: 469: 467: 461: 424: 398: 383:-influenced 381:post-dubstep 366: 356: 334: 328:and bassist 294: 293: 276: 270: 252: 251: 250: 187: 164: 156: 155: 146: 39:Studio album 15: 7662:2012 albums 7596:Discography 7548:Other songs 7496:Crystalised 7344:4 September 6913:29 December 6659:27 December 6607:27 December 6581:28 December 6268:Chart-Track 6248:Chart-Track 6038:27 February 5913:11 November 5805:7 September 4934:7 September 4808:7 September 4798:The Quietus 4664:7 September 4539:8 September 4473:7 September 4402:7 September 4297:Rosen, Jody 4234:7 September 4154:7 September 4110:9 September 3987:7 September 3961:7 September 3907:Digital Spy 3879:8 September 3844:8 September 3752:8 September 3660:9 September 3611:7 September 3564:7 September 3553:The Quietus 3478:7 September 3440:8 September 3400:8 September 3354:8 September 3304:Young Turks 3177:Young Turks 3160:Young Turks 2366:– mastering 2309:Jamie Smith 2071:Jamie Smith 1955:Simon Price 1941:instead of 1360:modern rock 1338:lead single 1322:Young Turks 1244:, rhythmic 1144:funky house 1087:oscillating 824:Will Hermes 812:snare drums 751:, keyboard 703:The Quietus 669:pointillist 616:Jamie Smith 593:mixing desk 401:Jamie Smith 309:, keyboard 285:Jamie Smith 266:Young Turks 128:Jamie Smith 116:Young Turks 7656:Categories 7538:I Dare You 7434:Oliver Sim 7116:24 January 7106:Music Week 6981:24 January 6887:24 January 6857:24 January 6827:24 January 6797:24 January 6767:24 January 6741:24 January 6715:24 January 6309:24 January 6147:Sino Chart 5880:19 October 5791:Metacritic 5768:2 November 5474:22 October 5436:Music Week 5371:Music Week 4949:Lee, Tim. 4766:PopMatters 4018:. 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Index


Studio album
the xx
Genre
Indie pop
Label
Young Turks
Producer
Jamie Smith
The xx
xx
I See You
Singles
Angels
Chained
indie pop
the xx
Young Turks
2009 self-titled first album
electronic dance
Jamie Smith
DJ
dynamics
tension
chord progression
ostinatos
fading
motifs
programmed
Romy Madley Croft

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