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Collateral (film)

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Following their getaway, Max and Vincent get into an argument before Max deliberately crashes the cab. Vincent escapes, but a police officer tries to arrest Max after seeing the corpse in the trunk. Max notices Vincent's open laptop, revealing that his final target is Annie. Max overpowers the police
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magazine criticized Cruise's performance, finding that "Cruise's dignity rings stiff and false". Zacharek did praise the performance of Foxx, stating "Foxx inhabits his character so comfortably that he renders meaningless Vincent's babble about the tough, real world. Max is the one who lives in the
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and had the idea of a homicidal maniac sitting in the back of a cab with the driver nonchalantly conversing with him, trusting his passenger implicitly. Beattie drafted his idea into a two-page treatment titled "The Last Domino", then later began writing the screenplay. The original story centered
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agent Frank Pedrosa, who identifies the victims as witnesses in a federal grand jury which will indict Reyes-Torrena the following day. Pedrosa thinks that Max is the hitman, based on FBI surveillance of Max entering and leaving Reyes-Torrena's bar, and orders the FBI agents to protect Lim. At the
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The film opened on August 6, 2004, in 3,188 theaters in the United States and Canada and grossed approximately $ 24.7 million on its opening weekend, ranking number one at the box office. It remained in theaters for 14 weeks and eventually grossed $ 101,005,703 in the U.S. and Canada. In other
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After Carle asks Leterrier about the future of the Transporter franchise, Leterrier explains that if the Transporter franchise fails that Frank Martin "will just cameo in movies", mentioning Statham's cameo appearance in Collateral as having been him reprising his role as Frank
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Learning of Max's nightly visits to the hospital to see his mother, Vincent insists that Max proceed with the visit. At the hospital, Ida proudly tells Vincent that Max has his own limousine company, revealing Max has been lying to her for her approval.
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magazine praised the acting in addition to Mann's direction and Beattie's screenplay, despite finding logical inconsistencies in the plot and that it "does not have quite enough completely compelling incidents to sustain its considerable length".
705:. Beattie later pitched her his idea of "The Last Domino". Richardson pitched the idea to Darabont, who brought the team in for a meeting, including Beattie, and set up the project under Edge City. After two drafts, HBO passed on the project. 1403:, the film has an approval rating of 86% based on 238 reviews, with an average rating of 7.5/10. The critical consensus states that "Driven by director Michael Mann's trademark visuals and a lean, villainous performance from Tom Cruise, 1449:
wrote of Foxx's performance: "Foxx can act. He's up to the role's demands, conveying fear, confusion and frustration, but more important the exhaustion and recklessness that can easily follow when someone's been scared for so long".
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turns into a series of loud, chaotic, over-the-top action set pieces in which the existentialist Mann proves he's lousy at action". Edelstein also criticized the performance of Cruise, referring to his performance as "robotic".
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was released in the United States on August 6, 2004, and grossed over $ 220 million worldwide. The film received critical acclaim in particular for the performances of Cruise and Foxx, Mann's direction, and the editing.
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At the second stop, Vincent restrains Max's hands to the steering wheel, and two young men rob him and seize Vincent's briefcase. Vincent shoots them dead and retrieves the briefcase. Fanning arrives at the hospital
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gave positive remarks to Mann's film-making, but stated "There's not much substance lurking beneath all the style, though the plot digresses into several awkward scenes intended to flesh out the characters".
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had initially agreed to direct, but eventually decided to exit as the production would require him to relocate to Los Angeles for eight months. Meirelles described his vision for the film as being that of a
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Felix Reyes-Torrena to re-obtain the information on his last two targets. Max, posing as Vincent, acquires the information but Reyes-Torrena orders his men to kill "Vincent" if he does not complete the job.
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with executive Marc Haimes, Beattie mentioned the script. Haimes immediately contacted Richardson, read the script overnight, and DreamWorks put in an offer the following day. Early drafts of
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praised the film and Cruise's performance. He summarized the film as "the best kind of genre filmmaking: It plays by the rules, obeys the traditions and is both familiar and fresh at once".
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nightclub, Vincent kills Reyes-Torrena's hitmen, Lim, and his bodyguards. Fanning rescues Max and smuggles him outside, but Vincent fatally shoots Fanning and coerces Max back into the cab.
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cab driver, and his customer, Vincent (Cruise). When offered a high fare for driving to several locations, Max agrees but soon finds himself taken hostage by Vincent who turns out to be a
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to find his third target, Daniel, who is set to testify against Vincent's client. Max pleads with Vincent to let Daniel go, and Vincent bets that Daniel cannot answer a question about
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real world, which is ultimately the point of the movie -- but it takes the picture a very long time to reach a conclusion that's evident from the start to any attuned viewer".
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writers and editors with two criteria: "The movie had to communicate some inherent truth about the L.A. experience, and only one film per director was allowed on the list".
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magazine highlighted Foxx's performance as "terrific" and was favorable to the film's first act, but derided the rest of the film. "It's too bad that halfway through,
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revealed in a 2018 interview he had turned down a part in the film due to concerns he would be miscast. Mann's reasons for casting Foxx, with whom he worked with on
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deal, and Max agrees to drive him to several locations. As Max waits at the first stop, a corpse falls onto his car. Vincent reveals himself to be a
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praised the performances of Cruise and Foxx, calling Foxx's work a "revelation". In addition to praising the performances of Cruise, Pinkett Smith,
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as his 10th favorite film of 2004. In 2008, the film was voted as the 9th best film set in Los Angeles in the last 25 years by a group of
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Overwhelmed, Max leaves, steals Vincent's briefcase, and hurls it onto a freeway where it is destroyed. Vincent coerces Max to meet
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praised the film, although he criticized its third act as "generic and farfetched". Placing the film on his best of the year list,
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Sylvester Clark, Vincent's second target, and two dead robbers, and realizes that this is the work of a hitman.
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gave similar praise to Foxx, finding the actor "quietly pries the movie from Cruise's big-marquee fingers".
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scenes, the first such use in a major motion picture. Mann had previously used the format for portions of
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expressing interest in playing the role of Vincent, development on the film moved forward. Crowe got his
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but would not see development for three years. Before the trio of Mann, Cruise and Foxx joined the film,
20: 1025: 4413: 4393: 4333: 4248: 4103: 1751: 940: 3360: 3202: 2807: 2484:"Trivia: Michael Mann Originally Developed 'Collateral' As A Movie For Adam Sandler And Russell Crowe" 2052: 907:, initially cast as Agent Pedrosa, had to exit due to scheduling conflicts with the television series 3426: 1034: 980: 3796: 2714: 693:
Screenwriting Extension course. Richardson had become a producer and was searching for projects for
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Beattie was waiting tables when he came in to contact with Julie Richardson, whom he had met on a
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Max's next fare is Vincent, who tells Max that he is in Los Angeles for one night to complete a
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were in talks to star as Vincent and Max, respectively. Filming primarily took place throughout
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detective Ray Fanning arrives where Vincent made the kill and reveals the victim was a
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involved, but after constant delays, Crowe departed the project. Mann then approached
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airport. He shared the idea with producer Julie Richardson, who showed it to director
4238: 4050: 3832: 3647: 3239: 3235: 2882: 2520: 2234: 2195: 1527: 986: 3149: 2653:"Jamie Foxx, Jada Pinkett Smith Toast Cruise's Bad-Guy Act At 'Collateral' Premiere" 4289: 4198: 4178: 3461: 3430: 1861: 1493: 1482: 1467: 852: 833: 506: 498: 202: 198: 867:— his characters were so vivid. That's why I went after him for Bundini Brown in 4258: 4168: 4088: 4083: 4072: 3897: 3770: 3493: 3398: 3365: 2749: 2456: 1510: 1488: 1472: 1400: 1146: 991: 931: 926: 863: 797: 518: 677:
When he was 17 years old, Australian writer Stuart Beattie took a cab home from
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Max Durocher is a Los Angeles cab driver trying to earn enough to start his own
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in the role of Max. Sandler later dropped out due to scheduling conflicts with
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were attached to the project at one point as the director. Brazilian filmmaker
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Stealing a bystander's phone, Max calls Annie to warn her, urging her to call
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was originally cast in the film as Detective Fanning, but exited to star in
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as Max, once again making him a taxi driver, though the exact opposite of
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deliveryman. Mann stated the goal was for Cruise to not be recognized.
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officer with Vincent's gun and rushes toward Annie's office building.
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Named Opening Night Film of the 8th Annual Urbanworld Film Festival"
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composition "Moxica and the Horse," which was composed for the film
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countries, it grossed $ 119,920,992 for a worldwide $ 220,926,695.
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was cast in what was described as "a small role" at the time.
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made a small appearance in a role credited as "Airport Man".
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Outstanding Performance by a Male Actor in a Supporting Role
723:. Later revisions of the script moved the film's setting to 367:
Beattie first conceived the idea for the film when taking a
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Michael Mann – Cinema and Television: Interviews, 1980–2012
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Michael Mann – Cinema and Television: Interviews, 1980–2012
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Michael Mann – Cinema and Television: Interviews, 1980–2012
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gave the film an average grade of "B" on an A+ to F scale.
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composed the score for the film, with additional music by
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and would later employ the same camera for the filming of
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were considered to portray Vincent and Max, respectively.
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was brought on to replace Cameron. Mann chose to use the
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left the project due to creative differences with Mann.
3983:. Screen Actors Guild. January 11, 2005. Archived from 2159:"Independent Filmmakers Network : Shooting People" 3890:"National Board of Review of Motion Pictures - Awards" 3082: 1051:, one notable omission from the soundtrack release is 682:
around an African-American female cop who witnesses a
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received positive reviews. On the review aggregator
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taking on the role instead. In a similar situation,
758:In early versions of the film's development actors 411:, and was the first feature film to be shot with a 4118: 3297:"'Collateral': Foxx Grabs Wheel of Cruise Vehicle" 2942:"Thomson Grass Valley's Viper Shoots 'Collateral'" 16:2004 neo-noir action thriller film by Michael Mann 3236:"'Collateral' a genre thriller, but so much more" 1009:used for setpieces, and filming was also done in 4315: 881:, cast in the role of Annie, spent time with an 3033:"Collateral:Original Motion Picture Soundtrack" 2070: 2068: 1407:is a stylish and compelling noir thriller." On 796:, and looked at telling it in a way similar to 3112: 1066:Collateral: Original Motion Picture Soundtrack 1047:soundtrack was released on August 3, 2004, by 951:After three weeks of filming, cinematographer 4104: 3767:"DFW Film Critics choose Million Dollar Baby" 3548:"The 25 best L.A. films of the last 25 years" 2018:Washington D.C. Area Film Critics Association 2360:"Inside Move: Leder won't helm 'Collateral'" 2065: 1043:as the FBI race to the Fever nightclub. The 990:. The sequence in the nightclub was shot in 3797:"Aviator soars in Golden Globe nominations" 3172: 2519:. Edinburgh University Press. p. 107. 2233:. Edinburgh University Press. p. 106. 2194:. Edinburgh University Press. p. 106. 1756:Elliott Koretz, Lee Orloff, Michael Minkler 1663:David Wasco, Daniel T. Dorrance, Aran Mann, 4111: 4097: 3951:"The 31st Annual Saturn Award Nominations" 3579: 3142: 2481: 1802:Dallas–Fort Worth Film Critics Association 356:. The film follows Max Durocher (Foxx), a 45: 3455: 2423: 2390: 1634:Outstanding Achievement in Cinematography 827:with the idea of him playing Vincent and 4434:Films with screenplays by Stuart Beattie 3486: 3391: 3358: 3090:"Collateral (2004) – Weekend Box Office" 2774: 2482:Jagernauth, Kevin (September 26, 2014). 1480:In a mixed review, Marrit Ingman of the 1380: 478:business. One of the evening's fares is 3840:from the original on September 15, 2020 3655:from the original on September 15, 2020 3545: 3539: 3468:from the original on September 15, 2020 3437:from the original on September 15, 2020 3392:Schickel, Richard (December 17, 2004). 3264: 3203:"'Collateral': The Meter Keeps Running" 3190:from the original on December 20, 2018. 3100:from the original on September 26, 2009 3013:from the original on September 15, 2020 2964: 2952:from the original on September 15, 2020 2895:from the original on September 15, 2020 2787:from the original on September 15, 2020 2756:from the original on September 15, 2020 2694:from the original on September 15, 2020 2512: 2457:"Forty Minutes with Fernando Meirelles" 2436:from the original on September 15, 2020 2339:from the original on September 15, 2020 2305:from the original on September 15, 2020 2226: 2187: 2138:from the original on September 21, 2019 1919:National Society of Film Critics Awards 1665:Gerald Sullivan and Christopher Tandon 1390:Academy Award for Best Supporting Actor 961:Viper FilmStream High-Definition Camera 413:Viper FilmStream High-Definition Camera 4484:English-language action thriller films 4316: 3582:"'Aviator' lands 11 Oscar nominations" 3580:Wloszczyna, Susan (January 25, 2005). 3487:Zacharek, Stephanie (August 7, 2004). 3309:from the original on November 29, 2017 3276:from the original on November 13, 2017 3246:from the original on December 21, 2014 3070:from the original on February 25, 2020 3000: 2878:The Rough Guide to 21st Century Cinema 2837: 2833: 2831: 2777:"Spain's Bardem has 'Collateral' role" 2424:Lyttelton, Oliver (October 13, 2011). 2405:from the original on December 22, 2020 2391:Nashawaty, Chris (December 10, 2020). 2357: 2296: 2265: 2156: 1333: 1319: 1305: 1289: 1269: 1249: 1233: 1107:"The Seed (2.0)" (Extended Radio Edit) 929:, co-director of the 2002 action film 399:were each considered as director, and 383:but was declined. It was purchased by 4479:English-language crime thriller films 4092: 3764: 3685:from the original on January 29, 2020 3575: 3573: 3558:from the original on December 7, 2012 3327: 3160:from the original on February 2, 2010 3057: 2874: 2805: 2566:from the original on October 22, 2019 2372:from the original on January 11, 2019 2299:"In Conversation with Frank Darabont" 2086:from the original on October 18, 2009 1349: 1219: 1203: 1189: 1173: 1155: 1139: 1123: 1103: 1087: 3931:from the original on January 4, 2015 3918: 3825: 3807:from the original on October 5, 2019 3777:from the original on August 30, 2017 3640: 3215:from the original on January 7, 2020 2982:from the original on October 5, 2009 2856:from the original on January 3, 2018 2850:American Society of Cinematographers 2775:Hopewell, John (December 17, 2003). 2743: 2551: 2058:British Board of Film Classification 1842:Los Angeles Film Critics Association 1630:American Society of Cinematographers 1376: 841:. Beattie wanted the studio to cast 415:. The musical score was composed by 4474:English-language crime action films 4419:Films set in Koreatown, Los Angeles 4409:Films scored by James Newton Howard 4022:from the original on April 13, 2019 3592:from the original on August 8, 2014 3456:Edelstein, David (August 5, 2004). 3340:from the original on March 22, 2019 3294: 3039:from the original on April 29, 2019 3035:. UME:Universal Music Enterprises. 3001:Levine, Stuart (November 9, 2004). 2828: 2715:"Ranking + Dissected: Michael Mann" 2712: 2533:from the original on April 29, 2019 2463:from the original on August 2, 2016 2454: 2278:from the original on April 29, 2019 2247:from the original on April 29, 2019 2208:from the original on April 29, 2019 2169:from the original on March 31, 2019 2157:Cath, le Couteur; Stuart, Beattie. 2112:from the original on April 29, 2019 13: 4005: 3703: 3622:from the original on June 19, 2020 3570: 3546:Boucher, Geoff (August 31, 2008). 3424: 3406:from the original on July 15, 2014 3373:from the original on July 27, 2017 3200: 2922:from the original on June 13, 2020 2913: 2725:from the original on June 24, 2019 2684:"Val Kilmer exits from Collateral" 2681: 2650: 2619: 2601:from the original on April 3, 2019 2584: 2494:from the original on April 4, 2020 2266:Andrew, Sarris (August 16, 2004). 1767:Broadcast Film Critics Association 14: 4495: 4038: 3826:King, Susan (December 12, 2004). 3720:from the original on May 13, 2019 3527:from the original on May 25, 2018 3501:from the original on July 6, 2012 3359:Schickel, Richard (August 2004). 3233: 3130:from the original on June 5, 2020 3058:Ebiri, Bilge (January 23, 2020). 2814:from the original on May 28, 2019 2744:Metz, Nina (September 22, 2004). 2632:from the original on May 25, 2005 2587:"Director Michael Mann discusses 2358:DiOrio, Carl (October 26, 2000). 1660:Feature Film – Contemporary Film 1559: 1003:Los Angeles International Airport 730: 482:Annie Farrell, who works for the 450:, Foxx received a nomination for 4389:Films about Mexican drug cartels 4008:"D.C. critics honor Jamie Foxx, 3921:"Critics Are in 'Baby's' Corner" 3643:"Cinematography finalists named" 3641:King, Susan (January 13, 2005). 3521:"Ebert and Roeper Top Ten Lists" 3265:LaSalle, Mick (August 6, 2004). 2806:Carle, Chris (August 31, 2005). 2682:B., Brian (September 28, 2003). 748: 739: 3999: 3973: 3943: 3919:King, Susan (January 9, 2005). 3912: 3882: 3852: 3819: 3789: 3758: 3732: 3697: 3667: 3634: 3604: 3513: 3480: 3449: 3418: 3385: 3352: 3328:Ansen, David (August 8, 2004). 3321: 3288: 3258: 3227: 3194: 3051: 3025: 2994: 2934: 2907: 2875:Smith, Adam (October 4, 2012). 2868: 2799: 2768: 2737: 2706: 2675: 2644: 2613: 2578: 2545: 2506: 2475: 2448: 2417: 2384: 2351: 2317: 2297:Hewitt, Chris (July 26, 2018). 1713:Best Actor in a Supporting Role 336:. The supporting cast includes 4404:Films produced by Michael Mann 4399:Films directed by Michael Mann 4344:American action thriller films 2552:Rose, Steve (March 31, 2018). 2290: 2259: 2220: 2181: 2150: 2124: 2098: 2045: 1072: 997:Filming took place throughout 672: 488:Central District of California 1: 4354:American crime thriller films 2808:"Louis Leterrier Interviewed" 2622:"The secrets of 'Collateral'" 2038: 1942:Best Action or Adventure Film 1367: 667: 419:, with additional songs from 364:on a contract killing spree. 232:United International Pictures 4449:2000s English-language films 4444:2000s Spanish-language films 4384:Films about contract killing 1851:Dion Beebe and Paul Cameron 1730:Dion Beebe and Paul Cameron 1362: 7: 4369:American crime action films 2838:Holben, Jay (August 2004). 1743:Jim Miller and Paul Rubell 1676:British Academy Film Awards 885:to inform her performance. 547:Max goes with Vincent to a 10: 4500: 4329:2004 action thriller films 3710:leads BAFTAs with 14 nods" 2976:DigitalContentProducer.com 1998:Screen Actors Guild Awards 946: 379:. The film was pitched to 25: 18: 4429:Films shot in Los Angeles 4379:DreamWorks Pictures films 4339:2004 crime thriller films 4280: 4149: 4127: 3394:"Top Ten Everything 2004" 3361:"The Hit Man Took a Taxi" 1953: 1935: 1900: 1882: 1783: 1765: 1692: 1674: 1565: 1541: 1534: 1082: 1079: 1076: 1071: 1035:1492 Conquest of Paradise 981:Robbery Homicide Division 719:s script set the film in 320:directed and produced by 298: 290: 282: 274: 264: 241: 218: 186: 176: 155: 134: 93: 76: 66: 56: 51:Theatrical release poster 44: 39: 4439:Paramount Pictures films 4424:Films set in Los Angeles 4364:2000s crime action films 4189:The Last of the Mohicans 3894:National Board of Review 3675:"Winners & Nominees" 2845:American Cinematographer 2513:Sanders, Steven (2014). 2301:. Scraps from the Loft. 2227:Sanders, Steven (2014). 2188:Sanders, Steven (2014). 1884:National Board of Review 1698:Best Original Screenplay 1016: 708:At a general meeting at 524:Vincent orders Max to a 440:National Board of Review 250:August 6, 2004 26:Not to be confused with 4464:Works about prosecutors 4359:American neo-noir films 3616:American Film Institute 3330:"Snap Judgment: Movies" 3270:San Francisco Chronicle 1636:in Theatrical Releases 1446:San Francisco Chronicle 1011:Pico Rivera, California 574: 469: 4140:Awards and nominations 1393: 1177:"Max Steals Briefcase" 1039:The piece features in 913:, and was recast with 638:as Felix Reyes-Torrena 4374:BAFTA winners (films) 3803:. December 13, 2004. 3458:"Taxicab Confessions" 2023:Best Supporting Actor 1827:Best Supporting Actor 1807:Best Supporting Actor 1789:Best Supporting Actor 1572:Best Supporting Actor 1384: 1261:Johann Sebastian Bach 774:were eventually cast. 517:to see the bodies of 454:, while film editors 452:Best Supporting Actor 444:top ten films of 2004 203:MacDonald Productions 4469:Existentialist films 4459:Works about nihilism 4454:2000s American films 4349:American chase films 4016:Entertainment Weekly 3714:Entertainment Weekly 2719:Consequence of Sound 2595:Entertainment Weekly 1309:"Vincent Hops Train" 837:and was replaced by 783:and cinematographer 624:Barry Shabaka Henley 318:action thriller film 19:For other uses, see 3961:on October 29, 2005 3870:on February 5, 2020 3679:Art Directors Guild 3588:. Gannett Company. 3302:The Washington Post 3208:The Washington Post 3156:. CBS Interactive. 3120:"Collateral (2004)" 2948:. August 13, 2004. 2459:. DC Film Society. 2076:"Collateral (2004)" 1847:Best Cinematography 1822:Golden Globe Awards 1758:and Myron Nettinga 1726:Best Cinematography 1656:Art Directors Guild 1424:The Washington Post 1326:James Newton Howard 1312:James Newton Howard 1255:Air on the G String 1226:James Newton Howard 1207:"Shadow on the Sun" 1181:James Newton Howard 1068: 1022:James Newton Howard 648:Thomas Rosales, Jr. 462:were nominated for 448:77th Academy Awards 417:James Newton Howard 313:is a 2004 American 226:DreamWorks Pictures 181:James Newton Howard 4119:Films directed by 3900:on August 13, 2010 2972:"Miami Vice in HD" 2746:"Back on the beat" 2713:Roffman, Michael. 2663:on October 5, 2018 2163:shootingpeople.org 1506:Stephanie Zacharek 1394: 1193:"Destino de Abril" 1064: 879:Jada Pinkett Smith 789:Fernando Meirelles 608:as Richard Weidner 594:Jada Pinkett Smith 480:federal prosecutor 438:was chosen by the 397:Fernando Meirelles 338:Jada Pinkett Smith 111:Jada Pinkett Smith 4414:Films set in 2004 4394:Films about taxis 4334:2000s chase films 4311: 4310: 3987:on August 8, 2007 3925:Los Angeles Times 3833:Los Angeles Times 3765:Jorgenson, Todd. 3704:Slezak, Michael. 3648:Los Angeles Times 3612:"AFI Awards 2004" 3552:Los Angeles Times 3295:Thomson, Desson. 3240:Chicago Sun-Times 3201:Hunter, Stephen. 2331:(Press release). 2036: 2035: 1589:Best Film Editing 1528:Los Angeles Times 1377:Critical response 1359: 1358: 1159:"Rollin' Crumblin 1028:. As well as the 464:Best Film Editing 306: 305: 4491: 4304: 4294: 4290:The Jericho Mile 4273: 4263: 4253: 4243: 4233: 4223: 4213: 4203: 4193: 4183: 4173: 4163: 4142: 4135: 4113: 4106: 4099: 4090: 4089: 4032: 4031: 4029: 4027: 4003: 3997: 3996: 3994: 3992: 3977: 3971: 3970: 3968: 3966: 3957:. Archived from 3947: 3941: 3940: 3938: 3936: 3916: 3910: 3909: 3907: 3905: 3896:. Archived from 3886: 3880: 3879: 3877: 3875: 3866:. Archived from 3860:"About the Show" 3856: 3850: 3849: 3847: 3845: 3823: 3817: 3816: 3814: 3812: 3793: 3787: 3786: 3784: 3782: 3762: 3756: 3755: 3753: 3751: 3746:on July 19, 2012 3736: 3730: 3729: 3727: 3725: 3701: 3695: 3694: 3692: 3690: 3671: 3665: 3664: 3662: 3660: 3638: 3632: 3631: 3629: 3627: 3608: 3602: 3601: 3599: 3597: 3577: 3568: 3567: 3565: 3563: 3543: 3537: 3536: 3534: 3532: 3517: 3511: 3510: 3508: 3506: 3484: 3478: 3477: 3475: 3473: 3453: 3447: 3446: 3444: 3442: 3431:Austin Chronicle 3425:Ingman, Marrit. 3422: 3416: 3415: 3413: 3411: 3389: 3383: 3382: 3380: 3378: 3356: 3350: 3349: 3347: 3345: 3325: 3319: 3318: 3316: 3314: 3292: 3286: 3285: 3283: 3281: 3262: 3256: 3255: 3253: 3251: 3231: 3225: 3224: 3222: 3220: 3198: 3192: 3191: 3176: 3170: 3169: 3167: 3165: 3146: 3140: 3139: 3137: 3135: 3116: 3110: 3109: 3107: 3105: 3086: 3080: 3079: 3077: 3075: 3055: 3049: 3048: 3046: 3044: 3029: 3023: 3022: 3020: 3018: 2998: 2992: 2991: 2989: 2987: 2968: 2962: 2961: 2959: 2957: 2938: 2932: 2931: 2929: 2927: 2914:Frazer, Bryant. 2911: 2905: 2904: 2902: 2900: 2872: 2866: 2865: 2863: 2861: 2840:"Hell on Wheels" 2835: 2826: 2823: 2821: 2819: 2803: 2797: 2796: 2794: 2792: 2772: 2766: 2765: 2763: 2761: 2741: 2735: 2734: 2732: 2730: 2710: 2704: 2703: 2701: 2699: 2679: 2673: 2672: 2670: 2668: 2659:. Archived from 2648: 2642: 2641: 2639: 2637: 2617: 2611: 2610: 2608: 2606: 2582: 2576: 2575: 2573: 2571: 2549: 2543: 2542: 2540: 2538: 2510: 2504: 2503: 2501: 2499: 2479: 2473: 2472: 2470: 2468: 2452: 2446: 2445: 2443: 2441: 2421: 2415: 2414: 2412: 2410: 2388: 2382: 2381: 2379: 2377: 2355: 2349: 2348: 2346: 2344: 2325:"Michael Mann's 2321: 2315: 2314: 2312: 2310: 2294: 2288: 2287: 2285: 2283: 2263: 2257: 2256: 2254: 2252: 2224: 2218: 2217: 2215: 2213: 2185: 2179: 2178: 2176: 2174: 2154: 2148: 2147: 2145: 2143: 2128: 2122: 2121: 2119: 2117: 2102: 2096: 2095: 2093: 2091: 2072: 2063: 2062: 2049: 1862:MTV Movie Awards 1561: 1539: 1538: 1483:Austin Chronicle 1468:Richard Schickel 1352: 1162: 1074: 1069: 1063: 969: 963:to film many of 853:Cuba Gooding Jr. 752: 743: 718: 697:, Rob Fried and 614:as Frank Pedrosa 596:as Annie Farrell 569:metro rail train 507:police informant 257: 255: 86:Julie Richardson 49: 37: 36: 4499: 4498: 4494: 4493: 4492: 4490: 4489: 4488: 4314: 4313: 4312: 4307: 4297: 4287: 4276: 4266: 4256: 4246: 4236: 4226: 4216: 4206: 4196: 4186: 4176: 4166: 4156: 4145: 4138: 4131: 4123: 4117: 4084:Rotten Tomatoes 4073:Box Office Mojo 4041: 4036: 4035: 4025: 4023: 4004: 4000: 3990: 3988: 3979: 3978: 3974: 3964: 3962: 3949: 3948: 3944: 3934: 3932: 3917: 3913: 3903: 3901: 3888: 3887: 3883: 3873: 3871: 3858: 3857: 3853: 3843: 3841: 3824: 3820: 3810: 3808: 3795: 3794: 3790: 3780: 3778: 3771:Rotten Tomatoes 3763: 3759: 3749: 3747: 3738: 3737: 3733: 3723: 3721: 3702: 3698: 3688: 3686: 3673: 3672: 3668: 3658: 3656: 3639: 3635: 3625: 3623: 3610: 3609: 3605: 3595: 3593: 3578: 3571: 3561: 3559: 3544: 3540: 3530: 3528: 3519: 3518: 3514: 3504: 3502: 3485: 3481: 3471: 3469: 3454: 3450: 3440: 3438: 3423: 3419: 3409: 3407: 3390: 3386: 3376: 3374: 3357: 3353: 3343: 3341: 3326: 3322: 3312: 3310: 3293: 3289: 3279: 3277: 3263: 3259: 3249: 3247: 3232: 3228: 3218: 3216: 3199: 3195: 3184:cinemascore.com 3178: 3177: 3173: 3163: 3161: 3148: 3147: 3143: 3133: 3131: 3124:Rotten Tomatoes 3118: 3117: 3113: 3103: 3101: 3094:Box Office Mojo 3088: 3087: 3083: 3073: 3071: 3056: 3052: 3042: 3040: 3031: 3030: 3026: 3016: 3014: 2999: 2995: 2985: 2983: 2970: 2969: 2965: 2955: 2953: 2940: 2939: 2935: 2925: 2923: 2918:. Studiodaily. 2912: 2908: 2898: 2896: 2889: 2873: 2869: 2859: 2857: 2836: 2829: 2817: 2815: 2804: 2800: 2790: 2788: 2773: 2769: 2759: 2757: 2750:Chicago Tribune 2742: 2738: 2728: 2726: 2711: 2707: 2697: 2695: 2680: 2676: 2666: 2664: 2649: 2645: 2635: 2633: 2618: 2614: 2604: 2602: 2583: 2579: 2569: 2567: 2550: 2546: 2536: 2534: 2527: 2511: 2507: 2497: 2495: 2480: 2476: 2466: 2464: 2455:Spector, Adam. 2453: 2449: 2439: 2437: 2422: 2418: 2408: 2406: 2389: 2385: 2375: 2373: 2356: 2352: 2342: 2340: 2323: 2322: 2318: 2308: 2306: 2295: 2291: 2281: 2279: 2264: 2260: 2250: 2248: 2241: 2225: 2221: 2211: 2209: 2202: 2186: 2182: 2172: 2170: 2155: 2151: 2141: 2139: 2134:. The Numbers. 2130: 2129: 2125: 2115: 2113: 2104: 2103: 2099: 2089: 2087: 2080:Box Office Mojo 2074: 2073: 2066: 2051: 2050: 2046: 2041: 1976:Stuart Beattie 1757: 1664: 1635: 1537: 1489:David Edelstein 1401:Rotten Tomatoes 1379: 1370: 1365: 1360: 1350: 1277:(Korean style)" 1275:Ready Steady Go 1196:Green Car Motel 1160: 1127:"Hands of Time" 1019: 967: 949: 932:The Transporter 927:Louis Leterrier 910:Law & Order 899:, resulting in 864:In Living Color 798:Martin Scorsese 785:Janusz KamiĹ„ski 778: 777: 776: 775: 755: 754: 753: 745: 744: 733: 716: 675: 670: 665: 626:as Daniel Baker 620:as Ida Durocher 590:as Max Durocher 577: 519:criminal lawyer 472: 393:Janusz KamiĹ„ski 328:, and starring 302:$ 220.2 million 267: 260: 253: 251: 244: 237: 234:(International) 228:(North America) 214: 213: 191: 189: 172: 151: 130: 89: 52: 33: 24: 17: 12: 11: 5: 4497: 4487: 4486: 4481: 4476: 4471: 4466: 4461: 4456: 4451: 4446: 4441: 4436: 4431: 4426: 4421: 4416: 4411: 4406: 4401: 4396: 4391: 4386: 4381: 4376: 4371: 4366: 4361: 4356: 4351: 4346: 4341: 4336: 4331: 4326: 4309: 4308: 4306: 4305: 4295: 4284: 4282: 4278: 4277: 4275: 4274: 4264: 4254: 4249:Public Enemies 4244: 4234: 4224: 4214: 4204: 4194: 4184: 4174: 4164: 4153: 4151: 4147: 4146: 4144: 4143: 4136: 4128: 4125: 4124: 4116: 4115: 4108: 4101: 4093: 4087: 4086: 4075: 4064: 4053: 4040: 4039:External links 4037: 4034: 4033: 4006:Susman, Gary. 3998: 3972: 3942: 3911: 3881: 3851: 3818: 3788: 3757: 3731: 3696: 3666: 3633: 3603: 3569: 3538: 3523:. Inner Mind. 3512: 3479: 3448: 3417: 3384: 3351: 3320: 3287: 3257: 3234:Ebert, Roger. 3226: 3193: 3171: 3141: 3111: 3081: 3050: 3024: 2993: 2963: 2933: 2906: 2887: 2867: 2827: 2798: 2767: 2736: 2705: 2674: 2643: 2620:Ganley, Doug. 2612: 2577: 2544: 2525: 2505: 2474: 2447: 2416: 2383: 2350: 2316: 2289: 2258: 2239: 2219: 2200: 2180: 2149: 2123: 2097: 2064: 2043: 2042: 2040: 2037: 2034: 2033: 2031: 2028: 2025: 2020: 2014: 2013: 2011: 2008: 2005: 2000: 1994: 1993: 1990: 1987: 1981: 1980: 1977: 1974: 1968: 1967: 1964: 1961: 1955: 1954: 1952: 1949: 1944: 1939: 1933: 1932: 1930: 1927: 1924: 1921: 1915: 1914: 1911: 1908: 1902: 1901: 1899: 1896: 1891: 1886: 1880: 1879: 1877: 1874: 1869: 1864: 1858: 1857: 1855: 1852: 1849: 1844: 1838: 1837: 1835: 1832: 1829: 1824: 1818: 1817: 1815: 1812: 1809: 1804: 1798: 1797: 1794: 1791: 1785: 1784: 1782: 1779: 1774: 1769: 1763: 1762: 1759: 1754: 1748: 1747: 1744: 1741: 1735: 1734: 1731: 1728: 1722: 1721: 1718: 1715: 1709: 1708: 1705: 1703:Stuart Beattie 1700: 1694: 1693: 1691: 1688: 1683: 1681:Best Direction 1678: 1672: 1671: 1669: 1666: 1661: 1658: 1652: 1651: 1649: 1646: 1637: 1632: 1626: 1625: 1623: 1620: 1615: 1614:Top Ten Films 1612: 1606: 1605: 1603: 1600: 1591: 1585: 1584: 1582: 1579: 1574: 1569: 1567:Academy Awards 1563: 1562: 1557: 1554: 1551: 1548: 1544: 1543: 1536: 1533: 1519:Richard Roeper 1454:Desson Thomson 1419:Stephen Hunter 1378: 1375: 1369: 1366: 1364: 1361: 1357: 1356: 1353: 1347: 1346: 1343: 1338: 1335: 1331: 1330: 1327: 1324: 1321: 1317: 1316: 1313: 1310: 1307: 1303: 1302: 1299: 1294: 1291: 1287: 1286: 1283: 1281:Paul Oakenfold 1278: 1271: 1267: 1266: 1263: 1258: 1251: 1247: 1246: 1243: 1238: 1235: 1231: 1230: 1227: 1224: 1223:"Island Limos" 1221: 1217: 1216: 1213: 1208: 1205: 1201: 1200: 1197: 1194: 1191: 1187: 1186: 1183: 1178: 1175: 1171: 1170: 1167: 1164: 1157: 1153: 1152: 1149: 1144: 1143:"GĂĽero Canelo" 1141: 1137: 1136: 1133: 1128: 1125: 1121: 1120: 1117: 1108: 1105: 1101: 1100: 1097: 1092: 1089: 1085: 1084: 1081: 1078: 1075: 1062: 1061: 1060: 1018: 1015: 948: 945: 843:Robert De Niro 757: 756: 747: 746: 738: 737: 736: 735: 734: 732: 731:Pre-production 729: 695:Frank Darabont 679:Sydney airport 674: 671: 669: 666: 664: 663: 660:Paul Adelstein 657: 656:as Airport Man 651: 650:as Ramon Ayala 645: 639: 633: 627: 621: 615: 609: 603: 602:as Ray Fanning 597: 591: 585: 578: 576: 573: 471: 468: 442:as one of the 425:Paul Oakenfold 377:Frank Darabont 326:Stuart Beattie 304: 303: 300: 296: 295: 292: 288: 287: 284: 280: 279: 276: 272: 271: 268: 265: 262: 261: 259: 258: 247: 245: 242: 239: 238: 236: 235: 229: 222: 220: 219:Distributed by 216: 215: 212: 211: 208: 205: 195: 194: 192: 187: 184: 183: 178: 174: 173: 171: 170: 165: 159: 157: 153: 152: 150: 149: 144: 138: 136: 135:Cinematography 132: 131: 129: 128: 123: 118: 113: 108: 103: 97: 95: 91: 90: 88: 87: 84: 80: 78: 74: 73: 71:Stuart Beattie 68: 64: 63: 58: 54: 53: 50: 42: 41: 15: 9: 6: 4: 3: 2: 4496: 4485: 4482: 4480: 4477: 4475: 4472: 4470: 4467: 4465: 4462: 4460: 4457: 4455: 4452: 4450: 4447: 4445: 4442: 4440: 4437: 4435: 4432: 4430: 4427: 4425: 4422: 4420: 4417: 4415: 4412: 4410: 4407: 4405: 4402: 4400: 4397: 4395: 4392: 4390: 4387: 4385: 4382: 4380: 4377: 4375: 4372: 4370: 4367: 4365: 4362: 4360: 4357: 4355: 4352: 4350: 4347: 4345: 4342: 4340: 4337: 4335: 4332: 4330: 4327: 4325: 4322: 4321: 4319: 4302: 4301: 4300:L.A. Takedown 4296: 4292: 4291: 4286: 4285: 4283: 4279: 4271: 4270: 4265: 4261: 4260: 4255: 4251: 4250: 4245: 4241: 4240: 4235: 4231: 4230: 4225: 4221: 4220: 4215: 4211: 4210: 4205: 4201: 4200: 4195: 4191: 4190: 4185: 4181: 4180: 4175: 4171: 4170: 4165: 4161: 4160: 4155: 4154: 4152: 4150:Feature films 4148: 4141: 4137: 4134: 4130: 4129: 4126: 4122: 4114: 4109: 4107: 4102: 4100: 4095: 4094: 4091: 4085: 4081: 4080: 4076: 4074: 4070: 4069: 4065: 4063: 4059: 4058: 4054: 4052: 4048: 4047: 4043: 4042: 4021: 4017: 4013: 4011: 4002: 3986: 3982: 3976: 3960: 3956: 3955:Saturn Awards 3952: 3946: 3930: 3926: 3922: 3915: 3899: 3895: 3891: 3885: 3869: 3865: 3861: 3855: 3839: 3835: 3834: 3829: 3822: 3806: 3802: 3798: 3792: 3776: 3772: 3768: 3761: 3745: 3741: 3735: 3719: 3715: 3711: 3709: 3700: 3684: 3680: 3676: 3670: 3654: 3650: 3649: 3644: 3637: 3621: 3617: 3613: 3607: 3591: 3587: 3583: 3576: 3574: 3557: 3553: 3549: 3542: 3526: 3522: 3516: 3500: 3496: 3495: 3490: 3483: 3467: 3463: 3459: 3452: 3436: 3432: 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Index

Collateral
Colateral

Michael Mann
Stuart Beattie
Tom Cruise
Jamie Foxx
Jada Pinkett Smith
Mark Ruffalo
Peter Berg
Bruce McGill
Dion Beebe
Paul Cameron
Jim Miller
Paul Rubell
James Newton Howard
Parkes
MacDonald Productions
DreamWorks Pictures
United International Pictures
neo-noir
action thriller film
Michael Mann
Stuart Beattie
Tom Cruise
Jamie Foxx
Jada Pinkett Smith
Mark Ruffalo
Peter Berg
Javier Bardem

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