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crossdressing, assault and drag Joe out to a graveyard, before proceeding to assault her while locals from the town jeer behind a fence. All this is recounted to Mona and Sissy by a young 'Joe,' with them tending to the bruises and wounds on his face. Unable to recount what
Leicester T proceeded to do whilst spreading him over a gravestone and pulling down his overalls, Joe is only able to scream how he kept calling him Joanne.
662:, an independent distributor in New York City, open it in arthouse theaters "to guarantee a long play"; it became the first release for that company. The film opened on a limited basis in just two theaters on November 12, 1982, grossing US$ 22,298 and placing 18th at the North American box office that weekend. By its fourth week, it made US$ 177,500 after going to four venues; during its entire run, it grossed US$ 840,958.
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In the fallout from the revelation, The
Disciples drink together, laughing, and make a pact to hold another reunion in another twenty years; Mona alone demurs. Left alone, she, Sissy, and Joanne stand together before the mirrors as they had done before, and again sing "Sincerely" in concert. The song fades into blowing wind over shots of a decrepit, decayed, abandoned five-and-dime store building as the film ends.
824:: "When Robert Altman gives a project everything he's got, his skills are such that he can make poetry out of fake poetry and magic out of fake magic. Moving in apparent freedom, the principal actresses ... go at their roles so creatively that they find some kind of acting truth in what they're doing. They bring conviction to their looneytunes characters." Film critic
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589:, Altman added, "I didn't do what they told me I had to do, I hired the people I wanted." The production was his first to involve Pierre Mignot, a Canadian cinematographer; they would collaborate on five more films. Filming took place on just one set: a "redressed" version of its Broadway counterpart. Altman used
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In his 1985 book on Altman, Gerard Plecki wrote: "The reference to the James Dean myth is a clue to Altman's pervasive film message. Altman knows that James Dean had the kind of screen presence and magic that caused people to 'give in' to cinema." He added that "In each film strives to reinforce and
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In the modern storyline, Mona claims that when she went to Marfa, Dean chose her to bear his son, and on that night he fathered her child Jimmy Dean. She says that her boy Jimmy Dean is mentally deficient, and she isolates him from the community. Sissy says that Mona has been "warped and demented" to
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Mona's 20-year-old memory segues into another flashback. Mona has recently moved back to McCarthy from college, claiming that the atmosphere at college had inflamed her asthma and led to an attack, with her doctors then advising her to return to McCarthy. Later, the overjoyed
Disciples find Sissy and
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which the others have never been able to find in the film. Meanwhile, certain details from her two accounts combine to clearly indicate that Joanne is in fact the father of Mona's son, as Sissy reveals that the young Jimmy Dean has never seen a doctor, and is probably unencumbered by any disability.
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sports car roars into town and its driver peers in through the storefront window. Mona and
Juanita greet the window shopper, who identifies herself as Joanne. She had seen writing on an old highway sign that noted Dean's son was to be found at the store. The Disciples learn that Joanne was formerly
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The main storyline returns. Disciples Stella Mae and Edna Louise make their way to the five-and-dime; they have one of the red jackets that the club members used to wear. Mona joins them and explains that her bus had broken down and required repair. Amidst the excited reunion celebration, she looks
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The All-Female Fan Club
Disciples of James Dean is having a reunion meeting at the store, to honor the twentieth anniversary of the actor's death. Disciple Sissy comes in tardy; she had been helping out at the truck stop. Juanita says that more members could arrive soon: Disciple Mona ought to have
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a mixed review. "There are some interesting things about ," he observed, "but they have less to do with anything on the screen than with the manner in which the film was produced and with Mr. Altman's unflagging if misguided faith in the project." He complained that "The actresses are not treated
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is the connection it makes between the oppression of women and patriarchy's dread of sexual deviation and gender ambiguity. Joe (the only male character to appear in the film, in flashback) is clearly (and sympathetically) presented as feminine (as opposed to the stereotypically effeminate),
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of the supporting roles, while Plecki said that, compared to those in previous Altman films, none of the characters "are immediately likable". "The reasons for the limited appeal of the characters are quite complex," Plecki wrote. "Most of the women's problems are physical or sexual ones."
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gave the film two-and-a-half stars out of four and wrote that "only the Karen Black character develops any appealing substance, and Altman must share the credit for that with Black herself, who turns in the film's best performance. Cher's role is nothing more than a country-western sketch.
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The story flashes back to a young Joanne - as Joe - recounting the events some days after a McCarthy High School dance, which Joe had attended wearing a dress. Leicester T, a boy their age who had had an ambiguous triste with Joanne on that night before finding out she was in fact 'Joe'
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s David Denby wrote: "Altman uses cinema to celebrate theater, and his technique is so fluidly self-assured that he almost makes you forget the rubbishy situations and lines created by playwright Ed
Graczyk. Almost, but not quite."
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396:—62 miles away from McCarthy. Auditions for extra cast members will be carried out across the area. Mona idolizes Dean and she dreams of playing beside him in the film. Joe drives her to Marfa so she can fulfill her desire.
419:, in case people ask. Joanne says that she had a sex-change operation thirteen years ago and, when pressed by Stella, remarks that she can simply call her 'a freak,' as her friends are more likely to understand the term.
359:
The story flashes back to a stormy night in 1955. Sissy shelters inside the store and asks after three employees who are friends of hers: Mona, Sydney, and Joseph "Joe" Qualley. Joe is there, busy stocking new issues of
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gave the film three stars out of four and wrote: "This is not a great drama, but two things make the movie worth seeing: Altman's visual inventiveness and the interesting performances given by everyone in the cast."
962:, Altman frequently uses mirrors as a device to seamlessly connect scenes between the present and the past. Reflections in mirrors are part of many of the film's frame compositions. As noted by Daniel O'Brien in
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in 1976. Altman's work on the play, despite its bad reviews and short run, convinced him that a film version was imminent. "On stage it was humorous and bawdy," he commented. "On film it's more emotional."
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motor—Mona's son Jimmy Dean had stolen Joanne's
Porsche and was racing its engine. Joanne phones the Texas Highway Patrol to tell them about Jimmy Dean, which triggers a final storyline transition.
851:, Altman spoke of its festival acclaim to his audience: "I never have had a film of mine received as well as this film—I don't understand it, but I like it!" In a January 1983 interview with the
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by dissolving them into neuroses. Unable to struggle, these figures first collapse within themselves and then extrapolate their delusions as protections against the world that surrounds them."
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is in part an attempt to explore the way women are forced to suppress their emotions and personalities in order to be accepted by the male-dominated society around them". In his 1980 book
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The restoration premiered at the UCLA Festival of
Preservation on March 3, 2011 and was screened at other North American cities in 2011 including New York City, Chicago, and Vancouver.
757:' Bob Thomas said, "The film is a heartening example of how good writing ..., gifted direction and solid acting can produce something worthwhile on a tiny (under $ 1 million) budget."
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The
Disciples of yesteryear listen as a man on the radio announces that an automobile accident has killed 24-year-old Hollywood film star James Dean. The girls pledge to hold a vigil.
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reunites in 1975. According to a 2014 interview with playwright Ed
Graczyk the setting of the play is actually an H. L. Kressmont & Co. Five and Dime. Through a series of
700:(in cooperation with Sandcastle 5 Productions) as "the first fruit of a new, larger project ... to preserve Mr. Altman's artistic legacy." The preservation was funded by the
332:. It was well received by critics, who praised Altman's direction and the performances by the female cast. This was the first release for New York–based independent outlet
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641:, where it received a ten-minute standing ovation. After this screening, Altman discussed various aspects of the production during a question-and-answer session.
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Altman then made a deal with the play's production executive, Peter Newman, and retained the original cast members. The filmmaker received over US$ 800,000 from
838:, writing, "Strong performances, and Altman's lively approach to filming Broadway play can't completely hide the fact that this is second-rate material."
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The new print was made "from the original Super-16mm color negative, a 35mm CRI, a 35mm print, and the original ½ inch analog discreet mono D-M-E track."
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was the first of several feature adaptations of plays by Altman in the 1980s, after the director's departure from Hollywood. It was screened at various
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The 1975 reunion winds down among further questions and answers. Mona remarks again how, as soon as she tried to leave McCarthy, she almost died from
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magazine. Mona arrives, having been delayed by the weather. Sissy, Mona, and Joe go up to the front counter and sing the contemporary doo-wop song "
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won the Best Film Award at the Chicago International Film Festival, as well as a Best Screenplay Award at the Belgium International Film Festival.
855:, he stated that "The critical reaction doesn't surprise me. Nothing surprises me any more. I take that back. One thing surprised me when I showed
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Later that day, Juanita thinks she hears thunder and she warns the Disciples to brace themselves for stormy weather. But the noise was from a loud
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attacks, so she has found the town's warm and dry atmosphere to be vital. She then goes on to reminisce about her part as an extra on the set of
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at a group picture made with James Dean. Mona recalls the last time that the Disciples—all dressed in their jackets—had come together.
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already been there, but her bus is running far behind schedule. Sissy worries about the weather, as it is "118 degrees in the shade".
1821:"Recent Restorations: Treasures From The UCLA Festival Of Preservation » Come Back To The 5 & Dime, Jimmy Dean, Jimmy Dean"
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followed in June 1989. It was released on Blu-ray on November 18, 2014, by Olive Films, under license from Paramount Pictures.
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741:". He added, " is having fun again. He seems more comfortable in a desolate Woolworth's than he did on the frozen tundra of
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1196:(Motion picture). Cinecom International Films (distributor) / Mark Goodson Productions / Viacom Enterprises / Sandcastle 5.
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that were controlled by computerized lighting techniques—which became problematic for both him and the film's critics.
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kindly, either by the material or by the camera," and noted that Sandy Dennis' character, Mona, received most of the
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637:. The film received its U.S. premiere on September 30, 1982 (the 27th anniversary of the late actor's death) at the
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536:), Altman turned his attention to the stage. One of his first tasks in this field was acquiring and directing
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753:, in which Altman cynically patronized his characters, he seems to love these three women. And why not?" The
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The Disciples in 1975 have just heard the story. Stella Mae asks whether Joanne is "half-man, half-woman"—a
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respond to that essential need—to give in to cinema." Plecki observed that "It is fascinating that, after
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Surprisingly, she isn't bad, and I suspect that this explains the plaudits her performance has earned."
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woman-identified, and gay; as Don Short has perceptively shown, the film implies that he has become a
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If you miss it in the movie theater, you'll have another chance to see it next month on Showtime...
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on the radio. She gets ready for the day, opens the store, and addresses someone as "Jimmy Dean".
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Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema
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for the cinema; "the initial press report that it was made for cable is not true," he said.
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336:, which Altman chose over a major studio "to guarantee a long play" in art house venues.
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stated " descends from cynicism through gloom to hysteria and is never very revealing."
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On the film's sexuality issues, Robin Wood said: "What is especially interesting about
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hide her son. Mona loses her temper and insults Sissy, who goes outside to "cool off".
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Gritten, David, ed. (2007). "Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean".
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1978:(November 22, 1982). "Altman's 'Jimmy Dean' suffers disabling case of Texas twang".
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Maltin, Leonard (2007). "Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean".
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A restored version of the film was released in 2011. The film was restored by the
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was his first feature adaptation of a play; he followed this effort with 1983's
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780:. "The only person in the film who comes off well," he said, "is Miss Bond."
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Joe Qualley, the only male who had been a part of their social circle.
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Erskine, Thomas L.; Welsh, James Michael; Tibbetts, John C. (2000).
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947:, Altman would select another project touching upon the life of ."
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A Cinema of Loneliness: Penn, Kubrick, Coppola, Scorsese, Altman
1621:"Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean Blu-ray"
433:
370:". Juanita is chagrined, as she only approves of gospel music.
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in North America and Europe, and won the top prize at the 1982
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As with the original play, the film takes place inside a small
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Buffalo Bill and the Indians, or Sitting Bull's History Lesson
1272:"Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1976)"
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dealt with the "crisis of women confronting the oppression of
1789:"2011 UCLA Festival of Preservation Tour Comes To The Siskel"
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and selling his Lion's Gate studio (not to be confused with
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during the nineteen-day shoot; this was later converted to
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The filmmaker refused to let any major U.S. studio handle
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1950:"Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean"
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1353:"Navel-gazing Baby Boomers find only a yuppie emptiness"
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601:. For the film's flashbacks, he built a double set with
2073:"Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean"
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Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean
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Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean
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Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean
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Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean
937:... because his society had no place for a gay male."
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Early on September 30, 1975, in McCarthy, Texas, at a
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Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean
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Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean
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Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean
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Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean
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Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean
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1997:
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Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean
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Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean
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Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean
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Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean
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Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean
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Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean
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Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean
348:'s five-and-dime store, its owner Juanita listens to
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Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean
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Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean
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Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean
1854:"Review / Movie; 'Jimmy Dean' a Comeback for Altman"
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1985:
1324:"Unorthodox film director hit of Montreal festival"
1276:Video Versions: Film Adaptations of Plays on Video
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1916:"A Million-Dollar Baby in a 5-and-10-Cent Store"
2130:The Cinema of Robert Altman: Hollywood Maverick
1887:"'Back to Five and Dime' Honors Memory of Dean"
1726:"The Believer, Preservation, Arthur Penn, More"
625:film festivals in Canada, as well as those in
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2461:Hollywood from Vietnam to Reagan...and Beyond
691:
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2198:
2127:Niemi, Robert (2016). "In the Wilderness".
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875:Best Supporting Actress in a Motion Picture
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526:After directing 1980's critically panned
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1862:. p. 1 (ARTS/FILMS). Archived from
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1217:Come Back to the 5 & Dime Jimmy Dean
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832:two and a half stars out of four in his
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2015:
1738:from the original on September 20, 2011
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3039:LGBTQ-related buddy comedy-drama films
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2003:
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1648:"UCLA Festival of Preservation (2011)"
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1174:from the original on December 21, 2021
1167:Playwright Ed Graczyk Interview / 2014
1152:
1079:
1077:
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859:at film festivals—no one walked out."
2544:
2217:A Murder of Crows: A Play in Two Acts
2126:
1913:
1852:Blowen, Michael (December 15, 1982).
1675:"UCLA Film & Television Archive:
1383:
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264:and screen versions were directed by
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2114:
1991:
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1758:"2011 UCLA Festival of Preservation"
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1650:. UCLA Film & Television Archive
1384:Allen, Jennifer (February 1, 1982).
1350:
1114:
3054:English-language comedy-drama films
1120:"Stage: Robert Altman Directs Cher"
1074:
702:Hollywood Foreign Press Association
639:Chicago International Film Festival
330:Chicago International Film Festival
13:
1914:Denby, David (November 22, 1982).
1787:Pate, Steven (September 2, 2011).
1192:Altman, Robert (director) (1982).
698:UCLA Film & Television Archive
648:, due to the problems he had with
546:, a drama originally performed in
14:
3065:
3034:Cultural depictions of James Dean
2490:
2337:Robert Altman: Hollywood Survivor
2312:Leonard Maltin's Movie Guide 2008
1944:
1885:Thomas, Bob (February 12, 1983).
1645:
1514:"'Jimmy Dean' has wit, poignancy"
1512:Paseman, Lloyd (April 28, 1983).
964:Robert Altman: Hollywood Survivor
904:Robert Altman: Hollywood Survivor
883:currently holds an 80% rating on
510:Dianne Turley Travis as Alice Ann
1450:Wolcott, James (December 1982).
3009:Films directed by Robert Altman
2434:University Press of Mississippi
2120:
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1969:
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1702:. March 1, 2011. Archived from
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1351:Base, Ron (February 27, 1987).
1322:Warren, Ina (August 28, 1982).
684:in 1984; a video re-issue from
1361:. p. D 11. Archived from
1158:
976:List of American films of 1982
930:Come Back to the Five and Dime
1:
3004:American films based on plays
2458:Wood, Robin (July 10, 2003).
2404:. Boston: Twayne Publishers.
2041:"Winners & Nominees 1983"
1386:"Cher and Altman On Broadway"
986:
919:Come Back to the 5 & Dime
906:, Daniel O'Brien wrote that "
521:
2994:1980s English-language films
2984:American LGBTQ-related films
1646:Horak, Dr. Jan-Christopher.
1085:"Box office information for
1036:"Box office information for
913:, film historian and critic
574:, through game show company
386:, and James Dean will be in
165:September 30, 1982
7:
2974:American comedy-drama films
2245:Halliwell's Film Guide 2008
969:
847:At the Chicago premiere of
672:cable network in May 1983.
180:November 12, 1982
151:Cinecom International Films
10:
3070:
2979:American independent films
2207:
1500:Pierson & Smith (1995)
1280:Greenwood Publishing Group
981:List of LGBT-related films
692:Restoration and re-release
674:Embassy Home Entertainment
608:
306:town, where an all-female
35:Original theatrical poster
16:1982 film by Robert Altman
2908:
2889:
2870:
2604:That Cold Day in the Park
2579:
2466:Columbia University Press
2429:Robert Altman: Interviews
2284:5001 Nights at the Movies
2135:Columbia University Press
822:5001 Nights at the Movies
722:On its original release,
652:over his 1979 production
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108:
82:
74:
60:
50:
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28:
23:
3044:1980s female buddy films
2989:1982 LGBTQ-related films
2860:A Prairie Home Companion
2628:McCabe & Mrs. Miller
2426:Sterritt, David (2000).
2334:O'Brien, Daniel (1995).
2287:. New York: Henry Holt.
1604:Product information for
1578:Moving Image Collections
1545:Catalog Information for
731:s Michael Blowen hailed
585:Of his preparations for
576:Mark Goodson Productions
501:Gena Ramsel as Sue Ellen
134:Mark Goodson Productions
3029:Films about trans women
2969:1982 comedy-drama films
2398:Plecki, Gerard (1985).
2340:. New York: Continuum.
1762:Gene Siskel Film Center
1700:"Robert Altman Honored"
1452:"Truth and Woolworth's"
950:O'Brien criticized the
887:based on five reviews.
871:Golden Globe nomination
680:that same year, and on
498:Ruth Miller as Clarissa
444:
339:
2220:. Samuel French, Inc.
841:Halliwell's Film Guide
2836:Dr. T & the Women
1892:The Sumter Daily Item
1519:Eugene Register-Guard
1213:(November 12, 1982).
1118:(February 19, 1982).
952:character development
735:as " best film since
3049:1980s American films
2999:1980s feminist films
2917:Nightmare in Chicago
2898:The James Dean Story
2214:Graczyk, Ed (1989).
1866:on December 30, 2014
1627:. September 17, 2014
1312:, p. pp. 89-90.
944:The James Dean Story
891:Themes and criticism
378:break the news that
188: (United States)
2820:The Gingerbread Man
2053:on December 1, 2017
1801:on November 8, 2017
1582:Library of Congress
1365:on November 2, 2012
747:. In contrast with
706:The Film Foundation
613:Robert Altman took
3024:Films set in Texas
2780:Vincent & Theo
2571:Films directed by
2514:TCM Movie Database
2281:(August 2, 2011).
1982:. Section 5, p. 8.
1768:on August 13, 2011
1282:. pp. 60–61.
1223:The New York Times
1125:The New York Times
762:The New York Times
718:Critical reception
658:. Instead, he let
591:Super 16 equipment
572:Viacom Enterprises
138:Viacom Enterprises
3019:Films set in 1975
3014:Films set in 1955
2951:
2950:
2475:978-0-2315-0757-8
2443:978-1-5780-6187-7
2411:978-0-8057-9303-1
2347:978-0-7134-7481-7
2326:978-0-451-22186-5
2294:978-1-2500-3357-4
2263:978-0-00-726080-5
2227:978-0-5736-9111-9
2161:10.7312/niem17626
2143:10.7312/niem17626
1833:on March 31, 2012
1734:. March 2, 2011.
1706:on August 4, 2012
1289:978-0-3133-0185-8
799:Chicago Sun-Times
517:
302:store in a small
237:
236:
3061:
2941:Tanner on Tanner
2828:Cookie's Fortune
2708:A Perfect Couple
2660:California Split
2644:The Long Goodbye
2620:Brewster McCloud
2565:
2558:
2551:
2542:
2541:
2486:
2484:
2482:
2464:(2nd ed.).
2454:
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2069:
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2049:. Archived from
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2013:
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1859:The Boston Globe
1849:
1843:
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1829:. Archived from
1817:
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1797:. Archived from
1784:
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1764:. Archived from
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915:Robert P. Kolker
788:
767:
755:Associated Press
730:
725:The Boston Globe
660:Cinecom Pictures
650:20th Century-Fox
595:35 mm stock
567:, among others.
515:
507:as Phyllis Marie
380:Elizabeth Taylor
334:Cinecom Pictures
187:
185:
172:
170:
120:Jason Rosenfield
33:
21:
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2772:O.C. and Stiggs
2652:Thieves Like Us
2588:The Delinquents
2575:
2569:
2536:Rotten Tomatoes
2493:
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2077:Rotten Tomatoes
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2014:
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1980:Chicago Tribune
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1094:Box Office Mojo
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1024:
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885:Rotten Tomatoes
810:Chicago Tribune
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676:released it on
611:
603:two-way mirrors
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2764:Beyond Therapy
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2491:External links
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2018:, p. 246.
2008:
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1329:Ottawa Citizen
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1199:
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826:Leonard Maltin
719:
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597:for the first
564:Beyond Therapy
548:Columbus, Ohio
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493:Caroline Aaron
490:
489:as Joe Qualley
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109:Cinematography
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2804:PrĂŞt-Ă -Porter
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2756:Fool for Love
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2580:Feature films
2578:
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2573:Robert Altman
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2401:Robert Altman
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2383:0-7868-8222-0
2379:
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2374:Miramax Books
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2046:Golden Globes
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2017:
2012:
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1457:Texas Monthly
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1438:Sterritt 2000
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769:Vincent Canby
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233:$ 2.3 million
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268:, and stars
248:film and an
246:comedy-drama
240:
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197:Running time
141:Sandcastle 5
87:Sandy Dennis
64:
18:
2871:Short films
2852:The Company
2812:Kansas City
2250:Hammersmith
2184:Plecki 1985
2100:Plecki 1985
2004:Maltin 2007
1837:November 6,
1772:November 6,
1710:November 6,
1654:November 6,
1625:Blu-ray.com
1488:Plecki 1985
1258:Plecki 1985
1153:Plecki 1985
1116:Rich, Frank
1044:The Numbers
1018:Plecki 1985
935:transsexual
917:noted that
835:Movie Guide
805:Gene Siskel
794:Roger Ebert
561:and 1987's
487:Mark Patton
481:Kathy Bates
463:Karen Black
384:Rock Hudson
297:Woolworth's
290:Kathy Bates
282:Karen Black
278:Mark Patton
201:109 minutes
103:Kathy Bates
95:Karen Black
75:Produced by
41:Directed by
2964:1982 films
2958:Categories
2933:Tanner '88
2909:Television
2796:Short Cuts
2788:The Player
2252:, London:
987:References
960:Jimmy Dean
923:patriarchy
863:Jimmy Dean
857:Jimmy Dean
849:Jimmy Dean
830:Jimmy Dean
773:Jimmy Dean
733:Jimmy Dean
666:Jimmy Dean
587:Jimmy Dean
580:Jimmy Dean
553:Jimmy Dean
538:Ed Graczyk
522:Production
505:Ann Risley
471:as Juanita
469:Sudie Bond
424:sports car
390:, to film
322:Jimmy Dean
316:flashbacks
312:James Dean
310:for actor
286:Sudie Bond
254:Ed Graczyk
250:adaptation
244:is a 1982
230:Box office
184:1982-11-12
169:1982-09-30
126:Production
99:Sudie Bond
55:Ed Graczyk
2740:Streamers
2692:A Wedding
2668:Nashville
2596:Countdown
2115:Wood 2003
2057:April 21,
1992:Kael 2011
1742:April 21,
1178:April 12,
820:wrote in
778:close-ups
750:A Wedding
738:Nashville
682:laserdisc
635:Deauville
558:Streamers
534:Lionsgate
495:as Martha
465:as Joanne
368:Sincerely
363:Photoplay
346:Woolworth
258:1976 play
225:$ 850,000
128:companies
117:Edited by
2525:AllMovie
2366:(1995).
1920:New York
1736:Archived
1684:June 19,
1560:WorldCat
1391:New York
1172:archived
970:See also
900:feminism
783:New York
670:Showtime
619:Montreal
516:Sources:
459:as Sissy
308:fan club
262:Broadway
214:Language
83:Starring
61:Based on
2700:Quintet
2684:3 Women
2612:M*A*S*H
2512:at the
2481:May 18,
2449:May 14,
2300:May 14,
2208:Sources
1930:May 13,
1899:May 13,
1870:May 13,
1794:DNAinfo
1679:(1982)"
1556:9365623
1526:May 14,
1468:May 13,
1402:May 14,
1398:(5): 26
1369:May 14,
1336:May 13,
1295:May 14,
1228:May 13,
1131:May 11,
1100:May 14,
1049:May 14,
807:of the
796:of the
744:Quintet
627:Belgium
623:Toronto
617:to the
609:Release
453:as Mona
405:Porsche
217:English
206:Country
182: (
175:Chicago
167: (
2944:(2004)
2936:(1988)
2928:(1985)
2920:(1964)
2901:(1957)
2882:(1987)
2863:(2006)
2855:(2003)
2847:(2001)
2839:(2000)
2831:(1999)
2823:(1998)
2815:(1996)
2807:(1994)
2799:(1993)
2791:(1992)
2783:(1990)
2775:(1987)
2767:(1987)
2759:(1985)
2751:(1984)
2743:(1983)
2735:(1982)
2727:(1980)
2724:Popeye
2719:(1980)
2716:HealtH
2711:(1979)
2703:(1979)
2695:(1978)
2687:(1977)
2679:(1976)
2671:(1975)
2663:(1974)
2655:(1974)
2647:(1973)
2639:(1972)
2636:Images
2631:(1971)
2623:(1970)
2615:(1970)
2607:(1969)
2599:(1967)
2591:(1957)
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2166:May 7,
2159:
2149:
1584:. 1982
1554:
1286:
655:HealtH
631:Venice
529:Popeye
438:Giant,
434:asthma
288:, and
260:. The
222:Budget
173: (
2157:JSTOR
902:. In
828:gave
787:'
771:gave
766:'
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393:Giant
304:Texas
2503:IMDb
2483:2010
2470:ISBN
2451:2010
2438:ISBN
2419:2021
2406:ISBN
2391:2021
2378:ISBN
2355:2021
2342:ISBN
2321:ISBN
2302:2010
2289:ISBN
2271:2021
2258:ISBN
2235:2021
2222:ISBN
2168:2022
2147:ISBN
2084:2021
2059:2022
1963:2018
1932:2010
1926:(46)
1901:2010
1872:2010
1839:2011
1807:2021
1774:2011
1744:2022
1731:MUBI
1712:2011
1686:2016
1656:2011
1633:2014
1590:2021
1552:OCLC
1528:2010
1470:2010
1464:(12)
1404:2010
1371:2010
1338:2010
1297:2010
1284:ISBN
1230:2010
1180:2021
1133:2010
1102:2010
1051:2010
873:for
867:Cher
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633:and
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