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1379:'s Jason Ankeny said that it was the band's artistic breakthrough and "ticket to the big leagues", "an incendiary and insidious set which bridges the gap between the noisy aggression of the band's early releases and the soulful swagger of their later work." Ankeny also cited it as "the grunge era's most overlooked masterpiece" and an indication of the band's musical growth, writing that "while still unmistakably a member of the Sub Pop stable, there's a greater maturity and depth to their sinewy sound, with a newfound grasp of mood and nuance". In
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939:. Dulli became a fan of the rock opera as a child when his babysitter played it. "Let Me Lie to You" has lyrics expressing passive cruelty and subtle manipulation. "Tonight" depicts a peaceful night as the backdrop for the narrator's corrupt one-track mind: "Follow me down to the bushes, dear / No one will know, we'll disappear / I'll hold your hand, we'll never tell / Our private little trip to hell". The album's hidden track "Miles Iz Ded" is about seduction and alcohol, evoking a
577:' death, September 28, 1991. He received two messages on his answering machine from music executive David Katznelson, the first providing directions to a cookout and the second informing Dulli that Davis had died, saying that "Miles is dead. Don't forget the alcohol." Working at Ultrasuede in Cincinnati, Dulli incorporated Katznelson's line as a lyric and, with a guitar riff from Rick McCollum, hastily recorded "Miles Iz Ded", which was included as a
759:". The slow-burning ballad "Let Me Lie to You" incorporates soul and grunge musical styles. Dulli wrote the song in an attempt to deviate from the aesthetic of Sub Pop, who he felt discouraged its acts from recording slow songs. He cites writing the song as the moment he began having faith in himself as a songwriter. Songs such as "Miles Iz Ded", "Conjure Me", and "Turn On the Water" incorporate funk influences and wah-wah guitar.
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viewed the record as "a clean move toward musical excellence", showing the Afghan Whigs "bursting its Sub Pop chains with catchy, heavy guitar riffs, downright lovable song arrangements, melodies that jerk your emotions back and forth, and yes, endearing, raspy vocals that wail, moan, scream, and
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calls Dulli "a truly magnetic presence" and writes of his performance on the album, "by turns predator ('Tonight') and prey ('I'm Her Slave'), he's the guy your parents always warned you about, delivering each syllable of his remarkable lyrics with equal measures of innuendo and venom." Stephanie
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included it in their list of the "25 Best Grunge Albums of the '90s"; in the accompanying blurb, Stuart Berman wrote that the record "showed how grunge's roar could express an emotional depth beyond anger and disillusionment. Full of white-knuckled songs brimming with sensuality, obsession, and
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cites "Turn On the Water" as an example of when "the twisted narrator is the victim" and "cast adrift" in Dulli's lyrics. Inspired by a paranoid breakup, "Conjure Me" is told from the perspective of an aggressive predator and obscure object of desire. On "Kiss the Floor", the narrator recounts
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Ross Ian Stein. Session musicians such as Miss Ruby Belle, Shecky Stein, and Lance
Ellison also contributed; Belle sung lead vocals on "Her Against Me", Stein played piano on "Conjure Me", and Ellison played piano and sung lead vocals on "The Temple" with John Curley and Rick McCollum.
340:
producing alongside audio engineer Ross Ian Stein. Initially working on a $ 15,000 advance from Sub Pop, the production and release became hindered by the label's financial difficulties; these were eventually resolved by the massive commercial success of fellow Subpop act
562:, Sub Pop recovered financially by receiving royalties from the album after the band left them for a major label. Dulli later said that while he was "stranded in L.A. ... Nirvana saved the whole fuckin' label". He recalled thanking the band's frontman
933:, depicted as an empty sexual experience: "Shove my head against the door, crawl inside and kiss the floor / Waiting for the sun again, drink it, smoke it, stick it in." "The Temple" is a cover of the song of the same name from the 1970 rock opera
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The Afghan Whigs promoted the album with an appearance on MTV and an international tour with dates in major
American cities and Europe. During their shows, the Afghan Whigs interspersed R&B songs in their set list, including an
1385:(2004), Joe Gross called it a "quantum leap" over the band's previous work, commenting that it "shows that they ditched grunge for soul because they were no damn good at the former and ladies dig the latter." The
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comments that the band's instrumentation "contriv panoramic images through judicious use of wah-wah guitar ... and the tribal drumbeats with which Steven Earle invokes an air of ritualistic surrender."
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plays for atmosphere", as well as "canny enough to avoid most of the mannerisms that make much
Amerindie rock seem so cliched." Considine concluded in his review, "The best reason to join this
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by Jack
Skinner at K Disc Mastering in Hollywood. Dulli subsequently took a drive in his car and listened to the album while observing his scenery, a practice he continued with future albums.
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Although the label eventually settled the studio's bills and the album's sessions ended in August 1991, the band was unsure if Sub Pop had enough money to release any more albums, let alone
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was less impressed, appreciating the record's "sheer listenability", "clear recording and dynamic performances", but criticizing Dulli's lyrics and the band's cover of "The Temple".
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contributed backing vocals to "This Is My
Confession" and "Dedicate It". After the rest of the band finished recording their parts, Dulli stayed in Los Angeles to record his vocals,
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1395:, with one partial exception, 'Conjure Me,' and one absolute triumph: a surging final track ... that might be the Afghan Whigs' strongest recorded performance."
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the album. However, the album's production was delayed due to Sub Pop's financial difficulties, and Dulli got another job in Los
Angeles to pay for the studio.
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is generally considered by music journalists to be part of the Afghan Whigs' peak recording period. Dulli cites it as "the record where we came into our own".
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influences. The lyrics explore themes of pleasure and guilt in the context of dysfunctional relationships and sexual deviancy. Conceived during the burgeoning
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accessory, and its jumpy guitar riffs instill these songs with a sense of motion that suggests amped-up r&b." "Tonight" features bluesy acoustic guitar.
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1010:" during "Turn On the Water". The band's extensive touring for the album helped them garner a larger audience, although the album did not impact the
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bands. Additionally, Webber said the Afghan Whigs are "on rock's cutting edge" while stirring "a torrent of emotions on neatly paced songs". In
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was well received by contemporary critics, who praised its musical quality, stylistic elements, and emotional content. It was promoted with two
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763:'s Stephen M. Deusner cites the latter song as an example of how the band "integrate African-American sounds and influences into their white
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influences. The album's cover depicts a nude black woman holding a white baby in her arms, interpreted as a comical allusion to the band's
2007:
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990:". A music video for the single was filmed—featuring a topless woman caressing Dulli as he lip syncs the song—and received rotation on
440:(1990) released on the label, the band toured regularly in the United States for two years and occasionally in Europe before recording
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dubbed it "the finest rock LP of the decade" and commented that it is "nothing less than rock raping pop, a ferocious deflowering of
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The album expands on the aggressive sound of the band's previous work with refined musical details and occasionally slower songs. In
444:. Sub Pop gave the band a $ 15,000 advance to record the album, which Dulli later said was a "then-unheard-of" and "bloated" amount.
388:, "Turn On the Water" and "Conjure Me", and The Afghan Whigs' extensive touring in the United States and Europe. Although it did not
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in
Woodinville, Washington and Buzz's Kitchen in Los Angeles, California. Dulli wrote most of its songs and produced the album with
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660:(2003), music journalist Alex Ogg writes that The Afghan Whigs were "managing to balance volume with subtlety" amid the burgeoning
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and
Nirvana in the songs' "catch-iness and in the arrangements' juxtaposition of frenzy and laziness." David Sprague of the
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836:, featuring themes of pleasure and guilt. The songs are narrated from the perspective of an emotionally wounded sinner and
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a "strangely flamboyant" album that showcases "Dulli's metamorphosis from everypunk wallflower to rakish scoundrel with a
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debuts the predominance of Dulli's "leviathan libido" over an album-length work, avoiding the multi-layer metaphors of
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stable, Ohio's Afghan Whigs brought a healthy injection of libido to the label's angsty roster ... Leering frontman
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2755:"Q&A: The Afghan Whigs' Greg Dulli On Getting The Band Back Together, The Art Of Comedy, And Bad At-Bat Music"
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scene, the album has been viewed by music writers as stylistically distinct from other Sub Pop and grunge music.
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After the album's sessions were done, Dulli was inspired to write and record an additional track on the day of
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who wanted to sign them. Frustrated with the distribution limitation of a small record label, they signed to
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found the album more accessible to listeners than contemporary
Seattle or Minneapolis-based, guitar-oriented
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424:, bassist John Curley, lead guitarist Rick McCollum, and drummer Steve Earle—released their 1988 debut album
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The Great Rock
Discography: Complete Discographies Listing Every Track Recorded by More Than 1,200 Artists
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is that the songs are catchy enough to hold their own against the best work of bands like Dinosaur Jr. or
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s cover photo, which depicted a nude black woman sitting on a blanket with a white baby held in her arms.
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870:, and even the Four Tops often wrote songs that seethed with domestic drama and pent-up sexual energy."
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to cultivate the stylized, seductive evil that he would go on to perfect on the Whigs' 1993 masterwork
3182:"Teenage Fanclub upstaged by opener, Power-generating Afghan Whigs proves to be a tough act to follow"
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982:. "Conjure Me" was released in May as a 7-inch single backed with the Afghan Whigs' cover of the 1965
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in L.A. and hugged Kurt and said, 'Good one, bro. Congratulations. And thank you—now I can go home.'"
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was met with highly positive reviews from critics. Reviewing in September 1992, Daniel Fidler from
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ranked it number 79 on its 2004 list of the Top 100 Albums of the '90s. Italian music journalists
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The spaciously arranged song was written by Dulli about an empty sexual experience with a virgin.
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1391:(1995) was somewhat less enthusiastic, writing that "the results feel like dress rehearsals for
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stealing a girl's virginity and avoiding her brothers. "This Is My Confession" has a theme of
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With the album's critical acclaim and the band's steady touring, the Afghan Whigs attained a
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said the band is "clever enough to find hooks in the sort of gnarled riffs and guitar noise
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and followed two years of the band's touring in support of their first album for the label,
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has been viewed by writers as the band's breakthrough album and a significant release in
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Gross, Joe; et al. (November 2, 2004). Brackett, Nathan; Hoard, Christian (eds.).
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3241:
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2593:
2352:
2012:
456:
2884:"Turn on the Water – The Afghan Whigs : Release Information, Reviews and Credits"
2491:
1981:
978:(coupled with the tracks "Chalk Outline" and "Miles Iz Ded"), and on February 25 as a
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comments that his lyrics are "full of stifling dissatisfaction and boozy philosophy".
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The album's rock sound is complemented by a predominant soul influence. According to
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formats. To promote the record, "Turn On the Water" was released in January as a
888:
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833:
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451:, the band members had other individual tastes, including McCollum's interest in
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has more refined musical details and slower-tempo songs, incorporating ballads,
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The Afghan Whigs began recording the album in July 1991. They held sessions at
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on an independent record label and gained the attention of Seattle-based label
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2393:"Graded on a Curve: Afghan Whigs, Up in It, Congregation, 'Uptown Avondale'"
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2949:. Vol. 140, no. 25. BPI Communications. June 20, 1992. p. 45
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A favorite among fans of the band, "Miles Iz Ded" incorporates elements of
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The album was largely written and produced by the Afghan Whigs' frontman,
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2003:
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and receive offers from major record labels, leading to their signing to
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after their final release for Sub Pop, an EP of soul cover songs called
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and instead expressing emotions in an R&B style: "Artists like the
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with sinister and narcissistic tones. The lyrics also feature haunting
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363:
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found the band to be "crucial to the birth of '90s alternative rock."
1318:
The first band hailing from outside the Pacific Northwest to join the
566:
upon the album's completion, saying that "I went to Nirvana's show at
3831:
3166:
2786:"Is The Afghan Whigs' "Miles Iz Ded" One Of The Greatest Songs Ever?"
2630:
2563:
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magazine's Christophe Basterra characterizes the resulting music as "
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2430:(in French) (143). Paris: Bonne Nouvelles Editions. Archived from
1848:"The 40 Coolest NSFW Album Covers The Afghan Whigs – Congregation"
1313:
was released in 1993 to critical acclaim and mainstream exposure.
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1914:
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anecdote with lyrics narrated by a subjugate lover. Music critic
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431:
308:
171:
2725:"Afghan Whigs' Singer Gets Dark And Dickensian In Metro Concert"
954:
was released by Sub Pop on January 31, 1992, and distributed by
2816:"On The Flippity-Flop: The Afghan Whigs Have A Rough Night Out"
2095:"The Afghan Whigs Play First Show in 13 Years: The Full Report"
1364:
1259:
921:
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476:
375:
354:
Expanding on the aggressive sound of the band's previous work,
141:
126:
2839:"25 Years Ago: The Afghan Whigs Get Soulful on 'Congregation'"
3644:
2063:"Review: The Afghan Whigs at New York City's Bowery Ballroom"
2008:"Miles Davis, Trumpeter, Dies; Jazz Genius, 65, Defined Cool"
1944:"Jonathan Poneman – Music Biography, Credits and Discography"
1760:"The Afghan Whigs – Music Biography, Credits and Discography"
692:
516:, pictured center left in 1992 alongside the band's bassist,
38:
877:
vocals throughout the album are moaningly husky and feature
701:
writer Brad Webber compares its melodies to those of "later
3024:. Vol. 108, no. 5. BPI Communications. p. 35
2159:
634:
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367:
136:
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Dulli's lyrics throughout the album explore dysfunctional
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perceives influences from "ex-indie guitar bands" such as
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2914:
1408:
on its list of 100 Best Albums by Decade. Polish webzine
991:
2261:. Los Angeles: Sonic Options Network: 89. May–June 1992.
3588:
Weisbard, Eric; Marks, Craig, eds. (October 10, 1995).
2134:
Joe Gross et al. Brackett & Hoard (2004), pp. 9–10.
1426:
in their 2010 book on essential rock albums. In 2022,
3511:
Escamilla, Brian; Gale Research (October 28, 1996).
3615:
Everybody Loves Our Town: An Oral History of Grunge
1286:at number 25 on its year-end best albums for 1992.
336:from July to August 1991, with the band's frontman
3512:
3436:
1972:"The 50 Greatest Pop Songs Recorded in Cincinnati"
1657:Credits are adapted from the album's liner notes.
664:music scene. The album's music incorporates heavy
2907:"Hive Five: Advice for the Reformed Afghan Whigs"
2655:Fidler, Daniel; Leopardi, Nancy (February 1992).
2521:"The Afghan Whigs: Unbreakable (A Retrospective)"
1433:betrayal, the album plays out like some alt-rock
3961:
1024:
1927:: CS1 maint: others in cite AV media (notes) (
1506:John Curley, Dulli, Steven Earle, Rick McCollum
737:and indie rock with an integrated dimension of
3214:"ΚαλλιτÎχνης – The Afghan Whigs – Alternative"
2654:
2422:"The Afghan Whigs en interview – Album oublié"
2274:"The Afghan Whigs – Black Love (staff review)"
1174:
1091:
1053:
3679:
3399:
3106:Galens, Dave (1996). "The Afghan Whigs". In
2553:
2551:
2549:
2547:
2545:
2543:
2541:
2485:
2483:
2456:Phillips, Amy; et al. (July 11, 2008).
1124:
4000:Rhythm and blues albums by American artists
3995:Alternative rock albums by American artists
2836:
2451:
2449:
2415:
2413:
2232:
2230:
2228:
2226:
2224:
844:and expressions of angst and melodrama. In
503:
3686:
3672:
3113:MusicHound Rock: The Essential Album Guide
2967:
2346:
2344:
2342:
2340:
2130:
2128:
2126:
2124:
2122:
2120:
2118:
1901:
1750:
1748:
1746:
1744:
1742:
1740:
733:, the Afghan Whigs expand on contemporary
552:. After the massive commercial success of
307:. It was released on January 31, 1992, by
29:
3140:
3134:
3015:
2869:
2867:
2865:
2863:
2861:
2837:Christopher, Michael (January 31, 2017).
2684:
2682:
2667:(11). New York: Camouflage Associates: 72
2560:"The Afghan Whigs' 13 Most Vicious Songs"
2557:
2538:
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2294:
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2181:
1899:
1897:
1895:
1893:
1891:
1889:
1887:
1885:
1883:
1881:
493:influences were comically referred to in
18:1992 studio album by The Afghan Whigs
3435:Buckley, Peter, ed. (November 1, 2003).
3179:
3144:(January 1992). "Review: Congregation".
2818:. Idolator. Buzz Media. January 30, 2007
2749:
2582:
2580:
2455:
2446:
2419:
2410:
2350:
2221:
1965:
1963:
1961:
1809:
1691:Larry Brewer – engineer, second engineer
507:
3407:"The 25 Best Grunge Albums of the '90s"
3369:(in Italian). Roma: Stemax S.r.l. 2002.
3352:. London: IPC Media: 51. July 13, 1996.
3289:
3234:
3211:
3016:Bambarger, Bradley (February 3, 1996).
2904:
2650:
2648:
2518:
2512:
2337:
2146:
2144:
2142:
2140:
2115:
2092:
2002:
1871:
1869:
1737:
1682:
1666:John Curley – bass, photography, vocals
3962:
3917:Unbreakable: A Retrospective 1990–2006
3105:
3071:
2858:
2688:
2679:
2623:
2372:
2306:
2291:
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2239:
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1980:. Cincinnati: CM Media. Archived from
1969:
1878:
1796:
1794:
1792:
1790:
1788:
1786:
1784:
1631:
1617:
1603:
3667:
3318:
3005:(183–188). Amordian Press: 168. 1994.
2586:
2577:
2490:Fernandez, J.L. (November 22, 2010).
2309:"Afghan Whigs Congregation (Sub Pop)"
2236:Weisbard & Marks (1995), pp. 4–5.
1958:
1583:
1569:
1555:
1541:
1527:
1513:
1499:
1485:
1471:
1034:
416:After forming in 1986 in Cincinnati,
392:, the album helped the band attain a
3990:Albums recorded at Bear Creek Studio
3693:
2689:Benson, Stephanie (August 7, 2011).
2645:
2519:Deusner, Stephen M. (May 30, 2007).
2390:
2381:Cilìa & Guglielmi (2010), p. 42.
2137:
2060:
1866:
1833:
1831:
1829:
1754:
2719:
2152:"Congregation – MP3 – Afghan Whigs"
1781:
1724:Ross Ian Stein – engineer, producer
1660:
1176:
1093:
1055:
887:compares them to those of "a young
13:
3341:
3300:. Prague: Prague Post, spol. s.r.o
3266:
2558:Lariviere, Aaron (June 21, 2012).
2420:Basterra, Christophe (June 2010).
2391:Neff, Joseph (September 7, 2017).
2212:
2195:
1941:
785:
599:
14:
4026:
3892:Live at Howlin' Wolf, New Orleans
3636:
3541:The New Rolling Stone Album Guide
3290:Scanlon, James (August 8, 2012).
3235:Sprague, Deborah (May 23, 2012).
3078:The Encyclopedia of Popular Music
2905:Solomon, Dan (December 8, 2011).
2272:Butler, Nick (January 26, 2005).
2218:Ogg et al. Buckley (2003), p. 12.
2198:"Congregation – The Afghan Whigs"
1826:
1672:– producer, rhythm guitar, vocals
1126:
858:-inspired contemporaries such as
447:While collectively interested in
3613:Yarm, Mark (September 6, 2011).
3329:(147). New York: CMJ Network: 10
2968:Winternitz, Felix (April 1992).
1440:
1398:In 2002, Italian music magazine
1307:(1992). Their major label debut
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1059:
1054:
850:writer Peter Helman's analysis,
819:Problems playing this file? See
801:
645:Problems playing this file? See
615:
4010:Funk albums by American artists
4005:Soul albums by American artists
3494:Rock. I 500 dischi fondamentali
3428:
3373:
3356:
3312:
3283:
3260:
3228:
3205:
3173:
3152:
3099:
3065:
3036:
3009:
2992:
2961:
2933:
2898:
2876:
2830:
2808:
2778:
2743:
2713:
2624:Helman, Peter (July 18, 2014).
2617:
2492:"Greg Dulli: Buscando la calma"
2384:
2307:Webber, Brad (March 19, 1992).
2265:
2093:Kandell, Steve (May 24, 2012).
2086:
2054:
2028:
1996:
1970:Varias, Chris (November 2010).
420:—vocalist and rhythm guitarist
400:. Since its initial reception,
3159:"The best and worst of 1992".
2980:(17). Cincinnati: CM Media: 14
1935:
1840:
1803:
1678:Rick McCollum – guitar, vocals
1520:Curley, Dulli, Earle, McCollum
1456:
1:
3975:Albums produced by Greg Dulli
3591:Spin Alternative Record Guide
3492:, eds. (September 18, 2010).
3381:"Najlepsze płyty lat 90-tych"
3363:"100 Best Albums by Decade".
3269:"Up in It – The Afghan Whigs"
3180:Maurstad, Tom (May 3, 1992).
3044:"Congregation – Afghan Whigs"
3018:"Afghan Whigs Get Passionate"
2351:Sprague, David; Brown, Jeff.
1731:
1700:Lance Ellison – piano, vocals
1388:Spin Alternative Record Guide
1382:The Rolling Stone Album Guide
1207:Spin Alternative Record Guide
1169:The Rolling Stone Album Guide
1119:Encyclopedia of Popular Music
1025:Critical reception and legacy
988:My World Is Empty Without You
411:
3871:The B-Sides/The Conversation
3271:. Allmusic. Rovi Corporation
3075:(2011). "The Afghan Whigs".
2886:. Allmusic. Rovi Corporation
2691:"Afghan Whigs, Congregation"
2200:. Allmusic. Rovi Corporation
1946:. Allmusic. Rovi Corporation
1703:D.A. Fleischer – photography
1652:
970:(with "Miles Iz Ded" on its
946:
771:' wakka-chikka guitars as a
7:
3292:"Preview: The Afghan Whigs"
2061:Hart, Josh (May 25, 2012).
1721:– background vocals, vocals
1694:Chris Cuffaro – photography
1445:All songs were produced by
1293:and was courted by several
1238:, while Brad Webber of the
10:
4031:
3148:(163). Amordian Press: 13.
2731:. Chicago: Tribune Company
1812:"Interview – Afghan Whigs"
434:. With their second album
320:The Afghan Whigs recorded
54:January 31, 1992
3926:
3901:
3848:
3774:
3701:
3247:Reed Business Information
2587:Cohen, Jason (May 1994).
2458:"Staff Lists: Sub Pop 20"
1697:Caroline De Vita – design
1466:
1463:
1460:
1455:
1367:'s romantic ideal". With
1042:
1039:
778:
767:", writing that it "uses
541:the recorded tracks, and
284:
258:
247:
243:
206:
198:
177:
165:
149:
108:
73:
65:
50:
37:
28:
23:
3348:"Review: Congregation".
2255:"Review: Congregation".
1810:Spaceman, Brett (2008).
1756:Erlewine, Stephen Thomas
1715:Jack Skinner – mastering
1688:Miss Ruby Belle – vocals
943:and sense of a despair.
894:." David Sprague of the
881:wails. Daniel Fidler of
592:
504:Recording and production
3980:The Afghan Whigs albums
3439:The Rough Guide to Rock
3319:Bains, Lee (May 2007).
3187:The Dallas Morning News
3052:Prometheus Global Media
2599:Condé Nast Publications
1837:Escamilla (1996), p. 5.
1559:"This Is My Confession"
729:writer Joseph Neff, on
657:The Rough Guide to Rock
3515:Contemporary Musicians
2103:. New York: Spin Media
2036:"Greg Dulli Interview"
2006:(September 29, 1991).
1371:, Stephanie Benson of
1338:
1232:called it "superb" in
936:Jesus Christ Superstar
830:intimate relationships
790:
757:Iggy & the Stooges
604:
521:
491:African-American music
463:, and Dulli's love of
372:African-American music
332:and Buzz's Kitchen in
328:in Washington state's
267:Released: January 1992
3885:Bonnie & Clyde EP
3326:CMJ New Music Monthly
2970:"Observer's Notebook"
2873:Strong (2004), p. 20.
2626:"Congregation (1992)"
1706:Jane Higgins – design
1316:
920:"I'm Her Slave" is a
789:
603:
511:
3939:The Twilight Singers
3864:What Jail Is Like EP
3566:(October 21, 2004).
3546:Simon & Schuster
3366:Il Mucchio Selvaggio
2723:(December 6, 1993).
2701:on December 10, 2011
2605:on December 17, 2014
2500:(in Spanish). Filmac
2468:on November 22, 2012
1984:on November 21, 2010
1875:Cilìa (1999), p. 23.
1800:Yarm (2011), p. 307.
1727:Shecky Stein – piano
1683:Additional personnel
1449:and Ross Ian Stein.
1401:Il Mucchio Selvaggio
1030:Professional ratings
324:in sessions held at
3490:Guglielmi, Federico
3465:(January 1, 1999).
3212:Karampeazis, Aris.
2974:Cincinnati Magazine
2765:Village Voice Media
2166:on January 26, 2013
2042:. February 19, 2011
1977:Cincinnati Magazine
1923:cite AV media notes
1675:Steve Earle – drums
1607:"Let Me Lie to You"
1595:Andrew Lloyd Webber
1503:"Turn On the Water"
1031:
1021:in September 1998.
908:." Jason Ankeny of
264:"Turn On the Water"
69:July–September 1991
3902:Compilation albums
3660:(list of releases)
3496:. Giunti Editore.
3169:. January 2, 1993.
2397:The Vinyl District
2013:The New York Times
1420:Federico Guglielmi
1029:
791:
753:Search and Destroy
741:, soul, and funk.
727:The Vinyl District
605:
533:Singer-songwriter
526:Bear Creek Studios
522:
408:during the 1990s.
326:Bear Creek Studios
276:Released: May 1992
3957:
3956:
3878:Honky's Ladder EP
3783:Big Top Halloween
3564:Strong, Martin C.
3413:. October 6, 2022
3118:Visible Ink Press
2760:The Village Voice
2657:"New Revolutions"
1917:. 1992. SPCD 130.
1649:
1648:
1216:
1215:
806:
620:
427:Big Top Halloween
288:
287:
239:
238:
4022:
3949:The Gutter Twins
3927:Related articles
3839:How Do You Burn?
3756:Michael Horrigan
3695:The Afghan Whigs
3688:
3681:
3674:
3665:
3664:
3648:
3647:
3645:Official website
3632:
3609:
3584:
3570:(7th ed.).
3559:
3544:(4th ed.).
3534:
3519:. Vol. 17.
3518:
3507:
3484:
3458:
3443:(3rd ed.).
3442:
3423:
3422:
3420:
3418:
3403:
3397:
3396:
3394:
3392:
3387:. March 22, 2004
3377:
3371:
3370:
3360:
3354:
3353:
3345:
3339:
3338:
3336:
3334:
3316:
3310:
3309:
3307:
3305:
3287:
3281:
3280:
3278:
3276:
3264:
3258:
3257:
3255:
3253:
3232:
3226:
3225:
3223:
3221:
3209:
3203:
3202:
3200:
3198:
3177:
3171:
3170:
3156:
3150:
3149:
3142:Considine, J. D.
3138:
3132:
3131:
3103:
3097:
3096:
3081:(5th ed.).
3069:
3063:
3062:
3060:
3058:
3040:
3034:
3033:
3031:
3029:
3013:
3007:
3006:
2999:"Afghan Whigs".
2996:
2990:
2989:
2987:
2985:
2965:
2959:
2958:
2956:
2954:
2937:
2931:
2930:
2928:
2926:
2921:on June 25, 2013
2917:. Archived from
2902:
2896:
2895:
2893:
2891:
2880:
2874:
2871:
2856:
2855:
2853:
2851:
2834:
2828:
2827:
2825:
2823:
2812:
2806:
2805:
2803:
2801:
2782:
2776:
2775:
2773:
2771:
2753:(May 23, 2012).
2747:
2741:
2740:
2738:
2736:
2717:
2711:
2710:
2708:
2706:
2697:. Archived from
2686:
2677:
2676:
2674:
2672:
2652:
2643:
2642:
2640:
2638:
2621:
2615:
2614:
2612:
2610:
2601:. Archived from
2584:
2575:
2574:
2572:
2570:
2555:
2536:
2535:
2533:
2531:
2516:
2510:
2509:
2507:
2505:
2487:
2478:
2477:
2475:
2473:
2464:. Archived from
2453:
2444:
2443:
2441:
2439:
2417:
2408:
2407:
2405:
2403:
2388:
2382:
2379:
2370:
2369:
2367:
2365:
2348:
2335:
2334:
2332:
2330:
2325:on July 29, 2012
2321:. Archived from
2304:
2289:
2288:
2286:
2284:
2269:
2263:
2262:
2252:
2237:
2234:
2219:
2216:
2210:
2209:
2207:
2205:
2193:
2176:
2175:
2173:
2171:
2162:. Archived from
2148:
2135:
2132:
2113:
2112:
2110:
2108:
2090:
2084:
2083:
2081:
2079:
2058:
2052:
2051:
2049:
2047:
2032:
2026:
2025:
2023:
2021:
2000:
1994:
1993:
1991:
1989:
1967:
1956:
1955:
1953:
1951:
1939:
1933:
1932:
1926:
1918:
1911:The Afghan Whigs
1903:
1876:
1873:
1864:
1863:
1861:
1859:
1844:
1838:
1835:
1824:
1823:
1821:
1819:
1807:
1801:
1798:
1779:
1778:
1776:
1774:
1768:Rovi Corporation
1752:
1661:The Afghan Whigs
1635:"Miles Iz Ded" (
1531:"Kiss the Floor"
1475:"Her Against Me"
1458:
1453:
1452:
1347:
1268:the Replacements
1200:
1199:
1198:
1194:
1193:
1189:
1188:
1184:
1183:
1179:
1178:
1150:
1149:
1148:
1144:
1143:
1139:
1138:
1134:
1133:
1129:
1128:
1112:
1111:
1110:
1106:
1105:
1101:
1100:
1096:
1095:
1079:
1078:
1077:
1073:
1072:
1068:
1067:
1063:
1062:
1058:
1057:
1032:
1028:
956:Caroline Records
808:
807:
797:"Kiss the Floor"
788:
622:
621:
602:
499:
418:The Afghan Whigs
305:The Afghan Whigs
301:alternative rock
277:
274:
268:
265:
208:
207:
200:The Afghan Whigs
161:
160:
156:
117:Alternative rock
90:Buzz's Kitchen (
61:
59:
44:The Afghan Whigs
33:
21:
20:
4030:
4029:
4025:
4024:
4023:
4021:
4020:
4019:
3960:
3959:
3958:
3953:
3922:
3897:
3857:Uptown Avondale
3844:
3825:Do to the Beast
3770:
3762:Cully Symington
3752:Paul Buchignani
3697:
3692:
3643:
3642:
3639:
3629:
3619:Crown Archetype
3612:
3606:
3587:
3581:
3562:
3556:
3537:
3531:
3510:
3504:
3487:
3481:
3461:
3455:
3434:
3431:
3426:
3416:
3414:
3405:
3404:
3400:
3390:
3388:
3379:
3378:
3374:
3362:
3361:
3357:
3347:
3346:
3342:
3332:
3330:
3317:
3313:
3303:
3301:
3297:The Prague Post
3288:
3284:
3274:
3272:
3265:
3261:
3251:
3249:
3245:. Los Angeles:
3233:
3229:
3219:
3217:
3216:(in Greek). MIC
3210:
3206:
3196:
3194:
3178:
3174:
3158:
3157:
3153:
3139:
3135:
3128:
3104:
3100:
3093:
3070:
3066:
3056:
3054:
3042:
3041:
3037:
3027:
3025:
3014:
3010:
2998:
2997:
2993:
2983:
2981:
2966:
2962:
2952:
2950:
2941:"The Clip List"
2939:
2938:
2934:
2924:
2922:
2903:
2899:
2889:
2887:
2882:
2881:
2877:
2872:
2859:
2849:
2847:
2835:
2831:
2821:
2819:
2814:
2813:
2809:
2799:
2797:
2784:
2783:
2779:
2769:
2767:
2751:Johnston, Maura
2748:
2744:
2734:
2732:
2729:Chicago Tribune
2718:
2714:
2704:
2702:
2687:
2680:
2670:
2668:
2653:
2646:
2636:
2634:
2622:
2618:
2608:
2606:
2585:
2578:
2568:
2566:
2556:
2539:
2529:
2527:
2525:Pitchfork Media
2517:
2513:
2503:
2501:
2488:
2481:
2471:
2469:
2462:Pitchfork Media
2454:
2447:
2437:
2435:
2434:on May 25, 2014
2418:
2411:
2401:
2399:
2389:
2385:
2380:
2373:
2363:
2361:
2349:
2338:
2328:
2326:
2319:Tribune Company
2314:Chicago Tribune
2305:
2292:
2282:
2280:
2270:
2266:
2254:
2253:
2240:
2235:
2222:
2217:
2213:
2203:
2201:
2196:Ankeny, Jason.
2194:
2179:
2169:
2167:
2150:
2149:
2138:
2133:
2116:
2106:
2104:
2091:
2087:
2077:
2075:
2059:
2055:
2045:
2043:
2034:
2033:
2029:
2019:
2017:
2001:
1997:
1987:
1985:
1968:
1959:
1949:
1947:
1942:Kurutz, Steve.
1940:
1936:
1920:
1919:
1905:
1904:
1879:
1874:
1867:
1857:
1855:
1854:. July 26, 2012
1846:
1845:
1841:
1836:
1827:
1817:
1815:
1808:
1804:
1799:
1782:
1772:
1770:
1753:
1738:
1734:
1685:
1663:
1655:
1650:
1548:Dulli, McCollum
1534:Dulli, McCollum
1489:"I'm Her Slave"
1443:
1349:
1341:—Amy Phillips,
1340:
1304:Uptown Avondale
1299:Elektra Records
1256:J. D. Considine
1241:Chicago Tribune
1230:Michael Azerrad
1196:
1191:
1186:
1181:
1157:MusicHound Rock
1146:
1141:
1136:
1131:
1108:
1103:
1098:
1086:Chicago Tribune
1075:
1070:
1065:
1060:
1027:
980:cassette single
949:
889:Paul Westerberg
834:sexual deviancy
826:
825:
817:
815:
814:
813:
812:
809:
802:
799:
792:
786:
781:
761:Pitchfork Media
751:appropriating '
698:Chicago Tribune
652:
651:
643:
641:
640:
639:
638:
623:
616:
613:
606:
600:
595:
506:
497:
483:. According to
475:, particularly
414:
398:Elektra Records
280:
275:
272:
271:
266:
263:
262:
234:
231:Uptown Avondale
225:
216:
194:
158:
154:
153:
104:
57:
55:
46:
19:
12:
11:
5:
4028:
4018:
4017:
4012:
4007:
4002:
3997:
3992:
3987:
3985:Sub Pop albums
3982:
3977:
3972:
3955:
3954:
3952:
3951:
3946:
3941:
3936:
3930:
3928:
3924:
3923:
3921:
3920:
3913:
3905:
3903:
3899:
3898:
3896:
3895:
3888:
3881:
3874:
3867:
3860:
3852:
3850:
3849:Extended plays
3846:
3845:
3843:
3842:
3835:
3828:
3821:
3814:
3807:
3800:
3793:
3786:
3778:
3776:
3772:
3771:
3769:
3768:
3763:
3760:
3757:
3754:
3749:
3746:
3742:
3741:
3738:Patrick Keeler
3734:
3729:
3722:
3720:Rick G. Nelson
3717:
3710:
3702:
3699:
3698:
3691:
3690:
3683:
3676:
3668:
3662:
3661:
3649:
3638:
3637:External links
3635:
3634:
3633:
3628:978-0307464439
3627:
3610:
3604:
3585:
3579:
3572:Canongate U.S.
3560:
3554:
3535:
3529:
3508:
3503:978-8809755246
3502:
3485:
3479:
3471:Giunti Editore
3459:
3453:
3430:
3427:
3425:
3424:
3398:
3372:
3355:
3340:
3311:
3282:
3267:Deming, Mark.
3259:
3237:"Afghan Whigs"
3227:
3204:
3172:
3151:
3133:
3126:
3098:
3092:978-0857125958
3091:
3064:
3035:
3008:
2991:
2960:
2932:
2897:
2875:
2857:
2829:
2807:
2796:. July 6, 2008
2777:
2742:
2712:
2678:
2644:
2616:
2589:"Whigging Out"
2576:
2537:
2511:
2479:
2445:
2409:
2383:
2371:
2353:"Afghan Whigs"
2336:
2290:
2264:
2238:
2220:
2211:
2177:
2136:
2114:
2085:
2053:
2027:
1995:
1957:
1934:
1877:
1865:
1839:
1825:
1802:
1780:
1735:
1733:
1730:
1729:
1728:
1725:
1722:
1716:
1713:
1710:Rick and Bubba
1707:
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1552:
1549:
1546:
1545:"Congregation"
1543:
1539:
1538:
1535:
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1529:
1525:
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1315:
1291:cult following
1214:
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1201:
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1041:
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1023:
1008:I'll Be Around
948:
945:
906:heart of glass
816:
810:
800:
795:
794:
793:
784:
783:
782:
780:
777:
642:
624:
614:
611:"Miles Iz Ded"
609:
608:
607:
598:
597:
596:
594:
591:
581:on the album.
556:'s 1991 album
530:audio engineer
505:
502:
413:
410:
394:cult following
345:'s 1991 album
286:
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191:Ross Ian Stein
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174:
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151:
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139:
134:
129:
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119:
112:
106:
105:
103:
102:
95:
88:
77:
75:
71:
70:
67:
63:
62:
52:
48:
47:
42:
35:
34:
26:
25:
17:
9:
6:
4:
3:
2:
4027:
4016:
4015:Grunge albums
4013:
4011:
4008:
4006:
4003:
4001:
3998:
3996:
3993:
3991:
3988:
3986:
3983:
3981:
3978:
3976:
3973:
3971:
3968:
3967:
3965:
3950:
3947:
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3940:
3937:
3935:
3932:
3931:
3929:
3925:
3919:
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3912:
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3907:
3906:
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3900:
3894:
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3889:
3887:
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3875:
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3872:
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3858:
3854:
3853:
3851:
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3841:
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3834:
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3829:
3827:
3826:
3822:
3820:
3819:
3815:
3813:
3812:
3808:
3806:
3805:
3801:
3799:
3798:
3794:
3792:
3791:
3787:
3785:
3784:
3780:
3779:
3777:
3775:Studio albums
3773:
3767:
3764:
3761:
3759:Doug Falsetti
3758:
3755:
3753:
3750:
3747:
3745:Rick McCollum
3744:
3743:
3740:
3739:
3735:
3733:
3730:
3728:
3727:
3723:
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3718:
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3696:
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3666:
3659:
3655:
3654:
3650:
3646:
3641:
3640:
3630:
3624:
3620:
3616:
3611:
3607:
3601:
3597:
3596:Vintage Books
3593:
3592:
3586:
3582:
3576:
3573:
3569:
3565:
3561:
3557:
3551:
3547:
3543:
3542:
3536:
3532:
3526:
3522:
3517:
3516:
3509:
3505:
3499:
3495:
3491:
3488:Cilìa, Eddy;
3486:
3482:
3476:
3472:
3468:
3464:
3460:
3456:
3450:
3446:
3441:
3440:
3433:
3432:
3412:
3408:
3402:
3386:
3383:(in Polish).
3382:
3376:
3368:
3367:
3359:
3351:
3344:
3328:
3327:
3322:
3321:"Dulli Noted"
3315:
3299:
3298:
3293:
3286:
3270:
3263:
3248:
3244:
3243:
3238:
3231:
3215:
3208:
3193:
3189:
3188:
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3176:
3168:
3164:
3163:
3155:
3147:
3143:
3137:
3129:
3123:
3119:
3115:
3114:
3109:
3102:
3094:
3088:
3084:
3083:Omnibus Press
3080:
3079:
3074:
3073:Larkin, Colin
3068:
3053:
3049:
3045:
3039:
3023:
3019:
3012:
3004:
3003:
2995:
2979:
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2700:
2696:
2692:
2685:
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2666:
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2649:
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2596:
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2515:
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2433:
2429:
2428:
2423:
2416:
2414:
2398:
2394:
2387:
2378:
2376:
2360:
2359:
2358:Trouser Press
2354:
2347:
2345:
2343:
2341:
2324:
2320:
2316:
2315:
2310:
2303:
2301:
2299:
2297:
2295:
2279:
2275:
2268:
2260:
2259:
2251:
2249:
2247:
2245:
2243:
2233:
2231:
2229:
2227:
2225:
2215:
2199:
2192:
2190:
2188:
2186:
2184:
2182:
2165:
2161:
2157:
2153:
2147:
2145:
2143:
2141:
2131:
2129:
2127:
2125:
2123:
2121:
2119:
2102:
2101:
2096:
2089:
2074:
2070:
2069:
2064:
2057:
2041:
2037:
2031:
2015:
2014:
2009:
2005:
1999:
1983:
1979:
1978:
1973:
1966:
1964:
1962:
1945:
1938:
1930:
1924:
1916:
1912:
1908:
1902:
1900:
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1813:
1806:
1797:
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1626:
1623:
1620:
1616:
1612:
1609:
1606:
1602:
1598:
1596:
1592:
1589:
1586:
1582:
1578:
1575:
1573:"Dedicate It"
1572:
1568:
1564:
1561:
1558:
1554:
1550:
1547:
1544:
1540:
1536:
1533:
1530:
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1519:
1516:
1512:
1508:
1505:
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1498:
1494:
1491:
1488:
1484:
1480:
1477:
1474:
1470:
1454:
1450:
1448:
1441:Track listing
1438:
1436:
1431:
1430:
1425:
1421:
1417:
1413:
1412:
1407:
1403:
1402:
1396:
1394:
1390:
1389:
1384:
1383:
1378:
1374:
1370:
1366:
1362:
1358:
1354:
1348:
1346:
1345:
1337:
1335:
1334:
1329:
1325:
1321:
1314:
1312:
1311:
1306:
1305:
1300:
1296:
1292:
1287:
1285:
1281:
1280:
1275:
1274:
1269:
1265:
1261:
1257:
1253:
1252:
1247:
1243:
1242:
1237:
1236:
1235:Rolling Stone
1231:
1226:
1225:
1220:
1211:
1209:
1208:
1204:
1203:
1173:
1171:
1170:
1166:
1165:
1161:
1159:
1158:
1154:
1153:
1123:
1121:
1120:
1116:
1115:
1090:
1088:
1087:
1083:
1082:
1052:
1050:
1047:
1046:
1038:
1035:Review scores
1033:
1022:
1020:
1016:
1014:
1009:
1006:' 1972 song "
1005:
1001:
1000:interpolation
995:
993:
989:
985:
981:
977:
973:
969:
968:7-inch single
965:
961:
957:
953:
944:
942:
938:
937:
932:
927:
923:
918:
916:
911:
907:
903:
899:
898:
897:Trouser Press
893:
890:
886:
885:
880:
876:
871:
869:
865:
861:
857:
853:
849:
848:
843:
839:
835:
831:
824:
822:
798:
776:
774:
770:
766:
762:
758:
754:
750:
749:The Four Tops
746:
745:
740:
736:
732:
728:
723:
720:
719:
718:Trouser Press
714:
710:
709:
704:
700:
699:
694:
690:
686:
683:
679:
678:slide guitars
675:
671:
667:
663:
659:
658:
650:
648:
636:
633:, and pseudo-
632:
628:
612:
590:
588:
584:
580:
576:
571:
569:
565:
561:
560:
555:
551:
546:
544:
540:
536:
531:
527:
519:
515:
510:
501:
496:
492:
488:
487:
482:
478:
474:
470:
466:
462:
458:
454:
450:
445:
443:
439:
438:
433:
429:
428:
423:
419:
409:
407:
403:
399:
395:
391:
387:
383:
379:
377:
373:
369:
365:
361:
357:
352:
350:
349:
344:
339:
335:
331:
327:
323:
322:Congregations
318:
316:
315:
310:
306:
302:
298:
295:is the third
294:
293:
283:
270:
261:
260:
257:
254:
253:Congregation
250:
246:
242:
233:
232:
228:
224:
223:
219:
215:
214:
210:
209:
205:
201:
197:
190:
188:
185:
184:
182:
180:
176:
173:
170:
168:
164:
152:
148:
143:
140:
138:
135:
133:
130:
128:
125:
123:
120:
118:
115:
114:
113:
111:
107:
100:
96:
93:
89:
86:
82:
79:
78:
76:
72:
68:
64:
53:
49:
45:
40:
36:
32:
27:
22:
16:
3944:Mark Lanegan
3915:
3910:Historectomy
3908:
3890:
3883:
3876:
3869:
3862:
3855:
3837:
3830:
3823:
3816:
3809:
3802:
3797:Congregation
3796:
3795:
3788:
3781:
3766:Mark McGuire
3736:
3731:
3724:
3719:
3712:
3705:
3653:Congregation
3651:
3614:
3589:
3567:
3539:
3514:
3493:
3466:
3445:Rough Guides
3438:
3429:Bibliography
3415:. Retrieved
3410:
3401:
3391:November 20,
3389:. Retrieved
3375:
3364:
3358:
3350:Melody Maker
3349:
3343:
3333:November 20,
3331:. Retrieved
3324:
3314:
3304:November 20,
3302:. Retrieved
3295:
3285:
3275:November 20,
3273:. Retrieved
3262:
3252:November 20,
3250:. Retrieved
3240:
3230:
3220:November 20,
3218:. Retrieved
3207:
3197:November 20,
3195:. Retrieved
3185:
3175:
3162:Melody Maker
3160:
3154:
3145:
3136:
3111:
3101:
3076:
3067:
3057:November 20,
3055:. Retrieved
3047:
3038:
3028:November 20,
3026:. Retrieved
3021:
3011:
3000:
2994:
2984:November 20,
2982:. Retrieved
2977:
2973:
2963:
2953:November 20,
2951:. Retrieved
2944:
2935:
2925:November 20,
2923:. Retrieved
2919:the original
2900:
2890:November 20,
2888:. Retrieved
2878:
2848:. Retrieved
2842:
2832:
2822:November 20,
2820:. Retrieved
2810:
2800:November 20,
2798:. Retrieved
2780:
2770:November 20,
2768:. Retrieved
2758:
2745:
2735:November 20,
2733:. Retrieved
2728:
2715:
2705:November 20,
2703:. Retrieved
2699:the original
2671:November 20,
2669:. Retrieved
2664:
2660:
2635:. Retrieved
2629:
2619:
2609:November 20,
2607:. Retrieved
2603:the original
2592:
2569:November 20,
2567:. Retrieved
2530:November 20,
2528:. Retrieved
2514:
2504:November 20,
2502:. Retrieved
2495:
2472:November 20,
2470:. Retrieved
2466:the original
2438:November 20,
2436:. Retrieved
2432:the original
2425:
2400:. Retrieved
2396:
2386:
2364:November 20,
2362:. Retrieved
2356:
2329:November 20,
2327:. Retrieved
2323:the original
2312:
2283:November 20,
2281:. Retrieved
2278:Sputnikmusic
2277:
2267:
2256:
2214:
2204:November 20,
2202:. Retrieved
2170:November 20,
2168:. Retrieved
2164:the original
2107:November 20,
2105:. Retrieved
2098:
2088:
2078:November 20,
2076:. Retrieved
2073:NewBay Media
2071:. New York:
2068:Guitar World
2066:
2056:
2046:November 20,
2044:. Retrieved
2030:
2020:November 20,
2018:. Retrieved
2011:
2004:Pareles, Jon
1998:
1988:November 20,
1986:. Retrieved
1982:the original
1975:
1950:November 20,
1948:. Retrieved
1937:
1909:(CD liner).
1907:Congregation
1906:
1858:November 20,
1856:. Retrieved
1842:
1818:November 20,
1816:. Retrieved
1805:
1773:November 20,
1771:. Retrieved
1656:
1637:hidden track
1587:"The Temple"
1517:"Conjure Me"
1444:
1427:
1424:Congregation
1423:
1409:
1406:Congregation
1405:
1399:
1397:
1392:
1386:
1380:
1369:Congregation
1368:
1361:Melody Maker
1360:
1357:Congregation
1356:
1352:
1350:
1342:
1339:
1331:
1328:Congregation
1327:
1317:
1308:
1302:
1295:major labels
1288:
1284:Congregation
1283:
1279:Melody Maker
1277:
1271:
1264:Congregation
1263:
1249:
1239:
1233:
1222:
1219:Congregation
1218:
1217:
1205:
1167:
1155:
1117:
1084:
1012:
1004:The Spinners
996:
952:Congregation
951:
950:
934:
919:
902:Congregation
901:
895:
882:
872:
860:Eddie Vedder
856:classic rock
852:Congregation
851:
845:
827:
818:
742:
731:Congregation
730:
726:
724:
716:
713:Dinosaur Jr.
706:
696:
695:influences.
666:counterpoint
655:
653:
644:
583:Congregation
582:
579:hidden track
572:
557:
550:Congregation
549:
547:
523:
495:Congregation
494:
484:
479:artists and
461:Indian music
457:experimental
449:classic rock
446:
442:Congregation
441:
435:
425:
415:
402:Congregation
401:
382:Congregation
381:
380:
356:Congregation
355:
353:
346:
321:
319:
312:
299:by American
297:studio album
292:Congregation
291:
290:
289:
273:"Conjure Me"
252:
229:
222:Congregation
221:
220:
211:
97:Ultrasuede (
39:Studio album
24:Congregation
15:
3970:1992 albums
3934:Discography
3748:Steve Earle
3726:Dave Rosser
3714:John Curley
3463:Cilìa, Eddy
3385:Screenagers
3108:Graff, Gary
2850:January 29,
2844:Diffuser.fm
2317:. Chicago:
1913:. Seattle:
1814:. Magazine
1719:Shawn Smith
1411:Screenagers
1351:Along with
868:Temptations
769:Isaac Hayes
735:alternative
687:with funk,
672:harmonics,
575:Miles Davis
564:Kurt Cobain
535:Shawn Smith
518:John Curley
334:Los Angeles
330:Woodinville
92:Los Angeles
85:Woodinville
3964:Categories
3811:Black Love
3732:Jon Skibic
3707:Greg Dulli
3605:0679755748
3580:1841956155
3555:0743201698
3530:0787600989
3480:8809217306
3454:1843531054
3190:. Dallas:
3165:. London:
3127:0787610372
2794:Buzz Media
2016:. New York
1732:References
1670:Greg Dulli
1478:Greg Dulli
1447:Greg Dulli
1435:soap opera
1416:Eddy Cilìa
1324:Greg Dulli
1254:magazine,
958:, on both
931:absolution
913:Benson of
821:media help
670:indie rock
647:media help
568:the Palace
514:Greg Dulli
422:Greg Dulli
412:Background
406:rock music
338:Greg Dulli
202:chronology
187:Greg Dulli
122:indie rock
99:Cincinnati
81:Bear Creek
58:1992-01-31
3832:In Spades
3804:Gentlemen
3417:March 16,
3411:Pitchfork
3167:IPC Media
3048:Billboard
3022:Billboard
2946:Billboard
2721:Kot, Greg
2631:Stereogum
2564:Stereogum
1852:Stereogum
1653:Personnel
1621:"Tonight"
1464:Writer(s)
1429:Pitchfork
1422:included
1404:included
1393:Gentlemen
1353:Gentlemen
1344:Pitchfork
1333:Gentlemen
1310:Gentlemen
1017:. It was
1013:Billboard
976:CD single
947:Marketing
941:last call
847:Stereogum
703:HĂĽsker DĂĽ
668:rhythms,
627:punk rock
559:Nevermind
486:Stereogum
453:free jazz
348:Nevermind
3790:Up in It
3146:Musician
3002:Musician
2911:MTV Hive
2790:Idolator
2695:Rhapsody
1764:AllMusic
1712:– vocals
1591:Tim Rice
1377:AllMusic
1373:Rhapsody
1251:Musician
1228:shout".
1049:AllMusic
1019:reissued
984:Supremes
974:), as a
926:Greg Kot
915:Rhapsody
910:AllMusic
879:falsetto
875:baritone
873:Dulli's
864:Supremes
842:refrains
838:lothario
682:staccato
587:mastered
489:, their
437:Up in It
317:(1990).
314:Up in It
213:Up in It
179:Producer
66:Recorded
51:Released
41: by
3658:Discogs
3242:Variety
3110:(ed.).
2637:June 7,
2594:Details
2497:Efe Eme
2402:June 7,
2156:Insound
2040:RTÉ Ten
1915:Sub Pop
1320:Sub Pop
1282:ranked
892:in heat
739:R&B
674:wah-wah
554:Nirvana
539:overdub
465:hip hop
432:Sub Pop
386:singles
360:R&B
343:Nirvana
309:Sub Pop
249:Singles
235:(1992)
226:(1992)
217:(1990)
172:Sub Pop
127:R&B
56: (
3625:
3602:
3577:
3552:
3527:
3500:
3477:
3467:Grunge
3451:
3124:
3089:
2258:Option
1467:Length
1365:Motown
1273:Option
1260:Fugazi
1246:grunge
1043:Rating
1040:Source
1015:charts
986:song "
972:B-side
922:heroin
900:calls
866:, the
779:Lyrics
708:Option
691:, and
680:, and
662:grunge
637:riffs.
481:Prince
477:Motown
471:, and
459:, and
376:grunge
366:, and
150:Length
142:grunge
74:Studio
2427:Magic
1642:Dulli
1624:Dulli
1610:Dulli
1576:Dulli
1562:Dulli
1492:Dulli
1461:Title
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