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in Roman churches. The massing of spectators in a vortex, creating both narrative and decoration, the illusionistic obliteration of the architectural roof-plane, and the thrusting perspective toward divine infinity, were devices without precedent, and which depended on the extrapolation of the
691:
Returning to his home town in later years, Correggio died there suddenly on 5 March 1534. The following day he was buried in San
Francesco in Correggio near his youthful masterpiece, the 'Madonna di San Francesco', housed today in Dresden. The precise location of his tomb is now unknown.
660:
depicts the young man aloft in literal amorous flight. Some have interpreted the conjunction of man and eagle as a metaphor for the evangelist John; however, given the erotic context of this and other paintings, this seems unlikely. This painting and its partner, the masterpiece of
726:, who felt that he had not had enough "Roman" exposure to make him a better painter. In the eighteenth and nineteenth centuries, his works were often noted in the diaries of foreign visitors to Italy, which led to a reevaluation of his art during the period of
722:, as well. Correggio had little immediate influence in terms of apprenticed successors, but his works are now considered to have been revolutionary and influential on subsequent artists. A half-century after his death Correggio's work was well known to
327:. His date of birth is uncertain (around 1489). His father was a merchant. Otherwise little is known about Correggio's early life or training. It is, however, often assumed that he had his first artistic education from his father's brother, the painter
713:
Correggio was remembered by his contemporaries as a shadowy, melancholic, and introverted character. An enigmatic and eclectic artist, he appears to have emerged from no major apprenticeship. In addition to the influence of Costa, there are echoes of
745:
stylistic approaches. He appears to have fostered artistic grandchildren, for example, Giovannino di
Pomponio Allegri (1521–1593). Correggio had no direct disciples outside of Parma, where he was influential on the work of
299:, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the
425:
Correggio's first major commission (February–September 1519) was the ceiling decoration of a private chamber of the mother-superior (abbess
Giovanna Piacenza) of the convent of St. Paul in Parma, now known as
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370:, and then returned to Correggio, where, as an independent and increasingly renowned artist, he signed a contract for the Madonna altarpiece in the local monastery of St. Francis (now in the
1426:
1532:
1796:
3001:
730:. The flight of the Madonna in the vault of the cupola of the Cathedral of Parma inspired many scenographical decorations in lay and religious palaces during those centuries.
1549:
2130:
2408:
856:
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638:, depicts the maiden as she is impregnated by a curtain of gilded divine rain. Her lower torso semi-obscured by sheets, Danae appears more demure and gleeful than
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381:, became an undistinguished painter. Both father and son occasionally referred to themselves using the Latinized form of the family name, Laeti.
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Correggio's illusionistic experiments, in which imaginary spaces replace the natural reality, seem to prefigure many elements of
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painter. In 1519 he married
Girolama Francesca di Braghetis, also of Correggio, who died in 1529. From this period are the
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mechanics of perspective. The recession and movement implied by the figures presage the dynamism that would characterize
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582:(c. 1531) typifies the unabashed eroticism, radiance, and cool, pearly colors associated with Correggio's best work.
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628:– is a tumult of incidents: in the centre Leda straddles a swan, and on the right, a shy but satisfied maiden.
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438:. The iconography of the scheme is complex, combining images of classical marbles with whimsical colorful
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642:'s 1545 version of the same topic, where the rain is more accurately numismatic. The picture once called
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By 1516, Correggio was in Parma, where he spent most of the remainder of his career. Here, he befriended
288:
1980:
430:. Here he painted an arbor pierced by oculi opening to glimpses of playful cherubs. Below the oculi are
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treatment of dome decoration that would exert a profound influence upon future fresco artists, from
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Aside from his religious output, Correggio conceived a now-famous set of paintings depicting the
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with images of statues in feigned monochromic marble. The fireplace is frescoed with an image of
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in 1506, he returned to
Correggio, where he stayed until 1510. To this period is assigned the
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8:
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679:, one of the four mythological paintings commissioned by Federico II Gonzaga, is a proto-
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work due to its depiction of movement, drama, and diagonal compositional arrangement.
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1864:"The Virgin and Child with Saint John - The Collection - Museo Nacional del Prado"
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is haunted by a lambency rarely seen in
Italian painting prior to this time. The
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1990:
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St. Jerome, Real
Academia de Bellas Artes de San Fernando, Madrid, c. 1515–1518
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475:, from down to up). These two works represented a highly novel illusionistic
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342:, where he probably became familiar with the classicism of artists like
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1699:"High Quality Reproductions Of Correggio (Antonio Allegri) paintings"
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is also remarkable for resembling later
Baroque compositions such as
407:
350:, evidence of which can be found in his first works. After a trip to
150:
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1726:
Antonio
Allegri da Correggio: His Life, his Friends, and his Time
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901:
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548:
521:
508:
500:
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300:
1767:
1169:—Oil on canvas, 158.5 × 184.3 cm, Galleria Nazionale, Parma
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1984:
1968:
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1587:
Portrait of a Man (c. 1520), Thyssen-Bornemisza Museum, Madrid
1268:—Oil on canvas, 205.7 × 141 cm, Galleria Nazionale, Parma
608:. However, they were given to the visiting Holy Roman Emperor
1797:"Antonio Corregio Artwork Authentication & Art Appraisal"
1506:
1295:
1241:
917:
883:
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of Mantua, probably to decorate his private Ovid Room in the
292:
2131:
Madonna and Child with Saints
Elizabeth and John the Baptist
1317:—Oil on canvas, 256.5 × 188 cm, Gemäldegalerie, Dresden
1214:—Oil on canvas, 216 × 137 cm, Galleria Nazionale, Parma
307:
art of the eighteenth century. He is considered a master of
2005:
Freedberg, Sydney J. (1993). Pelican History of Art (ed.).
1344:
591:
270:
218:
215:
209:
200:
1746:, Aphorisms. A history of art in the schools of Italy, in
1375:—Oil on canvas, 164 × 71 cm, Kunsthistorisches Museum
1328:—Oil on canvas, 285 × 190 cm, Gemäldegalerie, Dresden
1279:—Oil on canvas, 155 × 91 cm, National Gallery, London
267:
244:
212:
1225:—Oil on canvas, 81 × 67 cm, Uffizi Gallery, Florence
1941:"Noli me tangere - Colección - Museo Nacional del Prado"
1415:—Oil on canvas, 149 × 88 cm, Musée du Louvre, Paris
1404:—Oil on canvas, 149 × 88 cm, Musée du Louvre, Paris
930:
Madonna and Child with the infant Saint John the Baptist
1791:
1789:
1132:—Fresco, 196 × 141.8 cm, Galleria Nazionale, Parma
2139:
Holy Family with Saints Elizabeth and John the Baptist
2123:
Holy Family with Saints Elizabeth and John the Baptist
2056:
More complete list of works by Correggio (with images)
839:
Holy Family with Saints Elizabeth and John the Baptist
612:
and thus left Italy within years of their completion.
3015:
241:
197:
1786:
1748:
The Life and Writings of Henry Fuseli, Esq. M.A.R.A.
1157:—Oil on wood, 68 × 56 cm, Museum of Fine Arts,
808:
Madonna and Child with infant Saint John the Baptist
206:
187:(August 1489 – 5 March 1534), usually known as just
1274:
Venus with Mercury and Cupid ('The School of Love')
247:
203:
2211:Madonna and Child with the Infant John the Baptist
2147:Madonna and Child with the Infant John the Baptist
2107:Madonna and Child with Saints Francis and Quirinus
2041:Correggio exposition in Rome, Villa Borghese, 2008
1152:Virgin and Child with an Angel (Madonna del Latte)
1075:The Rest on the Flight to Egypt with Saint Francis
1029:Madonna and Child with the Infant John the Baptist
947:Madonna and Child with the Infant John the Baptist
356:Adoration of the Child with St. Elizabeth and John
2046:Video—Il Duomo di Parma, Assumption of the Virgin
2019:It does not cite the mythological theme pictures.
455:. Three years later he decorated the dome of the
3051:
2339:Rest on the Flight into Egypt with Saint Francis
2036:Works by Correggio at www.antoniodacorreggio.org
30:"Correggio" redirects here. For other uses, see
2009:. Penguin Books Ltd. pp. 267–290, 412–416.
2000:http://www.ibiblio.org/wm/paint/auth/correggio/
539:, both at the Galleria Nazionale of Parma. The
565:, showing a gleeful saint entering martyrdom.
358:, which shows clear influences from Costa and
2692:
2076:
1021:Real Academia de Bellas Artes de San Fernando
465:, crowded with layers of receding figures in
1981:66 artworks by or after Antonio da Correggio
1782:(11th ed.). Cambridge University Press.
600:. The voluptuous series was commissioned by
1890:"Correggio, Antonio Allegri - San Jerónimo"
983:Madonna and Child with the Young Saint John
412:Madonna and Child with the Young Saint John
2699:
2685:
2171:Madonna and Child with Two Musician Angels
2083:
2069:
49:
2004:
2090:
1888:Fernando, Real Academia de BBAA de San.
1762:
1119:
802:
789:
773:
718:'s style in his work, and a response to
699:
572:
451:(1520–21) for the dome of the church of
388:
1840:. Musei Civici di Pavia. Archived from
1080:—Oil on canvas, 123.5 × 106.5 cm,
934:—Oil on wood panel, 45 × 35.5 cm,
303:art of the seventeenth century and the
175: 1519; died 1529)
27:Italian Renaissance painter (1489–1534)
14:
3052:
2051:Dr. Julius Meyer, Antonio da Correggio
1357:—Oil on canvas, 163.5 × 70.5 cm,
1339:—Tempera on panel, 161 × 193 cm,
568:
362:. In 1514, he probably finished three
3095:People from Correggio, Emilia-Romagna
2680:
2064:
1834:"Sacra Famiglia con santa Elisabetta"
1729:. London: William Heinemann. p.
1722:
624:in 1753; now in Staatliche Museen of
511:, and to the baroque elaborations of
282:
93:Correggio, Duchy of Modena and Reggio
2706:
2323:David Before the Ark of the Covenant
1887:
1758:
1756:
1434:The Mystic Marriage of St. Catherine
1049:—Oil on canvas, 103 × 87.5 cm,
952:—Oil on panel, 64.2 × 50.2 cm,
857:The Mystic Marriage of St. Catherine
334:In 1503–1505, he was apprenticed to
291:who was the foremost painter of the
1386:—Oil on canvas, 152 × 191 cm,
1323:Madonna and Child with Saint George
1290:—Oil on canvas, 188 × 125 cm,
1180:—Oil on canvas, 130 × 103 cm,
1143:—Oil on canvas, 160 × 185 cm,
24:
2631:Saint John Fleeing Christ's Arrest
2402:Mystic Marriage of Saint Catherine
1006:–Oil on canvas, 84 × 108 cm,
495:in his frescoes for the cupola of
445:He then painted the illusionistic
25:
3116:
2288:Madonna and Child with St. George
2163:The Holy Family with Saint Jerome
2155:Madonna and Child with St Francis
2126:(Pavia, c. 1510; attributed)
1962:
1920:Museo Nacional Thyssen-Bornemisza
1753:
1468:The Holy Family with Saint Jerome
1098:Museo Nacional Thyssen Bornemisza
1096:–Oil on canvas, 55 x 40 cm,
988:—Oil on canvas, 48 × 37 cm,
965:The Holy Family with Saint Jerome
896:—Oil on wood, 299 × 245 cm,
891:Madonna and Child with St Francis
769:
384:
3037:
3025:
1967:
1580:
1548:
1531:
1514:
1493:
1476:
1459:
1442:
1425:
1231:Mystic Marriage of St. Catherine
914:National Gallery for Foreign Art
748:Giovanni Maria Francesco Rondani
263:
237:
193:
2838:Antonio da Sangallo the Younger
1933:
1908:
1881:
1856:
1826:
1114:San Giovanni Evangelista, Parma
646:is now correctly identified as
368:church of Sant'Andrea in Mantua
172:
162:Girolama Francesca di Braghetis
2570:Ganymede Abducted by the Eagle
1814:
1737:
1716:
1691:
1676:Merriam-Webster.com Dictionary
1663:
1630:
1599:
1540:Ganymede Abducted by the Eagle
1352:Ganymede Abducted by the Eagle
1254:—Fresco, 1093 × 1195 cm,
1034:il on panel, 48 x 37 cm,
677:Ganymede Abducted by the Eagle
657:Ganymede Abducted by the Eagle
13:
1:
3085:16th-century Italian painters
3070:15th-century Italian painters
2921:
2884:
2604:Portrait of a Man with a Book
2593:
2391:
2264:Adoration of the Christ Child
2248:Nursing Madonna with an Angel
1592:
1523:Adoration of the Christ Child
695:
487:, in the cathedral church of
314:
3100:Italian Renaissance painters
2538:Venus and Cupid with a Satyr
2530:Venus with Mercury and Cupid
2495:Vision of St. John on Patmos
1285:Venus and Cupid with a Satyr
1019:il on Wood 64 x 51 cm,
936:National Gallery of Victoria
812:National Gallery of Victoria
780:Venus and Cupid with a Satyr
649:Venus and Cupid with a Satyr
536:The Martyrdom of Four Saints
507:in his now-lost fresco from
448:Vision of St. John on Patmos
319:Antonio Allegri was born in
185:Antonio Allegri da Correggio
55:Antonio Allegri da Correggio
7:
2007:Painting in Italy, 1500–600
1821:Guida al Museo il Correggio
527:Other masterpieces include
289:Italian Renaissance painter
10:
3121:
2986:Johann Joachim Winckelmann
2976:Art patronage of Julius II
2634:(c. 1522) (anonymous copy)
2436:Saint Joseph and a Devotee
2307:Judith and Her Maidservant
1703:www.antoniodacorreggio.org
1612:Collins English Dictionary
1307:Adoration of the Shepherds
1236:—Wood, 105 × 102 cm,
76:Duchy of Modena and Reggio
32:Correggio (disambiguation)
29:
2968:
2871:
2755:
2714:
2657:
2614:
2580:
2521:
2474:
2299:Other religious paintings
2298:
2098:
1801:www.artexpertswebsite.com
1764:Rossetti, William Michael
1165:Deposition from the Cross
1145:Galleria Nazionale, Parma
764:Giorgio Gandini del Grano
416:Christ Leaving His Mother
336:Francesco Bianchi Ferrara
156:
142:
122:
108:
98:
82:
60:
48:
41:
2511:Assumption of the Virgin
2482:Mantegna funerary chapel
2379:Martyrdom of Four Saints
1502:Assumption of the Virgin
1359:Kunsthistorisches Museum
1249:Assumption of the Virgin
1138:Martyrdom of Four Saints
954:Art Institute of Chicago
686:
669:Kunsthistorisches Museum
497:Santa Maria dei Miracoli
485:Assumption of the Virgin
462:Assumption of the Virgin
453:San Giovanni Evangelista
366:for the entrance of the
136:Assumption of the Virgin
3080:Italian Roman Catholics
2452:Saint Catherine Reading
1838:La Pinacoteca Malaspina
1779:Encyclopædia Britannica
1723:Ricci, Conrado (1896).
1653:Oxford University Press
864:National Gallery of Art
2937:Sistine Chapel ceiling
2902:San Pietro in Montorio
2808:Bernardino delle Croci
2522:Mythological paintings
2465:Mary Magdalene Reading
2460:Magdalen in the Desert
2272:Madonna della Scodella
2240:San Sebastiano Madonna
1220:Adoration of the Child
1209:Madonna della Scodella
1125:
910:(unknown, early 1500s)
821:Judith and the Servant
815:
800:
787:
710:
583:
399:
372:Dresden Gemäldegalerie
3075:Italian male painters
2833:Sebastiano del Piombo
2763:Mariotto Albertinelli
2331:Adoration of the Magi
2280:Madonna of St. Jerome
2256:Madonna of the Basket
2232:Madonna of the Stairs
2224:Casalmaggiore Madonna
2015:Catholic Encyclopedia
1976:at Wikimedia Commons
1649:UK English Dictionary
1263:Madonna of St. Jerome
1123:
1001:Adoration of the Magi
806:
793:
777:
703:
644:Antiope and the Satyr
576:
392:
2931:St. Peter's Basilica
2798:Antonio da Correggio
2715:Principal proponents
2092:Antonio da Correggio
1974:Antonio da Correggio
1945:www.museodelprado.es
1894:Academia Colecciones
1868:www.museodelprado.es
972:Hampton Court Palace
828:Musée des Beaux-Arts
563:Death of Saint Agnes
404:Michelangelo Anselmi
323:, a small town near
284:[korˈreddʒo]
43:Antonio da Correggio
3090:Painters from Parma
2863:Antonio Vassilacchi
2623:Saint Anthony Abbot
2488:Camera di San Paolo
2355:Agony in the Garden
1916:"Portrait of a Man"
1659:on 2 December 2020.
1128:Madonna della Scala
1062:Camera di San Paolo
1008:Pinacoteca di Brera
846:Pavia Civic Museums
796:Allegory of Virtues
760:Francesco Madonnina
622:Frederick the Great
602:Federico II Gonzaga
569:Mythological series
428:Camera di San Paolo
2828:Baldassare Peruzzi
2783:Moretto da Brescia
2768:Pellegrino Aretusi
2639:Allegory of Virtue
2589:Portrait of a Lady
2475:Religious frescoes
1991:Works by Correggio
1557:Portrait of a Lady
1399:Allegory of Virtue
1381:Leda with the Swan
1256:Cathedral of Parma
1126:
1044:Portrait of a Lady
924:Madonna of Albinea
880:Castello Sforzesco
816:
801:
788:
711:
584:
457:Cathedral of Parma
420:Madonna of Albinea
400:
3105:Catholic painters
3013:
3012:
2958:The Last Judgment
2747:Leonardo da Vinci
2674:
2673:
2573:(1531–1532)
2557:(1530–1531)
2554:Leda and the Swan
2514:(1526–1530)
2498:(1520–1522)
2447:(1529–1530)
2334:(1515–1518)
2206:(1517–1519)
2198:(1514–1519)
2195:Bolognini Madonna
2158:(1514–1515)
2150:(1513–1514)
2118:(1508–1510)
2115:Barrymore Madonna
2031:Project Gutenberg
1995:Project Gutenberg
1972:Media related to
1844:on 11 August 2022
1769:"Correggio"
1750:, Vol. III, p. 91
1679:. Merriam-Webster
1416:
1405:
1394:
1388:Staatliche Museen
1376:
1365:
1347:
1341:Galleria Borghese
1329:
1318:
1298:
1280:
1269:
1258:
1252:(1526–1530)
1244:
1226:
1215:
1204:
1188:
1170:
1161:
1147:
1133:
1116:
1108:Death of St. John
1104:
1101:
1092:Portrait of a man
1088:
1070:
1057:
1039:
1024:
1011:
996:
978:
960:
942:
920:
908:Madonna and Child
904:
886:
870:
852:
834:
720:Leonardo da Vinci
706:Leda and the Swan
617:Leda and the Swan
493:Gaudenzio Ferrari
459:with a startling
377:One of his sons,
348:Francesco Francia
229:
182:
181:
16:(Redirected from
3112:
3042:
3041:
3030:
3029:
3028:
3021:
2981:Jacob Burckhardt
2926:
2925: 1502–1516
2923:
2889:
2888: 1492–1498
2886:
2843:Andrea del Sarto
2778:Ludovico Beretta
2708:High Renaissance
2701:
2694:
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2665:Pomponio Allegri
2647:Allegory of Vice
2598:
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1567:
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1196:—Oil on canvas,
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1142:
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1111:
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1095:
1079:
1068:San Paolo, Parma
1065:
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1033:
1018:
1017:(c. 1515–1518)–O
1005:
987:
976:Royal Collection
970:–East Closet of
969:
951:
933:
912:—Oil on canvas,
911:
895:
878:—Oil on canvas,
877:
868:Washington, D.C.
861:
843:
825:
810:, c. 1514–1515,
636:Borghese Gallery
634:, now in Rome's
590:as described in
588:Loves of Jupiter
469:'s perspective (
379:Pomponio Allegri
297:High Renaissance
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2964:
2950:Transfiguration
2924:
2887:
2880:The Last Supper
2867:
2823:Maffeo Olivieri
2803:Piero di Cosimo
2788:Gasparo Cairano
2751:
2722:Donato Bramante
2710:
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2187:Campori Madonna
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1485:Venus and Cupid
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1292:Musée du Louvre
1238:Musée du Louvre
1182:Museo del Prado
1175:Noli me Tangere
1036:Museo del Prado
990:Museo del Prado
974:as part of the
826:—Oil on canvas,
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689:
571:
530:The Lamentation
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329:Lorenzo Allegri
317:
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2813:Girolamo Genga
2810:
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2770:
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2546:Jupiter and Io
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2359:
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2347:Head of Christ
2343:
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2142:(Mantua, 1511)
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2002:
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1964:
1963:External links
1961:
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1774:Chisholm, Hugh
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1451:Head of Christ
1448:
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1431:
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1422:
1421:Selected works
1418:
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1406:
1395:
1377:
1370:Jupiter and Io
1366:
1348:
1330:
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1281:
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1227:
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1082:Uffizi Gallery
1071:
1066:—Monastery of
1058:
1055:St. Petersburg
1047:(c. 1517–1520)
1040:
1025:
1012:
1004:(c. 1515–1518)
997:
979:
961:
943:
927:
921:
905:
898:Gemäldegalerie
887:
871:
853:
844:—Oil on panel-
835:
799:, c. 1525–1530
771:
770:Selected works
768:
756:Bernardo Gatti
697:
694:
688:
685:
664:Jupiter and Io
620:– acquired by
579:Jupiter and Io
570:
567:
559:Ercole Ferrata
483:in his fresco
406:, a prominent
386:
385:Works in Parma
383:
316:
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295:school of the
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130:Jupiter and Io
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109:Known for
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90:(aged 44)
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2943:Raphael Rooms
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2818:Lorenzo Lotto
2816:
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2793:Giulio Clovio
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2756:Other artists
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2179:La Zingarella
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2029:, 1901, from
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2016:
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2235:(c. 1522–23)
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2014:
2006:
1983: at the
1966:
1948:. Retrieved
1944:
1935:
1923:. Retrieved
1919:
1910:
1898:. Retrieved
1896:(in Spanish)
1893:
1883:
1871:. Retrieved
1867:
1858:
1848:17 September
1846:. Retrieved
1842:the original
1837:
1828:
1816:
1804:. Retrieved
1800:
1777:
1747:
1744:Henry Fuseli
1739:
1725:
1718:
1706:. Retrieved
1702:
1693:
1681:. Retrieved
1674:
1665:
1657:the original
1645:
1632:
1620:. Retrieved
1610:
1601:
1555:
1538:
1521:
1500:
1483:
1466:
1450:
1437:, c. 1526–27
1432:
1408:
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1379:
1368:
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1042:
1028:
1015:Saint Jerome
1014:
999:
981:
963:
945:
929:
926:(1514, lost)
923:
907:
889:
873:
855:
837:
820:
807:
794:
778:
752:Parmigianino
732:
712:
704:
690:
676:
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629:
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401:
394:
376:
355:
333:
318:
188:
184:
183:
134:
128:
124:Notable work
88:(1534-03-05)
86:5 March 1534
36:
3065:1534 deaths
3060:1489 births
3044:Visual arts
2961:(1536–1541)
2953:(1516–1520)
2945:(1509–1524)
2939:(1508–1512)
2933:(1506–1513)
2912:(1501–1504)
2898:(1498–1499)
2872:Major works
2597: 1520
2395: 1526
2371:Lamentation
2315:Four Saints
1806:29 December
1708:29 December
1671:"Correggio"
1642:"Correggio"
1637:"Correggio"
1607:"Correggio"
1454:(1525–1530)
1326:(1530–1532)
1315:(1528–1530)
1234:(mid-1520s)
1212:(1525–1530)
1194:(1525–1530)
1110:(1520–1524)
860:(1510–1515)
814:, Melbourne
783:(c. 1528),
728:Romanticism
541:Lamentation
477:sotto in su
472:sotto in su
398:(c.1529–30)
309:chiaroscuro
99:Nationality
68:August 1489
3054:Categories
2409:Washington
1593:References
1311:Holy Night
832:Strasbourg
696:Evaluation
606:Palazzo Te
524:painting.
315:Early life
3002:The Lives
2917:Mona Lisa
2853:Tamagnino
2848:Il Sodoma
2727:Giorgione
2581:Portraits
2455:(c. 1530)
2387:Ecce Homo
2326:(c. 1515)
2251:(c. 1524)
2227:(c. 1522)
2190:(1517–18)
2182:(1516–17)
2174:(1515–16)
2166:(c. 1515)
2110:(c. 1505)
2023:Correggio
1639:(US) and
1543:(1531–32)
1509:, 1522–30
1505:, Duomo,
1413:(c. 1531)
1402:(c. 1531)
1384:(1531–32)
1373:(1531–32)
1355:(1531–32)
1337:(c. 1531)
1288:(c. 1528)
1277:(c. 1528)
1266:(1527–28)
1223:(c. 1526)
1192:Ecce Homo
1178:(c. 1525)
1155:(c. 1524)
1141:(c. 1524)
1130:(c. 1523)
1112:—Fresco,
1094:(c. 1520)
1078:(c. 1520)
1051:Hermitage
1038:, Madrid
950:(c. 1515)
940:Melbourne
932:(1514–15)
876:(1512–14)
842:(c. 1510)
824:(c. 1510)
735:Mannerist
709:(1530-31)
667:, are in
610:Charles V
545:Martyrdom
513:Lanfranco
505:Pordenone
408:Mannerist
321:Correggio
287:) was an
189:Correggio
151:Mannerism
72:Correggio
3032:Painting
2444:Nativity
2423:c. 1520)
2417:c. 1512)
2415:(Detroit
2411:c. 1510)
2405: :
2217:Orléans)
2099:Madonnas
1950:19 March
1925:19 March
1900:19 March
1873:19 March
1766:(1911).
1303:Nativity
1159:Budapest
1100:, Madrid
1086:Florence
1032:(1518)–O
1023:, Madrid
716:Mantegna
517:Baciccio
432:lunettes
395:Nativity
360:Mantegna
280:Italian:
143:Movement
117:painting
18:Coreggio
3018:Portals
2969:Related
2737:Raphael
2658:Related
2429:c. 1527
2421:(Naples
2213:(Madrid
2017:article
1776:(ed.).
1568:1520),
1010:, Milan
958:Chicago
902:Dresden
874:Madonna
739:Baroque
681:Baroque
549:Bernini
522:Baroque
509:Treviso
501:Saronno
467:Melozzo
440:bambini
301:Baroque
177:
169:
165:
103:Italian
2904:(1500)
2742:Titian
2650:(1531)
2642:(1531)
2626:(1518)
2615:Others
2607:(1522)
2565:(1531)
2549:(1530)
2541:(1528)
2533:(1525)
2506:(1525)
2490:(1520)
2484:(1507)
2439:(1529)
2427:(Paris
2382:(1524)
2374:(1524)
2366:(1524)
2358:(1524)
2350:(1521)
2342:(1520)
2318:(1514)
2310:(1510)
2291:(1530)
2283:(1528)
2275:(1528)
2267:(1526)
2259:(1525)
2243:(1524)
2219:(1518)
2134:(1510)
1985:Art UK
1683:1 June
1647:Lexico
1622:1 June
1526:(1526)
1488:(1525)
1471:(1515)
1392:Berlin
1363:Vienna
1202:London
1186:Madrid
1167:(1525)
1064:(1519)
994:Madrid
986:(1516)
968:(1515)
894:(1514)
785:Louvre
762:, and
743:Rococo
741:, and
724:Vasari
673:Vienna
640:Titian
626:Berlin
364:tondos
352:Mantua
340:Modena
305:Rococo
157:Spouse
113:Fresco
2909:David
2895:Pietà
2667:(son)
2562:Danaë
2025:, by
1772:. In
1564:1517–
1507:Parma
1334:Danaë
1309:, or
1296:Paris
1242:Paris
918:Sofia
884:Milan
850:Pavia
687:Death
631:Danaë
554:Truth
503:, to
491:, to
489:Forlì
436:Diana
293:Parma
171:(
167:
1987:site
1952:2020
1927:2020
1902:2020
1875:2020
1850:2022
1808:2022
1710:2022
1685:2019
1624:2019
1345:Rome
592:Ovid
557:and
533:and
515:and
346:and
228:also
83:Died
61:Born
1993:at
671:of
594:'s
561:'s
551:'s
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2885:c.
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