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Coriolanus

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813:, whose militaristic pride finds its parallel in Coriolanus. Readers and playgoers have often found him an unsympathetic character, as his caustic pride is strangely, almost delicately balanced at times by a reluctance to be praised by his compatriots and an unwillingness to exploit and slander for political gain. His dislike of being praised might be seen as an expression of his pride; all he cares about is his own self-image, whereas acceptance of praise might imply that his value is affected by others' opinion of him. The play is less frequently produced than the other tragedies of the later period, and is not so universally regarded as great. (Bradley, for instance, declined to number it among his famous four in the landmark critical work 174: 33: 3574: 748: 2293: 583: 459: 227: 2778: 717: 3424: 3760: 3743: 2227: 3434: 3726: 223:. The siege of Corioli is initially unsuccessful, but the Romans conquer it when Marcius is able to force open the gates of the city. Even though he is exhausted from the fighting, Marcius marches quickly to join Cominius and fight the other Volscian forces. Marcius and Aufidius meet in single combat, fighting until Aufidius's own soldiers drag him away from the battle. 692:
For these reasons, R.B. Parker suggests "late 1608 ... to early 1609" as the likeliest date of composition, while Lee Bliss suggests composition by late 1608, and the first public performances in "late December 1609 or February 1610". Parker acknowledges that the evidence is "scanty ... and mostly
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Rome, in its panic, tries desperately to persuade Coriolanus to halt his crusade for vengeance, but both Cominius and Menenius fail. Finally, Volumnia is sent to meet her son, along with Coriolanus's wife Virgilia and their child, and the chaste gentlewoman Valeria. Volumnia succeeds in dissuading
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argued that unlike preceding adaptations, Fiennes' film portrayed Coriolanus without trying to rationalise his behaviour, "outlining the unique figure of a radical freedom fighter" whom he compares to Che Guevara, whom Žižek characterises as making clear that "a revolutionary also has to be a
258:, and seems at first to have won over the plebeians as well. However, Brutus and Sicinius scheme to defeat Coriolanus and instigate another plebeian riot in opposition to his becoming consul. Faced with this opposition, Coriolanus flies into a rage and rails against the concept of 2230: 1190:; his journal notes showing that he found many of his own effects already in the text, he considered staging the play with only minimal changes. The adaptation was unfinished at Brecht's death in 1956; it was completed by Manfred Wekwerth and Joachim Tenschert and staged in 262:. He compares allowing plebeians to have power over the patricians to allowing "crows to peck the eagles". The two tribunes condemn Coriolanus as a traitor for his words and order him to be banished. Coriolanus retorts that it is he who banishes Rome from his presence. 1287:
staged a Filipino translation of the tragedy. It was translated by Guelan Varela-Luarca and was directed by Carlos Siguion-Reyna. The play was led by TP Actors Company's senior member Marco Viaña as Coriolanus, opposite to him is Brian Sy as Tullus Aufidius,
219:, has fought Marcius on several occasions and considers him a blood enemy. The Roman army is commanded by Cominius, with Marcius as his deputy. While Cominius takes his soldiers to meet Aufidius's army, Marcius leads a rally against the Volscian city of 269:, and asks Aufidius's help to wreak revenge upon Rome for banishing him. Moved by his plight and honoured to fight alongside the great general, Aufidius and his superiors embrace Coriolanus, allowing him to lead a new assault on Rome. 670:'s project to bring water to London by channels in 1608–09 respectively. Another possible connection with 1608 is that the surviving text of the play is divided into acts; this suggests that it could have been written for the indoor 689:, which Shakespeare would have been aware of, as it affected the legal status of the area surrounding the Blackfriars Theatre. The riots in the Midlands were caused by hunger because of the enclosure of common land. 1933:
Headlined by the U.S. premiere of the stage adaptation of Salman Rushdie's award-winning novel "Midnight's Children," the 16-day residency also offers new stagings of Shakespeare's "The Merry Wives of Windsor" and
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lead to his banishment from Rome. In exile, he presents himself to the Volscians, then leads them against Rome. After he relents and agrees to a peace with Rome, he is killed by his previous Volscian allies.
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has the distinction of being among the few Shakespeare plays banned in a democracy in modern times. It was briefly suppressed in France in the late 1930s because of its use by the fascist element, and
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and Sherry Lara alternating the role of Volumnia. Along with them are Jonathan Tadioan as Menenius, JV Ibesate as Velutus, Doray Dayao as Brutus, and the Tanghalang Pilipino Actors Company.
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wrote "A fast, witty, intelligent production that, in Tom Hiddleston, boasts a fine Coriolanus." He also credited Mark Gatiss as excellent as Menenius, the "humorous patrician". In
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Coriolanus concludes a peace treaty between the Volscians and the Romans. When he returns to the Volscian capital, conspirators, organised by Aufidius, kill him for his betrayal.
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in 1959. In that production, he performed Coriolanus's death scene by dropping backwards from a high platform and being suspended upside-down without the aid of wires.
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or reveal the motives behind his proud isolation from Roman society. In this way, he is less like the effervescent and reflective Shakespearean heroes/heroines such as
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compares a well-run government to a body in which "all parts performed their functions, only the stomach lay idle and consumed all"; the fable is also alluded to in
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but it differs from those two masterpieces in an important way. The warrior Coriolanus is perhaps the most opaque of Shakespeare's tragic heroes, rarely pausing to
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of 1623. Elements of the text, such as the uncommonly detailed stage directions, lead some Shakespeare scholars to believe the text was prepared from a theatrical
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were available in manuscript translations, and could also have been used by Shakespeare. He might also have made use of Plutarch's original source, the
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headsets to permit the text to be heard while the dramatic action moved throughout the large space. The production was well received by critics.
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influences to illustrate that view. He described it as "in essence, a modern production. The play is basically about the birth of democracy."
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kings. There are riots in progress after stores of grain have been withheld from ordinary citizens. The rioters are particularly angry at
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to the period 1605–10, with 1608–09 being considered the most likely, although the available evidence does not permit great certainty.
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her son from destroying Rome, urging him instead to clear his name by reconciling the Volscians with the Romans and creating peace.
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Some scholars note evidence that may narrow down the dating to the period 1607–09. One line may be inspired by
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of Rome, Brutus and Sicinius, privately denounce Marcius. Marcius leaves Rome after news arrives that a
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The earliest date for the play rests on the fact that Menenius's fable of the belly is derived from
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The play's themes of popular discontent with government have been connected by scholars with the
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includes the lines: "If she says your behaviour is heinous,/Kick her right in the Coriolanus".
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Other sources have been suggested, but are less certain. Shakespeare might also have drawn on
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as "probably the most fiercely and ingeniously planned and expressed of all the tragedies".
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In 1971, the play returned to the Old Vic in a National Theatre production directed by
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Spelled Martius in the 1623 Folio, otherwise known as Marcius, i.e., a member of the
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Coriolanus is the name given to a Roman general after his military feats against the
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are not worthy of the grain because of their lack of military service. Two of the
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play". Shakespeare pronunciation guides list both pronunciations as acceptable.
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University of Michigan, The Royal Shakespeare Company, Michigan Residency, 2003
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After his exile from Rome, Coriolanus makes his way to the Volscian capital of
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noted its prohibition in Post-War Germany due to its intense militarism.
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Krajewski, Bruce. "Coriolanus: 'Unfit for Anyone's Conversation,'" in
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In recognition of his great courage, Cominius gives Caius Marcius the
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that was faithful to Shakespeare through four acts before becoming a
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This article is about the Shakespeare play. For the protagonist, see
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in her commanding maternal pride, held beautifully in opposition by
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In Defence of the Terror: Liberty or Death in the French Revolution
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contains a joke dependent upon this pronunciation, and the parody
793:, and more like figures from ancient classical literature such as 3684: 2898: 2891: 2723: 2531: 2524: 1890:
Shakespeare Around the Globe: A Guide to Notable Postwar Revivals
1251: 1074:. Directed by Mike Brookes and Mike Pearson, the production used 778: 558:; both of these were commonly used texts in Elizabethan schools. 348: 326: 239: 220: 149: 120: 961:
returned to Shakespeare's text in a 1754 Drury Lane production.
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Valeria – chaste lady of Rome and friend to Coriolanus' family
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as Coriolanus's wife Virgilia. Helen Lewis, in her review of
654: 201: 111: 1691:"Coriolan/us, National Theatre Wales, RAF St Athan, review" 1329: 574:, as well as on his own knowledge of Roman custom and law. 541: 88: 82: 73: 70: 2001:""Coriolano" is the Latest William Shakespeare Adaptation" 1652:"National Theatre Wales's Coriolan/us: ready for take-off" 1480:(Cambridge University Press, 2000), pp. 1–2; R.B. Parker, 1210:
adapted the play into an opera which premiered in 1974 in
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when he wrote, "Revive for a moment a broken Coriolanus."
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The play opens in Rome shortly after the expulsion of the
135:. Shakespeare worked on it during the same years he wrote 64: 917:. Seemingly undeterred by the earlier suppression of his 234:
of Volumnia pleading with Coriolanus not to destroy Rome.
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described this play as "built on the grand scale," like
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While the title character's name's pronunciation in
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as Coriolanus in "Coriolanus" by William Shakespeare
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The Invader of His Country, or The Fatal Resentment
105: 76: 1689: 1223:series produced a version of the play. It starred 177:"Virgilia bewailing the absence of Coriolanus" by 2073:"Complots of Mischief: Coriolanus and conspiracy" 1759: 1757: 3777: 2104:Traveling with Hermes: Hermeneutics and Rhetoric 1714:"Coriolanus 06 December 2013 – 13 February 2014" 1706: 1085:opened their new production. It was directed by 931:bloodbath in the fifth act. A later adaptation, 849:, in which he calls the former play, along with 485:is largely based on the "Life of Coriolanus" in 1419:(Oxford: Oxford University Press, 1994), 17–21. 1109:. The production received very strong reviews. 1070:, entitled Coriolan/us, in a disused hangar at 571:Roman Antiquities of Dionysius of Halicarnassus 513:Remaines of a Greater Worke Concerning Britaine 1754: 1434:(Philadelphia: J.B. Lippincott, 1928), p. 596. 1312:, in English the a is usually pronounced "." 3464: 2314: 1732: 1353:Conspiracy Theories: The Philosophical Debate 1269:as Volumnia in a modern-day film adaptation 3261: 1442: 1440: 1325:The Complete Wrks of Wllm Shkspr (Abridged) 982:and Joachim Tenschert with stage design by 685:; and the debates over the charter for the 3471: 3457: 2321: 2307: 2291: 1763: 1668: 1580:. Orlando: Harcourt. pp. 69, 125–129. 1176:adapted Shakespeare's play in 1952–55, as 496:The Lives of the Noble Grecians and Romans 1001:Other performances of Coriolanus include 707: 594:of Shakespeare's plays, published in 1623 2117: 2056:Coriolanus: Special Illustrated Edition. 1892:. New York: Greenwood Press. p. 82. 1829: 1789: 1764:Billington, Michael (17 December 2013). 1437: 1261:directed and starred as Coriolanus with 1197:In 1963, the BBC included Coriolanus in 883:Like some of Shakespeare's other plays ( 746: 581: 457: 225: 172: 31: 2328: 1970: 1649: 1590: 1550: 901:), there is no recorded performance of 476:Lives of the noble Grecians and Romanes 152:. Following his success he seeks to be 3778: 2264:– 17th century English translation by 1902: 1669:Billington, Michael (10 August 2012). 1555:. London: Penguin Books. p. 254. 1242:(along with two other plays) starring 1056:produced a composite of Shakespeare's 878: 662:'s description of the freezing of the 141:, making them his last two tragedies. 3452: 3073:Complete Works of William Shakespeare 2302: 1887: 1855: 1812: 1702:from the original on 12 January 2022. 1687: 1575: 1484:(Oxford University Press, 1994), 2–3. 1370: 642:The Woman's Prize, or the Tamer Tamed 3715: 3619:A Mervalious Combat of Contrarieties 1978:. Verso Books. pp. xxiii–xxix. 1865:. Savoy Kino Hamburg. Archived from 1790:Benedict, David (17 December 2013). 711: 696:The play was first published in the 535:A Marvailous Combat of Contrarieties 464:The Life of Caius Martius Coriolanus 325:– Coriolanus' mother (historically, 215:The commander of the Volscian army, 3433: 2160:from the original on 23 April 2021. 2058:Starbooks Classics. Retrieved from 1998: 554:, and possibly a digest of Livy by 13: 3248:Shakespeare's influence on Tolkien 2096: 1903:Nesbit, Joanne (20 January 2003). 1839:. Donmar Warehouse. Archived from 1716:. Donmar Warehouse. Archived from 1619:A Shakespeare Companion 1564–1964, 313:and commander-in-chief of the army 14: 3827: 2171:Text of the play by Shakespeare: 2165: 1813:Lewis, Helen (16 December 2013). 1742:. London Theatre. 11 October 2013 1621:Baltimore, Penguin, 1964; p. 116. 957:used some passages of Thomson's. 3811:Plays based on works by Plutarch 3806:British plays adapted into films 3758: 3741: 3724: 3633: 3572: 3432: 3423: 3422: 2776: 2225: 1650:Dickson, Andrew (30 July 2012). 945:. (Similar intentions motivated 715: 577: 101: 57: 3816:Plays set in the 5th century BC 3493: 2193:– Transcription of First Folio. 2186:Full text of Shakespeare's play 2065: 2048: 2018: 1992: 1964: 1939: 1896: 1881: 1837:"Coriolanus – Donmar Warehouse" 1806: 1783: 1688:Moore, Dylan (10 August 2012). 1681: 1662: 1643: 1624: 1611: 1602: 1584: 1569: 1544: 1532: 1523: 1514: 1505: 1496: 752:Coriolanus at the gates of Rome 338:Young Martius – Coriolanus' son 3253:Works titled after Shakespeare 1999:Tan, Frida (7 February 2019). 1487: 1470: 1461: 1452: 1422: 1409: 1396: 1376:English Pronouncing Dictionary 1364: 1168: 1093:in the title role, along with 160:and mutual hostility with the 1: 3413:Shakespeare and other authors 1863:"English theatre: Coriolanus" 1358: 913:'s bloody 1682 adaptation at 279: 3582: 3295:Shakespeare Birthplace Trust 1909:The University Record Online 1888:Brown, Langdon, ed. (1986). 1125:, David Benedict wrote that 973:Shakespeare Memorial Theatre 429:Volscian senators and nobles 7: 3101:English Renaissance theatre 2944:The Second Maiden's Tragedy 2923:The Merry Devil of Edmonton 2455:The Two Gentlemen of Verona 2235:public domain audiobook at 1238:performed a new staging of 294:– later surnamed Coriolanus 168: 25:Coriolanus (disambiguation) 16:Play by William Shakespeare 10: 3832: 3269:Folger Shakespeare Library 2815:The Phoenix and the Turtle 2405:The Merry Wives of Windsor 2191:Old Spelling Transcription 2124:: The Prompter (Prompted)" 1432:The Tragedie of Coriolanus 1380:Cambridge University Press 1220:BBC Television Shakespeare 859:in a passage from his own 453: 396:Conspirators with Aufidius 156:, but his disdain for the 18: 3796:Plays set in ancient Rome 3791:English Renaissance plays 3677: 3659:The Tragedy of Coriolanus 3632: 3581: 3570: 3547: 3501: 3492: 3407: 3318: 3288:Royal Shakespeare Theatre 3283:Royal Shakespeare Company 3190: 3047: 3018: 2847: 2838: 2785: 2774: 2706: 2678: 2569: 2479: 2412:A Midsummer Night's Dream 2356:All's Well That Ends Well 2345: 2336: 2062:. Accessed 11 April 2014. 1640:Accessed 13 October 2008. 1295: 1236:Royal Shakespeare Company 971:in 1937 and again at the 967:first played the part at 886:All's Well That Ends Well 588:The Tragedy of Coriolanus 133:Gnaeus Marcius Coriolanus 21:Gnaeus Marcius Coriolanus 3509:Caius Martius Coriolanus 2426:Pericles, Prince of Tyre 2118:Lunberry, Clark (2002). 2054:Shakespeare, W. (1968). 1636:15 February 2009 at the 1502:Parker, 5–6; Bliss, 3–4. 1493:Parker, 4–5; Bliss, 6–7. 1449:Retrieved 15 March 2013. 1430:Furness, Horace Howard, 990:played Coriolanus, with 3801:Shakespearean tragedies 3651:The Spread of the Eagle 2434:The Taming of the Shrew 1551:Kermode, Frank (2001). 1200:The Spread of the Eagle 1131:Birgitte Hjort Sørensen 1107:Birgitte Hjort Sørensen 756:Franz Anton Maulbertsch 499:(1579). The wording of 470:'s 1579 translation of 402:Nicanor – Roman traitor 3116:Lord Chamberlain's Men 3027:The Passionate Pilgrim 2800:comparison to Petrarch 2419:Much Ado About Nothing 2398:The Merchant of Venice 2222:at the British Library 2131:Comparative Literature 1917:University of Michigan 1671:"Coriolan/us – review" 1553:Shakespeare's Language 1529:Parker, 7, 2; Bliss, 7 1248:University of Michigan 1054:National Theatre Wales 953:'s 1752 production at 819:Shakespeare's Language 815:Shakespearean Tragedy. 759: 708:Analysis and criticism 652:'s translation of the 595: 529:(Camden's source) and 479: 235: 212:army is in the field. 181: 47: 23:. For other uses, see 3306:Shakespeare Institute 3275:Shakespeare Quarterly 2794:Shakespeare's sonnets 2462:The Two Noble Kinsmen 2005:TheaterFansManila.com 1766:"Coriolanus – review" 1596:The Miracle of France 1576:Eliot, T. S. (1963). 1540:Shakespearean Tragedy 1328:refers to it as "the 1308:pronounced "" in the 1290:Frances Makil-Ignacio 1163:National Theatre Live 750: 585: 556:Lucius Annaeus Florus 461: 399:Adrian – Volscian spy 229: 176: 35: 3162:Spelling of his name 3002:Vortigern and Rowena 2980:Thomas Lord Cromwell 2560:Troilus and Cressida 2490:Antony and Cleopatra 2384:Love's Labour's Lost 2370:The Comedy of Errors 1974:(2001). "Foreword". 1280:'killing machine'". 1227:and was directed by 892:Antony and Cleopatra 852:Antony and Cleopatra 835:famously proclaimed 503:'s speech about the 393:Aufidius' Servingmen 390:Aufidius' Lieutenant 230:An 1800 painting by 138:Antony and Cleopatra 3480:William Shakespeare 3386:Richard Shakespeare 3368:Gilbert Shakespeare 3300:Shakespeare's Globe 3205:Authorship question 3200:Attribution studies 3167:Stratford-upon-Avon 3009:A Yorkshire Tragedy 2987:Thomas of Woodstock 2973:The Spanish Tragedy 2914:Love's Labour's Won 2906:The London Prodigal 2863:The Birth of Merlin 2822:The Rape of Lucrece 2808:A Lover's Complaint 2688:Quarto publications 2391:Measure for Measure 2330:William Shakespeare 2218:1 July 2017 at the 1923:on 26 November 2007 1843:on 12 November 2014 1720:on 12 November 2014 1285:Tanghalang Pilipino 879:Performance history 683:Stratford-upon-Avon 672:Blackfriars Theatre 598:Most scholars date 550:, as translated by 125:William Shakespeare 3380:Edmund Shakespeare 3338:Hamnet Shakespeare 3235:Screen adaptations 2958:Sir John Oldcastle 2856:Arden of Faversham 2273:Life of Coriolanus 2261:Life of Coriolanus 2253:Life of Coriolanus 2081:. 21 November 2008 1951:Rottentomatoes.com 1869:on 23 January 2014 1111:Michael Billington 1081:In December 2013, 1031:Christopher Walken 992:Constance Cummings 760: 727:. You can help by 596: 586:The first page of 565:Discourses on Livy 489:'s translation of 480: 462:The first page of 335:– Coriolanus' wife 236: 182: 48: 38:John Philip Kemble 3706: 3705: 3592:Roman Antiquities 3568: 3567: 3446: 3445: 3350:Elizabeth Barnard 3314: 3313: 3043: 3042: 2772: 2771: 2470:The Winter's Tale 2203:Project Gutenberg 2143:10.1215/-54-3-229 2078:Otago Daily Times 1415:R.B. Parker, ed. 1319:Moon Over Buffalo 1188:alienation effect 1184:Berliner Ensemble 923:, Tate offered a 745: 744: 521:John of Salisbury 411:Volscian Soldiers 408:Volscian Citizens 383:– general of the 3823: 3771: 3763: 3762: 3761: 3754: 3746: 3745: 3744: 3737: 3729: 3728: 3727: 3717: 3576: 3529:Sicinius Velutus 3514:Menenius Agrippa 3499: 3498: 3473: 3466: 3459: 3450: 3449: 3436: 3435: 3426: 3425: 3374:Joan Shakespeare 3356:John Shakespeare 3259: 3258: 3240:Shakespeare and 2951:Sejanus His Fall 2918: 2878:Double Falsehood 2845: 2844: 2829:Venus and Adonis 2780: 2553:Titus Andronicus 2539:Romeo and Juliet 2343: 2342: 2323: 2316: 2309: 2300: 2299: 2295: 2229: 2228: 2161: 2159: 2128: 2120:"In the Name of 2091: 2090: 2088: 2086: 2069: 2063: 2060:books.google.com 2052: 2046: 2045: 2043: 2041: 2032:. Archived from 2022: 2016: 2015: 2013: 2011: 1996: 1990: 1989: 1968: 1962: 1961: 1959: 1957: 1943: 1937: 1936: 1930: 1928: 1919:. 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Cambridge: 1377: 1373: 1372:Jones, Daniel 1367: 1363: 1356: 1354: 1350: 1345: 1343: 1342: 1341:Kiss Me, Kate 1337: 1333: 1331: 1327: 1326: 1321: 1320: 1315: 1311: 1307: 1303: 1293: 1291: 1286: 1283:In 2019, the 1281: 1278: 1274: 1273: 1268: 1264: 1263:Gerard Butler 1260: 1259:Ralph Fiennes 1255: 1253: 1249: 1245: 1241: 1237: 1234:In 2003, the 1232: 1230: 1226: 1222: 1221: 1217:In 1983, the 1215: 1213: 1209: 1204: 1202: 1201: 1195: 1193: 1189: 1185: 1181: 1180: 1175: 1166: 1164: 1160: 1156: 1155: 1150: 1146: 1145: 1140: 1139:David Tennant 1136: 1132: 1128: 1124: 1123: 1118: 1117: 1112: 1108: 1104: 1103:Hadley Fraser 1100: 1096: 1092: 1088: 1084: 1079: 1077: 1073: 1069: 1068: 1063: 1059: 1055: 1050: 1048: 1044: 1043:Ralph Fiennes 1040: 1036: 1032: 1028: 1024: 1023:Toby Stephens 1020: 1016: 1012: 1008: 1007:Paul Scofield 1004: 999: 998:as Virgilia. 997: 996:Anna Carteret 993: 989: 985: 981: 976: 974: 970: 966: 962: 960: 959:David Garrick 956: 952: 948: 947:James Thomson 944: 940: 939: 934: 930: 926: 922: 921: 916: 912: 908: 905:prior to the 904: 900: 899: 894: 893: 888: 887: 876: 874: 870: 866: 864: 863: 858: 854: 853: 848: 847: 842: 838: 834: 830: 828: 824: 823:Frank Kermode 820: 816: 812: 808: 804: 800: 796: 792: 788: 784: 780: 776: 772: 768: 764: 763:A. 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Index

Gnaeus Marcius Coriolanus
Coriolanus (disambiguation)

John Philip Kemble
Thomas Lawrence
/kɒriəˈlnəs/
/-ˈlɑː-/
tragedy
William Shakespeare
Roman
Gnaeus Marcius Coriolanus
Antony and Cleopatra
Volscians
Corioli
consul
plebeians
tribunes

Thomas Woolner
Tarquin
Caius Marcius
patrician
Menenius Agrippa
plebeians
tribunes
Volscian
Tullus Aufidius
Corioli

Richard Westall

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