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54:
656:. And since radio shows were for the most part aimed at local audiences, it was still rare for an artist in one area to reach a mass audience. Also radio stations tended to cater to broad audience markets, so an artist in one vein might not get broadcast on other stations geared to a set audience. So popular versions of jazz, country and western or rhythm and blues tunes, and vice versa, were frequent. Consider "
523:, United States musicians have had the right to record a version of someone else's previously recorded and released tune, whether it is music alone or music with lyrics. A license can be negotiated between representatives of the interpreting artist and the copyright holder, or recording published tunes can fall under a
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Because little promotion or advertising was done in the early days of record production, other than at the local music hall or music store, the average buyer purchasing a new record usually asked for the tune, not the artist. Record distribution was highly localized, so a locally popular artist could
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of current hits. Since the 1950s, musicians now play what they call "cover versions" (the reworking, updating, or interpretation) of songs as a tribute to the original performer or group. Using familiar material (such as evergreen hits, standard tunes or classic recordings) is an important method of
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acts. Many tribute acts target artists who remain popular but no longer perform, allowing an audience to experience the "next best thing" to the original act. The formation of tribute acts is roughly proportional to the enduring popularity of the original act; for example, dozens of
Beatles tribute
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and country musicians were still being re-recorded in a more popular vein by other artists with a more toned-down style or professional polish. This was inevitable because radio stations were reluctant to play formats outside their target audience's taste. By far the most popular style of music in
689:, like many commercial stations, also sold "air time"; so record companies and others bought air time to promote their own artists or products, thus increasing the number of recorded versions of any tune then available. Add to this the fact that many radio stations were limited in their permitted "
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version (on RCA Victor's cheaper
Bluebird label), not someone else's (sometimes presented on a more expensive record company's label). This trend was marked closely by the charting of record sales by the different artists, not just hit tunes, on the music industry's Hit Parades. However, for sound
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are entertainers who perform a broad variety of crowd-pleasing cover songs for audiences who enjoy the familiarity of hit songs. Such bands draw from either current Top 40 hits or those of previous decades to provide nostalgic entertainment in bars, on cruise ships and at such events as weddings,
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or bands are performers who are inspired by an entire genre of music and dedicate themselves to curating and recreating the genre and introducing it to younger audiences who have not experienced that music first hand. Unlike tribute bands and cover bands who rely primarily on audiences seeking a
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in Hong Kong in the late 1970s to early 1990s, many hits were covers of
English and Japanese titles that have gained international fame but with localized lyrics (sometimes multiple sets of lyrics sung to the same tune), and critics often chide the music industry of shorting the tune-composing
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called the cover version a "racist tool". Many parents in the 1950s - 60s, whether intentionally racist or not, felt deeply threatened by the rapid pace of social change. They had, for the most part, shared entertainment with their parents in ways their children had become reluctant to do. The
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Most did not have the kudos that rebellious teenagers craved, the street credibility — of rock and roll music; most were performed, and some were written, by black artists not heard in popular mass entertainment markets. Most parents considered the bowdlerized popular cover versions more
771:. Incidentally, until the mid-1930s male vocalists often sang the female lyrics to popular songs, though this faded rapidly after it was deemed decadent in Nazi Germany. Some songs such as "If Only for One Night" were originally recorded by female artists but covered by mostly male artists.
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in which a band or musician performs one of their own songs as well as a song they love by another artist. Originating in 2004, the popularity of the performances have resulted in the release of annual compilation albums of selected covers and, more recently, votes in the annual
1394:, which is defined as altering or distorting the original sound electronically; cover versions give a performer the ability to adapt music to their own style, typically allowing them to change the genre of a song and recreating it to their own taste. For example, in 2008,
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having the biggest number of worldwide record sales for the vocal version with Jimmy Young's cover version rival outdoing this in the UK, Les Baxter's
Orchestra gaining the big instrumentalist sales, reaching the US Hit Parade number one spot in May 1955, but
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family celebrations and corporate functions. Since the advent of inexpensive computers, some cover bands use a computerized catalog of songs, so that the singer can have the lyrics to a song displayed on a computer screen. The use of a screen for lyrics as a
368:. In fact, one of the principal objects of publishing sheet music was to have a composition performed by as many artists as possible. This made the song more important than the performing artist and rival cover or 'copycat' versions would vie for success.
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Although modern cover versions are often produced for artistic reasons, some aspects of the disingenuous spirit of early cover versions remain. In the album-buying heyday of the 1970s, albums of sound-alike covers were created, commonly released to fill
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song, once more updating it to suit the musical taste of the era. During the disco era there was a trend of taking well known songs and recording them in the disco style. More recently "Singin' in the Rain" has been covered and remixed by
British act
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started in 1978 as a living salute to the blues, soul and R&B music of the 1950s and 1960s that was not in vogue by the late 1970s. The Blues
Brothers' creed was that they were "on a mission from God" as evangelists for blues and soul music.
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of his arrangement and melody. Some producers or recording artists may also enlist the services of a sample replay company such as Titan
Tribute Media or Scorccio, in order to replicate an original recording with precision detail and accuracy.
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who recorded an entire album with great success, with new versions of older hits. Cover songs can be used to display creativity of a performers work through the talent of another artist's previous production. Not to be confused with a
915:, where uninformed customers might easily confuse them with original recordings. The packaging of such discs was often intentionally confusing, combining the name of the original artist in large letters with a tiny disclaimer like
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In the US, unlike most countries, broadcasters pay royalties to authors and publishers. Artists are not paid royalties, so there is an incentive to record numerous versions of a song, particularly in different genres. For example,
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the mid-1950s / mid-1960s was still the professional light orchestra, therefore popular recording artists sought that format. For many purists these popular versions lacked the raw earthiness of the original introducing artists.
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as they "crossed over" from the targeted country, jazz or rhythm audience. Also, many songs originally recorded by male artists were rerecorded by female artists, and vice versa. Such a cover version is also sometimes called a
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quickly record a version of a hit song from another area and reach an audience before the version by the artist(s) who first introduced the tune, and highly competitive record companies were quick to take advantage of this.
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commercial reasons, record companies still continued to record different versions of tunes that sold well. Most audiences until the mid-1950s still heard their favorite artists playing live music on stage or via the
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and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a
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The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include
1279:' later version (top five on the US Hit Parade of September 1965 stalling at number 14 in the UK in August) is by far the wider known version, and especially so following its appearance in the 1990 film
693:" (the amount of recorded music they were allowed to play), or were regulated on the amount of local talent they had to promote in live broadcasts, as with most national stations like the BBC in the UK.
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palatable for the mass audience of parents and their children. Artists targeting the white-majority family audience were more acceptable to programmers at most radio and TV stations. Singer-songwriter
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of their compositions. Fearing that
Aeolian might create a piano roll monopoly, Congress responded to pleas of other piano roll manufacturers to subject the mechanical right to a compulsory license.
326:. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original.
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Reworking non-English language tunes and lyrics for the Anglo-Saxon markets was once a popular part of the music business. For example, the 1954 worldwide hit The Happy
Wanderer was originally
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record companies to have singers or musicians "cover" a commercially successful "hit" tune by recording a version for their own label in hopes of cashing in on the tune's success. For example,
863:, although the German title was retained. The English version, which was not a direct translation of Falco's original but retained much of its spirit, reached the Top 5 on the US charts. "
1971:
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Although a composer cannot deny anyone a mechanical license for a new recorded version, the composer has the right to decide who will release the first recording of a song.
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Cover versions of many popular songs have been recorded, sometimes with a radically different style, sometimes virtually unrecognizable from the original. For example,
386:.) Artists might also perform interpretations ("covers") of a favorite artist's hit tunes for the simple pleasure of playing a familiar song or collection of tunes.
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468:. There are also situations in which a member of a tribute band will go on to greater success, sometimes with the original act they tribute. One notable example is
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535:, until January 2015, when they announced they will be closing their service. The U.S. Congress introduced the mechanical license to head off an attempt by the
878:'s 1980s hits were English-language covers of songs already successful in Europe, for the American record market. Numerable English-language covers exist of "
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In previous generations, some artists made very successful careers of presenting revivals or reworkings of once-popular tunes, even out of doing contemporary
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1985:
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898:", a song that was originally completely instrumental, has had lyrics added in at least six different languages in various covers. During the heyday of
531:, and is safe under copyright law even if they do not have any permission from the original author. A similar service was provided by Limelight by
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As it became clear in 1908 that
Congress was going to give music publishers the right to control mechanical reproduction of their songs, the
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nostalgic experience, revivalist bands usually seek new young audiences for whom the music is fresh and has no nostalgic value. For example,
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debuted, featuring several musical performances per episode. The series featured solely cover songs performed by the series' titular
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formed in 1984, initially dedicated to reviving 1970s style blues-rock. They started writing their own material in the same vein.
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Tunes by introducing or "original" niche market artists that became successful on the mass audience Hit Parade charts are called
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whereby the recording artist pays a standard royalty to the original author/copyright holder through an organization such as the
452:. Many tribute bands attempt to recreate another band's music as faithfully as possible, but some such bands introduce a twist.
1426:". This is more common with today's covers, taking older popular music and revamping it to compare with modern popular music.
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or distinct variations. The show's musical performances have been a commercial success, with over twenty-one million copies of
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This began to change in the late 1930s, when the growing record-buying public began including a younger age group. During the
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instrumental tune, "Moritat", for the Dick Hyman Trio, also recorded by Richard Hayman & Jan August, but a hit also for
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or bands are performers who make a living by recreating the music of one particular artist or band. Bands such as
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version was a revision that brought it up to date for a 1950s Hollywood musical, and was used in the 1952 film
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music of the 1950s, a genre of music that was not initially fashionable during the hippie counter-culture era.
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took advantage of this right when he refused his own record company the right to release a live recording of "
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was entering into arrangements with many of the largest music publishers to be the exclusive manufacturer of
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Cover versions (as the term is now used) are often contemporary versions of familiar songs. For example, "
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like "Good Morning, Judge" and "Don't Roll those Bloodshot Eyes at Me". This tradition was expanded when
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1956 release to be the original recording and artist. In fact, it was originally introduced on film by
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998:" became the standard, and Dylan even adjusted his performance style closer to the Hendrix version.
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Today, three broad types of entertainers depend on cover versions for their principal repertoire:
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has contemporized and stylized older songs for use in his films. New or cover versions such as
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version is the only one that might currently get widespread airplay on most media. Similarly, "
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611:(on record), was repopularized through popular recordings by Mr. Goon Bones & Mr. Ford and
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cast single releases purchased digitally, and over nine million albums purchased worldwide.
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2001:"Internet copyright law has to have public support if it's going to work | Technology"
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A song may be covered into another language. For example, in the 1930s, a recording of
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660:" ("Die Moritat vom Mackie Messer"): this was originally from Bertolt Brecht's 1928
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style. Coulton's cover was then covered, without attribution, in 2013 by the show
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is another example of the cover version eclipsing the original. Besides these,
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On occasion, a cover can become more popular than the original, for instance
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1945:"Show 4 - The Tribal Drum: The rise of rhythm and blues. [Part 2]"
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Other artists release new versions of their own songs, like German singer
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Cover me : the stories behind the greatest cover songs of all time
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2085:"Why triple j's Like A Version is a hit with artists and the audience"
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a great novelty, allowing truculent teenagers to shut themselves off.
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Live performances of copyrighted songs are typically arranged through
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2116:"Should Like A Version covers be allowed in triple j's Hottest 100?"
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can dramatically increase the number of songs a singer can perform.
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were still relatively expensive pieces of machinery — and the
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by a musician other than the original performer or composer of the
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tribute band British Steel, went on to join Judas Priest himself.
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1232:. Another example of this, from a different angle, is the tune "
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herself following the success of her original German version. "
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2141:"10 Covers That Wound up Being More Popular Than the Original"
1974:. February 13, 2007. Archived from the original on 2007-02-13.
1684:"BOBBY VEE - Meets the Crickets/I Remember - Amazon.com Music"
448:
bands have formed and an entire subindustry has formed around
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In 2009, the American musical comedy-drama television series
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2307:"List of House of the Rising Sun covers with Youtube videos"
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learning music styles. Until the mid-1960s most albums, or
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until near the end of its second season with the episode "
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in the music section of supermarkets and even specialized
833:, and was so similar that Coulton, among others, alleged
1725:"Must you get permission to record someone else's song?"
977:
Conjoined cover songs are collectively referred to as a
867:" evolved over several decades and versions from a 1939
697:
Incentives to make duplicate recorded versions of a song
464:
creates heavy metal fusions of songs by the Beatles and
2332:"The Popdose 100: The Greatest Cover Songs of All Time"
2206:"How to make an AI cover song with any artist's voice"
1289:" has hundreds of versions and in many genres such as
360:, even if it was reproduced at home via a copy of the
1181:, internet users can create covers using RVC models.
1546:, licensing use of a song combined with other media
974:poll (which has even sparked its own controversy).
119:. Unsourced material may be challenged and removed.
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806:
582:Multiple versions in various formats or locations
3343:
1984:: CS1 maint: bot: original URL status unknown (
682:, 1960, as vocal versions of "Mack the Knife".
586:Early in the 20th century it became common for
1709:Ella Fitzgerald Sings the Cole Porter Songbook
514:
2677:Cinema / television / video
2381:
2367:
576:
3211:Palimpsests: Literature in the Second Degree
2022:"Exclusive: Inside the Hot Business of 'Glee
1244:and popularized on the record Hit Parade of
2034:. Lori Burgess. January 25, 2011. p. 2
1211:. In 1978, it was covered by French singer
959:Australian alternative/indie radio station
722:songs began appearing on pop music charts.
82:Learn how and when to remove these messages
2374:
2360:
2309:. Houseoftherisingsuns.com. Archived from
1719:
1717:
1939:
1623:
259:Learn how and when to remove this message
241:Learn how and when to remove this message
179:Learn how and when to remove this message
1998:
631:Rival outlets and popularized recordings
498:started in 1969 as a celebration of the
270:
204:This article includes a list of general
2082:
1714:
1618:. Open Book Publishers. pp. 3–27.
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1184:
643:went looking for a recorded tune, say "
615:in 1949, and later still revived as 33
435:respectively. Some tribute acts salute
14:
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2113:
1613:
1112:Nothing's Gonna Change My Love for You
415:are dedicated to playing the music of
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2203:
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1332:, and adaptations of artists such as
1326:'s "Young Hearts Run Free" appear in
460:versions of the Zeppelin catalog and
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1585:. New York: Sterling. pp. 2–9.
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923:. More recently, albums such as the
729:, many tunes originally recorded by
364:, learned by heart or captured on a
351:". Both crossed over to the popular
190:
117:adding citations to reliable sources
88:
47:
2095:Australian Broadcasting Corporation
2064:Australian Broadcasting Corporation
1958:University of North Texas Libraries
1933:
819:" was covered by indie rock singer
24:
851:and singer Roberto Ray, is known.
210:it lacks sufficient corresponding
25:
3408:
1557:
1316:'s "Love Is in the Air" occur in
1248:by Glenn Miller. The Fats Domino
963:presents a weekly segment called
607:(on stage) and by Ben Bernie and
558:of songs can occasionally occur.
63:This article has multiple issues.
3397:Versions of musical compositions
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1266:(based on the non-fiction story
1228:for a television commercial for
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2114:Davies, Hayden (January 2020).
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2083:Johnson, Natasha (2019-05-10).
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2014:
1992:
1964:
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1658:"Cash Box Top Singles 10/11/52"
1454:List of cover bands and artists
1236:", many mistakenly believe the
1193:" was originally introduced by
890:), one having been recorded by
666:. It was popularized by a 1956
563:performing rights organizations
104:needs additional citations for
71:or discuss these issues on the
2257:"Cash Box Top Singles 5/21/55"
1829:"Cash Box Top Singles 3/03/56"
1821:
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1414:feel. Another example is when
1256:" was originally performed by
807:Modern cover versions of songs
32:Cover version (disambiguation)
13:
1:
3140:Pierre Menard, Author of the
2986:Archetypal literary criticism
2546:Literature / theatre
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1999:Doctorow, Cory (2013-01-31).
1551:
1144:Istanbul (Not Constantinople)
855:'s 1982 German-language hit "
472:who, once the lead singer of
2952:Source criticism in the arts
2620:Readymades of Marcel Duchamp
1260:, featured in the 1955 film
1088:"The Man Who Sold The World"
859:" was covered in English by
7:
3153:Reality Hunger: A Manifesto
1616:A Philosophy of Cover Songs
1441:
1406:", changing the genre from
1200:The Hollywood Revue of 1929
1002:'s 2002 cover of "Hurt" by
745:personal record disc player
515:United States copyright law
282:" was more successful than
10:
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3259:Appropriation in sociology
2282:"Cash Box Top 100 8/28/65"
2204:Jones, Andy (2023-11-28).
2156:"All Along the Watchtower"
1749:Hull, Geoffrey P. (2004).
886:(notably one by punk band
577:Early 20th century history
556:pre-release cover versions
409:Australian Pink Floyd Show
329:
36:
29:
3362:21st-century music genres
3357:20th-century music genres
3264:Articulation in sociology
3242:
3165:
3117:
3067:
2964:
2889:
2861:
2813:
2804:
2787:Revivalism (architecture)
2759:
2676:
2633:
2600:
2591:
2545:
2397:
2390:
798:"Quando, Quando, Quando,"
2976:Aesthetic interpretation
1076:The Greatest Love of All
996:All Along the Watchtower
823:in 2005, in an acoustic
780:, to this must be added
280:All Along the Watchtower
37:Not to be confused with
3218:The Pictures Generation
2997:The Death of the Author
1916:"The Orchestral Sound2"
1539:List of blues standards
1287:House of the Rising Sun
1270:by Kenyon J. Scudder);
1179:artificial intelligence
865:The Lion Sleeps Tonight
225:more precise citations.
3289:Copyright infringement
3269:Cultural appropriation
2031:The Hollywood Reporter
1753:The Recording Industry
1544:Synchronization rights
1277:the Righteous Brothers
1156:Old Crow Medicine Show
1068:I Will Always Love You
1052:Yellow Magic Orchestra
777:Der fröhliche Wanderer
619:and 45 RPM records by
287:
3316:Participatory culture
3284:Intellectual property
1614:Magnus, P.D. (2022).
1579:Padgett, Ray (2017).
1301:as well as dance and
1215:, accompanied by the
1177:With advancements in
917:as originally sung by
874:song. Many of singer
725:In the early days of
521:Copyright Act of 1909
274:
2991:Artistic inspiration
2815:Intertextual figures
2782:Parody advertisement
1459:Lists of cover songs
1449:List of cover albums
1268:Prisoners are People
1185:Updating older songs
1168:Nothing Compares 2 U
1140:They Might Be Giants
972:Triple J Hottest 100
706:frequently cut both
663:Die Dreigroschenoper
378:long playing records
286:'s original version.
113:improve this article
30:For other uses, see
3326:Recontextualisation
3279:Information society
3274:History of printing
3254:Academic dishonesty
3015:Genius (literature)
2704:Literal music video
2615:Photographic mosaic
2410:Chopped and screwed
1972:"DON MCLEAN ONLINE"
1920:Percyfaithpages.org
1416:My Chemical Romance
1209:Singin' in the Rain
1191:Singin' in the Rain
1022:'s 1970 version of
882:" by German singer
761:cross cover version
712:country and western
599:was popularized in
554:". Even with this,
480:Cover acts or bands
450:Elvis impersonation
3003:Divine inspiration
2792:Video game modding
2634:By source material
2122:. Pilerats Pty Ltd
1706:See, for example,
1469:Compulsory license
921:as made popular by
552:Mr. Tambourine Man
539:to monopolize the
525:mechanical license
504:The Blues Brothers
491:Revivalist artists
470:Tim "Ripper" Owens
441:The Rolling Stones
288:
3339:
3338:
3246:artistic concepts
3234:Russian formalism
2960:
2959:
2800:
2799:
2689:Anime music video
2672:
2671:
2664:Statue of Liberty
2462:Musical quotation
2405:Bootleg recording
2003:. theguardian.com
1729:The Straight Dope
1635:978-1-80064-422-9
1625:10.11647/obp.0293
1592:978-1-4549-2250-6
1464:Compilation album
1319:Strictly Ballroom
1032:Black Magic Woman
618:
366:gramophone record
339:' 1949 hit tune "
269:
268:
261:
251:
250:
243:
189:
188:
181:
163:
86:
16:(Redirected from
3404:
3392:Jazz terminology
3158:
3148:
3135:
2966:Related artistic
2932:Imitation in art
2902:Assemblage (art)
2811:
2810:
2610:Combine painting
2598:
2597:
2583:Verbatim theatre
2558:Cut-up technique
2457:Music plagiarism
2395:
2394:
2376:
2369:
2362:
2353:
2352:
2347:
2346:
2344:
2343:
2328:
2322:
2321:
2319:
2318:
2303:
2297:
2296:
2294:
2293:
2284:. Archived from
2278:
2272:
2271:
2269:
2268:
2259:. Archived from
2253:
2247:
2246:
2244:
2243:
2228:
2222:
2221:
2219:
2218:
2201:
2195:
2194:
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2145:
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2128:
2127:
2111:
2105:
2104:
2102:
2101:
2080:
2074:
2073:
2071:
2070:
2054:"Like A Version"
2050:
2044:
2043:
2041:
2039:
2025:
2018:
2012:
2011:
2009:
2008:
1996:
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1989:
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1890:
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1869:
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1850:
1844:
1843:
1841:
1840:
1831:. Archived from
1825:
1819:
1818:
1816:
1815:
1800:
1794:
1793:
1780:
1779:
1756:
1746:
1740:
1739:
1737:
1736:
1731:. April 21, 1978
1721:
1712:
1704:
1698:
1697:
1695:
1694:
1679:
1673:
1672:
1670:
1669:
1660:. Archived from
1654:
1648:
1647:
1627:
1611:
1605:
1604:
1576:
1254:Unchained Melody
1016:Blue Suede Shoes
821:Jonathan Coulton
801:L'amour est bleu
743:jukebox and the
720:rhythm and blues
708:rhythm and blues
687:Radio Luxembourg
616:
529:Harry Fox Agency
509:The Black Crowes
413:the Iron Maidens
383:Please Please Me
264:
257:
246:
239:
235:
232:
226:
221:this article by
212:inline citations
199:
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121:
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78:
56:
55:
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21:
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3405:
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3342:
3341:
3340:
3335:
3321:Pirate politics
3294:Derivative work
3247:
3245:
3238:
3161:
3156:
3146:
3133:
3122:
3120:
3113:
3109:Story structure
3104:Stock character
3084:Formula fiction
3072:
3070:
3069:Standard blocks
3063:
2969:
2967:
2956:
2885:
2857:
2806:
2796:
2755:
2684:Abridged series
2668:
2656:Michelangelo's
2648:Michelangelo's
2629:
2594:
2587:
2573:Jukebox musical
2541:
2386:
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2020:
2019:
2015:
2006:
2004:
1997:
1993:
1977:
1976:
1970:
1969:
1965:
1947:
1941:Gilliland, John
1938:
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1785:Aeolian Company
1777:
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1636:
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1608:
1593:
1577:
1558:
1554:
1549:
1529:Traditional pop
1444:
1428:Aretha Franklin
1400:Michael Jackson
1314:John Paul Young
1187:
1166:'s version of "
1164:Sinéad O'Connor
1096:Tears for Fears
1062:'s versions of
1060:Whitney Houston
1056:Behind the Mask
1048:Michael Jackson
1004:Nine Inch Nails
849:Osvaldo Fresedo
847:in Spanish, by
809:
782:Hymne a l'amour
699:
680:Ella Fitzgerald
672:Louis Armstrong
633:
596:Ain't She Sweet
584:
579:
537:Aeolian Company
517:
443:and many other
332:
265:
254:
253:
252:
247:
236:
230:
227:
217:Please help to
216:
200:
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185:
174:
168:
165:
128:"Cover version"
122:
120:
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57:
53:
46:
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28:
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22:
15:
12:
11:
5:
3410:
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3399:
3394:
3389:
3384:
3379:
3374:
3372:Music industry
3369:
3364:
3359:
3354:
3352:Cover versions
3337:
3336:
3334:
3333:
3328:
3323:
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3308:
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3182:
3179:De Copia Rerum
3175:
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2939:
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2914:
2909:
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2899:
2893:
2891:
2890:Other concepts
2887:
2886:
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2757:
2756:
2754:
2753:
2748:
2743:
2738:
2733:
2728:
2727:
2726:
2716:
2714:Re-cut trailer
2711:
2706:
2701:
2696:
2691:
2686:
2680:
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2555:
2549:
2547:
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2540:
2539:
2534:
2529:
2524:
2519:
2514:
2509:
2504:
2499:
2494:
2489:
2484:
2482:Plunderphonics
2479:
2474:
2469:
2464:
2459:
2454:
2449:
2444:
2439:
2434:
2429:
2424:
2423:
2422:
2412:
2407:
2401:
2399:
2392:
2388:
2387:
2379:
2378:
2371:
2364:
2356:
2349:
2348:
2323:
2298:
2273:
2248:
2232:"Retro Charts"
2223:
2196:
2171:
2146:
2132:
2106:
2075:
2045:
2013:
1991:
1963:
1953:Pop Chronicles
1932:
1907:
1895:
1879:"Retro Charts"
1870:
1854:"Retro Charts"
1845:
1820:
1804:"Retro Charts"
1795:
1771:
1741:
1713:
1699:
1674:
1649:
1634:
1606:
1591:
1555:
1553:
1550:
1548:
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1526:
1521:
1516:
1511:
1506:
1501:
1496:
1491:
1486:
1481:
1476:
1471:
1466:
1461:
1456:
1451:
1445:
1443:
1440:
1424:Desolation Row
1354:Marilyn Monroe
1350:Thelma Houston
1329:Romeo + Juliet
1234:Blueberry Hill
1186:
1183:
1154:'s version of
1142:' version of "
1130:'s version of
1124:American Woman
1118:'s version of
1106:'s version of
1104:Glenn Medeiros
1094:'s version of
1082:'s version of
1050:'s version of
1038:'s version of
1010:'s version of
990:'s version of
966:Like a Version
880:99 Luftballons
876:Laura Branigan
861:After the Fire
808:
805:
749:portable radio
698:
695:
658:Mack the Knife
632:
629:
583:
580:
578:
575:
516:
513:
454:Dread Zeppelin
373:cover versions
341:The Hucklebuck
331:
328:
267:
266:
249:
248:
203:
201:
194:
187:
186:
101:
99:
92:
87:
61:
60:
58:
51:
26:
9:
6:
4:
3:
2:
3409:
3398:
3395:
3393:
3390:
3388:
3385:
3383:
3380:
3378:
3377:Popular music
3375:
3373:
3370:
3368:
3365:
3363:
3360:
3358:
3355:
3353:
3350:
3349:
3347:
3332:
3331:Remix culture
3329:
3327:
3324:
3322:
3319:
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3262:
3260:
3257:
3255:
3252:
3251:
3249:
3241:
3235:
3232:
3230:
3229:Postmodernism
3227:
3225:
3222:
3220:
3219:
3215:
3213:
3212:
3208:
3206:
3205:
3201:
3199:
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3155:
3154:
3150:
3144:
3143:
3137:
3132:
3131:
3127:
3126:
3124:
3119:Epoch-marking
3116:
3110:
3107:
3105:
3102:
3100:
3097:
3095:
3094:Jazz standard
3092:
3090:
3089:Genre fiction
3087:
3085:
3082:
3080:
3077:
3076:
3074:
3066:
3060:
3059:Western canon
3057:
3055:
3052:
3050:
3047:
3045:
3044:Genre studies
3042:
3040:
3037:
3033:
3030:
3029:
3028:
3025:
3021:
3018:
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2809:
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2793:
2790:
2788:
2785:
2783:
2780:
2778:
2775:
2773:
2772:Internet meme
2770:
2768:
2765:
2764:
2762:
2758:
2752:
2749:
2747:
2744:
2742:
2739:
2737:
2734:
2732:
2729:
2725:
2724:Shot-for-shot
2722:
2721:
2720:
2717:
2715:
2712:
2710:
2707:
2705:
2702:
2700:
2699:Found footage
2697:
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2690:
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2538:
2535:
2533:
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2525:
2523:
2520:
2518:
2515:
2513:
2512:Sound collage
2510:
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2500:
2498:
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2468:
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2460:
2458:
2455:
2453:
2450:
2448:
2445:
2443:
2442:Interpolation
2440:
2438:
2435:
2433:
2432:Cover version
2430:
2428:
2425:
2421:
2418:
2417:
2416:
2413:
2411:
2408:
2406:
2403:
2402:
2400:
2396:
2393:
2389:
2384:
2383:Appropriation
2377:
2372:
2370:
2365:
2363:
2358:
2357:
2354:
2337:
2333:
2327:
2313:on 2013-01-25
2312:
2308:
2302:
2288:on 2009-11-11
2287:
2283:
2277:
2263:on 2008-11-22
2262:
2258:
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2091:
2086:
2079:
2065:
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2060:
2055:
2049:
2033:
2032:
2027:
2017:
2002:
1995:
1987:
1981:
1973:
1967:
1959:
1955:
1954:
1946:
1942:
1936:
1921:
1917:
1911:
1905:
1899:
1884:
1880:
1874:
1859:
1855:
1849:
1835:on 2008-11-22
1834:
1830:
1824:
1809:
1805:
1799:
1792:
1790:
1786:
1774:
1772:0-415-96802-X
1768:
1764:
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1755:
1754:
1745:
1730:
1726:
1720:
1718:
1711:
1710:
1703:
1689:
1685:
1678:
1664:on 2008-11-21
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1534:Jazz standard
1532:
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1484:Interpolation
1482:
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1409:
1405:
1402:'s hit song "
1401:
1397:
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1381:
1380:
1379:Moulin Rouge!
1375:
1371:
1367:
1363:
1359:
1355:
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1339:
1335:
1334:Nat King Cole
1331:
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1259:
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1251:
1250:rock and roll
1247:
1243:
1239:
1235:
1231:
1227:
1222:
1218:
1214:
1210:
1206:
1203:. The famous
1202:
1201:
1196:
1195:Cliff Edwards
1192:
1182:
1180:
1175:
1173:
1169:
1165:
1161:
1157:
1153:
1152:Darius Rucker
1149:
1148:The Four Lads
1145:
1141:
1137:
1133:
1129:
1125:
1121:
1120:The Guess Who
1117:
1116:Lenny Kravitz
1113:
1109:
1108:George Benson
1105:
1101:
1097:
1093:
1089:
1085:
1081:
1077:
1073:
1072:George Benson
1069:
1065:
1061:
1057:
1053:
1049:
1045:
1041:
1040:Leonard Cohen
1037:
1033:
1029:
1028:Fleetwood Mac
1025:
1021:
1017:
1013:
1009:
1008:Elvis Presley
1005:
1001:
997:
993:
989:
984:
982:
981:
975:
973:
968:
967:
962:
957:
955:
951:
947:
946:Original Song
943:
939:
938:
932:
930:
929:compact discs
926:
922:
918:
914:
910:
904:
901:
897:
893:
889:
885:
881:
877:
873:
870:
869:Solomon Linda
866:
862:
858:
857:Der Kommissar
854:
850:
846:
845:
844:Isle of Capri
839:
836:
832:
831:
826:
822:
818:
817:Baby Got Back
815:'s 1992 rap "
814:
813:Sir Mix-a-Lot
804:
802:
799:
795:
791:
787:
783:
779:
778:
772:
770:
766:
762:
757:
752:
750:
746:
741:
735:
732:
728:
727:rock and roll
723:
721:
717:
716:novelty songs
713:
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694:
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591:record labels
589:
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369:
367:
363:
359:
354:
350:
347:' 1952 song "
346:
345:Hank Williams
342:
338:
337:Paul Williams
327:
325:
321:
317:
313:
309:
305:
301:
297:
296:cover version
293:
292:popular music
285:
281:
278:'s cover of "
277:
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245:
242:
234:
231:February 2012
224:
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172:
169:February 2012
161:
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151:
147:
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140:
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133:
130: –
129:
125:
124:Find sources:
118:
114:
108:
107:
102:This article
100:
96:
91:
90:
85:
83:
76:
75:
70:
69:
64:
59:
50:
49:
44:
40:
33:
19:
18:Cover (music)
3244:Related non-
3216:
3209:
3202:
3191:
3177:
3166:Theorization
3151:
3141:
3128:
3007:
2922:Found object
2917:DĂ©tournement
2751:YouTube poop
2746:Video mashup
2694:Collage film
2657:
2649:
2640:
2568:Found poetry
2563:Flarf poetry
2472:Parody music
2452:Music mashup
2431:
2427:Contrafactum
2340:. Retrieved
2338:. 2011-08-31
2335:
2326:
2315:. Retrieved
2311:the original
2301:
2290:. Retrieved
2286:the original
2276:
2265:. Retrieved
2261:the original
2251:
2240:. Retrieved
2238:. 2000-03-16
2236:EveryHit.com
2235:
2226:
2215:. Retrieved
2209:
2199:
2188:. Retrieved
2174:
2163:. Retrieved
2154:Bush, John.
2149:
2135:
2124:. Retrieved
2119:
2109:
2098:. Retrieved
2088:
2078:
2067:. Retrieved
2057:
2048:
2036:. Retrieved
2029:
2016:
2005:. Retrieved
1994:
1966:
1951:
1935:
1924:. Retrieved
1922:. 1982-08-19
1919:
1910:
1898:
1887:. Retrieved
1885:. 2000-03-16
1883:EveryHit.com
1882:
1873:
1862:. Retrieved
1860:. 2000-03-16
1858:EveryHit.com
1857:
1848:
1837:. Retrieved
1833:the original
1823:
1812:. Retrieved
1810:. 2000-03-16
1808:EveryHit.com
1807:
1798:
1782:
1776:. Retrieved
1752:
1744:
1733:. Retrieved
1707:
1702:
1691:. Retrieved
1687:
1677:
1666:. Retrieved
1662:the original
1652:
1615:
1609:
1581:
1499:Parody music
1432:Otis Redding
1430:'s cover of
1418:covered the
1396:Fall Out Boy
1384:
1377:
1376:are used in
1327:
1324:Candi Staton
1317:
1310:Baz Luhrmann
1307:
1280:
1267:
1261:
1219:group, as a
1208:
1198:
1197:in the film
1188:
1176:
1136:Tainted Love
1132:Gloria Jones
1064:Dolly Parton
1036:Jeff Buckley
1014:' original "
1012:Carl Perkins
988:Jimi Hendrix
985:
980:cover medley
978:
976:
964:
958:
953:
935:
933:
920:
916:
913:music stores
909:bargain bins
905:
871:
842:
840:
828:
810:
800:
797:
793:
789:
785:
781:
775:
773:
769:female cover
768:
764:
760:
753:
736:
724:
714:versions of
704:King Records
700:
684:
678:, 1959, and
661:
649:Glenn Miller
634:
625:
613:Pearl Bailey
605:Eddie Cantor
594:
585:
560:
545:
518:
489:
478:
474:Judas Priest
445:classic rock
421:Led Zeppelin
405:The Fab Four
401:Led Zepagain
393:Tribute acts
391:
388:
381:
372:
370:
333:
311:
310:, or simply
307:
303:
299:
295:
289:
276:Jimi Hendrix
255:
237:
228:
209:
175:
166:
156:
149:
142:
135:
123:
111:Please help
106:verification
103:
79:
72:
66:
65:Please help
62:
3367:Arrangement
3311:Open source
3099:Plot device
3049:Originality
3032:Fan fiction
2897:After (art)
2853:Translation
2709:Parody film
2593:Visual arts
2522:Tribute act
2385:in the arts
2336:Popdose.com
2038:January 26,
1904:Dot Records
1789:piano rolls
1682:Bobby Vee.
1519:Tribute act
1474:Dance cover
1366:David Bowie
1258:Todd Duncan
1238:Fats Domino
1226:Mint Royale
1217:B. Devotion
1160:Wagon Wheel
1084:David Bowie
1024:Peter Green
1000:Johnny Cash
691:needle time
676:Bobby Darin
674:1956/1959,
645:In the Mood
641:bobby soxer
621:the Beatles
609:Gene Austin
433:Iron Maiden
425:The Beatles
397:Björn Again
362:sheet music
316:performance
223:introducing
39:Album cover
3387:Song forms
3346:Categories
3204:Nachahmung
3190:Dionysian
3130:L.H.O.O.Q.
3054:Simulacrum
2863:Adaptation
2843:Plagiarism
2777:Joke theft
2760:Other arts
2553:Assemblage
2415:Contrafact
2342:2016-11-21
2317:2012-11-08
2292:2009-08-23
2267:2008-11-06
2242:2016-11-21
2217:2024-04-08
2211:MusicRadar
2190:2020-09-14
2179:X, Radio.
2165:2011-01-14
2126:2020-03-28
2100:2020-03-28
2069:2020-03-28
2007:2013-11-14
1926:2016-11-21
1889:2016-11-21
1864:2016-11-21
1839:2009-02-14
1814:2016-11-21
1778:2009-04-14
1761:. p.
1735:2009-04-19
1693:2016-11-21
1688:Amazon.com
1668:2009-02-14
1644:1321794085
1552:References
1479:WhoSampled
1410:to a more
1374:the Police
1346:Elton John
1295:blues rock
1272:Al Hibbler
1242:Gene Autry
1230:Volkswagen
1205:Gene Kelly
1092:Gary Jules
1044:Hallelujah
927:series of
888:Goldfinger
872:a cappella
835:plagiarism
786:Mutterlein
765:male cover
756:crossovers
740:Don McLean
668:Hit Parade
588:phonograph
541:piano roll
533:RightsFlow
519:Since the
485:memory aid
462:Beatallica
429:Pink Floyd
358:live event
353:hit parade
300:cover song
206:references
139:newspapers
68:improve it
3079:Archetype
3071:and forms
3027:Fan labor
2907:Bricolage
2848:Quotation
2736:TV format
2642:Mona Lisa
2537:Vaporwave
2532:Variation
2492:Quodlibet
2487:Potpourri
2477:Pasticcio
2467:Nightcore
2185:RadioX UK
1759:Routledge
1601:978537907
1420:Bob Dylan
1412:punk rock
1308:Director
1263:Unchained
1128:Soft Cell
1100:Mad World
1070:" and of
1030:'s 1968 "
992:Bob Dylan
942:glee club
903:process.
825:soft rock
685:Europe's
639:, when a
637:swing era
623:in 1964.
548:Bob Dylan
496:Sha Na Na
466:Metallica
456:performs
349:Jambalaya
320:recording
314:is a new
284:Bob Dylan
74:talk page
3299:Fair use
3192:imitatio
3185:Diegesis
3009:Afflatus
2981:Anti-art
2968:concepts
2912:Citation
2876:Literary
2838:Pastiche
2823:Allusion
2807:concepts
2805:General
2731:Supercut
2517:Standard
2507:Sampling
2391:By field
2160:AllMusic
2120:Pilerats
2090:ABC News
2059:Triple J
1980:cite web
1943:(1969).
1514:Sampling
1442:See also
1408:pop rock
1398:covered
961:Triple J
925:Kidz Bop
900:Cantopop
565:such as
543:market.
3224:Pop art
3198:Mimesis
3142:Quixote
2942:Reprise
2881:Theatre
2767:In-joke
2741:Vidding
2605:Collage
1948:(audio)
1509:Reprise
1436:Respect
1422:track "
1404:Beat It
1358:Madonna
1338:Nirvana
1303:dubstep
1080:Nirvana
1026:'s and
1020:Santana
950:mashups
896:Popcorn
803:, etc.
731:R&B
500:doo-wop
437:the Who
330:History
308:revival
219:improve
153:scholar
3382:Remake
3157:(2010)
3147:(1939)
3134:(1919)
2947:Satire
2937:Mashup
2927:Homage
2833:Parody
2828:Calque
2719:Remake
2502:Riddim
2447:Medley
2437:DJ mix
2181:"Hurt"
1769:
1642:
1632:
1599:
1589:
1524:Remake
1494:Medley
1489:Mashup
1372:, and
1362:T. Rex
1213:Sheila
1172:Prince
1162:" and
794:Seeman
790:Volare
458:reggae
431:, and
343:" and
304:remake
208:, but
155:
148:
141:
134:
126:
3121:works
3039:Genre
3020:Muses
2658:PietĂ
2650:David
2625:Swipe
2578:Trope
2527:Trope
2497:Remix
2398:Music
2024:'
1504:Remix
1392:remix
1370:Queen
1282:Ghost
1221:disco
1170:" by
1146:" by
853:Falco
767:, or
654:radio
567:ASCAP
312:cover
160:JSTOR
146:books
43:Remix
3306:Meme
3173:Dada
2871:Film
2420:list
2040:2011
1986:link
1902:See
1767:ISBN
1640:OCLC
1630:ISBN
1597:OCLC
1587:ISBN
1434:'s "
1387:Nena
1342:Kiss
1299:punk
1297:and
1291:folk
1246:1940
1158:'s "
1134:'s "
1122:'s "
1110:'s "
1098:'s "
1074:'s "
1066:'s "
1054:'s "
1042:'s "
994:'s "
954:Glee
937:Glee
892:Nena
884:Nena
830:Glee
710:and
601:1927
417:ABBA
411:and
324:song
294:, a
132:news
1620:doi
1285:. "
1138:",
1126:",
1114:",
1102:",
1086:'s
1078:",
1058:",
1046:",
1034:",
1018:",
919:or
617:1/3
603:by
571:BMI
569:or
318:or
290:In
115:by
41:or
3348::
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2334:.
2234:.
2208:.
2183:.
2158:.
2118:.
2093:.
2087:.
2062:.
2056:.
2028:.
1982:}}
1978:{{
1956:.
1950:.
1918:.
1881:.
1856:.
1806:.
1781:.
1765:.
1763:46
1757:.
1727:.
1716:^
1686:.
1638:.
1628:.
1595:.
1559:^
1368:,
1364:,
1360:,
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1352:,
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1340:,
1336:,
1322:,
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573:.
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423:,
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2245:.
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2042:.
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2010:.
1988:)
1960:.
1929:.
1892:.
1867:.
1842:.
1817:.
1738:.
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1622::
1603:.
262:)
256:(
244:)
238:(
233:)
229:(
215:.
182:)
176:(
171:)
167:(
157:·
150:·
143:·
136:·
109:.
84:)
80:(
45:.
34:.
20:)
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