Cries and Whispers

975:, Joan Mellen acknowledged that Bergman used his female characters as mouthpieces and his women signify "the dilemma of alienated, suffering human beings". In Bergman's films, women and men fail to find answers to their dilemmas; according to Mellen, the men are unanswered or cannot care for anyone but themselves. However, she wrote that Bergman's women fail because of their biology and an inability to move past their sexuality: "Bergman insists that because of their physiology, women are trapped in dry and empty lives within which they wither as the lines begin to appear on their faces". Critic 430: 768: 5543: 837: 1237: 1028: 1151: 2416:, which had a clergyman protagonist struggling with his faith while seeing suffering in the world, Bergman took the rare step of sharing the screenplay with Erik, and boasted that the latter read it three times. Bergman was possibly trying to communicate that he understood Erik, though the name of the character, Ericsson (son of Erik), may indicate the character represents Bergman more than his father. 861:

endangered by touch and Maria seeking an "erotic" touch. However, Maria is repelled by Agnes' decay and her dead body. Rueschmann explained Karin's repulsion to touch as a result of her degree of isolation and restraint. The scene where Anna cradles Agnes suggests that touch and sensation are soothing, despite the "opaque" question of their relationship, which may be comparable to sisterhood.

1350:) for $ 150,000. Corman spent an additional $ 80,000 on marketing to go with booking the film on the drive-in circuit. According to the producer, the film made a profit of $ 1 million and was Bergman's biggest success in the U.S. Author Tino Balio reported a U.S. gross of $ 1.2 million from 803 theatres, and called it Bergman's best-performing film since 720:

story which began, "Dear Friends: We're now going to make a film together. It is a sort of a vision that I have and I will try to describe it". Andersson did not receive a backstory about Agnes; Agnes' sisters were married with children, but Andersson was uncertain whether Agnes had ever married or became ill at an early age and lived with her mother.

896:, which describes "male solidarity and chicanery, threatened by female plots for marriage". According to Frank Gado, detachment returns after Agnes' funeral. Anna is dismissed without warmth or sympathy, and the men deny her monetary rewards despite years of service. Maria also rejects "sentimental appeals" from Karin. 1226:

seen with an open mouth and moist eyes, depicting her pain. Her memories of her mother are idealised, with the "flourishing greenery of the Edenic garden". Surveying the visuals and Bergman's depiction of social isolation and mourning, critics Christopher Heathcote and Jai Marshall found parallels in the paintings of

288:. The film, set in a mansion at the end of the 19th century, is about three sisters and a servant who struggle with the terminal cancer of one of the sisters (Andersson). The servant (Sylwan) is close to her, while the other two sisters (Ullmann and Thulin) confront their emotional distance from each other. 387:

and her failed marriage with her husband Joakim, who stabbed himself non-fatally in response to the adultery. David tells her that she has become more indifferent. Agnes remembers their mother, who neglected and teased her and favoured Maria, with greater understanding and recalls sharing a moment of

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Rueschmann quoted Bergman as saying his "ceaseless fascination with the whole race of women is one of mainsprings. Obviously such an obsession implies ambivalence; it has something compulsive about it". However, he doubted that there was much difference between men and women: "I think that if I had

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examined the film's title. The young Maria whispers to her mother, and Karin and Maria whisper to each other as they bond. According to Törnqvist, "The cries relate to the opposite emotions: anguish, impotence, loneliness". Professor Emma Wilson described the family's predicament, with Karin feeling

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Andersson described the on-set mood as light, an antidote to the film's heavy subject matter. She said that although she usually read the screenplay and went to bed early during a production, the filmmakers kept her awake late to enhance her tired, ill appearance. The actress modeled her death scene

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Wilson described other uses of imagery: statues filling a garden, decorations, sunlight on a clock and a view of Maria revealing the "texture" of her hair. Images follow one another in the five-minute prologue with no spoken words. The close-ups of Maria in the initial scene are childlike. Agnes is

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for Agnes: "I would very much like to have Harriet, too, since she belongs to this breed of enigmatic women". Andersson had not worked with Bergman for years, and he sent her notes rather than a complete screenplay. Ullmann described receiving a 50-page "personal letter" from Bergman describing the

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when he wrote constantly. He described a recurring dream of four women in white clothing in a red room, whispering to each other. He said that this symbolised his childhood view of the soul as a faceless person who was black on the outside, representing shame, and red on the inside. The persistence

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with "boredom, anger and frustration". According to Rueschmann, her daughters assume (or reject) her position and harm themselves in the process. Agnes' confinement to bed may reflect gender roles and expectations for women about sex, childbirth and death. Author Birgitta Steene disputed what she

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The family decides to send Anna away at the end of the month, with Fredrik refusing to award her with any additional severance pay, and the maid rejects her promised memento. Maria returns to Joakim, and Karin cannot believe Maria's claim that she does not remember their touch. Anna finds Agnes'

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Agnes dies after a long period of suffering, and at her wake the priest says that her faith was stronger than his own. Maria tells Karin that it is unusual for them to avoid touching each other or having a deep conversation. She tries to touch Karin, who recoils at the gesture. Karin recalls an

1202:

red". According to Richard Armstrong, the Eastmancolor film added "a livid, slightly oneiric quality". Two rooms in the first scene (one where Maria is sleeping and the other being Agnes' room) are joined by the same colours, including "blood red" carpets and drapes and white pillows and

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Sounds are used in other ways, with Anna's dead daughter apparently audible when Anna is near the cradle following Agnes' death. The prologue's bells and clocks are more audible than the natural sounds preceding them; Agnes' struggle to breathe soon joins the clocks' ticking, with editor

383:. Her sisters, Maria and Karin, arrive at their childhood home and take turns with the maid, Anna, watching over Agnes. Anna, more religious than the sisters, prays after she lost her young daughter. When Agnes's doctor David visits, he sees his former lover Maria. Maria remembers their 38: 445:

of the vision indicated to Bergman that it could be a film, he said, and he planned a "portrait of my mother ... the great beloved of my childhood". Karin has the same name as Bergman's mother, but all four female protagonists are intended to represent aspects of her personality.

396:, she mutilated her genitals with a piece of broken glass to repel her husband Fredrik. Karin later dines with Maria, saying that Anna was devoted to Agnes and probably deserves a memento. She says she resents Anna's seeming familiarity with her and Maria, speaks of her own 1255: 793:

and would be the most sensitive to colours. The final, outdoor swing scene was shot early in production so the filmmakers could have sunlight before the darker season set in. Ullmann said that every scene was shot in natural light, using large windows for indoor scenes.

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for help with the film's 1.5-million SEK budget. This attracted some criticism, since Bergman was not an up-and-coming director in the greatest need of subsidy. To save money, the main actresses and Nykvist returned their salaries as loans and were nominal co-producers.

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four stars (out of four) in his initial review: "We slip lower in our seats, feeling claustrophobia and sexual disquiet, realizing that we have been surrounded by the vision of a film maker who has absolute mastery of his art". and named it "the best film of 1973".

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Death is the ultimate loneliness; that is what is so important. Agnes's death has been caught up halfway out into the void. I can't see that there's anything odd about that. Yes, by Christ there is! This situation has never been known, either in reality or at the

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symbolises blood from the womb. Törnqvist wrote that Karin's transfer of blood from her vulva to her mouth means that she will neither have sex nor speak, and preventing communication reinforces loneliness. Sitney wrote that the family is most united when reading

460:. I lifted a hand and touched her shoulder. I had heard about the chill of death, but the girl's skin was not cold but hot. I moved my hand to her breast, which was small and slack with an erect black nipple. There was dark down on her abdomen. She was breathing. 1121:

at the end of the film (which he considered ironic, since Twelfth Night is associated with revelation). The magic-lantern show takes place on Twelfth Night. Sitney, Rueschmann, and Irving Singer described the scene where Anna cradles Agnes as reminiscent of

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has an approval rating of 91% based on 34 reviews, with an average score of 8.50/10. The site's critical consensus reads: "Visually stunning and achingly performed, Ingmar Bergman's chamber piece is a visceral rumination on death and sisterhood."

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wrote that Hansel and Gretel's parents abandoned them in the forest (symbolism), and Agnes' cancer is the equivalent of the witch in the Brothers Grimm tale. Karin's cutting of her vulva means that her husband will not have sex with her, and the

1083:", the wicked stepsisters' bleeding feet as a metaphor for menstruation is magnified by Karin's cutting of her vulva. Her laugh is reminiscent of the wicked witch in "Hansel and Gretel", as she reacts to the damage her sexuality has done. 754:

made many photography tests to capture balanced combinations of reds, whites and skin colours. To the disappointment of Swedish Film Institute members, Bergman refused to shoot in their new, expensive studios and filmed on location at

1214:(in the final, autumnal outdoor scene). Blood, seen when Maria's husband injures himself and Karin cuts her vulva, echoes an earlier view of the mother character holding a red book against her dress. Sitney associates this with 403:

In a dream sequence, Agnes briefly returns to life and asks Karin and then Maria to approach her. Karin, repelled by the invitation, says that she still has life and does not love Agnes enough to join her. Maria approaches the

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has no definitive solution of whether suffering and death have any meaning, citing the pastor who expresses his own doubts and fears when he eulogises Agnes. Gervais likened this to the protagonist of Bergman's earlier

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and his later films as "projections of his soul", revealing his "sexual vanity". According to Haskell, Bergman attacked his female characters for the attributes he gave them: Karin's repression and Maria's sexuality.

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staff defined "Bergman's lean style" as including a "use of lingering close-ups, fades to red and a soundtrack echoing with the ticking of clocks, the rustle of dresses and the hushed cries of the lost". Critic

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Although Agnes' apparent resurrection may reflect Anna's fear (or desire), Emma Wilson wrote that it blurred the line between life and dream and might involve supernatural activity. Bergman explained the scene:

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to Bergman's later filmography, which differed from his earlier works in their view of women. Women in his early films lived in harmony with each other and had more-complete lives; Bergman used the women in

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praised Andersson's performance as "so powerful that we feel like intruders watching it. She screams, whimpers, begs, and cries. She craves death and fears it". Berardinelli considered Bergman's use of

500:—I had gone as far as I could go. And that in these two instances when working in total freedom, I touched wordless secrets that only the cinema can discover". In an essay included with the DVD, critic 6874: 408:

Agnes but flees in terror when she grabs her, saying that she cannot leave her husband and children. Anna re-enters the room and takes Agnes back to bed, where she cradles the dead Agnes in her arms.

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depicts the suppression of women, but it does not endorse the suppression and the film opposes patriarchy. Rueschmann traced the emotional estrangement to the women's mother, who reacts to the era's

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are not simply objects of abuse, but creatures through whom Bergman can express his own subjective fears, his many frustrations and failures at preserving autonomy of self and control of reality".

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The young girl who had just been treated lay on a wooden table in the middle of the floor. I pulled back the sheet and exposed her. She was quite naked apart from a plaster that ran from throat to

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Törnqvist, seeing that Anna prays for her dead daughter while eating an apple, wrote: "The eating of the apple links Anna, whose dead daughter was undoubtedly an illegitimate child, with the

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is a film about the world of women, and is very open in terms of the gender and sexual politics that it portrays". The story fits Bergman's motif of "warring women", seen earlier in

1547:" list in 2002, writing that to watch the film "is to touch the extremes of human feeling. It is so personal, so penetrating of privacy, we almost want to look away". That year, 4121: 922:. According to Gervais, the ending presents Bergman's solution: a touch, on certain occasions, can make life worthwhile. Törnqvist compared the ending to that of Bergman's 1957 7784: 2156: 6890: 2116: 3007: 806:

Previous Bergman films had focused on the apparent absence of God, but scholar Julian C. Rice quoted Bergman as saying that he had moved beyond that theme. Rice wrote that

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with Chris Nietvelt as Agnes, moving the story to a contemporary setting, reducing the use of red and replacing the film's classical music with modern songs, including

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The Rite of Redemption in the Films of Ingmar Bergman: The Rite, The Virgin Spring, Hour of the Wolf, Shame, Passion of Anna, The Touch, Cries and Whispers

2194: 6341: 2214: 4398: 4259: 1094:". According to editor Raphael Shargel, Anna seems oblivious to the sacrilege of snacking immediately after worship and that her choice of food is the 8815: 4076: 1994: 1881: 1725: 1717: 388:

sorrow with her. While Agnes' sisters remain emotionally distant, Anna comforts the suffering Agnes by baring her breasts and holding her at night.

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rite becomes redemption: "Anna is holding in her arms the pain and loneliness and sin of the world caught up in the innocent Divine Sufferer".

400:, and confesses her hatred of Maria and her flirtatiousness and shallow smiles. The sisters reconcile after the argument, touching each other. 303:

and the search for meaning in suffering, and academics have found Biblical allusions. Unlike previous Bergman films, it uses saturated colour,

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critic Andy Klein placed the film "solidly in the existential/emotional angst mode of best work", called it a triumphant comeback from

1560:; the "natural associations one makes with this color, especially in a story like this, are of sin and blood". Zendry Svärdkrona's 2003 8770: 4099: 1793: 2759: 8790: 7394: 7318: 3296: 4707: 4431: 7595: 5581: 3011: 2174: 4868: 4635: 1543:, Richard Brody said that despite its period setting, the emotional drama resonated with modern audiences. Ebert added it to his " 8037: 7946: 6334: 1385: 1011:

analysis, cross-referencing Bergman's realistic and metaphorical films to say that they are not the product of a sexist outlook.

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at age 10, from his aunt. In his autobiography, he described it as personally significant, and also depicted a magic lantern in

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in which costumes are prominent. According to Gervais, Bergman had shed his previous austerity in favour of greater aesthetics.

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tells of an "Orphic transformation of terror into art, of the loss of the mother into the musical richness of autumnal color".

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called it "a work of genius— certainly the most complex, the most perceptive and the most humane of Bergman's works to date".

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five stars in 2000, writing that the film fit a subset of "character study" at which Bergman was adept. Reviewing the DVD in

339: 1105:, and Wilson compared the position of Agnes' arms and legs to Jesus' body after his Passion. Gado also saw parallels to the 8800: 7987: 4891: 4569: 2271: 2099: 4825: 1071:

The sisters' Aunt Olga uses the magic lantern to narrate "Hansel and Gretel", and Sitney connected this with "the gift of

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would be in the film: "Let's see if that works out. It probably will; why shouldn't it?" However, Farrow was never cast.

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Since Bergman's films were difficult to market, foreign capital was unavailable to finance the film. He decided to shoot

4229: 958:(1978). The film inspired essays about Bergman's view of women. Patricia Erens wrote, "Bergman's women in such films as 6327: 3863: 1570:

praised the film's cinematography and the performances of the female leads, calling the result a masterpiece in 2008.

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review called it a masterpiece with wonderful aesthetics but unpleasant subject matter, citing Nykvist and Andersson.

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considered the film as Bergman’s personal view on women and argued that the film was both static and ahistorical.

8730: 8249: 8138: 7956: 6111: 6020: 4602: 4302: 4027: 3658: 6986: 6249: 5937: 4733: 2134: 2031: 1861: 1705: 915: 4044: 872:", which reveals Agnes' feelings of abandonment and her mother's favouring of Maria; according to Rueschmann, the 8795: 8399: 8148: 6464: 6220: 6044: 2722: 1783: 1592:, praising its visuals but cautioning viewers about the large amount of dialogue. Reviewing the Blu-ray in 2015, 6859: 1300:

wrote that it fit Bergman's use of Bach to signify "a possible transcendent wholeness". The score also contains

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Törnqvist advised against a literal reading of Agnes rising from the dead, relating it to the sisters' guilt.

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The film was nominated for, and won, several other awards from critics' associations and festivals. At the

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nightdresses. Wilson observed that the film has fade-ins and fade-outs in saturated reds. Sitney analysed

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called it a "magnificent, moving, and very mysterious new film". He included the film in his list of the

759:. Since the mansion's interior was dilapidated, the crew was free to paint and decorate as they saw fit. 750:

Few of Bergman's previous films were shot in colour. Red was particularly sensitive, and cinematographer

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was an obvious tool with which to study the film, given the subconscious links between its characters.

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as Allen's "most candid homage", given the sister characters' relationship to their depressed mother;

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Before the director's death in 2007, Ullmann starred in 11 of his works and became known as his muse.

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appears as both Maria's daughter and Anna's daughter in the picture. Another of Bergman's daughters,

319: 1060:. If the artistic, doomed Agnes matches Orpheus as well as Bergman, Agnes' mother may correspond to 8459: 7936: 7816: 7769: 7685: 7268: 7157: 7087: 7047: 6798: 6448: 5913: 5785: 5769: 5753: 5665: 4703: 2660: 2094: 1989: 1721: 1393: 924: 474:, had been) and finance it through his production company, Cinematograph. Although he used 750,000 5484:

Zrínyi, Ildikó Ungvari (2013). "Scenic Narration Between Film and Theatre". In Katja Krebs (ed.).

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in 2010 for the Hungarian Theatre of Cluj, dramatising Bergman's story and the film's production.

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diary with an account of a visit with Maria, Karin and Anna, with a shared, nostalgic moment on a

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Heathcote, Christopher; Marshall, Jai (April 2013). "Cries and Whispers: The Complete Bergman".

2361:, and that's been the most important fact in ... artistic life", and they also had a daughter, 1210:

colour scheme, writing that there are moves from red with white to red with black to orange and

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as a poetically-rendered psychological study. Critic O. Foss wrote a less-positive review in

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quoted the director: "All of my films can be thought of in terms of black and white, except

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gave the film five stars out of five writing "This film burns, like ice held to the skin."

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was the fourth foreign-language film in Academy history to receive this nomination, after

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Inspired by Bergman's mother, Karin Åkerblom, and his vision of four women in a red room,

8: 8760: 8710: 8640: 8489: 8469: 8419: 8319: 8128: 8118: 8067: 7695: 7504: 7454: 7338: 7308: 6846: 6838: 6726: 6694: 6670: 6646: 6552: 6520: 6496: 6472: 6416: 6386: 6166: 6076: 6060: 6052: 5996: 5953: 5945: 5873: 5841: 5458: 4699: 4426: 4421: 4145: 3829: 3769: 2434: 2397: 2357: 2076: 1761: 1690: 1647: 1635: 1493: 1355: 1297: 1289: 892: 492: 327: 300: 259: 5542: 4368:"Cries and Whispers review-Ingmar Bergman's diabolically inspired claustrophobic horror" 1296:, is used in the film. Noting its use when the two sisters touch affectionately, critic 8600: 8550: 7896: 7368: 7117: 7027: 6941: 6814: 6614: 6488: 6394: 6174: 6103: 5801: 5745: 5729: 5721: 5681: 5673: 5633: 5055: 4991: 4860: 4627: 4393: 4049: 3627: 3381: 2500:"reprises his focus on three sisters", but pays more attention to the male characters. 2467: 1984: 1921: 1548: 1517: 1487: 1464: 1341: 1167: 315: 5521: 4453: 8610: 8449: 8439: 8339: 8279: 8017: 7886: 7755: 7745: 7665: 7645: 7187: 7137: 7017: 6971: 6702: 6261: 5857: 5793: 5657: 5516: 5489: 5470: 5444: 5425: 5406: 5384: 5362: 5343: 5324: 5302: 5280: 5261: 5242: 5223: 5201: 5182: 5163: 5144: 5125: 5103: 5084: 5062: 5039: 5020: 4998: 4972: 4950: 4931: 4340: 4023: 3964: 2584: 2241:

of the scene where Anna holds Agnes as part of a series commemorating the history of

1944: 1604: 1557: 1522: 1453:, calling it "a rhapsody of petrified Bergman themes". The Swedish cultural magazine 1435: 869: 841: 716: 533: 273: 77: 5376: 4729: 857: 8680: 8670: 8620: 8560: 8429: 8228: 8178: 8057: 7916: 7434: 7378: 7207: 7097: 7057: 6931: 6686: 6536: 6182: 5961: 5849: 5761: 5705: 4015: 3373: 3291: 2918: 2242: 2234: 2009: 1580: 1544: 1362:

in Los Angeles County (several months before its Swedish release). It premiered in

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with four men in the leading roles, the story would have been largely the same".

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on the death of her father, and Bergman directed her deep, violent inhalations.

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Wilson noted the film's red rooms occupied by women in white, and the "azure,

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According to Bergman, he conceived the story during a lonely, unhappy time on

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In a large 19th-century mansion with red walls and carpets, Agnes is dying of

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Sonatas, Screams, and Silence: Music and Sound in the Films of Ingmar Bergman

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The Visual Story: Creating the Visual Structure of Film, TV and Digital Media

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story of sibling unity contrasts the sisters' estrangement. Cinema historian

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Bergman and Ullmann had a previous romantic relationship, and their daughter

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where it is used in a moment of unity, and contrasted it to darker usage in

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This article is about the Swedish film. For the album by Dominic Duval, see

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Rice, Julian C. (Winter 1975). "Cries and Whispers: The Complete Bergman".

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Bergman claimed the title was derived from a description of the music of

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Sitney, P. Adams (Spring 1989). "Color and Myth in Cries and Whispers".

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Sitney, P. Adams (Spring 1989). "Color and Myth in Cries and Whispers".

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Sitney, P. Adams (Spring 1989). "Color and Myth in Cries and Whispers".

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Agnes' illness is identified as cancer of the womb by numerous authors.

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described its colour variety as minimal, with an emphasis on "extremely

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life, to the communion inherent in childhood that has later been lost".

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Luko, Alexis (2015). "Bergman's Musical Clones and Character Doubles".

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alternatively related the title to the sounds one makes when one dies.

1381:, where Bergman received a strong positive reaction from the audience. 1277: 1219: 1080: 1072: 994: 790: 742:, a novice in Bergman's films, had what would have been Farrow's role. 735: 5237:

Orr, John (2014). "Lure of the Archipelago: Bergman-Godard-New Wave".

5083:. Montreal, Kingston, London and Ithaca: McGill-Queen's Press - MQUP. 5017:

The Technique of Film and Video Editing: History, Theory, and Practice

4019: 1612:, and joked about the resurrection scene: "Yes, technically this is a 836: 707:

When Bergman wrote the screenplay, he intended from the start to cast

8836:

Films whose cinematographer won the Best Cinematography Academy Award

8700: 7997: 7615: 3895: 3362:

Mellen, Joan (Autumn 1973). "Bergman and Women: Cries and Whispers".

2251: 1370: 775: 613: 597: 441: 393: 93: 7799: 5299:

Ingmar Bergman, Cinematic Philosopher: Reflections on His Creativity

4009: 3377: 2750: 2748: 2746: 2744: 1150: 8540: 8218: 7237: 7007: 5977: 5554: 5124:(Third ed.). Chicago and London: University of Chicago Press. 1405: 1346: 1061: 882: 384: 37: 4892:"Sister Slips Away, Under Her Camera's Gaze, in Update of Bergman" 3426:

Burstyn, Varda (January 1986). "Cries and Whispers Reconsidered".

2355:

remarked Bergman and Ullmann's "lives have been intertwined since

1421:

Before the film's release, estimations of Bergman were lowered by

1124: 1101:

Törnqvist wrote that Agnes' prolonged pain and death resemble the

367: 5559: 4307: 2956: 2741: 1685:. It was the fourth foreign-language film ever nominated for the 1602:

a "masterpiece" in which the colour red had an important effect.

1594: 1553: 1401: 1265: 1194:

images of the start are gradually engulfed in crimson". Producer

1154: 1076: 1064:(representing "the green world"). P. Adams Sitney concluded that 1057: 457: 365:

referring to a scene in which Andersson and Sylwan replicate the

304: 1505:

made a theatrical comparison, saying that the film "begins like

7735: 7585: 4928:

Mourning Films: A Critical Study of Loss and Grieving in Cinema

2310:

directed a 2009 adaptation at the Bergman Festival in Sweden's

1053: 405: 8720: 4993:

How I Made a Hundred Movies in Hollywood and Never Lost a Dime

7067: 6891:

National Board of Review Award for Best Foreign Language Film

6742: 4799: 4797: 2560: 2558: 1211: 785:

took place from 9 September to 30 October 1971. Nykvist used

7127: 5141:

The Films of Ingmar Bergman: Illusions of Light and Darkness

5122:

From Reverence to Rape: The Treatment of Women in the Movies

3453: 3451: 3141: 3139: 3137: 3065: 3063: 5239:

The Demons of Modernity: Ingmar Bergman and European Cinema

4947:

The Foreign Film Renaissance on American Screens, 1946–1973

3891:"Harriet Andersson: 'Ingmar Bergman var jävligt svartsjuk'" 3202: 3200: 3080: 3078: 478:

of his savings and borrowed 200,000 SEK, he also asked the

4794: 4143:

Crist, Judith (8 January 1973). "In the Right Direction".

3239: 3097: 3095: 3093: 3031: 3029: 2854: 2852: 2850: 2818: 2816: 2580:

American film distribution : the changing marketplace

2555: 3448: 3436: 3397: 3395: 3134: 3122: 3060: 2699: 2697: 1087: 4533:"Oscar: Foreign Language Films as Best Picture Nominees" 3991: 3989: 3987: 3924:"Bergman's 'Cries and Whispers' Is a Blu-ray Revelation" 3700: 3698: 3567: 3543: 3492: 3482: 3480: 3478: 3330: 3328: 3326: 3197: 3112: 3110: 3075: 2610: 1491:

staff praised the direction for "a hypnotic impact". In

1462:

The film was generally praised in the United States. In

392:

earlier occasion at the mansion, where, struggling with

326:

was a critical and commercial success. It received five

310:

After its premiere in the United States, distributed by

4782: 4153: 3806: 3804: 3789: 3533: 3531: 3251: 3212: 3168: 3166: 3090: 3026: 2847: 2813: 2801: 2789: 2779: 2777: 2598: 2521: 2519: 2517: 1052:

According to Sitney, the statue in the prologue may be

928:; it "points to the past, to a paradisaic existence in 416:. Agnes wrote that "come what may, this is happiness." 4840: 4680: 3842: 3840: 3555: 3392: 3263: 3229: 3227: 2694: 2672: 2670: 468:

in Swedish rather than English (as his previous film,

3984: 3748: 3695: 3475: 3407: 3323: 3107: 2543: 3801: 3683: 3599: 3528: 3516: 3504: 3463: 3340: 3163: 3151: 3010:(in Swedish). Svenska Filminstitutet. Archived from 2895: 2893: 2774: 2595:

Please note figures are for rentals in US and Canada

2531: 2514: 1392:

was screened in the Retrospective section. In 2015,

530: 361:

and influenced later cinema. It was commemorated on

334:(rare for a foreign-language film). Cinematographer 4930:. Jefferson, North Carolina and London: McFarland. 4282: 3837: 3777: 3224: 2682: 2667: 642: 626: 5361:. London and New York: Columbia University Press. 5301:. Cambridge, Massachusetts and London: MIT Press. 5258:Sisters on Screen: Siblings in Contemporary Cinema 5054: 4990: 4014:. London; New York: Wallflower Press. p. 46. 2627: 2625: 1022: 6349: 6308: 3766: 3311: 2890: 2873: 2871: 2869: 2867: 1388:in February 2011 (with Andersson in attendance), 1336:of only $ 75,000. Its U.S. rights were bought by 8752: 7801:New York Film Critics Circle Award for Best Film 5381:Between Stage and Screen: Ingmar Bergman Directs 5323:. Oxford and New York: Oxford University Press. 4475: 4473: 4471: 4469: 4467: 4336:"DVD Review: Bergman's angst 'Cries' on Blu-ray" 3008:"Viskningar och rop (1973) – Inspelningsplatser" 1035:; Agnes' death is reminiscent of Jesus' Passion. 562: 264:'Whispers and Cries') is a 1972 Swedish 4622: 4620: 2622: 1689:, in addition to four other nominations at the 1584:critics' poll of the greatest films ever made. 1328:Every major film-distribution company rejected 852:, the fairy tale suggests familial abandonment. 690: 674: 322:. Following two unsuccessful films by Bergman, 5486:Translation and Adaptation in Theatre and Film 4589: 4587: 4007: 2877: 2864: 2650: 658: 578: 546: 8531:The Lord of the Rings: The Return of the King 7785: 6875: 6335: 5575: 5036:Sexual Stratagems: the World of Women in Film 4464: 3280: 3278: 1369:The film premiered at the Spegeln theatre in 801: 4985: 4617: 4171: 3953: 3951: 2564: 1138:. According to academic Arthur Gibson, the 940:Critic Marco Lanzagorta wrote, "Undeniably, 774:was filmed at Taxinge-Näsby Castle, outside 610: 594: 4599:British Academy of Film and Television Arts 4584: 4566:Academy of Motion Picture Arts and Sciences 3773:. Vol. 57, no. 4. pp. 84–91. 1320:finding "the continuity of time and life". 7792: 7778: 6882: 6868: 6342: 6328: 5582: 5568: 5541: 5255: 4803: 4500: 4498: 4194: 3616: 3614: 3585: 3457: 3442: 3284: 3275: 3145: 3128: 3069: 2646: 2644: 2642: 2640: 2425:Wood connected this usage of the music of 1627:Don Druker wrote a negative review in the 1377:was later shown out of competition at the 734:The director initially said that he hoped 36: 7395:Women on the Verge of a Nervous Breakdown 7319:A Few Days from the Life of I. I. Oblomov 5469:. Detroit: Wayne State University Press. 5375: 5260:. Philadelphia: Temple University Press. 5019:(Fourth ed.). Taylor & Francis. 4925: 4889: 4815: 4556: 4554: 4506:"Le Prix Vulcain de l'Artiste Technicien" 3957: 3948: 3573: 3549: 3498: 3357: 3355: 3206: 3084: 3035: 2878:Cowie, Peter; Andersson, Harriet (2015). 2716: 2714: 2712: 2604: 820:(1966), was based more on psychology and 16:1972 Swedish drama film by Ingmar Bergman 8816:Films with screenplays by Ingmar Bergman 5419: 5397: 5011: 4159: 4096:"Cries and Whispers Movie Review (1973)" 3921: 3652: 3650: 3101: 2983: 2981: 2979: 2977: 2975: 2914:"Liv Ullmann talks about Ingmar Bergman" 2911: 2905: 2858: 2807: 2651:Nyreröd, Marie; Bergman, Ingmar (2015). 1149: 1026: 835: 831: 766: 428: 5274: 5241:. New York and Oxford: Berghahn Books. 5116: 5075: 4818:"Bergmans kostymer visas i anrik miljö" 4495: 4300: 3888: 3611: 3561: 3425: 3401: 3269: 3245: 2966: 2880:Harriet Anderrson on Cries and Whispers 2703: 2637: 2576: 2549: 2537: 2385: 1633:, criticising a lack of substance, and 1386:61st Berlin International Film Festival 935: 490:, Bergman wrote: "Today I feel that in 452:mortuary also influenced the director: 353:The film inspired stage adaptations by 299:in 1971. Its themes include faith, the 8753: 5483: 5438: 5356: 5337: 5315: 5293: 5214: 5157: 5138: 5097: 4890:Isherwood, Charles (26 October 2011). 4858: 4846: 4816:Stanelius, Patrick (4 November 2017). 4788: 4686: 4551: 4386: 4303:"Blu-ray review: 'Cries and Whispers'" 4288: 4149:. Vol. 6, no. 2. p. 65. 4077:"Critic's Choice-10 Best Films of '72" 3995: 3754: 3735: 3716: 3704: 3605: 3593: 3589: 3537: 3522: 3510: 3486: 3469: 3413: 3361: 3352: 3334: 3218: 3184: 3172: 3157: 3116: 2783: 2720: 2709: 2616: 2525: 2486: 2456: 7773: 6863: 6323: 6307: 5563: 5033: 4963: 4944: 4871:from the original on 22 November 2017 4770:from the original on 13 November 2017 4668:from the original on 18 November 2017 4638:from the original on 13 November 2017 4605:from the original on 13 November 2017 4539:from the original on 13 November 2017 4434:from the original on 22 November 2017 4401:from the original on 16 November 2017 4348:from the original on 22 November 2017 4333: 4260:"Votes for Viskningar Och Rop (1972)" 4209:from the original on 22 November 2017 4195:Svärdkrona, Zendry (29 August 2003). 4142: 4122:"Ebert's 10 Best Lists: 1967–present" 4102:from the original on 22 February 2017 4093: 4057:from the original on 13 November 2017 4042: 3972:from the original on 16 November 2017 3936:from the original on 14 November 2017 3822: 3810: 3689: 3671:from the original on 16 November 2017 3659:"DVD of the Week: Cries and Whispers" 3647: 3635:from the original on 16 November 2017 3620: 3346: 2987: 2972: 2942:"Liv Ullmann and Memories of Bergman" 2939: 2822: 2729:from the original on 16 November 2017 2368: 2168: 2133: 2093: 2008: 1920: 1855: 1755: 1416: 340:Academy Award for Best Cinematography 5457: 5441:Love, Mortality and the Moving Image 5195: 5176: 5081:Ingmar Bergman: Magician and Prophet 5052: 4902:from the original on 1 December 2017 4530: 4315:from the original on 1 December 2017 4240:from the original on 2 December 2017 4227: 3903:from the original on 1 December 2017 3870:from the original on 1 December 2017 3846: 3825:"Roger Corman, Tycoon of 'Z' Movies" 3795: 3783: 3257: 3233: 3047: 2996:(Blu-ray). The Criterion Collection. 2962: 2899: 2886:(Blu-ray). The Criterion Collection. 2795: 2723:"Cries and Whispers: Love and Death" 2688: 2676: 2631: 2419: 2272:Sisters, or the Balance of Happiness 1749: 824:. Academic Eva Rueschmann said that 5279:. University Press of Mississippi. 5236: 5181:. University Press of Mississippi. 4632:Hollywood Foreign Press Association 4572:from the original on 2 October 2017 4043:Canby, Vincent (22 December 1972). 3958:Parkinson, David (1 January 2000). 3889:Brander, Maria (14 February 2011). 3317: 2835:from the original on 1 October 2017 2762:from the original on 15 August 2014 2583:. UMI Research Press. p. 294. 2391:Bergman recalled receiving his own 2298:It has been adapted for the stage. 1358:, distributors hurried to premiere 1157:features extensively in the film's 998:essayist Varda Burstyn's view that 13: 8781:Films about dysfunctional families 5589: 5422:Ingmar Bergman: His Life and Films 5200:. New York and London: Routledge. 4419: 3864:Berlin International Film Festival 1235: 992:Academic Laura Hubner agreed with 14: 8852: 8771:Best Film Guldbagge Award winners 7596:The Diving Bell and the Butterfly 6112:The Making of Fanny and Alexander 5504: 5340:Ingmar Bergman: A Reference Guide 5220:Leonard Maltin's 2014 Movie Guide 4949:. University of Wisconsin Press. 4740:from the original on 29 July 2017 4228:Levy, Emanuel (4 February 2008). 4094:Ebert, Roger (12 February 1973). 3922:Atkinson, Michael (1 July 2015). 3656: 2940:Ebert, Roger (16 February 2001). 2758:. The Ingmar Bergman Foundation. 2249:'s later films, including 1978's 1653:On the review aggregator website 1588:gave the film three stars in his 1445:critic Hanserik Hjerten assessed 1332:, even when Bergman asked for an 969:Feminists critiqued the film. In 745: 42:Swedish theatrical release poster 8791:Films directed by Ingmar Bergman 7947:The Treasure of the Sierra Madre 5938:From the Life of the Marionettes 4883: 4861:"Bergmans ångest återuppstånden" 4852: 4809: 4752: 4734:National Society of Film Critics 4722: 4710:from the original on 3 June 2017 4692: 4650: 4524: 4446: 4413: 4380: 4360: 4327: 4294: 3299:from the original on 22 May 2017 3285:Lanzagorta, Marco (March 2003). 2135:National Society of Film Critics 1706:27th British Academy Film Awards 1276:Problems playing this file? See 1251: 6735:The Girl with the Dragon Tattoo 6465:Release the Prisoners to Spring 6221:The Seduction of Ingmar Bergman 5539:Swedish Film Institute Database 5162:(in Italian). Gremese Editore. 4918: 4301:LaSalle, Mick (22 April 2015). 4252: 4221: 4188: 4165: 4136: 4114: 4087: 4069: 4036: 4001: 3915: 3882: 3852: 3816: 3760: 3729: 3710: 3432:. No. 3–4. pp. 33–45. 3419: 3178: 3041: 3000: 2933: 2823:Ebert, Roger (18 August 2002). 2404: 2345: 1023:Mythical and biblical allusions 731:, also appears as young Maria. 330:nominations, including one for 7515:Crouching Tiger, Hidden Dragon 6591:Il Capitano: A Swedish Requiem 5439:Wilson, Emma (2012). "Pietà". 5383:. Amsterdam University Press. 5342:. Amsterdam University Press. 4531:Levy, Emanuel (25 July 2006). 4487:. 2 March 2014. Archived from 4387:Druker, Don (7 January 1985). 3823:Turan, Kenneth (7 June 1977). 2912:Shanahan, Mark (20 May 2016). 2653:Introduction by Ingmar Bergman 2577:Donahue, Suzanne Mary (1987). 2570: 2336: 1687:Academy Award for Best Picture 1646:" compared to Bergman's purer 1521:and in between it's more like 424: 1: 7279:That Obscure Object of Desire 6351:Guldbagge Award for Best Film 5359:Ingmar Bergman's Face to Face 5057:The Passion of Ingmar Bergman 4859:Wåhlin, Claes (28 May 2009). 4011:Ingmar Bergman's Face to Face 2721:Wilson, Emma (2 April 2015). 2507: 1128:, with Lanzagorta specifying 715:. He explained his choice of 419: 348:Guldbagge Award for Best Film 268:film written and directed by 8831:1970s Swedish-language films 8048:The Bridge on the River Kwai 6655:Tsatsiki, morsan och polisen 6583:Good Evening, Mr. Wallenberg 6207:Ingmar Bergman Makes a Movie 4824:(in Swedish). Archived from 4764:New York Film Critics Circle 4334:Klein, Andy (3 April 2015). 4172:Berardinelli, James (2002). 2725:. The Criterion Collection. 2170:New York Film Critics Circle 1907:Vulcan Technical Grand Prize 1673:won three categories at the 1665: 1642:s review called the film a " 1533:critic David Parkinson gave 1411: 1290:Cello Suite No. 5 in C minor 1079:terrors". In the folk tale " 7: 8801:Films set in country houses 8038:Around the World in 80 Days 7927:The Best Years of Our Lives 6663:Songs from the Second Floor 5467:Ingmar Bergman: New Edition 5177:Long, Robert Emmet (2006). 4926:Armstrong, Richard (2012). 4481:"Viskningar och rop (1973)" 3960:"Cries and Whispers Review" 2410:Earlier with his 1963 film 1598:critic Mick LaSalle called 1306:Mazurka in A minor, Op.17/4 868:show the sisters enjoy is " 10: 8857: 8731:Killers of the Flower Moon 6529:Beyond Sorrow, Beyond Pain 6513:The Simple-Minded Murderer 5970:In the Presence of a Clown 5277:Ingmar Bergman: Interviews 3621:Staff (31 December 1972). 2117:Best Foreign Language Film 1995:Best Foreign Language Film 1726:Best Foreign Language Film 1323: 802:Themes and interpretations 762: 511: 448:A childhood memory of the 168:21 December 1972 21:Cries and Whispers (album) 18: 8501: 8240: 7978: 7807: 7526: 7259: 6998: 6897: 6481:The Adventures of Picasso 6357: 6317: 6242: 6193: 6150: 6122: 6095: 5988: 5625: 5597: 5338:Steene, Birgitta (2005). 5275:Shargel, Raphael (2007). 5061:. Duke University Press. 4662:Gustavus Adolphus College 4562:"The 46th Academy Awards" 2316:Brooklyn Academy of Music 2295:and other Bergman films. 2228: 2189: 2183: 2173: 2151: 2138: 2111: 2098: 2089: 2080: 2075: 2071: 2065: 2059: 2054: 2026: 2013: 2004: 1998: 1988: 1983: 1951: 1940: 1936: 1925: 1916: 1910: 1900: 1895: 1876: 1860: 1851: 1845: 1837: 1832: 1778: 1770: 1760: 1748: 1745: 1742: 1739: 1736: 1733: 1379:1973 Cannes Film Festival 320:1973 Cannes Film Festival 228: 220: 212: 204: 194: 159: 143: 129: 121: 111: 103: 73: 65: 57: 47: 35: 30: 8400:The Silence of the Lambs 8149:In the Heat of the Night 7988:A Streetcar Named Desire 7158:The Sleeping Car Murders 6799:The Nile Hilton Incident 5754:Smiles of a Summer Night 5420:Vermilye, Jerry (2006). 5357:Tapper, Michael (2017). 5256:Rueschmann, Eva (2000). 5034:Erens, Patricia (1979). 4704:National Board of Review 4420:VG (10 September 2012). 3050:The Massachusetts Review 2661:The Criterion Collection 2565:Corman & Jerome 1990 2329: 2291:exhibited costumes from 2095:National Board of Review 1794:Best Original Screenplay 1722:30th Golden Globe Awards 1681:. At Cannes, it won the 1394:The Criterion Collection 1145: 8250:All the President's Men 7556:The Barbarian Invasions 7349:A Sunday in the Country 7218:The Sorrow and the Pity 6233:Ingmar Bergman's Cinema 5179:Liv Ullmann: Interviews 5158:Lancia, Enrico (1998). 5098:Gibson, Arthur (1993). 4008:Michael Tapper (2017). 2376:Wolfgang Amadeus Mozart 1882:Best Supporting Actress 1724:, it was nominated for 1718:Best Supporting Actress 589:Maria (and her mother) 374: 8796:Films set in the 1890s 8571:No Country for Old Men 8370:The Accidental Tourist 8350:Hannah and Her Sisters 7837:The Life of Emile Zola 7827:Mr. Deeds Goes to Town 5898:Scenes from a Marriage 5810:Through a Glass Darkly 5698:This Can't Happen Here 5650:A Ship Bound for India 5405:. Simon and Schuster. 5139:Hubner, Laura (2007). 5102:. Edwin Mellen Press. 4989:; Jerome, Jim (1990). 4485:Swedish Film Institute 4264:British Film Institute 2498:Hannah and Her Sisters 2492:Rueschmann identified 2446:Through a Glass Darkly 2312:Royal Dramatic Theatre 2269:'s 1979—1988 trilogy: 2258:Hannah and Her Sisters 2063:Best Foreign Director 1716:and Ingrid Thulin for 1576:British Film Institute 1556:effective in creating 1439:critic Åke Janzon and 1240: 1162: 1047: 1036: 853: 779: 480:Swedish Film Institute 462: 437: 363:Swedish postage stamps 252: 232:SEK 2,130,705 (Sweden) 179:5 March 1973 8821:Films about self-harm 8139:A Man for All Seasons 8008:From Here to Eternity 7937:Gentleman's Agreement 7445:Farewell My Concubine 7248:The Story of Adele H. 7148:Juliet of the Spirits 6371:Swedish Wedding Night 6159:Mr. Sleeman Is Coming 6021:While the City Sleeps 4197:"Filmtips 30 augusti" 4132:on September 8, 2006. 2988:Cowie, Peter (2015). 2427:Johann Sebastian Bach 2314:, and in 2011 at the 2267:Margarethe von Trotta 2261:, were influenced by 2044:Special Achievemnent 1930:Best Foreign Director 1683:Technical Grand Prize 1677:in Sweden, including 1474:10 Best Films of 1972 1366:on 21 December 1972. 1354:. To qualify for the 1286:Johann Sebastian Bach 1239: 1153: 1042: 1030: 839: 832:Family and detachment 783:Principal photography 770: 454: 432: 134:Johann Sebastian Bach 8811:Films shot in Sweden 6980:No Award (1942–1949) 6922:Carnival in Flanders 6575:The Miracle in Valby 6411:A Swedish Love Story 6227:Ingmar Bergman Award 6005:Woman Without a Face 5642:It Rains on Our Love 5403:The Films in My Life 5321:The Cinema of Poetry 5053:Gado, Frank (1986). 4945:Balio, Tino (2010). 4736:. 19 December 2009. 4700:"1973 Award Winners" 4658:"Cries and Whispers" 4628:"Cries and Whispers" 4454:"Cries and Whispers" 4422:"Cries and Whispers" 4389:"Cries and Whispers" 4174:"Cries and Whispers" 4045:"Cries and Whispers" 3860:"Viskningar och rop" 3623:"Viskningar Och Rop" 3287:"Cries and Whispers" 2825:"Cries and Whispers" 2756:"Cries and Whispers" 2278:Marianne and Juliane 1897:Cannes Film Festival 1675:9th Guldbagge Awards 1648:psychological dramas 1574:ranked 154th in the 1261:The film includes a 1107:crucifixion of Jesus 936:Sex and gender roles 918:, a minister of the 878:P. Adams Sitney 789:film, which reduced 757:Taxinge-Näsby Castle 297:Taxinge-Näsby Castle 234:$ 1.5 million (U.S.) 176: (United States) 8841:1970s Swedish films 8826:Swedish drama films 8806:Films set in Sweden 8786:Films about sisters 8470:Saving Private Ryan 8320:Terms of Endearment 7867:The Grapes of Wrath 7505:All About My Mother 7455:Eat Drink Man Woman 7339:Fanny and Alexander 6847:Paradise Is Burning 6839:Triangle of Sadness 6727:Everlasting Moments 6671:As White as in Snow 6553:Pelle the Conqueror 6521:Fanny and Alexander 6497:To Be a Millionaire 6473:The Man on the Roof 6077:Private Confessions 6061:The Best Intentions 6045:The Pleasure Garden 5954:After the Rehearsal 5946:Fanny and Alexander 5874:The Passion of Anna 4535:. Emanuellevy.com. 4512:on 12 November 2008 4491:on 19 January 2015. 4270:on 22 February 2017 4083:. 31 December 1972. 3830:The Washington Post 3798:, pp. 258–259. 3260:, pp. 281–282. 3248:, pp. 120–121. 2798:, pp. 397–399. 2619:, pp. 100–101. 2435:Goldberg Variations 2398:Fanny and Alexander 2157:Best Cinematography 1867:Best Cinematography 1819:Best Costume Design 1804:Best Cinematography 1714:Best Cinematography 1699:Best Cinematography 1691:46th Academy Awards 1433:(1971). In Sweden, 1356:46th Academy Awards 893:The Pickwick Papers 518: 398:suicidal tendencies 350:and other honours. 153:Svensk Filmindustri 8776:Films about cancer 8601:The Social Network 8551:Brokeback Mountain 8330:A Passage to India 8199:Cries and Whispers 8189:A Clockwork Orange 8159:The Lion in Winter 7957:All the King's Men 7897:Watch on the Rhine 7415:Cyrano de Bergerac 7299:La Cage aux Folles 7228:Cries and Whispers 7118:Sundays and Cybele 7028:A Queen Is Crowned 6942:La Grande Illusion 6815:And Then We Danced 6615:A Pizza in Jordbro 6489:A Respectable Life 6457:The Last Adventure 6441:Cries and Whispers 6395:Hugo and Josephine 6311:Cries and Whispers 6151:Television theatre 5890:Cries and Whispers 5730:Sawdust and Tinsel 5722:Summer with Monika 5550:Cries and Whispers 5534:Cries and Whispers 5523:Cries and Whispers 5512:Cries and Whispers 5399:Truffaut, François 5160:I premi del cinema 4896:The New York Times 4828:on 1 December 2017 4568:. 4 October 2014. 4394:The Chicago Reader 4098:. RogerEbert.com. 4050:The New York Times 2994:Cries and Whispers 2884:Cries and Whispers 2657:Cries and Whispers 2463:Cries and Whispers 2304:Cries and Whispers 2293:Cries and Whispers 2263:Cries and Whispers 2126:Top Foreign Films 2084:Best Foreign Film 2036:Harriet Andersson 1922:David di Donatello 1842:Best European Film 1712:was nominated for 1671:Cries and Whispers 1659:Cries and Whispers 1600:Cries and Whispers 1572:Cries and Whispers 1549:James Berardinelli 1535:Cries and Whispers 1518:The Cherry Orchard 1482:Cries and Whispers 1465:The New York Times 1447:Cries and Whispers 1417:Critical reception 1390:Cries and Whispers 1375:Cries and Whispers 1360:Cries and Whispers 1342:New World Pictures 1330:Cries and Whispers 1288:'s sarabande from 1247:Mazurka in A minor 1241: 1205:Cries and Whispers 1181:Cries and Whispers 1163: 1090:of the Fall, with 1066:Cries and Whispers 1037: 1017:Cries and Whispers 1000:Cries and Whispers 986:Cries and Whispers 981:Cries and Whispers 964:Cries and Whispers 942:Cries and Whispers 905:Cries and Whispers 854: 850:Cries and Whispers 808:Cries and Whispers 780: 772:Cries and Whispers 516: 506:Cries and Whispers 498:Cries and Whispers 466:Cries and Whispers 438: 344:Cries and Whispers 324:Cries and Whispers 316:New World Pictures 293:Cries and Whispers 254:Viskningar och rop 244:Cries and Whispers 31:Cries and Whispers 8748: 8747: 8742: 8741: 8460:L.A. Confidential 8440:Leaving Las Vegas 8280:Kramer vs. Kramer 8018:On the Waterfront 7887:In Which We Serve 7857:Wuthering Heights 7767: 7766: 7756:Anatomy of a Fall 7385:Manon des Sources 7269:The Marquise of O 7138:World Without Sun 7088:Wild Strawberries 7018:The Sound Barrier 6857: 6856: 6505:Children's Island 6449:A Handful of Love 6301: 6300: 6262:Margareta Bergman 6069:Sunday's Children 5922:The Serpent's Egg 5794:The Virgin Spring 5770:Wild Strawberries 5658:Music in Darkness 5612:Stage productions 5495:978-1-134-11410-8 5476:978-0-8143-3806-3 5450:978-0-230-36770-8 5431:978-1-4766-1270-6 5412:978-0-671-24663-1 5390:978-90-5356-171-3 5368:978-0-231-85121-3 5349:978-90-5356-406-6 5330:978-0-19-933704-0 5308:978-0-262-26481-5 5286:978-1-57806-218-8 5267:978-1-56639-747-6 5248:978-0-85745-979-4 5229:978-1-101-60955-2 5207:978-1-135-02274-7 5188:978-1-57806-824-1 5169:978-88-7742-221-7 5150:978-0-230-80138-7 5131:978-0-226-41292-4 5109:978-0-7734-9205-9 5090:978-0-7735-1843-8 5068:978-0-8223-0586-6 5045:978-0-8180-0706-4 5038:. Horizon Press. 5026:978-1-136-05282-8 5004:978-0-394-56974-1 4978:978-1-136-04345-1 4956:978-0-299-24793-5 4937:978-0-7864-9314-2 4341:Los Angeles Times 4126:Chicago Sun-Times 4020:10.7312/tapp17652 3221:, pp. 48–49. 2590:978-0-8357-1776-2 2226: 2225: 1945:Harriet Andersson 1737:Date of ceremony 1605:Los Angeles Times 1581:Sight & Sound 1503:François Truffaut 1436:Svenska Dagbladet 1373:on 5 March 1973. 1256: 1117:and a mention of 925:Wild Strawberries 870:Hansel and Gretel 842:Hansel and Gretel 840:Illustration of " 717:Harriet Andersson 705: 704: 685:Maria's daughter 605:Isak, the priest 534:Harriet Andersson 274:Harriet Andersson 263: 240: 239: 78:Harriet Andersson 69:Lars-Owe Carlberg 8848: 8766:1972 drama films 8735: 8725: 8715: 8705: 8695: 8685: 8675: 8665: 8655: 8645: 8635: 8625: 8621:Zero Dark Thirty 8615: 8605: 8595: 8585: 8575: 8565: 8555: 8545: 8535: 8525: 8515: 8511:Mulholland Drive 8494: 8484: 8474: 8464: 8454: 8444: 8434: 8424: 8420:Schindler's List 8414: 8404: 8394: 8384: 8374: 8364: 8354: 8344: 8334: 8324: 8314: 8304: 8294: 8284: 8274: 8264: 8254: 8233: 8223: 8213: 8203: 8193: 8183: 8179:Five Easy Pieces 8173: 8163: 8153: 8143: 8133: 8123: 8113: 8103: 8098: 8088: 8072: 8062: 8058:The Defiant Ones 8052: 8042: 8032: 8022: 8012: 8002: 7992: 7971: 7961: 7951: 7941: 7931: 7921: 7917:The Lost Weekend 7911: 7901: 7891: 7881: 7871: 7861: 7851: 7841: 7831: 7821: 7794: 7787: 7780: 7771: 7770: 7760: 7750: 7740: 7730: 7720: 7710: 7700: 7690: 7680: 7670: 7660: 7650: 7640: 7630: 7620: 7610: 7600: 7590: 7580: 7570: 7560: 7550: 7540: 7519: 7509: 7499: 7489: 7479: 7469: 7459: 7449: 7439: 7429: 7419: 7409: 7399: 7389: 7379:Jean de Florette 7373: 7363: 7353: 7343: 7333: 7323: 7313: 7303: 7293: 7283: 7273: 7252: 7242: 7232: 7222: 7212: 7202: 7192: 7182: 7172: 7162: 7152: 7142: 7132: 7122: 7112: 7102: 7098:The World of Apu 7092: 7082: 7072: 7062: 7058:The Silent World 7052: 7042: 7038:Romeo and Juliet 7032: 7022: 7012: 6991: 6981: 6976: 6966: 6962:The Baker's Wife 6956: 6946: 6936: 6932:The Eternal Mask 6926: 6916: 6911: 6884: 6877: 6870: 6861: 6860: 6537:My Life as a Dog 6344: 6337: 6330: 6321: 6320: 6305: 6304: 6183:The Image Makers 5962:The Blessed Ones 5850:Hour of the Wolf 5762:The Seventh Seal 5738:A Lesson in Love 5714:Secrets of Women 5706:Summer Interlude 5584: 5577: 5570: 5561: 5560: 5545: 5499: 5480: 5454: 5435: 5416: 5394: 5372: 5353: 5334: 5317:Sitney, P. 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7193: 7183: 7173: 7168:Elvira Madigan 7163: 7153: 7143: 7133: 7123: 7113: 7103: 7093: 7083: 7073: 7063: 7053: 7043: 7033: 7023: 7013: 7002: 7000: 6996: 6995: 6993: 6992: 6982: 6977: 6967: 6957: 6947: 6937: 6927: 6917: 6912: 6901: 6899: 6895: 6894: 6887: 6886: 6879: 6872: 6864: 6855: 6854: 6852: 6851: 6843: 6835: 6827: 6819: 6811: 6803: 6795: 6787: 6783:The Here After 6779: 6771: 6763: 6755: 6747: 6739: 6731: 6723: 6715: 6707: 6703:Nina's Journey 6699: 6691: 6683: 6675: 6667: 6659: 6651: 6643: 6635: 6627: 6619: 6611: 6603: 6595: 6587: 6579: 6571: 6567:Back to Ararat 6557: 6549: 6541: 6533: 6525: 6517: 6509: 6501: 6493: 6485: 6477: 6469: 6461: 6453: 6445: 6437: 6429: 6421: 6407: 6403:The White Game 6399: 6391: 6383: 6375: 6367: 6358: 6355: 6354: 6347: 6346: 6339: 6332: 6324: 6318: 6315: 6314: 6299: 6298: 6296: 6295: 6289: 6286:Daniel Bergman 6283: 6277: 6271: 6265: 6259: 6253: 6246: 6244: 6240: 6239: 6237: 6236: 6229: 6224: 6217: 6210: 6203: 6197: 6195: 6194:Related topics 6191: 6190: 6188: 6187: 6179: 6171: 6163: 6154: 6152: 6148: 6147: 6145: 6144: 6136: 6126: 6124: 6120: 6119: 6117: 6116: 6108: 6099: 6097: 6093: 6092: 6090: 6089: 6081: 6073: 6065: 6057: 6049: 6041: 6033: 6025: 6017: 6009: 6001: 5992: 5990: 5986: 5985: 5983: 5982: 5974: 5966: 5958: 5950: 5942: 5934: 5926: 5918: 5910: 5902: 5894: 5886: 5878: 5870: 5862: 5854: 5846: 5838: 5830: 5822: 5814: 5806: 5798: 5790: 5782: 5774: 5766: 5758: 5750: 5742: 5734: 5726: 5718: 5710: 5702: 5694: 5686: 5678: 5670: 5662: 5654: 5646: 5638: 5629: 5627: 5626:Films directed 5623: 5622: 5620: 5619: 5614: 5609: 5604: 5598: 5595: 5594: 5591:Ingmar Bergman 5587: 5586: 5579: 5572: 5564: 5558: 5557: 5546: 5530: 5519: 5506: 5505:External links 5503: 5501: 5500: 5494: 5481: 5475: 5455: 5449: 5436: 5430: 5417: 5411: 5395: 5389: 5373: 5367: 5354: 5348: 5335: 5329: 5313: 5307: 5295:Singer, Irving 5291: 5285: 5272: 5266: 5253: 5247: 5234: 5228: 5212: 5206: 5193: 5187: 5174: 5168: 5155: 5149: 5136: 5130: 5118:Haskell, Molly 5114: 5108: 5095: 5089: 5073: 5067: 5050: 5044: 5031: 5025: 5009: 5003: 4983: 4977: 4961: 4955: 4942: 4936: 4922: 4920: 4917: 4914: 4913: 4882: 4867:(in Swedish). 4851: 4849:, p. 181. 4839: 4808: 4806:, p. 124. 4793: 4781: 4751: 4721: 4691: 4689:, p. 258. 4679: 4649: 4616: 4595:"Film in 1974" 4583: 4550: 4523: 4494: 4463: 4445: 4412: 4379: 4359: 4326: 4293: 4281: 4251: 4220: 4205:(in Swedish). 4187: 4164: 4162:, p. 257. 4152: 4135: 4113: 4086: 4081:New York Times 4068: 4035: 4028: 4000: 3998:, p. 300. 3983: 3947: 3914: 3899:(in Swedish). 3881: 3851: 3849:, p. 399. 3836: 3815: 3813:, p. 296. 3800: 3788: 3786:, p. 258. 3776: 3759: 3757:, p. 108. 3747: 3738:Film Criticism 3728: 3719:Film Criticism 3709: 3707:, p. 107. 3694: 3692:, p. 164. 3682: 3664:The New Yorker 3646: 3610: 3598: 3596:, p. 196. 3592:, p. 48; 3578: 3576:, p. 153. 3574:Törnqvist 1995 3566: 3564:, p. xii. 3554: 3552:, p. 148. 3550:Törnqvist 1995 3542: 3527: 3515: 3503: 3501:, p. 158. 3499:Törnqvist 1995 3491: 3489:, p. 115. 3474: 3462: 3460:, p. 139. 3447: 3445:, p. 136. 3435: 3418: 3416:, p. 136. 3406: 3404:, p. 315. 3391: 3365:Film Quarterly 3351: 3349:, p. 100. 3339: 3337:, p. 889. 3322: 3310: 3274: 3272:, p. 121. 3262: 3250: 3238: 3236:, p. 420. 3223: 3211: 3209:, p. 157. 3207:Törnqvist 1995 3196: 3187:Film Criticism 3177: 3162: 3150: 3148:, p. 140. 3133: 3131:, p. 141. 3121: 3119:, p. 112. 3106: 3104:, p. 385. 3089: 3087:, p. 152. 3085:Törnqvist 1995 3074: 3072:, p. 128. 3059: 3040: 3036:Armstrong 2012 3025: 2999: 2990:On-Set Footage 2971: 2969:, p. 133. 2955: 2932: 2904: 2889: 2863: 2861:, p. 139. 2846: 2829:RogerEbert.com 2812: 2810:, p. 123. 2800: 2788: 2773: 2740: 2708: 2706:, p. 120. 2693: 2691:, p. 409. 2681: 2679:, p. 408. 2666: 2636: 2621: 2609: 2607:, p. 147. 2605:Törnqvist 1995 2597: 2589: 2569: 2567:, p. 190. 2554: 2552:, p. 133. 2542: 2530: 2528:, p. 299. 2512: 2511: 2509: 2506: 2503: 2502: 2485: 2468:Grand Illusion 2455: 2418: 2403: 2384: 2367: 2344: 2334: 2333: 2331: 2328: 2289:Hallwyl Museum 2243:Swedish cinema 2230: 2227: 2224: 2223: 2220: 2217: 2211: 2210: 2207: 2201: 2200: 2197: 2191: 2190: 2188: 2185: 2182: 2177: 2175:3 January 1973 2172: 2166: 2165: 2162: 2159: 2153: 2152: 2150: 2147: 2142: 2137: 2131: 2130: 2127: 2123: 2122: 2119: 2113: 2112: 2110: 2107: 2102: 2097: 2091: 2090: 2088: 2085: 2082: 2079: 2073: 2072: 2070: 2067: 2064: 2061: 2058: 2052: 2051: 2048: 2045: 2041: 2040: 2037: 2034: 2028: 2027: 2025: 2022: 2017: 2012: 2006: 2005: 2003: 2000: 1997: 1992: 1987: 1981: 1980: 1977: 1971: 1970: 1967: 1961: 1960: 1957: 1956:Ingrid Thulin 1953: 1952: 1950: 1947: 1942: 1941:Special David 1938: 1937: 1935: 1932: 1927: 1924: 1918: 1917: 1915: 1912: 1909: 1904: 1902:10–25 May 1973 1899: 1893: 1892: 1889: 1884: 1878: 1877: 1875: 1872: 1869: 1864: 1859: 1853: 1852: 1850: 1847: 1844: 1839: 1836: 1830: 1829: 1826: 1821: 1815: 1814: 1811: 1806: 1800: 1799: 1796: 1790: 1789: 1786: 1780: 1779: 1777: 1774: 1772:Ingmar Bergman 1769: 1764: 1759: 1757:Academy Awards 1753: 1752: 1747: 1744: 1741: 1738: 1735: 1667: 1664: 1630:Chicago Reader 1618:Peter Bradshaw 1586:Leonard Maltin 1540:The New Yorker 1515:and ends like 1442:Dagens Nyheter 1418: 1415: 1413: 1410: 1325: 1322: 1273: 1260: 1250: 1245: 1244: 1243: 1234: 1233: 1232: 1196:Bruce A. Block 1147: 1144: 1024: 1021: 972:Film Quarterly 937: 934: 874:Brothers Grimm 858:Egil Törnqvist 846:Ludwig Richter 833: 830: 826:psychoanalysis 803: 800: 764: 761: 747: 746:Pre-production 744: 703: 702: 699: 687: 686: 683: 671: 670: 667: 655: 654: 651: 639: 638: 635: 623: 622: 619: 607: 606: 603: 591: 590: 587: 575: 574: 571: 559: 558: 555: 543: 542: 539: 527: 526: 523: 513: 510: 496:—and later in 426: 423: 421: 418: 381:uterine cancer 376: 373: 295:was filmed at 270:Ingmar Bergman 238: 237: 230: 226: 225: 222: 218: 217: 214: 210: 209: 206: 202: 201: 198: 195: 192: 191: 189: 188: 177: 165: 163: 160: 157: 156: 151: 149: 144: 141: 140: 131: 127: 126: 123: 119: 118: 113: 112:Cinematography 109: 108: 107:Ingmar Bergman 105: 101: 100: 75: 71: 70: 67: 63: 62: 61:Ingmar Bergman 59: 55: 54: 52:Ingmar Bergman 49: 45: 44: 41: 33: 32: 15: 9: 6: 4: 3: 2: 8853: 8842: 8839: 8837: 8834: 8832: 8829: 8827: 8824: 8822: 8819: 8817: 8814: 8812: 8809: 8807: 8804: 8802: 8799: 8797: 8794: 8792: 8789: 8787: 8784: 8782: 8779: 8777: 8774: 8772: 8769: 8767: 8764: 8762: 8759: 8758: 8756: 8733: 8732: 8727: 8723: 8722: 8717: 8713: 8712: 8707: 8703: 8702: 8697: 8693: 8692: 8687: 8683: 8682: 8677: 8673: 8672: 8667: 8663: 8662: 8657: 8653: 8652: 8647: 8643: 8642: 8637: 8633: 8632: 8627: 8623: 8622: 8617: 8613: 8612: 8607: 8603: 8602: 8597: 8593: 8592: 8587: 8583: 8582: 8577: 8573: 8572: 8567: 8563: 8562: 8557: 8553: 8552: 8547: 8543: 8542: 8537: 8533: 8532: 8527: 8523: 8522: 8517: 8513: 8512: 8507: 8506: 8504: 8500: 8492: 8491: 8486: 8482: 8481: 8476: 8472: 8471: 8466: 8462: 8461: 8456: 8452: 8451: 8446: 8442: 8441: 8436: 8432: 8431: 8426: 8422: 8421: 8416: 8412: 8411: 8406: 8402: 8401: 8396: 8392: 8391: 8386: 8382: 8381: 8376: 8372: 8371: 8366: 8362: 8361: 8356: 8352: 8351: 8346: 8342: 8341: 8336: 8332: 8331: 8326: 8322: 8321: 8316: 8312: 8311: 8306: 8302: 8301: 8296: 8292: 8291: 8286: 8282: 8281: 8276: 8272: 8271: 8266: 8262: 8261: 8256: 8252: 8251: 8246: 8245: 8243: 8239: 8231: 8230: 8225: 8221: 8220: 8215: 8211: 8210: 8209:Day for Night 8205: 8201: 8200: 8195: 8191: 8190: 8185: 8181: 8180: 8175: 8171: 8170: 8165: 8161: 8160: 8155: 8151: 8150: 8145: 8141: 8140: 8135: 8131: 8130: 8125: 8121: 8120: 8115: 8111: 8110: 8105: 8100: 8096: 8095: 8090: 8086: 8085: 8080: 8079: 8078:The Apartment 8074: 8070: 8069: 8064: 8060: 8059: 8054: 8050: 8049: 8044: 8040: 8039: 8034: 8030: 8029: 8024: 8020: 8019: 8014: 8010: 8009: 8004: 8000: 7999: 7994: 7990: 7989: 7984: 7983: 7981: 7977: 7969: 7968: 7967:All About Eve 7963: 7959: 7958: 7953: 7949: 7948: 7943: 7939: 7938: 7933: 7929: 7928: 7923: 7919: 7918: 7913: 7909: 7908: 7903: 7899: 7898: 7893: 7889: 7888: 7883: 7879: 7878: 7873: 7869: 7868: 7863: 7859: 7858: 7853: 7849: 7848: 7843: 7839: 7838: 7833: 7829: 7828: 7823: 7819: 7818: 7813: 7812: 7810: 7806: 7802: 7795: 7790: 7788: 7783: 7781: 7776: 7775: 7772: 7758: 7757: 7752: 7748: 7747: 7742: 7738: 7737: 7732: 7728: 7727: 7722: 7718: 7717: 7712: 7708: 7707: 7702: 7698: 7697: 7692: 7688: 7687: 7682: 7678: 7677: 7672: 7668: 7667: 7662: 7658: 7657: 7652: 7648: 7647: 7642: 7638: 7637: 7632: 7628: 7627: 7622: 7618: 7617: 7612: 7608: 7607: 7602: 7598: 7597: 7592: 7588: 7587: 7582: 7578: 7577: 7572: 7568: 7567: 7562: 7558: 7557: 7552: 7548: 7547: 7542: 7538: 7537: 7536:Amores perros 7532: 7531: 7529: 7525: 7517: 7516: 7511: 7507: 7506: 7501: 7497: 7496: 7491: 7487: 7486: 7481: 7477: 7476: 7471: 7467: 7466: 7461: 7457: 7456: 7451: 7447: 7446: 7441: 7437: 7436: 7431: 7427: 7426: 7425:Europa Europa 7421: 7417: 7416: 7411: 7407: 7406: 7401: 7397: 7396: 7391: 7387: 7386: 7381: 7380: 7375: 7371: 7370: 7365: 7361: 7360: 7355: 7351: 7350: 7345: 7341: 7340: 7335: 7331: 7330: 7325: 7321: 7320: 7315: 7311: 7310: 7305: 7301: 7300: 7295: 7291: 7290: 7289:Autumn Sonata 7285: 7281: 7280: 7275: 7271: 7270: 7265: 7264: 7262: 7258: 7250: 7249: 7244: 7240: 7239: 7234: 7230: 7229: 7224: 7220: 7219: 7214: 7210: 7209: 7208:Claire's Knee 7204: 7200: 7199: 7194: 7190: 7189: 7184: 7180: 7179: 7178:War and Peace 7174: 7170: 7169: 7164: 7160: 7159: 7154: 7150: 7149: 7144: 7140: 7139: 7134: 7130: 7129: 7124: 7120: 7119: 7114: 7110: 7109: 7104: 7100: 7099: 7094: 7090: 7089: 7084: 7080: 7079: 7074: 7070: 7069: 7064: 7060: 7059: 7054: 7050: 7049: 7044: 7040: 7039: 7034: 7030: 7029: 7024: 7020: 7019: 7014: 7010: 7009: 7004: 7003: 7001: 6997: 6989: 6988: 6983: 6978: 6974: 6973: 6968: 6964: 6963: 6958: 6954: 6953: 6948: 6944: 6943: 6938: 6934: 6933: 6928: 6924: 6923: 6918: 6913: 6909: 6908: 6903: 6902: 6900: 6896: 6892: 6885: 6880: 6878: 6873: 6871: 6866: 6865: 6862: 6849: 6848: 6844: 6841: 6840: 6836: 6833: 6832: 6828: 6825: 6824: 6820: 6817: 6816: 6812: 6809: 6808: 6804: 6801: 6800: 6796: 6793: 6792: 6788: 6785: 6784: 6780: 6777: 6776: 6775:Force Majeure 6772: 6769: 6768: 6764: 6761: 6760: 6759:Eat Sleep Die 6756: 6753: 6752: 6748: 6745: 6744: 6740: 6737: 6736: 6732: 6729: 6728: 6724: 6721: 6720: 6716: 6713: 6712: 6708: 6705: 6704: 6700: 6697: 6696: 6692: 6689: 6688: 6684: 6681: 6680: 6676: 6673: 6672: 6668: 6665: 6664: 6660: 6657: 6656: 6652: 6649: 6648: 6644: 6641: 6640: 6636: 6633: 6632: 6628: 6625: 6624: 6620: 6617: 6616: 6612: 6609: 6608: 6607:The Slingshot 6604: 6601: 6600: 6596: 6593: 6592: 6588: 6585: 6584: 6580: 6577: 6576: 6572: 6569: 6568: 6563: 6562: 6558: 6555: 6554: 6550: 6547: 6546: 6545:The Sacrifice 6542: 6539: 6538: 6534: 6531: 6530: 6526: 6523: 6522: 6518: 6515: 6514: 6510: 6507: 6506: 6502: 6499: 6498: 6494: 6491: 6490: 6486: 6483: 6482: 6478: 6475: 6474: 6470: 6467: 6466: 6462: 6459: 6458: 6454: 6451: 6450: 6446: 6443: 6442: 6438: 6435: 6434: 6433:The Apple War 6430: 6427: 6426: 6425:The Emigrants 6422: 6419: 6418: 6413: 6412: 6408: 6405: 6404: 6400: 6397: 6396: 6392: 6389: 6388: 6384: 6381: 6380: 6376: 6373: 6372: 6368: 6365: 6364: 6360: 6359: 6356: 6352: 6345: 6340: 6338: 6333: 6331: 6326: 6325: 6322: 6316: 6312: 6306: 6293: 6290: 6287: 6284: 6281: 6278: 6275: 6272: 6269: 6266: 6263: 6260: 6257: 6254: 6251: 6248: 6247: 6245: 6241: 6235: 6234: 6230: 6228: 6225: 6223: 6222: 6218: 6216: 6215: 6211: 6209: 6208: 6204: 6202: 6199: 6198: 6196: 6192: 6185: 6184: 6180: 6177: 6176: 6172: 6169: 6168: 6164: 6161: 6160: 6156: 6155: 6153: 6149: 6142: 6141: 6137: 6134: 6133: 6130:"Daniel" in 6128: 6127: 6125: 6121: 6114: 6113: 6109: 6106: 6105: 6104:Fårö Document 6101: 6100: 6098: 6096:Documentaries 6094: 6087: 6086: 6082: 6079: 6078: 6074: 6071: 6070: 6066: 6063: 6062: 6058: 6055: 6054: 6050: 6047: 6046: 6042: 6039: 6038: 6037:Last Pair Out 6034: 6031: 6030: 6026: 6023: 6022: 6018: 6015: 6014: 6010: 6007: 6006: 6002: 5999: 5998: 5994: 5993: 5991: 5989:Films written 5987: 5980: 5979: 5975: 5972: 5971: 5967: 5964: 5963: 5959: 5956: 5955: 5951: 5948: 5947: 5943: 5940: 5939: 5935: 5932: 5931: 5930:Autumn Sonata 5927: 5924: 5923: 5919: 5916: 5915: 5911: 5908: 5907: 5903: 5900: 5899: 5895: 5892: 5891: 5887: 5884: 5883: 5879: 5876: 5875: 5871: 5868: 5867: 5863: 5860: 5859: 5855: 5852: 5851: 5847: 5844: 5843: 5839: 5836: 5835: 5831: 5828: 5827: 5823: 5820: 5819: 5815: 5812: 5811: 5807: 5804: 5803: 5799: 5796: 5795: 5791: 5788: 5787: 5783: 5780: 5779: 5778:Brink of Life 5775: 5772: 5771: 5767: 5764: 5763: 5759: 5756: 5755: 5751: 5748: 5747: 5743: 5740: 5739: 5735: 5732: 5731: 5727: 5724: 5723: 5719: 5716: 5715: 5711: 5708: 5707: 5703: 5700: 5699: 5695: 5692: 5691: 5687: 5684: 5683: 5679: 5676: 5675: 5671: 5668: 5667: 5663: 5660: 5659: 5655: 5652: 5651: 5647: 5644: 5643: 5639: 5636: 5635: 5631: 5630: 5628: 5624: 5618: 5615: 5613: 5610: 5608: 5605: 5603: 5600: 5599: 5596: 5592: 5585: 5580: 5578: 5573: 5571: 5566: 5565: 5562: 5556: 5552: 5551: 5547: 5544: 5540: 5536: 5535: 5531: 5529: 5525: 5524: 5520: 5518: 5514: 5513: 5509: 5508: 5497: 5491: 5488:. Routledge. 5487: 5482: 5478: 5472: 5468: 5464: 5460: 5456: 5452: 5446: 5442: 5437: 5433: 5427: 5423: 5418: 5414: 5408: 5404: 5400: 5396: 5392: 5386: 5382: 5378: 5374: 5370: 5364: 5360: 5355: 5351: 5345: 5341: 5336: 5332: 5326: 5322: 5318: 5314: 5310: 5304: 5300: 5296: 5292: 5288: 5282: 5278: 5273: 5269: 5263: 5259: 5254: 5250: 5244: 5240: 5235: 5231: 5225: 5221: 5217: 5213: 5209: 5203: 5199: 5194: 5190: 5184: 5180: 5175: 5171: 5165: 5161: 5156: 5152: 5146: 5142: 5137: 5133: 5127: 5123: 5119: 5115: 5111: 5105: 5101: 5096: 5092: 5086: 5082: 5078: 5077:Gervais, Marc 5074: 5070: 5064: 5059: 5058: 5051: 5047: 5041: 5037: 5032: 5028: 5022: 5018: 5014: 5013:Dancyger, Ken 5010: 5006: 5000: 4995: 4994: 4988: 4987:Corman, Roger 4984: 4980: 4974: 4970: 4966: 4962: 4958: 4952: 4948: 4943: 4939: 4933: 4929: 4924: 4923: 4901: 4897: 4893: 4886: 4870: 4866: 4862: 4855: 4848: 4843: 4827: 4823: 4819: 4812: 4805: 4800: 4798: 4790: 4785: 4769: 4765: 4761: 4760:"1972 Awards" 4755: 4739: 4735: 4731: 4730:"Past Awards" 4725: 4709: 4705: 4701: 4695: 4688: 4683: 4667: 4663: 4659: 4653: 4637: 4633: 4629: 4623: 4621: 4604: 4600: 4596: 4590: 4588: 4571: 4567: 4563: 4557: 4555: 4538: 4534: 4527: 4511: 4507: 4501: 4499: 4490: 4486: 4482: 4476: 4474: 4472: 4470: 4468: 4459: 4455: 4449: 4433: 4429: 4428: 4423: 4416: 4400: 4396: 4395: 4390: 4383: 4375: 4374: 4369: 4363: 4347: 4343: 4342: 4337: 4330: 4314: 4310: 4309: 4304: 4297: 4290: 4285: 4269: 4265: 4261: 4255: 4239: 4235: 4231: 4224: 4208: 4204: 4203: 4198: 4191: 4175: 4168: 4161: 4160:Truffaut 1985 4156: 4148: 4147: 4139: 4131: 4127: 4123: 4117: 4101: 4097: 4090: 4082: 4078: 4072: 4056: 4052: 4051: 4046: 4039: 4031: 4029:9780231851213 4025: 4021: 4017: 4013: 4012: 4004: 3997: 3992: 3990: 3988: 3971: 3967: 3966: 3961: 3954: 3952: 3935: 3931: 3930: 3929:Village Voice 3925: 3918: 3902: 3898: 3897: 3892: 3885: 3869: 3865: 3861: 3855: 3848: 3843: 3841: 3832: 3831: 3826: 3819: 3812: 3807: 3805: 3797: 3792: 3785: 3780: 3772: 3771: 3763: 3756: 3751: 3743: 3739: 3732: 3724: 3720: 3713: 3706: 3701: 3699: 3691: 3686: 3670: 3666: 3665: 3660: 3653: 3651: 3634: 3630: 3629: 3624: 3617: 3615: 3608:, p. 27. 3607: 3602: 3595: 3591: 3587: 3582: 3575: 3570: 3563: 3558: 3551: 3546: 3540:, p. 50. 3539: 3534: 3532: 3525:, p. 51. 3524: 3519: 3513:, p. 48. 3512: 3507: 3500: 3495: 3488: 3483: 3481: 3479: 3472:, p. 50. 3471: 3466: 3459: 3454: 3452: 3444: 3439: 3431: 3430: 3422: 3415: 3410: 3403: 3398: 3396: 3387: 3383: 3379: 3375: 3371: 3367: 3366: 3358: 3356: 3348: 3343: 3336: 3331: 3329: 3327: 3320:, p. 67. 3319: 3314: 3298: 3294: 3293: 3288: 3281: 3279: 3271: 3266: 3259: 3254: 3247: 3242: 3235: 3230: 3228: 3220: 3215: 3208: 3203: 3201: 3192: 3188: 3181: 3175:, p. 49. 3174: 3169: 3167: 3160:, p. 32. 3159: 3154: 3147: 3142: 3140: 3138: 3130: 3125: 3118: 3113: 3111: 3103: 3102:Dancyger 2013 3098: 3096: 3094: 3086: 3081: 3079: 3071: 3066: 3064: 3055: 3051: 3044: 3038:, p. 84. 3037: 3032: 3030: 3013: 3009: 3003: 2995: 2991: 2984: 2982: 2980: 2978: 2976: 2968: 2964: 2959: 2943: 2936: 2921: 2920: 2915: 2908: 2901: 2896: 2894: 2885: 2881: 2874: 2872: 2870: 2868: 2860: 2859:Vermilye 2006 2855: 2853: 2851: 2834: 2830: 2826: 2819: 2817: 2809: 2808:Vermilye 2006 2804: 2797: 2792: 2786:, p. 44. 2785: 2780: 2778: 2761: 2757: 2751: 2749: 2747: 2745: 2728: 2724: 2717: 2715: 2713: 2705: 2700: 2698: 2690: 2685: 2678: 2673: 2671: 2662: 2658: 2654: 2647: 2645: 2643: 2641: 2633: 2628: 2626: 2618: 2613: 2606: 2601: 2592: 2586: 2582: 2581: 2573: 2566: 2561: 2559: 2551: 2546: 2540:, p. xv. 2539: 2534: 2527: 2522: 2520: 2518: 2513: 2499: 2495: 2489: 2482: 2481: 2480:The Emigrants 2476: 2475: 2470: 2469: 2464: 2459: 2452: 2448: 2447: 2442: 2441: 2440:Autumn Sonata 2436: 2432: 2428: 2422: 2415: 2414: 2407: 2400: 2399: 2394: 2393:magic lantern 2388: 2381: 2377: 2371: 2364: 2360: 2359: 2354: 2348: 2339: 2335: 2327: 2325: 2321: 2317: 2313: 2309: 2305: 2301: 2300:Andrei Șerban 2296: 2294: 2290: 2286: 2285: 2284:Love and Fear 2280: 2279: 2274: 2273: 2268: 2264: 2260: 2259: 2254: 2253: 2248: 2244: 2240: 2239:postage stamp 2236: 2221: 2218: 2216: 2213: 2212: 2208: 2206: 2203: 2202: 2198: 2196: 2195:Best Director 2193: 2192: 2186: 2181: 2178: 2176: 2171: 2167: 2163: 2161:Sven Nykvist 2160: 2158: 2155: 2154: 2148: 2146: 2143: 2141: 2136: 2132: 2128: 2125: 2124: 2120: 2118: 2115: 2114: 2108: 2106: 2105:Best Director 2103: 2101: 2096: 2092: 2086: 2083: 2078: 2074: 2068: 2062: 2057: 2053: 2049: 2047:Sven Nykvist 2046: 2043: 2042: 2038: 2035: 2033: 2030: 2029: 2023: 2021: 2018: 2016: 2011: 2007: 2001: 1996: 1993: 1991: 1986: 1985:Golden Globes 1982: 1978: 1976: 1973: 1972: 1968: 1966: 1963: 1962: 1958: 1955: 1954: 1948: 1946: 1943: 1939: 1933: 1931: 1928: 1923: 1919: 1913: 1908: 1905: 1903: 1898: 1894: 1890: 1888: 1887:Ingrid Thulin 1885: 1883: 1880: 1879: 1873: 1871:Sven Nykvist 1870: 1868: 1865: 1863: 1858: 1854: 1848: 1843: 1840: 1835: 1831: 1827: 1825: 1822: 1820: 1817: 1816: 1812: 1810: 1807: 1805: 1802: 1801: 1797: 1795: 1792: 1791: 1787: 1785: 1784:Best Director 1782: 1781: 1775: 1773: 1768: 1765: 1763: 1758: 1754: 1743:Recipient(s) 1732: 1729: 1727: 1723: 1719: 1715: 1711: 1707: 1702: 1700: 1696: 1692: 1688: 1684: 1680: 1676: 1672: 1663: 1660: 1656: 1651: 1649: 1645: 1638: 1637: 1632: 1631: 1625: 1623: 1619: 1615: 1611: 1607: 1606: 1601: 1597: 1596: 1591: 1587: 1583: 1582: 1577: 1573: 1569: 1565: 1564: 1559: 1555: 1550: 1546: 1542: 1541: 1536: 1532: 1531: 1526: 1524: 1520: 1519: 1514: 1513: 1512:Three Sisters 1508: 1504: 1500: 1496: 1495: 1490: 1489: 1483: 1479: 1475: 1471: 1470:Vincent Canby 1467: 1466: 1460: 1458: 1457: 1452: 1448: 1444: 1443: 1438: 1437: 1432: 1431: 1426: 1425: 1409: 1407: 1406:Region A 1403: 1399: 1395: 1391: 1387: 1382: 1380: 1376: 1372: 1367: 1365: 1364:New York City 1361: 1357: 1353: 1349: 1348: 1343: 1339: 1335: 1331: 1321: 1319: 1313: 1311: 1307: 1303: 1299: 1295: 1291: 1287: 1281: 1279: 1267: 1264: 1248: 1231: 1229: 1223: 1221: 1217: 1213: 1206: 1201: 1197: 1193: 1188: 1186: 1182: 1178: 1177:Richard Brody 1170: 1169: 1160: 1159:colour scheme 1156: 1152: 1143: 1141: 1137: 1136: 1131: 1127: 1126: 1120: 1119:Twelfth Night 1116: 1112: 1108: 1104: 1099: 1097: 1093: 1089: 1084: 1082: 1078: 1074: 1069: 1067: 1063: 1059: 1055: 1050: 1046: 1041: 1034: 1029: 1020: 1018: 1012: 1010: 1005: 1001: 997: 996: 990: 987: 982: 978: 977:Molly Haskell 974: 973: 967: 965: 961: 957: 956: 955:Autumn Sonata 952:and later in 951: 947: 943: 933: 931: 927: 926: 921: 917: 913: 912: 906: 902: 899:Film scholar 897: 895: 894: 889: 884: 879: 875: 871: 867: 866:magic lantern 862: 859: 851: 847: 843: 838: 829: 827: 823: 822:individuation 819: 815: 814: 809: 799: 795: 792: 788: 784: 777: 773: 769: 760: 758: 753: 743: 741: 737: 732: 730: 726: 721: 718: 714: 713:Ingrid Thulin 710: 700: 695: 689: 688: 684: 679: 673: 672: 668: 663: 657: 656: 652: 647: 641: 640: 636: 631: 625: 624: 620: 615: 609: 608: 604: 599: 593: 592: 588: 583: 577: 576: 572: 567: 566:Ingrid Thulin 561: 560: 556: 551: 545: 544: 540: 535: 529: 528: 524: 521: 520: 509: 507: 503: 499: 495: 494: 489: 486:In his book, 484: 481: 477: 473: 472: 467: 461: 459: 453: 451: 446: 443: 435: 434:Ingrid Thulin 431: 417: 415: 409: 407: 401: 399: 395: 389: 386: 382: 372: 370: 369: 364: 360: 359:Andrei Șerban 356: 351: 349: 345: 341: 337: 333: 329: 328:Academy Award 325: 321: 317: 313: 308: 306: 302: 301:female psyche 298: 294: 289: 287: 283: 282:Ingrid Thulin 279: 275: 272:and starring 271: 267: 261: 256: 255: 250: 246: 245: 236:$ 3.5 million 231: 227: 223: 219: 215: 211: 207: 203: 199: 193: 187: (Sweden) 178: 167: 166: 164: 161:Release dates 158: 154: 150: 142: 139: 135: 132: 128: 124: 120: 117: 114: 110: 106: 102: 99: 95: 91: 87: 86:Ingrid Thulin 83: 79: 76: 72: 68: 64: 60: 56: 53: 50: 46: 39: 34: 29: 26: 22: 8729: 8719: 8711:Drive My Car 8709: 8699: 8691:The Irishman 8689: 8679: 8669: 8659: 8649: 8639: 8629: 8619: 8609: 8599: 8589: 8579: 8569: 8559: 8549: 8539: 8529: 8519: 8509: 8502:2001–present 8488: 8478: 8468: 8458: 8448: 8438: 8428: 8418: 8408: 8398: 8388: 8380:My Left Foot 8378: 8368: 8358: 8348: 8338: 8328: 8318: 8308: 8298: 8288: 8278: 8268: 8258: 8248: 8227: 8217: 8207: 8198: 8197: 8187: 8177: 8167: 8157: 8147: 8137: 8127: 8119:My Fair Lady 8117: 8107: 8092: 8082: 8076: 8066: 8056: 8046: 8036: 8026: 8016: 8006: 7996: 7986: 7965: 7955: 7945: 7935: 7925: 7915: 7907:Going My Way 7905: 7895: 7885: 7877:Citizen Kane 7875: 7865: 7855: 7845: 7835: 7825: 7817:The Informer 7815: 7754: 7744: 7734: 7724: 7714: 7704: 7694: 7686:The Salesman 7684: 7674: 7664: 7654: 7644: 7636:A Separation 7634: 7624: 7614: 7604: 7594: 7584: 7576:Paradise Now 7574: 7564: 7554: 7544: 7534: 7527:2001–present 7513: 7503: 7493: 7483: 7473: 7463: 7453: 7443: 7433: 7423: 7413: 7403: 7393: 7383: 7377: 7367: 7357: 7347: 7337: 7327: 7317: 7309:The Tin Drum 7307: 7297: 7287: 7277: 7267: 7246: 7236: 7227: 7226: 7216: 7206: 7196: 7186: 7176: 7166: 7156: 7146: 7136: 7126: 7116: 7106: 7096: 7086: 7076: 7066: 7056: 7048:The Prisoner 7046: 7036: 7026: 7016: 7006: 6985: 6972:Pépé le Moko 6970: 6960: 6950: 6940: 6930: 6920: 6905: 6845: 6837: 6829: 6821: 6813: 6805: 6797: 6789: 6781: 6773: 6765: 6757: 6749: 6741: 6733: 6725: 6717: 6709: 6701: 6695:Dalecarlians 6693: 6685: 6679:Lilya 4-ever 6677: 6669: 6661: 6653: 6647:Show Me Love 6645: 6637: 6629: 6621: 6613: 6605: 6597: 6589: 6581: 6573: 6565: 6559: 6551: 6543: 6535: 6527: 6519: 6511: 6503: 6495: 6487: 6479: 6471: 6463: 6455: 6447: 6440: 6439: 6431: 6423: 6417:Mistreatment 6415: 6409: 6401: 6393: 6385: 6379:Heja Roland! 6377: 6369: 6361: 6310: 6292:Linn Ullmann 6280:Anna Bergman 6274:Mats Bergman 6250:Erik Bergman 6231: 6219: 6212: 6205: 6201:Bergman Week 6181: 6173: 6167:The Venetian 6165: 6157: 6140:Karin's Face 6138: 6131: 6110: 6102: 6083: 6075: 6067: 6059: 6051: 6043: 6035: 6027: 6019: 6011: 6003: 5995: 5976: 5968: 5960: 5952: 5944: 5936: 5928: 5920: 5914:Face to Face 5912: 5904: 5896: 5889: 5888: 5880: 5872: 5864: 5856: 5848: 5840: 5832: 5824: 5818:Winter Light 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Springer. 5440: 5421: 5402: 5380: 5358: 5339: 5320: 5298: 5276: 5257: 5238: 5219: 5197: 5178: 5159: 5143:. Springer. 5140: 5121: 5099: 5080: 5056: 5035: 5016: 4992: 4968: 4965:Block, Bruce 4946: 4927: 4919:Bibliography 4904:. Retrieved 4895: 4885: 4873:. Retrieved 4864: 4854: 4842: 4830:. Retrieved 4826:the original 4821: 4811: 4784: 4772:. Retrieved 4754: 4742:. Retrieved 4724: 4712:. Retrieved 4694: 4682: 4670:. Retrieved 4652: 4640:. Retrieved 4607:. Retrieved 4574:. Retrieved 4541:. Retrieved 4526: 4514:. Retrieved 4510:the original 4489:the original 4457: 4448: 4436:. Retrieved 4425: 4415: 4403:. Retrieved 4392: 4382: 4373:The Guardian 4371: 4362: 4350:. Retrieved 4339: 4329: 4317:. Retrieved 4306: 4296: 4284: 4272:. Retrieved 4268:the original 4254: 4242:. Retrieved 4223: 4211:. Retrieved 4200: 4190: 4178:. Retrieved 4167: 4155: 4144: 4138: 4130:the original 4125: 4116: 4104:. Retrieved 4089: 4080: 4071: 4059:. Retrieved 4048: 4038: 4010: 4003: 3974:. Retrieved 3963: 3938:. 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Retrieved 2704:Gervais 1999 2684: 2656: 2652: 2612: 2600: 2579: 2572: 2550:Shargel 2007 2545: 2538:Shargel 2007 2533: 2497: 2493: 2488: 2478: 2472: 2466: 2462: 2458: 2450: 2444: 2438: 2430: 2421: 2413:Winter Light 2411: 2406: 2396: 2387: 2380:Ken Dancyger 2370: 2363:Linn Ullmann 2356: 2347: 2338: 2320:Janis Joplin 2308:Ivo van Hove 2303: 2297: 2292: 2282: 2276: 2270: 2262: 2256: 2250: 2232: 2219:Liv Ullmann 2215:Best Actress 2056:Jussi Awards 2032:Best Actress 1857:BAFTA Awards 1834:Bodil Awards 1809:Sven Nykvist 1767:Best Picture 1762:2 April 1974 1710:Sven Nykvist 1703: 1695:Sven Nykvist 1670: 1669: 1658: 1652: 1634: 1628: 1626: 1622:The Guardian 1609: 1603: 1599: 1593: 1589: 1579: 1571: 1568:Emanuel Levy 1561: 1545:Great Movies 1538: 1534: 1528: 1527: 1516: 1510: 1499:Judith Crist 1492: 1486: 1481: 1473: 1463: 1461: 1456:Ord och Bild 1454: 1450: 1446: 1440: 1434: 1428: 1422: 1420: 1389: 1383: 1374: 1368: 1359: 1351: 1345: 1338:Roger Corman 1329: 1327: 1318:Ken Dancyger 1314: 1310:Käbi Laretei 1284: 1275: 1228:Edvard Munch 1224: 1216:menstruation 1204: 1189: 1185:period piece 1180: 1166: 1164: 1139: 1133: 1130:Michelangelo 1123: 1100: 1092:Original Sin 1085: 1070: 1065: 1051: 1048: 1043: 1038: 1032: 1016: 1013: 1004:gender roles 999: 993: 991: 985: 980: 970: 968: 963: 959: 953: 949: 945: 941: 939: 929: 923: 911:Winter Light 909: 904: 901:Marc Gervais 898: 891: 863: 855: 849: 817: 811: 810:, following 807: 805: 796: 787:Eastmancolor 781: 771: 752:Sven Nykvist 749: 733: 725:Linn Ullmann 722: 706: 701:young Maria 694:Lena Bergman 678:Linn Ullmann 505: 497: 491: 487: 485: 469: 465: 463: 455: 450:Sophiahemmet 447: 439: 410: 402: 390: 378: 366: 355:Ivo van Hove 352: 343: 336:Sven Nykvist 332:Best Picture 323: 312:Roger Corman 309: 292: 290: 266:period drama 253: 243: 242: 241: 196:Running time 125:Siv Lundgren 116:Sven Nykvist 25: 8480:Topsy-Turvy 7847:The Citadel 7676:Son of Saul 7546:Talk to Her 6907:Man of Aran 6823:Run Uje Run 6767:The Reunion 6751:She Monkeys 6363:The Silence 6309:Awards for 6268:Eva Bergman 6256:Dag Bergman 6132:Stimulantia 6123:Short films 5826:The Silence 5602:Filmography 5459:Wood, Robin 5222:. Penguin. 4906:17 November 4875:22 November 4865:Aftonbladet 4847:Zrínyi 2013 4832:21 November 4789:Steene 2005 4774:12 November 4744:12 November 4714:12 November 4687:Lancia 1998 4672:17 November 4642:12 November 4609:12 November 4576:12 November 4543:13 November 4516:14 November 4438:21 November 4405:15 November 4352:21 November 4319:21 November 4289:Maltin 2013 4274:21 February 4244:21 November 4213:22 November 4202:Aftonbladet 4106:21 February 4061:12 November 3996:Steene 2005 3976:15 November 3940:13 November 3907:21 November 3874:21 November 3755:Wilson 2012 3705:Wilson 2012 3675:15 November 3639:15 November 3606:Gibson 1993 3594:Singer 2009 3590:Sitney 2014 3538:Sitney 2014 3523:Sitney 2014 3511:Sitney 2014 3487:Wilson 2012 3470:Tapper 2017 3414:Hubner 2007 3372:(1): 2–11. 3335:Steene 2005 3219:Sitney 2014 3173:Sitney 2014 3158:Steene 2005 3117:Wilson 2012 2839:12 November 2784:Steene 2005 2733:15 November 2659:(Blu-ray). 2617:Tapper 2017 2526:Steene 2005 2431:The Silence 2353:Roger Ebert 2287:. In 2017, 2255:and 1986's 2247:Woody Allen 1975:Kari Sylwan 1965:Liv Ullmann 1644:red herring 1614:zombie film 1563:Aftonbladet 1478:Roger Ebert 1427:(1969) and 1396:released a 1352:The Silence 1115:Good Friday 1073:fairy tales 946:The Silence 903:wrote that 816:(1963) and 813:The Silence 740:Kari Sylwan 709:Liv Ullmann 662:Georg Årlin 582:Liv Ullmann 550:Kari Sylwan 502:Peter Cowie 425:Development 286:Liv Ullmann 278:Kari Sylwan 104:Narrated by 90:Liv Ullmann 82:Kari Sylwan 66:Produced by 48:Directed by 8761:1972 films 8755:Categories 8661:La La Land 8611:The Artist 8410:The Player 8390:Goodfellas 8260:Annie Hall 7726:La Llorona 7666:Wild Tales 7108:Die Brücke 6831:Clara Sola 6294:(daughter) 6282:(daughter) 6270:(daughter) 3811:Balio 2010 3690:Block 2013 3429:CineAction 3347:Erens 1979 3303:9 December 3018:17 January 2948:11 October 2925:11 October 2508:References 2437:play, and 2433:where the 2002:Nominated 1891:Nominated 1874:Nominated 1828:Nominated 1798:Nominated 1788:Nominated 1776:Nominated 1523:Strindberg 1298:Robin Wood 1278:media help 1220:castration 1111:flashbacks 1081:Cinderella 995:CineAction 856:Professor 791:graininess 736:Mia Farrow 621:Aunt Olga 517:Cast list 420:Production 229:Box office 200:91 minutes 183:1973-03-05 172:1972-12-21 145:Production 58:Written by 8701:First Cow 8671:Lady Bird 8561:United 93 8430:Quiz Show 8241:1976–2000 8229:Nashville 8109:Tom Jones 7998:High Noon 7979:1951–1975 7808:1935–1950 7616:A Prophet 7435:Indochine 7260:1976–2000 6999:1951–1975 6987:The Titan 6898:1934–1950 6791:The Giant 6524:(1982/83) 6516:(1981/82) 6508:(1980/81) 6500:(1979/80) 6492:(1978/79) 6484:(1977/78) 6476:(1976/77) 6468:(1975/76) 6460:(1974/75) 6452:(1973/74) 6444:(1972/73) 6436:(1971/72) 6428:(1970/71) 6420:(1969/70) 6406:(1968/69) 6398:(1967/68) 6390:(1966/67) 6382:(1965/66) 6374:(1964/65) 6366:(1963/64) 6258:(brother) 6085:Faithless 5882:The Touch 5617:Accolades 5461:(2012). " 3896:Expressen 3847:Gado 1986 3796:Wood 2012 3784:Wood 2012 3258:Gado 1986 3234:Gado 1986 3056:(1): 147. 2963:Gado 1986 2900:Long 2006 2796:Gado 1986 2689:Gado 1986 2677:Gado 1986 2632:Luko 2015 2494:Interiors 2378:. Editor 2302:directed 2265:, as was 2252:Interiors 2237:issued a 2233:In 1981, 2180:Best Film 2020:Best Film 1824:Marik Vos 1740:Category 1720:; at the 1679:Best Film 1666:Accolades 1610:The Touch 1430:The Touch 1412:Reception 1371:Stockholm 1200:saturated 1165:In 1972, 979:assigned 776:Mariefred 614:Inga Gill 598:Anders Ek 471:The Touch 394:self-harm 224:$ 450,000 122:Edited by 94:Inga Gill 8541:Sideways 8219:Amarcord 7716:Parasite 7706:Cold War 7656:The Past 7475:Ridicule 7329:Mephisto 7238:Amarcord 7008:Rashomon 6264:(sister) 6252:(father) 6214:The Dove 6029:Divorced 5978:Saraband 5866:The Rite 5555:AllMovie 5401:(1985). 5379:(1995). 5319:(2014). 5297:(2009). 5218:(2013). 5120:(2016). 5079:(1999). 5015:(2013). 4967:(2013). 4900:Archived 4869:Archived 4768:Archived 4738:Archived 4708:Archived 4666:Archived 4636:Archived 4603:Archived 4570:Archived 4537:Archived 4432:Archived 4427:Time Out 4399:Archived 4346:Archived 4313:Archived 4238:Archived 4207:Archived 4146:New York 4100:Archived 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