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verse, when "the gentle soul is ripped apart and tossed into the fire". The eighth stanza quotes the public's reaction to the hero's destruction: "Who would want to hurt such a hero?" "I knew he had to fall." "How did it happen?" "Tell me every detail." In the ninth and tenth verses, the hero's myth grows as the public's memory of the events fades, and his message is sterilized; the cycle has ended. "Crucifixion" ends with a repetition of the first stanza, suggesting the birth of a new hero.
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stanza, a baby is born; the child has been "chosen for a challenge that is hopelessly hard", to redeem the world. The third and fourth verses describe the hero's development: he has the insight that "beneath the greatest love, there's a hurricane of hate", yet he is driven to spread his message of redemption despite the tremendous difficulty.
177:
The fifth and sixth stanzas describe the public acceptance of the hero's message and their adoration of the hero, but warns that "success is an enemy to the losers of the day" and that the people who are applauding the hero are salivating for his destruction. The hero's downfall comes in the seventh
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The song is about the rise and fall of a hero, and the public's role in creating, destroying, and deifying its heroes. The first verse describes an event of cosmic proportions: "the universe explodes", "planets are paralyzed, mountains are amazed" by the raising of a falling star. In the second
323:
Opinions concerning Byrd's arrangement vary. Mark Brend describes it as "one of the most audacious arrangements in all of pop music" and "one of the great moments of experimentation in all of 1960s pop music". Jeremy
Simmonds writes that the production "diluted" the song.
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to the career of Jesus, although Ochs intentionally chose not to tie the title directly to the famous crucifixion, allowing the listener to understand that "the same tragic sacrifice recurs throughout history". In 1973, Ochs explained "Crucifixion" to
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The
Kennedy assassination, in a way, was destroying our best in some kind of ritual. People say they really love the reformer, they love the radical, but they want to see him killed. It's a certain part of the human psyche—the dark side of the human
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Phil asked me to arrange the song. I really didn't think it should be arranged, because its power is in the simplicity of the lyric. But he wanted the kitchen sink:
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Ochs defended the orchestration when the album was released, but years later he confided in his brother that he felt it had been a failure.
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says the arrangement "works against the song"; both
Unterberger and Christgau compare Ochs's recording unfavorably to that of Jim and Jean.
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Ochs wrote "Crucifixion" during a two-hour car ride in the middle of his
November 1965 concert tour of the UK According to Ochs's
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An acoustic version of "Crucifixion", consisting of Ochs accompanying himself on guitar, was recorded on March 13, 1969, in
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met Ochs, who sang "Crucifixion" for them; when
Kennedy realized the song was about his brother, tears came to his eyes.
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181:"Crucifixion" usually is interpreted by listeners as an allegory likening the life and assassination of U.S. President
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Niemi, Robert (Winter 1993). "JFK as Jesus: The
Politics of Myth in Phil Ochs' 'Crucifixion'".
1128:"Dylan-Beatles-Stones-Donovan-Who, Dionne Warwick and Dusty Springfield, John Fred, California"
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Niemi, Robert (Winter 1993). "JFK as Jesus: The
Politics of Myth in Phil Ochs' 'Crucifixion'".
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was invited by Ochs and Record producer Larry Marks to arrange "Crucifixion". Byrd recalled:
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There's a Riot Going On: Revolutionaries, Rock Stars, and the Rise and Fall of the '60s
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A third acoustic version of "Crucifixion" was released on the 1976 compilation
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The
Encyclopedia of Dead Rock Stars: Heroin, Handguns, and Ham Sandwiches
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20th
Century Masters – The Millennium Collection: The Best of Phil Ochs
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Ochs released a densely arranged version of the song on his 1967 album
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Leaders from the 1960s: A Biographical
Sourcebook of American Activism
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versions of the song performed by Ochs were released after his death.
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For the American traditional song sometimes called "Crucifixion", see
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Eight Miles High: Folk-Rock's Flight from Haight-Ashbury to Woodstock
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Another acoustic version of the song was recorded at New York City's
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on March 27, 1970. Portions of the concert were released in 1975 as
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American Troubadours: Groundbreaking Singer-Songwriters of the 60s
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Strange Sounds: Offbeat Instruments and Sonic Experiments in Pop
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described the song as "Ochs' most important work to date" and
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The first recording of "Crucifixion" was released in 1966 by
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This Is Absolutely Real: Visions and Versions of Phil Ochs
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Somebody's Gotta Tell It: A Journalist's Life on the Lines
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Critical response to "Crucifixion" was mixed. A writer at
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Philosophy at 33 1/3 rpm: Themes of Classic Rock Music
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by several performers beside Jim and Jean, including
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Amchitka, The 1970 Concert That Launched Greenpeace
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942:. New York: St. Martin's Press. pp. 176–178.
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859:. Westport, Conn.: Greenwood Press. p. 112.
787:. Westport, Conn.: Greenwood Press. p. 424.
240:, a musical duo made up of Ochs's college friend
1866:Songs about the assassination of John F. Kennedy
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1000:Turn! Turn! Turn!: The '60s Folk-Rock Revolution
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343:, British Columbia. It was released in 1991 on
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1066:. Chicago: Chicago Review Press. p. 87.
1039:. San Francisco: Backbeat Books. p. 93.
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1560:Cross My Heart: An Introduction to Phil Ochs
538:There But for Fortune: The Life of Phil Ochs
213:, however, wrote that the song "suffer from
1783:What's That I Hear?: The Songs of Phil Ochs
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485:Death of a Rebel: A Biography of Phil Ochs
389:. It is believed to have been recorded at
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1098:. San Francisco: Backbeat Books. p.
1003:. San Francisco: Backbeat Books. p.
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756:. San Francisco: Backbeat Books. p.
487:. New York: Franklin Watts. p. 110.
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965:"The Private Side of a Political Story"
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1525:The War Is Over: The Best of Phil Ochs
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1617:Outside of a Small Circle of Friends
814:. Chicago: Open Court. p. 230.
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1769:Poison Ochs: A Tribute to Phil Ochs
1711:List of songs recorded by Phil Ochs
514:. New York: Canongate. p. 64.
300:The resulting arrangement included
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1684:Here's to the State of Mississippi
1288:Phil Ochs performing "Crucifixion"
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217:of the ambitions". In March 1967,
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1736:Phil Ochs: There but for Fortune
1274:10.1111/j.1542-734X.1993.00035.x
622:10.1111/j.1542-734X.1993.00035.x
457:Hainey, Kevin (August 1, 2004).
1353:All the News That's Fit to Sing
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541:. New York: Hyperion. pp.
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853:, December 30, 1967. cited in
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209:wrote that it was "very hip".
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1762:Learn: The Songs of Phil Ochs
1477:A Toast to Those Who Are Gone
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963:Gates, Anita (June 7, 1998).
885:, November 4, 1967. cited in
857:Phil Ochs: A Bio-Bibliography
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244:and Glover's wife, Jean Ray.
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18:He Never Said a Mumblin' Word
1188:. pp. 196–197, 202–205.
535:Schumacher, Michael (1996).
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837:Journal of American Culture
717:Journal of American Culture
687:Journal of American Culture
652:Journal of American Culture
610:Journal of American Culture
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1871:Songs written by Phil Ochs
1060:Simmonds, Jeremy (2008) .
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1603:I Ain't Marching Any More
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1578:Interviews with Phil Ochs
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1539:Farewells & Fantasies
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1413:Gunfight at Carnegie Hall
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1381:Rehearsals for Retirement
1360:I Ain't Marching Any More
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1218:. pp. 284, 287, 293.
808:Harris, James F. (1993).
572:. Canongate. p. 65.
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365:Gunfight at Carnegie Hall
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1203:. pp. 194–195, 225.
1367:Pleasures of the Harbor
835:Niemi. "JFK as Jesus".
715:Niemi. "JFK as Jesus".
685:Niemi. "JFK as Jesus".
650:Niemi. "JFK as Jesus".
569:There's a Riot Going On
508:Doggett, Peter (2007).
401:"Crucifixion" has been
318:electronic oscillations
267:Pleasures of the Harbor
255:Pleasures of the Harbor
50:Pleasures of the Harbor
1815:Michael Ochs (brother)
1789:List of cover versions
1691:Love Me, I'm a Liberal
1231:"What Phil Ochs Heard"
781:DeLeon, David (1994).
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25:1967 song by Phil Ochs
1705:Vietnam Talking Blues
1698:There but for Fortune
1532:There but for Fortune
1484:The Broadside Tapes 1
1156:There But for Fortune
855:Cohen, David (1999).
672:There But for Fortune
637:There But for Fortune
483:Eliot, Marc (1989) .
393:on October 12, 1974.
278:
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150:") is a 1966 song by
146:" (sometimes titled "
1406:Phil Ochs in Concert
1374:Tape from California
1033:Brend, Mark (2005).
748:Brend, Mark (2001).
1810:Sonny Ochs (sister)
1638:One Way Ticket Home
1596:Power and the Glory
1546:American Troubadour
1470:Sings for Broadside
1462:Posthumous releases
1173:. pp. 199–200.
1088:Unterberger, Richie
995:Unterberger, Richie
891:. pp. 137–138.
597:. pp. 111–112.
386:Sings for Broadside
1820:Robyn Ochs (niece)
1645:Kansas City Bomber
970:The New York Times
905:(September 1969).
326:Richie Unterberger
308:, organ, electric
248:Recordings by Ochs
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1236:Green Left Weekly
1124:Christgau, Robert
1073:978-1-55652-754-8
912:Harper's Magazine
903:Christgau, Robert
521:978-1-84767-180-6
335:Acoustic versions
302:brass instruments
222:Robert F. Kennedy
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1158:. p. 162.
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83:topical song
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1670:Crucifixion
1662:Other songs
1398:Live albums
1338:Discography
1292:Dailymotion
1242:November 2,
468:October 25,
423:Anna Coogan
310:harpsichord
274:Joseph Byrd
144:Crucifixion
136:Larry Marks
131:Producer(s)
1851:1966 songs
1845:Categories
1825:Jim Glover
1508:Posthumous
463:Exclaim.ca
445:References
349: [
304:, flutes,
286:Stravinsky
282:Schoenberg
242:Jim Glover
232:Recordings
1498:On My Way
1329:Phil Ochs
1216:Phil Ochs
1201:Phil Ochs
1186:Phil Ochs
1171:Phil Ochs
882:Billboard
839:: 37, 39.
616:(4): 37.
341:Vancouver
206:Billboard
152:Phil Ochs
124:Phil Ochs
57:Published
41:Phil Ochs
1805:Archives
1747:Tributes
1139:March 3,
1090:(2003).
997:(2002).
976:March 1,
936:(2002).
918:March 3,
654:: 37–38.
433:See also
260:acoustic
258:. Three
158:The song
65:Released
1830:Pigasus
1798:Related
1631:My Life
1588:Singles
1214:Cohen.
1199:Cohen.
1184:Cohen.
1169:Cohen.
1133:Esquire
887:Eliot.
730:Eliot.
700:Eliot.
593:Eliot.
543:109–110
403:covered
355:].
306:strings
269:version
195:psyche.
164:manager
111:A&M
1738:(2011)
1730:(1984)
1652:Bwatue
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316:, and
89:Length
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689:: 38.
106:Label
74:Genre
1244:2010
1141:2010
1104:ISBN
1068:ISBN
1041:ISBN
1009:ISBN
978:2010
944:ISBN
920:2010
861:ISBN
851:Beat
816:ISBN
789:ISBN
762:ISBN
574:ISBN
547:ISBN
516:ISBN
489:ISBN
470:2019
425:and
290:Cage
201:Beat
68:1967
60:1966
37:Song
1290:at
1270:doi
1005:204
758:106
618:doi
352:sic
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