444:, and senior executives from Pepsi, Kodak and Macy's. It featured American consumer goods, cars, boats, RCA color TVs, food, clothing, etc., and samples of American products such as Pepsi. There was a typical American kitchen set up inside in which spectators could watch a Bird's Eye frozen meal be prepared. An IBM RAMAC computer was programmed to answer 3,500 questions about America in Russian. The most popular question was "what is the meaning of the American Dream?" The Soviets tried to limit the audience by only giving tickets to party members and setting up their own rival exhibition. But ultimately people came, and the souvenir pins that were given out turned up in every corner of the country. The Soviets banned printed material, but the Americans gave it out anyway. The most popular items were the Bible and a Sears catalogue. The guides for the exhibition were American graduate students, including African Americans and women, who spoke Russian. This gave Russians the ability to speak to real Americans and ask difficult questions. The ambassador to Moscow,
819:, the founder of The Beatles museum and the Temple of Love, Peace and Music in St. Petersburg, commented that The Beatles "were like an integrity test. When anyone said anything against them, we knew just what that person was worth. The authorities, our teachers, even our parents, became idiots to us." Despite the attempts of the Soviet Union's government to prevent the spread of the Beatles' popularity amongst their citizens, the band proved to be as popular in the USSR as it was in Britain. The government went as far as censoring the expression of all Western ideals, including the Beatles' bourgeois eccentricity, limiting the Soviet citizens' access to their music. Leslie Woodland, a documentary film maker, commented regarding what the Russian people were told about the West – "Once people heard the Beatles' wonderful music, it just didn't fit. The authorities' prognosis didn't correspond to what they were listening to. The system was built on fear and lies, and in this way, the Beatles put an end to the fear, and exposed the lies." Pavel Palazchenko,
133:– millions of daily cross-cultural encounters. If that is correct, cultural diplomacy can only be said to take place when formal diplomats, serving national governments, try to shape and channel this natural flow to advance national interests." It is important to note that, while cultural diplomacy is, as indicated above, a government activity, the private sector has a very real role to play because the government does not create culture, therefore, it can only attempt to make a culture known and define the impact this organic growth will have on national policies. Cultural diplomacy attempts to manage the international environment by utilizing these sources and achievements and making them known abroad. An important aspect of this is listening- cultural diplomacy is meant to be a two-way exchange. This exchange is then intended to foster a mutual understanding and thereby win influence within the target nation. Cultural diplomacy derives its credibility not from being close to government institutions, but from its proximity to cultural authorities.
396:. Also, NYCB making an appearance in the Soviet Union was questionable because reviews of Balanchine's ballets had been censored. Instead of feelings of hostility, the company received a warm welcome. Both the United States and the Soviet Union agreed with Balanchine’s decision to emphasize music throughout his choreography. There was still a fundamental disagreement to this as Balanchine often declared that music has no meaning and Soviet society did not have the same ideology. Because each company's ballets were being judged with preconceived notions about society and the arts, opinions clashed and interpretations were different. The United States was mainly known for producing abstract modern pieces which align with Capitalist and individualistic thinking. On the other hand, the Soviet Union was producing narrative ballets which were meant to reeducate citizens and emphasize the importance of society. These exchanges were also seen as a battle between Capitalism and
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commercial opportunities. It allows the government to create a "foundation of trust" and a mutual understanding that is neutral and built on people-to-people contact. Another unique and important element of cultural diplomacy is its ability to reach youth, non-elites and other audiences outside of the traditional embassy circuit. In short, cultural diplomacy plants the seeds of ideals, ideas, political arguments, spiritual perceptions and a general view point of the world that may or may not flourish in a foreign nation. Therefore, ideologies spread by cultural diplomacy about
American values enables those that seek a better life to look towards the
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114:. Public diplomacy is enhanced by a larger society and culture, but simultaneously public diplomacy helps to "amplify and advertise that society and culture to the world at large". It could be argued that the information component of public diplomacy can only be fully effective where there is already a relationship that gives credibility to the information being relayed. This comes from knowledge of the other's culture. Cultural diplomacy has been called the "linchpin of public diplomacy" because cultural activities have the potential to demonstrate the best of a nation.
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823:'s conference interpreter, stated that the Beatles' music was a "source of musical relief. They helped us create a world of our own, a world different from the dull and senseless ideological liturgy that increasingly reminded me of Stalinism...". Like Gorbachev, many Russian youth agreed that the Beatles were a way to overcome the cultural isolation imposed by the Cold War and reinforced by their current political system.
746:. In addition, the State Department selected Hanson's Eastman Philharmonia Orchestra to perform during a sweeping international cultural exchange tour in 1961. Concert performances by this elite group of students from the Eastman School of Music were received to critical acclaim by enthusiastic audiences in thirty four cities in sixteen countries throughout Europe, the Middle East and Russia. Similarly, the bass-baritone
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777:, and the cultural and political rivalry of the United States and the Soviet Union created the need for cultural exchange. As a result, the United States government sent a jazz band composed of African American musicians abroad to tour places, including the Middle East and Africa, with the goal of the black musicians establishing connections with their African heritage.
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trip to Athens, Greece, a performance transformed an audience of Anti-American students angered by the U.S. stance on Greece's right-wing dictatorship. By the end of the performance, Gillespie said the audience loved the music and threw him up on their shoulders after the performance. Diplomats emphasized the positive effects of musical diplomacy on the public.
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freedom of expression. As many as thirty million listeners worldwide, including millions in the Soviet Union, listened to the forty-five minutes of pop music and forty-five minutes of jazz with a newscast preceding each. Many critics have stated that
Conover's program played a major role in the resurgence of jazz within the Soviet Union after the WWII.
392:, who is considered a very influential figure in American ballet though he was born in Russia, were being performed in the Soviet Union. Once again ballet was used to showcase artistry and power while bettering international affairs. Many factors made this tour a pinnacle in Cold war exchanges. The tour occurred at the same time as the
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the joy of seeing the ballet company while critiquing Soviet politics. The complaint that
Communism was an old-fashioned ideology was given life as most of the ballets performed were classical pieces. Dance produced in the United States, for example Balanchine and Martha Graham, was seen as modern with an individualistic style.
349:. The choreography mixed Asian aesthetics with American values, creating an innovative performance that showed what the United States and a capitalist society was capable of producing. Her performances were received with praise and repositioned the image of the United States in the eyes of the international community.
304:. The images were multi-cultured and only a few were overtly political serving to show the eclecticism and diversity of American culture, which is America's soft power foundation. The display was extremely popular and attracted large numbers of crowds, in short America "showed the world, the world and got credit for it".
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intended to show a story of recovery and resolution through documenting not only the grief and pain, but also the recovery efforts. In many countries where the display was run, it was personalized for the population. For example, relatives of those who died in the Towers were often invited to the event openings.
360:, to tour the United States. Their goal was to demonstrate the artistic and physical abilities of their citizens. The repertoire included Romeo and Juliet, Sawn Lake, Giselle, and The Stone Flower. There were also two mixed bills that included both pre and post-revolutionary content. Swan Lake and its composer,
200:, and a nation's overall confidence. The perception of power has important implications for a nation's ability to ensure its security. Furthermore, because cultural diplomacy includes political and ideological arguments, and uses the language of persuasion and advocacy, it can be used as an instrument of
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Goodwill tours are meant to be friendly; however, in some cases, they may be intimidating to the people or the government at the place visited. At the same time, a visit by a goodwill tour might be used as a way of "reminding" the place and government visited of a friendship previously established or
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Cultural diplomacy presents a number of unique challenges to any government attempting to carry out cultural diplomacy programs. Most ideas that a foreign population observes are not in the government's control. The government does not usually produce the books, music, films, TV programs, consumer
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took on the role as a musical ambassador during his trip to the Middle East. He reported to
President Eisenhower that he and his jazz band were effective against Red propaganda. With their interracial group, the jazz band was able to communicate across social and language barriers. During the band's
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established an
Emergency Fund for International Affairs in 1954 to stimulate the presentation of America's cultural achievements to international audiences in the realms of dance, theatre and music. In 1954, the State Department's Cultural Presentations program established a cooperative relationship
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and other values. For example, Soviet audiences watching
American films learned that Americans owned their own cars, did not have to stand in long lines to purchase food, and did not live in communal apartments. These observations were not intended to be political messages when Hollywood created the
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ideology and were therefore accepted in the
Communist repertoire. Other classic ballets were redesigned to demonstrate this ideology. While Americans were extremely excited to see the ballets and praised the ballerinas, the repertoire was not received as well. This was a tool critics used to express
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that circulated, with the backing of embassies and consulates, to 60 nations. The display was intended to shape and maintain the public memory of the attack and its aftermath. The display sought to show the human side of the tragedy, and not just the destruction of buildings. The display was also
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Eastman School of Music - University of
Rochester - Sibley Music Library: John J. Serry Sr. Collection: Autographed Photograph of John Serry accordionist on CBS' C de Las A program circa 1940s p. 3, Series 3, Collection Box 3, Item 1: The John J. Serry Sr. Collection archived at the University of
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It is also possible that foreign government officials may oppose or resist certain cultural exports while the people cheer them on. This can make support for official policies difficult to obtain. Cultural activities may be both a blessing and a curse to a nation. This may be the case if certain
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is an example of how music artists and their songs can become political. During this time, rock music channelled liberal "Western" ideas as a progressive and modernized art form. The
Beatles symbolized the Western culture in a way that introduced new ideas that many believe assisted in the collapse
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In turn, cultural diplomacy can help a nation better understand the foreign nation it is engaged with and it fosters mutual understanding. Cultural diplomacy is a way of conducting international relations without expecting anything in return in the way that traditional diplomacy typically expects.
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is "the totality of the thoughts, feelings, associations and expectations that come to mind when a prospect or consumer is exposed to an entity's name, logo, products, services, events, or any design or symbol representing them." Place branding is required to make a country's image acceptable for
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that read "In releasing this record, made especially and exclusively for the USSR, I am extending a hand of peace and friendship to the Soviet people." During Paul McCartney's first trip to Russia in May 2003, nearly half a million fans greeted him. One
Russian critic reported, "The only person in
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In terms of policy that supports national security goals, the information revolution has created an increasingly connected world in which public perceptions of values and motivations can create an enabling or disabling environment in the quest for international support of policies. The struggle to
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Generally, cultural diplomacy is more focused on the longer term and less on specific policy matters. The intent is to build up influence over the long term for when it is needed by engaging people directly. This influence has implications ranging from national security to increasing tourism and
110:, which is the "ability to get what you want through attraction rather than coercion or payments. It arises from a country's culture, political ideals and policies." This indicates that the value of culture is its ability to attract foreigners to a nation. Cultural diplomacy is also a component of
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hosted a music program called "Music USA," for the Voice of America to assist in the emergence of jazz musicians as U.S. ambassadors. Conover explained: "Jazz is a cross between total discipline and anarchy," for the way the musicians agree on tempo, key, and chord, but is distinguishable by its
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The usefulness of exchanges is based on two assumptions- some form of political intent lies behind the exchange and the result will have some sort of political effect. The idea is that exchanges will create a network of influential people abroad that will tie them to their host country and will
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that includes the "exchange of ideas, information, art, language and other aspects of culture among nations and their peoples in order to foster mutual understanding". The purpose of cultural diplomacy is for the people of a foreign nation to develop an understanding of the nation's ideals and
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All of these tools seek to bring understanding of a nation's culture to foreign audiences. They work best when they are proven to be relevant to the target audience. The tools can be utilized by working through NGOs, diasporas and political parties abroad, which may help with the challenge of
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leveraged food as a tool of diplomacy in 2023, when its public affairs section collected lunch photos from officers posted across the country and created a "photo montage video titled “What American Diplomats Have for Lunch,” which became one of the most-viewed and most-engaged posts on its
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A goodwill tour is a tour by someone or something famous to a series of places, with the purpose of expressing benevolent interest or concern for a group of people or a region, improving or maintaining a relationship between parties, and exhibiting the item or person to places visited.
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Jazz played a critical role during the Cold War in establishing political ties. Producer Willis Conover explained jazz as an embodiment of an anti-ideology or an alternative way of living by introducing a new style of music with a loose structure and improvisation. In November 1955,
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Participants in cultural diplomacy often have insights into foreign attitudes that official embassy employees do not. This can be used to better understand a foreign nation's intentions and capabilities. It can also be used to counter hostile propaganda and the collection of
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In this way the music of The Beatles struck a political chord in the Soviet Union, even when the songs were not meant to be political. This contact went both ways. In 1968, when the song "Back in the USSR" was released, the album included a quote on the cover from
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affect important international developments is increasingly about winning the information struggle to define the interpretation of states' actions. If an action is not interpreted abroad as the nation meant to it be, then the action itself can become meaningless.
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Ultimately, the goal of cultural diplomacy is to influence a foreign audience and use that influence, which is built up over the long term, as a good will reserve to win support for policies. It seeks to harness the elements of culture to induce foreigners to:
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to many countries affected by the Cold War. Some of these countries included Burma, India, Pakistan, Japan, the Philippines, and Thailand which were all a concern to the United States because they could be easily lost to Communism as predicted in Eisenhower's
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Red Square who wasn't moved was Lenin". This is an example of how products of culture can have an influence on the people they reach outside of their own country. It also shows how a private citizen can unintentionally become a cultural ambassador of sorts.
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wrote: "Public diplomacy consists of all a nation does to explain itself to the world, and cultural diplomacy – the use of creative expression and exchanges of ideas, information, and people to increase mutual understanding – supplies much of its content."
296:. The display originally showed in the Museum of Modern Art in New York City, but then USIA helped the display to be seen in 91 locations in 39 countries. The 503 photographs by 237 professional and amateur photographers were curated and put together by
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investment, tourism, political power, etc. As Joseph Nye commented, "in an information age, it is often the side which has the better side of the story that wins," this has resulted in a shift from old style diplomacy to encompass brand building and
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In the 1950s the Soviet Union had a reputation that was associated with peace, international class solidarity and progress due to its sponsorship of local revolutionary movements for liberation. The United States was known for its involvement in the
1938:"Cultural Diplomacy, Political Influence, and Integrated Strategy," in Strategic Influence: Public Diplomacy, Counterpropaganda, and Political Warfare, ed. Michael J. Waller (Washington, DC: Institute of World Politics Press, 2009), 82–87.
1929:"Cultural Diplomacy, Political Influence, and Integrated Strategy," in Strategic Influence: Public Diplomacy, Counterpropaganda, and Political Warfare, ed. Michael J. Waller (Washington, DC: Institute of World Politics Press, 2009), 78–79.
1771:"Cultural Diplomacy, Political Influence, and Integrated Strategy," in Strategic Influence: Public Diplomacy, Counterpropaganda, and Political Warfare, ed. Michael J. Waller (Washington, DC: Institute of World Politics Press, 2009), 74–75.
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Cultural exchange programs work as a medium to relay a favourable impression of the foreign country in order to gain outsiders' understanding and approval in their cultural practices and naturalize their social norms among other cultures.
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declared Louis Armstrong as America's most effective ambassador. What American diplomats could not do, Armstrong and his jazz music did. This article claimed that musicians, such as Armstrong, created a universal language to communicate.
1893:"Cultural Diplomacy, Political Influence, and Integrated Strategy," in Strategic Influence: Public Diplomacy, Counterpropaganda, and Political Warfare, ed. Michael J. Waller (Washington, DC: Institute of World Politics Press, 2009), 93.
1871:"Cultural Diplomacy, Political Influence, and Integrated Strategy," in Strategic Influence: Public Diplomacy, Counterpropaganda, and Political Warfare, ed. Michael J. Waller (Washington, DC: Institute of World Politics Press, 2009), 76.
1816:"Cultural Diplomacy, Political Influence, and Integrated Strategy," in Strategic Influence: Public Diplomacy, Counterpropaganda, and Political Warfare, ed. Michael J. Waller (Washington, DC: Institute of World Politics Press, 2009), 89.
1807:"Cultural Diplomacy, Political Influence, and Integrated Strategy," in Strategic Influence: Public Diplomacy, Counterpropaganda, and Political Warfare, ed. Michael J. Waller (Washington, DC: Institute of World Politics Press, 2009), 77.
1522:"Cultural Diplomacy, Political Influence, and Integrated Strategy," in Strategic Influence: Public Diplomacy, Counterpropaganda, and Political Warfare, ed. Michael J. Waller (Washington, DC: Institute of World Politics Press, 2009), 74.
384:. This ballet was meant to excite American audiences and prove that the Soviet Union could produce new, action-packed performances. The Soviet Union's creation was still not considered innovative because the Hollywood film Spartacus by
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appreciate their host country more due to their time spent there. Exchanges generally take place at a young age, giving the host country the opportunity to create an attachment and gain influence at a young impressionable age.
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As the Cold War between the United States and the Soviet Union escalated in the 1950s, the Department of State also supported the performance of classical music as an indispensable diplomatic tool. With this in mind, President
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Giles Scott-Smith, "Mapping the Undefinable: Some Thoughts on the Relevance of Exchange Programs within International Relations Theory," Annals of the American Academy of Political and Social Science 16 (March 2008):
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of communism. As a result, the Beatles served as cultural diplomats through their popularity in the Soviet Union. Their music fostered youth communication and united people with a common spirit of popular culture.
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Sergei Gavrov, Lev Vostryakov, Cultural diplomacy as a tool for constructing and broadcasting an attractive brand of the Russian state. (Moscow, Russia: Moscow State University of Culture and Arts, 2018, â„– 2),
718:(ANTA) to evaluate potential musical performers who could best represent America at performance venues throughout the world. Members of the advisory panel included such noted American composers and academics as:
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products, etc. that reaches an audience. The most the government can do is try to work to create openings so the message can get through to mass audiences abroad. To be cultural relevant in the age of
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elements of a culture are offensive to the foreign audience. Certain cultural activities can also undermine national policy objectives. An example of this was the very public American dissent to the
769:. He considered jazz as corrupt and capitalistic due to the fact that it grew out of the United States during a time of political unrest. During the 1950s to 1960s, the Civil Rights Movement, the
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Richard T. Arndt, a former State Department cultural diplomacy practitioner, said: "Cultural relations grow naturally and organically, without government intervention – the transactions of
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A later example of dance during the Cold War was the Soviet Union and the United States exchanging ballet companies for a time in order to improve cultural relations. In October 1962, the
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Media Sound & Culture in Latin America & the Caribbean. Editors – Bronfman, Alejandra & Wood, Andrew Grant. University of Pittsburgh Press, Pittsburgh, PA, USA, 2012 Pg. 49
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because it demonstrates to foreign audiences every aspect of culture, including wealth, scientific and technological advances, competitiveness in everything from sports and industry to
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institutions in an effort to build broad support for economic and political objectives. In essence "cultural diplomacy reveals the soul of a nation", which in turn creates influence.
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Nicholas John. Cull, The Cold War and the United States Information Agency: American Propaganda and Public Diplomacy, 1945–1989 (Cambridge: Cambridge University Press, 2008), 162–167.
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The positioning of the performing arts throughout history shows that dance was a tool for showing power, promoting national pride, and maintaining international relations. During the
356:" was expected to have an understanding of the arts and be able to contribute to society. In 1959, the Soviet Union decided to send one of its highly regarded ballet companies, the
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Louis Belanger, "Redefining Cultural Diplomacy: Cultural Security and Foreign Policy in Canada," Political Psychology 20, no. 4 (December 1999): 677–8, doi:10.1111/0162-895X.00164.
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In the post World War II era, the United States Army also acknowledged the importance of cultural programming as a valuable diplomatic tool amidst the ruins in Europe. In 1952 the
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Louis Belanger, "Redefining Cultural Diplomacy: Cultural Security and Foreign Policy in Canada," Political Psychology 20, no. 4 (December 1999): 678, doi:10.1111/0162-895X.00164.
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Peter Van Ham, "Place Branding: The State of the Art," The Annals of the American Academy of Political and Social Science 616 (March 2008): 127–133, doi:10.1177/0002716207312274.
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Mary N. Maack, "Books and Libraries as Instruments of Cultural Diplomacy in Francophone Africa during the Cold War," Libraries & Culture 36, no. 1 (Winter 2001): 59.
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400:, with each showing off its values and power. These are only a few examples of dance being used to showcase artistry and power while bettering international affairs.
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Becard, Danielly Silva Ramos, and Paulo Menechelli. "Chinese Cultural Diplomacy: instruments in China’s strategy for international insertion in the 21st Century."
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while official government policy still supported it. Simultaneously the prevalence of the protest may have attracted some foreigners to the openness of America.
300:. The images showed glimpses of everyday human life in its various stages; courtship, birth, parenting, work, self-expression, etc., including images from the
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Fosler-Lussier, Danielle, "Jazz Diplomacy: Promoting America in Cold War Era by Lisa E. Davenport (review)," American Music 31, no. 1, (Spring 2013), 117–118.
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Carnes Lord, Losing Hearts and Minds?: Public Diplomacy and Strategic Influence in the Age of Terror (Westport, CT: Praeger Security International, 2006), 52.
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Carnes Lord, Losing Hearts and Minds?: Public Diplomacy and Strategic Influence in the Age of Terror (Westport, CT: Praeger Security International, 2006), 30.
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Carnes Lord, Losing Hearts and Minds?: Public Diplomacy and Strategic Influence in the Age of Terror (Westport, CT: Praeger Security International, 2006), 15.
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Popular entertainment is a statement about the society which it is portraying. These cultural displays can carry important messages regarding individualism,
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Cultural diplomacy through the arts was also used by the Soviet Union due to the high value they placed on culture and the belief it could unite people. The "
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Jazz originally surfaced in the Soviet Union during the 1920s and 1930s, but quickly faded. After World War II, jazz began to reemerge, but was condemned by
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Geduld, Victoria Phillips (2010). "Dancing Diplomacy: Martha Graham and the Strange Commodity of the Cold-War Cultural Exchange in Asia, 1955 and 1975".
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United States, Department of State, Advisory Committee on Cultural Diplomacy, Diplomacy Report of the Advisory Committee on Cultural Diplomacy, 3, 4, 9.
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Nicholas J. Cull, "Public Diplomacy: Taxonomies and Histories," Annals of the American Academy of Political and Social Science 616 (March 2008): 39–40.
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Nicholas J. Cull, "Public Diplomacy: Taxonomies and Histories," Annals of the American Academy of Political and Social Science 616 (March 2008): 36.
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Nicholas J. Cull, "Public Diplomacy: Taxonomies and Histories," Annals of the American Academy of Political and Social Science 616 (March 2008): 33.
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United States, Department of State, Advisory Committee on Cultural Diplomacy, Diplomacy Report of the Advisory Committee on Cultural Diplomacy, 7 .
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United States, Department of State, Advisory Committee on Cultural Diplomacy, Diplomacy Report of the Advisory Committee on Cultural Diplomacy, 3.
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Fan, Shuhua (2024). "Confucius Institutes in the Xi Jinping Era: From Peak to Demise in the United States". In Fang, Qiang; Li, Xiaobing (eds.).
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Richmond, Yale. Cultural Exchange and the Cold War: Raising the Iron Curtain. (University Park, PA: Penn State University Press, 2004), 205–209.
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Clarke, David, and Paweł Duber. "Polish cultural diplomacy and historical memory: the case of the Museum of the Second World War in Gdańsk."
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Bratersky, Alexander, "Back in the USSR: the Beatles shaped a generation in Soviet Russia," Russia: beyond the headlines.(November 8, 2012).
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France has led the way in using the return on art and artifacts looted during their colonial past to its home country for diplomatic means.
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was recruited by the Department of State to perform in six separate European tours during the 1950s which featured productions of the opera
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by the orchestra continued throughout Europe until 1962. They showcased the talents of several noted conductors and musicians including:
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106:(appeals to the masses). This is what governments seek to show foreign audiences when engaging in cultural diplomacy. It is a type of
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Singh, Rana PB, and Pravin S. Rana. "Cultural Diplomacy in India: Dispersal, Heritage Representation, Contestation, and Development."
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Duke Ellington, B.B. King, and Dizzy Gillespie all made trips to Africa that fostered connections with the African diaspora. In 1956,
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Liam Kennedy, "Remembering September 11: Photography as Cultural Diplomacy," International Affairs 79, no. 2 (March 2003): 315–323.
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208:– they feature weddings, funerals and going to court. So now we think it's only natural to go to court a few times in your life."
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participated in this truly international effort to foster peace throughout the Americas through shared musical performances
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to showcase leading musicians from both North and South America for audiences on both continents. Musical artists such as
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values. Through this, countries were able to share their ideas. In 1955, the United States state department sent the
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Ignorance Abroad: American Educational and Cultural Foreign Policy and the Office of the Assistant Secretary of State
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Photograph of actor Pat O'Brien and singer Kate Smith on the Viva America program for CBS Radio on Getty Images.com
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896:. In short, a country can use its culture to create a brand for itself which represents positive values and image.
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and be useful in achieving traditional goals of war. A Chinese activist was quoted as saying "We've seen a lot of
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Clarke, D., "Theorising the role of cultural products in cultural diplomacy from a cultural studies perspective"
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in Stuttgart, Germany in order to demonstrate the shared cultural heritage of America and Europe. Performances of
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2662:"Seventh Army Symphony Orchestra (1952–1962) performing works by Roy Harris, Morton Gould and Leroy Anderson" on
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Faculty Portraits of Samuel Adler at the Juilliard School of Music, New York, October 2013 on Juilliard.edu
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Coca-Colonization and the Cold War: The Cultural Mission of the U.S. in Austria after the Second World War
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Lee, Seow Ting. "Film as cultural diplomacy: South Korea’s nation branding through Parasite (2019)." in
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963:, and the worldwide GIANTSTEP-APOLLO 11 Presidential Goodwill Tour by the Apollo 11 astronauts in 1969.
6087:
6082:
6049:
6007:
4624:
4441:
4291:
3298:
Joseph S. Nye, Soft Power: The Means to Success in World Politics (Cambridge: Perseus Books, 2004), 56.
1902:
Joseph S. Nye, Soft Power: The Means to Success in World Politics (Cambridge: Perseus Books, 2004), 23.
1739:
Joseph S. Nye, Soft Power: The Means to Success in World Politics (Cambridge: Perseus Books, 2004), 18.
1730:
Joseph S. Nye, Soft Power: The Means to Success in World Politics (Cambridge: Perseus Books, 2004), 22.
1676:
556:
3432:
Transmission impossible : American journalism as cultural diplomacy in postwar Germany, 1945–1955
2440:
5236:
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4099:
4094:
4089:
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Ang, Ien, Yudhishthir Raj Isar, and Phillip Mar. "Cultural diplomacy: beyond the national interest?"
2029:
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1234:
770:
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217:
3411:
Cosmopolitan Ambassadors: International exhibitions, cultural diplomacy and the polycentral museum
3375:
912:
they exhibit. This can take the form of building/supporting museums, gifting art/antiquities, and
311:
in February 2002 entitled Images from Ground Zero. The display included 27 images, detailing the
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to demonstrate culture and progress by both the United States and the Soviet Union. In 1959, the
5514:
5434:
3813:
3539:
Not like Us: How Europeans Have Loved, Hated and Transformed American Culture since World War II
2637:"Seventh Army Symphony on Armed Forces Radio in 1961 performing works by Vivaldi and Dvorak" on
244:
Literature – the establishment of libraries abroad and translation of popular and national works
5845:
4942:
4689:
4558:
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4399:
4364:
4151:
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3919:
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2179:. Pittsburgh: Pitt Series in Russian and East European Studies. University of Pittsburgh Press.
1351:
1338:
796:
774:
698:
3403:
1947:
Mark Leonard, "Diplomacy by Other Means," Foreign Policy 132 (September/October 2002): 51, 52.
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Photograph of Manolita Arriola and Nestor Chayres for "Viva America" 1946 CBS on Getty Images
1623:
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The Soviet cultural offensive : the role of cultural diplomacy in Soviet foreign policy
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84:
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3268:
Mark Leonard, "Diplomacy by Other Means," Foreign Policy 132 (September/October 2002): 50.
1911:
Mark Leonard, "Diplomacy by Other Means," Foreign Policy 132 (September/October 2002): 49.
1853:
Mark Leonard, "Diplomacy by Other Means," Foreign Policy 132 (September/October 2002): 51.
1091:
8:
5906:
5866:
5810:
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5720:
5690:
5571:
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1981:
1976:
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3584:
The German-American Encounter: Conflict and Cooperation Between Two Cultures, 1800–2000
3425:
1312:
887:
This Image and reputation has become an essential part of a "state's strategic equity".
448:, commented that "the exhibition would be 'worth more to us than five new battleships."
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Paschalidis, G., "Exporting national culture: histories of cultural institutes abroad"
3525:
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909:
528:
445:
437:
377:
160:
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William Warfield – Biography at the Rochester Music Hall of Fame on rochestermusic.org
94:
is a set of values and practices that creates meaning for society. This includes both
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Jonathan D. Green, Scarecrow Press, Oxford, 1994, Chapter II – Survey of Works p. 14
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Nestor Mesta Chayres photographed on the CBS "Viva America" Program on Getty Images
388:
had been released prior to this performance. At the same time, seventeen ballets by
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544:
491:
The US and Soviet Union hosted a range of educational exchange programs during the
301:
205:
111:
66:
2045:
1920:
Jamie Frederic Metzl, "Popular Diplomacy," Daedalus 128, no. 2 (Spring 1999): 178.
1554:"Public Diplomacy as a National Security Tool – Foreign Policy Research Institute"
951:
by President-elect Herbert Hoover in November–December 1928, the goodwill tour to
5985:
5916:
5790:
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and for preserving the status quo. In an effort to change this perception, the
5911:
5881:
5770:
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4937:
4916:
4841:
4774:
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4578:
4141:
4058:
3790:
3352:
The first resort of kings. American cultural diplomacy in the twentieth century
3078:"For young Soviets, the Beatles were a first, mutinous rip in the iron curtain"
3048:"Beatles books & records discography :: Something Books – Kolya Vasin"
3036:
John Alter, "You say you want a revolution," Newsweek (September 22, 2003): 37.
1411:
1221:
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888:
836:
828:
789:
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751:
719:
620:
552:
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357:
353:
193:
3381:
Brown, John. "Arts diplomacy: The neglected aspect of cultural diplomacy." in
2960:
William Warfield biography at the Eastman School of Music on esm.rochester.edu
2005:"The Dance Dilemma: The Importance of Dance for Diplomacy During the Cold War"
663:
38:
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5795:
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1483:
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1424:
1039:
973:
739:
723:
694:
429:
376:(NYCB) toured the Soviet Union. In New York City, the Bolshoi was performing
346:
235:
Exhibitions which offer the potential to showcase numerous objects of culture
173:
33:
3449:
1578:
Green, Shannon N.; Brown, Katherine A.; Wang, Jian “Jay” (17 January 2017).
456:
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5109:
5022:
4962:
4568:
4252:
4232:
4227:
4176:
3941:
3770:
3731:
2900:
Fosler-Lussier, Danielle (2015). "Introduction: Instruments of Diplomacy".
2418:
1615:
1273:
564:
524:
156:
aid in changing the policies or political environment of the target nation,
95:
5318:
3103:
2125:
American–Soviet Cultural Diplomacy .The Bolshoi Ballet's American Premiere
6014:
5861:
5695:
5231:
5134:
5104:
4789:
4247:
4146:
4053:
3388:
Carta, Caterina, and Richard Higgott. "Cultural Diplomacy in Europe." in
3135:
1359:
1346:
1268:
1255:
816:
805:
616:
560:
548:
433:
150:
3422:
Topics Performing arts, International relations, Multiculturalism in art
2848:
The History of United States Cultural Diplomacy: 1770 to the Present Day
2277:
1701:
272:
69:
has played an important role in advancing national security objectives.
5943:
5416:
4296:
4074:
1498:
576:
512:
337:
285:
107:
61:
5505:
3577:
Transcultural Diplomacy and International Law in Heritage Conservation
238:
Educational programs such as universities and language programs abroad
232:
Arts including films, dance, music, painting, sculpture, among others.
5959:
5624:
5349:
5124:
4523:
3559:
Americans all : good neighbor cultural diplomacy in World War II
1702:"Cultural Diplomacy: Hard to Define, but You'd Know It If You Saw It"
855:
568:
397:
333:
177:
3593:(Institute for the Study of Diplomacy, Georgetown University, 1990).
3158:"Pump up the volume: Music diplomacy as soft power | Lowy Institute"
3106:"Back in the USSR: the Beatles shaped a generation in Soviet Russia"
2654:
Amy C. Beal, University of California Press, Berkeley, 2006, P. 49,
2312:
Designed for hi-fi living : the vinyl LP in mid-century America
5659:
5353:
2142:. Oxford, Oxfordshire: Oxford Monographs on Music. Clarendon Press.
2140:
Tchaikovsky's Ballets : Swan Lake, Sleeping Beauty, Nutcracker
1307:
1021:
981:
809:
492:
464:
417:
329:
197:
146:
have a positive view of the country's people, culture and policies,
3697:
904:
Museum diplomacy is a subset of cultural diplomacy concerned with
3995:
2310:
Borgerson, Janet; Schroeder, Jonathan E.; Miller, Daniel (2017).
2214:
Don't Act, Just Dance : The Metapolitics of Cold War Culture
1829:
1398:
1320:
1151:
1112:
1099:
1047:
905:
408:
365:
181:
122:
91:
2410:
250:
Gifts to a nation, which demonstrates thoughtfulness and respect
5800:
5426:
4306:
3656:
1450:
1385:
1333:
1294:
1281:
1229:
1138:
1125:
1086:
1073:
995:
872:
516:
332:, the plot and choreography choices used in dance demonstrated
99:
3104:
Alexander Bratersky, special to Russia Now (8 November 2012).
2938:
Howard Hanson and the Eastman Philharmonia on books.google.com
2906:. Oakland, CA: University of California Press. pp. 1–23.
2759:
2679:, Emily Freeman Brown, Scarecrow Press , Oxford, 2015, p. 311
228:
Cultural diplomacy relies on a variety of mediums, including:
2278:"Educational Exchange and Cultural Diplomacy in the Cold War"
2177:
Swans of the Kremlin : Ballet and Power in Soviet Russia
1372:
1242:
1216:
1203:
1190:
1164:
1008:
961:
Jacqueline Kennedy's 1962 goodwill tour of India and Pakistan
952:
876:
118:
29:
25:
2706:
Uncle Sam's Orchestra: Memories of the Seventh Army Symphony
1677:"Diplomacy, Development and Security in the Information Age"
3549:
Dance for export : cultural diplomacy and the Cold War
3183:"American diplomats showcase lunchbox diplomacy in Beijing"
2879:. Oakland, CA: University of California Press. p. 10.
2738:. Oakland, CA: University of California Press. p. 23.
2691:
2663:
2638:
2613:
2092:"Martha Graham's Cold War: The Dance of American Diplomacy"
3964:
3591:
Communicating with the World: US Public Diplomacy Overseas
1977:"In and Out of Step: Dance Diplomacy in the United States"
658:
You may listen to radio broadcasts of performances by the
3454:. Lanham, MD: Lexington Books (Rowman & Littlefield).
2929:
Allen Laurence Cohen, Praeger Publishers, CT., 2004 p.13
608:
540:
2309:
428:
in Moscow. The exhibition was opened by Vice President
3634:
Gienow-Hecht, Jessica C.E., and Mark C. Donfried, eds.
3400:
International Journal of Politics, Culture, and Society
2562:
Dissonant Divas in Chicana Music: The Limits of la Onda
253:
Religious diplomacy, including inter-religious dialogue
3465:
Isar, Y. R. "Cultural diplomacy: an overplayed hand?"
2626:
The Directory of the Armed Forces Radio Service Series
2601:
A Conductor's Guide to Choral-Orchestral Works, Part 1
2216:. New Brunswick, New Jersey: Rutgers University Press.
256:
Promotion and explanation of ideas and social policies
2790:
Dance for Export: Cultural Diplomacy and the Cold War
2981:
2979:
2977:
2975:
2973:
2971:
2969:
2967:
2629:
Harry MacKenzie, Greeenwood Press, CT. 1999, p. 198
3409:Davidson, Lee, and Leticia PĂ©rez-Castellanos, eds.
2253:. United States Department of State. Archived from
2028:Idowu, Dare Leke; Ogunnubi, Olusola (4 July 2021).
1539:
1537:
533:
Office of the Coordinator of Inter-American Affairs
187:
125:, student flows, communications, book circulation,
2162:Ballet in the Cold War: A Soviet-American Exchange
1824:
1822:
1652:"Community and Communalism in the Information Age"
292:(USIA) sponsored a photographic exhibition titled
241:Exchanges – scientific, artistic, educational etc.
98:(literature, art, and education, which appeals to
3504:China's Cultural Diplomacy: A Great Leap Outward?
3020:
3018:
2964:
2844:"The Golden Age of Cultural Diplomacy, 1953-1961"
2193:Siegel, Marcia B. "George Balanchine 1904–1983".
1616:"The National Security Need for Public Diplomacy"
364:, were considered Russian classics that fit into
184:are portrayed as desirable and achievable goals.
6064:
3570:The Cultural Cold War in Western Europe, 1945–60
2542:"Artist Biography: Eva Garza – Frontera Project"
1580:"Public Diplomacy and National Security in 2017"
1534:
3393:
2850:. London: Bloomsbury Academic. pp. 96–98.
2732:"Classical Music and the Mediation of Prestige"
1819:
3699:International cultural promotion organizations
3568:Scott-Smith, Giles, and Hans Krabbendam, eds.
3522:U.S. information policy and cultural diplomacy
3447:
3210:
3015:
2899:
2870:
2729:
1577:
1066:European Union National Institutes for Culture
858:to strengthen its music diplomacy activities.
677:enlisted the expertise of the young conductor
484:An example of exchanges is the United States'
5334:
3980:
3683:
3579:(Springer, Singapore, 2021) pp. 231–256.
2792:. CT: Wesleyan University Press. p. 11.
2027:
3643:Cultural Imperialsm: A Critical Introduction
3621:
3372:Revista Brasileira de PolĂtica Internacional
3244:"Artefacts paving France's return to Africa"
2305:
2303:
5348:
3440:Goff, Patricia M. "Cultural diplomacy." in
3071:
3069:
3032:
3030:
835:In September 2023, U.S. Secretary of State
523:as an important diplomatic tool during the
5341:
5327:
3987:
3973:
3690:
3676:
3631:(2014). doi:10.1080/10286632.2014.958481.
3448:Hebert, David; McCollum, Jonathan (2022).
3390:Between the Domestic and the International
3005:
3003:
3001:
2999:
2997:
2995:
2993:
2991:
2251:Bureau of Educational and Cultural Affairs
1430:Bureau of Educational and Cultural Affairs
508:films, but they nonetheless carried them.
247:Broadcasting of news and cultural programs
3582:Trommler, Frank, and Elliott Shore, eds.
3532:International journal of cultural policy,
3216:
2821:. MA: Wiley Blackwell. pp. 370–375.
2300:
1889:
1887:
1699:
192:Cultural diplomacy is a demonstration of
3844:Finnish Cultural and Academic Institutes
3629:International journal of cultural policy
3484:French scientific and cultural diplomacy
3342:International Journal of Cultural Policy
3310:China under Xi Jinping: A New Assessment
3066:
3045:
3027:
2873:"Introduction: Instruments of Diplomacy"
2122:
1649:
1105:Finnish Cultural and Academic Institutes
795:
463:
455:
407:
307:A similar effort was carried out by the
271:
18:
3075:
2988:
2783:
2760:"Music in America's Cold War Diplomacy"
2702:
2314:. Cambridge, Massachusetts: MIT Press.
1758:
1756:
1754:
416:Exhibitions were often used during the
6065:
3451:Ethnomusicology and Cultural Diplomacy
3442:Routledge Handbook of Public Diplomacy
3383:Routledge handbook of public diplomacy
3294:
3292:
2558:
2396:
2174:
2159:
2155:
2153:
2151:
2149:
2118:
2116:
2114:
2112:
2071:
1884:
1656:Brown Journal of International Affairs
1613:
987:
5526:Conseiller chargé des investissements
5322:
3968:
3755:Indian Council for Cultural Relations
3671:
3610:10 Great Moments in Music Diplomacy,
2903:Music in America's Cold War Diplomacy
2877:Music in America's Cold War Diplomacy
2841:
2736:Music in America's Cold War Diplomacy
2211:
2188:
2186:
2137:
2067:
2065:
2063:
2002:
1974:
1170:Indian Council for Cultural Relations
716:American National Theatre and Academy
714:with the Music Advisory Panel of the
223:
6045:
5282:
4883:Role of Christianity in civilization
3394:org/10.1007/978-3-030-21544-6 online
3301:
2927:Howard Hanson in Theory and Practice
2812:
2676:A Dictionary for the Modern Composer
2127:. Lanham, Maryland: Lexington Books.
1975:Davis, Rachel Lowy (15 April 2018).
1751:
5294:
3600:( U of North Carolina Press, 1995).
3494:Place Branding and Public Diplomacy
3307:
3289:
3219:Museum Diplomacy in the Digital Age
3128:"Global Music Diplomacy Initiative"
3120:
2819:A Companion to Dwight D. Eisenhower
2690:founded by Samuel Adler in 1952 on
2146:
2109:
947:Notable goodwill tours include the
931:to advance its national interests.
899:
16:Exchange of culture between nations
13:
3636:Searching for a cultural diplomacy
3424:(Naval Postgraduate School, 2010)
3334:
3241:
3217:Grincheva, Natalia (6 July 2020).
2559:Vargas, Deborah R. (21 May 2018).
2353:Rochester Eastman School of Music
2275:
2192:
2183:
2080:– via Taylor Francis Online.
2060:
1706:The Brown Journal of World Affairs
1650:Kalathil, Shanthi (1 March 2022).
922:
498:
14:
6099:
3649:
3444:(Routledge, 2020) pp. 30–37.
3385:(Routledge, 2020) pp. 79–81.
3132:United States Department of State
2871:Fosler-Lussier, Danielle (2015).
2815:"Propaganda and Public Diplomacy"
2730:Fosler-Lussier, Danielle (2015).
2709:. University of Rochester Press.
2433:"Copyright 2018, J. David Goldin"
2212:Kodat, Catherine Gunther (2015).
2123:McDaniel, Cadra Peterson (2015).
1643:
934:
882:
841:Global Music Diplomacy Initiative
788:From 1955 to 1996, jazz producer
521:United States Department of State
309:United States Department of State
6044:
6033:
6032:
5293:
5281:
5270:
5269:
4004:
3655:
3515:International cultural relations
1449:
1443:United States Information Agency
1436:
1423:
1410:
1397:
1384:
1371:
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1332:
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1111:
1098:
1085:
1072:
1059:
1046:
1033:
1020:
1007:
994:
966:
653:
611:' Tipica Orchestra conducted by
602:
290:United States Information Agency
188:Connections to national security
6020:Xi Jinping Thought on Diplomacy
5095:Culture and positive psychology
4005:
3870:Hellenic Foundation for Culture
3280:
3271:
3262:
3235:
3201:
3175:
3150:
3097:
3088:
3039:
2953:
2942:
2920:
2893:
2864:
2835:
2806:
2777:
2752:
2723:
2696:
2688:Seventh Army Symphony Orchestra
2668:
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2579:
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2503:
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2084:
2021:
1996:
1968:
1959:
1950:
1941:
1932:
1923:
1914:
1905:
1896:
1874:
1865:
1856:
1847:
1810:
1801:
1792:
1783:
1774:
1765:
1742:
1733:
1724:
1144:Hellenic Foundation for Culture
683:Seventh Army Symphony Orchestra
660:Seventh Army Symphony Orchestra
511:Cultural programming featuring
4534:High- and low-context cultures
3613:USC Center on Public Diplomacy
2813:Pach, Chester J., ed. (2017).
2003:Mehta, Anjali (3 April 2014).
1700:Schneider, Cynthia P. (2006).
1693:
1669:
1607:
1571:
1546:
1525:
1516:
957:San Francisco Seals (baseball)
519:was already recognized by the
403:
80:Brown Journal of World Affairs
1:
3866:Center for the Greek Language
3221:(First ed.). Routledge.
2046:10.1080/00358533.2021.1956816
1509:
1261:Korean Friendship Association
1131:Center for the Greek Language
264:relevance and understanding.
159:prevent, manage and mitigate
136:
72:
42:
6015:Twin towns and sister cities
5100:Culture and social cognition
4085:Cross-cultural communication
3892:Istituto Italiano di Cultura
3430:Gienow-Hecht, Jessica C. E.
2399:A Pictorial History of Radio
2164:. New York: Oxford Academic.
1504:Twin towns and sister cities
1196:Istituto Italiano di Cultura
1016:, People's Republic of China
854:There are growing calls for
527:period. In the early 1940s,
451:
422:American National Exhibition
7:
5182:Intercultural communication
3994:
3914:Romanian Cultural Institute
2530:Books.Google.Com See Pg. 49
2282:Journal of American Studies
2138:Wiley, Roland John (1985).
1462:
1326:Romanian Cultural Institute
949:Latin America goodwill tour
342:Martha Graham Dance Company
10:
6104:
6008:Plenipotentiary Conference
4625:Cross cultural sensitivity
4292:Resistance through culture
3714:Centro Cultural Brasileiro
3467:Public diplomacy magazine,
2842:Krenn, Michael L. (2017).
2512:, January 18, 1942, pg. 27
2175:Ezrahi, Christina (2012).
6028:
5978:
5952:
5854:
5678:
5607:
5587:
5559:
5503:
5470:
5454:
5409:
5376:
5367:
5360:
5265:
5237:Transformation of culture
4930:
4850:
4670:Cultural environmentalism
4607:
4347:
4210:
4100:Cross-cultural psychology
4095:Cross-cultural psychiatry
4090:Cross-cultural leadership
4067:
4016:
4002:
3898:Adam Mickiewicz Institute
3826:Danish Cultural Institute
3805:
3740:
3705:
3622:Historiography and memory
2575:– via Google Books.
2546:frontera.library.ucla.edu
2500:February 28, 1943, pg. X9
2476:, January 1, 1942, pg. 27
1445:, United States (1953–99)
1419:, United Kingdom (1934– )
1287:Adam Mickiewicz Institute
1053:Danish Cultural Institute
1027:Caro and Cuervo Institute
1001:Brazilian Cultural Center
808:had in Russia during the
652:
601:
596:
77:In a 2006 article in the
50: early 19th century
5998:Parliamentary delegation
5877:Diplomatic accreditation
5643:African Diplomatic Corps
5384:Permanent representative
5197:Living things in culture
5187:Intercultural competence
5090:Culture and menstruation
4589:Trans-cultural diffusion
3517:(Allen and Unwin, 1986).
3360:Barghoorn, Frederick C.
2692:https://books.google.com
2664:https://books.google.com
2639:https://books.google.com
2614:https://books.google.com
2565:. U of Minnesota Press.
2488:, May 10, 1942, pg. Sm10
2464:, January 8, 1941, pg. 8
2397:Settel, Irving (1967) .
1614:Wallin, Matthew (2012).
1235:Jewish Agency for Israel
849:U.S. Department of State
771:decolonization of Africa
623:performing the boleros:
460:New US-UK Fulbright Logo
323:
218:open-source intelligence
153:between the two nations,
5446:Deputy chief of mission
5401:Resident representative
5008:Cultural homogenization
4238:Individualistic culture
4172:Popular culture studies
4157:Intercultural relations
3888:SocietĂ Dante Alighieri
3726:Instituto Caro y Cuervo
3638:(Berghahn Books, 2010).
3534:(2009) 15 (3), 275–289.
3476:18 October 2018 at the
3354:(Potomac Books, 2006).
3314:Leiden University Press
2784:Prevots, Naima (1998).
1209:Dante Alighieri Society
861:
742:, and the music critic
728:Eastman School of Music
442:William Randolph Hearst
267:
163:with the target nation.
5892:Diplomatic credentials
4943:Archaeological culture
4690:Cultural globalization
4559:Organizational culture
4407:Cultural communication
4365:Cultural appropriation
4152:Intercultural learning
4080:Cross-cultural studies
3920:Russkiy Mir Foundation
3814:Ramon Llull Foundation
3781:Korean Cultural Center
3596:Wagnleiter, Reinhold.
3344:21.4 (2015): 365–381.
2703:Canaria, John (1998).
2247:"Notable Fulbrighters"
2201:(3) – via JSTOR.
1631:Cite journal requires
1595:Cite journal requires
1352:Korean Cultural Center
1339:Russkiy Mir Foundation
914:travelling exhibitions
801:
477:
461:
413:
280:
279:(1936), Dorothea Lange
52:
5483:Resident commissioner
5455:Bilateral-subnational
5212:Participatory culture
5003:Cultural evolutionism
4827:Multiracial democracy
4705:Cultural intelligence
4650:Cultural conservatism
4640:Cultural backwardness
4630:Cultural assimilation
4504:Cultural reproduction
4360:Cultural appreciation
4312:Far-right subcultures
4202:Transcultural nursing
4167:Philosophy of culture
4044:Cultural neuroscience
4024:Cultural anthropology
3785:King Sejong Institute
3496:18.2 (2022): 93–104.
3413:(Vernon Press, 2019)
3248:www.lowyinstitute.org
3162:www.lowyinstitute.org
2587:The Juilliard Journal
2160:Searcy, Anne (2020).
927:China has been using
894:reputation management
868:US Embassy in Beijing
845:The Recording Academy
799:
467:
459:
411:
275:
22:
5615:Apostolic nunciature
5515:Agricultural attaché
5207:Oppositional culture
5177:Emotions and culture
5085:Cultural sensibility
5075:Cultural translation
5013:Cultural institution
4993:Cultural determinism
4715:Cultural nationalism
4700:Cultural imperialism
4660:Cultural deprivation
4554:Non-material culture
4187:Sociology of culture
4182:Semiotics of culture
3930:Institut Ramon Llull
3797:Yunus Emre Institute
3664:at Wikimedia Commons
3557:Sadlier, Darlene J.
3520:Ninkovich, Frank A.
3116:on 12 November 2012.
3010:Von Eschen, Penny M.
2651:New Music New Allies
2403:Grosset & Dunlap
1456:Yunus Emre Institute
843:in partnership with
711:Dwight D. Eisenhower
703:Kenneth Schermerhorn
581:Nestor Mesta Chayres
394:Cuban Missile Crisis
374:New York City Ballet
313:September 11 attacks
85:Cynthia P. Schneider
5907:Diplomatic immunity
5867:Consular assistance
5396:Ambassador-at-large
5058:Culture speculation
5053:Cultural relativism
4983:Cultural competence
4873:Cultural Christians
4745:Cultural Revolution
4735:Cultural radicalism
4710:Cultural liberalism
4645:Cultural Bolshevism
4620:Consumer capitalism
4574:Relational mobility
4514:Cultural technology
4422:Cultural dissonance
4339:Culture by location
4302:Alternative culture
4218:Constructed culture
4197:Theology of culture
4137:Cultural psychology
4117:Cultural entomology
3948:Ukrainian Institute
3926:Instituto Cervantes
3749:Confucius Institute
3603:Wieck, Randolph R.
3420:DeCarli, Ashley M.
3402:33.1 (2020): 49–66
3242:Manuel, Charmaine.
3138:on 30 November 2023
2786:"Eisenhower's Fund"
2276:Bu, Liping (1999).
1982:Wesleyan University
1404:Ukrainian Institute
1378:Instituto Cervantes
1014:Confucius Institute
988:Sample institutions
744:Alfred Frankenstein
646:Here on archive.org
6078:Types of diplomacy
6073:Cultural diplomacy
5965:Letter of credence
5927:Diplomatic uniform
5922:Diplomatic service
5902:Diplomatic illness
5897:Diplomatic history
5650:Diplomatic mission
5567:Diplomatic courier
5547:Trade commissioner
5410:Bilateral-national
5217:Permission culture
5150:Disability culture
5130:Children's culture
4998:Cultural diversity
4958:Circuit of culture
4740:Cultural retention
4720:Cultural pessimism
4675:Cultural exception
4665:Cultural diplomacy
4655:Cultural contracts
4615:Colonial mentality
4544:Manuscript culture
4519:Cultural universal
4489:Cultural pluralism
4469:Cultural landscape
4464:Cultural invention
4432:Cultural framework
4334:Vernacular culture
4132:Cultural mediation
4112:Cultural economics
4107:Cultural analytics
4039:Cultural geography
4029:Cultural astronomy
3850:Alliance Française
3832:Estonian Institute
3662:Cultural diplomacy
3617:February 12, 2015.
3565:, in Latin America
3506:(Routledge, 2019)
2764:musicdiplomacy.org
2510:The New York Times
2498:The New York Times
2486:The New York Times
2474:The New York Times
2462:The New York Times
2443:on 6 February 2012
2437:radiogoldindex.com
2257:on 16 October 2016
2074:Dance Chronicle 33
1469:Culinary diplomacy
1159:, Hungary (1927– )
1079:Alliance Française
1055:, Denmark (1940– )
910:cultural artifacts
802:
759:The New York Times
637:El Bigote de Tomas
535:collaborated with
529:Nelson Rockefeller
478:
462:
446:Llewellyn Thompson
438:Buckminster Fuller
414:
412:Soviet Pepsi label
281:
224:Tools and examples
58:Cultural diplomacy
53:
6088:Cultural politics
6083:Cultural exchange
6060:
6059:
5970:Letter of protest
5938:Persona non grata
5872:Consular immunity
5670:Exclusive mandate
5603:
5602:
5555:
5554:
5520:Chargé de mission
5471:Bilateral-insular
5435:Chargé d'affaires
5422:High commissioner
5316:
5315:
5145:Death and culture
5038:Cultural movement
5028:Cultural literacy
4888:Eastern Orthodoxy
4800:Dominator culture
4795:Deculturalization
4695:Cultural hegemony
4685:Cultural genocide
4680:Cultural feminism
4499:Cultural property
4494:Cultural practice
4479:Cultural leveling
4474:Cultural learning
4459:Cultural industry
4454:Cultural identity
4437:Cultural heritage
4427:Cultural emphasis
4412:Cultural conflict
4385:Cultural behavior
4375:Cultural artifact
4287:Primitive culture
4263:Political culture
3962:
3961:
3936:Swedish Institute
3876:Balassi Institute
3854:Institut Français
3759:Samskrita Bharati
3660:Media related to
3641:Tomlinson, John.
3250:. The Interpreter
3189:. 1 November 2023
2913:978-0-520-28413-5
2886:978-0-520-28413-5
2857:978-1-4725-0860-7
2745:978-0-520-28413-5
2660:978-0-520-24755-0
2610:978-0-8108-4720-0
2527:978-0-8229-6187-1
2195:The Hudson Review
1830:"Foreign Affairs"
1494:Science diplomacy
1474:Digital diplomacy
1391:Swedish Institute
1365:Korean Foundation
1157:Balassi Institute
1092:Institut Français
821:Mikhail Gorbachev
681:to establish the
675:U.S. Seventh Army
671:
670:
573:Manuolita Arriola
537:Edmund A. Chester
486:Fulbright Program
472:was a pioneer of
470:Riccardo Giacconi
468:Fulbright Fellow
390:George Balanchine
382:Aram Khachaturian
362:P. I. Tchaikovsky
294:The Family of Man
202:political warfare
6095:
6048:
6047:
6036:
6035:
5887:Diplomatic cable
5665:Protecting power
5638:Diplomatic corps
5579:Foreign minister
5572:King's Messenger
5537:Military attaché
5532:Cultural attaché
5374:
5373:
5365:
5364:
5343:
5336:
5329:
5320:
5319:
5297:
5296:
5285:
5284:
5273:
5272:
5162:Drinking culture
5115:Culture industry
5063:Cultural tourism
5043:Cultural mulatto
5018:Cultural jet lag
4953:Cannabis culture
4910:Cultural Muslims
4832:Pluriculturalism
4815:Multiculturalism
4805:Interculturalism
4780:Culture minister
4770:Cultural Zionism
4765:Cultural subsidy
4760:Cultural silence
4635:Cultural attaché
4594:Transculturation
4549:Material culture
4539:Interculturality
4395:Cultural capital
4380:Cultural baggage
4317:Youth subculture
4258:Official culture
4223:Dominant culture
4162:Internet culture
4127:Cultural mapping
4122:Cultural history
4049:Cultural studies
4034:Cultural ecology
4008:
4007:
3989:
3982:
3975:
3966:
3965:
3952:United Kingdom:
3908:Instituto Camões
3902:Polish Institute
3836:European Union:
3818:Czech Republic:
3777:Korea Foundation
3765:Japan Foundation
3692:
3685:
3678:
3669:
3668:
3659:
3607:(Praeger, 1992).
3572:(Routledge 2004)
3547:Prevots, Naima.
3537:Pells, Richard.
3513:Mitchell, J. M.
3482:Lane, Philippe.
3469:3, Winter 2010.
3455:
3328:
3327:
3305:
3299:
3296:
3287:
3284:
3278:
3275:
3269:
3266:
3260:
3259:
3257:
3255:
3239:
3233:
3232:
3214:
3208:
3205:
3199:
3198:
3196:
3194:
3179:
3173:
3172:
3170:
3168:
3154:
3148:
3147:
3145:
3143:
3134:. Archived from
3124:
3118:
3117:
3112:. Archived from
3101:
3095:
3092:
3086:
3085:
3073:
3064:
3063:
3061:
3059:
3054:on 2 August 2018
3050:. Archived from
3043:
3037:
3034:
3025:
3022:
3013:
3007:
2986:
2983:
2962:
2957:
2951:
2946:
2940:
2924:
2918:
2917:
2897:
2891:
2890:
2868:
2862:
2861:
2839:
2833:
2832:
2810:
2804:
2803:
2781:
2775:
2774:
2772:
2770:
2756:
2750:
2749:
2727:
2721:
2720:
2700:
2694:
2672:
2666:
2647:
2641:
2622:
2616:
2612:Samuel Adler on
2597:
2591:
2583:
2577:
2576:
2556:
2550:
2549:
2538:
2532:
2519:
2513:
2507:
2501:
2495:
2489:
2483:
2477:
2471:
2465:
2459:
2453:
2452:
2450:
2448:
2439:. Archived from
2429:
2423:
2422:
2394:
2388:
2383:
2377:
2372:
2366:
2361:
2355:
2349:
2343:
2340:
2334:
2333:
2307:
2298:
2297:
2273:
2267:
2266:
2264:
2262:
2243:
2237:
2233:
2227:
2224:
2218:
2217:
2209:
2203:
2202:
2190:
2181:
2180:
2172:
2166:
2165:
2157:
2144:
2143:
2135:
2129:
2128:
2120:
2107:
2106:
2104:
2102:
2088:
2082:
2081:
2069:
2058:
2057:
2025:
2019:
2018:
2016:
2014:
2009:
2000:
1994:
1993:
1991:
1989:
1972:
1966:
1963:
1957:
1954:
1948:
1945:
1939:
1936:
1930:
1927:
1921:
1918:
1912:
1909:
1903:
1900:
1894:
1891:
1882:
1878:
1872:
1869:
1863:
1860:
1854:
1851:
1845:
1844:
1842:
1840:
1826:
1817:
1814:
1808:
1805:
1799:
1796:
1790:
1787:
1781:
1778:
1772:
1769:
1763:
1760:
1749:
1746:
1740:
1737:
1731:
1728:
1722:
1721:
1697:
1691:
1690:
1688:
1686:
1681:
1673:
1667:
1666:
1664:
1662:
1647:
1641:
1640:
1634:
1629:
1627:
1619:
1611:
1605:
1604:
1598:
1593:
1591:
1583:
1575:
1569:
1568:
1566:
1564:
1550:
1544:
1541:
1532:
1529:
1523:
1520:
1489:Public diplomacy
1454:
1453:
1441:
1440:
1428:
1427:
1415:
1414:
1402:
1401:
1389:
1388:
1376:
1375:
1363:
1362:
1350:
1349:
1337:
1336:
1324:
1323:
1313:Instituto Camões
1311:
1310:
1300:Polish Institute
1298:
1297:
1285:
1284:
1272:
1271:
1259:
1258:
1248:Japan Foundation
1246:
1245:
1233:
1232:
1220:
1219:
1207:
1206:
1194:
1193:
1181:
1180:
1168:
1167:
1155:
1154:
1142:
1141:
1129:
1128:
1116:
1115:
1103:
1102:
1090:
1089:
1077:
1076:
1068:, European Union
1064:
1063:
1051:
1050:
1042:, Czech Republic
1038:
1037:
1025:
1024:
1012:
1011:
999:
998:
900:Museum diplomacy
748:William Warfield
736:Juilliard School
665:here on 7aso.org
657:
656:
613:Alfredo Antonini
606:
605:
594:
593:
545:Alfredo Antonini
505:consumer choices
432:and attended by
302:Great Depression
206:Hollywood movies
129:, media access,
112:public diplomacy
67:Public diplomacy
51:
47:
46: late 18th
44:
6103:
6102:
6098:
6097:
6096:
6094:
6093:
6092:
6063:
6062:
6061:
6056:
6024:
5986:Development aid
5974:
5948:
5917:Diplomatic rank
5850:
5674:
5655:High commission
5599:
5595:Diplomatic rank
5583:
5551:
5542:Science attaché
5499:
5466:
5450:
5441:Head of mission
5405:
5369:
5356:
5347:
5317:
5312:
5261:
5252:Western culture
5247:Welfare culture
5172:Eastern culture
5033:Cultural mosaic
4988:Cultural critic
4978:Cultural center
4926:
4900:Cultural Hindus
4846:
4837:Polyculturalism
4810:Monoculturalism
4785:Culture of fear
4755:Cultural safety
4750:Cultural rights
4730:Cultural racism
4725:Cultural policy
4603:
4509:Cultural system
4484:Cultural memory
4417:Cultural cringe
4343:
4275:Popular culture
4206:
4142:Cultural values
4063:
4012:
3998:
3993:
3963:
3958:
3954:British Council
3882:Culture Ireland
3860:Goethe-Institut
3801:
3736:
3730:United States:
3701:
3696:
3652:
3645:(Pinter, 1991).
3624:
3478:Wayback Machine
3337:
3335:Further reading
3332:
3331:
3324:
3316:. p. 172.
3306:
3302:
3297:
3290:
3285:
3281:
3276:
3272:
3267:
3263:
3253:
3251:
3240:
3236:
3229:
3215:
3211:
3206:
3202:
3192:
3190:
3181:
3180:
3176:
3166:
3164:
3156:
3155:
3151:
3141:
3139:
3126:
3125:
3121:
3110:Telegraph.co.uk
3102:
3098:
3093:
3089:
3074:
3067:
3057:
3055:
3044:
3040:
3035:
3028:
3023:
3016:
3008:
2989:
2984:
2965:
2958:
2954:
2947:
2943:
2925:
2921:
2914:
2898:
2894:
2887:
2869:
2865:
2858:
2840:
2836:
2829:
2811:
2807:
2800:
2782:
2778:
2768:
2766:
2758:
2757:
2753:
2746:
2728:
2724:
2717:
2701:
2697:
2673:
2669:
2648:
2644:
2623:
2619:
2598:
2594:
2584:
2580:
2573:
2557:
2553:
2540:
2539:
2535:
2520:
2516:
2508:
2504:
2496:
2492:
2484:
2480:
2472:
2468:
2460:
2456:
2446:
2444:
2431:
2430:
2426:
2405:. p. 146.
2395:
2391:
2384:
2380:
2373:
2369:
2362:
2358:
2350:
2346:
2341:
2337:
2322:
2308:
2301:
2274:
2270:
2260:
2258:
2245:
2244:
2240:
2234:
2230:
2225:
2221:
2210:
2206:
2191:
2184:
2173:
2169:
2158:
2147:
2136:
2132:
2121:
2110:
2100:
2098:
2090:
2089:
2085:
2070:
2061:
2034:The Round Table
2026:
2022:
2012:
2010:
2007:
2001:
1997:
1987:
1985:
1973:
1969:
1964:
1960:
1955:
1951:
1946:
1942:
1937:
1933:
1928:
1924:
1919:
1915:
1910:
1906:
1901:
1897:
1892:
1885:
1879:
1875:
1870:
1866:
1861:
1857:
1852:
1848:
1838:
1836:
1834:Foreign Affairs
1828:
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1815:
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1526:
1521:
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1512:
1479:Panda diplomacy
1465:
1448:
1435:
1432:, United States
1422:
1417:British Council
1409:
1396:
1383:
1370:
1357:
1344:
1331:
1318:
1305:
1292:
1279:
1266:
1253:
1240:
1227:
1214:
1201:
1188:
1183:Culture Ireland
1175:
1162:
1149:
1136:
1123:
1118:Goethe-Institut
1110:
1097:
1084:
1071:
1058:
1045:
1032:
1019:
1006:
993:
990:
969:
937:
929:panda diplomacy
925:
923:Panda diplomacy
902:
885:
864:
782:Dizzy Gillespie
752:Porgy and Bess
732:William Schuman
687:classical music
662:from 1956–1960
654:
603:
557:Miguel Sandoval
501:
499:TV, music, film
474:X-ray astronomy
454:
406:
386:Stanley Kubrick
326:
317:Joel Meyerowitz
298:Edward Steichen
270:
226:
190:
149:induce greater
139:
104:popular culture
75:
49:
45:
17:
12:
11:
5:
6101:
6091:
6090:
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6080:
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5924:
5919:
5914:
5912:Diplomatic law
5909:
5904:
5899:
5894:
5889:
5884:
5882:Diplomatic bag
5879:
5874:
5869:
5864:
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5728:
5723:
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5672:
5667:
5662:
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5635:
5627:
5622:
5620:Consular corps
5617:
5611:
5609:
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5600:
5598:
5597:
5591:
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5588:Classification
5585:
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5509:
5504:By portfolio (
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5487:
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5474:
5472:
5468:
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5424:
5413:
5411:
5407:
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5403:
5398:
5393:
5392:
5391:
5389:United Nations
5380:
5378:
5371:
5362:
5358:
5357:
5346:
5345:
5338:
5331:
5323:
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5102:
5097:
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5087:
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5071:
5070:
5060:
5055:
5050:
5048:Cultural probe
5045:
5040:
5035:
5030:
5025:
5020:
5015:
5010:
5005:
5000:
4995:
4990:
4985:
4980:
4975:
4973:Cross-cultural
4970:
4968:Coffee culture
4965:
4960:
4955:
4950:
4945:
4940:
4938:Animal culture
4934:
4932:
4928:
4927:
4925:
4924:
4919:
4914:
4913:
4912:
4902:
4897:
4896:
4895:
4890:
4885:
4880:
4875:
4870:
4860:
4854:
4852:
4848:
4847:
4845:
4844:
4842:Transculturism
4839:
4834:
4829:
4824:
4823:
4822:
4812:
4807:
4802:
4797:
4792:
4787:
4782:
4777:
4775:Culture change
4772:
4767:
4762:
4757:
4752:
4747:
4742:
4737:
4732:
4727:
4722:
4717:
4712:
4707:
4702:
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4687:
4682:
4677:
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4667:
4662:
4657:
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4642:
4637:
4632:
4627:
4622:
4617:
4611:
4609:
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4602:
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4599:Visual culture
4596:
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4586:
4581:
4579:Safety culture
4576:
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4471:
4466:
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4456:
4451:
4446:
4445:
4444:
4434:
4429:
4424:
4419:
4414:
4409:
4404:
4403:
4402:
4400:Cross-cultural
4392:
4387:
4382:
4377:
4372:
4367:
4362:
4357:
4351:
4349:
4345:
4344:
4342:
4341:
4336:
4331:
4326:
4325:
4324:
4319:
4314:
4309:
4304:
4294:
4289:
4284:
4283:
4282:
4272:
4271:
4270:
4260:
4255:
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4245:
4240:
4235:
4230:
4225:
4220:
4214:
4212:
4208:
4207:
4205:
4204:
4199:
4194:
4189:
4184:
4179:
4174:
4169:
4164:
4159:
4154:
4149:
4144:
4139:
4134:
4129:
4124:
4119:
4114:
4109:
4104:
4103:
4102:
4097:
4092:
4087:
4077:
4071:
4069:
4065:
4064:
4062:
4061:
4059:Culture theory
4056:
4051:
4046:
4041:
4036:
4031:
4026:
4020:
4018:
4014:
4013:
4003:
4000:
3999:
3992:
3991:
3984:
3977:
3969:
3960:
3959:
3957:
3956:
3950:
3944:
3938:
3932:
3922:
3916:
3910:
3904:
3894:
3884:
3878:
3872:
3862:
3856:
3846:
3840:
3834:
3828:
3822:
3816:
3809:
3807:
3803:
3802:
3800:
3799:
3793:
3791:Taiwan Academy
3787:
3773:
3767:
3761:
3751:
3744:
3742:
3738:
3737:
3735:
3734:
3728:
3722:
3720:Image of Chile
3716:
3709:
3707:
3703:
3702:
3695:
3694:
3687:
3680:
3672:
3666:
3665:
3651:
3650:External links
3648:
3647:
3646:
3639:
3632:
3623:
3620:
3619:
3618:
3608:
3601:
3594:
3589:Tuch, Hans J.
3587:
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3490:
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3329:
3322:
3300:
3288:
3279:
3270:
3261:
3234:
3227:
3209:
3200:
3187:State Magazine
3174:
3149:
3119:
3096:
3087:
3065:
3046:Dmitri Rogov.
3038:
3026:
3014:
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2320:
2299:
2288:(3): 393–415.
2268:
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2059:
2040:(4): 461–476.
2020:
1995:
1967:
1958:
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1800:
1791:
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1773:
1764:
1750:
1741:
1732:
1723:
1712:(1): 191–203.
1692:
1668:
1642:
1633:|journal=
1606:
1597:|journal=
1570:
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1225:
1222:EMMA for Peace
1212:
1199:
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1173:
1160:
1147:
1134:
1121:
1108:
1095:
1082:
1069:
1056:
1043:
1030:
1017:
1004:
989:
986:
968:
965:
936:
935:Goodwill tours
933:
924:
921:
901:
898:
889:Place branding
884:
883:Place branding
881:
863:
860:
837:Antony Blinken
829:Paul McCartney
790:Willis Conover
767:Andrei Zhdanov
720:Virgil Thomson
669:
668:
650:
649:
621:John Serry Sr.
599:
598:
597:External audio
553:John Serry Sr.
515:music and the
500:
497:
453:
450:
426:Sokolniki Park
405:
402:
354:New Soviet Man
325:
322:
277:Migrant Mother
269:
266:
261:
260:
259:Goodwill tours
257:
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251:
248:
245:
242:
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236:
233:
225:
222:
198:military power
194:national power
189:
186:
165:
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157:
154:
147:
138:
135:
131:inter-marriage
74:
71:
15:
9:
6:
4:
3:
2:
6100:
6089:
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5817:
5814:
5812:
5809:
5807:
5804:
5802:
5799:
5797:
5796:Paradiplomacy
5794:
5792:
5789:
5787:
5784:
5782:
5779:
5777:
5774:
5772:
5769:
5767:
5764:
5762:
5759:
5757:
5754:
5752:
5751:Full-spectrum
5749:
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5737:
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5507:
5502:
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5495:Agent-general
5493:
5491:
5488:
5484:
5481:
5480:
5479:
5476:
5475:
5473:
5469:
5463:
5460:
5459:
5457:
5453:
5447:
5444:
5442:
5439:
5437:
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5428:
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5408:
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5399:
5397:
5394:
5390:
5387:
5386:
5385:
5382:
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5379:
5375:
5372:
5370:leader titles
5366:
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5359:
5355:
5351:
5344:
5339:
5337:
5332:
5330:
5325:
5324:
5321:
5309:
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5301:
5292:
5290:
5289:
5280:
5278:
5277:
5268:
5267:
5264:
5258:
5257:Youth culture
5255:
5253:
5250:
5248:
5245:
5243:
5242:Urban culture
5240:
5238:
5235:
5233:
5230:
5228:
5227:Remix culture
5225:
5223:
5220:
5218:
5215:
5213:
5210:
5208:
5205:
5203:
5202:Media culture
5200:
5198:
5195:
5193:
5192:Languaculture
5190:
5188:
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5148:
5146:
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5133:
5131:
5128:
5126:
5123:
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5120:Culture shock
5118:
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5111:
5108:
5106:
5103:
5101:
5098:
5096:
5093:
5091:
5088:
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5081:
5080:Cultural turn
5078:
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5066:
5065:
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5019:
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4959:
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4948:Bennett scale
4946:
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4939:
4936:
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4933:
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4923:
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4918:
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4911:
4908:
4907:
4906:
4903:
4901:
4898:
4894:
4891:
4889:
4886:
4884:
4881:
4879:
4878:Protestantism
4876:
4874:
4871:
4869:
4866:
4865:
4864:
4861:
4859:
4856:
4855:
4853:
4849:
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4833:
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4828:
4825:
4821:
4820:Biculturalism
4818:
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4811:
4808:
4806:
4803:
4801:
4798:
4796:
4793:
4791:
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4781:
4778:
4776:
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4771:
4768:
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4758:
4756:
4753:
4751:
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4731:
4728:
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4711:
4708:
4706:
4703:
4701:
4698:
4696:
4693:
4691:
4688:
4686:
4683:
4681:
4678:
4676:
4673:
4671:
4668:
4666:
4663:
4661:
4658:
4656:
4653:
4651:
4648:
4646:
4643:
4641:
4638:
4636:
4633:
4631:
4628:
4626:
4623:
4621:
4618:
4616:
4613:
4612:
4610:
4606:
4600:
4597:
4595:
4592:
4590:
4587:
4585:
4584:Technoculture
4582:
4580:
4577:
4575:
4572:
4570:
4567:
4565:
4564:Print culture
4562:
4560:
4557:
4555:
4552:
4550:
4547:
4545:
4542:
4540:
4537:
4535:
4532:
4530:
4529:Enculturation
4527:
4525:
4522:
4520:
4517:
4515:
4512:
4510:
4507:
4505:
4502:
4500:
4497:
4495:
4492:
4490:
4487:
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4449:Cultural icon
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4390:Cultural bias
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4370:Cultural area
4368:
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4355:Acculturation
4353:
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4329:Super culture
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4243:Legal culture
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4192:Sound culture
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3940:Switzerland:
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3820:Czech Centres
3817:
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3808:
3804:
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3792:
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3782:
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3775:South Korea:
3774:
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3769:Philippines:
3768:
3766:
3762:
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3732:America House
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3076:Ed Vulliamy.
3072:
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2716:9781580460194
2712:
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2685:9780810884014
2682:
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2097:
2096:Columbia News
2093:
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2055:
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2006:
1999:
1984:
1983:
1978:
1971:
1962:
1953:
1944:
1935:
1926:
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1500:
1497:
1495:
1492:
1490:
1487:
1485:
1484:Paradiplomacy
1482:
1480:
1477:
1475:
1472:
1470:
1467:
1466:
1457:
1452:
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1392:
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1369:
1367:, South Korea
1366:
1361:
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1354:, South Korea
1353:
1348:
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1327:
1322:
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1301:
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1283:
1278:
1276:, Philippines
1275:
1270:
1265:
1263:, North Korea
1262:
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1083:
1080:
1075:
1070:
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1057:
1054:
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1044:
1041:
1040:Czech Centres
1036:
1031:
1028:
1023:
1018:
1015:
1010:
1005:
1002:
997:
992:
991:
985:
983:
977:
975:
974:globalization
967:Complications
964:
962:
958:
954:
950:
945:
941:
932:
930:
920:
917:
915:
911:
907:
897:
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890:
880:
878:
874:
869:
859:
857:
852:
850:
846:
842:
839:launched the
838:
833:
830:
824:
822:
818:
814:
811:
807:
798:
794:
791:
786:
783:
778:
776:
772:
768:
763:
760:
754:
753:
749:
745:
741:
740:Milton Katims
737:
733:
729:
725:
724:Howard Hanson
721:
717:
712:
706:
704:
700:
696:
695:John Ferritto
692:
688:
684:
680:
676:
667:
666:
661:
651:
648:
647:
642:
638:
634:
630:
626:
622:
618:
614:
610:
607:You may hear
600:
595:
592:
590:
588:
582:
578:
574:
570:
566:
562:
558:
554:
550:
546:
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530:
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522:
518:
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496:
494:
489:
487:
482:
475:
471:
466:
458:
449:
447:
443:
439:
435:
431:
430:Richard Nixon
427:
423:
419:
410:
401:
399:
395:
391:
387:
383:
379:
375:
370:
367:
363:
359:
355:
350:
348:
347:Domino Theory
343:
339:
335:
331:
321:
318:
314:
310:
305:
303:
299:
295:
291:
287:
278:
274:
265:
258:
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246:
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231:
230:
229:
221:
219:
213:
209:
207:
203:
199:
195:
185:
183:
179:
175:
174:Western world
169:
162:
158:
155:
152:
148:
145:
144:
143:
134:
132:
128:
124:
120:
115:
113:
109:
105:
101:
97:
93:
89:
86:
82:
81:
70:
68:
63:
60:is a type of
59:
55:
40:
36:
35:
31:
27:
24:A meeting of
21:
6050:
6038:
5979:Other topics
5936:
5846:Wolf warrior
5705:
5630:
5524:
5433:
5377:Multilateral
5305:
5298:
5286:
5274:
5222:Rape culture
5167:Drug culture
5155:Deaf culture
5140:Cyberculture
5110:Culture hero
5023:Cultural lag
4963:Civilization
4863:Christianity
4664:
4569:Protoculture
4253:Microculture
4233:High culture
4228:Folk culture
4177:Postcritique
3942:Pro Helvetia
3771:Sentro Rizal
3642:
3635:
3628:
3611:
3604:
3597:
3590:
3583:
3576:
3569:
3558:
3548:
3538:
3531:
3521:
3514:
3503:
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3483:
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3441:
3431:
3421:
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3399:
3389:
3382:
3371:
3361:
3351:
3341:
3309:
3303:
3282:
3273:
3264:
3252:. Retrieved
3247:
3237:
3218:
3212:
3203:
3191:. Retrieved
3186:
3177:
3165:. Retrieved
3161:
3152:
3140:. Retrieved
3136:the original
3131:
3122:
3114:the original
3109:
3099:
3090:
3082:The Guardian
3081:
3056:. Retrieved
3052:the original
3041:
2955:
2944:
2926:
2922:
2902:
2895:
2876:
2866:
2847:
2837:
2818:
2808:
2789:
2779:
2767:. Retrieved
2763:
2754:
2735:
2725:
2705:
2698:
2687:
2675:
2670:
2650:
2645:
2625:
2620:
2600:
2595:
2586:
2581:
2561:
2554:
2545:
2536:
2517:
2509:
2505:
2497:
2493:
2485:
2481:
2473:
2469:
2461:
2457:
2445:. Retrieved
2441:the original
2436:
2427:
2401:. New York:
2398:
2392:
2381:
2370:
2359:
2347:
2338:
2311:
2285:
2281:
2271:
2259:. Retrieved
2255:the original
2250:
2241:
2231:
2222:
2213:
2207:
2198:
2194:
2176:
2170:
2161:
2139:
2133:
2124:
2099:. Retrieved
2095:
2086:
2077:
2073:
2037:
2033:
2023:
2011:. Retrieved
1998:
1986:. Retrieved
1980:
1970:
1961:
1952:
1943:
1934:
1925:
1916:
1907:
1898:
1876:
1867:
1858:
1849:
1837:. Retrieved
1833:
1812:
1803:
1794:
1785:
1776:
1767:
1744:
1735:
1726:
1709:
1705:
1695:
1683:. Retrieved
1671:
1659:. Retrieved
1655:
1645:
1624:cite journal
1609:
1588:cite journal
1573:
1561:. Retrieved
1558:www.fpri.org
1557:
1548:
1527:
1518:
1274:Sentro Rizal
978:
970:
946:
942:
938:
926:
918:
903:
886:
865:
853:
834:
825:
815:
803:
787:
779:
764:
758:
755:
707:
679:Samuel Adler
672:
664:
645:
640:
636:
632:
628:
625:Viva Sevilla
624:
587:Viva América
584:
565:Elsa Miranda
525:World War II
510:
502:
490:
483:
479:
424:was held on
415:
371:
351:
327:
306:
282:
276:
262:
227:
214:
210:
191:
170:
166:
140:
116:
96:high culture
90:
78:
76:
57:
56:
54:
23:
5862:Appeasement
5560:Other roles
5300:WikiProject
5232:Tea culture
5135:Culturalism
5105:Culture gap
5068:Pop-culture
4868:Catholicism
4790:Culture war
4248:Low culture
4147:Culturomics
4054:Culturology
1839:15 December
1685:13 December
1661:13 December
817:Kolya Vasin
806:The Beatles
804:The effect
800:The Beatles
699:Henry Lewis
691:James Dixon
617:Juan Arvizu
561:Juan Arvizu
549:Terig Tucci
434:Walt Disney
404:Exhibitions
151:cooperation
39:Shiba Kokan
6067:Categories
5944:Soft power
5816:Preventive
5806:Pilgrimage
5701:Commercial
5417:Ambassador
5368:Diplomatic
4297:Subculture
4075:Bioculture
3906:Portugal:
3724:Colombia:
3502:Liu, Xin.
3374:62 (2019)
3350:Arndt, R.
3254:9 December
3193:9 December
3167:6 December
3142:4 December
2769:9 December
2101:9 December
2013:9 December
1988:9 December
1510:References
1499:Soft power
1315:, Portugal
1029:, Colombia
879:accounts.
577:Kate Smith
513:Latin Jazz
338:Capitalist
286:Korean War
137:Objectives
108:soft power
73:Definition
62:soft power
48: – c.
5960:Exequatur
5953:Documents
5811:Ping-pong
5781:Migration
5756:Guerrilla
5746:Freelance
5721:Debt-trap
5691:Checkbook
5625:Consulate
5354:diplomats
5350:Diplomacy
5125:Culturgen
4893:Mormonism
4851:Religions
4524:Cultureme
4442:Destroyed
4068:Subfields
3946:Ukraine:
3912:Romania:
3880:Ireland:
3874:Hungary:
3858:Germany:
3842:Finland:
3830:Estonia:
3824:Denmark:
3812:Andorra:
2330:958205262
2294:0021-8758
2054:0035-8533
1718:1080-0786
1406:, Ukraine
1328:, Romania
1185:, Ireland
1120:, Germany
1107:, Finland
944:assumed.
856:Australia
641:De Donde?
633:Que Paso?
629:Mi Sarape
569:Eva Garza
452:Exchanges
398:Communism
378:Spartacus
334:Socialist
178:happiness
127:migration
6039:Category
5991:Agencies
5932:Protocol
5841:Track II
5736:Economic
5711:Culinary
5706:Cultural
5696:Coercive
5660:Legation
5631:De facto
5478:Resident
5276:Category
4858:Buddhism
4608:Politics
4017:Sciences
3934:Sweden:
3918:Russia:
3896:Poland:
3864:Greece:
3848:France:
3795:Turkey:
3789:Taiwan:
3712:Brazil:
3706:Americas
3474:Archived
3058:24 April
2411:67-23789
2261:25 March
1463:See also
1458:, Turkey
1393:, Sweden
1341:, Russia
1302:, Poland
1289:, Poland
1237:, Israel
1146:, Greece
1133:, Greece
1094:, France
1081:, France
1003:, Brazil
982:Iraq War
959:in 1949,
908:and the
810:Cold War
643:in 1942
493:Cold War
418:Cold War
330:Cold War
161:conflict
34:the West
6051:Commons
5836:Stadium
5831:Shuttle
5826:Science
5776:Medical
5766:Hostage
5761:Gunboat
5726:Digital
5716:Defence
5633:embassy
5608:Offices
5506:Attaché
5307:Changes
5288:Commons
4931:Related
4922:Sikhism
4917:Judaism
4348:Aspects
4010:Outline
3996:Culture
3924:Spain:
3886:Italy:
3763:Japan:
3753:India:
3747:China:
3718:Chile:
3586:(2001).
3561:(2012)
3551:(2001)
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