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scene—would go crazy, punch him in the chops, and walk off the set. I was already working on another project, but Yordan insisted that I write some lines for a minor actor, which would account for the miscreant’s absence. This would allow the ballroom scene to continue, save having to locate the crazy or drunk actor, and save having to reshoot. While
Siodmak kept the dancers in motion, I rehearsed the new actor in his role, and tailors stitched together a bespoke uniform. Within minutes he burst upon the scene, apologised on behalf of the government minister for his absence—due to a crisis in Washington—and announced an impending honour for Custer. It was a weak solution, but it saved a lot of money. That’s show business for you.
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Shaw took care of the battle scenes himself. Siodmak preferred directing ballroom scenes, which he had done so often in his long career they required no invention. What he didn’t anticipate, as he choreographed fifty couples, was that the actor—whose intervention was designed to give coherence to the
467:. Security borrowed $ 6 million from the First National Bank to make the films in collaboration with Pacific Theatres. Pacific and Security Pictures gave distribution rights to Cinerama. Cinerama bought out most of the rights of Pacific and Security Pictures then sold 50% of the movie to ABC Films.
441:
According to
Bernard Gordon, "Production stumbled along on Custer as Julian and I tried to give the Indians a fair shake. Robert Shaw was helpful. A bright man and a fine writer, he approved of our point of view of that the Indians were victims right to the end. He even wrote one speech for Custer…
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and Julian Zimet to write a script. According to Zimet, “The original brief was to turn out a typical
Western sainted hero martyr script, which Gordon and I duly delivered. But Robert Shaw figured he would make it over to suit himself. Which he did. He turned Custer into a sadist of Shakespearean
298:. He soon learns that the U.S. treaties are a sham, that Indian lands are being stolen and every excuse for driving them off their hunting grounds is being encouraged. With his wife Elizabeth, Custer goes in and out of favor in
494:, the film received only a 25% "rotten" rating. It holds average rating of 4.1/10. Many were unimpressed by the attempt to shoehorn two different viewpoints into the same film – the mistreatment of the
498:
by
American troops, and the portrayal of Custer as an American hero who was not to blame for the disaster. The general inaccuracies of the film were also questioned, particularly the portrayal of the
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while failing to keep wildcatting miners like his own deserting
Sergeant Mulligan from running off to prospect for gold in Indian country. After trying to humble the prideful Indian warrior
1995:
461:. It was one of two big screen epics made by Security Pictures (a company of Louis Dolivet and Philip Yordan) in the Cinerama process, the other being
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Most of the film was shot within 30 miles of Madrid except for the Battle of Little Big Horn which was filmed in AlmerĂa near
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Penn, Stanley (January 16, 1968). "Spurt in
Cinerama Stock Price Spotlights Options for Over 1 Million Shares at About $ 4".
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upstart officer George
Armstrong Custer takes over the Western Cavalry maintaining the peace in
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Joseph, Robert (January 15, 1967). "Custer in
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Canby, Vincent (August 16, 1967). "Cinerama Is
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Producer Philip Yordan decided to make his own Custer movie and hired
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699:"La Ăşltima aventura del general Custer (1967) PelĂcula - PLAY Cine"
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The film met with a largely negative reaction from critics. At
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422:announced plans to make a film about Custer called
481:A South Carolina theater showing the film in 1968.
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525:on May 25, 2004, as a Region 1 widescreen DVD.
1996:Cultural depictions of George Armstrong Custer
506:of $ 400,000 in the United States and Canada.
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651:"Writers at the Movies: 'Custer of the West'"
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1536:The Wonderful World of the Brothers Grimm
601:History in the Media: Film And Television
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457:The film was originally known as
1966:Films directed by Robert Siodmak
382:Charles Stalmaker as Lt. Howells
278:. The film was shot entirely in
1991:Films scored by Bernardo Segall
1598:It's a Mad, Mad, Mad, Mad World
649:Sinclair, Clive (May 4, 2015).
521:on July 14, 1998 and on DVD by
448:Julian Zimet later elaborated:
442:that made this point sharply.”
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535:List of American films of 1967
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1577:Cinerama's Russian Adventure
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385:Jack Gaskins as Sgt. Gaskins
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587:. May 21, 1992. p. 22.
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388:Robert Hall as Sgt. Buckley
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604:. ABC-CLIO. p. 28.
519:Anchor Bay Entertainment
182:(World Premiere, London)
1355:Escape from East Berlin
517:was released to VHS by
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2016:1960s historical films
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224:$ 400,000 (US/Canada
2026:1960s American films
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1822:Indian Hills Theater
1640:The Hallelujah Trail
1568:The Best of Cinerama
1558:How the West Was Won
1515:South Seas Adventure
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1140:The Spiral Staircase
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1905:Super Panavision 70
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1505:Search for Paradise
1265:Flesh and the Woman
1070:Someone to Remember
685:Wall Street Journal
424:The Day Custer Fell
400:as the Fort surgeon
239:is a 1967 American
1879:Cinerama Adventure
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1395:Custer of the West
1345:The Nina B. Affair
1315:Magnificent Sinner
1305:Dorothea Angermann
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925:The Crisis is Over
905:The Burning Secret
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773:Custer of the West
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707:. Retrieved
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374:Kieron Moore
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188:Running time
76:
64:Julian Zimet
18:
1895:Multi-image
1873:Cinemiracle
1464:Three-panel
1190:Criss Cross
1150:The Killers
1120:The Suspect
1100:Cobra Woman
975:White Cargo
868:(1931, MLV)
757:at DVD Talk
655:Contrapasso
404:Barta Barri
392:Robert Ryan
361:as General
352:as Captain
345:Marcus Reno
320:Robert Shaw
308:7th Cavalry
296:the Dakotas
260:Robert Ryan
258:as Custer,
256:Robert Shaw
254:, starring
216:$ 4 million
192:141 minutes
91:Robert Shaw
69:Produced by
47:Directed by
36:Film poster
1941:1967 films
1935:Categories
1900:Polyvision
1673:Grand Prix
1525:Windjammer
1275:Die Ratten
546:References
510:Home media
414:Production
398:John Clark
378:Dull Knife
304:Dull Knife
300:Washington
221:Box office
175:1967-11-09
140:Production
57:Written by
1857:Mike Todd
1365:The Shoot
1245:1952–1969
1020:1941–1951
1017:Hollywood
985:Mollenard
825:1930–1939
486:Reception
376:as Chief
343:as Major
341:Ty Hardin
264:Ty Hardin
117:Edited by
99:Ty Hardin
77:executive
1662:Khartoum
1450:Cinerama
1220:Deported
845:Farewell
778:Cinerama
709:July 25,
529:See also
438:depth.”
332:Mary Ure
272:Mary Ure
205:Language
129:Music by
103:Mary Ure
87:Starring
1866:Related
1789:Present
1754:Fisheye
855:Inquest
324:General
244:Western
226:rentals
208:English
197:Country
173: (
142:company
1835:People
1815:Former
1781:Venues
1767:(1964)
1744:(1972)
1742:
1733:(1970)
1731:
1722:(1969)
1720:
1711:(1968)
1709:
1700:(1968)
1698:
1689:(1967)
1687:
1678:(1966)
1676:
1667:(1966)
1665:
1656:(1965)
1654:
1645:(1965)
1643:
1634:(1965)
1632:
1623:(1964)
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1614:(1964)
1612:
1603:(1963)
1601:
1581:(1966)
1579:
1572:(1963)
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1563:(1962)
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1552:(1962)
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1541:(1962)
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1530:(1958)
1528:
1519:(1958)
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1510:(1957)
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1499:(1956)
1497:
1488:(1955)
1486:
1477:(1952)
1475:
1408:(1968)
1398:(1967)
1388:(1965)
1378:(1965)
1368:(1964)
1358:(1962)
1348:(1961)
1338:(1960)
1328:(1959)
1318:(1959)
1308:(1959)
1298:(1957)
1288:(1956)
1278:(1955)
1268:(1954)
1258:(1952)
1242:Europe
1233:(1951)
1223:(1950)
1213:(1950)
1203:(1949)
1193:(1949)
1183:(1948)
1173:(1947)
1163:(1946)
1153:(1946)
1143:(1946)
1133:(1945)
1123:(1944)
1113:(1944)
1103:(1944)
1093:(1944)
1083:(1943)
1073:(1943)
1063:(1942)
1053:(1942)
1043:(1942)
1033:(1941)
1008:(1939)
998:(1939)
988:(1938)
978:(1937)
968:(1936)
958:(1936)
948:(1936)
938:(1936)
928:(1934)
918:(1933)
908:(1933)
898:(1932)
888:(1932)
878:(1931)
858:(1931)
848:(1930)
838:(1930)
822:Europe
608:
270:, and
213:Budget
1590:70 mm
1457:Films
895:Quick
280:Spain
750:IMDb
711:2022
631:IMDb
606:ISBN
314:Cast
286:Plot
241:epic
776:at
763:at
748:at
728:at
703:ABC
629:at
406:as
334:as
322:as
38:by
1937::
701:.
653:.
637:^
573:^
553:^
474:.
282:.
266:,
262:,
1442:e
1435:t
1428:v
806:e
799:t
792:v
713:.
657:.
614:.
228:)
177:)
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