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Cy Walter

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250: 208:, Walter grew up in a musical family and received early classical training from his mother, a professional piano teacher. In 1934, after a summer job playing piano on the overnight New York to Boston night cruise, he enrolled briefly at New York University but soon accepted an offer to join the Eddie Lane Orchestra on a full-time basis. Four years later, he formed a two-piano team with Gil Bowers and played at Le Ruban Bleu when it opened. Solo engagements followed at upscale bars and supper clubs like the Algonquin, the Blue Angel, and Tony's on West 52nd Street. In the late 1930s and early 1940s, Walter explored other musical surroundings: as pit pianist with the 189: 312: 307:
In 1959, Walter was invited to resume playing solo piano at the Drake Room. This six-nights-a-week engagement would continue until a week before the pianist's death from lung cancer in 1968. "I guess by now I know how to work the Drake Room," he quipped with typical understatement to an interviewer
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profile noted that "The Cy Walter appeal can be summed up with two t's: taste and the tune. ... Sinatra, Whiting and other bigtimers are constantly dropping by... to pick up on some obscure show tune that he has resurrected from the vast storehouse of his musical mind... obscure little melodies that
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review published two days following the event noted that "The jam-packed, three-hour festivity included instrumentals, vocals, and even an exhilarating exhibition , and of The Astaire , whose melody was composed at the behest of the icon himself to launch his dance studios." The
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in New York City on September 27, 2015, showcased Cy Walter's original compositions as performed by eighteen top vocalists, pianists, and dancers. The show, which was produced by Cy's son, Mark Walter, featured duo piano performances and original scores by the twelve-piece Cy Walter Celebratory
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of Park Avenue," he was praised for his extensive repertoire (with an emphasis on show tunes) and improvisatory skill. His long radio and recording career included both solo and duo performances, and stints as accompanist for such elegant vocal stylists as
386:' awed assessment of Walter's talent in what was, in essence, a fan letter: "I have never heard better taste". Closing his profile, Teachout, a pianist himself, exhorted his readers to "isten to the gently rippling 1946 performance of Rodgers' 216:," as accompanist for Mabel Mercer and Greta Keller, and as leader of his own orchestra at the night club La Martinique. He briefly ran his own club, Cy Walter's Night Cap, before being called to a fourteen-month stint in the 921: 249: 300:
label. While not a prolific songwriter, he also crafted a number of songs in an advanced harmonic style. For example, he composed both words and music for "Some Fine Day" (1953), and collaborated with
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and great timeless songs that have been lost in the shuffle." Walter continued at the Drake Room from 1945 until 1951, building a reputation as the "dean of Manhattan's piano professors," according to
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and Jimmy Dobson), observing that it was performed with "conversational espirit" by vocalist Doug Bowles and pianist Alex Hassan. The entire show was professionally captured by filmmaker
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By then a fixture on the New York music scene, Walter spent the rest of the 1950s performing at various Manhattan venues and recording both as a solo pianist and accompanist—-for example, on
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featured (in addition to the anchor duo) notable guest pianists from the jazz and classical worlds, teamed up "in all sorts of unusual combinations as duos, trios and quartets."
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on the first 'Sublimities' CD and you'll hear what he meant.  No, it's not jazz, but who cares?  It's music, and it's gorgeous -- with or without an olive."
519:(Liberty Music Shops 78 rpm album, 1942) Mabel Mercer sings three songs accompanied by Cy Walter; Cy plays three solo songs. Album reissued twice by AEI, as 413:(Liberty Music Shops 78 rpm album, 1942) Cy Walter plays three solo songs; Mabel Mercer sings three songs accompanied by Cy. Album reissued twice by AEI, as 561:- Lee Wiley with Stan Freeman, Bobby Hackett, Joe Bushkin (Columbia CL 656, 1951; Sony Special Products WK 75010, CD; Collector's Choice 204, 2001 CD) 903: 966: 331:
Orchestra, led by music director Tedd Firth, and was a tremendous success. Also celebrated was the release of a two-volume CD set by
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on "Time and Tide" (1961) and Chilton Ryan on "You Are There" (1960) and "See a Ring Around the Moon" (1961).
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Walter found an ideal showcase for his talents when he opened the elegant Drake Room of New York's
573:- with Stan Freeman (Columbia CL 6216, 1952; Columbia 2OAP-1496; Collector's Choice 204, 2001 CD) 567:- with Stan Freeman (Columbia CL 6215, 1952; Columbia 2OAP-1496; Collector's Choice 204, 2001 CD) 227: 815: 506:(Harbinger HCD 3104, 2015) Multiple piano performances, work as accompanist, song compositions 421:(AEI-CD-17, 1995 CD). On the CD, Cy's three solos are combined into a Porgy And Bess "Medley". 770: 193: 946: 941: 876: 374:, penned an excellent January 14, 2016 article in the Journal profiling Cy Walter entitled 344:
article also highlighted performances of other Cy Walter original compositions, including
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Mabel Mercer Sings, Cy Walter Plays, Selections From George Gershwin's Porgy And Bess
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Mabel Mercer Sings, Cy Walter Plays, Selections From George Gershwin's Porgy And Bess
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From 1944 to 1952, Walter appeared regularly (as part of a duo piano team with
935: 293: 160: 85: 71: 327: 311: 257: 239: 223: 173: 169: 481:(Harbinger HCD 3103, 2015) Piano solos, rare recordings, radio appearances 907: 543:- with Stan Freeman (Atlantic 1213, LP; Rhino/Atlantic R2 71690, 1994 CD) 301: 209: 201: 141: 137: 48: 898: 726: 280: 205: 177: 164: 52: 889: 714:
Classic American Popular Song: The Second Half-Century, 1950-2000.
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Zion, Sidney E. "What's The Drake? It's Where Cy Walter Plays,"
537:(Atlantic 2-602, 1965 LP; Rhino/Atlantic COL-CD-6838, 2001 CD) 925: 155:(September 16, 1915 – August 18, 1968) was an American 870: 794:"The Cy Walter Centennial Celebration and CD Release Party" 731: 533:- with Stan Freeman (Atlantic ALS 403); tracks reissued on 89: 451:(Atlantic 1236, 1956 LP; Collectables COLS 6915, 2008 CD) 378:. Teachout also highly praised the recent release of the 324:
The Cy Walter Centennial Celebration and CD Release Party
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Intimate Nights: The Golden Age of New York Cabaret.
933: 673:Crosby, John. "Small Program, Big Audience," 660:Jones, Will. "Blonde 'Laps Up' Piano Magic," 272:on December 21, 1945. The following year, a 627: 625: 842:"CY WALTER'S COCKTAIL PIANO, WITH A TWIST" 525:Cabin In The Sky/Porgy And Bess/Carib Song 419:Cabin In The Sky/Porgy And Bess/Carib Song 370:, a noted author and drama critic for The 611: 609: 607: 407:(Liberty Music Shops LMS-1007, early 40s) 337:Cy Walter: Sublimities Centennial Tribute 622: 500:- with Stan Freeman (Epic LG 1001, 1955) 461:Hits from the Great Astaire-Rogers Films 376:Cy Walter's Cocktail Piano, With A Twist 310: 248: 234:Reaching an international audience over 187: 427:(Request Records SW 107-112, early 40s) 360:, and can be viewed in its entirety on 230:) on ABC's popular weekly radio series 934: 791: 643: 641: 604: 593: 591: 589: 587: 745: 494:- with Stan Freeman (MGM E-514, 1950) 967:20th-century American male musicians 839: 615:"Cy Walter Dies; Cocktail Pianist," 792:Lester, Marilyn (October 4, 2015). 638: 584: 13: 746:Cohen, Alix (September 29, 2015). 356:and sound engineer Rubin Nizri of 14: 978: 864: 768: 510: 455:Cy Walter Plays Gershwin Classics 431:Cy Walter at The Drake Room Piano 531:Songs By Mabel Mercer, Volume II 833: 808: 785: 762: 739: 719: 712:Jenness, David and Don Vesley. 565:Lee Wiley Sings Vincent Youmans 521:Cabin In The Sky/Porgy And Bess 415:Cabin In The Sky/Porgy And Bess 957:20th-century American pianists 706: 693: 690:Grove Weidenfeld, 1991, p. 65. 680: 667: 654: 541:Mabel Mercer Sings Cole Porter 393: 163:for four decades. Dubbed the " 69:August 18, 1968 (Age 52 years) 1: 873:maintained by Walter's family 577: 571:Lee Wiley Sings Irving Berlin 553:Greta Keller Sings Kurt Weill 662:Minneapolis Morning Tribune, 7: 631:Walter, Cy. Liner notes to 523:(AEI 1107, 1979 LP) and as 417:(AEI 1107, 1979 LP) and as 405:Piano Stylings of Cy Walter 10: 983: 922:Works Written by Cy Walter 463:(RCA Camden CAL-533, 1959) 362:The Cy Walter Foundation's 388:Falling In Love With Love 238:, and with commentary by 183: 121: 111: 103: 95: 81: 58: 35: 25: 18: 727:"Cy Walter | Actor" 716:Routledge, 2005, p. 268. 675:New York Herald Tribune, 597:Bach, Bob. "Cy Walter," 445:(Columbia CL 6202, 1952) 439:(Columbia CL 6161, 1951) 871:Official Cy Walter site 535:The Art of Mabel Mercer 398: 315:Walter fan letter from 962:American male pianists 952:Apollo Records artists 699:"Small and Cheerful," 635:(Westminster WP-6120). 485: 473:Cy Walter at The Drake 380:Cy Walter: Sublimities 346:I'll Never Tire of You 320: 265: 197: 196:in New York City, 1949 848:. Wall Street Journal 633:A Dry Martini Please! 549:(Liberty Music Shops) 547:Songs By Greta Keller 527:(AEI-CD-17, 1995 CD). 504:Sublimities, Volume 2 479:Sublimities, Volume 1 475:(MGM E/SE-4393, 1966) 469:(Westminster WP-6120) 467:A Dry Martini Please! 457:(Atlantic 8016, 1957) 314: 252: 194:Copacabana night club 191: 899:Our American Stories 877:Cy Walter Foundation 769:Burns, Linda Amiel. 262:Piano Playhouse Show 846:Jazz Promo Services 816:"Rodgers Revisited" 433:(Apollo A-14, 1948) 372:Wall Street Journal 126:Liberty Music Shops 773:. Theaterscene.com 703:, Sep. 23, 1950:4. 559:Night in Manhattan 555:(Atlantic ALS 405) 358:New Record Studios 321: 266: 236:Armed Forces Radio 198: 46:September 16, 1915 31:Cyril Frank Walter 840:Teachout, Terry. 449:Rodgers Revisited 364:YouTube channel. 333:Harbinger Records 256:, Cy Walter, and 226:, and later with 218:Maritime Service. 214:Very Warm for May 159:pianist based in 147: 146: 974: 928:ACE Title Search 858: 857: 855: 853: 837: 831: 830: 828: 826: 812: 806: 805: 803: 801: 796:. Cabaret Scenes 789: 783: 782: 780: 778: 766: 760: 759: 757: 755: 750:. Broadway World 743: 737: 736: 723: 717: 710: 704: 697: 691: 684: 678: 671: 665: 658: 652: 651:26 Aug. 1966:37. 645: 636: 629: 620: 619:20 Aug. 1968:41. 613: 602: 595: 443:Holiday for Keys 232:Piano Playhouse. 114: 68: 66: 45: 43: 28: 16: 15: 982: 981: 977: 976: 975: 973: 972: 971: 932: 931: 867: 862: 861: 851: 849: 838: 834: 824: 822: 814: 813: 809: 799: 797: 790: 786: 776: 774: 767: 763: 753: 751: 744: 740: 725: 724: 720: 711: 707: 698: 694: 685: 681: 672: 668: 664:28 May 1954:32. 659: 655: 649:New York Times, 646: 639: 630: 623: 617:New York Times, 614: 605: 596: 585: 580: 513: 492:Piano Playhouse 488: 401: 396: 384:Richard Rodgers 382:CDs, and cited 350:Richard Kollmar 317:Richard Rodgers 279:never made the 254:Richard Rodgers 186: 150: 112: 70: 64: 62: 47: 41: 39: 26: 21: 12: 11: 5: 980: 970: 969: 964: 959: 954: 949: 944: 930: 929: 919: 917:Apple Podcasts 910: 901: 892: 883: 874: 866: 865:External links 863: 860: 859: 832: 807: 784: 761: 738: 718: 705: 692: 686:Gavin, James. 679: 666: 653: 637: 621: 603: 582: 581: 579: 576: 575: 574: 568: 562: 556: 550: 544: 538: 528: 512: 511:As accompanist 509: 508: 507: 501: 495: 487: 484: 483: 482: 476: 470: 464: 458: 452: 446: 440: 434: 428: 422: 408: 400: 397: 395: 392: 368:Terry Teachout 354:Michael Stever 348:(written with 341:Broadway World 326:, held at The 286:The New Yorker 192:Walter at the 185: 182: 149:Musical artist 148: 145: 144: 123: 119: 118: 115: 109: 108: 105: 101: 100: 97: 93: 92: 83: 79: 78: 60: 56: 55: 37: 33: 32: 29: 23: 22: 19: 9: 6: 4: 3: 2: 979: 968: 965: 963: 960: 958: 955: 953: 950: 948: 945: 943: 940: 939: 937: 927: 923: 920: 918: 914: 911: 909: 905: 902: 900: 896: 893: 891: 887: 884: 881: 878: 875: 872: 869: 868: 847: 843: 836: 821: 817: 811: 795: 788: 772: 765: 749: 742: 734: 733: 728: 722: 715: 709: 702: 696: 689: 683: 677:31 Oct. 1950. 676: 670: 663: 657: 650: 644: 642: 634: 628: 626: 618: 612: 610: 608: 601:Nov. 1946:25. 600: 594: 592: 590: 588: 583: 572: 569: 566: 563: 560: 557: 554: 551: 548: 545: 542: 539: 536: 532: 529: 526: 522: 518: 515: 514: 505: 502: 499: 496: 493: 490: 489: 480: 477: 474: 471: 468: 465: 462: 459: 456: 453: 450: 447: 444: 441: 438: 435: 432: 429: 426: 423: 420: 416: 412: 409: 406: 403: 402: 391: 389: 385: 381: 377: 373: 369: 365: 363: 359: 355: 351: 347: 342: 338: 334: 329: 325: 318: 313: 309: 305: 303: 299: 296:'s fledgling 295: 294:Ahmet Ertegun 290: 288: 287: 282: 277: 276: 271: 263: 259: 255: 251: 247: 245: 241: 237: 233: 229: 225: 220: 219: 215: 211: 207: 203: 195: 190: 181: 179: 175: 171: 166: 162: 161:New York City 158: 154: 143: 139: 135: 131: 127: 124: 120: 116: 110: 106: 102: 98: 94: 91: 87: 86:Popular music 84: 80: 77: 73: 61: 57: 54: 50: 38: 34: 30: 24: 17: 850:. 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Index

Minneapolis
Minnesota
New York
New York
Popular music
Jazz
Liberty Music Shops
Atlantic
Columbia
MGM
RCA
café society
New York City
Art Tatum
Greta Keller
Mabel Mercer
Lee Wiley

Copacabana night club
Minneapolis
Minnesota
Jerome Kern
Very Warm for May
Maritime Service.
Stan Freeman
Walter Gross
Armed Forces Radio
Milton Cross

Richard Rodgers

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