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Damping (music)

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is an important technique that facilitates legato phrasing on the instrument. It is accomplished by striking a note on one of the bars of the instrument while the pedal is depressed and then using the head of the same or another mallet to stop the vibrations of the bar without raising the pedal.
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There are many benefits of being proficient in this technique as a vibraphonist. As it allows a player to hold out one chord and add or subtract any individual pitch desired, a vibist can transition between chords much more smoothly than a pianist who cannot stop a string from vibrating without
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is sustained past a sixteenth note rather than that note being scratched, the term referring to the manner in which the right hand "floats" over the strings rather than continuing to scratch.
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can excite other strings creating undesired noise. This phenomenon can be remedied by keeping fingers such as the thumb on the strings where the vibration is unwanted.
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While the keys on modern pianos control both the hammers and dampers, this is not possible with the hand-held hammers used to play some other members of the
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is where the strings are played while damped, i.e., the strings are damped before playing. The term presumably refers to the clunky sound produced. In
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sometimes used their coat sleeves as dampers, but pedal-operated dampers were one of the main distinguishing features of the concert
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reaching inside the instrument when the pedal is down. Most modern vibraphonists are highly skilled in this technique.
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string, producing the desired note (the adjacent strings are scratched). The technique is especially popular among
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When a piano key is pressed, the damper for that note is raised and a hammer strikes the string. Unless the
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Though notated with quarter notes, the Ska stroke sounds like sixteenth notes due to muting or dampening.
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developed by Jószef Schunda in 1874 and are now often added to larger or more expensive American
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by reducing oscillations or vibrations. Damping methods are used for a number of instruments.
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is when a note is isolated by left hand damping of the two strings adjacent to the fully
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is depressed, releasing the key allows the damper to return to place, damping the note.
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is an important technique that can add punctuation or heighten
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Damping is often necessary on string instruments such as the
162: 143: 1454: 529: 251: 255: 139:: features dampened downbeat downstrokes and staccato 49:. Unsourced material may be challenged and removed. 200:) is a technique where, shortly after playing the 16:Technique for altering the sound of an instrument 1597: 1081: 478: 232:pattern with occasional sixteenths undamped. 266:guitarists, who use it with virtually every 1335:Bowed string instrument extended technique 1088: 1074: 1040: 485: 471: 109:Learn how and when to remove this message 416: 414: 149: 120: 1585:Category:Musical performance techniques 1598: 1095: 1069: 466: 411: 346: 492: 47:adding citations to reliable sources 18: 355:family. Historical players such as 13: 367:, Eastern European dulcimers, and 14: 1617: 1580: 1579: 1050: 1049: 1039: 300:Percussion instruments, such as 23: 196:, damping (also referred to as 34:needs additional citations for 435: 1: 404: 285: 422:Jerry Snyder's Guitar School 165:for altering the sound of a 7: 850:History of music publishing 382: 296:Vibraphone § Dampening 10: 1622: 289: 228:this is often done over a 172: 1575: 1559: 1514: 1471: 1453: 1395: 1325: 1287:Piano extended techniques 1277: 1214: 1103: 1055:Category:Musical notation 1035: 999: 921:Numbered musical notation 873: 840: 720: 712:Scientific pitch notation 603: 500: 238:is the technique where a 1524:Extended vocal technique 1327:Bowed string instruments 702:Helmholtz pitch notation 319:Mallet dampening on the 273: 1045:List of musical symbols 916:Nashville Number System 292:Timpani § Muffling 595:Transposing instrument 447:www.derek-hasted.co.uk 420:Snyder, Jerry (1999). 155: 147: 187:sympathetic resonance 153: 124: 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Ska stroke
Play
upbeat
upstrokes

music
musical instrument
bass
violin
sympathetic resonance
guitar
strings
palm muting
left-hand muting
funk music
sixteenth note
chord
Skanking

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