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570:. During this time the revolutionary tribunal arranges for its jury to be made up of honest and faithful men. Danton appears confidently before the tribunal, impressing the public with his willingness for justice to be done. Seeing the hearers' sympathy for Danton, the court is adjourned. The tribunal's members invent a plot to change the public's mind. At the tribunal's second sitting, the people stop supporting Danton, due to his lifestyle. Danton's liberal programme is revealed as unacceptable to the masses.
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419:. They fought against convention, feudalism and absolutism, campaigned for freedom of speech, the emancipation of the individual, including women and Jews, and for a democratic constitution. They created a trend-poetry and time-poetry – in other words, poetry that dealt with problems of the time and with a commitment to liberal political ideas. Other writers of this trend and period were
533:, during the lull between the first and second terrors. Georges Danton created the office of the Revolutionary Tribunal as a strong arm for the Revolutionary Government. With this, to be accused of anything real or imagined was to be condemned to death without trial, proofs, evidence or witnesses. Within months he knew this power was a terrible mistake and fought to have it ended.
458:. It only reached print in 1835 after being heavily cut and having the politics softened by sexual innuendo. Research for the play started in late 1834 and he completed a first version of the complete script in five weeks from mid-January to mid-February 1835. The same year saw a version published by
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era in German history and literature (1815/1830-1848). The goal of the politically liberal poets of this period was that literature of a sham existence would again become an effective organ for renewing political and social life. They were opposed to the
Romantics and against the restoration of the
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He is shown as recognising the plight of the people, who admire him as "virtuous" and "the incorruptible". Even he is not always virtuous, as is already visible at the start of the play in his conversation with Danton. Robespierre is accused of killing people in order to distract from the ongoing
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stopped him and used the
Tribunal to have Danton and all opposition killed, consolidate his power and slaughter uncounted thousands of French men, women, and children. Ultimately he followed Danton to the guillotine. Witnesses describe Danton as dying bravely comforting other innocents executed
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He is portrayed as a man, at his ease, with innate hedonism, with respect for the recent successes of the
Revolution but doubts as to its other objectives. The atmosphere around Danton is marked by wine, gaming and easy women. This is contrary to the realities of the revolution, characterised by
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poverty, begging, drunkenness and prostitution (1.5). Danton was once poor and owes his current wealth to a gift from the Duke of
Orleans, who tried to bribe his way to the French throne and gave Danton a gift as part of this attempt (S. 74, Z. 1–13).
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exchange thoughts on life and death. Danton's wife Julie, who has pledged to be loyal to him beyond death, poisons herself at their home. The people show themselves to be curious and ironic on Danton's way to the scaffold. When
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famine. He is presented both as a man with a social conscience and as one who moves against Danton to convince the people of their own power. Other revolutionaries describe
Robespierre's policy as that of a terrorist.
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For a long time, no theatre dared stage the play; it did not receive its premiere until 1902, long after BĂĽchner's death. This occurred on 5 January, at the Belle-Alliance-Theater in Berlin, in a production by the
868:. Hrsg. v. Henri Poschmann unter Mitarb. v. Rosemarie Poschmann. Bd. 1. Bibliothek Deutscher Klassiker. Bd 84. Deutscher Klassiker Verlag, Frankfurt am Main 1992, S.11–90.
509:. Until 1979 no one had explored the themes and inner connections within Büchner's work between Eros and Violence systematically – that year saw Reinhold Grimm treat it in
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in his wife Julie. Danton is imprisoned and led before the
National Assembly, which is divided – it feels it has no choice but to acquit him. However, Robespierre and
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Its use of numerous historical sources and extensive quotations from original political speeches meant that the play was seen in the 20th century as the precursor to
834:. Bd. 3 in 4 Teilbänden. Danton's Tod. Marburger Ausgabe. Hrsg. v. Burghard Dedner und Thomas Michael Mayer. Wissenschaftliche Buchgesellschaft, Darmstadt 2000.
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sees her husband
Camille mount the scaffold, she goes mad and resolves to die too, crying "Long live the king!" and thus guaranteeing her own death sentence.
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The prisoners discuss the existence of God and life, and an attempt to prove that God does not exist fails. Danton's supporters are transferred to the
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Danton's friends press him to fight or flee
Robespierre's supporters, but Danton does not see any need to do so and does not believe that the
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and a book-version in Johann David Sauerländer's Phönix-Verlag, including both the original and Duller's version and giving them the subtitle
851:. Münchener Ausgabe. Hrsg. v. Karl Pörnbacher, Gerhard Schaub, Hans-Joachim Simm, Edda Ziegler. 8. Auflage. Hanser, München 2001, S.67–133.
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to appease the censor. This makes it the only one of BĂĽchner's plays to be published in his lifetime, albeit in a heavily censored version.
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Danton is also portrayed as a hero who stands up against
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You want bread and he throws out heads. You thirst and he leads you to the guillotine to lick up the blood.
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631:(S. 60, Z. 13–14). Danton has a strong bond of love to his wife Julie, without whom he will not die.
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Life is evidently a burden to me, please take it away from me, I long to be there to take it off
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902:. Ausgabe mit Materialien, ausgewählt von Ulrich Staiger. Ernst Klett Verlag, Stuttgart 2007.
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736:. New Sussex Opera gave the British premiere at the Brighton Festival in 1997.
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will dare to act against him. Danton confides the guilt he feels for the
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In 2010, Brenton created a new version of the play for a revival at the
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Danton and his supporters are condemned to death. Danton and his friend
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It was "freely adapted" (incorporating some material from BĂĽchner's
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He even takes his premature death as inevitable, with a death wish:
156:. Statements consisting only of original research should be removed.
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BĂĽchner was in constant fear of being arrested whilst writing
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Georg BĂĽchner wrote his works in the period between
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1152:Cultural depictions of Maximilien Robespierre
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476:Dramatic Scenes from France's reign of terror
948:"Talking Heads: 'Danton's Death' in London"
53:Learn how and when to remove these messages
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976:"BBC Radio 3 - Drama on 3, Danton's Death"
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771:It was adapted by the English playwright
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472:Phönix. Frühlings-Zeitung für Deutschland
190:Learn how and when to remove this message
172:Learn how and when to remove this message
110:Learn how and when to remove this message
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73:This article includes a list of general
885:. 3. Auflage. Metzler, Stuttgart 2000.
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429:Atta Troll. Ein Sommernachtstraum
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34:This article has multiple issues.
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801:premiered a radio adaptation by
386:) was the first play written by
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866:Schriften und Briefe. Dokumente
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299:Jacques Nicolas Billaud-Varenne
263:Marie-Jean HĂ©rault de SĂ©chelles
42:or discuss these issues on the
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525:The play follows the story of
511:text und kritik, Georg BĂĽchner
425:Deutschland. Ein Wintermärchen
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832:Sämtliche Werke und Schriften
732:and premiered in 1947 at the
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484:Vereins Neue Freie VolksbĂĽhne
956:. Condé Nast. pp. 76–77
813:as Robespierre, directed by
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415:old order from prior to the
323:Martial Joseph Armand Herman
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686:– Camille Desmoulins's wife
672:Jean-Marie Collot d'Herbois
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295:Jean-Marie Collot d'Herbois
287:Louis Antoine de Saint-Just
152:the claims made and adding
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1127:Works about Georges Danton
676:Committee of Public Safety
611:'s Broadway production of
548:French National Convention
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255:Charles-François Delacroix
216:1981 Berlin production of
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689:Paris – Danton's friend
275:Louis-SĂ©bastien Mercier
94:more precise citations.
1117:Plays by Georg BĂĽchner
1001:Works by Georg BĂĽchner
784:Royal National Theatre
635:Maximilien Robespierre
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315:Jean-Pierre-André Amar
16:Drama by Georg BĂĽchner
797:On 13 February 2011,
692:Marion – a prostitute
680:Julie – Danton's wife
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1062:The Hessian Courier
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713:Dimitri Buchowetzki
552:September Massacres
507:documentary theatre
327:René-François Dumas
319:Jean-Henri Voulland
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881:Gerhard P. Knapp:
654:Camille Desmoulins
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580:Camille Desmoulins
529:, a leader of the
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267:Pierre Philippeaux
259:Camille Desmoulins
137:possibly contains
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946:(2 August 2010).
928:Literature portal
908:978-3-12-352435-6
815:Jessica Dromgoole
803:Simon Scardifield
750:Play of the Month
734:Salzburg Festival
684:Lucile Desmoulins
674:– members of the
607:as Danton in the
585:Lucile Desmoulins
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449:Weh dem, der lĂĽgt
445:Franz Grillparzer
410:in the so-called
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521:Plot summary
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36:Please help
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1011:Dantons Tod
982:16 February
900:Dantons Tod
896:(in German)
879:(in German)
862:(in German)
845:(in German)
828:(in German)
799:BBC Radio 3
775:in 1982 as
758:Alan Clarke
752:in 1978 by
729:Dantons Tod
704:silent film
697:Adaptations
535:Robespierre
447:(author of
435:(author of
423:(author of
404:Romanticism
384:Dantons Tod
228:Dantons Tod
218:Dantons Tod
92:introducing
1112:1835 plays
1106:Categories
960:28 January
944:Lahr, John
914:References
794:as Danton.
719:as Danton.
591:Characters
574:Fourth act
556:Saint-Just
542:Second act
538:with him.
243:Characters
233:Written by
162:March 2013
146:improve it
100:March 2010
75:references
39:improve it
1048:Works by
562:Third act
150:verifying
45:talk page
745:) for a
490:Analysis
441:Erlkönig
1090:Woyzeck
805:, with
760:, with
742:Woyzeck
664:St Just
462:in the
412:Vormärz
408:Realism
398:History
362:Setting
144:Please
88:improve
906:
889:
872:
855:
838:
708:Danton
644:Others
615:(1938)
443:) and
357:German
77:, but
978:. BBC
437:Faust
1076:Lenz
984:2021
962:2011
904:ISBN
887:ISBN
870:ISBN
853:ISBN
836:ISBN
439:and
427:and
406:and
1003:at
747:BBC
470:'s
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