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had any permanent place in
Thomson's mind. He was naïve throughout." Harold Mortimer-Lamb wrote, "With his equipment he went to Nature and communed with her in all her moods." Blodwen Davies wrote, "Through the story of painting in Canada there stalks a tall, lean trailsman, with his sketch box and paddle, an artist and dreamer who made the wilderness his cloister and there worshipped Nature in her secret moods." F. B. Housser wrote, "Never before had such knowledge and the feeling for such things been given to expression in paint. Thomson's canvases are unique in the annals of all art especially when it is remembered that he was untrained as a painter. His master was nature." In general, members of the Group claimed that their art did not originate in established artistic traditions but was instead dictated by the landscape itself. A. Y. Jackson described Thomson as "the guide, the interpreter" who introduced his friends to "a new world, the north country." Dennis Reid argued similarly, writing that Thomson's death was seen "almost as a sacrifice to the idea of an indigenous Canadian art... Thomson was... to become Canada's first Old Master, and as an idea he has acted as a constant inspiration to all who believed that the secret of Canada's self-knowledge is somehow contained in the land."
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1187:] have any effect on them. This however is the second warm day we have had this year and another day or so like this will finish them. Will send my winter sketches down in a day or two and have every intention of making some more but it has been almost impossible lately. Have done a great deal of paddling this spring and the fishing has been fine. Have done some guiding for fishing parties and will have some other trips this month and next with probably sketching in between.
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life and career. Lismer, for example, wrote, " had no connection with styles or schools... He had nothing to do with Europe and in his art there is not a trace of inherited style or influence from abroad... If one knew
Thomson, one also realized that he knew nothing of such as things as ." Jackson similarly wrote that Thomson's "rugged individuality was never dominated by any outside influence," and that Thomson was the "Instigator of the movement to the North Country."
171:," holding his abilities in high esteem. Despite this, Park ranger Mark Robinson said that Thomson admitted to him in 1913 that he did not know much about canoeing. In addition, there are multiple stories of him capsizing. In 1912, after hearing that Thomson had capsized and lost most of his supplies on a canoeing trip up the Mississagi River, friend John McRuer replied saying, "You might have been drowned you devil; and that was not the first time you were bumped, eh!"
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the suggestion that there was more to
Thomson's death than accidental drowning. Hunter expanded on this thought, writing, "... I am convinced that people's desire to believe the Thomson murder mystery/soap opera is rooted in the firmly fixed idea that he was an expert woodsman, intimate with nature. Such figures aren't supposed to die by 'accident'. If they do, it is like
379:, noted in his diary that Thomson "left Fraser's Dock after 12:30 pm to go to Tea Lake Dam or West Lake." Thomson disappeared during this canoeing trip on Canoe Lake. His upturned canoe was spotted later in the afternoon, while his body was discovered in the lake eight days later on 16 July. His watch had stopped at 12:14 and he had a four inch bruise on his right temple.
621:, while learning to draw. Outside of these possibilities, it seems that he had no other art instruction. Thomson's work in commercial art however did seem to have an influence on his painting, leading him to familiarity with the Art Nouveau as well as Arts and Crafts movements. Similarly, working with his fellow artists caused him to become aware of the techniques of
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611:] to meet him. Further complicating the matter is that the original class list no longer survives. The second is a letter from H. B. Jackson to Blodwen Davies, writing, "Tom studied from life & the antique in art school. If I remember right Cruikshank was the instructor." Besides in-person instruction, it is also possible that he read
59:, Ontario, Canada. After Thomson drowned in the water, his upturned canoe was discovered later that afternoon and his body eight days later. Many theories regarding Thomson's death—including that he was murdered or committed suicide—have become popular in the years since his death, though these ideas lack any substantiation.
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I have just returned from Canoe Lake where I spent the weekend helping Mr. Beatty to put on the plate and give the cairn a few finishing touches. The cairn is a fine piece of work, and with the brass plate in position it looks quite imposing. It stands on a prominent point in Canoe Lake right at the
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in June 1929. Smith had not seen the painting in person, but only as a colour reproduction. The first stanza utilizes the texture ("jagged," "smooth") and rhythmic movement ("sharp," "bitter," "barbs") of a painting as it describes a northern landscape. Smith's 1925 poem "Prayer" proceeds similarly,
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The body was examined by Dr. Goldwin
Howland who concluded that the official cause of death was drowning. The coroner, Dr. Arthur E. Ranney, supported Howland's conclusion that the drowning was accidental, further writing that "the evidence from the other six witnesses points that the cause of death
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Many alternative theories have swirled around the nature of Tom
Thomson's death, including that he was murdered or committed suicide. Though these ideas lack substantiation, they have continued to persist in the popular culture. Andrew Hunter has pointed to Robinson as being largely responsible for
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echoed these views, saying "There was nothing that interfered with Tom's direct, primal vision of nature. He was completely innocent of any of the machinery of civilization and was happiest when away from it in the north." Barker
Fairley wrote that, "Neither theory nor any acquired opinion can have
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David Silcox and Andrew Hunter have argued that these perceptions were primarily propagated by his friends, those who formed the Group of Seven in the years following his death and others in the
Canadian art scene, nearly all of whom relied on the same basic details in their treatments of Thomson's
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that he described as, "a record of the weather for 62 days, rain or shine, or snow, dark or bright." He wrote home to his father saying that, though he had not sold many sketches that year, that he thought he could "get along for another year at least while I stick to painting as long as I can." In
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in the fall, producing larger canvas works from his original sketches. In 1917 Thomson returned to Canoe Lake at the beginning of April, arriving early enough to paint the remaining snow and the ice breaking up on the surrounding lakes. The paintings became his own visual diary of the day, morphing
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In an essay titled "The Many Deaths of Tom
Thomson," published in 2011, Gregory Klages describes how testimony and theories regarding Thomson's death have evolved since 1917. Assessing the secondary accounts against the primary evidence, Klages concludes that Thomson's death is consistent with the
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In the summer of 2004 another historical marker honouring
Thomson was moved from its previous location nearer the centre of Leith to the graveyard in which Thomson is now buried. The grave site has become a popular spot for visitors to the area with many fans of Thomson's work leaving pennies or
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David Silcox and Harold Town have pointed out incorrect evidence being used to justify the belief that
Thomson was murdered. Chief among these is that Thomson's feet were found tangled in wire. This claim is a misinterpretation of Robinson's 1930s observation that the body had a carefully bound
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I saw body of man floating in Canoe Lake Monday, July 16th, at about 10 A. M. and notified Mr. George Rowe a resident who removed body to shore. On 17th Tuesday, I examined and found it to be that of a man aged about 40 years in advanced stage of decomposition, face abdomen and limbs swollen,
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is often mythologized as a veritable outdoorsman. He was taken out of school at an early age, possibly due to a lung condition. This afforded him time to explore wooded areas and develop a deep appreciation for nature. He spent much of his time on walks with his grandmother's first cousin, Dr.
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In 1935, Blodwen Davies published the first exploration of Thomson's death outside of newspaper accounts from the time of Thomson's death. A self-published edition of 500 copies, her doubts about the official decision of cause of death sold poorly. In 1970, Judge William Little's book,
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official assessment of an accidental drowning. Historians Kathleen Garay and Christl Verduyn state, "Klages' forensic archival sleuthing does provide for the first time some degree of certainty regarding this event." Klages expanded on these ideas in a book with a similar name,
254:—and are painted with a particular "crispness and freshness." His sketches in particular show how he matured into "a subtlety of expression, using a brisk but delicate handling." The bold and expressive brushstrokes that he is now famous for are evident in paintings like
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Despite these romantic images, an area that Thomson was no doubt proficient in was fishing. The deep love of fishing he developed while young remained for his entire life, so much so that his reputation through Algonquin Park was equally divided between art and
247:. He had not done much sketching since they emerged, but was hopeful the warmer weather would soon kill them off. He promised to send along some of his winter sketches and was looking forward to sketching on several trips planned for the next two months.
282:, which, "When viewed up close, Thomson's thick, broad application of paint in this landscape melts into pure abstraction." The landscapes of his final works in late spring and early summer often contain these types of bold, generalized forms.
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Since his death, Thomson's work has grown in value and popularity. Scholar Sherrill Grace has written that Thomson is a "haunting presence" for Canadian artists and that he "embodies the Canadian artistic identity." Group of Seven member
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Besides the deep love he had come to develop for Algonquin Park, Thomson was beginning to show an eagerness to depict areas beyond the park and explore other northern subjects. In a May 1917 letter to his brother-in-law, he wrote:
262:. Also on display in the former are small areas of bare wood panel, visible through the paint. This device further adds to the lighting of the scene. The aggressive style of painting Thomson utilized was seen consistently in the
179:. While most who visited the Park were led by hired guides, Thomson moved through on his own. Indeed, many of his fishing locations appear in his work. Upon visiting Canoe Lake for the first time in 1914, A. Y. Jackson wrote to
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experiment. Thomson's lack of formal art education similarly caused the other members of the group to later see him as a natural, untainted artist, and this view has entered the myth and public perception surrounding him.
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On the morning of 8 July 1917, Thomson was seen walking to Joe Lake Dam with Shannon Fraser, the owner of the Mowat Lodge. He often spent his night there when the park proved too cold for camping. Mark Robinson, a
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I am still around Frasers and have not done any sketching since the flies started. The weather has been wet and cold all spring and the flies and mosquitos much worse than I have seen them any year and the
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The day after the body was discovered, it was interred in Mowat Cemetery near Canoe Lake. Under the direction of Thomson's older brother George, the body was exhumed two days later and was shipped to
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head of the lake facing north and can be seen from all directions. It is situated near an old favorite camping spot of Tom's. The result goes a long way to beautifying the tragedy of Tom's death.
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In the years since his death, Thomson has often been described as being independent of previous artistic traditions. Many have pointed to the fact that he never visited Europe or museums in the
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blisters on limbs, was a bruise on right temple size of 4" long, no other sign of external marks visible on body, air issuing from mouth, some bleeding from right ear, cause of death drowning.
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3,776,000 in 2023). Few major canvases remain in private collections, making the record unlikely to be broken. One example of the demand Thomson's work has achieved is the previously lost
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contributed stories to Thomson's image as an outdoorsman, including one story that Thomson encountered a large wolf who, after sniffing him briefly, left him alone. He further wrote,
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Jackson, H. B. "H. B. Jackson to Blodwen Davies" (29 April 1931) . Blodwen Davies collection, Fonds: Blodwen Davies fond, Box: 11, ID: MG30-D38. Ottawa: Library and Archives Canada.
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was wont to paddle out into the centre of the lake on which he happened to be camping and spend the whole night there in order to get away from the flies and mosquitos [
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or a sore joint. Silcox has proposed that it is easy to imagine Thomson standing in his canoe to cast a fishing line, losing his balance in the process, hitting his head on the
3233:. "A. Y. Jackson to J. E. H. MacDonald" (14 February 1914) . J. E. H. MacDonald collection, Fonds: MacDonald fonds, Box: 11, ID: MG30-D111. Ottawa: Library and Archives Canada.
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Thomson produced roughly three dozen sketches in his final spring. His landscapes illustrate several snowy scenes in Algonquin Park and indicate an increasing fascination in
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at Hayhurst Point on Canoe Lake, where Thomson died. Because of Thomson's deep love for the area, the Group "had not the heart to go back to Algonquin Park, so they moved to
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basement in 2018 and went on to sell for nearly half a million dollars at a Toronto auction. The increased value of Thomson's work has led to the discovery of numerous
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Thomson, George. "to Blodwen Davies" (23 April 1934) . Blodwen Davies collection, Fonds: Blodwen Davies, Box: 11, ID: MG30-D38. Ottawa: Library and Archives Canada.
3173:" (27 July 1931). Attorney General Central Registry Criminal and Civil Files, Fonds: Blodwen Davies fond, File: 2225, ID: RG 4-32. North York: Archives of Ontario.
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138:. He similarly developed a love for both fishing and hunting, though he eventually gave up hunting after shooting a deer "as the look in its eyes was too human."
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even referencing a jack pine in one of the early stanzas. Several other books of poetry inspired by Thomson have also been published, including George Whipple's
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and are some of the country's most iconic pieces of art. In addition to his prominence as an artist, he has developed a reputation as an ideal Canadian
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3164:. "to Prof. Mavor, no year" (14 February) . Thomas Fisher Rare Book Library, Series: James Mavor Papers, Box: 4a. Toronto: University of Toronto.
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that helped him get started on his poem, "The Lonely Land." The poem, perhaps Smith's most known and most anthologized, was first published in
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Canadian painter, harsh, brilliant, brittle, uncouth, not only most Canadian but most creative. How the few things of his stick in one's mind.
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The works he completed over this spring display the masterful control of colour he had come to develop—especially apparent in a painting like
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A popular—if unverifiable—story recounts that he was attempting to catch a particularly large bass on Joe Lake the day he disappeared.
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In 2002, the National Gallery of Canada staged a major exhibition of his work, giving Thomson the same level of prominence afforded
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155:]. Motionless he studied the night skies and the changing outline of the shores while beaver and otter played around his canoe.
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3216:" (11 March 1931) . Blodwen Davies collection, Fonds: Blodwen Davies, Box: 11, ID: MG30-D38. Ottawa: Library and Archives Canada.
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was drowning." Regarding the four inch bruise on Thomson's temple, he wrote that, "no doubt, was caused by stricking [
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around 1905. Only two sources corroborate this however. The first is a single undated note from Cruikshank to professor
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Djwa, Sandra (1992). "Who is This Man Smith?: Second and Third Thoughts on Canadian Modernism". In New, W. H. (ed.).
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Despite the popular notion that Thomson had no formal art instruction, it is possible that he briefly studied under
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or staying at the Mowat Lodge hotel. He spent his time there sketching and working as a fishing guide, returning to
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3379:. "Tom Harkness" (23 April 1917a) . Tom Thomson papers, ID: MG30-D284. Ottawa: National Gallery of Canada Archives.
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Copy of Dr. G. W. Howland's affidavit (Originals withdrawn from circulation. Copies available on microfilm C-4579)
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his final letter to MacCallum — sent only one day before his disappearance — he complained of flies and
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3880:——— (2002b). "Tom Thomson and the Arts and Crafts Movement in Toronto". In Reid, Dennis (ed.).
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3195:" (16 July 1917b) . Tom Thomson Collection, File: 1.3, ID: MG30-D284. Ottawa: Library and Archives Canada.
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A. Y. Jackson suggested Thomson would have traveled even further north, just as the other members of the
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Klages, Gregory (2011). "The Many Deaths of Tom Thomson". In Verduyn, Christl; Garay, Kathy (eds.).
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Letter to Blodwen Davies (Original withdrawn from circulation. Copies available on microfilm C-4579)
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In 1967, the Tom Thomson Art Gallery opened in Owen Sound. In 1968 Thomson's shack from behind the
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Stacey, Robert (2002). "Tom Thomson as Applied Artist". In Reid, Dennis; Hill, Charles C. (eds.).
3476:(2018). "Dazzle and Kick: The Life of David Milne". In Milroy, Sarah; Dejardin, Ian A. C. (eds.).
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3356:"Dr. Noble Sharpe, Re: Human Bones received from unmarked grave in Algonquin Park, Oct. 30, 1956"
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has issued multiple stamps of Thomson's work from as early as 1967. Works depicted have included
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Inventing Tom Thomson: From Biographical Fictions to Fictional Autobiographies and Reproductions
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A Study of Tom Thomson: The Story of a Man Who Looked for Beauty and for Truth in the Wilderness
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A Study of Tom Thomson: The Story of a Man Who Looked for Beauty and for Truth in the Wilderness
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Dawn, Leslie (2007). "The Britishness of Canadian Art". In O'Brian, John; White, Peter (eds.).
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Tom Thomson Landscape painter Drowned in Canoe Lake July 8, 1917 aged 39 years 11 months 3 days
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3335:" (7 May 1931). 11, Fonds: Blodwen Davies, ID: MG30-D38. Ottawa: Library and Archives Canada.
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Application for the exhumation of the body of one Thos. Thomson drowned in Canoe Lake in 1917
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on 9 January 1926, subtitled "Group of Seven." It underwent several revisions, appearing in
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4027:"Tom Thomson sketch heads to Toronto auction block after languishing in Edmonton basement"
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fishing line around a sprained ankle, which Silcox and Town write was a common remedy for
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With financial assistance provided by MacCallum, on 27 September 1917 J. E. H. MacDonald,
304:] but have not made all the arrangements yet. If I go it will be in July & August.
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Towards a Modern Canadian Art 1910–1936: The Group of Seven, A.J.M. Smith and F.R. Scott
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have criticized the view that Thomson and the Group of Seven were originators of a new
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3832:. Toronto/Ottawa: Art Gallery of Ontario/National Gallery of Canada. pp. 307–317.
3823:. Toronto/Ottawa: Art Gallery of Ontario/National Gallery of Canada. pp. 297–306.
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is based on the life and death of Tom Thomson. Journalist Roy MacGregor's 1980 novel
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3992:. Toronto/Ottawa: Art Gallery of Ontario/National Gallery of Canada. pp. 47–63.
3884:. Toronto/Ottawa: Art Gallery of Ontario/National Gallery of Canada. pp. 65–83.
3585:. Toronto/Ottawa: Art Gallery of Ontario/National Gallery of Canada. pp. 19–46.
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similarly wrote that "Tom Thomson is the manifestation of the Canadian character."
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Jessup, Lynda (2007). "Art for a Nation". In O'Brian, John; White, Peter (eds.).
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3406:"Tom Thomson sketch discovered in Edmonton basement sells for $ 481K at auction"
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Catalogue of an Exhibition of Paintings by the Late Tom Thomson, 1–21 March 1919
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3819:——— (2002a). "Tom Thomson's Letters". In Reid, Dennis (ed.).
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Northern Light: The Enduring Mystery of Tom Thomson and the Woman Who Loved Him
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3349:——— (23 March 1930). "Tom Thomson". Letter to Blodwen Davies.
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has a large collection of Thomson artworks, especially from his earlier career.
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Picturing the Land: Narrating Territories in Canadian Landscape Art, 1500–1950
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Beyond Wilderness: The Group of Seven, Canadian Identity, and Contemporary Art
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Beyond Wilderness: The Group of Seven, Canadian Identity, and Contemporary Art
695:(left) tying up their canoe while silhouetted against the clear, still waters.
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Archival Narratives for Canada: Re-telling Stories in a Changing Landscape
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movement that followed his death. His final works have been described by
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Hunter has pointed to F. B. Housser, Newton McTavish, Albert H. Robson,
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and fishing, though his talents in the former have come to be doubted.
3779:(29 March 1919). "Letter to the editor, with attached draft article".
3326:(April 1930). "draft, in Milne family papers". Letter to H.O. McCurry.
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Wadland, John (2002). "Tom Thomson's Places". In Reid, Dennis (ed.).
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Hill, Charles (2002). "Tom Thomson, Painter". In Reid, Dennis (ed.).
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422:, Shannon Fraser, George Rowe and local residents erected a memorial
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3875:. Toronto/Ottawa: Art Gallery of Ontario/National Gallery of Canada.
3828:——— (2002b). "Chronology". In Reid, Dennis (ed.).
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3518:"Tom Thomson's dollar-a-month shack becomes a Group of Seven shrine"
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MacDonald, J. E. H. (November 1917b). "Landmark of Canadian Art".
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Artistic development of Tom Thomson § Approaching abstraction
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For more regarding Thomson's later abstract tendencies, refer to:
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Artistic development of Tom Thomson § Approaching abstraction
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Artistic development of Tom Thomson § Creative peak (1916–17)
163:. David Silcox has argued that this image is likely romanticized.
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The telegram from J.S. Fraser to Tom's brother John read simply:
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3951:(Revised, Expanded ed.). Toronto: McClelland and Stewart.
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Inside the Poem: Essays and Poems in Honour of Donald Stephens
3427:"Section of Highway 60 officially becomes Tom Thomson Parkway"
3203:(1929). "Creative Art and Canada". In Brooker, Bertram (ed.).
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1733:, "From the Studio Building to Algonquin Park and Home Again".
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1251:] CANOE FOUND UPSIDE DOWN NO TRACE OF TOM SUNCE [
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Hunter, Andrew (2002). "Mapping Tom". In Reid, Dennis (ed.).
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as being major influences in propagating the Thomson legends.
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691:. This painting depicts Thomson (right) alongside his friend
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Your Canadian art apparently, for now at least, went down in
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The Many Deaths of Tom Thomson: Separating Fact from Fiction
3305:(3 October 1917a). "Memorial cairn". Letter to John Thomson.
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The Many Deaths of Tom Thomson: Separating Fact from Fiction
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2481:
2479:
2477:
2249:
1998:
1996:
1994:
1992:
1990:
1988:
1986:
1657:
1466:
1464:
1462:
1066:, Spring 1917. McMichael Canadian Art Collection, Kleinburg
986:, Spring 1917. McMichael Canadian Art Collection, Kleinburg
3097:
2721:
2020:
1230:
On 10 July, Fraser sent a telegram to MacCallum, writing:
3073:
3031:
2861:
2805:
2781:
2694:
2333:
1973:
1971:
1969:
1942:
1874:
1775:
1602:
1292:
1253:
1247:
1235:
1183:
607:
569:
as evidence that he managed to avoid the developments of
502:(1917) which sold in 2009 for $ 2,749,500 (equivalent to
385:
300:
151:
3574:
A Canadian Art Movement: The Story of the Group of Seven
3207:. Toronto: Macmillan Company of Canada. pp. 177–86.
2604:
2474:
2464:
2462:
2273:
1983:
1645:
1590:
1459:
873:
2851:
2849:
2757:
2510:
2508:
2493:
1920:
1918:
1838:
1826:
1792:
1790:
1503:
1476:
862:
and falling into the water unconscious, only to drown.
389:] some , like a stone, when the body was drowned."
3121:
3051:
3049:
2957:
2921:
2897:
2885:
2873:
2836:
2834:
2832:
2817:
2769:
2544:
2357:
2201:
2073:
2071:
1966:
1905:
1903:
1901:
1802:
1741:
1739:
1551:
4747:
4093:, a website with a collection of archival information
3133:
3061:
2993:
2981:
2793:
2624:
2622:
2459:
2088:
2086:
1954:
1763:
1751:
1493:
1491:
35:. Thomson's part of the stone bears the inscription:
3999:
Passion Over Reason: Tom Thomson & Joyce Wieland
3567:. Toronto: Douglas & McIntyre. pp. 111–143.
3480:. London: Philip Wilson Publishers. pp. 17–28.
2945:
2909:
2846:
2745:
2733:
2709:
2634:
2568:
2505:
2432:
2345:
2309:
2297:
2225:
2098:
2056:
1930:
1915:
1886:
1850:
1814:
1787:
1681:
1669:
1621:
1539:
1527:
699:
4050:. Toronto: Douglas & McIntyre. pp. 85–109.
3762:(35mm film, colour). National Film Board of Canada.
3109:
3085:
3046:
2829:
2592:
2532:
2520:
2261:
2068:
2044:
2032:
2008:
1898:
1736:
1705:
1693:
16:
The death and legacy of Canadian artist Tom Thomson
4839:Persons of National Historic Significance (Canada)
3713:
3403:
2969:
2682:
2619:
2580:
2420:
2327:
2213:
2083:
1515:
1488:
1033:, Spring 1917. Tom Thomson Art Gallery, Owen Sound
1016:, Spring 1917. Tom Thomson Art Gallery, Owen Sound
971:, Spring 1917. Tom Thomson Art Gallery, Owen Sound
560:
2933:
2285:
2237:
1578:
1135:, Spring 1917. National Gallery of Canada, Ottawa
1105:, Spring 1917. National Gallery of Canada, Ottawa
4795:
4091:Death on a Painted Lake: The Tom Thomson Tragedy
4006:Verduyn, Christl (2011). Garay, Kathleen (ed.).
225:From 1914 onward, Thomson regularly traveled to
4001:. Kleinburg: McMichael Canadian Art Collection.
3013:"Search Canadian Stamps - Canada - Tom Thomson"
159:Thomson has often been remembered as an expert
3643:. Black Point, NS: Fernwood. pp. 274–297.
3448:Paddle & Palette: The Story of Tom Thomson
3392:. Ottawa: National Gallery of Canada Archives.
3186:. Ottawa: National Gallery of Canada Archives.
1150:, Spring 1917. Art Gallery of Ontario, Toronto
1120:, Spring 1917. Art Gallery of Ontario, Toronto
1001:, Spring 1917. Art Gallery of Ontario, Toronto
903:, Spring 1917. Art Gallery of Ontario, Toronto
4437:
4127:
3775:
2562:
510:(1912/13). The painting was discovered in an
4078:(35mm film, colour). Toronto: Far Shore Inc.
3771:. Montreal: McGill-Queen's University Press.
3613:. Montreal: McGill-Queen's University Press.
3558:. Montreal: McGill-Queen's University Press.
3468:. Montreal: McGill-Queen's University Press.
3251:. By Davies, Blodwen. Toronto: Discus Press.
4444:
4430:
4134:
4120:
4059:(1st ed.). Manotick: Penumbra Press.
3942:
3494:
3309:
3301:
2787:
2667:
2487:
2363:
2339:
2207:
2192:
2131:
2002:
1880:
1639:
1615:
1509:
1482:
1470:
1210:
936:, Spring 1917. Private collection, Toronto
880:Tom Thomson § Artistic peak (1916–17)
605:, arranging to bring a "Tomson" [
327:, Spring 1917. Private collection, Toronto
211:Tom Thomson § Artistic peak (1916-17)
121:Though he is most known for his painting,
3734:
3708:
3683:Algonquin Elegy Tom Thomson's Last Spring
3617:
3533:. Toronto: Oxford Press. pp. 205–15.
3285:
3205:Yearbook of the Arts in Canada, 1928–1929
3127:
2963:
2927:
1871:, pp. 17–18, 44, 52, 57, 62, 68, 73.
1596:
4103:directly inspired by Thomson's painting
4024:
3996:
3541:(March 1920). "Tom Thomson and Others".
3472:
3424:
3383:
3375:
3348:
3339:
3247:——— (1935). Foreword.
3238:——— (1919). Foreword.
2999:
2438:
2377:"Leith United Church | Heritage Meaford"
2315:
2255:
2104:
1936:
1796:
1757:
951:, Spring 1917. Tom Thomson Art Gallery,
669:
520:
402:
204:
185:
102:
26:
4073:
4054:
4045:
4005:
3845:. Tom Thomson Catalogue. Archived from
3839:"Thomson-Algonquin / Algonquin-Thomson"
3827:
3818:
3755:
3571:
3537:
3495:Dellandrea, Jon S. (July–August 2017).
3370:
3358:. Centre for Forensic Sciences, Toronto
3264:
3255:
3246:
3237:
3229:
3220:
3190:
3177:
3139:
2951:
2915:
2715:
2598:
2550:
2538:
2526:
2231:
2180:
2125:
2077:
2050:
2038:
2014:
1977:
1948:
1808:
1781:
1711:
1651:
1545:
1412:
1311:Howland later recounted the following:
819:
732:in July 1927 and the American magazine
4796:
3987:
3921:
3902:
3836:
3799:
3787:
3699:
3647:
3638:
3608:
3592:Viewing Tom Thomson: A Minority Report
3580:
3515:
3454:
3445:
3425:Cilliers, Roland (19 September 2018).
3353:
3330:
3269:
3199:
3168:
3160:
3115:
3103:
3091:
3079:
3067:
3055:
3040:
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1960:
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1820:
1769:
1730:
1687:
1675:
1663:
1627:
1572:
1557:
1533:
1521:
1436:
1406:
1204:
749:Viewing Tom Thomson: A Minority Report
553:, Goodridge Roberts, Harold Town, and
534:small art supplies behind as tribute.
4425:
4115:
3965:
3879:
3870:
3866:. Ottawa: National Gallery of Canada.
3766:
3680:
3553:
3322:
3211:
2975:
2867:
2799:
2763:
2703:
2661:
2291:
2267:
2243:
1584:
1441:
1366:MacDonald wrote to Thomson's father,
874:Selection of Thomson's final sketches
4727:Frederick Horsman Varley Art Gallery
4681:The Arts and Letters Club of Toronto
4258:The Arts and Letters Club of Toronto
3888:
3871:———, ed. (2002a).
3864:A Bibliography of the Group of Seven
3861:
3589:
3562:
3528:
3463:
2939:
2903:
2891:
2879:
2855:
2840:
2775:
2727:
2628:
2613:
2468:
2404:. City of Owen Sound. Archived from
2219:
2174:
2119:
1909:
1745:
1699:
1497:
1431:
835:'s being exposed as an Englishman."
167:wrote that Thomson "paddled like an
78:have taken a prominent place in the
4676:Artistic development of Tom Thomson
3756:McInnes, Graham (Director) (1944).
3720:. Toronto: McClelland and Stewart.
3704:. Toronto: McGraw-Hill Ryerson Ltd.
3404:Canadian Press, The (30 May 2018).
3291:"Tom Thomson: Painter of the North"
1048:, Spring 1917. Private collection,
918:, Spring 1917. Private collection,
446:, and other parts of the country."
107:Thomson fishing at Tea Lake Dam in
62:Thomson stands tall as a figure in
13:
4864:19th-century Canadian male artists
4451:
4074:Wieland, Joyce (Director) (1976).
3969:(2006). Gnarowski, Michael (ed.).
3905:The Group of Seven and Tom Thomson
3641:Archives & Canadian Narratives
98:
14:
4875:
4732:McMichael Canadian Art Collection
4289:McMichael Canadian Art Collection
4084:
3928:. Toronto: Art Canada Institute.
3273:(January 1934). "The West Wind".
700:Popular culture and other honours
543:McMichael Canadian Art Collection
508:Sketch for Lake in Algonquin Park
364:, Summer 1917. Private collection
344:McMichael Canadian Art Collection
229:in the spring, either camping on
4781:
4769:
4757:
4175:
3907:. Richmond Hill: Firefly Books.
3741:. Toronto: Random House Canada.
3005:
1140:
1125:
1110:
1095:
1071:
1056:
1038:
1023:
1006:
991:
976:
961:
941:
926:
908:
893:
704:Canadian poet and member of the
407:The Tom Thomson Memorial Cairn,
354:
332:
317:
4691:Death and legacy of Tom Thomson
4141:
3180:Telegram to Dr. James MacCallum
2646:
2394:
2369:
2165:
2140:
2110:
1421:
1396:
1375:
1360:
1320:
1305:
1274:
1265:
1224:
1194:
1166:
716:that it was Thomson's painting
525:The Tom Thomson Art Gallery in
4814:20th-century Canadian painters
4809:19th-century Canadian painters
4025:Vikander, Tessa (9 May 2018).
3922:——— (2015).
3837:——— (2015).
3804:. Toronto: McArthur & Co.
3800:——— (1999).
3735:——— (2010).
3648:——— (2016).
3455:——— (1935).
3256:——— (1958).
1326:Mowat Cemetery was located at
1242:BLULER (Bloor) ST TORONTO ONT
460:. Tom Thomson still stands as
274:as moving in the direction of
1:
3390:Dr. James M. MacCallum papers
3342:Mark Robinson's Daily journal
3184:Dr. James M. MacCallum Papers
1155:
773:is a self-described piece of
723:The McGill Fortnightly Review
642:Decorative Landscape, Birches
290:I may possibly go out on the
126:William Brodie, a well known
112:
93:
3898:(Thesis). McGill University.
3624:. Chesterfield: Margie Inc.
3594:. Calgary: Frontenac House.
3516:Dexter, Gail (1 June 1968).
3478:David Milne: Modern Painting
3017:www.canadianpostagestamps.ca
1453:
1160:
848:
7:
4824:Canadian landscape painters
4057:Tom Thomson and other poems
3889:Roza, Alexandra M. (1997).
3700:Little, William T. (1970).
3242:. By Arts Club of Montreal.
765:—later reissued in 2002 as
741:Tom Thomson and Other Poems
518:of his work on the market.
31:Tom Thomson's headstone in
10:
4880:
4849:Deaths by person in Canada
4737:National Gallery of Canada
4686:Canadian Group of Painters
4606:Fine Weather, Georgian Bay
4390:Fine Weather, Georgian Bay
4294:National Gallery of Canada
4010:. Winnipeg: Fernwood Pub.
3973:. Toronto: Dundurn Press.
3925:Tom Thomson: Life and Work
3767:McKay, Marylin J. (2011).
3685:. New York: Universe Inc.
3503:. Vol. 26, no. 6
3148:
1283:Canoe Lake Ont July 16–17
1083:National Gallery of Canada
877:
823:
680:Fine Weather, Georgian Bay
633:(1916–17); Art Nouveau in
585:Revisionist art historians
218:
208:
18:
4859:Death conspiracy theories
4714:
4668:
4615:
4597:
4589:Peter and Catharine Whyte
4531:
4505:
4459:
4375:
4302:
4276:
4245:
4184:
4173:
4149:
3949:The Silence and the Storm
3903:Silcox, David P. (2006).
3459:. Toronto: Discuss Press.
3450:. Toronto: Ryerson Press.
2402:"Tom Thomson Art Gallery"
2328:The Canadian Press (2018)
1191:Yours truly / Tom Thomson
1189:Hoping you are well, I am
1172:Mowat P. O., July 7, 1917
747:(2006), and Kevin Irie's
743:(2000), Troy Jollimore's
449:
413:Algonquin Provincial Park
294:this summer to paint the
109:Algonquin Provincial Park
53:Algonquin Provincial Park
4055:Whipple, George (2000).
3997:Stanners, Sarah (2017).
3621:Tom Thomson in Purgatory
3618:Jollimore, Troy (2006).
3446:Davies, Blodwen (1930).
3260:. Toronto: Clarke Irwin.
3193:Telegram to John Thomson
2788:Silcox & Town (2017)
2668:Silcox & Town (2017)
2488:Silcox & Town (2017)
2340:Silcox & Town (2017)
2193:Silcox & Town (2017)
2132:Silcox & Town (2017)
2003:Silcox & Town (2017)
1881:Silcox & Town (2017)
1640:Silcox & Town (2017)
1616:Silcox & Town (2017)
1483:Silcox & Town (2017)
1471:Silcox & Town (2017)
1211:Silcox & Town (2017)
984:Spring in Algonquin Park
934:Early Spring, Canoe Lake
745:Tom Thomson in Purgatory
500:Early Spring, Canoe Lake
369:
47:died on 8 July 1917, on
4834:People from Grey County
4409:The Tom Thomson Mystery
3943:———;
3843:tomthomsoncatalogue.org
3793:The Best of Tom Thomson
3702:The Tom Thomson Mystery
3681:Lehto, Neil J. (2005).
3572:Housser, F. B. (1926).
3554:Grace, Sherril (2004).
2381:www.heritagemeaford.com
2148:"Historic Leith Church"
1014:April in Algonquin Park
842:The Tom Thomson Mystery
826:The Tom Thomson Mystery
802:April in Algonquin Park
618:The Elements of Drawing
256:Path Behind Mowat Lodge
191:Path Behind Mowat Lodge
4819:Canadian male painters
4722:Art Gallery of Ontario
4284:Art Gallery of Ontario
3501:Literary Review Canada
3354:Sharpe, Noble (1956).
1372:
1317:
1302:
1286:J Thomson Owen Sound.
1262:
1233:DR MCCALLUM [
1079:Lowery Dickson's Cabin
788:In 2018, a section of
696:
685:Art Gallery of Ontario
530:
466:
415:
306:
201:
195:Art Gallery of Ontario
157:
118:
40:
3862:Reid, Dennis (1971).
3777:Mortimer-Lamb, Harold
3576:. Toronto: Macmillan.
3433:. Huntsville Forester
2456:, p. 29–30, 212.
1666:, pp. 28, 28n39.
1367:
1345:45.56306°N 78.72833°W
1312:
1281:
1231:
999:Open Water, Joe Creek
712:wrote in a letter to
673:
561:An "untainted" artist
524:
454:
406:
288:
209:Further information:
205:1917 sketching season
189:
147:
106:
43:The Canadian painter
30:
19:Further information:
4829:Artists from Ontario
4574:Harold Mortimer-Lamb
4342:Alice Elinor Lambert
4162:Artistic development
3654:. Toronto: Dundurn.
3590:Irie, Kevin (2012).
3221:Howland, Gordon W. "
3182:" (10 July 1917a) .
2563:Mortimer-Lamb (1919)
1642:, pp. 215, 237.
1387:Harold Mortimer-Lamb
1290:Found tom [
820:Alternative theories
589:Canadian nationalist
4706:The Studio Building
4467:Franklin Carmichael
4317:Franklin Carmichael
4312:John William Beatty
4268:The Studio Building
3795:. Edmonton: Hurtig.
3716:Shorelines: a Novel
3497:"Brush with Infamy"
3474:Dejardin, Ian A. C.
3388:" (7 July 1917b) .
3303:MacDonald, J. E. H.
3258:A Painter's Country
3162:Cruikshank, William
3106:, pp. 110–127.
2258:, pp. 17, 194.
1350:45.56306; -78.72833
1341: /
1296:] this morning.
800:(printed in 1967),
420:John William Beatty
4844:Deaths by drowning
4715:Public collections
4549:William Cruikshank
4544:Albert Chiarandini
4518:LeMoine FitzGerald
4492:J. E. H. MacDonald
4357:J. E. H. MacDonald
4322:William Cruikshank
4277:Public collections
3802:Tom Thomson: Trees
3297:. pp. 375–85.
3169:Davies, Blodwen. "
3082:, pp. 122–25.
3043:, pp. 274–97.
2282:, pp. 163–64.
1951:, pp. 304–05.
1784:, pp. 303–04.
1427:For example, see:
1402:For example, see:
1257:] SUNDAY NOON
790:Ontario Highway 60
779:The Tragically Hip
775:historical fiction
697:
675:J. E. H. MacDonald
627:Post-Impressionism
615:'s 1857 handbook,
599:William Cruikshank
531:
434:, and then to the
416:
292:Canadian Northern
202:
181:J. E. H. MacDonald
119:
57:Nipissing District
41:
4745:
4744:
4659:The Indian Church
4616:Related paintings
4579:George Agnew Reid
4569:Thoreau MacDonald
4419:
4418:
4362:Thoreau MacDonald
4099:, a 1926 poem by
3971:Selected Writings
3914:978-1-55407-154-8
3849:on 23 August 2018
3668:on 3 October 2015
3431:MuskokaRegion.com
3398:Secondary sources
3340:Robinson, Mark. "
3295:Canadian Magazine
3289:(31 March 1918).
3214:to Blodwen Davies
3019:. Canadian Stamps
2906:, pp. 67–68.
2894:, pp. 74–75.
2882:, pp. 75–76.
2814:, p. 68, 71.
2766:, pp. 65–83.
2471:, pp. 29–30.
2364:Dellandrea (2017)
2208:MacDonald (1917a)
1847:, pp. 74–75.
1835:, pp. 17–18.
1654:, pp. 94–95.
1560:, pp. 28–29.
1510:MacDonald (1917b)
1213:, pp. 148–49
1181:doesnt [
541:was moved to the
270:David Silcox and
80:culture of Canada
4871:
4786:
4785:
4784:
4774:
4773:
4772:
4762:
4761:
4753:
4696:Emily Carr House
4559:Lawren P. Harris
4497:Frederick Varley
4460:Original members
4446:
4439:
4432:
4423:
4422:
4367:Frederick Varley
4179:
4167:Death and legacy
4136:
4129:
4122:
4113:
4112:
4079:
4070:
4051:
4042:
4040:
4038:
4021:
4002:
3993:
3984:
3962:
3939:
3918:
3899:
3897:
3885:
3876:
3867:
3858:
3856:
3854:
3833:
3824:
3815:
3796:
3784:
3772:
3763:
3752:
3731:
3719:
3705:
3696:
3677:
3675:
3673:
3664:. Archived from
3644:
3635:
3614:
3605:
3586:
3577:
3568:
3559:
3550:
3534:
3525:
3512:
3510:
3508:
3491:
3469:
3460:
3451:
3442:
3440:
3438:
3421:
3419:
3417:
3393:
3380:
3372:
3367:
3365:
3363:
3350:
3345:
3336:
3327:
3319:
3306:
3298:
3287:MacCallum, James
3282:
3275:McMaster Monthly
3266:
3261:
3252:
3243:
3234:
3226:
3217:
3212:Henry, Louise. "
3208:
3196:
3187:
3174:
3165:
3143:
3137:
3131:
3128:MacGregor (2010)
3125:
3119:
3113:
3107:
3101:
3095:
3089:
3083:
3077:
3071:
3065:
3059:
3053:
3044:
3038:
3029:
3028:
3026:
3024:
3009:
3003:
2997:
2991:
2985:
2979:
2973:
2967:
2964:MacGregor (1980)
2961:
2955:
2949:
2943:
2937:
2931:
2928:Jollimore (2006)
2925:
2919:
2913:
2907:
2901:
2895:
2889:
2883:
2877:
2871:
2865:
2859:
2853:
2844:
2838:
2827:
2821:
2815:
2809:
2803:
2797:
2791:
2785:
2779:
2778:, p. 30n29.
2773:
2767:
2761:
2755:
2749:
2743:
2737:
2731:
2725:
2719:
2713:
2707:
2701:
2692:
2686:
2680:
2650:
2644:
2638:
2632:
2626:
2617:
2611:
2602:
2596:
2590:
2584:
2578:
2572:
2566:
2560:
2554:
2548:
2542:
2536:
2530:
2524:
2518:
2512:
2503:
2502:, p. 29–30.
2497:
2491:
2485:
2472:
2466:
2457:
2451:
2442:
2436:
2430:
2424:
2418:
2417:
2415:
2413:
2398:
2392:
2391:
2389:
2387:
2373:
2367:
2361:
2355:
2349:
2343:
2337:
2331:
2325:
2319:
2313:
2307:
2301:
2295:
2289:
2283:
2277:
2271:
2265:
2259:
2253:
2247:
2241:
2235:
2229:
2223:
2217:
2211:
2205:
2199:
2169:
2163:
2162:
2160:
2158:
2144:
2138:
2114:
2108:
2102:
2096:
2090:
2081:
2075:
2066:
2060:
2054:
2048:
2042:
2036:
2030:
2024:
2018:
2012:
2006:
2000:
1981:
1975:
1964:
1958:
1952:
1946:
1940:
1934:
1928:
1922:
1913:
1907:
1896:
1890:
1884:
1878:
1872:
1866:
1860:
1854:
1848:
1842:
1836:
1830:
1824:
1818:
1812:
1806:
1800:
1794:
1785:
1779:
1773:
1767:
1761:
1755:
1749:
1743:
1734:
1728:
1715:
1709:
1703:
1697:
1691:
1685:
1679:
1673:
1667:
1661:
1655:
1649:
1643:
1637:
1631:
1625:
1619:
1613:
1600:
1597:MacCallum (1918)
1594:
1588:
1582:
1576:
1570:
1561:
1555:
1549:
1543:
1537:
1531:
1525:
1519:
1513:
1507:
1501:
1495:
1486:
1480:
1474:
1468:
1448:
1425:
1419:
1400:
1394:
1379:
1373:
1364:
1358:
1356:
1355:
1353:
1352:
1351:
1346:
1342:
1339:
1338:
1337:
1334:
1324:
1318:
1309:
1303:
1278:
1272:
1269:
1263:
1245:TOMES [
1228:
1222:
1198:
1192:
1170:
1144:
1129:
1114:
1099:
1075:
1060:
1042:
1027:
1010:
995:
980:
965:
949:Ice Covered Lake
945:
930:
912:
897:
814:In the Northland
781:'s 1991 single "
478:
358:
336:
321:
312:eventually did.
117:
114:
86:, proficient in
4879:
4878:
4874:
4873:
4872:
4870:
4869:
4868:
4854:Canoeing deaths
4794:
4793:
4792:
4782:
4780:
4770:
4768:
4756:
4748:
4746:
4741:
4710:
4664:
4611:
4593:
4564:James MacCallum
4532:Related persons
4527:
4501:
4455:
4450:
4420:
4415:
4393:(1913 painting)
4371:
4352:James MacCallum
4304:
4298:
4272:
4241:
4180:
4171:
4145:
4140:
4097:The Lonely Land
4087:
4082:
4067:
4036:
4034:
4018:
3981:
3967:Smith, A. J. M.
3959:
3936:
3915:
3895:
3852:
3850:
3812:
3781:Studio Magazine
3749:
3728:
3693:
3671:
3669:
3662:
3632:
3602:
3539:Fairley, Barker
3506:
3504:
3488:
3436:
3434:
3415:
3413:
3386:James MacCallum
3384:Thomson, Tom. "
3361:
3359:
3331:Ranney, A. E. "
3155:Primary sources
3151:
3146:
3138:
3134:
3126:
3122:
3114:
3110:
3102:
3098:
3090:
3086:
3078:
3074:
3066:
3062:
3054:
3047:
3039:
3032:
3022:
3020:
3011:
3010:
3006:
3000:Cilliers (2018)
2998:
2994:
2986:
2982:
2974:
2970:
2962:
2958:
2950:
2946:
2938:
2934:
2926:
2922:
2914:
2910:
2902:
2898:
2890:
2886:
2878:
2874:
2866:
2862:
2854:
2847:
2839:
2830:
2822:
2818:
2810:
2806:
2798:
2794:
2786:
2782:
2774:
2770:
2762:
2758:
2750:
2746:
2738:
2734:
2726:
2722:
2714:
2710:
2702:
2695:
2687:
2683:
2679:
2651:
2647:
2639:
2635:
2627:
2620:
2612:
2605:
2597:
2593:
2585:
2581:
2573:
2569:
2561:
2557:
2549:
2545:
2537:
2533:
2525:
2521:
2513:
2506:
2498:
2494:
2486:
2475:
2467:
2460:
2452:
2445:
2439:Stanners (2017)
2437:
2433:
2425:
2421:
2411:
2409:
2400:
2399:
2395:
2385:
2383:
2375:
2374:
2370:
2362:
2358:
2350:
2346:
2338:
2334:
2326:
2322:
2316:Vikander (2018)
2314:
2310:
2302:
2298:
2290:
2286:
2278:
2274:
2266:
2262:
2256:Dejardin (2018)
2254:
2250:
2242:
2238:
2230:
2226:
2218:
2214:
2206:
2202:
2198:
2170:
2166:
2156:
2154:
2146:
2145:
2141:
2137:
2134:, p. 49–50
2115:
2111:
2105:Robinson (1917)
2103:
2099:
2091:
2084:
2076:
2069:
2061:
2057:
2049:
2045:
2037:
2033:
2025:
2021:
2013:
2009:
2001:
1984:
1976:
1967:
1959:
1955:
1947:
1943:
1937:Thomson (1917a)
1935:
1931:
1923:
1916:
1908:
1899:
1891:
1887:
1879:
1875:
1867:
1863:
1855:
1851:
1843:
1839:
1831:
1827:
1819:
1815:
1807:
1803:
1797:Thomson (1917b)
1795:
1788:
1780:
1776:
1768:
1764:
1758:Robinson (1930)
1756:
1752:
1744:
1737:
1729:
1718:
1710:
1706:
1698:
1694:
1686:
1682:
1674:
1670:
1662:
1658:
1650:
1646:
1638:
1634:
1626:
1622:
1614:
1603:
1595:
1591:
1583:
1579:
1571:
1564:
1556:
1552:
1544:
1540:
1536:, pp. 6–7.
1532:
1528:
1520:
1516:
1508:
1504:
1496:
1489:
1481:
1477:
1469:
1460:
1456:
1451:
1447:
1426:
1422:
1418:
1401:
1397:
1391:James MacCallum
1380:
1376:
1365:
1361:
1349:
1347:
1343:
1340:
1335:
1332:
1330:
1328:
1327:
1325:
1321:
1310:
1306:
1279:
1275:
1270:
1266:
1229:
1225:
1221:
1199:
1195:
1190:
1188:
1175:
1173:
1171:
1167:
1163:
1158:
1151:
1145:
1136:
1130:
1121:
1118:Northern Lights
1115:
1106:
1103:Northern Lights
1100:
1089:
1081:, Spring 1917.
1076:
1067:
1061:
1052:
1046:Spring Break-up
1043:
1034:
1031:Woods in Winter
1028:
1017:
1011:
1002:
996:
987:
981:
972:
966:
955:
946:
937:
931:
922:
913:
904:
898:
882:
876:
851:
828:
822:
771:Algonquin Elegy
702:
665:Cranberry Marsh
661:After the Storm
563:
539:Studio Building
480:
473:in a letter to
468:
452:
372:
365:
362:After the Storm
359:
350:
342:, Summer 1917.
337:
328:
322:
280:After the Storm
223:
217:
207:
193:, Spring 1917.
143:James MacCallum
115:
101:
99:The outdoorsman
96:
23:
17:
12:
11:
5:
4877:
4867:
4866:
4861:
4856:
4851:
4846:
4841:
4836:
4831:
4826:
4821:
4816:
4811:
4806:
4791:
4790:
4778:
4766:
4743:
4742:
4740:
4739:
4734:
4729:
4724:
4718:
4716:
4712:
4711:
4709:
4708:
4703:
4698:
4693:
4688:
4683:
4678:
4672:
4670:
4666:
4665:
4663:
4662:
4655:
4648:
4641:
4634:
4631:Northern River
4627:
4619:
4617:
4613:
4612:
4610:
4609:
4601:
4599:
4595:
4594:
4592:
4591:
4586:
4581:
4576:
4571:
4566:
4561:
4556:
4554:Barker Fairley
4551:
4546:
4541:
4535:
4533:
4529:
4528:
4526:
4525:
4520:
4515:
4509:
4507:
4503:
4502:
4500:
4499:
4494:
4489:
4484:
4482:Frank Johnston
4479:
4474:
4469:
4463:
4461:
4457:
4456:
4453:Group of Seven
4449:
4448:
4441:
4434:
4426:
4417:
4416:
4414:
4413:
4405:
4399:
4397:Group of Seven
4394:
4386:
4383:Blodwen Davies
4379:
4377:
4373:
4372:
4370:
4369:
4364:
4359:
4354:
4349:
4344:
4339:
4337:Frank Johnston
4334:
4329:
4324:
4319:
4314:
4308:
4306:
4300:
4299:
4297:
4296:
4291:
4286:
4280:
4278:
4274:
4273:
4271:
4270:
4265:
4260:
4255:
4253:Algonquin Park
4249:
4247:
4243:
4242:
4240:
4239:
4231:
4223:
4215:
4207:
4203:Northern River
4199:
4190:
4188:
4182:
4181:
4174:
4172:
4170:
4169:
4164:
4159:
4153:
4151:
4147:
4146:
4139:
4138:
4131:
4124:
4116:
4110:
4109:
4101:A. J. M. Smith
4094:
4086:
4085:External links
4083:
4081:
4080:
4071:
4066:978-1894131117
4065:
4052:
4043:
4033:. Toronto Star
4022:
4017:978-1552664469
4016:
4003:
3994:
3985:
3980:978-1550026658
3979:
3963:
3958:978-1443442343
3957:
3940:
3935:978-1487100759
3934:
3919:
3913:
3900:
3886:
3877:
3868:
3859:
3834:
3825:
3816:
3811:978-1552780923
3810:
3797:
3785:
3773:
3764:
3753:
3748:978-0307357397
3747:
3732:
3727:978-0771054594
3726:
3710:MacGregor, Roy
3706:
3697:
3692:978-0595361328
3691:
3678:
3661:978-1459731967
3660:
3645:
3636:
3631:978-0971904057
3630:
3615:
3606:
3601:978-1897181638
3600:
3587:
3578:
3569:
3560:
3551:
3535:
3526:
3513:
3492:
3487:978-1781300619
3486:
3470:
3461:
3452:
3443:
3422:
3412:. Toronto Star
3395:
3394:
3381:
3373:
3368:
3351:
3346:
3337:
3328:
3320:
3307:
3299:
3283:
3271:Lismer, Arthur
3267:
3262:
3253:
3244:
3235:
3227:
3218:
3209:
3201:Harris, Lawren
3197:
3188:
3178:Fraser, J.S. "
3175:
3166:
3152:
3150:
3147:
3145:
3144:
3140:Verduyn (2011)
3132:
3120:
3108:
3096:
3084:
3072:
3060:
3045:
3030:
3004:
2992:
2980:
2968:
2956:
2952:Wieland (1976)
2944:
2932:
2920:
2916:Whipple (2000)
2908:
2896:
2884:
2872:
2860:
2858:, p. 208.
2845:
2828:
2826:, p. 214.
2816:
2804:
2802:, p. 185.
2792:
2780:
2768:
2756:
2744:
2732:
2720:
2716:Jackson (1931)
2708:
2693:
2681:
2678:
2677:
2671:
2665:
2659:
2652:
2645:
2633:
2618:
2603:
2599:Housser (1926)
2591:
2579:
2567:
2565:, p. 124.
2555:
2553:, p. 246.
2551:Fairley (1920)
2543:
2539:McInnes (1944)
2531:
2527:Jackson (1935)
2519:
2504:
2492:
2473:
2458:
2443:
2431:
2419:
2408:on 14 May 2013
2393:
2368:
2356:
2344:
2342:, p. 182.
2332:
2320:
2308:
2296:
2284:
2272:
2260:
2248:
2236:
2232:Jackson (1919)
2224:
2212:
2200:
2197:
2196:
2190:
2184:
2181:Murray (2002b)
2178:
2171:
2164:
2152:www.meaford.ca
2139:
2136:
2135:
2129:
2126:Murray (2002b)
2123:
2116:
2109:
2097:
2082:
2078:Howland (1917)
2067:
2055:
2051:Thomson (1934)
2043:
2039:Fraser (1917b)
2031:
2019:
2015:Fraser (1917a)
2007:
1982:
1980:, p. 317.
1978:Murray (2002b)
1965:
1963:, p. 122.
1953:
1949:Murray (2002a)
1941:
1929:
1914:
1912:, p. 142.
1897:
1885:
1883:, p. 148.
1873:
1861:
1849:
1837:
1825:
1813:
1811:, p. 306.
1809:Murray (2002a)
1801:
1786:
1782:Murray (2002a)
1774:
1772:, p. 116.
1762:
1750:
1748:, p. 141.
1735:
1716:
1712:Jackson (1914)
1704:
1702:, p. 123.
1692:
1680:
1668:
1656:
1652:Wadland (2002)
1644:
1632:
1620:
1618:, p. 237.
1601:
1599:, p. 382.
1589:
1577:
1562:
1550:
1546:Wadland (2002)
1538:
1526:
1514:
1502:
1500:, p. 113.
1487:
1475:
1473:, p. 236.
1457:
1455:
1452:
1450:
1449:
1446:
1445:
1439:
1434:
1428:
1420:
1417:
1416:
1413:Jackson (1958)
1410:
1403:
1395:
1383:Barker Fairley
1374:
1359:
1319:
1304:
1298:
1297:
1273:
1264:
1223:
1220:
1219:
1214:
1208:
1201:
1193:
1164:
1162:
1159:
1157:
1154:
1153:
1152:
1146:
1139:
1137:
1131:
1124:
1122:
1116:
1109:
1107:
1101:
1094:
1091:
1090:
1077:
1070:
1068:
1062:
1055:
1053:
1044:
1037:
1035:
1029:
1022:
1019:
1018:
1012:
1005:
1003:
997:
990:
988:
982:
975:
973:
967:
960:
957:
956:
947:
940:
938:
932:
925:
923:
914:
907:
905:
899:
892:
875:
872:
850:
847:
821:
818:
806:Autumn Birches
729:Canadian Forum
710:A. J. M. Smith
706:Montreal Group
701:
698:
655:(1916–17); or
651:(1915–16) and
636:Northern River
596:British artist
591:style of art.
562:
559:
463:
453:
451:
448:
371:
368:
367:
366:
360:
353:
351:
338:
331:
329:
323:
316:
310:Group of Seven
268:art historians
227:Algonquin Park
206:
203:
116: 1915/16
100:
97:
95:
92:
33:Leith, Ontario
15:
9:
6:
4:
3:
2:
4876:
4865:
4862:
4860:
4857:
4855:
4852:
4850:
4847:
4845:
4842:
4840:
4837:
4835:
4832:
4830:
4827:
4825:
4822:
4820:
4817:
4815:
4812:
4810:
4807:
4805:
4802:
4801:
4799:
4789:
4779:
4777:
4767:
4765:
4760:
4755:
4754:
4751:
4738:
4735:
4733:
4730:
4728:
4725:
4723:
4720:
4719:
4717:
4713:
4707:
4704:
4702:
4699:
4697:
4694:
4692:
4689:
4687:
4684:
4682:
4679:
4677:
4674:
4673:
4671:
4667:
4661:
4660:
4656:
4654:
4653:
4652:The Jack Pine
4649:
4647:
4646:
4645:The West Wind
4642:
4640:
4639:
4635:
4633:
4632:
4628:
4626:
4625:
4621:
4620:
4618:
4614:
4608:
4607:
4603:
4602:
4600:
4596:
4590:
4587:
4585:
4582:
4580:
4577:
4575:
4572:
4570:
4567:
4565:
4562:
4560:
4557:
4555:
4552:
4550:
4547:
4545:
4542:
4540:
4537:
4536:
4534:
4530:
4524:
4523:Edwin Holgate
4521:
4519:
4516:
4514:
4511:
4510:
4508:
4506:Other members
4504:
4498:
4495:
4493:
4490:
4488:
4487:Arthur Lismer
4485:
4483:
4480:
4478:
4477:A. Y. Jackson
4475:
4473:
4472:Lawren Harris
4470:
4468:
4465:
4464:
4462:
4458:
4454:
4447:
4442:
4440:
4435:
4433:
4428:
4427:
4424:
4411:
4410:
4406:
4403:
4400:
4398:
4395:
4392:
4391:
4387:
4384:
4381:
4380:
4378:
4374:
4368:
4365:
4363:
4360:
4358:
4355:
4353:
4350:
4348:
4347:Arthur Lismer
4345:
4343:
4340:
4338:
4335:
4333:
4332:A. Y. Jackson
4330:
4328:
4327:Lawren Harris
4325:
4323:
4320:
4318:
4315:
4313:
4310:
4309:
4307:
4305:acquaintances
4301:
4295:
4292:
4290:
4287:
4285:
4282:
4281:
4279:
4275:
4269:
4266:
4264:
4261:
4259:
4256:
4254:
4251:
4250:
4248:
4244:
4237:
4236:
4235:The Jack Pine
4232:
4229:
4228:
4227:The West Wind
4224:
4221:
4220:
4216:
4213:
4212:
4208:
4205:
4204:
4200:
4197:
4196:
4192:
4191:
4189:
4187:
4183:
4178:
4168:
4165:
4163:
4160:
4158:
4155:
4154:
4152:
4148:
4144:
4137:
4132:
4130:
4125:
4123:
4118:
4117:
4114:
4108:
4107:
4106:The Jack Pine
4102:
4098:
4095:
4092:
4089:
4088:
4077:
4076:The Far Shore
4072:
4068:
4062:
4058:
4053:
4049:
4044:
4032:
4028:
4023:
4019:
4013:
4009:
4004:
4000:
3995:
3991:
3986:
3982:
3976:
3972:
3968:
3964:
3960:
3954:
3950:
3946:
3941:
3937:
3931:
3927:
3926:
3920:
3916:
3910:
3906:
3901:
3894:
3893:
3887:
3883:
3878:
3874:
3869:
3865:
3860:
3848:
3844:
3840:
3835:
3831:
3826:
3822:
3817:
3813:
3807:
3803:
3798:
3794:
3790:
3786:
3782:
3778:
3774:
3770:
3765:
3761:
3760:
3754:
3750:
3744:
3740:
3739:
3733:
3729:
3723:
3718:
3717:
3711:
3707:
3703:
3698:
3694:
3688:
3684:
3679:
3667:
3663:
3657:
3653:
3652:
3646:
3642:
3637:
3633:
3627:
3623:
3622:
3616:
3612:
3607:
3603:
3597:
3593:
3588:
3584:
3579:
3575:
3570:
3566:
3561:
3557:
3552:
3548:
3544:
3540:
3536:
3532:
3527:
3523:
3519:
3514:
3502:
3498:
3493:
3489:
3483:
3479:
3475:
3471:
3467:
3462:
3458:
3453:
3449:
3444:
3432:
3428:
3423:
3411:
3407:
3402:
3401:
3400:
3399:
3391:
3387:
3382:
3378:
3374:
3369:
3357:
3352:
3347:
3343:
3338:
3334:
3329:
3325:
3321:
3317:
3313:
3308:
3304:
3300:
3296:
3292:
3288:
3284:
3280:
3276:
3272:
3268:
3263:
3259:
3254:
3250:
3245:
3241:
3236:
3232:
3231:Jackson, A. Y
3228:
3224:
3219:
3215:
3210:
3206:
3202:
3198:
3194:
3189:
3185:
3181:
3176:
3172:
3167:
3163:
3159:
3158:
3157:
3156:
3141:
3136:
3129:
3124:
3117:
3116:Sharpe (1956)
3112:
3105:
3104:Little (1970)
3100:
3093:
3092:Davies (1935)
3088:
3081:
3080:Davies (1935)
3076:
3070:, p. 39.
3069:
3068:Hunter (2002)
3064:
3057:
3056:Klages (2016)
3052:
3050:
3042:
3041:Klages (2011)
3037:
3035:
3018:
3014:
3008:
3001:
2996:
2990:, p. 65.
2989:
2988:Silcox (2015)
2984:
2977:
2972:
2965:
2960:
2953:
2948:
2941:
2936:
2929:
2924:
2917:
2912:
2905:
2900:
2893:
2888:
2881:
2876:
2869:
2864:
2857:
2852:
2850:
2843:, p. 74.
2842:
2837:
2835:
2833:
2825:
2824:Silcox (2006)
2820:
2813:
2812:Silcox (2015)
2808:
2801:
2796:
2790:, p. 88.
2789:
2784:
2777:
2772:
2765:
2760:
2753:
2752:Silcox (2015)
2748:
2741:
2740:Murray (1999)
2736:
2729:
2724:
2717:
2712:
2705:
2700:
2698:
2690:
2685:
2675:
2674:Stacey (2002)
2672:
2669:
2666:
2663:
2660:
2657:
2656:Murray (1986)
2654:
2653:
2649:
2643:, p. 58.
2642:
2641:Silcox (2015)
2637:
2631:, p. 90.
2630:
2625:
2623:
2615:
2610:
2608:
2600:
2595:
2588:
2587:Davies (1930)
2583:
2577:, p. 36.
2576:
2575:Hunter (2002)
2571:
2564:
2559:
2552:
2547:
2540:
2535:
2528:
2523:
2517:, p. 35.
2516:
2515:Hunter (2002)
2511:
2509:
2501:
2500:Silcox (2006)
2496:
2490:, p. 85.
2489:
2484:
2482:
2480:
2478:
2470:
2465:
2463:
2455:
2454:Silcox (2006)
2450:
2448:
2440:
2435:
2428:
2427:Dexter (1968)
2423:
2407:
2403:
2397:
2382:
2378:
2372:
2365:
2360:
2354:, p. 74.
2353:
2352:Silcox (2015)
2348:
2341:
2336:
2329:
2324:
2317:
2312:
2306:, p. 66.
2305:
2304:Silcox (2015)
2300:
2293:
2288:
2281:
2280:Lismer (1934)
2276:
2270:, p. 96.
2269:
2264:
2257:
2252:
2245:
2240:
2233:
2228:
2222:, p. 31.
2221:
2216:
2209:
2204:
2195:, p. 240
2194:
2191:
2189:, p. 213
2188:
2187:Silcox (2006)
2185:
2183:, p. 317
2182:
2179:
2177:, p. 142
2176:
2173:
2172:
2168:
2153:
2149:
2143:
2133:
2130:
2128:, p. 317
2127:
2124:
2122:, p. 142
2121:
2118:
2117:
2113:
2106:
2101:
2094:
2093:Ranney (1931)
2089:
2087:
2079:
2074:
2072:
2065:, p. 23.
2064:
2063:Murray (1999)
2059:
2052:
2047:
2040:
2035:
2028:
2027:Hunter (2002)
2023:
2016:
2011:
2005:, p. 49.
2004:
1999:
1997:
1995:
1993:
1991:
1989:
1987:
1979:
1974:
1972:
1970:
1962:
1961:Murray (1999)
1957:
1950:
1945:
1938:
1933:
1927:, p. 18.
1926:
1925:Silcox (2015)
1921:
1919:
1911:
1906:
1904:
1902:
1895:, p. 52.
1894:
1893:Silcox (2015)
1889:
1882:
1877:
1870:
1869:Silcox (2015)
1865:
1859:, p. 73.
1858:
1857:Silcox (2015)
1853:
1846:
1845:Silcox (2015)
1841:
1834:
1833:Silcox (2015)
1829:
1823:, p. 17.
1822:
1821:Silcox (2015)
1817:
1810:
1805:
1798:
1793:
1791:
1783:
1778:
1771:
1770:Murray (1999)
1766:
1759:
1754:
1747:
1742:
1740:
1732:
1731:Murray (2015)
1727:
1725:
1723:
1721:
1713:
1708:
1701:
1696:
1690:, p. 28.
1689:
1688:Hunter (2002)
1684:
1678:, p. 29.
1677:
1676:Hunter (2002)
1672:
1665:
1664:Hunter (2002)
1660:
1653:
1648:
1641:
1636:
1630:, p. 15.
1629:
1628:Silcox (2015)
1624:
1617:
1612:
1610:
1608:
1606:
1598:
1593:
1586:
1581:
1575:, "Prologue".
1574:
1573:Murray (2015)
1569:
1567:
1559:
1558:Hunter (2002)
1554:
1548:, p. 93.
1547:
1542:
1535:
1534:Murray (1999)
1530:
1523:
1522:Silcox (2015)
1518:
1512:, p. 47.
1511:
1506:
1499:
1494:
1492:
1485:, p. 41.
1484:
1479:
1472:
1467:
1465:
1463:
1458:
1443:
1440:
1438:
1437:Jessup (2007)
1435:
1433:
1430:
1429:
1424:
1414:
1411:
1409:, p. 185
1408:
1407:Harris (1929)
1405:
1404:
1399:
1392:
1388:
1384:
1378:
1371:
1363:
1354:
1323:
1316:
1308:
1301:
1295:
1294:
1289:
1288:
1287:
1284:
1277:
1268:
1261:
1258:
1256:
1255:
1250:
1249:
1243:
1240:
1238:
1237:
1227:
1218:
1215:
1212:
1209:
1206:
1205:Silcox (2015)
1203:
1202:
1197:
1186:
1185:
1180:
1169:
1165:
1149:
1143:
1138:
1134:
1128:
1123:
1119:
1113:
1108:
1104:
1098:
1093:
1092:
1088:
1084:
1080:
1074:
1069:
1065:
1059:
1054:
1051:
1047:
1041:
1036:
1032:
1026:
1021:
1020:
1015:
1009:
1004:
1000:
994:
989:
985:
979:
974:
970:
964:
959:
958:
954:
950:
944:
939:
935:
929:
924:
921:
917:
911:
906:
902:
896:
891:
890:
889:
887:
881:
871:
869:
863:
861:
857:
846:
844:
843:
836:
834:
827:
817:
815:
811:
810:The West Wind
807:
803:
799:
798:The Jack Pine
795:
791:
786:
784:
783:Three Pistols
780:
776:
772:
768:
764:
760:
759:The Far Shore
757:'s 1976 film
756:
755:Joyce Wieland
752:
750:
746:
742:
737:
736:
731:
730:
725:
724:
719:
718:The Jack Pine
715:
711:
707:
694:
693:A. Y. Jackson
690:
686:
682:
681:
676:
672:
668:
666:
662:
658:
657:Expressionism
654:
653:The West Wind
650:
649:
644:
643:
638:
637:
632:
628:
624:
623:Impressionism
620:
619:
614:
610:
609:
604:
600:
597:
592:
590:
586:
581:
580:Lawren Harris
575:
572:
568:
567:United States
558:
556:
555:Joyce Wieland
552:
548:
544:
540:
535:
528:
523:
519:
517:
513:
509:
505:
501:
497:
493:
488:
486:
485:Arthur Lismer
479:
476:
475:H. O. McCurry
472:
465:
461:
459:
447:
445:
441:
437:
433:
432:Lake Superior
429:
425:
421:
414:
410:
405:
401:
399:
395:
390:
388:
387:
380:
378:
363:
357:
352:
349:
345:
341:
335:
330:
326:
320:
315:
314:
313:
311:
305:
303:
302:
297:
293:
287:
283:
281:
277:
273:
269:
265:
264:Expressionist
261:
257:
253:
248:
246:
241:
236:
232:
228:
222:
216:
212:
200:
196:
192:
188:
184:
182:
178:
172:
170:
166:
165:A. Y. Jackson
162:
156:
154:
153:
146:
144:
139:
137:
133:
132:ornithologist
129:
124:
110:
105:
91:
89:
85:
81:
77:
76:
75:The West Wind
71:
70:
69:The Jack Pine
65:
60:
58:
54:
50:
46:
38:
34:
29:
25:
22:
4690:
4657:
4650:
4643:
4636:
4629:
4624:Drowned Land
4622:
4604:
4513:A. J. Casson
4407:
4404:(cataloguer)
4388:
4385:(biographer)
4233:
4225:
4217:
4209:
4201:
4195:Drowned Land
4193:
4166:
4104:
4075:
4056:
4047:
4035:. Retrieved
4030:
4007:
3998:
3989:
3970:
3948:
3945:Town, Harold
3924:
3904:
3891:
3881:
3872:
3863:
3851:. Retrieved
3847:the original
3842:
3829:
3820:
3801:
3792:
3789:Murray, Joan
3780:
3768:
3758:
3737:
3715:
3701:
3682:
3670:. Retrieved
3666:the original
3650:
3640:
3620:
3610:
3591:
3582:
3573:
3564:
3555:
3549:(6): 244–48.
3546:
3542:
3530:
3522:Toronto Star
3521:
3505:. Retrieved
3500:
3477:
3465:
3456:
3447:
3435:. Retrieved
3430:
3414:. Retrieved
3409:
3397:
3396:
3377:Thomson, Tom
3360:. Retrieved
3324:Milne, David
3315:
3311:
3294:
3281:(4): 163–64.
3278:
3274:
3257:
3248:
3239:
3204:
3154:
3153:
3142:, p. 7.
3135:
3123:
3111:
3099:
3087:
3075:
3063:
3021:. Retrieved
3016:
3007:
2995:
2983:
2976:Lehto (2005)
2971:
2959:
2947:
2935:
2923:
2911:
2899:
2887:
2875:
2868:Smith (2006)
2863:
2819:
2807:
2800:McKay (2011)
2795:
2783:
2771:
2764:Reid (2002b)
2759:
2754:, p. 9.
2747:
2742:, p. 2.
2735:
2730:, p. 113n18.
2723:
2711:
2704:Reid (2002b)
2684:
2676:, p. 52
2670:, p. 43
2664:, p. 70
2662:Reid (2002b)
2648:
2636:
2594:
2582:
2570:
2558:
2546:
2534:
2522:
2495:
2434:
2422:
2410:. Retrieved
2406:the original
2396:
2384:. Retrieved
2380:
2371:
2359:
2347:
2335:
2323:
2311:
2299:
2292:Reid (2002a)
2287:
2275:
2268:Grace (2004)
2263:
2251:
2244:Milne (1930)
2239:
2234:, p. 5.
2227:
2215:
2203:
2167:
2155:. Retrieved
2151:
2142:
2112:
2100:
2058:
2046:
2034:
2022:
2010:
1956:
1944:
1932:
1888:
1876:
1864:
1852:
1840:
1828:
1816:
1804:
1777:
1765:
1760:, p. 3.
1753:
1707:
1695:
1683:
1671:
1659:
1647:
1635:
1623:
1592:
1585:Henry (1931)
1580:
1553:
1541:
1529:
1524:, p. 4.
1517:
1505:
1478:
1442:McKay (2011)
1423:
1415:, p. 22
1398:
1377:
1368:
1362:
1322:
1313:
1307:
1299:
1291:
1285:
1282:
1276:
1267:
1259:
1252:
1246:
1244:
1241:
1234:
1232:
1226:
1207:, p. 44
1196:
1182:
1168:
1147:
1132:
1117:
1102:
1078:
1064:Spring Flood
1063:
1045:
1030:
1013:
998:
983:
968:
948:
933:
915:
901:Early Spring
900:
883:
867:
864:
852:
840:
837:
829:
813:
809:
805:
801:
797:
787:
770:
766:
762:
758:
753:
748:
744:
740:
733:
727:
721:
717:
703:
678:
664:
660:
652:
646:
640:
634:
631:The Pointers
630:
616:
606:
593:
576:
564:
536:
532:
507:
499:
489:
481:
467:
455:
417:
391:
384:
381:
373:
361:
340:Tea Lake Dam
339:
324:
307:
299:
289:
284:
279:
260:Tea Lake Dam
259:
255:
251:
249:
224:
190:
173:
158:
150:
148:
140:
128:entomologist
120:
73:
67:
64:Canadian art
61:
44:
42:
36:
24:
4804:1917 deaths
4584:Tom Thomson
4412:(1970 book)
4402:Joan Murray
4303:Friends and
4222:(1916–1917)
4214:(1915–1916)
4206:(1914–1915)
4143:Tom Thomson
4048:Tom Thomson
4031:thestar.com
3990:Tom Thomson
3882:Tom Thomson
3873:Tom Thomson
3830:Tom Thomson
3821:Tom Thomson
3583:Tom Thomson
3565:Tom Thomson
3410:thestar.com
2940:Irie (2012)
2904:Roza (1997)
2892:Roza (1997)
2880:Roza (1997)
2856:Djwa (1992)
2841:Roza (1997)
2776:Roza (1997)
2728:Hill (2002)
2706:, p. 70n21.
2658:, p. 6
2629:Reid (1971)
2616:, p. 30n29.
2614:Roza (1997)
2469:Roza (1997)
2220:Roza (1997)
2175:Hill (2002)
2120:Hill (2002)
2029:, p. 28n39.
1910:Hill (2002)
1746:Hill (2002)
1700:Hill (2002)
1498:Hill (2002)
1432:Dawn (2007)
1348: /
1133:Dark Waters
812:(1990) and
794:Canada Post
714:Sandra Djwa
663:(1917) and
645:(1915–16),
639:(1914–15),
613:John Ruskin
603:James Mavor
471:David Milne
377:park ranger
276:abstraction
272:Harold Town
123:Tom Thomson
84:outdoorsman
45:Tom Thomson
21:Tom Thomson
4798:Categories
4638:Spring Ice
4539:Emily Carr
4211:Spring Ice
3672:6 February
3362:9 February
2870:, p. 53n1.
2689:Cruikshank
2386:16 January
2157:16 January
1336:78°43′42″W
1333:45°33′47″N
1300:J S Fraser
1260:J S FRASER
1156:References
953:Owen Sound
916:Canoe Lake
878:See also:
824:See also:
767:Canoe Lake
763:Shorelines
648:Spring Ice
551:Emily Carr
527:Owen Sound
458:Canoe Lake
409:Canoe Lake
394:Owen Sound
325:The Rapids
298: [
252:The Rapids
245:mosquitoes
231:Canoe Lake
219:See also:
94:Background
49:Canoe Lake
4776:Biography
4701:Grip Ltd.
4598:Paintings
4263:Grip Ltd.
4246:Locations
4238:(1916–17)
4230:(1916–17)
4219:The Drive
4186:Paintings
4157:Biography
4037:19 August
3853:22 August
3759:West Wind
3543:The Rebel
3437:5 October
3416:19 August
2412:19 August
1454:Citations
1444:, Ch. 8–9
1174:Dear Sir:
1161:Footnotes
856:arthritis
849:Debunking
571:Modernist
547:Kleinburg
516:forgeries
348:Kleinburg
3947:(2017).
3791:(1986).
3712:(1980).
3507:8 August
1389:and Dr.
1179:fly dope
1050:Montreal
833:Grey Owl
816:(2016).
808:(1977),
804:(1977),
751:(2012).
735:The Dial
683:, 1913.
667:(1916).
512:Edmonton
444:Labrador
161:canoeist
136:botanist
88:canoeing
4750:Portals
4669:Related
4376:Related
4150:General
3149:Sources
3023:30 July
969:Birches
920:Calgary
888:trees.
860:gunwale
689:Toronto
492:Picasso
398:Meaford
238:into a
235:Toronto
199:Toronto
177:angling
4788:Canada
4198:(1912)
4063:
4014:
3977:
3955:
3932:
3911:
3808:
3745:
3724:
3689:
3658:
3628:
3598:
3484:
3191:———. "
1239:]
1148:Spring
1087:Ottawa
496:Renoir
477:, 1930
450:Legacy
436:Arctic
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