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Degenerate music

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were disparaged and condemned by the Nazis. In Leipzig, a bronze statue of Mendelssohn was removed. The regime commissioned music to replace his incidental music to
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Like degenerate art, examples of degenerate music were displayed in public exhibits in Germany beginning in 1938. One of the first of these was organized in
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onward, these composers found it increasingly difficult, and often impossible, to get work or have their music performed. Many went into exile (e.g.,
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DĂŒmling, Albrecht. 2002. "The Target of Racial Purity: The 'Degenerate Music' Exhibition in DĂŒsseldorf, 1938". In
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released a series of recordings under the title "Entartete Musik: Music Suppressed by the
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Potter, Pamela M. 2006. "Music in the Third Reich: The Complex Task of 'Germanization
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Entartete Musik (Eine Tondokumentation zur DĂŒsseldorfer Ausstellung von 1938)
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Ziegler's exhibit was organized into seven sections, devoted to:
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Josef Skvorecky on the Nazis' Control-Freak Hatred of Jazz
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Forbidden Music: The Jewish Composers Banned by the Nazis
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The Arts in Nazi Germany: Continuity, Conformity, Change
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to certain forms of music that it considered harmful or
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Entartete Musik. Musiques interdites sous le IIIe Reich
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Entartete Musik: Music suppressed by the Third Reich
363: 148:); or ended up in the concentration camps (e.g., 645: 351: 432: 345: 333: 564:, 85–110. New York and Oxford: Berghan Books. 485:Art, Culture, and Media Under the Third Reich 444:"Defining 'Degenerate Music' in Nazi Germany" 407: 381: 306: 297: 283: 224:, director of musical education before 1933 16:Nazi Germany label for certain music genres 616: 397:Anon. 1938. "Musical Notes from Abroad". 23:Poster of a 1938 exhibition in DĂŒsseldorf 638:Database of "degenerate" music composers 18: 428:(3 January; accessed 29 September 2019) 646: 441: 433:Petit, Elise, and Bruno Giner. 2015. 418: 396: 369: 357: 100:, including the banning of solos and 44: 167:, at the time superintendent of the 13: 624:"Degenerate" Music in Nazi Germany 477: 272:Musikwissenschaftliche Tagung 1938 74: 14: 715: 576: 111: 560:, edited by Jonathan Huener and 169:Deutsches Nationaltheater Weimar 533:. New York: St Martin's Press. 403:79, no. 1146 (August): 629–630. 293:Reich Music Examination Office 1: 321: 674:20th-century classical music 437:. Paris: Bleu Nuit Ă©diteurs. 7: 633:University of South Florida 629:" 'Degenerate' Music" 489:University of Chicago Press 250: 46:[ɛntˈaʁtɛtəmuˈziːk] 10: 720: 669:Classical music in Germany 307: 298: 96:The Nazis also regulated 90:A Midsummer Night's Dream 79:Jewish composers such as 531:Music in the Third Reich 506:. New Haven and London: 442:Potter, Pamela (n.d.). 239:From the mid-1990s the 230:'s operas and oratorios 694:Censorship in the arts 284: 136:); or retreated into " 68: 37: 24: 689:Censorship in Germany 508:Yale University Press 502:Haas, Michael. 2013. 450:. The Orel Foundation 409:Decca Entartete Musik 267:Music in Nazi Germany 142:Karl Amadeus Hartmann 118:Nazi seizure of power 42:German pronunciation: 22: 679:20th century in jazz 591:(list of releases), 468:: CS1 maint: year ( 419:Gould, J. J. 2012. " 346:Petit and Giner 2015 334:Petit and Giner 2015 241:Decca Record Company 165:Hans Severus Ziegler 134:Berthold Goldschmidt 704:Music controversies 699:Censorship of music 257:Cultural Bolshevism 562:Francis R. Nicosia 529:Levi, Erik. 1994. 25: 659:Modernism (music) 547:978-0-312-12948-4 539:978-0-312-10381-1 524:978-0-300-15431-3 516:978-0-300-15430-6 497:978-0-226-22086-4 400:The Musical Times 382:Discogs 1993–2012 300:Reichsmusikkammer 189:Arnold Schoenberg 182:The influence of 122:Arnold Schoenberg 81:Felix Mendelssohn 711: 664:Nazi terminology 620: 601: 555: 473: 467: 459: 457: 455: 438: 429: 415: 404: 385: 379: 373: 367: 361: 355: 349: 343: 337: 331: 312: 311: 303: 302: 289: 280: 66: 48: 43: 35: 28:Degenerate music 719: 718: 714: 713: 712: 710: 709: 708: 644: 643: 595: 593:Zweitausendeins 579: 553: 480: 478:Further reading 461: 460: 453: 451: 448:Orel Foundation 411:discography at 388: 380: 376: 368: 364: 356: 352: 344: 340: 332: 328: 324: 309:Reichsmusiktage 274: 253: 234:Igor Stravinsky 154:Erwin Schulhoff 114: 77: 75:Racial emphasis 69:Entartete Kunst 62: 41: 38:Entartete Musik 31: 17: 12: 11: 5: 717: 707: 706: 701: 696: 691: 686: 681: 676: 671: 666: 661: 656: 642: 641: 640:, ebonyband.nl 635: 626: 621: 603: 578: 577:External links 575: 574: 573: 550: 527: 500: 479: 476: 475: 474: 439: 430: 416: 405: 387: 386: 374: 362: 350: 338: 325: 323: 320: 319: 318: 313: 304: 295: 290: 281: 269: 264: 259: 252: 249: 237: 236: 231: 225: 222:Leo Kestenberg 219: 208:Franz Schreker 200: 191: 186: 150:Viktor Ullmann 138:internal exile 130:Paul Hindemith 113: 112:Discrimination 110: 76: 73: 59:degenerate art 15: 9: 6: 4: 3: 2: 716: 705: 702: 700: 697: 695: 692: 690: 687: 685: 682: 680: 677: 675: 672: 670: 667: 665: 662: 660: 657: 655: 652: 651: 649: 639: 636: 634: 630: 627: 625: 622: 619: 614: 610: 608: 604: 599: 594: 590: 586: 585: 581: 580: 571: 567: 563: 559: 551: 548: 544: 540: 536: 532: 528: 525: 521: 517: 513: 509: 505: 501: 498: 494: 490: 486: 482: 481: 471: 465: 449: 445: 440: 436: 431: 427: 426: 422: 417: 414: 410: 406: 402: 401: 395: 394: 393: 392: 383: 378: 371: 366: 359: 354: 347: 342: 335: 330: 326: 317: 314: 310: 305: 301: 296: 294: 291: 288: 287: 282: 278: 273: 270: 268: 265: 263: 260: 258: 255: 254: 248: 246: 242: 235: 232: 229: 226: 223: 220: 217: 213: 209: 205: 201: 199: 195: 192: 190: 187: 185: 181: 180: 179: 176: 174: 170: 166: 162: 157: 155: 151: 147: 146:Boris Blacher 143: 139: 135: 131: 127: 123: 119: 109: 107: 103: 99: 94: 92: 91: 86: 85:Gustav Mahler 82: 72: 70: 65: 60: 56: 52: 47: 39: 34: 29: 21: 684:Jewish music 654:Nazi culture 606: 582: 557: 530: 503: 484: 452:. Retrieved 447: 434: 425:The Atlantic 423: 398: 390: 389: 377: 365: 353: 341: 329: 238: 198:Ernst Krenek 177: 158: 115: 95: 88: 78: 51:Nazi Germany 27: 26: 596: [ 275: [ 262:Low culture 245:Third Reich 102:drum breaks 648:Categories 570:1845452097 370:Anon. 1938 358:Gould 2012 322:References 316:Swing Kids 286:Negermusik 216:Ernst Toch 212:Alban Berg 204:Bolsheviks 194:Kurt Weill 173:capitalism 161:DĂŒsseldorf 126:Kurt Weill 541:(cloth); 518:(cloth); 228:Hindemith 140:" (e.g., 116:From the 64:â€čSee Tfdâ€ș 33:â€čSee Tfdâ€ș 464:cite web 454:19 April 251:See also 67:German: 55:decadent 36:German: 589:Discogs 413:Discogs 391:Sources 218:, etc.) 184:Judaism 615:  609:(1996) 602:, 1988 568:  556:". 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Index


â€čSee Tfdâ€ș
[ɛntˈaʁtɛtəmuˈziːk]
Nazi Germany
decadent
degenerate art
â€čSee Tfdâ€ș
Felix Mendelssohn
Gustav Mahler
A Midsummer Night's Dream
jazz
drum breaks
scat
Nazi seizure of power
Arnold Schoenberg
Kurt Weill
Paul Hindemith
Berthold Goldschmidt
internal exile
Karl Amadeus Hartmann
Boris Blacher
Viktor Ullmann
Erwin Schulhoff
DĂŒsseldorf
Hans Severus Ziegler
Deutsches Nationaltheater Weimar
capitalism
Judaism
Arnold Schoenberg
Kurt Weill

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