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Delarivier Manley

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784:"RIVELLA remain'd immovable in a Point which she thought her Duty, and accordingly surrender'd her self, and was examin'd in the Secretary's Office: They us’d several Arguments to make her discover who were the Persons concern’d with her in writing her Books; or at least from whom she had receiv’d Information of some special Facts, which they thought were above her own Intelligence: Her Defence was with much Humility and Sorrow, for having offended, at the same Time denying that any Persons were concern’d with her, or that she had a farther Design than writing for her own Amusement and Diversion in the Country; without intending particular Reflections or Characters: When this was not believ’d, and the contrary urg’d very home to her by several Circumstances and Likenesses; she said then it must be Inspiration, because knowing her own Innocence she could account for it no other Way: The Secretary reply’d upon her, that Inspiration us’d to be upon a good Account, and her Writings were stark naught; she told him, with an Air full of Penitence, that might be true, but it was as true, that there were evil Angels as well as good; so that nevertheless what she had wrote might still be by Inspiration.", 165: 33: 271:, a book evolving between two male protagonists: the young chevalier D'Aumont has left France to have sex with the author and finds a rejected lover and friend who does not only offer his assistance in arranging the contact but also tells the story of her life, both as related in public gossip and as only her friends know it. In this work, Manley has been seen as repositioning herself politically as a more moderate figure, in preparation for the power shifts to come; and it may be significant that it was a Whig, 1166: 209:, who, she said, had begun his career at court in the bed of the royal mistress, Barbara Villiers. Manley resolutely denied all correspondencies between her characters and real people, and the charges were eventually dropped: part of the difficulty of those offended was proving that she had actually told their stories, without exposing themselves to further ridicule. Manley's semi-autobiographical 366:
She lived on the fame of her notorious personality as early as 1714. Her precarious marriage past, numerous quarrels, her obesity and her politics were topics that she sold in constant revisions of the fame she had acquired. That was apparently no problem before the 1740s, as Manley was translated
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The revision of her fame and status as an author began in the early decades of the 18th century and led to manifest defamations in the 19th and early 20th centuries: she became seen as a scandalous female author who, some critics audaciously asserted, did not deserve to be ever read again. Later
255:; but with the accession of George I and the ensuing Tory collapse, her position disintegrated, as a begging letter to Harley reveals: "I have nothing but a starveling scene before me, Lord Marlborough and all his accomplices justly enraged against me. Nothing saved from the wreck". 204:
Such was the scandal the work produced that Manley was arrested, and immediately questioned by the authorities in preparation of a libel case against her. She had discredited half the arena of ruling Whig politicians, as well as moderate Tories like
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critics, however, looked back on the conclusions of Richetti and others as short-sighted and perhaps even outright misogynistic and more reflective of their era than of general historic scholarship on the author as an important political satirist.
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her female characters often participated in violent acts of revenge against the men who betrayed them. While betrayal by men was common in her earlier works, scenes of violent revenge enacted upon them by women was new to her later works.
445:(London, 1986) put the (auto-)biographical information into the first more coherent picture. More recent critics such as Rachel Carnell and Ruth Herman have professionalised her biography and provided standardised scholarly editions. 267:, but Curll, Gildon's prospective publisher warned Manley of the work in progress. She contacted Gildon and arranged for an agreement: she would write the work in question herself within a certain time span. The result were her 132:. She remained there only six months, at which time she was expelled by the duchess for allegedly flirting with her son. There is some indication that she may have been by then reconciled with her husband, for a time. 73:
Some outdated sources list her first name as Mary, but recent scholarship has demonstrated that to be an error: Mary was the name of one of her sisters, and she always referred to herself as Delarivier or Delia.
452:(1705). That was first doubted in Köster's edition of her works, which still included the title. The claim was openly rejected by Olaf Simons (2001) who reread the wider context of early 18th century 317:
which lasted five days. Her body was interred in the middle aisle of the Church of St Benet at Paul's-Wharf, where on a marble gravestone is the following inscription to her memory:
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as a telling one: "...the greatest genius of his age with the least of it in his aspect. The affairs of a nation in his head, with a pair of cards or a box of dice in his hand".
149:. The satire mocked three female playwrights, including Manley, Catharine Trotter, and Mary Pix. Manley retired from the stage for ten years before returning with her 1707 play, 1065: 120:
After their father's death in 1687, the young women became wards of their cousin, John Manley (1654–1713), a Tory MP. John Manley had married a Cornish heiress and, later,
135:
From 1694 to 1696, Manley travelled extensively in England, principally in the southwest, and began her dramatic career. At this time she wrote her first play, a comedy,
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The Secret History of Queen Zarah and the Zarahians. Containing the true reasons of the necessity of the revolution that lately happen’d in the Kingdom of Albigion
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Meanwhile, with the Tory electoral victory of 1710, Manley came to collaborate with Swift in a number of pro-Tory pamphlets, and also took over the editorship of
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The result was a tacit agreement as to the fictional status of her works, under cover of which she continued to publish another volume of the
1236: 1231: 1226: 1114: 971: 117:, who died when Delarivier was young. It seems that she and her sister, Cornelia, moved with their father to his various army postings. 125: 1043:
Patricia Köster, "Delariviere Manley and the DNB. A Cautionary Tale about Following Black Sheep with a Challenge to Cataloguers",
263:
Manley, however, was a resilient figure. In 1714, she had been threatened with being the object of a biographical text planned by
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also found itself entangled in controversy by Anne Bracegirldle's retirement from the stage and the high cost of the production.
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Secret Memoirs and Manners of Several Persons of Quality of Both Sexes, from the new Atlantis, an island in the Mediterranean
124:, married Delarivier. They had a son in 1691, also named John. In January 1694 Manley left her husband and went to live with 367:
into French and German in the early 18th century, and received new English editions during the first half of the century.
656: 571:. In her writings she played with classical names and spelling. She was an uninhibited and effective political writer. 484:
A Stage-Coach Journey to Exeter. Describing the Humours on the Road, with the Characters and Adventures of the Company
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Manley was recognised for her dramatic contributions to the stage from the late 1690s to the late 1710s. Her tragedy,
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in 1709, a work that spotted present British politics on the fabulous Mediterranean Island. Contemporary critics like
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Rosalind Ballaster, "Introduction" to: Manley, Delariviere, New Atalantis, ed. R. Ballaster (London, 1992), p.v-xxi.
58:– 24 July 1724) was an English author, playwright, and political pamphleteer. Manley is sometimes referred to, with 698: 421:
Manley's present reappreciation began with Patricia Köster's edition of her works. The more accessible edition of
1006: 581: 226:. The latter found a different fictional setting to allow the wider European picture. Later editions sold the 113:, the third of six children of Sir Roger Manley, a royalist army officer and historian, and a woman from the 1201: 567: 193:
might consider that her caricatures missed the mark much more often than they hit it; but a historian like
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in the first posthumous edition of the quasi-fictional and not entirely-reliable autobiography in 1725.
17: 601: 596: 464: 288:(London: J. Barber/ J. Morphew, 1720), was a revised version of selected novellas first published in 289: 247: 881:
An impartial history of the life, character, amours, travels, and transactions of Mr John Barber
437:, Catherine Gallagher and Ros Ballaster provided the perspective of Manley as a proto-feminist. 251:
from him. Her satirical attacks on the Whigs resulted in a payment from the new Prime Minister
966:
Downie, J. Alan, "What if Delarivier Manley Did Not Write The Secret History of Queen Zarah?",
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Secret Memoirs and Manners of Several Persons of Quality, of Both Sexes. From the New Atalantis
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J. Alan Downie, "What if Delarivier Manley Did Not Write The Secret History of Queen Zarah?",
1206: 1095:
Catharine Gallagher, "Political Crimes and Fictional Alibis. The Case of Delarivier Manley",
1008:, "How a Pie Fight Satirizes Whig-Tory Conflict in Delarivier Manley's 'The New Atalantis'", 211: 137: 129: 90: 923:
Wu, Jingyue, ‘ “Nobilitas sola est atq; unica Virtus”: Spying and the Politics of Virtue in
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J. Alan Downie (2004) went a step further and cast light on the presumable author of the
114: 984: 523: 426: 145:(1696), which became the subject of ridicule and inspired the anonymous satirical play 1158: 860: 652: 518: 84: 433:, brought Manley wider recognition among students of early 18th-century literature. 313:
Manley died at Barber's Printing House, on Lambeth Hill, after a violent fit of the
181:
Manley became well-known, even notorious, as a novelist with the publication of her
82:
Much of what is known about Manley is rooted in her insertion of "Delia's story" in
32: 606: 430: 998:
Carole Sargent, "Military Scandal and National Debt in Manley's 'New Atalantis'",
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marked the end of further interest in her personality. The seventh edition of her
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Palace of Pleasure well furnished with pleasaunt Histories and excellent Novelles
194: 164: 1072:
Janet Todd, "Life after Sex: The Fictional Autobiography of Delarivier Manley",
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Together with a greater Natural Stock of Wit, made her Conversation agreeable to
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Memoirs of Europe towards the Close of the Eighth Century. Written by Eginardus
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The Golden Spy; or, A Political Journal of the British Nights Entertainments
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The Adventures of Rivella, or the History of the Author of The New Atalantis
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in 1714. Curll added further details on the publication history behind the
99: 36:
Present in all that's said about her: Manley's half-fictional autobiography
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Manley was also an avid supporter and defender of the first fully-fledged
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All who knew Her, and her Writings to be universally Read with Pleasure.
1185: 434: 59: 1140:
Gwendolyn Needham, "Mrs Manley. An Eighteenth-Century Wife of Bath",
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The Business of a Woman: The Political Writings of Delarivier Manley
1169: This article incorporates text from a publication now in the 901:
published by J. Watson in 1736 became the last in the 18th century.
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Paul Bunyan Anderson, "Mistress DelariviĂšre Manley's Biography",
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satirised the eternal fame that she was about to acquire in his
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Gwendolyn Needham, "Mary de la RiviĂšre Manley, Tory Defender",
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Mothers of the Novel: 100 Good Women Writers Before Jane Austen
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Popular Fiction before Richardson. Narrative Patterns 1700–1739
314: 121: 110: 388:, was criticised for its resemblance to 1670s heroic tragedy. 1106:(Amsterdam/ Atlanta: Rodopi, 2001), p. 173–179, 218–246. 1126:
Paul Bunyan Anderson, "Delariviere Manley's Prose Fiction",
1015:
Aaron Santesso, "'The New Atalantis' and Varronian Satire,"
522:(1709), a satire in which great liberties were taken with 215:
repeated the claim that her work was entirely fictional.
94:
that she published as the biography of the author of the
1104:
Marteaus Europa oder Der Roman, bevor er Literatur wurde
1055:
A Woman of No Character. An Autobiography of Mrs. Manley
955:
Marteaus Europa oder Der Roman, bevor er Literatur wurde
649:
A Woman of No Character. An Autobiography of Mrs. Manley
443:
A Woman of No Character. An Autobiography of Mrs. Manley
234:, which also came to incorporate the earlier skit, the 957:(Amsterdam/ Atlanta: Rodopi, 2001), p.173–79, 218–246. 912:
Miscellaneous poems and translations. By several hands
1181:
A Short Biographical Dictionary of English Literature
1091:'Delarivier Manley (c. 1663–1724)' at www.chawton.org 77: 448:
Manley has been erroneously claimed to have written
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40.2 (2017), p.237-253 doi: 10.1111/1754-0208.12412
1081:British Women Writers: A Critical Reference Guide 1193: 493:The Lost Lover; or The Jealous Husband: A Comedy 336:Was acquainted with several Parts of Knowledge, 275:, who was later to produce her lucrative drama 675:vol. 2 (London: J. Morphew, , 1709), p.181 ff. 338:And with the most polite Writers, both in the 253:Robert Harley, 1st Earl of Oxford and Mortimer 126:Barbara Villiers, the 1st Duchess of Cleveland 1074:Women's Studies: An Interdisciplinary Journal 1000:SEL: Studies in English Literature 1500–1900, 1184:. London: J. M. Dent & Sons – via 734:The Cambridge Guide to Literature in English 553:Delarivier Manley revising William Painter: 230:, however, as volumes three and four of the 841:A Political Biography of Delarivier Manley, 547:Lucius, The First Christian King of Britain 242:also sparked several imitations by others. 1024:A Political Biography of Delarivier Manley 910:Alexander Pope, "The Rape of the Lock" in 856:A Political Biography of Delarivier Manley 828:A Political Biography of Delarivier Manley 802:A Political Biography of Delarivier Manley 334:Who, suitable to her birth and education, 1242:British women dramatists and playwrights 1079:Janet Todd (ed.), "Manley, Delarivier." 883:. London: E. Curll. 1741. p. 45-46. 163: 31: 1038:The Selected Works of Delarivier Manley 1026:(London: Pickering & Chatto, 2008). 993:Oxford Dictionary of National Biography 914:(London: Bernard Lintott, 1712), p.363. 852: 711:Hook, Lucyle, ed. (27 September 2011). 207:John Churchill, 1st Duke of Marlborough 138:The Lost Lover, or, The Jealous Husband 14: 1194: 1174: 929:Journal for Eighteenth-Century Studies 728: 726: 724: 646: 557:(London: J. Barber/ J. Morphew, 1720). 377:in 1712—it would last "as long as the 1040:(London: Pickering and Chatto, 2005). 773:The Penguin Companion to Literature I 710: 197:would at least rate her portrait of 1083:. London: Routledge, 1989. 436–440. 721: 176: 24: 1237:English dramatists and playwrights 1232:18th-century English women writers 1227:17th-century English women writers 1155:Works by Mary de la Riviere Manley 989:‘Manley, Delarivier (c.1670–1724)’ 78:Early life and theatrical writings 25: 1253: 1148: 555:The Power of Love in Seven Novels 450:The Secret History of Queen Zarah 286:The Power of Love in Seven Novels 258: 158:Lucius, The First King of Britain 70:", which is a later attribution. 1164: 1036:Rachel Carnell and Ruth Herman, 995:, Oxford University Press, 2004. 1144:, 14 (1950/51), p. 259-85. 1137:, 12 (1948/49), p. 255-89. 960: 947: 934: 917: 904: 887: 873: 846: 833: 820: 807: 794: 778: 765: 582:Abigail Masham, Baroness Masham 470: 752: 739: 704: 691: 678: 665: 640: 619: 128:, at one time the mistress of 13: 1: 1142:Huntington Library Quarterley 1135:Huntington Library Quarterley 686:http://www.pierre-marteau.com 613: 477:Letters written by Mrs Manley 392:, her dramatic adaptation of 236:Secret History of Queen Zarah 52: 1222:18th-century English writers 1217:17th-century English writers 1130:, 13 (1934), p. 168-88. 1123:, 33 (1936), p. 261-78. 1099:, 23 (1990), p. 502-21. 482:posthumously republished as 361: 155:. Ten years later, Manley's 141:(1696), and the she-tragedy 109:Manley was probably born in 7: 1076:, 15 (1988), p. 43–55. 1047:, 3 (1977), p. 106-11. 1010:Eighteenth-Century Studies, 940:See e.g. John J. Richetti, 813:Quoted in G. M. Trevelyan, 758:Quoted in G. M. Trevelyan, 697:See the web publication at 574: 168:German edition of Manley's 152:Almyna, or, The Arabian Vow 68:the fair triumvirate of wit 10: 1258: 1097:Eighteenth Century Studies 1005:Carole Fungaroli Sargent, 978: 859:. Routledge. p. 229. 506:Almyna, or the Arabian Vow 786:The Adventures of Rivella 699:http://pierre-marteau.com 597:Lady Mary Wortley Montagu 893:The 1725 edition of her 853:Carnell, Rachel (2015). 647:Morgan, Fidelis (1986). 308: 1128:Philological Quarterley 1045:Eighteenth-Century Live 839:Carnell, Rachel (2015) 788:(London: 1714), p.113. 736:(Cambridge 1995) p. 598 602:Mademoiselle de ScudĂ©ry 320:"Here lieth the body of 1017:Philological Quarterly 790:www.pierre-marteau.com 173: 37: 775:(Penguin 1971) p. 347 651:. Faber & Faber. 284:Her last major work, 269:Adventures of Rivella 212:Adventures of Rivella 167: 91:Adventures of Rivella 35: 1176:Cousin, John William 1113:(2004) 5(3):247–264 1033:(London: AUP, 2003). 970:(2004) 5(3):247–264 944:. Oxford: OUP, 1969. 348:This Accomplishment, 296:(1566). In Manley's 222:and two more of the 1202:17th-century births 671:Delarivier Manley, 115:Spanish Netherlands 1012:44:4, Summer 2011. 1002:53:3, Summer 2013. 500:The Royal Mischief 427:Rosalind Ballaster 394:The Arabian Nights 386:The Royal Mischief 174: 143:The Royal Mischief 38: 1159:Project Gutenberg 826:Rachell Carnell, 817:(Fontana ) p. 332 800:Rachell Carnell, 762:(Fontana ) p. 194 745:G. M. Trevelyan, 550:(1717), a tragedy 508:(1707), a tragedy 502:(1696), a tragedy 423:The New Atalantis 324:Delarivier Manley 298:The Power of Love 224:Memoirs of Europe 85:The New Atalantis 16:(Redirected from 1249: 1189: 1168: 1121:Modern Philology 1022:Rachel Carnell, 973: 964: 958: 951: 945: 938: 932: 921: 915: 908: 902: 891: 885: 884: 877: 871: 870: 850: 844: 837: 831: 824: 818: 811: 805: 798: 792: 782: 776: 771:D. Daiches ed., 769: 763: 756: 750: 749:(Fontana ) p. 63 743: 737: 730: 719: 718: 708: 702: 695: 689: 682: 676: 669: 663: 662: 644: 638: 625:Sometimes spelt 623: 607:Menippean satire 561:She also edited 381:shall be read." 374:Rape of the Lock 328:Daughter of Sir 177:Political satire 57: 54: 21: 1257: 1256: 1252: 1251: 1250: 1248: 1247: 1246: 1192: 1191: 1151: 1089:Ros Ballaster, 1057:(London, 1986). 981: 976: 965: 961: 952: 948: 939: 935: 922: 918: 909: 905: 892: 888: 879: 878: 874: 867: 851: 847: 838: 834: 830:(2015) p. 17-18 825: 821: 812: 808: 799: 795: 783: 779: 770: 766: 757: 753: 744: 740: 731: 722: 714:The Female Wits 709: 705: 696: 692: 683: 679: 670: 666: 659: 645: 641: 624: 620: 616: 611: 577: 473: 431:Penguin Classic 364: 353: 351: 349: 347: 337: 335: 333: 327: 321: 311: 290:William Painter 261: 195:G. M. Trevelyan 179: 147:The Female Wits 88:(1709) and the 80: 55: 30: 23: 22: 15: 12: 11: 5: 1255: 1245: 1244: 1239: 1234: 1229: 1224: 1219: 1214: 1209: 1204: 1162: 1161: 1150: 1149:External links 1147: 1146: 1145: 1138: 1131: 1124: 1117: 1107: 1100: 1093: 1087: 1084: 1077: 1070: 1058: 1051:Fidelis Morgan 1048: 1041: 1034: 1027: 1020: 1019:, Spring 2000. 1013: 1003: 996: 980: 977: 975: 974: 959: 953:Simons, Olaf, 946: 933: 916: 903: 886: 872: 865: 845: 832: 819: 806: 793: 777: 764: 751: 738: 732:I. Ousby ed., 720: 703: 690: 684:Accessible at 677: 664: 658:978-0571146659 657: 639: 617: 615: 612: 610: 609: 604: 599: 594: 589: 584: 578: 576: 573: 563:Jonathan Swift 559: 558: 551: 543: 535: 527: 515: 509: 503: 497: 489: 488: 487: 472: 469: 439:Fidelis Morgan 429:turned into a 412:The Golden Spy 408:Charles Gildon 397:Entertainments 369:Alexander Pope 363: 360: 310: 307: 273:Richard Steele 265:Charles Gildon 260: 259:Later writings 257: 178: 175: 161:, was staged. 79: 76: 29:English writer 28: 9: 6: 4: 3: 2: 1254: 1243: 1240: 1238: 1235: 1233: 1230: 1228: 1225: 1223: 1220: 1218: 1215: 1213: 1210: 1208: 1205: 1203: 1200: 1199: 1197: 1190: 1187: 1183: 1182: 1177: 1172: 1171:public domain 1167: 1160: 1156: 1153: 1152: 1143: 1139: 1136: 1132: 1129: 1125: 1122: 1118: 1115: 1112: 1108: 1105: 1102:Olaf Simons, 1101: 1098: 1094: 1092: 1088: 1085: 1082: 1078: 1075: 1071: 1068: 1067: 1062: 1059: 1056: 1052: 1049: 1046: 1042: 1039: 1035: 1032: 1029:Ruth Herman, 1028: 1025: 1021: 1018: 1014: 1011: 1007: 1004: 1001: 997: 994: 990: 986: 985:Ros Ballaster 983: 982: 972: 969: 963: 956: 950: 943: 937: 930: 926: 920: 913: 907: 900: 896: 890: 882: 876: 868: 866:9781317315421 862: 858: 857: 849: 842: 836: 829: 823: 816: 810: 804:(2015) p. 218 803: 797: 791: 787: 781: 774: 768: 761: 755: 748: 742: 735: 729: 727: 725: 716: 715: 707: 700: 694: 687: 681: 674: 668: 660: 654: 650: 643: 636: 635:de la RiviĂšre 632: 628: 622: 618: 608: 605: 603: 600: 598: 595: 593: 590: 588: 585: 583: 580: 579: 572: 570: 569: 564: 556: 552: 549: 548: 544: 541: 540: 536: 533: 532: 528: 525: 521: 520: 516: 513: 510: 507: 504: 501: 498: 495: 494: 490: 485: 481: 480: 478: 475: 474: 468: 466: 465:Joseph Browne 462: 457: 455: 451: 446: 444: 440: 436: 432: 428: 424: 419: 415: 413: 409: 405: 400: 398: 395: 391: 387: 382: 380: 376: 375: 370: 359: 358:11th, 1724." 357: 345: 341: 331: 325: 318: 316: 306: 303: 299: 295: 291: 287: 282: 280: 279: 274: 270: 266: 256: 254: 250: 249: 243: 241: 237: 233: 229: 225: 221: 216: 214: 213: 208: 202: 200: 196: 192: 188: 187:New Atalantis 184: 171: 166: 162: 160: 159: 154: 153: 148: 144: 140: 139: 133: 131: 127: 123: 118: 116: 112: 107: 105: 101: 97: 93: 92: 87: 86: 75: 71: 69: 66:, as one of " 65: 64:Eliza Haywood 61: 50: 46: 42: 34: 27: 19: 1207:1660s births 1179: 1163: 1141: 1134: 1127: 1120: 1110: 1103: 1096: 1080: 1073: 1064: 1061:Dale Spender 1054: 1044: 1037: 1030: 1023: 1016: 1009: 999: 992: 967: 962: 954: 949: 941: 936: 928: 924: 919: 911: 906: 898: 894: 889: 880: 875: 855: 848: 840: 835: 827: 822: 814: 809: 801: 796: 785: 780: 772: 767: 759: 754: 746: 741: 733: 713: 706: 693: 680: 672: 667: 648: 642: 634: 630: 626: 621: 587:Bluestocking 566: 560: 554: 545: 537: 529: 517: 511: 505: 499: 491: 483: 476: 471:Bibliography 460: 458: 453: 449: 447: 442: 422: 420: 416: 411: 406:in English, 404:it-narrative 401: 396: 393: 389: 385: 383: 378: 372: 365: 355: 343: 339: 330:Roger Manley 329: 323: 319: 312: 301: 297: 293: 285: 283: 276: 268: 262: 248:The Examiner 246: 244: 239: 238:; while the 235: 231: 227: 223: 219: 217: 210: 203: 186: 183:roman Ă  clef 180: 169: 156: 150: 146: 142: 136: 134: 119: 108: 103: 100:Edmund Curll 95: 89: 83: 81: 72: 48: 44: 40: 39: 26: 1212:1724 deaths 1111:The Library 968:The Library 631:DelariviĂšre 627:Delariviere 461:Queen Zarah 56: 1670 1196:Categories 1186:Wikisource 614:References 435:Janet Todd 130:Charles II 122:bigamously 60:Aphra Behn 41:Delarivier 18:Delarivier 927:(1709)’, 899:Atalantis 815:The Peace 747:The Peace 454:Atalantic 379:Atalantis 362:Reception 354:She died 332:, Knight, 281:in 1717. 240:Atalantis 232:Atalantis 220:Atalantis 199:Godolphin 170:Atalantis 96:Atalantis 51:(1663 or 1178:(1910). 760:Blenheim 592:Dystopia 575:See also 568:Examiner 526:notables 456:novels. 425:, which 414:(1709). 300:novellas 1173::  1069:(1986). 979:Sources 895:Rivella 479:(1696) 346:tongue. 344:English 228:Memoirs 104:Rivella 863:  655:  542:(1714) 534:(1710) 514:(1705) 496:(1696) 486:(1725) 390:Almyna 340:French 315:cholic 278:Lucius 172:, 1713 111:Jersey 49:Manley 843:p. 12 463:: Dr 322:Mrs. 309:Death 191:Swift 98:with 45:Delia 861:ISBN 653:ISBN 524:Whig 441:'s, 356:July 342:and 185:the 62:and 1157:at 633:or 565:'s 410:'s 292:'s 1198:: 1063:, 1053:, 991:, 987:, 723:^ 629:, 467:. 53:c. 47:" 1188:. 1116:. 869:. 717:. 701:. 688:. 661:. 637:. 326:, 302:, 43:" 20:)

Index

Delarivier

Aphra Behn
Eliza Haywood
the fair triumvirate of wit
The New Atalantis
Adventures of Rivella
Edmund Curll
Jersey
Spanish Netherlands
bigamously
Barbara Villiers, the 1st Duchess of Cleveland
Charles II
The Lost Lover, or, The Jealous Husband
Almyna, or, The Arabian Vow
Lucius, The First King of Britain

roman Ă  clef
Swift
G. M. Trevelyan
Godolphin
John Churchill, 1st Duke of Marlborough
Adventures of Rivella
The Examiner
Robert Harley, 1st Earl of Oxford and Mortimer
Charles Gildon
Richard Steele
Lucius
William Painter
cholic

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