604:"He recalled envisioning the approach of 'the dark stranger' in a wide-brimmed hat, illumined by the moonlight streaming in through a half-open window. 'I slept and dreamed—or was I awake?' He glimpsed 'the tear-stained face of my adored mother,' as she slipped from view. He raised himself up weakly, to be led away by Death. Helping hands grabbed him, pushed him down, saved him. The horror of the dream-experience combined with 'a kind of mystical ecstasy which gave me, boy though I still was, the complete understanding of the ecstasy which made martyrs and saints embrace Death.' Lang recovered, 'but the love of Death, compounded of horror and affection,' he said, 'stayed with me and became a part of my films.'"
42:
344:
following God's will, and that it was her lover's time to die. She asks if there is anything that can be done to get her love back, arguing that love is stronger than Death. Death tells her that each candle in the room represents a human life, and that currently, three candles are flickering, representing three lives hanging in the balance. Death promises the young woman that, if she can save one of these lives with love, he will return her lover to the living.
368:
royal palace by nightfall. One of the Caliph's guards follows Ayesha to the Frank and reports back to his master. At nightfall, the Frank scales the palace wall and is reunited with
Zobeide; this reunion is cut short by Ayesha warning them that the Caliph is aware of the Frank being in the palace and has sent his guards. After a short chase through the palace grounds, the guards capture the Frank, and the Caliph sentences him to death.
387:
letter, addressed to
Gianfrancesco, alerting him of Girolamo's plot and telling him to flee, as well as her plan to kill Girolamo. Furious, Girolamo sends his own note, as well as his lavish Carnival costume, to Gianfrancesco, under the guise that it is from Monna. Entering her home in costume, Gianfrancesco is attacked by Monna, who is unaware of his identity. He is also stabbed from behind by the Moor, Monna's servant.
383:, Monna Fiametta, a noblewoman, is visited by her lover, Gianfrancesco, a merchant of the middle class. He is forced away by the appearance of Monna's fiancé, Girolamo, a member of the Council of Fourteen. Jealous of Monna's affections for Gianfrancesco, and aware of her hatred towards him, Girolamo reveals to her his plot to have her lover executed by order of the Council.
745:, I suddenly knew that I wanted to make movies. It wasn’t the three stories themselves that moved me so much, but the main episode – the arrival of the man in the black hat (whom I instantly recognised as Death) in the Flemish village – and the scene in the cemetery. Something about this film spoke to something deep in me; it clarified my life and my vision of the world."
426:
her lover. However, she looks through the window to see the grieving mother cry for her child. Unwilling to let another experience such a loss, she hands the baby over to the mother. She then turns to Death, and offers her soul to him, content to join her lover in death. Death takes her through his wall, and rejoices, as she reunites with her lover.
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425:
Asking many of the older villagers to trade their lives, she is quickly rejected. When a fire starts in a large building, many people rush to escape, leaving behind a baby. The female lover runs into the burning building and holds the baby. Death appears, and is ready to accept the child in place of
405:
Using his jade wand, A Hi flies a carpet to the
Emperor's palace, with his two assistants, Tiao Tsien and Liang, in tow. Performing for the Emperor, A Hi creates a miniature army. The Emperor is impressed, but wants his female assistant, Tiao Tsien as his gift. A Hi offers him a magic horse instead.
367:
The Caliph visits
Zobeide, attempting to find where her loyalties lie. Although she denies an affair with the Frank, the Caliph is unconvinced and tells her his guards are scouring the city for him. After he leaves, Zobeide orders her servant, Ayesha, to find the Frank and tell him to infiltrate the
409:
Obsessed with having Tiao Tsien's affections, the
Emperor turns to A Hi, and orders him to make her submit. When A Hi confronts his assistant, she takes his wand, accidentally cracking it. Using the wand, she turns A Hi into a cactus, and several guards into pigs. She notices that the more she uses
386:
Desperate and angry, Monna plots to kill her fiancé, sending two letters by messenger. The first letter, addressed to
Girolamo, asks him for a private meeting. When Girolamo reads this note, he suspects the messenger has an additional letter. He has his men kill the messenger and reads the second
343:
Relentless, the young woman confronts Death, begging him to bring her to her lover. He leads her to a large, dark room, with numerous long candles, each one in different stages of burning. The young woman demands to know why Death took her lover away, to which Death explains that he was simply
705:
includes the character Death as an example of Lang's thematic interest with humans acting as machines. He argues that characters like Death "take on the quality of symbols, become archetypes of sub-human forces who embody the concept of
Destiny, or the threat to the German nation in the years
421:
Although Death has won their bet, he takes pity on the female lover, and offers her one last chance to reunite with her beloved. Death tells her that if she can find another soul to replace her lover in death, he will return to the living. He warns that she will only have an hour to do this.
600:
The film was largely inspired by the Indian mythological tale of Sati
Savitri as well as the director's own personal experience. According to Lang's biographer, Patrick McGilligan, the film "came on the heels of his mother's death, would be the director 's most thoughtful and compassionate
339:
In town, Death visits the mayor's office, where he purchases a small piece of land adjacent to the town cemetery. Surrounding this property, Death erects a giant, mysterious wall. At the local tavern, the young couple encounters Death again, and when the young woman is distracted, her lover
340:
disappears. Grief stricken, she sobs in front of the mysterious wall, when she sees a large group of ghosts walk past her, and through the wall. The last among these ghosts is her lover; and despite her protests, he also moves through the wall, entering the realm of Death.
406:
Again, the
Emperor is impressed, but orders A Hi to hand over his assistant. Liang, Tiao Tsien's lover, attempts to escape with her, but is captured, while she is taken to the Emperor's private quarters. When the Emperor tries to sleep with her, she quickly rejects him.
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In "Some Time and Some Place," a loving young couple is riding in a carriage on a country road, when they pick up a hitchhiker, offering him a ride into town. Little do they know, this stranger is Death himself.
763:
Hollywood actor
Douglas Fairbanks was reportedly so impressed with the film's special effects, the flying carpet scene in particular, he quickly secured the rights to the film, so they could be replicated for
244:
364:'s sister, meets with her secret lover, the Frank, in the mosque. The Frank, however, is exposed as an infidel, and is chased to the roof, where he escapes by diving into a nearby body of water.
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was poorly received on its release, with critics complaining that it was not 'German' enough. However, the film was well-received in France, which in turn brought it more acclaim in Germany.
298:. The film follows a woman desperate to reunite with her dead lover. It also follows three other tragic romances, set in a Middle Eastern city; in Venice, Italy; and in the Chinese Empire.
402:, master magician A Hi receives a letter from the Emperor, requesting him to perform magic tricks at his birthday party. He warns, however, that should A Hi bore him, he will be beheaded.
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the wand, the more it degrades. Spawning an elephant, Tiao Tsien breaks Liang out of his cell, and they escape the palace together. The Emperor calls upon his archer to kill them.
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The Caliph orders his gardener, El Mott, to bury the Frank alive. When Zobeide sees what has become of her lover, Death appears to claim him. The first of three candles burns out.
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When the Emperor's archer confronts the assistants, he kills Liang, but spares Tiao Tsien. Death appears to claim Liang's soul, and the last of the three candles burns out.
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Gianfrancesco reveals his identity to Monna and dies. As Monna grieves over her dead lover, Death appears to claim his soul. The second of three candles burns out.
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The ghost-like appearance of Death is a recurring feature in Lang's films, reportedly stemming from dreams he had as a child. Similar figures appear in
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meditation on mortality." He goes on to explain that Lang reportedly came up with his vision of Death while suffering from a fever in bed as a child:
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awarded the film three and a half out of a possible four stars, praising the film's art direction, photography, and special effects.
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released a restored version of the film on Blu-ray. This release included Lang's original color tintings, thanks to the
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Titford, John S. (Autumn 1973). "Object-Subject Relationships in German Expressionist Cinema".
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as the female half of the Loving Couple, as well as Zobeide, Monna Fiametta, and Tiao Tsien
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as the male half of the Loving Couple, as well as the Frank, Gianfrancesco, and Liang
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calls those of the Islamic faith to prayer. Zobeide, a princess and the
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857:. Minneapolis: University of Minnesota Press. pp. 70–88.
950:
Classic Movie Guide: From the Silent Era Through 1965
681:, the film holds an approval rating of 90% based on
953:. New York: Penguin Publishing Group. p. 166.
871:Patalas, Enno (2002). "On the Way to "Nosferatu"".
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738:, was highly inspired by this film. He states:
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267:); originally released in the United States as
903:Cashill, Robert (1 December 2016). "Destiny".
265:Weary Death: A German Folk Story in Six Verses
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781:'s performance as Death had an influence on
760:once stated he was impressed with the film.
1044:. London: Secker & Warburg. p. 24.
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911:
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689:rating of 8.1/10. Author and film critic
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2209:Films with screenplays by Thea von Harbou
1063:. London: Secker & Warburg. pp.
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777:According to Robert Cashill of Cineaste,
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706:immediately after the first World War."
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261:ein deutsches Volkslied in sechs Versen
14:
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1016:
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621:for the film were thought to be lost;
2199:Films about personifications of death
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1502:American Guerrilla in the Philippines
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2204:Films with screenplays by Fritz Lang
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855:Fritz Lang: The Nature of the Beast
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455:, El Mott, and the Emperor's archer
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1025:. London: Jonathan Cape. pp.
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891:
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356:in "The City of the Faithful," a
1291:Die Nibelungen: Kriemhilds Rache
629:recovered most of them from the
473:as the notary and the chancellor
379:During the Carnival festival in
1612:The Thousand Eyes of Dr. Mabuse
1048:
2229:Films scored by Giuseppe Becce
2214:Films produced by Erich Pommer
1033:
595:
13:
1:
2179:German romantic fantasy films
1712:The Legend of Holy Simplicity
794:
640:
375:The Story of the Second Light
2184:German black-and-white films
2169:Films directed by Fritz Lang
2164:Films of the Weimar Republic
2159:1920s romantic fantasy films
1872:The First Right of the Child
1832:Chronicles of the Gray House
853:McGilligan, Patrick (2013).
656:
394:The Story of the Third Light
348:The Story of the First Light
7:
2224:1920s German-language films
2174:German silent feature films
2008:The Woman at the Crossroads
1920:Turandot, Princess of China
1888:The Testament of Dr. Mabuse
1352:The Testament of Dr. Mabuse
1040:Truffaut, François (1967).
919:"Destiny - Rotten Tomatoes"
696:
10:
2245:
2189:German Expressionist films
1928:The Old and the Young King
1896:The Old and the Young King
607:
301:The film is also known as
2106:
2096:Your Heart Is My Homeland
1976:Don't Promise Me Anything
1808:The Grand Duke's Finances
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1582:Beyond a Reasonable Doubt
1402:The Return of Frank James
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1281:Die Nibelungen: Siegfried
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1055:Eisner, Lotte H. (1976).
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352:During the holy month of
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2040:With the Eyes of a Woman
1960:A Woman of No Importance
1752:The Women of Gnadenstein
885:10.2979/FIL.2002.14.1.25
180:6 October 1921
2194:Babelsberg Studio films
1452:The Woman in the Window
578:as the Emperor of China
548:as Dervish and Girolamo
429:
310:
27:1921 film by Fritz Lang
2131:The Rocket to the Moon
1768:Dr. Mabuse the Gambler
1685:Elisabeth and the Fool
1592:The Tiger of Eschnapur
1482:Secret Beyond the Door
1271:Dr. Mabuse the Gambler
531:Eduard von Winterstein
332:
252:
2056:A Wife for Three Days
1912:What Am I Without You
1572:While the City Sleeps
1017:Buñuel, Luis (1984).
718:While the City Sleeps
631:Cinématèque Française
509:as the night watchman
327:
2072:Journey to Happiness
2016:Hurrah! I'm a Father
1952:The Impossible Woman
1693:Hanneles Himmelfahrt
771:The Thief of Baghdad
290:and inspired by the
278:German Expressionist
1880:The Marathon Runner
1736:Four Around a Woman
1720:The Wandering Image
1251:Four Around a Woman
1241:The Wandering Image
1231:The Spiders, Part 2
1211:The Spiders, Part 1
923:Rotten Tomatoes.com
701:John S. Titford of
546:Rudolph Klein-Rogge
2219:1920s German films
1492:House by the River
1382:You Only Live Once
1201:Der Herr der Liebe
1151:Films directed by
907:. Winter 2016: 66.
623:Munich Stadtmuseum
613:Theatrical release
590:as the executioner
503:as the gravedigger
333:
304:Between Two Worlds
2141:
2140:
1904:Princess Turandot
1856:Woman in the Moon
1623:
1622:
1532:The Blue Gardenia
1432:Hangmen Also Die!
1321:Woman in the Moon
1117:on SilentEra.com.
960:978-0-14-751682-4
925:. Rotten Tomatoes
651:Murnau Foundation
491:as the apothecary
477:Wilhelm Diegelman
398:On a farm in the
325:
235:
234:
130:Fritz Arno Wagner
126:Hermann Saalfrank
123:Erich Nitzschmann
16:(Redirected from
2236:
2024:Stars of Variety
1936:An Ideal Husband
1800:Princess Suwarin
1760:The Burning Soil
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788:The Seventh Seal
779:Bernhard Goetzke
758:Alfred Hitchcock
751:Un Chien Andalou
735:Un Chien Andalou
687:weighted average
684:
662:Initial response
617:For a time, the
560:as the messenger
449:Bernhard Goetzke
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247:
187:
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167:Decla-Bioscop AG
108:Bernhard Goetzke
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1792:The Stone Rider
1744:The Indian Tomb
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1657:Thea von Harbou
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991:10.2307/1225056
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679:Rotten Tomatoes
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582:Paul Biensteldt
521:as the landlady
519:Lydia Potechina
467:as the Reverend
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377:
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292:Indian folktale
270:Behind the Wall
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69:Thea von Harbou
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2139:
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2127:
2119:
2110:
2108:
2107:Novels written
2104:
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2084:
2076:
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2052:
2048:Maria Malibran
2044:
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2000:Covered Tracks
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1968:The Broken Jug
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1522:Clash by Night
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1462:Scarlet Street
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1021:My Last Breath
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979:Cinema Journal
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826:"Der mĂĽde Tod"
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783:Ingmar Bergman
768:'s 1924 film,
732:, director of
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703:Cinema Journal
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691:Leonard Maltin
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673:Later response
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459:Hans Sternberg
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103:Walter Janssen
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1668:List of works
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576:Charles Puffy
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527:as the mother
526:
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515:as the beggar
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497:as the tailor
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188: (Berlin)
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156:Decla-Bioscop
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62:Screenplay by
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38:
33:
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19:
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2014:
2006:
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1542:The Big Heat
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1182:Silent films
1172:Bibliography
1115:Der mĂĽde Tod
1104:
1093:
1082:
1058:
1050:
1041:
1035:
1020:
982:
978:
949:
939:
927:. Retrieved
922:
913:
904:
879:(1): 25–31.
876:
873:Film History
872:
854:
833:. Retrieved
786:
776:
769:
762:
756:
749:
748:In Buñuel's
747:
742:
741:"When I saw
740:
733:
728:
716:
710:
708:
702:
700:
676:
666:
665:
644:
635:Lotte Eisner
627:Enno Patalas
616:
603:
599:
588:Paul Newmann
572:as the nurse
570:Lina Paulsen
558:Lothar MĂĽtel
525:Grete Berger
507:Max Pfeiffer
501:Paul Rehkopf
471:Max Adelbert
465:Carl RĂĽckert
461:as the mayor
424:
420:
412:
408:
404:
397:
389:
385:
378:
370:
366:
351:
342:
338:
334:
328:
303:
302:
300:
286:directed by
284:romance film
273:) is a 1921
269:
268:
264:
260:
257:
254:Der mĂĽde Tod
253:
238:
237:
236:
197:Running time
173:Release date
85:Erich Pommer
29:
18:Der MĂĽde Tod
1984:Mother Song
1333:Sound films
1165:Filmography
766:Raoul Walsh
730:Luis Buñuel
715:(1927) and
619:intertitles
596:Inspiration
564:Edgar Pauly
554:as the Moor
552:Lewis Brody
540:Erika Unruh
489:Karl Platen
483:Erich Pabst
437:Lil Dagover
227:intertitles
221:Silent film
98:Lil Dagover
81:Produced by
52:Directed by
2154:1921 films
2148:Categories
2123:Metropolis
1840:Metropolis
1392:You and Me
1301:Metropolis
1153:Fritz Lang
1059:Fritz Lang
929:4 February
795:References
712:Metropolis
683:21 reviews
641:Home media
633:thanks to
513:Georg John
288:Fritz Lang
201:99 minutes
184:1921-10-06
148:Production
142:Fritz Lang
73:Fritz Lang
56:Fritz Lang
46:Title card
1992:The Ruler
1562:Moonfleet
1042:Hitchcock
985:(1): 19.
835:24 August
685:, with a
657:Reception
645:In 2016,
625:director
566:as friend
542:as Ayesha
245:‹See Tfd›
214:Languages
139:Edited by
2088:Dr. Holl
2064:Via Mala
2032:Clarissa
1944:Escapade
1422:Man Hunt
1221:Harakiri
1191:Halbblut
1099:AllMovie
947:(2015).
905:Cineaste
791:(1957).
721:(1956).
697:Analysis
91:Starring
1824:Michael
1776:Phantom
1728:Destiny
1261:Destiny
1105:Destiny
1094:Destiny
1083:Destiny
999:1225056
743:Destiny
667:Destiny
608:Release
584:as A Hi
533:as the
358:muezzin
354:Ramadan
329:Destiny
296:Savitri
281:fantasy
239:Destiny
225:German
209:Germany
206:Country
182: (
150:company
35:Destiny
2134:(1928)
2126:(1925)
2118:(1918)
2099:(1953)
2091:(1951)
2083:(1950)
2075:(1948)
2067:(1945)
2059:(1944)
2051:(1943)
2043:(1942)
2035:(1941)
2027:(1939)
2019:(1939)
2011:(1938)
2003:(1938)
1995:(1937)
1987:(1937)
1979:(1937)
1971:(1937)
1963:(1936)
1955:(1936)
1947:(1936)
1939:(1935)
1931:(1935)
1923:(1935)
1915:(1934)
1907:(1934)
1899:(1934)
1891:(1933)
1883:(1933)
1875:(1932)
1867:(1931)
1859:(1929)
1851:(1928)
1848:Spione
1843:(1927)
1835:(1925)
1827:(1924)
1819:(1924)
1811:(1924)
1803:(1923)
1795:(1923)
1787:(1923)
1779:(1922)
1771:(1922)
1763:(1922)
1755:(1921)
1747:(1921)
1739:(1921)
1731:(1921)
1723:(1920)
1715:(1920)
1696:(1934)
1688:(1934)
1615:(1960)
1605:(1959)
1595:(1959)
1585:(1956)
1575:(1956)
1565:(1955)
1555:(1954)
1545:(1953)
1535:(1953)
1525:(1952)
1515:(1952)
1505:(1950)
1495:(1950)
1485:(1947)
1475:(1946)
1465:(1945)
1455:(1944)
1445:(1944)
1435:(1943)
1425:(1941)
1415:(1941)
1405:(1940)
1395:(1938)
1385:(1937)
1375:(1936)
1365:(1934)
1362:Liliom
1355:(1933)
1345:(1931)
1324:(1929)
1314:(1928)
1311:Spione
1304:(1927)
1294:(1924)
1284:(1924)
1274:(1922)
1264:(1921)
1254:(1921)
1244:(1920)
1234:(1920)
1224:(1919)
1214:(1919)
1204:(1919)
1194:(1919)
997:
957:
725:Legacy
535:Caliph
417:Ending
381:Venice
362:Caliph
331:(1921)
275:silent
249:German
995:JSTOR
453:Death
1372:Fury
1088:IMDb
955:ISBN
931:2023
837:2016
647:Kino
430:Cast
311:Plot
1108:at
1097:at
1086:at
987:doi
881:doi
785:'s
677:On
451:as
294:of
2150::
1065:50
1027:88
1007:^
993:.
983:13
981:.
969:^
921:.
893:^
877:14
875:.
863:^
845:^
828:.
803:^
774:.
653:.
637:.
307:.
251::
158:AG
1864:M
1649:e
1642:t
1635:v
1342:M
1144:e
1137:t
1130:v
1067:.
1029:.
1001:.
989::
963:.
933:.
887:.
883::
839:.
263:(
258::
242:(
186:)
20:)
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