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800,000 a year. Dia began showing works from its collection in public for the first time, starting with a show of Cy
Twombly paintings. The financial difficulties during the 1980s reduced Dia's annual expenditures from $ 5 million in 1984 to 1.2 million in 1987. By the end of 1987, real-estate and art sales had brought in about $ 17 million to pay the debt and start an endowment. The foundation was renamed the Dia Center for the Arts and a programme of poetry readings, performances, lectures and publications was begun.
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estate empire. By 1981 Dia owned about $ 14 million worth of artwork and $ 15 million in real estate. Over 1980 and 1981 it spent about $ 19 million supporting artists and their work. These first years of Dia are marked with management issues, including paying taxes on properties that could be tax exempt and other extravagant spending. Philippa de Menil summed up how fast Dia did so much with "The reason we accomplished so much in terms of projects is that we just forged ahead and didn't worry about overspending."
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649:. Morgan also ended the drive to build a new building in Chelsea and instead focused on joining three buildings the Foundation already owns and using raised funds to support the endowment. A $ 78 million capital campaign was announced in June 2018 and the target was raised to $ 90 million in May 2019. When asked about this sudden change from building a new building to a much smaller scope of construction in an interview in
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303:." Friedrich himself stated that, "The 20th century clearly stands beside the Renaissance as one of the most powerfully visual ages. We have artists of the magnitude of Titian, be it Andy Warhol; of the magnitude of Michelangelo, be it Dan Flavin; of the magnitude of Donatello, be it Walter De Maria. This is why we did Dia." Friedrich had the vision and art contacts, while Philippa de Menil was heir to the
661:, where we think of specific buildings as being the landmark institutions. Dia has always followed a different route, which was finding spaces where the artists could share their vision with us." The New Dia Chelsea is scheduled to reopen in the fall of 2020 followed by updates, renovations, and expansions at other spaces under the Dia purview. A new gallery will open in
336:. These artists received stipends, studios, and archivists in anticipation of one-man museums that Dia planned for several of them. Dia stayed away from press and was not well known through the '70s. The goal was for Dia to not have an identity and be a true "conduit" for the art works it was funding without adding themselves to it. An article by
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which was then sold for $ 5.5 million. Artists were outraged and threatened to sue. La Monte Young said, "The new board treated us like criminals, like terrorists... they took ten years of our lives away." and Dan Flavin remarked about the de Menil's that, "It doesn't matter who gets hurt in order to hold up the family reputation."
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Dia had supported the installation from 1980 to 1986 with more than $ 4 million. When it withdrew from the project, Mr. Judd threatened a lawsuit, contending the foundation had reneged on some provisions of a contract. As a way to avert the threatened lawsuit, an independent entity called the
Chinati
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in 1987 with the opening of the Dia Center for the Arts at 548 West 22nd Street. Dia
Chelsea has since moved across the street to a series of three connected buildings now consolidated at 537 West 22nd Street which host longterm but temporary exhibitions as well as associated artistic and educational
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In the first ten years, Dia was spending up to $ 5 million a year on less than twelve artists, funding art commissions and living expenses for individual artists between $ 2,500 and $ 17,500 a month. The foundation spent over $ 30 million in less than 10 years amassing over 900 works and a small real
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Dia got its name from the Greek word "dia" which means "conduit." Friedrich explained the name choice with "'Dia' was chosen as a transitory term for an institution that would not be eternal but would make possible the presence of artworks on an extended, long-term basis" Dia first patronized a group
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and raised approximately $ 1.3 million causing an outcry from those artists still connected to Dia. The foundation restructured and refocused on a new purpose as an institution. A fundraising campaign began to start an endowment that would fund a drastically reduced operating budget, approximately $
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Alongside managing 12 locations and sites, Dia also maintains relationships with 6 affiliate institutions. Dia collaborates with and supports these institutions financially, and through donations or sharing of artworks, particularly in the early stages of each organization's development. One of the
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The new board began slashing at Dia contracts and real estate to get the budget under control with projects being dropped and dismantled at a fast rate. The mosque was removed from 155 Mercer Street to 245 West
Broadway. La Monte Young and Marian Zazeela had to leave the Harrison Street building,
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oil stock cratered, going from about $ 87 a share to about $ 30. This drastic cut to de Menil's fortune forced Dia to begin tightening the purse strings with its artists. Artists were sent details about how to spin their projects off into independent foundations. In 1983, Donald Judd was informed
1471:. Current programs are supported in part by funds from the members of the Board of Trustees, foundations (such as the Lannan Foundation and the Andy Warhol Foundation for the Visual Arts), and other friends of the institution. As of 2013, Dia' endowment stands at around $ 55 million.
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1985 saw a shake up in Dia's board due to the financial issues and Judd's threatened lawsuit. Heiner
Friedrich left the board and Philippa de Menil's financial support ended and her money was placed into a trust, although she remained a board member. Philippa de Menil's mother,
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Friedrich, Winkler, and
Philippa de Menil founded Dia in 1974. The goal of the organization was to fund artists creating work on scales or with underlying natures that the funding sources of the time could not support. Friedrich's plan was to create a funding system similar to
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against the foundation and
Sotheby's while raising the possibility that some of the works might not be legally owned by Dia but constitute long-term loans from the Friedrichs. However, the lawsuit was dropped shortly after, and the consigned works raised $ 38.4 million.
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in 2003. Dia also presents exhibitions and programs at Dia
Chelsea in New York City, located at 535, 541 and 545 West 22nd Street. In addition to its exhibition spaces at Dia Beacon and Dia Chelsea, Dia maintains and operates a constellation of commissions, long-term
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In 2015 Jessica Morgan joined Dia as the new director. While Dia holds works by under 50 artists, Morgan focused new collecting on works by women and international artists to diversify the largely white and male collection. This push culminated in the acquisition of
467:(Dia spent approximately $ 4 million on buying and renovating the building and gave Young and Zazeela a budget of $ 500,000 a year for upkeep and artmaking.) This buying spree continued into the 1980s with the purchase of a building on West 19th street in 1980 for
582:. Lois de Menil summed up the financial distress Dia was in with "We were absolutely appalled at the state of acute financial distress...There was a $ 5-million Citibank debt to pay, projected costs of $ 5-million, no operating budget, and no visible income."
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and architect OpenOffice to formulate the plan for the museum building and its exterior setting. The grounds include an entrance court, and parking lot with a grove of flowering fruit trees and a formal garden, both of which were designed by Irwin.
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project (and later gave him approximately six million dollars to move the project forward).In 1979 the second location of
Friedrich's gallery space, 393 West Broadway, was also given over to Walter De Maria for a permanent art installation,
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structures that contain galleries of smaller works either on permanent or temporary display, while "sites" are long-term art installations placed outside of the gallery context that have been either commissioned or acquired by Dia.
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using de Menil's
Schlumberger stock as collateral. This prompted The New York state attorney general to begin an investigation into the foundation's practices and Judd threatened to sue Dia for breach of contract
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that his brainchild in Marfa was being delayed, and he was advised to turn it into an independent foundation. Things got so bad financially for Dia in 1983 they were forced to take out a $ 3.87 million loan from
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Foundation was set up, to raise funds on its own. Under this arrangement, Dia has contributed its art and real-estate interests in Marfa, along with nearly $ 800,000 over five years to complete certain projects.
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series (1996–97), sculptures created for an exhibition at Dia Chelsea; it was the first acquisition for Dia's permanent collection in over ten years, a $ 2 million purchase made by Riggio. With support from the
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Michael Govan, the former director of Dia under whose direction Dia Beacon was constructed, estimates that before Philippa de Menil's family forced her to sharply cut back on funding—an act precipitated by the
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oil fortune and had the money to support the idea. Philippa de Menil's husband, Francesco Pellizzi, was on the original six-member board, and Dominique and Christophe de Menil were on the advisory council.
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and started looking for reinforced-concrete structures suitable for showing art. With his help 1979 saw the purchase and renovation of multiple sites including a former firehouse and church for the
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In recent years, Dia has focused on broadening its collection to spotlight a more diverse and international mix of artists. Female artists who have been added to the permanent collection include
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in 1985 called the foundation a "closely guarded secret" during this time period, references people calling it "the art Mafia," and notes that the organization didn't even have a letterhead.
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will be overhauled so the works can remain open all year. These physical updates to buildings Dia owns are planned to use less than 25% of the funds raised from the capital campaign.
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In 2023, the Sam Gilliam Award was established at the Dia Art Foundation by Gilliam’s foundation and his widow, Annie Gawlak, with plans to give out the prize annually for a decade:
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which showed artists such as Andy Warhol, Cy Twombly, Donald Judd, and Dan Flavin. In 1973, Friedrich moved his galleries to New York City at 141 Wooster Street, now the site of
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Among others, the Dia Art Foundation's board includes collectors Frances Bowes and Howard Rachofsky. Under new director Jessica Morgan's leadership, the Greek shipping magnate
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in a retail space Dia has rented out for 10 years, 11,000 square feet (1,000 square metres) of gallery space at Dia Beacon will be opened, and the climate control systems for
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Dia continued purchasing buildings to create one-man museums, and in some cases living quartets, for their roster of artists. Starting in 1979, the foundation hired architect
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Currently, Dia commissions, supports, and presents site-specific installations and long-term exhibitions of work by these artists, as well as those of younger generations.
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Over Dia's first ten years, its founders assembled a collection of a select group of artists. Among those whose work was commissioned and collected at that time are
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208:, nationally and internationally. Dia's permanent collection holdings include artworks by artists who came to prominence during the 1960s and 1970s, including
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spending $ 495,000 on the building and handing out $ 250,000 a year to Whitman for upkeep and art making, and the 1981 purchase of a former bank building in
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on permanent display. Besides the permanent exhibit, there is also a gallery for temporary exhibitions and a display on the history of the building.
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that initiates, supports, presents, and preserves art projects. It was established in 1974 by Philippa de Menil, the daughter of Houston arts patron
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in Houston six of its best works by Twombly in anticipation of the Twombly Gallery that opened there in 1995. In anticipation of the opening of
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consisting of 102 canvases, as a single entity from the artist during its inaugural exhibition at the Heiner Friedrich Gallery in New York.
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of art museums and long-term installations. Dia breaks its holdings into two distinct categories: locations and sites. "Locations" include
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movement in Japan into the collection to promote greater understanding of work being made internationally during this period. In 2017,
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901:'s effect on the Schlumberger fortune—Dia spent "at least $ 40 million" on a series of installations that Dia continues to maintain.
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Following a series of performance works and temporary exhibitions at Friedrich's gallery in SoHo, including the "Dream Festival" by
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and Dia's offices were moved to 107 Franklin Street. Dia planned the opening of three other works in 1977: Walter De Maria's
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Each gallery was designed specifically for the art it contains. The space is limited to the works of 25 artists, including:
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1818:'There Were Women Working Then, Too': How Dia Director Jessica Morgan Is Breaking Open the (Male) Canon of Postwar Art
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Is It Time for a Land Art Renaissance? Jessica Morgan on Her Ambitious Vision for Dia in New York and Far, Far Beyond
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Dia Is Consolidating Its Little-Known Real Estate Empire in New York to Create a Major New Art Facility in Chelsea
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816:($ 2.5 million), among others. As of 2007 its annual operating costs are about $ 3 million a year.
419:, as well as a permanent, multicolored, light installation by Dan Flavin stretching across three platforms at
2183:"Dia | About | Dia Art Foundation Receives Historic Gift from Robert Ryman and The Greenwich Collection, Ltd"
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contributing at least $ 35 million of that amount; the remainder of the construction funds came from the
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Dia Owns More Art Spaces Than You Think, and Now They're Spending $ 78 Million to Run Them All Better
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In 1977 Friedrich's gallery space was transformed into a permanent exhibition of Walter De Maria's
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receive reflected north light from more than 34,000 square feet (3,200 m) of skylights.
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2158:"Dia | About | Dia Art Foundation Adds Works by Lee Ufan and Kishio Suga to Its Collection"
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An auction of works from Dia's holdings was held in 1985 at Sotheby's including pieces by
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There are twelve locations and sites which the Dia Art Foundation considers part of its
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Dia Bridgehampton, previously known as the Dan Flavin Art Institute, is a museum in
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who was given $ 17,500 a month as a salary and installation payment for the museum.
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Dia holds a major collection of work by artists of the 1960s and 1970s, on view at
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In 1985, Dia Art Foundation for the first time auctioned off 18 works at
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2062:"Dia Acquires 'Sun Tunnels,' Its First Piece of Land Art by a Woman"
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to create a one-man museum in. The year 1980 also saw Dia open the
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Dia Art Foundation Appoints a Tate Modern Curator as Its Director
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2133:"Dia Art Foundation Acquires Works by Lee Ufan and Kishio Suga"
2037:"Mary Corse and Dorothea Rockburne get their due at Dia Beacon"
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in New York. The same year Dia purchased a volcanic crater in
1992:"Andy Warhol: Shadows", September 25, 2011 – January 15, 2012
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Graham Bowley and Judith H. Dobrzynski (March 19, 2015),
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Warhol 'Crash', Steve Cohen's Richter Lift Sotheby's Sale
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Dan Flavin: nine sculptures in fluorescent light, 1963–81
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and his family gave the Foundation three sculptures from
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Untitled (to you, Heiner, with admiration and affection)
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Among those 1970s and early 1980s projects are works by
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opened in 1983 to house nine fluorescent light works by
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replete with Flavin light works and living quarters for
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saying, "His death seemed to herald many new changes."
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The night before the new board was set to meet, Sheikh
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Katya Kazakina and Philip Boroff (November 14, 2013),
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Dia Foundation to Sell Works to Start Acquisition Fund
2343:"Dia Elects Six New Members to Its Board of Trustees"
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Ibrahim Mahama Wins Dia’s Inaugural Sam Gilliam Award
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Untitled in pink, green, and blue fluorescent light
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John Chamberlain: Sculpture, An Extended Exhibition
2278:"Dia Foundation, Back From Brink, Opens New Center"
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2012:
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Medicis for a Moment: The Collapse of the Dia Dream
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886:locations and sites the Dia Art Foundation manages
875:Dia began its presence on West 22nd Street in the
1779:Dia Foundation, Back From Brink, Opens New Center
1752:. Dia Art Foundation. Retrieved November 7, 2020.
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653:Morgan explained, "We're very different from the
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2327:Sotheby's Magazine: Dia Goes Back To The Future
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2108:"Dia Art Foundation Acquires Anne Truitt Works"
1740:. September 15, 1996. Retrieved August 22, 2020
1690:. November 25, 1985. Retrieved August 20, 2020.
812:($ 10 million), Ann Tenenbaum and her husband
739:museums to open in the United States since the
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1916:. Dia Art Foundation. Retrieved July 19, 2020.
683:List of Dia Art Foundation locations and sites
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1928:. Dia Art Foundation. Retrieved May 29, 2023.
1885:. Dia Art Foundation. Retrieved May 21, 2023.
1870:. Dia Art Foundation. Retrieved May 21, 2023.
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1785:. October 7, 1987. Retrieved August 28, 2009.
1763:In Lower Manhattan, 2 Mosques Have Firm Roots
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1714:. Dia Art Foundation. Retrieved May 14, 2020.
570:, future United States Supreme Court justice
279:ceremony and get a marriage license in 1982.
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1938:An Introduction to Dia's Locations and Sites
608:) ominously reflected on the passing of her
2777:Arts foundations based in the United States
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1824:. May 15, 2019. Retrieved August 22, 2020.
1807:. May 17, 2019. Retrieved August 22, 2020.
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1146:. In 1979 the Dia Art Foundation acquired
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2388:Dia Art Foundation Adds Two Board Members
2243:2 Founders of Dia Sue to Stop Art Auction
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1858:. June 5, 2018. Retrieved August 8, 2020.
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2227:FILED: NEW YORK COUNTY CLERK 11/07/2013
2212:Dia's Auction of Artworks Is to Proceed
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2411:Dia at The Hispanic Society of America
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1733:At Dia, Fresh Wounds and a Fresh Start
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2002:Hirshhorn Museum and Sculpture Garden
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1897:"Dia Center to Open a Museum Upstate"
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1522:Randy Kennedy (September 10, 2014),
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2304:Maximilíano Durón (28 March 2024),
2210:Randy Kennedy (November 12, 2013),
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1625:"To Get His Museum, Opening in '92"
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2673:Puerto Rican Light (Cueva Vientos)
2241:Randy Kennedy (November 7, 2013),
536:Financial issues and restructuring
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2276:Glueck, Grace (October 7, 1987).
2083:"Dia | Program | Michelle Stuart"
1623:Glueck, Grace (October 3, 1989).
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596:lodge Dia funded, passed away in
1940:. Dia Art Foundation. pp. 37-39.
1761:Anne Barnard (August 13, 2010),
1552:Nocera, Joe (October 14, 2007).
1345:The affiliate institutions are:
1257:. In 2017, Dia acquired work by
727:Dia Beacon, Riggio Galleries in
380:Untitled (In memory of Urs Graf)
354:Untitled (In memory of Urs Graf)
40:Dia Beacon, Riggio Galleries in
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753:'s monumental steel sculptures
2106:Battaglia, Andy (2017-02-02).
1755:
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1483:, investor and philanthropist
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2325:Ted Loos (October 18, 2013),
2016:Carol Vogel (June 27, 2013),
1895:Vogel, Carol (9 March 1999).
1510:
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884:programing. It is one of the
377:, Switzerland. This artwork,
204:projects, notably focused on
2558:The Vertical Earth Kilometer
2416:The Dan Flavin Art Institute
2349:. 2018-05-04. Archived from
1328:The installation of work by
1064:The Vertical Earth Kilometer
705:Dia Beacon, Riggio Galleries
699:
402:The Vertical Earth Kilometer
16:US nonprofit arts foundation
7:
2468:List of locations and sites
1554:"The Patron Gets a Divorce"
540:Between 1980 and 1982, the
483:(later Dergah al-Farah), a
58:; 50 years ago
10:
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2680:Rooftop Urban Park Project
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1332:and John Chamberlain, in
604:. Philippa de Menil (now
576:Margaret Douglas-Hamilton
473:Winchendon, Massachusetts
312:of artists that included
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149:$ 57 million (as of 2007)
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139:Jessica Morgan (director)
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2603:Dan Flavin Art Institute
1731:. (September 15, 1996),
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765:North, East, South, West
606:Fariha Fatima al-Jerrahi
451:Dan Flavin Art Institute
2551:The New York Earth Room
2041:www.theartnewspaper.com
1966:The New York Earth Room
1469:charitable organization
1340:with support from Dia.
1049:The New York Earth Room
920:The New York Earth Room
667:The New York Earth Room
510:Nur Ashki Jerrahi Order
504:and later ascension as
396:The New York Earth Room
257:The New York Earth Room
2647:Flavin at Chiesa Rossa
2230:New York Supreme Court
1299:New York Supreme Court
1285:, including pieces by
1184:Bernd and Hilla Becher
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2156:Foundation, Dia Art.
2081:Foundation, Dia Art.
1157:In 1991 Dia gave the
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118:40.74778°N 74.00694°W
2653:Fred Sandback Museum
2537:The Broken Kilometer
1980:The Broken Kilometer
1098:Permanent collection
1015:The Broken Kilometer
924:The Broken Kilometer
741:Museum of Modern Art
671:The Broken Kilometer
440:The Broken Kilometer
2597:Chamberlain Gardens
2544:The Lightning Field
1952:The Lightning Field
1799:Goldstein, Andrew.
1030:The Lightning Field
916:Quemado, New Mexico
911:The Lightning Field
677:Locations and sites
560:Metropolitan Museum
524:, was conceived by
191:that opened in the
123:40.74778; -74.00694
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2792:Chelsea, Manhattan
2742:Cy Twombly Gallery
2730:Chinati Foundation
2725:Andy Warhol Museum
2459:Dia Art Foundation
2406:Dia Art Foundation
2391:The New York Times
2375:The New York Times
2282:The New York Times
2246:The New York Times
2215:The New York Times
2021:The New York Times
2004:, Washington, D.C.
1997:July 10, 2012, at
1901:The New York Times
1816:Goldstein, Andrew.
1783:The New York Times
1766:The New York Times
1737:The New York Times
1729:Kimmelman, Michael
1710:2020-05-13 at the
1629:The New York Times
1601:2012-07-12 at the
1596:Remains of the Dia
1594:(September 1996),
1558:The New York Times
1527:The New York Times
1395:Cy Twombly Gallery
1363:Chinati Foundation
1350:Andy Warhol Museum
1338:Chinati Foundation
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1005:Great Basin Desert
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1914:Dia Bridgehampton
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1688:New York Magazine
1475:Board of trustees
1447:Sam Gilliam Award
1180:Lannan Foundation
933:The 9 sites are:
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830:Dia Bridgehampton
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342:New York Magazine
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2521:
2516:Depreciation
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2351:the original
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1497:Brice Marden
1489:Jane Skinner
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1358:Pennsylvania
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1318:Roden Crater
1316:
1315:affiliates,
1313:
1280:
1271:Robert Ryman
1236:
1224:Robert Ryman
1216:Bruce Nauman
1212:Agnes Martin
1200:Robert Irwin
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1156:
1147:
1104:Joseph Beuys
1101:
1083:Times Square
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777:Agnes Martin
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2748:Dream House
2633:Dream House
2619:Dia Cologne
2530:Sun Tunnels
2492:Dia Chelsea
1926:Dia Chelsea
1607:Vanity Fair
1409:Dream House
1330:Donald Judd
1259:Kishio Suga
1255:Anne Truitt
1152:Andy Warhol
1124:Imi Knoebel
1120:Donald Judd
1088:Max Neuhaus
996:Sun Tunnels
986:Rozel Point
926:(1979), in
922:(1977) and
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643:Sun Tunnels
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625:Andy Warhol
526:Donald Judd
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351:plaque for
314:Donald Judd
301:Shakespeare
299:, create a
289:Renaissance
240:Early years
226:Andy Warhol
218:Donald Judd
121: /
97:Coordinates
2771:Categories
2718:Affiliates
2482:Dia Beacon
2423:Dia Beacon
2357:2019-01-12
2287:2009-08-28
2192:2018-11-13
2167:2018-11-13
2142:2018-11-13
2117:2018-11-13
2092:2018-11-13
2067:2018-11-13
2047:2018-11-13
1634:2009-08-24
1563:2009-08-25
1511:References
1354:Pittsburgh
1310:Affiliates
1303:injunction
1287:Cy Twombly
1243:Nancy Holt
1239:Mary Corse
1208:Sol LeWitt
1163:Dia Beacon
1136:Cy Twombly
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1043:New Mexico
1001:Nancy Holt
851:Dan Flavin
723:Dia Beacon
715:Dia Beacon
655:Guggenheim
647:Nancy Holt
621:Cy Twombly
590:al-Jerrahi
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318:Dan Flavin
214:Dan Flavin
189:Dia Beacon
135:Key people
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106:40°44′52″N
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