547:"New World Man" was put together in May 1982 when the backing tracks for the album's other seven tracks were completed, and there was enough space on the vinyl for a song under four minutes. Had the track become too long, the band would have put it down and used it for a subsequent release. "New World Man" began with Peart writing lyrics that tied in themes from other songs on the album, "and came up with a straightforward, concise set of lyrics consisting of the two verses and the two choruses". The group adopted a "fast and loose" approach for its corresponding music and worked swiftly, with the song fully arranged in one day and recorded in the course of the next.
608:, who is credited with its concept, direction, and graphics, with photography from Deborah Samuel. Syme based his design upon receiving merely the album's title, and recalled a "great deal of trouble" in a cover that he and the group were satisfied with. "I decided that, with such a phenomenally important word with the kind of potency it potentially had, to go with something really dumb, really inane". He noted, however, that the cover still tied into the meaning of some of the songs on the album, in particular "Chemistry". The final concept came out from the result of several failed ideas, including one that Syme devised which would have involved Rush hooked up to
499:
what became the keyboard section for the bridge, Lifeson the guitar riffs heard in the verses, and Peart the drum pattern for the chorus. Upon listening to the soundcheck tapes, Lifeson and Lee took each section and arranged it into a complete track before they produced a demo which almost matched the version recorded for the album. "Chemistry" marked the first time that each member collaborated on the lyrics to a song, with
Lifeson and Lee devising its title, concept, and several phrases that they wished for it to include. Peart then took their ideas and developed a set of complete lyrics. He named "Chemistry" as the easiest song to write for
479:. After Peart devised a set of lyrics, Lifeson and Lee wrote a collection of musical ideas to fit Peart's words. Peart recalled that his bandmates interrupted him as he was cleaning his car and set up a portable cassette player on the driveway outside the studio, and played him what they had come up with. Peart added: "I listened closely, picking up the variations on 7/8 and 3/4, the way the guitar adopts the role of rhythm section while the keyboards take the melody, returning to bass with guitar leading in the chorus, then the Mini-moog taking over again for the instrumental bridge", and told Lifeson and Lee that he liked it.
522:, Ontario. Peart wrote the remaining lyrics by an open fire in his chalet while Lifeson and Lee worked on the music in the adjacent barn. After numerous attempts they devised a combination of suitable words and music for the chorus, and Peart wrote: "We were all very pleased with the dynamic and unusual nature of the part, it was so different for us". However, Brown expressed a lack of enthusiasm to record the song and remained so until the group had continually talked about why it worked "until he got tired of hearing about it". "The Analog Kid" and "Digital Man" served as the inspiration for comic book writer
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451:, specifically the album opening in suburbia followed by contemplating escape in "The Analog Kid". Then, "universal human imponderables" are explored through humanity, sex, religion, and ageing, which ends in an actual escape in "Countdown". Quill spoke to Peart about this theory, to which the drummer replied: "You noticed that. We were hoping no one would. It's so unfashionable these days to construct grand concepts. We're being closed mouthed about it".
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410:'s diary entries written during this time, he had been cleaning a Hayman drum kit that was housed in the studio and, in September 1981, began working out a song with two members of the band's road crew, the unreleased "Tough Break". Peart was also working on lyrics, in particular a set which included "Subdivisions", a track the group would later record for
299:
394:. The album became their most commercially successful of their history, granting them their first No. 1 album in Canada and selling over one million copies in the United States at the tour's conclusion. Rush then took a three-month break, during which they oversaw the production and mixing of their second live release,
458:, who had worked with them since 1974. He was joined by engineer Paul Northfield with assistance from Robbie Whelan. Rush intended to finish the album in June, but had to spend additional time in the studio which led to a month's reduction in their planned vacation time. Upon completion, the album was mastered by
490:
in
January 1982, travelling on a yacht named Orianda. Peart had written the words to the song initially as a companion piece to "Digital Man", which Rush had started working on in late 1981, and presented it to Lee. The two discussed what could be done with the lyrics in a musical sense, deciding on
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tour in 1981. It was during one particular session during the United States leg whereby, after each member checking each of their instruments separately, "a little spontaneous creation" came about which produced a song without the group realising it. Each member played a different part; Lee played
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dog sniffing a red fire hydrant on a green lawn. Samuel shot the image on the rooftop of her studio. The lawn is a piece of AstroTurf, and the hydrant was rented from
Toronto and repainted the desired colour for the cover. She recalled a search to find a Dalmatian who could sniff on command, and
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placed dog biscuits underneath the hydrant multiple times to get the final shot. The back cover is a pretend blueprint of a neighbourhood with what Lee described as "make believe subdivisions", detailing Warren
Cromartie Secondary School, a fictional school named after Canadian baseball player
417:
Having arranged some material for their next studio album, Rush toured North
America and Europe from October to December 1981 with a setlist that contained "Subdivisions". The group had their sound man capture their soundchecks on tape which provided a method of developing new songs, which was
42:
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566:, and decided that "Losing It" was the best track for his contribution. To cater for the part, Rush put down the basic track for a jazz-oriented solo section and invited Mink to the studio which included him multi-tracking various notes to resemble a complete
540:"The Weapon" is the second part of Rush's "Fear" song series. During a writing session at a northern Ontario manor home in 1981, Lee and his friend Oscar devised what Peart described as the foundation of "a highly mysterious and bizarre drum pattern" with his
550:"Losing It" originated from a theme Lifeson had come up with which was used in subsequent rehearsal sessions to produce a demo with keyboards and drums. In June 1982, when the band revisited the song in the studio, they discussed the possibility of
886:
the #9 greatest rock guitar album of 1982, saying that although there was a "shift to a more electro-synth sound", there was "still room for Alex
Lifeson to do his thing on his six-string", and that "Geddy Lee remained the best bassist in rock".
430:, a mindset the band was entirely against. The album displays the band continuing to incorporate the synthesizer into their songs with less emphasis on guitar-oriented riffs which had been the focus of their sound in the 1970s. Lee considered
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Gold CD remaster. "The Weapon" has one line of lyrics missing at 3:12. The label stated this was the case on the master tape delivered to them. Both "New World Man" and “Digital Man” have endings a few seconds longer.
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as the beginning of a new era for the band. In hindsight, he said it was considerably difficult to make because it took longer than usual for the band to achieve the right feel for each song. Some ideas that
510:-influenced bridge, was worked out. The song was also heavily influenced by funk, with Lee's bass line described as "so funky and fluid its almost laughable". Its instrumental break has been compared with "
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636:
The album was released in
September 1982. The album peaked at No. 1 in Canada, No. 3 in the United Kingdom, and No. 10 in the United States. In November 1982, the album was certified platinum by the
544:. At a subsequent rehearsal, Peart learned to play the part on his own drum kit which required him to alter his usual technique, but took the experience as an enjoyable challenge.
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demonstrates the group's continuing use of synthesizers, sequencers, and other electronic instrumentation. It is the last album produced by their longtime associate
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the opposite on what the words may suggest, with Peart describing the track as "a very up-tempo rocker, with some kind of a dynamic contrast for the choruses".
654:
singles chart for three weeks in
October and November 1982. It is the band's highest charting single in the US, and the only one to have reached the top 40.
358:
The album peaked at No. 1 in Canada, No. 3 in the United
Kingdom, and No. 10 in the United States. In November 1982, the album was certified platinum by the
506:"Digital Man" was one of the songs worked on during the late 1981 writing sessions at Le Studio, during which the music and lyrics for its verses, plus the
341:, the band started to prepare material for a follow-up during soundchecks on their 1981 concert tour and during the mixing of their subsequent live album
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574:–"For you the blind who once could see, the bell tolls for thee". It was not played live until 2015 when Rush performed it at five concerts on their
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criticised the band's choice of "emphasizing synthesizers at the expense of Alex
Lifeson's guitar," calling the album "mostly a wasted effort."
2014:
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Three digitally remastered formats: (1) Super Deluxe Edition, (2) one-LP Picture Disc Edition, and (3) Dolby Atmos Digital Edition
2082:
454:
Recording began at Le Studio in April 1982, and ended on July 15. It is Rush's last album co-produced by their longtime associate
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2409:
2255:"Rush Art Director Hugh Syme on the Stories Behind the Band's Iconic Album Covers and His New Book 'Art of Rush': Exclusive"
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machines as they played in the studio and a snapshot of their heartbeats and brain waves taken during a performance.
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366:", which became the band's highest charting single in the United States and a number-one hit in Canada, as well as "
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848:) in their list of "Rush Albums From Worst to Best," labelling it "the most audacious album of the band's career."
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are thanked in the album's liner notes. Syme considered the back cover "a little subtle, perhaps over-indulgent".
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has been reissued several times, including a remaster with a new stereo and 5.1 surround sound mix in 2011.
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has said that the group were aware of how easy it would have been to "play it safe" and produce another
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596:, Florida. The song features samples of radio communications recorded before and during the flight.
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for selling one million copies in the United States. Rush released three singles from the album: "
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518:. The song developed further in March 1982 during the band's one month stay at The Grange in
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592:. They had been invited to the launch and observed it from a VIP area at an air base in
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as an influence for incorporating keyboards into hard rock. Canadian music journalist
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1311: – drums, percussion, arrangements, spoken vocal on “Subdivisions”, production
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retrospectively praised the album, complimenting the band for not simply making
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1741:(2). Toronto, Ontario, Canada: RPM Music Publications Ltd.: 15 August 28, 1982
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In July 1981, Rush ended their tour in support of their previous album
324:
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2221:"From Brainwaves to Tidal Waves: The Story Behind Rush's Album Covers"
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832:
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423:
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88:
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1295: – bass guitars, synthesizers, vocals, arrangements, production
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2819:"12 MONTHS OF RUSH: 14 ALBUMS FROM MERCURY ERA FOR RELEASE IN 2015"
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and Lee had initially saved for potential solo albums were used on
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581:"Countdown" was inspired by the band attending the launch of the
2165:
Geoff Barton (September 2006). "Rush: Progressive To The Core".
873:
was his favorite Rush album because of the "creamy production."
475:"Subdivisions" was one of the first songs Rush had arranged for
1158:
96:
41:
570:. The lyrics include references to the latter years of writer
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582:
49:
2795:. Themasterdiskrecord.com. November 23, 2011. Archived from
2136:"How Rush Tried to Keep Their Momentum Going With 'Signals'"
1702:"How Rush Tried to Keep Their Momentum Going with 'Signals'"
2187:"Troy Hickman — Holey Crullers! (vol VII/iss 4/April 2004)"
2705:
Rush - Updated Edition: The Unofficial Illustrated History
507:
3143:
482:"The Analog Kid" originated during the group's stay at
418:
particularly the case for "Chemistry". The majority of
1283:
Credits are taken from the album's 1982 liner notes.
830:
seventh in their list of "Top 10 Rush Albums," while
640:
for selling one million copies in the United States.
526:
to create heroes of the same names in his 2004 comic
2965:
2312:"Top Albums/CDs - Volume 37, No. 8, October 09 1982"
494:"Chemistry" was developed during soundchecks on the
2922:(in Dutch). Hung Medien. Retrieved August 5, 2018.
2913:
3104:"American album certifications – Rush – Signals"
3061:"Canadian album certifications – Rush – Signals"
3086:"British album certifications – Rush – Signals"
2081:(Media notes). Anthem Records. 1982. ANR-1-1038.
1584:
938:Digitally remastered as part of the three-volume
588:space shuttle in April 1981, the first of NASA's
378:with a concert tour from April 1982 to May 1983.
4362:Albums produced by Terry Brown (record producer)
4333:
2987:
2248:
2246:
1787:"Gold & Platinum Search – "Moving Pictures""
942:box sets, also available in 5.1 surround sound.
1640:Shipments figures based on certification alone.
1367:Kineblok Inc. – photographic colour optics
2937:
2925:
2566:December 2018, Louder 13 (December 13, 2018).
2499:
1361: – art direction, graphics, cover concept
1352: – mastering at Gateway Mastering Studios
3159:
2793:"Andy VanDette On Remastering 15 Rush Albums"
2565:
2412:. Recording Industry Association of America.
2243:
2102:
2100:
1789:. Recording Industry Association of America.
986:except where noted; all music is composed by
647:. "New World Man" reached No. 21 on the
335:. After the release of their previous album,
3608:The Spirit of Radio: Greatest Hits 1974–1987
2742:"The 25 greatest rock guitar albums of 1982"
2286:"Exit Stage Left – Deborah Samuel Interview"
2164:
1945:"Private Lives: The Rush Sanctuary Breached"
1159:40th Anniversary Super Deluxe Edition (2023)
762:
724:
686:
2596:: CS1 maint: numeric names: authors list (
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3108:Recording Industry Association of America
2946:. Hung Medien. Retrieved August 5, 2018.
2934:. Hung Medien. Retrieved August 5, 2018.
2410:"Gold & Platinum Search – "Signalss""
2336:
1914:"Rush Takes Off: The Geddy Lee Interview"
1665:Experiencing Rush: A Listener's Companion
638:Recording Industry Association of America
422:was written and rehearsed in early 1982.
406:, Quebec. In one of drummer and lyricist
360:Recording Industry Association of America
4283:Ghost Rider: Travels on the Healing Road
2428:
2205:
1905:
3003:
2949:
2673:"Rush: Beyond the Lighted Stage review"
2283:
2115:from the original on September 15, 2019
2060:
1911:
1805:
1343:Robbie Whelan – engineer assistant
1301: – electric and acoustic guitars,
355:, who had worked with them since 1974.
14:
4334:
2994:"Offiziellecharts.de – Rush – Signals"
2932:"Norwegiancharts.com – Rush – Signals"
2891:
2701:
2578:from the original on February 15, 2019
2547:from the original on December 19, 2016
2465:
2390:from the original on December 11, 2012
2277:
2218:
1942:
1661:
1324: – electric violin on "Losing It"
323:is the ninth studio album by Canadian
3147:
2677:Two Assholes Talking About Nerd Stuff
2252:
2193:from the original on November 6, 2015
2035:
2029:
1973:
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1728:"Rush Signals tour set for September"
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3541:Time Machine 2011: Live in Cleveland
3450:Time Machine 2011: Live in Cleveland
3033:"The CASH BOX Year-End Charts: 1982"
2944:"Swedishcharts.com – Rush – Signals"
2683:from the original on January 9, 2018
2133:
2004:
1976:"Face to Face with Rush's Geddy Lee"
1385:
2517:from the original on August 5, 2012
2354:from the original on March 13, 2013
1662:Bowman, Durrell (October 1, 2014).
331:, released on September 9, 1982 by
24:
2874:"Signals 40th Anniversary Release"
2829:from the original on July 11, 2015
2722:from the original on April 2, 2021
2622:from the original on July 27, 2017
2416:from the original on April 2, 2021
2231:from the original on June 24, 2018
2146:from the original on June 18, 2020
1793:from the original on April 2, 2021
1708:from the original on June 18, 2020
1682:from the original on April 2, 2021
1516:
447:noticed a "cyclical framework" in
25:
4378:
3125:
2920:"Dutchcharts.nl – Rush – Signals"
2849:"Signals 40 Super Deluxe Edition"
2652:from the original on July 8, 2017
2472:The Encyclopedia of Popular Music
2437:
2292:from the original on July 8, 2018
2284:Durston, Rob (November 9, 2012).
2265:from the original on July 1, 2018
2085:from the original on July 8, 2018
2048:from the original on July 8, 2018
2017:from the original on July 8, 2018
1986:from the original on July 8, 2018
1955:from the original on July 8, 2018
1924:from the original on July 8, 2018
1912:Bahadur, Raj (October 28, 1982).
1893:from the original on July 8, 2018
1867:from the original on July 8, 2018
1767:from the original on July 8, 2018
1569:
1364:Deborah Samuel – photography
764:
726:
719:The Encyclopedia of Popular Music
688:
4316:
4315:
3517:R30: 30th Anniversary World Tour
3426:R30: 30th Anniversary World Tour
2642:"Rush Albums From Worst To Best"
2344:"Rush chart positions in the UK"
2134:Reed, Ryan (September 9, 2015).
2106:
1974:Bashe, Philip (March 31, 1983).
1390:
1337: – arrangements, production
1107:"The Weapon" (Part II of "Fear")
976:
810:the 29th best album of the 80s.
783:
778:
773:
768:
763:
745:
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697:
692:
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643:Rush released five singles from
4302:Working Man – A Tribute to Rush
3025:
2956:"Official Albums Chart Top 100"
2866:
2841:
2811:
2785:
2759:
2734:
2695:
2664:
2634:
2604:
2568:"The 50 best albums of the 80s"
2559:
2529:
2493:
2459:
2402:
2366:
2304:
2219:Morgan, Jeffrey (Spring 1983).
2179:
2127:
2005:Hunt, Dennis (March 15, 1983).
1998:
1967:
1887:"Tour – Exit...Stage Left Tour"
1340:Paul Northfield – engineer
836:placed the album third (behind
615:The front photograph depicts a
4295:Rush: Beyond the Lighted Stage
2671:Chittenden, B. (May 1, 2010).
2036:Quill, Greg (September 1982).
1943:Barton, Geoff (May 21, 1983).
1936:
1879:
1779:
1753:
1720:
1694:
1655:
1370:Ray Danniels – management
1167:
1091:
1002:
854:Rush: Beyond the Lighted Stage
13:
1:
3090:British Phonographic Industry
1761:"Tour – Moving Pictures Tour"
1648:
851:In the 2010 documentary film
29:1982 studio album by Rush
4367:Albums recorded at Le Studio
3624:Retrospective III: 1989–2008
3010:"Top RPM Albums: Issue 6170"
2984:. Retrieved August 5, 2018.
2962:. Retrieved August 5, 2018.
2898:"Top RPM Albums: Issue 6939"
2702:Popoff, Martin (June 2016).
2253:Graff, Gary (July 1, 2015).
1668:. Rowman & Littlefield.
1540:
1507:
1481:
1467:
1452:
1440:
1428:
1416:
1376: – executive production
1346:JVC – digital mastering
1278:
967:LP, Blu Ray, digital format
657:
7:
4134:The Larger Bowl (A Pantoum)
3678:The Studio Albums 1989–2007
3020:Library and Archives Canada
2908:Library and Archives Canada
2767:"Mobile Fidelity Sound Lab"
2348:The Official Charts Company
2038:"Neil Peart: New World Man"
2007:"Drumming a Different Beat"
890:
604:The sleeve was designed by
535:
470:
65:September 9, 1982
10:
4383:
3022:. Retrieved May 15, 2022.
2910:. Retrieved May 15, 2022.
2769:. Mofi.com. Archived from
1355:Brian Lee – mastering
1257:"The Weapon (Single Edit)"
982:All lyrics are written by
631:
599:
4311:
4226:
4143:
3985:
3715:
3688:
3669:
3642:
3567:
3493:Grace Under Pressure Tour
3476:
3442:Grace Under Pressure Tour
3377:
3214:
3181:
3000:. Retrieved May 5, 2023.
2378:chart position in the US"
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1421:
1407:
1400:
1397:
1380:
1174:
1171:
1166:
1098:
1095:
1090:
1012:
1009:
1006:
1001:
916:Mobile Fidelity Sound Lab
675:
672:
312:
308:
296:
292:
287:
240:
229:
225:
188:
180:
159:
147:
131:
103:
84:
76:
61:
48:
39:
34:
4199:Snakes & Arrows Tour
3533:Snakes & Arrows Live
3434:Snakes & Arrows Live
3173:
2998:GfK Entertainment Charts
2109:"Success Under Pressure"
794:At the time of release,
465:
443:. Writer and journalist
386:Background and recording
303:40th anniversary reissue
4163:Exit... Stage Left Tour
3386:All the World's a Stage
2960:Official Charts Company
2477:Oxford University Press
2288:. Durston Photography.
1532:Canada Top Albums/CDs (
1408:Canada Top Albums/CDs (
818:Moving Pictures, Pt. II
374:". The group supported
4357:Mercury Records albums
4276:Anatomy of a Drum Solo
3651:Through the Camera Eye
1861:"Stories from Signals"
956:Digitally remastered.
610:electroencephalography
488:British Virgin Islands
266:Released: October 1982
4352:Anthem Records albums
4262:My Favourite Headache
4211:Clockwork Angels Tour
3549:Clockwork Angels Tour
3458:Clockwork Angels Tour
2972:"Rush Chart History (
2853:www.rushbackstage.com
2616:Ultimate Classic Rock
2140:Ultimate Classic Rock
2011:The Los Angeles Times
1704:. September 9, 2015.
824:Ultimate Classic Rock
590:Space Shuttle program
253:Released: August 1982
80:April – July 15, 1982
4157:Moving Pictures Tour
4008:A Passage to Bangkok
3295:Grace Under Pressure
2612:"Top 10 Rush Albums"
2503:(October 28, 1982).
1859:Peart, Neil (1982).
1316:Additional personnel
663:Professional ratings
279:Released: April 1983
213:Grace Under Pressure
4181:Roll the Bones Tour
3773:The Spirit of Radio
3752:Closer to the Heart
3359:Snakes & Arrows
3255:A Farewell to Kings
3041:. December 25, 1982
2773:on December 6, 2008
2189:. Sequential Tart.
1575:
1546:US Top Pop Albums (
1087:
1060:Lee, Lifeson, Peart
998:
953:LP, digital format
664:
512:Walking on the Moon
4347:Rush (band) albums
4269:A Work in Progress
4193:Test for Echo Tour
4169:Power Windows Tour
4064:Between the Wheels
3934:One Little Victory
3643:Video compilations
3485:Exit... Stage Left
3394:Exit... Stage Left
3140:(list of releases)
2799:on August 23, 2014
2708:. Voyageur Press.
1863:. Anthem Records.
1574:
1503:Offizielle Top 100
1434:Norwegian Albums (
1305:pedals, production
1085:
996:
662:
195:Exit... Stage Left
4329:
4328:
4205:Time Machine Tour
4187:Counterparts Tour
4085:Manhattan Project
3892:Ghost of a Chance
3745:The Twilight Zone
3576:Rush Through Time
2648:. June 10, 2014.
2618:. July 29, 2011.
2324:on March 15, 2016
1646:
1645:
1641:
1566:
1565:
1559:
1558:
1512:
1511:
1486:
1485:
1448:Sverigetopplistan
1275:
1274:
1155:
1154:
1081:
1080:
974:
973:
792:
791:
396:Exit...Stage Left
344:Exit...Stage Left
316:
315:
288:Alternative cover
221:
220:
16:(Redirected from
4374:
4319:
4318:
4227:Related articles
4151:Hemispheres Tour
3948:Summertime Blues
3857:Time Stand Still
3600:Retrospective II
3410:Different Stages
3367:Clockwork Angels
3168:
3161:
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2522:
2497:
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2490:
2475:(4th ed.).
2463:
2457:
2456:
2454:
2452:
2440:"Signals - Rush"
2435:
2426:
2425:
2423:
2421:
2406:
2400:
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2397:
2395:
2370:
2364:
2363:
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2329:
2320:. Archived from
2308:
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1687:
1659:
1639:
1608:United Kingdom (
1576:
1573:
1521:
1520:
1488:
1487:
1446:Swedish Albums (
1395:
1394:
1386:
1169:
1164:
1163:
1093:
1088:
1084:
1004:
999:
995:
895:
894:
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728:
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696:
695:
691:
690:
665:
661:
622:Warren Cromartie
572:Ernest Hemingway
301:
280:
277:
267:
264:
254:
251:
190:
189:
143:
142:
138:
118:progressive rock
72:
70:
44:
32:
31:
21:
4382:
4381:
4377:
4376:
4375:
4373:
4372:
4371:
4332:
4331:
4330:
4325:
4307:
4222:
4139:
3981:
3976:Headlong Flight
3864:Show Don't Tell
3711:
3684:
3665:
3638:
3592:Retrospective I
3563:
3525:Rush Replay X 3
3501:A Show of Hands
3472:
3402:A Show of Hands
3373:
3279:Moving Pictures
3271:Permanent Waves
3239:Caress of Steel
3210:
3177:
3172:
3128:
3123:
3122:
3112:
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2206:
2196:
2194:
2185:
2184:
2180:
2163:
2159:
2149:
2147:
2132:
2128:
2118:
2116:
2105:
2098:
2088:
2086:
2075:
2074:
2061:
2051:
2049:
2034:
2030:
2020:
2018:
2003:
1999:
1989:
1987:
1972:
1968:
1958:
1956:
1941:
1937:
1927:
1925:
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1885:
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1660:
1656:
1651:
1623:United States (
1586:Certified units
1572:
1567:
1519:
1517:Year-end charts
1501:German Albums (
1495:
1402:
1393:
1383:
1281:
1276:
1231:"New World Man"
1220:"New World Man"
1161:
1156:
1082:
979:
893:
839:Moving Pictures
784:
779:
774:
769:
746:
741:
736:
731:
708:
703:
698:
693:
660:
634:
602:
560:electric violin
538:
496:Moving Pictures
473:
468:
462:at Masterdisk.
428:Moving Pictures
392:Moving Pictures
388:
338:Moving Pictures
304:
283:
278:
271:
270:
265:
258:
257:
252:
245:
244:
216:
207:
198:
176:
140:
136:
135:
127:
68:
66:
57:
30:
23:
22:
15:
12:
11:
5:
4380:
4370:
4369:
4364:
4359:
4354:
4349:
4344:
4327:
4326:
4324:
4323:
4312:
4309:
4308:
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4298:
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4286:
4279:
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4265:
4258:
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4130:
4123:
4116:
4109:
4102:
4095:
4088:
4081:
4074:
4067:
4060:
4057:The Analog Kid
4053:
4046:
4039:
4032:
4025:
4018:
4011:
4004:
3997:
3989:
3987:
3983:
3982:
3980:
3979:
3972:
3965:
3958:
3951:
3944:
3937:
3930:
3923:
3920:Half the World
3916:
3909:
3902:
3895:
3888:
3885:Roll the Bones
3881:
3874:
3867:
3860:
3853:
3850:Mystic Rhythms
3846:
3839:
3832:
3825:
3818:
3811:
3804:
3797:
3790:
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3769:
3762:
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3727:
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3713:
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3710:
3709:
3701:
3692:
3690:
3689:Extended plays
3686:
3685:
3683:
3682:
3673:
3671:
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3666:
3664:
3663:
3655:
3646:
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3390:
3381:
3379:
3375:
3374:
3372:
3371:
3363:
3355:
3347:
3339:
3331:
3327:Roll the Bones
3323:
3315:
3311:Hold Your Fire
3307:
3299:
3291:
3283:
3275:
3267:
3259:
3251:
3243:
3235:
3227:
3218:
3216:
3212:
3211:
3209:
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3203:
3198:
3193:
3188:
3182:
3179:
3178:
3171:
3170:
3163:
3156:
3148:
3142:
3141:
3127:
3126:External links
3124:
3121:
3120:
3095:
3077:
3052:
3024:
3002:
2986:
2964:
2948:
2936:
2924:
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2784:
2758:
2733:
2714:
2694:
2663:
2633:
2603:
2558:
2528:
2501:J.D. Considine
2492:
2486:978-0195313734
2485:
2458:
2427:
2401:
2365:
2335:
2303:
2276:
2242:
2225:Creem Close-Up
2204:
2178:
2157:
2126:
2096:
2059:
2028:
1997:
1966:
1935:
1904:
1878:
1804:
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1598:
1590:
1589:
1583:
1580:
1571:
1570:Certifications
1568:
1564:
1563:
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1556:
1553:
1543:
1542:
1539:
1529:
1528:
1525:
1518:
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1431:
1430:
1427:
1422:Dutch Albums (
1419:
1418:
1415:
1405:
1404:
1399:
1392:
1389:
1384:
1382:
1379:
1378:
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1207:
1203:
1202:
1199:
1192:
1188:
1187:
1184:
1183:"Subdivisions"
1181:
1177:
1176:
1173:
1170:
1162:
1160:
1157:
1153:
1152:
1149:
1142:
1138:
1137:
1134:
1131:
1127:
1126:
1123:
1116:
1112:
1111:
1108:
1105:
1101:
1100:
1097:
1094:
1083:
1079:
1078:
1075:
1072:
1069:
1065:
1064:
1061:
1058:
1055:
1051:
1050:
1047:
1044:
1041:The Analog Kid
1037:
1033:
1032:
1029:
1026:
1019:
1015:
1014:
1011:
1008:
1005:
980:
978:
975:
972:
971:
968:
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962:
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948:
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908:
905:
902:
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892:
889:
790:
789:
760:
752:
751:
722:
714:
713:
684:
678:
677:
674:
670:
669:
659:
656:
633:
630:
626:Montreal Expos
601:
598:
568:string section
537:
534:
529:Common Grounds
472:
469:
467:
464:
387:
384:
333:Anthem Records
314:
313:
310:
309:
306:
305:
302:
294:
293:
290:
289:
285:
284:
282:
281:
268:
255:
241:
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227:
226:
223:
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219:
218:
209:
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186:
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178:
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133:
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109:
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100:
86:
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81:
78:
74:
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63:
59:
58:
53:
46:
45:
37:
36:
28:
9:
6:
4:
3:
2:
4379:
4368:
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4360:
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4277:
4273:
4271:
4270:
4266:
4264:
4263:
4259:
4257:
4256:
4252:
4250:
4249:Instrumentals
4247:
4245:
4242:
4240:
4237:
4235:
4232:
4231:
4229:
4225:
4218:
4217:R40 Live Tour
4215:
4212:
4209:
4206:
4203:
4200:
4197:
4194:
4191:
4188:
4185:
4182:
4179:
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4072:
4068:
4065:
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4054:
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4047:
4044:
4040:
4037:
4036:Red Barchetta
4033:
4030:
4026:
4023:
4019:
4016:
4012:
4009:
4005:
4002:
3998:
3995:
3991:
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3938:
3935:
3931:
3928:
3924:
3921:
3917:
3914:
3913:Test for Echo
3910:
3907:
3906:Nobody's Hero
3903:
3900:
3896:
3893:
3889:
3886:
3882:
3879:
3875:
3872:
3868:
3865:
3861:
3858:
3854:
3851:
3847:
3844:
3843:The Big Money
3840:
3837:
3833:
3830:
3826:
3823:
3819:
3816:
3812:
3809:
3808:New World Man
3805:
3802:
3798:
3795:
3791:
3788:
3784:
3781:
3777:
3774:
3770:
3767:
3763:
3760:
3759:Circumstances
3756:
3753:
3749:
3746:
3742:
3739:
3738:Lakeside Park
3735:
3732:
3728:
3725:
3721:
3720:
3718:
3714:
3707:
3706:
3702:
3699:
3698:
3694:
3693:
3691:
3687:
3680:
3679:
3675:
3674:
3672:
3668:
3661:
3660:
3656:
3653:
3652:
3648:
3647:
3645:
3641:
3634:
3633:
3629:
3626:
3625:
3621:
3618:
3617:
3613:
3610:
3609:
3605:
3602:
3601:
3597:
3594:
3593:
3589:
3586:
3585:
3581:
3578:
3577:
3573:
3572:
3570:
3566:
3559:
3558:
3554:
3551:
3550:
3546:
3543:
3542:
3538:
3535:
3534:
3530:
3527:
3526:
3522:
3519:
3518:
3514:
3511:
3510:
3506:
3503:
3502:
3498:
3495:
3494:
3490:
3487:
3486:
3482:
3481:
3479:
3475:
3468:
3467:
3463:
3460:
3459:
3455:
3452:
3451:
3447:
3444:
3443:
3439:
3436:
3435:
3431:
3428:
3427:
3423:
3420:
3419:
3415:
3412:
3411:
3407:
3404:
3403:
3399:
3396:
3395:
3391:
3388:
3387:
3383:
3382:
3380:
3376:
3369:
3368:
3364:
3361:
3360:
3356:
3353:
3352:
3348:
3345:
3344:
3343:Test for Echo
3340:
3337:
3336:
3332:
3329:
3328:
3324:
3321:
3320:
3316:
3313:
3312:
3308:
3305:
3304:
3303:Power Windows
3300:
3297:
3296:
3292:
3289:
3288:
3284:
3281:
3280:
3276:
3273:
3272:
3268:
3265:
3264:
3260:
3257:
3256:
3252:
3249:
3248:
3244:
3241:
3240:
3236:
3233:
3232:
3228:
3225:
3224:
3220:
3219:
3217:
3215:Studio albums
3213:
3207:
3204:
3202:
3199:
3197:
3194:
3192:
3189:
3187:
3184:
3183:
3180:
3176:
3169:
3164:
3162:
3157:
3155:
3150:
3149:
3146:
3139:
3135:
3134:
3130:
3129:
3109:
3105:
3099:
3091:
3087:
3081:
3066:
3062:
3056:
3040:
3039:
3034:
3028:
3021:
3017:
3016:
3011:
3006:
2999:
2996:(in German).
2995:
2990:
2983:
2982:
2977:
2975:
2968:
2961:
2957:
2952:
2945:
2940:
2933:
2928:
2921:
2916:
2909:
2905:
2904:
2899:
2894:
2879:
2875:
2869:
2854:
2850:
2844:
2828:
2824:
2820:
2814:
2803:September 17,
2798:
2794:
2788:
2777:September 17,
2772:
2768:
2762:
2747:
2743:
2737:
2721:
2717:
2715:9780760349953
2711:
2707:
2706:
2698:
2682:
2678:
2674:
2667:
2651:
2647:
2643:
2637:
2621:
2617:
2613:
2607:
2599:
2593:
2577:
2573:
2569:
2562:
2546:
2542:
2541:Rolling Stone
2538:
2532:
2521:September 17,
2516:
2512:
2511:
2510:Rolling Stone
2506:
2502:
2496:
2488:
2482:
2478:
2474:
2473:
2468:
2467:Larkin, Colin
2462:
2451:September 17,
2447:
2446:
2441:
2438:Prato, Greg.
2434:
2432:
2415:
2411:
2405:
2389:
2385:
2384:
2379:
2377:
2369:
2353:
2349:
2345:
2339:
2323:
2319:
2318:
2313:
2307:
2291:
2287:
2280:
2264:
2260:
2256:
2249:
2247:
2230:
2226:
2222:
2215:
2213:
2211:
2209:
2197:September 17,
2192:
2188:
2182:
2174:
2170:
2169:
2161:
2145:
2141:
2137:
2130:
2114:
2110:
2107:Gett, Steve.
2103:
2101:
2084:
2080:
2079:
2072:
2070:
2068:
2066:
2064:
2047:
2043:
2042:Music Express
2039:
2032:
2016:
2012:
2008:
2001:
1985:
1981:
1977:
1970:
1954:
1950:
1946:
1939:
1923:
1919:
1915:
1908:
1892:
1888:
1882:
1866:
1862:
1855:
1853:
1851:
1849:
1847:
1845:
1843:
1841:
1839:
1837:
1835:
1833:
1831:
1829:
1827:
1825:
1823:
1821:
1819:
1817:
1815:
1813:
1811:
1809:
1792:
1788:
1782:
1766:
1762:
1756:
1740:
1736:
1729:
1723:
1707:
1703:
1697:
1681:
1677:
1675:9781442231313
1671:
1667:
1666:
1658:
1654:
1642:
1636:
1632:
1629:
1626:
1621:
1617:
1614:
1611:
1606:
1602:
1599:
1596:
1591:
1587:
1582:Certification
1577:
1562:
1554:
1551:
1550:
1544:
1537:
1536:
1530:
1524:Chart (1982)
1522:
1514:
1504:
1499:
1491:Chart (2023)
1489:
1479:
1477:
1471:
1464:
1460:
1456:
1449:
1444:
1437:
1432:
1425:
1424:Album Top 100
1420:
1413:
1412:
1406:
1398:Chart (1982)
1396:
1391:Weekly charts
1388:
1387:
1375:
1372:
1369:
1366:
1363:
1360:
1357:
1354:
1351:
1348:
1345:
1342:
1339:
1336:
1333:
1332:
1328:
1327:
1323:
1320:
1319:
1315:
1314:
1310:
1307:
1304:
1300:
1297:
1294:
1291:
1290:
1286:
1285:
1284:
1270:
1268:"Digital Man"
1267:
1263:
1259:
1256:
1252:
1248:
1245:
1241:
1237:
1233:
1230:
1226:
1222:
1219:
1215:
1211:
1208:
1204:
1200:
1197:
1196:Red Barchetta
1193:
1189:
1185:
1182:
1178:
1165:
1150:
1147:
1143:
1139:
1135:
1132:
1128:
1124:
1121:
1120:New World Man
1117:
1113:
1109:
1106:
1102:
1089:
1076:
1073:
1071:"Digital Man"
1070:
1066:
1062:
1059:
1056:
1052:
1048:
1045:
1042:
1038:
1034:
1030:
1027:
1024:
1020:
1016:
1000:
994:
993:
989:
985:
977:Track listing
969:
966:
963:
960:
959:
955:
952:
949:
946:
945:
941:
937:
934:
931:
928:
927:
922:
919:
917:
914:
911:
910:
906:
903:
900:
897:
896:
888:
885:
881:
880:
874:
872:
868:
867:Martin Popoff
864:
860:
856:
855:
849:
847:
846:
841:
840:
835:
834:
829:
825:
821:
819:
815:
811:
809:
805:
801:
799:
798:
797:Rolling Stone
761:
759:
758:
757:Rolling Stone
754:
753:
723:
721:
720:
716:
715:
685:
683:
680:
679:
671:
668:Review scores
666:
655:
653:
651:
646:
641:
639:
629:
627:
624:. He and the
623:
618:
613:
611:
607:
597:
595:
591:
587:
584:
579:
577:
576:R40 Live Tour
573:
569:
565:
562:somewhere on
561:
557:
553:
548:
545:
543:
533:
531:
530:
525:
521:
520:Muskoka Lakes
517:
513:
509:
504:
502:
497:
492:
489:
485:
480:
478:
463:
461:
457:
452:
450:
446:
442:
438:
433:
429:
425:
421:
415:
413:
409:
405:
404:Morin-Heights
401:
397:
393:
383:
381:
377:
373:
369:
365:
364:New World Man
361:
356:
354:
350:
346:
345:
340:
339:
334:
330:
326:
322:
321:
311:
307:
300:
295:
291:
286:
275:
269:
262:
256:
249:
248:New World Man
243:
242:
239:
236:
232:
228:
224:
215:
214:
210:
206:
205:
201:
197:
196:
192:
191:
187:
183:
179:
173:
170:
167:
166:
164:
162:
158:
155:
152:
150:
146:
134:
130:
124:
121:
119:
116:
114:
111:
110:
108:
106:
102:
98:
94:
93:Morin-Heights
90:
87:
83:
79:
75:
64:
60:
56:
51:
47:
43:
38:
33:
27:
19:
4300:
4293:
4281:
4274:
4267:
4260:
4253:
4106:Lock and Key
3941:Secret Touch
3899:Stick It Out
3829:Red Sector A
3815:Subdivisions
3731:Fly by Night
3703:
3695:
3676:
3657:
3649:
3630:
3622:
3614:
3606:
3598:
3590:
3582:
3574:
3568:Compilations
3555:
3547:
3539:
3531:
3523:
3515:
3507:
3499:
3491:
3483:
3464:
3456:
3448:
3440:
3432:
3424:
3416:
3408:
3400:
3392:
3384:
3365:
3357:
3351:Vapor Trails
3349:
3341:
3335:Counterparts
3333:
3325:
3317:
3309:
3301:
3293:
3286:
3285:
3277:
3269:
3261:
3253:
3245:
3237:
3231:Fly by Night
3229:
3221:
3191:Alex Lifeson
3131:
3111:. Retrieved
3098:
3080:
3068:. Retrieved
3065:Music Canada
3055:
3043:. Retrieved
3036:
3027:
3013:
3005:
2989:
2980:
2973:
2967:
2951:
2939:
2927:
2915:
2901:
2893:
2883:February 26,
2881:. Retrieved
2878:www.rush.com
2877:
2868:
2858:February 26,
2856:. Retrieved
2852:
2843:
2831:. Retrieved
2822:
2813:
2801:. Retrieved
2797:the original
2787:
2775:. Retrieved
2771:the original
2761:
2749:. Retrieved
2746:Guitar World
2745:
2736:
2724:. Retrieved
2704:
2697:
2685:. Retrieved
2676:
2666:
2654:. Retrieved
2645:
2636:
2624:. Retrieved
2615:
2606:
2580:. Retrieved
2571:
2561:
2551:February 20,
2549:. Retrieved
2540:
2531:
2519:. Retrieved
2508:
2495:
2471:
2461:
2449:. Retrieved
2443:
2418:. Retrieved
2404:
2392:. Retrieved
2381:
2375:
2368:
2356:. Retrieved
2338:
2328:February 22,
2326:. Retrieved
2322:the original
2315:
2306:
2294:. Retrieved
2279:
2267:. Retrieved
2258:
2233:. Retrieved
2224:
2195:. Retrieved
2181:
2172:
2168:Classic Rock
2166:
2160:
2148:. Retrieved
2139:
2129:
2117:. Retrieved
2087:. Retrieved
2077:
2050:. Retrieved
2041:
2031:
2019:. Retrieved
2010:
2000:
1988:. Retrieved
1979:
1969:
1957:. Retrieved
1948:
1938:
1926:. Retrieved
1917:
1907:
1895:. Retrieved
1889:. Rush.com.
1881:
1869:. Retrieved
1795:. Retrieved
1781:
1769:. Retrieved
1763:. Rush.com.
1755:
1743:. Retrieved
1738:
1734:
1722:
1710:. Retrieved
1696:
1684:. Retrieved
1664:
1657:
1638:
1595:Music Canada
1560:
1547:
1533:
1475:
1409:
1374:Moon Records
1299:Alex Lifeson
1282:
1023:Subdivisions
988:Alex Lifeson
981:
939:
883:
879:Guitar World
877:
875:
870:
869:stated that
862:
859:Trent Reznor
852:
850:
843:
837:
831:
827:
822:
817:
812:
807:
803:
802:
795:
793:
755:
717:
649:
644:
642:
635:
614:
603:
594:Cape Kennedy
585:
580:
563:
558:playing the
554:of the band
549:
546:
542:drum machine
539:
527:
524:Troy Hickman
505:
500:
495:
493:
484:Virgin Gorda
481:
476:
474:
453:
448:
440:
437:Alex Lifeson
431:
427:
419:
416:
411:
395:
391:
389:
379:
375:
368:Subdivisions
357:
348:
342:
336:
319:
318:
317:
261:Subdivisions
234:
211:
203:
202:
193:
50:Studio album
26:
4342:1982 albums
4234:Discography
4213:(2012–2013)
4207:(2010–2011)
4201:(2007–2008)
4195:(1996–1997)
4183:(1991–1992)
4175:Presto Tour
4171:(1985–1986)
4159:(1980–1981)
4153:(1978–1979)
3994:Working Man
3986:Other songs
3801:Vital Signs
3724:In the Mood
3632:Working Men
3509:Rush in Rio
3477:Live videos
3418:Rush in Rio
3378:Live albums
3263:Hemispheres
3196:John Rutsey
2726:November 1,
2572:loudersound
1745:November 4,
1686:November 1,
1335:Terry Brown
1303:Moog Taurus
1244:Vital Signs
1209:"Countdown"
1133:"Losing It"
1057:"Chemistry"
456:Terry Brown
353:Terry Brown
172:Terry Brown
18:Digital Man
4336:Categories
4071:Red Lenses
4050:Witch Hunt
3836:Afterimage
3794:Tom Sawyer
3780:Entre Nous
3705:Cygnus X-1
3659:Chronicles
3584:Chronicles
3206:Neil Peart
3186:Jeff Jones
2582:January 4,
2394:January 1,
2358:January 1,
1735:RPM Weekly
1649:References
1633:1,000,000
1350:Bob Ludwig
1329:Production
1309:Neil Peart
984:Neil Peart
516:The Police
460:Bob Ludwig
445:Greg Quill
408:Neil Peart
184:chronology
113:Synth-rock
69:1982-09-09
4289:Hugh Syme
4127:Cold Fire
4092:Force Ten
3962:Spindrift
3878:Dreamline
3822:Countdown
3787:Limelight
3766:The Trees
3201:Geddy Lee
2981:Billboard
2974:Billboard
2646:Stereogum
2537:"Signals"
2505:"Signals"
2383:Billboard
2259:Billboard
1630:Platinum
1600:Platinum
1527:Position
1496:position
1476:Billboard
1459:UK Albums
1403:position
1359:Hugh Syme
1293:Geddy Lee
1279:Personnel
1146:Countdown
992:Geddy Lee
876:In 2022,
833:Stereogum
658:Reception
650:Billboard
617:Dalmatian
606:Hugh Syme
424:Geddy Lee
400:Le Studio
372:Countdown
274:Countdown
89:Le Studio
4321:Category
4078:Marathon
4029:Freewill
3871:The Pass
3697:Feedback
3670:Box sets
3557:R40 Live
3466:R40 Live
3038:Cash Box
2833:July 10,
2827:Archived
2823:Rush.com
2720:Archived
2687:July 21,
2681:Archived
2656:July 21,
2650:Archived
2626:July 21,
2620:Archived
2592:cite web
2576:Archived
2545:Archived
2515:Archived
2469:(2007).
2445:AllMusic
2414:Archived
2388:Archived
2352:Archived
2290:Archived
2263:Archived
2229:Archived
2191:Archived
2144:Archived
2113:Archived
2083:Archived
2046:Archived
2015:Archived
1984:Archived
1953:Archived
1922:Archived
1891:Archived
1865:Archived
1791:Archived
1765:Archived
1706:Archived
1680:Archived
1603:100,000
1593:Canada (
1549:Cash Box
1436:VG-lista
1322:Ben Mink
1086:Side two
997:Side one
964:Mercury
950:Mercury
935:CD, DVD
891:Reissues
814:AllMusic
682:AllMusic
586:Columbia
552:Ben Mink
536:Side two
471:Side one
235:Signals
161:Producer
123:new wave
99:, Canada
77:Recorded
62:Released
52: by
4120:Animate
4099:Mission
3969:Caravan
3955:Far Cry
3716:Singles
3287:Signals
3138:Discogs
3133:Signals
3113:July 3,
3070:July 3,
3045:May 15,
2751:May 23,
2420:July 8,
2376:Signals
2296:July 8,
2269:July 8,
2235:July 8,
2150:May 30,
2119:July 8,
2089:July 8,
2078:Signals
2052:July 8,
2021:July 8,
1990:July 8,
1959:July 8,
1928:July 8,
1897:July 8,
1871:July 6,
1797:July 6,
1771:July 6,
1712:May 30,
1618:60,000
1615:Silver
1588:/sales
1579:Region
1246:(Live)"
1198:(Live)"
932:Anthem
904:Format
884:Signals
871:Signals
863:Signals
828:Signals
826:placed
808:Signals
806:called
652:Hot 100
645:Signals
632:Release
600:Artwork
564:Signals
501:Signals
486:in the
477:Signals
449:Signals
441:Signals
432:Signals
420:Signals
412:Signals
380:Signals
376:Signals
370:" and "
349:Signals
320:Signals
231:Singles
217:(1984)
208:(1982)
204:Signals
199:(1981)
67: (
35:Signals
4255:Victor
4244:Awards
4219:(2015)
4189:(1994)
4177:(1990)
4165:(1981)
4113:Heresy
4022:Xanadu
3927:Driven
3708:(2017)
3700:(2004)
3681:(2013)
3662:(1990)
3654:(1985)
3635:(2009)
3627:(2009)
3619:(2006)
3611:(2003)
3603:(1997)
3595:(1997)
3587:(1990)
3579:(1979)
3560:(2015)
3552:(2013)
3544:(2011)
3536:(2008)
3528:(2006)
3520:(2005)
3512:(2003)
3504:(1989)
3496:(1986)
3488:(1982)
3469:(2015)
3461:(2013)
3453:(2011)
3445:(2009)
3437:(2008)
3429:(2005)
3421:(2003)
3413:(1998)
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