435:. Bryars later wrote that "the Cockpit Ensemble" was a "catchall name" for the hired studio musicians, as many did not wish to be credited. Eno described the music as the result of a self-generating, self-regulating system, with the input to the system taking the form of two- or four-measure fragments of Pachelbel's canon, and the system being the performers with a set of instructions. Each variation involves a different way of manipulating and overlaying the musical fragments. In the first piece, "Fullness of Wind", the players' tempos are decreased, with the rate of decrease being related to the relative pitch of the instruments, so that lower instruments are slowest. In the second piece, "French Catalogues", groups of notes are associated with time-related directions from different parts of the score. The third piece, "Brutal Ardour", presents the players with sequences of notes that are related but of different lengths. The titles of these pieces were derived from inaccurate French-to-English translations of the liner notes of a version of Pachelbel's Canon performed by the orchestra of
413:
341:
caught on immediately to what I was doing and helped me balance the softness of the rain patter with the faint string sound for where he lay in the room. There was no 'ambience by mistake'." Eno related another version in a 2011 interview: " put a record on and then left. The record was much too quiet but I couldn't reach to turn it up and it was raining outside ... I suddenly thought of this idea of making music that didn't impose itself on your space ... but created a sort of landscape you could belong to".
609:
604:
561:
599:
594:
589:
556:
551:
546:
541:
523:
518:
513:
508:
503:
31:
408:
to occasionally change its timbre. It is then run through an echo unit before being recorded onto a tape machine. The tape runs to the take-up reel of a second machine, and the output of that machine is fed back into the first tape machine which records the overlapped signals. The next day, Fripp
340:
liner notes, Eno inadvertently played the harp album almost inaudibly, which "presented what was for me a new way of hearing music – as part of the ambience of the environment". Nylon recalled the event differently: "I put the harp music on and balanced it as best as I could from where I stood;
387:
system, but was immediately interrupted: "people started knocking on the door, and I was answering the phone and adjusting all this stuff as it ran. I almost made that without listening to it. It was really automatic music." The
321:". This means music that is intended to blend into the ambient atmosphere of the room rather than be directly focused upon. Like Satie's notion of music that could "mingle with the sound of the knives and forks at dinner",
1823:
706:'s Sean Westergaard said it is Eno's "first full foray into what has become known as ambient music," and added that " reputation as a groundbreaking and influential work is surpassed only by its placid beauty."
682:
described it as "either the definitive unobtrusively lustrous statement on ambient musics or a wispy treacly bore that defies you to actually pay attention to it depending on your point of view."
409:
visited and Eno accidentally played the piece back at half-speed, thinking that "it was probably one of the best things I’d ever done and I didn’t even realize I was doing it at the time."
936:
739:
For the 40th anniversary (2015) of the release of the album, the
Canadian music ensemble Contact recorded "Discreet Music" with classical instruments as a seven-part one hour work.
214:
363:
the most successful of his recordings, explaining that it "was done very, very easily, very quickly, very cheaply, with no pain or anguish over anything, and I still like it."
1858:
1473:
1173:
674:
stated that the album "encourages a meditative but secular mood (good for hard bits of writing) more effectively than any of the other rock-identified
2622:
2353:
1816:
348:. His intention was to explore multiple ways to create music with limited planning or intervention. Nicole V. Gagné described the album as "a
2069:
2927:
328:
The inspiration for this album began when Eno was left bed-ridden by an automobile accident and was given an album of eighteenth-century
2426:
2922:
2796:
2023:
937:"Brian Eno / Harold Budd: Discreet Music / Ambient 1: Music for Airports / Ambient 2: The Plateaux of Mirror / Ambient 4: On Land"
2171:
1498:
1367:
Pinnock, Tom (January 2019). "Brian Eno: Discreet Music / Ambient 1: Music for
Airports / Music for Films / Ambient 4: On Land".
2912:
1953:
1946:
1628:
1573:
392:
contain a diagram of how this piece was created. It begins with two melodic phrases of different lengths played back from a
2582:
2506:
2472:
2346:
1918:
1767:
1718:
1674:
167:
412:
2848:
2718:
1939:
1605:
1554:
1297:
Barnes, Mike (October 2004). "Brian Eno: Discreet Music / Music for
Airports / On Land / The Plateaux of Mirror".
2932:
1844:
1271:
2339:
2195:
2037:
2823:
1746:
1591:
1540:
618:
580:
297:
986:
423:
The second half of the album consists of three related pieces, collectively titled "Three
Variations on the
2917:
2407:
1967:
1886:
1167:
906:
1219:
2486:
2016:
325:
was created to play in, and blend with, the subtle background audio of various, or any given, situation.
967:
2602:
1069:
352:
work using tape-delay and synthesizer" that would lead to Eno's further experiments in ambient music.
2902:
2869:
1020:
690:
described the album as "striking and haunting, filled with beauty and apprehension, paralleling the
1739:
1037:
2876:
2465:
1851:
1711:
1667:
1644:
1245:
2677:
2670:
2642:
2562:
2380:
1988:
1474:"A Bridge Too Far-Sighted? Exhibition Recalls Collaboration of Thomas Leer & Robert Rental"
436:
1105:
2535:
1981:
1872:
1694:
877:
2749:
2907:
2711:
2188:
2147:
2083:
2076:
2009:
1893:
1865:
1620:
1110:
384:
259:
8:
2387:
2299:
2283:
2051:
1795:
1725:
1546:
1074:
941:
569:
404:, which had a then-exotic, built-in digital sequencer. This signal is then run through a
283:
2776:
2249:
2115:
2108:
1995:
1774:
1760:
1660:
1446:
1502:
724:
would serve as inspiration for other musicians to experiment with tape delay, such as
2862:
2445:
2122:
2101:
1960:
1911:
1624:
1601:
1569:
1550:
1396:
1391:
1338:
675:
666:
652:
629:
405:
371:
The A-side of the album is a thirty-minute piece originally intended as a background
106:
1419:
2289:
2154:
1925:
1879:
1809:
1781:
1387:
1369:
1101:
836:
769:
764:
671:
640:
428:
424:
345:
267:
263:
185:
101:
96:
1188:
2855:
2729:
2704:
2649:
2520:
2320:
2312:
2244:
2002:
1753:
1536:
1532:
1528:
1342:
1299:
532:
451:
397:
318:
144:
137:
75:
2479:
2398:
2294:
2269:
2239:
2229:
2044:
1932:
1802:
714:
458:
401:
2896:
2543:
2513:
2497:
2219:
2030:
1597:
1587:
1424:
729:
686:
372:
310:
292:
251:
91:
2841:
2697:
2688:
2656:
2531:
2418:
1974:
1837:
1065:
798:
699:
679:
432:
376:
356:
278:
271:
132:
254:
work, with the titular A-side consisting of one 30-minute piece featuring
2814:
2803:
2613:
2553:
2456:
2262:
2255:
2202:
2129:
1830:
1016:
725:
710:
695:
393:
380:
255:
83:
987:"Live Now, Wise Up, Die Well: An Interview With Judy Nylon, Punk Legend"
30:
2738:
2305:
2234:
2224:
1583:
691:
431:", performed by the Cockpit Ensemble, and conducted and co-arranged by
389:
349:
333:
314:
2436:
2371:
1788:
1683:
792:
243:
154:
43:
246:, and the first released under his full name (as opposed to simply "
213:
2787:
2276:
1450:
1041:
881:
703:
495:
907:"Brian Eno and the "Quiet Club": Subtle Beauty as Social Critique"
461:
label in 2004. On CD reissues, a full minute of silence separates
2663:
2593:
1566:
Historical
Dictionary of Modern and Contemporary Classical Music
713:'s, and led to his collaboration with Eno on Bowie's late 1970s
2767:
38:
1652:
2573:
1189:"Orchestrating Eno: From the Discreet to the Discretionary"
450:
was the third (of four) simultaneous releases on Eno's new
329:
1272:"Jesus' Blood Never Failed Me Yet BCGBCD22 – Gavin Bryars"
218:
Re-release cover, featuring a still from Eno's 1981 video
1307:
997:
720:
The "operational diagram" printed on the rear sleeve of
2633:
1278:
1125:
1617:
On Some
Faraway Beach: The Life and Times of Brian Eno
1447:"Eno: I would set up sonic scenarios for David Bowie"
1319:
1246:"Brian Eno – Discreet Music (EG Records Ltd., 1975.)"
854:
852:
270:, performed by the Cockpit Ensemble and conducted by
379:to play over in a series of concerts. Eno set up a
1243:
849:
2894:
2361:
2623:Dream Theory in Malaya: Fourth World Volume Two
1172:: CS1 maint: others in cite AV media (notes) (
1244:KLFM.org; Poljicanin, Ivan (12 January 2017).
500:
2347:
2070:More Blank Than Frank/Desert Island Selection
1668:
1417:
1411:
1220:"Deconstructing Brian Eno's 'Discreet Music'"
1096:
1094:
1092:
416:A recreation of the "operational diagram" on
295:aesthetic Eno would later codify with 1978's
1471:
586:
538:
1162:(liner notes). Brian Eno. Obscure. 1975. 3.
1100:
930:
928:
2354:
2340:
1675:
1661:
1089:
871:
869:
867:
804:The Cockpit Ensemble – performer on Side B
262:. The B-side features three variations on
212:
29:
2797:Viva la Vida or Death and All His Friends
2024:Everything That Happens Will Happen Today
1527:
1418:Grant, Steven; Green, Jim; Robbins, Ira.
1386:
1313:
984:
961:
959:
400:. The equipment used in this case was an
1614:
1284:
1186:
1180:
1154:
1152:
1150:
1148:
1146:
1144:
1142:
1140:
1131:
1060:
1058:
1003:
925:
411:
2172:Songs of David Byrne and Brian Eno Tour
1366:
1213:
1211:
1209:
900:
898:
875:
864:
471:
220:Mistaken Memories of Medieval Manhattan
2895:
1824:Lightness: Music for the Marble Palace
1582:
1472:Rogatchevski, Ilia (5 February 2022).
1325:
1296:
956:
934:
904:
468:title track from the Pachelbel piece.
277:While his earlier collaborations with
2335:
1947:Fourth World, Vol. 1: Possible Musics
1656:
1563:
1382:
1380:
1137:
1064:
1055:
1029:
1025:. Al Jazeera. Event occurs at 15:11.
858:
801:– co-arranger and conductor on Side B
481:
1337:
1217:
1206:
1015:
965:
895:
344:This album is also an experiment in
2507:More Songs About Buildings and Food
1768:Apollo: Atmospheres and Soundtracks
1719:Taking Tiger Mountain (By Strategy)
1439:
502:
336:. After she left, according to the
13:
2928:Albums recorded at Trident Studios
2583:Q. Are We Not Men? A: We Are Devo!
1817:Extracts from Music for White Cube
1377:
1237:
1035:
457:This album was re-released on the
383:with built-in memory along with a
18:1975 studio album by Brian Eno
14:
2944:
2923:Ambient albums by English artists
2017:Beyond Even (The Cotswold Gnomes)
1940:Ambient 2: The Plateaux of Mirror
1638:
1542:The New Rolling Stone Album Guide
1187:Barbiero, Daniel (October 2020).
814:Brian Eno – producer, photography
588:
540:
742:
607:
602:
597:
592:
587:
559:
554:
549:
544:
539:
521:
516:
511:
506:
501:
1845:Music for Civic Recovery Centre
1491:
1465:
1360:
1331:
1290:
1264:
966:Beck, Matt (27 February 2009).
935:Singer, Liam (7 October 2004).
905:Suchin, Peter (November 2005).
678:that's come our way". In 1979,
313:builds upon a concept composer
291:marked a clear step toward the
2849:Lady June's Linguistic Leprosy
2196:A Year with Swollen Appendices
1499:"ContaQt | New Music Ensemble"
1218:Carr, Dan (3 September 2019).
1009:
978:
968:"Brian Eno and Discreet Music"
753:"Discreet Music" (Eno) – 30:35
709:This album was a favourite of
287:(1975) feature similar ideas,
242:is the fourth studio album by
1:
1954:My Life in the Bush of Ghosts
1747:Ambient 1: Music for Airports
1682:
1593:Spin Alternative Record Guide
1070:"Lester Bangs Interviews Eno"
842:
619:Spin Alternative Record Guide
581:The Rolling Stone Album Guide
304:
298:Ambient 1: Music for Airports
2913:Albums produced by Brian Eno
2408:Lucky Leif and the Longships
1392:"Christgau's Consumer Guide"
1303:. No. 131. p. 127.
878:"Discreet Music – Brian Eno"
786:
366:
332:music by a visiting friend,
281:and several selections from
7:
1904:Collaborative studio albums
1373:. No. 260. p. 38.
830:
72:Side A: Brian Eno's studio
10:
2949:
2603:Ambient 3: Day of Radiance
2427:The Sinking of the Titanic
1859:January 07003-Bell Studies
820:Simon Heyworth – mastering
779:"French Catalogues" – 5:18
442:
2870:Small Craft on a Milk Sea
2833:
2813:
2786:
2766:
2748:
2728:
2687:
2632:
2612:
2592:
2572:
2552:
2530:
2496:
2455:
2435:
2417:
2397:
2370:
2331:
2212:
2180:
2164:
2139:
2093:
2061:
1903:
1703:
1690:
1564:Gagné, Nicole V. (2012).
823:John Bonis – cover design
776:"Fullness of Wind" – 9:57
489:
486:
355:In a 1979 interview with
231:
227:
211:
207:
202:
198:
161:
153:
143:
131:
115:
82:
68:
64:Side B: 12 September 1975
58:
50:
37:
28:
23:
1740:Before and After Science
1615:Sheppard, David (2008).
1586:(1995). "Brian Eno". In
1531:(2004). "Brian Eno". In
985:Plantenga, Bart (2001).
795:– synthesizer, keyboards
762:Three Variations on the
2877:Drums Between the Bells
1852:Compact Forest Proposal
1712:Here Come the Warm Jets
1590:; Marks, Craig (eds.).
817:Peter Kelsey – engineer
309:Brian Eno's concept of
2933:Obscure Records albums
2678:No Line on the Horizon
2671:Original Soundtracks 1
2643:The Unforgettable Fire
2563:The Pavilion of Dreams
1989:Original Soundtracks 1
1106:"New Again: Brian Eno"
1022:One on One – Brian Eno
782:"Brutal Ardour" – 8:17
437:Jean-Francois Paillard
420:
346:generative composition
1347:Tom Hull – on the Web
1193:Perfect Sound Forever
826:Andrew Day – redesign
415:
398:digital recall system
2834:Other collaborations
2189:More Dark Than Shark
2148:77 Million Paintings
2084:Curiosities Volume 1
2077:More Music for Films
2010:The Equatorial Stars
1894:ForeverAndEverNoMore
1866:Another Day on Earth
1621:Chicago Review Press
1547:Simon & Schuster
1104:(23 November 2016).
732:on their 1979 album
694:music being made by
477:Professional ratings
472:Reception and legacy
2918:E.G. Records albums
2719:Pleased to Meet You
2388:Words for the Dying
2300:Long Now Foundation
2284:Music for Films III
1796:The Shutov Assembly
1726:Another Green World
1568:. Scarecrow Press.
1168:cite AV media notes
876:Westergaard, Sean.
478:
284:Another Green World
250:"). The album is a
62:Side A: 9 May 1975
2777:Now, Always, Never
2250:Oblique Strategies
2109:The Jezebel Spirit
2062:Compilation albums
1996:Music for Onmyo-Ji
1775:Thursday Afternoon
1761:Ambient 4: On Land
1704:Solo studio albums
476:
421:
2890:
2889:
2886:
2885:
2863:Tracks and Traces
2758:Faith and Courage
2362:Other production
2123:Strange Overtones
1926:Cluster & Eno
1912:(No Pussyfooting)
1645:Liner notes from
1630:978-1-55652-942-9
1575:978-0-8108-6765-9
1397:The Village Voice
1388:Christgau, Robert
1068:(November 1979).
1006:, pp. 188–9.
676:avant-garde music
667:The Village Voice
662:
661:
653:The Village Voice
406:graphic equaliser
235:
234:
203:Alternative cover
194:
193:
186:Cluster & Eno
2940:
2903:Brian Eno albums
2365:
2356:
2349:
2342:
2333:
2332:
2290:Generative music
2213:Related articles
1677:
1670:
1663:
1654:
1653:
1634:
1611:
1579:
1560:
1545:(4th ed.).
1537:Hoard, Christian
1533:Brackett, Nathan
1529:Considine, J. D.
1515:
1514:
1512:
1510:
1505:on 14 April 2018
1501:. Archived from
1495:
1489:
1488:
1486:
1484:
1469:
1463:
1462:
1460:
1458:
1443:
1437:
1436:
1434:
1432:
1415:
1409:
1408:
1406:
1404:
1390:(27 June 1977).
1384:
1375:
1374:
1364:
1358:
1357:
1355:
1353:
1335:
1329:
1323:
1317:
1311:
1305:
1304:
1294:
1288:
1282:
1276:
1275:
1268:
1262:
1261:
1259:
1257:
1241:
1235:
1234:
1232:
1230:
1215:
1204:
1203:
1201:
1199:
1184:
1178:
1177:
1171:
1163:
1156:
1135:
1129:
1123:
1122:
1120:
1118:
1098:
1087:
1086:
1084:
1082:
1062:
1053:
1052:
1050:
1048:
1033:
1027:
1026:
1013:
1007:
1001:
995:
994:
982:
976:
975:
972:Curator Magazine
963:
954:
953:
951:
949:
932:
923:
922:
920:
918:
902:
893:
892:
890:
888:
873:
862:
856:
837:Electronic music
770:Johann Pachelbel
765:Canon in D Major
672:Robert Christgau
612:
611:
610:
606:
605:
601:
600:
596:
595:
591:
590:
564:
563:
562:
558:
557:
553:
552:
548:
547:
543:
542:
526:
525:
524:
520:
519:
515:
514:
510:
509:
505:
504:
479:
475:
467:
429:Johann Pachelbel
425:Canon in D Major
268:Johann Pachelbel
264:Canon in D Major
216:
163:
162:
127:
126:
122:
33:
21:
20:
2948:
2947:
2943:
2942:
2941:
2939:
2938:
2937:
2893:
2892:
2891:
2882:
2829:
2809:
2782:
2762:
2750:Sinéad O'Connor
2744:
2730:Laurie Anderson
2724:
2683:
2650:The Joshua Tree
2628:
2608:
2588:
2568:
2548:
2526:
2521:Remain in Light
2492:
2451:
2431:
2413:
2393:
2366:
2363:
2360:
2327:
2245:Obscure Records
2230:Fripp & Eno
2208:
2176:
2160:
2135:
2116:King's Lead Hat
2089:
2057:
2003:Drawn from Life
1899:
1754:Music for Films
1699:
1686:
1681:
1641:
1631:
1608:
1576:
1557:
1519:
1518:
1508:
1506:
1497:
1496:
1492:
1482:
1480:
1470:
1466:
1456:
1454:
1445:
1444:
1440:
1430:
1428:
1416:
1412:
1402:
1400:
1385:
1378:
1365:
1361:
1351:
1349:
1336:
1332:
1324:
1320:
1312:
1308:
1295:
1291:
1283:
1279:
1270:
1269:
1265:
1255:
1253:
1242:
1238:
1228:
1226:
1216:
1207:
1197:
1195:
1185:
1181:
1165:
1164:
1158:
1157:
1138:
1130:
1126:
1116:
1114:
1099:
1090:
1080:
1078:
1063:
1056:
1046:
1044:
1036:Ankeny, Jason.
1034:
1030:
1019:(3 June 2011).
1014:
1010:
1002:
998:
983:
979:
964:
957:
947:
945:
933:
926:
916:
914:
903:
896:
886:
884:
874:
865:
857:
850:
845:
833:
789:
745:
608:
603:
598:
593:
560:
555:
550:
545:
522:
517:
512:
507:
474:
465:
452:Obscure Records
445:
369:
319:furniture music
307:
223:
189:
180:
171:
124:
120:
119:
111:
73:
63:
46:
19:
12:
11:
5:
2946:
2936:
2935:
2930:
2925:
2920:
2915:
2910:
2905:
2888:
2887:
2884:
2883:
2881:
2880:
2873:
2866:
2859:
2852:
2845:
2837:
2835:
2831:
2830:
2828:
2827:
2819:
2817:
2811:
2810:
2808:
2807:
2800:
2792:
2790:
2784:
2783:
2781:
2780:
2772:
2770:
2764:
2763:
2761:
2760:
2754:
2752:
2746:
2745:
2743:
2742:
2734:
2732:
2726:
2725:
2723:
2722:
2715:
2708:
2701:
2693:
2691:
2685:
2684:
2682:
2681:
2674:
2667:
2660:
2653:
2646:
2638:
2636:
2630:
2629:
2627:
2626:
2618:
2616:
2610:
2609:
2607:
2606:
2598:
2596:
2590:
2589:
2587:
2586:
2578:
2576:
2570:
2569:
2567:
2566:
2558:
2556:
2550:
2549:
2547:
2546:
2540:
2538:
2528:
2527:
2525:
2524:
2517:
2510:
2502:
2500:
2494:
2493:
2491:
2490:
2483:
2476:
2469:
2461:
2459:
2453:
2452:
2450:
2449:
2441:
2439:
2433:
2432:
2430:
2429:
2423:
2421:
2415:
2414:
2412:
2411:
2403:
2401:
2399:Robert Calvert
2395:
2394:
2392:
2391:
2384:
2376:
2374:
2368:
2367:
2359:
2358:
2351:
2344:
2336:
2329:
2328:
2326:
2325:
2317:
2309:
2302:
2297:
2292:
2287:
2280:
2273:
2270:Begegnungen II
2266:
2259:
2252:
2247:
2242:
2240:Berlin Trilogy
2237:
2232:
2227:
2222:
2216:
2214:
2210:
2209:
2207:
2206:
2199:
2192:
2184:
2182:
2178:
2177:
2175:
2174:
2168:
2166:
2162:
2161:
2159:
2158:
2151:
2143:
2141:
2137:
2136:
2134:
2133:
2126:
2119:
2112:
2105:
2102:Baby's on Fire
2097:
2095:
2091:
2090:
2088:
2087:
2080:
2073:
2065:
2063:
2059:
2058:
2056:
2055:
2048:
2045:Mixing Colours
2041:
2034:
2027:
2020:
2013:
2006:
1999:
1992:
1985:
1978:
1971:
1964:
1957:
1950:
1943:
1936:
1933:After the Heat
1929:
1922:
1915:
1907:
1905:
1901:
1900:
1898:
1897:
1890:
1883:
1876:
1869:
1862:
1855:
1848:
1841:
1834:
1827:
1820:
1813:
1806:
1799:
1792:
1785:
1778:
1771:
1764:
1757:
1750:
1743:
1736:
1733:Discreet Music
1729:
1722:
1715:
1707:
1705:
1701:
1700:
1698:
1697:
1691:
1688:
1687:
1680:
1679:
1672:
1665:
1657:
1651:
1650:
1647:Discreet Music
1640:
1639:External links
1637:
1636:
1635:
1629:
1612:
1606:
1588:Weisbard, Eric
1580:
1574:
1561:
1555:
1517:
1516:
1490:
1464:
1438:
1410:
1376:
1359:
1343:"Rock (1970s)"
1330:
1328:, p. 129.
1318:
1316:, p. 278.
1314:Considine 2004
1306:
1289:
1287:, p. 211.
1277:
1263:
1236:
1224:Reverb Machine
1205:
1179:
1160:Discreet Music
1136:
1134:, p. 194.
1124:
1102:O'Brien, Glenn
1088:
1054:
1028:
1008:
996:
977:
955:
924:
894:
863:
847:
846:
844:
841:
840:
839:
832:
829:
828:
827:
824:
821:
818:
815:
811:
810:
806:
805:
802:
796:
788:
785:
784:
783:
780:
777:
760:
759:
755:
754:
750:
749:
744:
741:
722:Discreet Music
715:Berlin Trilogy
670:in June 1977,
664:Reviewing for
660:
659:
656:
648:
647:
644:
636:
635:
632:
626:
625:
622:
614:
613:
584:
576:
575:
572:
566:
565:
536:
528:
527:
498:
492:
491:
488:
484:
483:
473:
470:
463:Discreet Music
448:Discreet Music
444:
441:
418:Discreet Music
402:EMS Synthi AKS
375:for guitarist
368:
365:
361:Discreet Music
338:Discreet Music
323:Discreet Music
306:
303:
289:Discreet Music
239:Discreet Music
233:
232:
229:
228:
225:
224:
217:
209:
208:
205:
204:
200:
199:
196:
195:
192:
191:
182:
177:Discreet Music
173:
159:
158:
151:
150:
147:
141:
140:
135:
129:
128:
117:
113:
112:
110:
109:
104:
99:
94:
88:
86:
80:
79:
70:
66:
65:
60:
56:
55:
52:
48:
47:
42:
35:
34:
26:
25:
24:Discreet Music
17:
9:
6:
4:
3:
2:
2945:
2934:
2931:
2929:
2926:
2924:
2921:
2919:
2916:
2914:
2911:
2909:
2906:
2904:
2901:
2900:
2898:
2879:
2878:
2874:
2872:
2871:
2867:
2865:
2864:
2860:
2858:
2857:
2853:
2851:
2850:
2846:
2844:
2843:
2839:
2838:
2836:
2832:
2826:
2825:
2821:
2820:
2818:
2816:
2812:
2806:
2805:
2801:
2799:
2798:
2794:
2793:
2791:
2789:
2785:
2779:
2778:
2774:
2773:
2771:
2769:
2765:
2759:
2756:
2755:
2753:
2751:
2747:
2741:
2740:
2736:
2735:
2733:
2731:
2727:
2721:
2720:
2716:
2714:
2713:
2709:
2707:
2706:
2702:
2700:
2699:
2695:
2694:
2692:
2690:
2686:
2680:
2679:
2675:
2673:
2672:
2668:
2666:
2665:
2661:
2659:
2658:
2654:
2652:
2651:
2647:
2645:
2644:
2640:
2639:
2637:
2635:
2631:
2625:
2624:
2620:
2619:
2617:
2615:
2611:
2605:
2604:
2600:
2599:
2597:
2595:
2591:
2585:
2584:
2580:
2579:
2577:
2575:
2571:
2565:
2564:
2560:
2559:
2557:
2555:
2551:
2545:
2544:Machine Music
2542:
2541:
2539:
2537:
2533:
2529:
2523:
2522:
2518:
2516:
2515:
2514:Fear of Music
2511:
2509:
2508:
2504:
2503:
2501:
2499:
2498:Talking Heads
2495:
2489:
2488:
2484:
2482:
2481:
2477:
2475:
2474:
2470:
2468:
2467:
2463:
2462:
2460:
2458:
2454:
2448:
2447:
2443:
2442:
2440:
2438:
2434:
2428:
2425:
2424:
2422:
2420:
2416:
2410:
2409:
2405:
2404:
2402:
2400:
2396:
2390:
2389:
2385:
2383:
2382:
2378:
2377:
2375:
2373:
2369:
2357:
2352:
2350:
2345:
2343:
2338:
2337:
2334:
2330:
2323:
2322:
2318:
2315:
2314:
2310:
2308:
2307:
2303:
2301:
2298:
2296:
2293:
2291:
2288:
2286:
2285:
2281:
2279:
2278:
2274:
2272:
2271:
2267:
2265:
2264:
2260:
2258:
2257:
2253:
2251:
2248:
2246:
2243:
2241:
2238:
2236:
2233:
2231:
2228:
2226:
2223:
2221:
2220:Ambient music
2218:
2217:
2215:
2211:
2205:
2204:
2200:
2198:
2197:
2193:
2191:
2190:
2186:
2185:
2183:
2179:
2173:
2170:
2169:
2167:
2163:
2157:
2156:
2152:
2150:
2149:
2145:
2144:
2142:
2138:
2131:
2127:
2124:
2120:
2117:
2113:
2110:
2106:
2103:
2099:
2098:
2096:
2092:
2086:
2085:
2081:
2079:
2078:
2074:
2072:
2071:
2067:
2066:
2064:
2060:
2054:
2053:
2049:
2047:
2046:
2042:
2040:
2039:
2035:
2033:
2032:
2031:Someday World
2028:
2026:
2025:
2021:
2019:
2018:
2014:
2012:
2011:
2007:
2005:
2004:
2000:
1998:
1997:
1993:
1991:
1990:
1986:
1984:
1983:
1979:
1977:
1976:
1972:
1970:
1969:
1965:
1963:
1962:
1958:
1956:
1955:
1951:
1949:
1948:
1944:
1942:
1941:
1937:
1935:
1934:
1930:
1928:
1927:
1923:
1921:
1920:
1916:
1914:
1913:
1909:
1908:
1906:
1902:
1896:
1895:
1891:
1889:
1888:
1884:
1882:
1881:
1877:
1875:
1874:
1870:
1868:
1867:
1863:
1861:
1860:
1856:
1854:
1853:
1849:
1847:
1846:
1842:
1840:
1839:
1835:
1833:
1832:
1828:
1826:
1825:
1821:
1819:
1818:
1814:
1812:
1811:
1807:
1805:
1804:
1800:
1798:
1797:
1793:
1791:
1790:
1786:
1784:
1783:
1779:
1777:
1776:
1772:
1770:
1769:
1765:
1763:
1762:
1758:
1756:
1755:
1751:
1749:
1748:
1744:
1742:
1741:
1737:
1735:
1734:
1730:
1728:
1727:
1723:
1721:
1720:
1716:
1714:
1713:
1709:
1708:
1706:
1702:
1696:
1693:
1692:
1689:
1685:
1678:
1673:
1671:
1666:
1664:
1659:
1658:
1655:
1649:
1648:
1643:
1642:
1632:
1626:
1622:
1618:
1613:
1609:
1607:0-679-75574-8
1603:
1599:
1598:Vintage Books
1595:
1594:
1589:
1585:
1581:
1577:
1571:
1567:
1562:
1558:
1556:0-7432-0169-8
1552:
1548:
1544:
1543:
1538:
1534:
1530:
1526:
1525:
1524:
1523:
1504:
1500:
1494:
1479:
1475:
1468:
1453:. 11 May 2016
1452:
1448:
1442:
1427:
1426:
1425:Trouser Press
1421:
1414:
1399:
1398:
1393:
1389:
1383:
1381:
1372:
1371:
1363:
1348:
1344:
1340:
1334:
1327:
1322:
1315:
1310:
1302:
1301:
1293:
1286:
1285:Sheppard 2008
1281:
1273:
1267:
1252:(in Croatian)
1251:
1247:
1240:
1225:
1221:
1214:
1212:
1210:
1194:
1190:
1183:
1175:
1169:
1161:
1155:
1153:
1151:
1149:
1147:
1145:
1143:
1141:
1133:
1132:Sheppard 2008
1128:
1113:
1112:
1107:
1103:
1097:
1095:
1093:
1077:
1076:
1071:
1067:
1066:Bangs, Lester
1061:
1059:
1043:
1039:
1032:
1024:
1023:
1018:
1012:
1005:
1004:Sheppard 2008
1000:
992:
991:3:AM Magazine
988:
981:
973:
969:
962:
960:
944:
943:
938:
931:
929:
912:
908:
901:
899:
883:
879:
872:
870:
868:
861:, p. 90.
860:
855:
853:
848:
838:
835:
834:
825:
822:
819:
816:
813:
812:
808:
807:
803:
800:
797:
794:
791:
790:
781:
778:
775:
774:
773:
771:
767:
766:
757:
756:
752:
751:
747:
746:
743:Track listing
740:
737:
735:
731:
730:Robert Rental
727:
723:
718:
716:
712:
707:
705:
701:
697:
693:
689:
688:
687:Trouser Press
683:
681:
677:
673:
669:
668:
657:
655:
654:
650:
649:
645:
643:
642:
638:
637:
633:
631:
628:
627:
623:
621:
620:
616:
615:
585:
583:
582:
578:
577:
573:
571:
568:
567:
537:
535:
534:
530:
529:
499:
497:
494:
493:
485:
482:Review scores
480:
469:
464:
460:
455:
453:
449:
440:
438:
434:
430:
426:
419:
414:
410:
407:
403:
399:
395:
391:
386:
382:
378:
374:
364:
362:
359:, Eno called
358:
353:
351:
347:
342:
339:
335:
331:
326:
324:
320:
316:
312:
311:ambient music
302:
300:
299:
294:
290:
286:
285:
280:
275:
273:
269:
265:
261:
257:
253:
249:
245:
241:
240:
230:
226:
221:
215:
210:
206:
201:
197:
188:
187:
183:
179:
178:
174:
170:
169:
165:
164:
160:
156:
152:
148:
146:
142:
139:
136:
134:
130:
118:
114:
108:
105:
103:
100:
98:
95:
93:
90:
89:
87:
85:
81:
77:
71:
67:
61:
57:
54:December 1975
53:
49:
45:
40:
36:
32:
27:
22:
16:
2875:
2868:
2861:
2854:
2847:
2842:June 1, 1974
2840:
2822:
2802:
2795:
2775:
2757:
2737:
2717:
2712:Millionaires
2710:
2703:
2696:
2676:
2669:
2662:
2657:Achtung Baby
2655:
2648:
2641:
2621:
2601:
2581:
2561:
2532:Gavin Bryars
2519:
2512:
2505:
2485:
2478:
2471:
2464:
2444:
2419:Gavin Bryars
2406:
2386:
2379:
2319:
2311:
2304:
2282:
2275:
2268:
2261:
2254:
2201:
2194:
2187:
2181:Publications
2153:
2146:
2082:
2075:
2068:
2050:
2043:
2036:
2029:
2022:
2015:
2008:
2001:
1994:
1987:
1980:
1975:Wrong Way Up
1973:
1966:
1959:
1952:
1945:
1938:
1931:
1924:
1919:Evening Star
1917:
1910:
1892:
1885:
1878:
1871:
1864:
1857:
1850:
1843:
1838:Kite Stories
1836:
1829:
1822:
1815:
1808:
1801:
1794:
1787:
1780:
1773:
1766:
1759:
1752:
1745:
1738:
1732:
1731:
1724:
1717:
1710:
1646:
1616:
1592:
1565:
1541:
1521:
1520:
1507:. Retrieved
1503:the original
1493:
1481:. Retrieved
1477:
1467:
1455:. Retrieved
1441:
1429:. Retrieved
1423:
1413:
1401:. Retrieved
1395:
1368:
1362:
1350:. Retrieved
1346:
1333:
1321:
1309:
1298:
1292:
1280:
1266:
1254:. Retrieved
1249:
1239:
1227:. Retrieved
1223:
1196:. Retrieved
1192:
1182:
1159:
1127:
1115:. Retrieved
1109:
1079:. Retrieved
1073:
1045:. Retrieved
1031:
1021:
1011:
999:
990:
980:
971:
946:. Retrieved
940:
915:. Retrieved
913:. No. 1
910:
885:. Retrieved
799:Gavin Bryars
763:
761:
738:
733:
721:
719:
708:
700:Philip Glass
685:
684:
680:Lester Bangs
665:
663:
651:
639:
617:
579:
531:
462:
456:
447:
446:
433:Gavin Bryars
422:
417:
377:Robert Fripp
370:
360:
357:Lester Bangs
354:
343:
337:
327:
322:
308:
296:
288:
282:
279:Robert Fripp
276:
272:Gavin Bryars
247:
238:
237:
236:
219:
184:
176:
175:
168:Evening Star
166:
39:Studio album
15:
2908:1975 albums
2815:Grace Jones
2804:Mylo Xyloto
2614:Jon Hassell
2554:Harold Budd
2457:David Bowie
2364:(by artist)
2263:Begegnungen
2256:No New York
2203:I Dormienti
2130:Third Uncle
2052:Secret Life
1831:I Dormienti
1695:Discography
1584:Powers, Ann
1522:Works cited
1478:The Quietus
1420:"Brian Eno"
1326:Powers 1995
1047:22 November
1038:"Brian Eno"
948:20 February
726:Thomas Leer
711:David Bowie
696:Steve Reich
394:synthesizer
390:liner notes
381:synthesizer
256:synthesizer
107:avant-garde
2897:Categories
2739:Bright Red
2536:John White
2306:Neverwhere
2225:Roxy Music
1887:Reflection
1403:3 February
1081:29 January
887:3 February
859:Gagné 2012
843:References
734:The Bridge
692:minimalist
385:tape delay
350:minimalist
334:Judy Nylon
315:Erik Satie
305:Background
260:tape delay
252:minimalist
157:chronology
102:generative
97:minimalist
2824:Hurricane
2446:Ultravox!
2437:Ultravox!
2372:John Cale
2038:High Life
1961:The Pearl
1789:Nerve Net
1684:Brian Eno
1339:Hull, Tom
1256:31 August
1111:Interview
1017:Khan, Riz
942:Pitchfork
917:19 August
809:Technical
793:Brian Eno
787:Personnel
570:Pitchfork
367:Recording
244:Brian Eno
155:Brian Eno
149:Brian Eno
44:Brian Eno
2788:Coldplay
2473:"Heroes"
2277:Old Land
2140:Software
1880:The Ship
1810:The Drop
1782:Textures
1539:(eds.).
1451:BBC News
1341:(n.d.).
1229:30 March
1198:30 March
1075:Musician
1042:AllMusic
911:/seconds
882:AllMusic
831:See also
704:AllMusic
630:Tom Hull
496:AllMusic
317:called "
145:Producer
78:, London
74:Side B:
59:Recorded
51:Released
41: by
2856:Spinner
2705:Wah Wah
2664:Zooropa
2594:Laraaji
2487:Outside
1982:Wah Wah
1509:1 April
1457:16 June
1352:16 July
454:label.
443:Release
293:ambient
190:(1977)
181:(1975)
172:(1975)
138:Obscure
92:Ambient
76:Trident
2768:Sikter
2534:&
2480:Lodger
2324:(2024)
2316:(1973)
1968:Hybrid
1803:Neroli
1627:
1604:
1572:
1553:
1483:1 June
1431:4 July
1117:14 May
772:(Eno)
758:Side B
748:Side A
574:8.8/10
490:Rating
487:Source
466:'s
459:Virgin
116:Length
69:Studio
2689:James
2165:Tours
2155:Bloom
2094:Songs
1370:Uncut
641:Uncut
373:drone
133:Label
84:Genre
2698:Laid
2574:Devo
2381:Fear
2295:Koan
1625:ISBN
1602:ISBN
1570:ISBN
1551:ISBN
1511:2016
1485:2024
1459:2016
1433:2016
1405:2018
1354:2020
1300:Mojo
1258:2023
1250:KLFM
1231:2021
1200:2021
1174:link
1119:2020
1083:2017
1049:2017
950:2013
919:2012
889:2018
728:and
698:and
646:9/10
624:7/10
533:Mojo
330:harp
258:and
2466:Low
2321:Eno
2313:Eno
2235:801
1873:Lux
768:by
702:."
427:by
396:'s
266:by
248:Eno
2899::
2634:U2
1623:.
1619:.
1600:.
1596:.
1549:.
1535:;
1476:.
1449:.
1422:.
1394:.
1379:^
1345:.
1248:.
1222:.
1208:^
1191:.
1170:}}
1166:{{
1139:^
1108:.
1091:^
1072:.
1057:^
1040:.
989:.
970:.
958:^
939:.
927:^
909:.
897:^
880:.
866:^
851:^
736:.
717:.
658:A−
634:B+
439:.
301:.
274:.
125:07
121:54
2355:e
2348:t
2341:v
2132:"
2128:"
2125:"
2121:"
2118:"
2114:"
2111:"
2107:"
2104:"
2100:"
1676:e
1669:t
1662:v
1633:.
1610:.
1578:.
1559:.
1513:.
1487:.
1461:.
1435:.
1407:.
1356:.
1274:.
1260:.
1233:.
1202:.
1176:)
1121:.
1085:.
1051:.
993:.
974:.
952:.
921:.
891:.
222:.
123::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
