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pitying, sympathetic people. Her husband, Pedro, the sacristan, is afraid that Mari’s activities will ruin his reputation, but his love of money overcomes his fear and pride. Maria Galia sets out for the nearest city, confronting a world she never knew existed, full of music, cattle trading fairs and picturesque people. She becomes the object of desire of other nomad beggars like herself, especially shrewd tricksters like
Septimio Miau.
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The setting of the film is the province of
Galicia, circa, 1920, in the impoverished village of San Clemente. Since the Village has no priest, ecclesiastic authority falls to Pedro Gailo, the sacristan, who has a young beautiful wife Mari Gaila. Greedy for any money that comes their way and eager to
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Septimo deserts Mari Gaila, who becomes ill and returns to the sacristan, empty handed. But Pedro Gailo uses his nephew’s corpse, showing off his gigantic member to families in other villages to make money. Later, Septimo returns and Rosa la Tatula acts as a go between. The lovers meet in a forest,
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Drawn sexually to this handsome outlaw, after a mild flirtation with him she leaves for home, loaded with money. The townspeople begin to gossip about her sudden wealth and freedom to leave the village at will. Mari Gaila meets up with
Septimo again, teams up with him, using the hydrocephalus child
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Comfortable in the joint guardianship of the child with her sister-in-law Marica, Mari Gaila, encouraged by another beggar woman nicknamed “la Tatula’, decides to go to various fairs and festivals and there puts the hydrocephalus dwarf on display, in order to wheedle funds from good-natured,
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Disgraced, desperate and poor, Mari Gaila is stripped nude, spat upon, mocked and stoned. The crowd ends its vengeance when Pedro, the sacristan, pronounces the “divine words" in Latin: “Let him who is free of sin cast the first stone”. These words in the midst of such squalor are ironic yet
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After the crowd leaves, Pedro maintains a saintly pose, forgiving his adulterous wife. Mari Gaila seems too clean and noble to have groveled in this squalor and comes off seeming almost saintly herself.
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miraculous, causing the crowd to disperse and look into their own motives. They are downtrodden peasants caught in a claustrophobic world, scheming, dirty people with nowhere to go.
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as a freak exhibit, and decides to run off with him. While they are making love, the locals ply the hydrocephalus child with liquor at the local tavern, causing his death.
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leave San
Clemente and her husband, Mari cares for a hydrocephalus-stricken child and uses him to beg for alms. The child becomes the source of their wealth.
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El cine español de la democracia: de la muerte de Franco al "cambio" socialista (1975-1989)
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consummate their affair and are caught by their jealous neighbors.
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Stars and
Masculinities in Spanish Cinema: From Banderas to Bardem
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The film was released theatrically in Spain on 15 September 1987.
570:"'Divinas palabras', Valle-Inclán según J. L. García Sánchez"
495:"Deconstructing Paco Rabal: masculinity, myth and meaning"
497:. In Powrie, Phil; Davies, Ann; Babington, Bruce (eds.).
618:Viaje al cine español. 25 años de los Premios Goya
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474:List of Spanish films of 1987
689:1980s Spanish-language films
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69:José Luis García Sánchez
18:Divine Words (1987 film)
534:Oxford University Press
526:Perriam, Chris (2003).
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679:Films set in the 1920s
262:was released in 1977.
256:Ramón del Valle-Inclán
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162:Pablo González del Amo
402:Best Supporting Actor
684:1980s Spanish films
674:Spanish drama films
441:Best Original Score
415:Best Cinematography
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328:as Marica del reino
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260:Mexican adaptation
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366:Nominee(s)
242:. It stars
205:107 minutes
65:Directed by
669:1987 films
663:Categories
532:. Oxford:
501:. London:
480:References
454:Best Sound
448:Nominated
308:Paco Rabal
232:(Spanish:
189:1987-09-15
171:Milladoiro
75:Written by
394:Nominated
390:Best Film
348:Accolades
302:Ana Belén
244:Ana Belén
159:Edited by
117:Ana Belén
468:See also
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167:Music by
110:Starring
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340:Release
221:Spanish
210:Country
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654:IMDb
626:ISBN
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538:ISBN
507:ISBN
461:Won
435:Won
422:Won
409:Won
380:1988
373:Ref.
295:Cast
266:Plot
258:. A
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