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patterns, both in terms of time and space. Well-rounded characters – "lifelike people" – were absent; instead, people appeared in these films as entities, just like any other, that are found in the material world. The films were fragmentary, impressionistic, lyrical. Their disruption of the coherence of time and space – a coherence favored by the fiction films of the day – can also be seen as an element of the modernist counter-model of cinematic narrative. The "real world" – Nichols calls it the "historical world" – was broken up into fragments and aesthetically reconstituted using film form. Examples of this style include Joris Ivens'
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presented in the programme to understand which term is being discussed in order to transpose it in the target language accordingly. Additionally, translators of minorised languages often have to face another problem: some terms may not even exist in the target language. In such cases, they have to create new terminology or consult specialists to find proper solutions. Also, sometimes the official nomenclature differs from the terminology used by actual specialists, which leaves the translator to decide between using the official vocabulary that can be found in the dictionary, or rather opting for spontaneous expressions used by real experts in real life situations.
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affected or altered by their presence. Nichols: "The filmmaker steps out from behind the cloak of voice-over commentary, steps away from poetic meditation, steps down from a fly-on-the-wall perch, and becomes a social actor (almost) like any other. (Almost like any other because the filmmaker retains the camera, and with it, a certain degree of potential power and control over events.)" The encounter between filmmaker and subject becomes a critical element of the film. Rouch and Morin named the approach cinéma vérité, translating Dziga Vertov's kinopravda into French; the "truth" refers to the truth of the encounter rather than some absolute truth.
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characterised by "the abundance of terminological units and very specific proper names". When the script is given to the translator, it is usually poorly transcribed or outright incorrect making the translation unnecessarily difficult and demanding because all of the proper names and specific terminology have to be correct in a documentary programme in order for it to be a reliable source of information, hence the translator has to check every term on their own. Such mistakes in proper names are for instance: "Jungle
Reinhard instead of Django Reinhart, Jorn Asten instead of Jane Austen, and Magnus Axle instead of Aldous Huxley".
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recently become more distrustful of the media's traditional fact production, making them more receptive to experimental ways of telling facts. The hybrid documentary implements truth games to challenge traditional fact production. Although it is fact-based, the hybrid documentary is not explicit about what should be understood, creating an open dialogue between subject and audience.
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developments which made them possible include mobile lightweight cameras and portable sound recording equipment for synchronized sound. Often, this mode of film eschewed voice-over commentary, post-synchronized dialogue and music, or re-enactments. The films aimed for immediacy, intimacy, and revelation of individual human character in ordinary life situations.
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1979:(1991). This subgenre might also lend itself to certain groups (e.g. women, ethnic minorities, gays and lesbians, etc.) to "speak about themselves". Often, a battery of techniques, many borrowed from fiction or avant-garde films, are used. Performative docs often link up personal accounts or experiences with larger political or historical realities.
1853:(voice-of-God) commentary often sounds "objective" and omniscient. Images are often not paramount; they exist to advance the argument. The rhetoric insistently presses upon us to read the images in a certain fashion. Historical documentaries in this mode deliver an unproblematic and "objective" account and interpretation of past events.
809:(literally, "cinematic truth") newsreel series of the 1920s. Vertov believed the camera – with its varied lenses, shot-counter shot editing, time-lapse, ability to slow motion, stop motion and fast-motion – could render reality more accurately than the human eye, and created a film philosophy from it.
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Poetic documentaries, which first appeared in the 1920s, were a sort of reaction against both the content and the rapidly crystallizing grammar of the early fiction film. The poetic mode moved away from continuity editing and instead organized images of the material world by means of associations and
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introduced possibilities for emerging forms of the hybrid documentary. Indeed, it was disqualified for an
Academy Award because of the stylized recreations. Traditional documentary filmmaking typically removes signs of fictionalization to distinguish itself from fictional film genres. Audiences have
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tradition is important in documentary film. Newsreels at this time were sometimes staged but were usually re-enactments of events that had already happened, not attempts to steer events as they were in the process of happening. For instance, much of the battle footage from the early 20th century was
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makes use of 15 different terms to refer to beetles in less than 30 minutes (longhorn beetle, cellar beetle, stag beetle, burying beetle or gravediggers, sexton beetle, tiger beetle, bloody nose beetle, tortoise beetle, diving beetle, devil's coach horse, weevil, click beetle, malachite beetle, oil
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stress subjective experience and emotional response to the world. They are strongly personal, unconventional, perhaps poetic and/or experimental, and might include hypothetical enactments of events designed to make us experience what it might be like for us to possess a certain specific perspective
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do not see themselves as a transparent window on the world; instead, they draw attention to their own constructedness, and the fact that they are representations. How does the world get represented by documentary films? This question is central to this subgenre of films. They prompt us to "question
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The directors of the movement take different viewpoints on their degree of involvement with their subjects. Kopple and
Pennebaker, for instance, choose non-involvement (or at least no overt involvement), and Perrault, Rouch, Koenig, and Kroitor favor direct involvement or even provocation when they
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defines a documentary film as "a factual film which is dramatic." Others further state that a documentary stands out from the other types of non-fiction films for providing an opinion, and a specific message, along with the facts it presents. Scholar Betsy McLane asserted that documentaries are for
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Grierson's principles of documentary were that cinema's potential for observing life could be exploited in a new art form; that the "original" actor and "original" scene are better guides than their fiction counterparts for interpreting the modern world; and that materials "thus taken from the raw"
156:("Animated photography"). Both were published in 1898 in French and were among the earliest written works to consider the historical and documentary value of the film. Matuszewski is also among the first filmmakers to propose the creation of a Film Archive to collect and keep safe visual materials.
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Documentary filmmakers are increasingly using social impact campaigns with their films. Social impact campaigns seek to leverage media projects by converting public awareness of social issues and causes into engagement and action, largely by offering the audience a way to get involved. Examples of
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Early film (pre-1900) was dominated by the novelty of showing an event. Single-shot moments were captured on film, such as a train entering a station, a boat docking, or factory workers leaving work. These short films were called "actuality" films; the term "documentary" was not coined until 1926.
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This poses a real challenge for the translators because they have to render the meaning, i.e. find an equivalent, of a very specific, scientific term in the target language and frequently the narrator uses a more general name instead of a specific term and the translator has to rely on the image
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believe that it is impossible for the act of filmmaking to not influence or alter the events being filmed. What these films do is emulate the approach of the anthropologist: participant-observation. Not only is the filmmaker part of the film, we also get a sense of how situations in the film are
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This form of documentary release is becoming more popular and accepted as costs and difficulty with finding TV or theatrical release slots increases. It is also commonly used for more "specialist" documentaries, which might not have general interest to a wider TV audience. Examples are military,
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The nature of documentary films has expanded in the past 30 years from the cinéma vérité style introduced in the 1960s in which the use of portable camera and sound equipment allowed an intimate relationship between filmmaker and subject. The line blurs between documentary and narrative and some
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Observational documentaries attempt to spontaneously observe their subjects with minimal intervention. Filmmakers who worked in this subgenre often saw the poetic mode as too abstract and the expository mode as too didactic. The first observational docs date back to the 1960s; the technological
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to record his surgical operations. They started in Paris a series of surgical films sometime before July 1898. Until 1906, the year of his last film, Doyen recorded more than 60 operations. Doyen said that his first films taught him how to correct professional errors he had been unaware of. For
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The process of translation of a documentary programme requires working with very specific, often scientific terminology. Documentary translators are not usually specialists in a given field. Therefore, they are compelled to undertake extensive research whenever asked to make a translation of a
2008:
Another problem is the lack of postproduction script or the poor quality of the transcription. A correct transcription is essential for a translator to do their work properly, however many times the script is not even given to the translator, which is a major impediment since documentaries are
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Although documentaries are financially more viable with the increasing popularity of the genre and the advent of the DVD, funding for documentary film production remains elusive. Within the past decade, the largest exhibition opportunities have emerged from within the broadcast market, making
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Expository documentaries speak directly to the viewer, often in the form of an authoritative commentary employing voiceover or titles, proposing a strong argument and point of view. These films are rhetorical, and try to persuade the viewer. (They may use a rich and sonorous male voice.) The
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place far more interpretive control with the director. The commercial success of these documentaries may derive from this narrative shift in the documentary form, leading some critics to question whether such films can truly be called documentaries; critics sometimes refer to these works as
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Documentary translators very often have to meet tight deadlines. Normally, the translator has between five and seven days to hand over the translation of a 90-minute programme. Dubbing studios typically give translators a week to translate a documentary, but in order to earn a good salary,
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filmmakers to convey their views about historical events, people, and places which they find significant. Therefore, the advantage of documentaries lies in introducing new perspectives which may not be prevalent in traditional media such as written publications and school curricula.
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specific documentary programme in order to understand it correctly and deliver the final product free of mistakes and inaccuracies. Generally, documentaries contain a large number of specific terms, with which translators have to familiarise themselves on their own, for example:
198:
Documentary practice is the complex process of creating documentary projects. It refers to what people do with media devices, content, form, and production strategies to address the creative, ethical, and conceptual problems and choices that arise as they make documentaries.
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A DVD documentary is a documentary film of indeterminate length that has been produced with the sole intent of releasing it for direct sale to the public on DVD, which is different from a documentary being made and released first on television or on a cinema screen (a.k.a.
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to visually narrate the documentary. The screens are held for about 5â10 seconds to allow adequate time for the viewer to read them. They are similar to the ones shown at the end of movies based on true stories, but they are shown throughout, typically between scenes.
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translators have to deliver their translations in a much shorter period, usually when the studio decides to deliver the final programme to the client sooner or when the broadcasting channel sets a tight deadline, e.g. on documentaries discussing the latest news.
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the authenticity of documentary in general." It is the most self-conscious of all the modes, and is highly skeptical of "realism". It may use
Brechtian alienation strategies to jar us, in order to "defamiliarize" what we are seeing and how we are seeing it.
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magazine from Paris, between 1899 and 1902. In 1924, Auguste LumiĂšre recognized the merits of
Marinescu's science films: "I've seen your scientific reports about the usage of the cinematograph in studies of nervous illnesses, when I was still receiving
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Modern documentaries have some overlap with television forms, with the development of "reality television" that occasionally verges on the documentary but more often veers to the fictional or staged. The "making-of" documentary shows how a movie or a
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were very popular in the early part of the 20th century. They were often referred to by distributors as "scenics". Scenics were among the most popular sort of films at the time. An important early film which moved beyond the concept of the scenic was
324:, but back then I had other concerns, which left me no spare time to begin biological studies. I must say I forgot those works and I am thankful to you that you reminded them to me. Unfortunately, not many scientists have followed your way."
1343:, influenced a whole generation of filmmakers. Among the many political documentaries produced in the early 1970s was "Chile: A Special Report", public television's first in-depth expository look at the September 1973 overthrow of the
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among the most prominent examples. Compared to dramatic narrative films, documentaries typically have far lower budgets which makes them attractive to film companies because even a limited theatrical release can be highly profitable.
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Films showing many people (for example, leaving a factory) were often made for commercial reasons: the people being filmed were eager to see, for payment, the film showing them. One notable film clocked in at over an hour and a half,
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is to have a dedicated narrator read a script which is dubbed onto the audio track. The narrator never appears on camera and may not necessarily have knowledge of the subject matter or involvement in the writing of the script.
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Cinéma vérité and similar documentary traditions can thus be seen, in a broader perspective, as a reaction against studio-based film production constraints. Shooting on location, with smaller crews, would also happen in the
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can be more real than the acted article. In this regard, Grierson's definition of documentary as "creative treatment of actuality" has gained some acceptance; however, this position is at variance with Soviet film-maker
499:. Flaherty filmed a number of heavily staged romantic documentary films during this time period, often showing how his subjects would have lived 100 years earlier and not how they lived right then. For instance, in
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Documentaries are shown in schools around the world in order to educate students. Used to introduce various topics to children, they are often used with a school lesson or shown many times to reinforce an idea.
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Modern lightweight digital video cameras and computer-based editing have greatly aided documentary makers, as has the dramatic drop in equipment prices. The first film to take full advantage of this change was
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Even after the word 'documentary' began to designate something that looked like a filmmaking practice, a cinematic tradition, and mode of audience reception, it remains, to this day, a practice without clear
955:, set up by John Grierson, was set up for the same propaganda reasons. It also created newsreels that were seen by their national governments as legitimate counter-propaganda to the psychological warfare of
315:(1901). All these short films have been preserved. The professor called his works "studies with the help of the cinematograph," and published the results, along with several consecutive frames, in issues of
1260:(the amount of film shot to the finished product) is very high, often reaching 80 to one. From there, editors find and sculpt the work into a film. The editors of the movement – such as
1490:" or "docu-ganda." However, directorial manipulation of documentary subjects has been noted since the work of Flaherty, and may be endemic to the form due to problematic ontological foundations.
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Matamala, A. (2009). Main
Challenges in the Translation of Documentaries. In J. Cintas (Ed.), New Trends in Audiovisual Translation (pp. 109â120). Bristol, UK: Multilingual Matters, p. 110-111.
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Matamala, A. (2009). Main
Challenges in the Translation of Documentaries. In J. Cintas (Ed.), New Trends in Audiovisual Translation (pp. 109â120). Bristol, UK: Multilingual Matters, p. 114â115
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Matamala, A. (2009). Main
Challenges in the Translation of Documentaries. In J. Cintas (Ed.), New Trends in Audiovisual Translation (pp. 109â120). Bristol, UK: Multilingual Matters, p. 113â114
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described the documentary not only as focusing on women in politics, but more specifically on women of color, their communities, and the significant changes they have wrought upon
America.
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The fundamentals of the style include following a person during a crisis with a moving, often handheld, camera to capture more personal reactions. There are no sit-down interviews, and the
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Matamala, A. (2009). Main
Challenges in the Translation of Documentaries. In J. Cintas (Ed.), New Trends in Audiovisual Translation (pp. 109â120). Bristol, UK: Multilingual Matters, p. 113
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Matamala, A. (2009). Main Challenges in the Translation of Documentaries. In J. Cintas (Ed.), New Trends in Audiovisual Translation (pp. 109â120). Bristol, UK: Multilingual Matters, p. 111
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Grierson, John. 'First Principles of Documentary', in Kevin Macdonald & Mark Cousins (eds.) Imagining Reality: The Faber Book of Documentary. London: Faber and Faber, 1996
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503:, Flaherty did not allow his subjects to shoot a walrus with a nearby shotgun, but had them use a harpoon instead. Some of Flaherty's staging, such as building a roofless
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Fake-fiction is a genre which deliberately presents real, unscripted events in the form of a fiction film, making them appear as staged. The concept was introduced by
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1119:, the filmmakers taking advantage of advances in technology allowing smaller, handheld cameras and synchronized sound to film events on location as they unfolded.
187:'s credos of provocation to present "life as it is" (that is, life filmed surreptitiously), and "life caught unawares" (life provoked or surprised by the camera).
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amongst others succeeded in blending propaganda, information, and education with a more poetic aesthetic approach to documentary. Examples of their work include
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The propagandist tradition consists of films made with the explicit purpose of persuading an audience of a point. One of the most celebrated and controversial
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86:", briefly lasted for one minute or less. Over time, documentaries have evolved to become longer in length and to include more categories. Some examples are
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922:(1942â1944) series was a newsreel series in the United States, commissioned by the government to convince the U.S. public that it was time to go to war.
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There are several challenges associated with translation of documentaries. The main two are working conditions and problems with terminology.
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Box office analysts have noted that the documentary film genre has become increasingly successful in theatrical release with films such as
106:. Documentary filmmakers have a responsibility to be truthful to their vision of the world without intentionally misrepresenting a topic.
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productions, each presenting complex combinations of social and ecological awareness, government propaganda, and leftist viewpoints.
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scientific purposes, after 1906, Doyen combined 15 of his films into three compilations, two of which survive, the six-film series
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Baptista, Tiago (November 2005). ""Il faut voir le maĂźtre": A Recent Restoration of Surgical Films by E.-L. Doyen, 1859â1916".
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Barry, Iris. "The Documentary Film, Prospect and Retrospect." The Bulletin of the Museum of Modern Art 13:2 (December 1945), 8.
770:) focused on humans within human-made environments, and included the so-called city symphony films such as Walter Ruttmann's,
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1429:(1995), which mix expressive, poetic, and rhetorical elements and stresses subjectivities rather than historical materials.
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Struggles for Representation African American Documentary Film and Video, edited by Phyllis R. Klotman and Janet K. Cutler,
1566:, directed by Humphrey Jennings and Stuart McAllister in 1942, is a wordless meditation on wartime Britain. From 1982, the
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James Chapman, "Film and History. Theory and History" part "Film as historical source" p.73â75, Palgrave Macmillan, 2013,
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2254:. Contemporary approaches to film and media series. Detroit: Wayne State University Press (published 2013). p. xiv.
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which is both a documentary and an avant-garde film against war. It was one of the first anti-Nazi films in history.
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Ellis, Jack C., and Betsy A. McLane. "A New History of Documentary Film." New York: Continuum International, 2005.
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filmmakers beholden to the tastes and influences of the broadcasters who have become their largest funding source.
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Scott MacKenzie, Film Manifestos and Global Cinema Cultures: A Critical Anthology, Univ of California Press 2014,
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was produced. Usually made for promotional purposes, it is closer to an advertisement than a classic documentary.
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tries to capture the great pulse of humanity as it flocks and swarms in daily activity and religious ceremonies.
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Although the terms are sometimes used interchangeably, there are important differences between cinéma vérité (
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beetle, cockchafer), apart from mentioning other animals such as horseshoe bats or meadow brown butterflies.
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shows animal and plant life in states of expansion, decay, sex, and death, with some, but little, narration.
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was among those who identified the mode of documentary film. He wrote two of the earliest texts on cinema,
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In this style, there is a host who appears on camera, conducts interviews, and who also does voice-overs.
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staged; the cameramen would usually arrive on site after a major battle and re-enact scenes to film them.
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In Britain, a number of different filmmakers came together under John Grierson. They became known as the
790:. These films tend to feature people as products of their environment, and lean towards the avant-garde.
587:, city symphony films can be described as, "An intersection between documentary and avant-garde film: an
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concentrated primarily on getting their process adopted by Hollywood studios for fiction feature films.
220:, were a minute or less in length, due to technological limitations. Examples can be viewed on YouTube.
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practice, a cinematic tradition, and mode of audience reception a practice without clear boundaries".
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Conference of "World Union of documentary films" in 1948 Warsaw featured famous directors of the era:
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was the best-known global manufacturer of such films in the early 20th century. A vivid example is
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could be described as visual tone poems, with music related to the images, but no spoken content.
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presented the entirety of a famous 1897 prize-fight on cinema screens across the United States.
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Documentary filmmaking can be used as a form of journalism, advocacy, or personal expression.
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2487:"More Than "Showing What Happened": Exploring the Potential of Teaching History with Film"
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was made in 2003 and won a British Independent Film Award for "Best British Documentary."
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In the 1960s and 1970s, documentary film was often regarded as a political weapon against
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Charles Ford, Robert Hammond: Polish Film: A Twentieth Century History. McFarland, 2005.
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3089:"Festivals: Post-Sundance 2001; Docs Still Face Financing and Distribution Challenges"
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51:"H16" reflex camera – a popular entry-level camera used in film schools
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intended to "document reality, primarily for instruction, education or maintaining a
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1439:(1986 – Part 1 and 1989 – Part 2) by Henry Hampton,
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area and seeks to capture the life, events and activities of the city. It can use
120:. These platforms have increased the distribution area and ease-of-accessibility.
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3524:
Documentary diary; An Informal History of the British Documentary Film, 1928â1939
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on the world that is not our own, e.g. that of black, gay men in Marlon Riggs's
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for interior shots, was done to accommodate the filming technology of the time.
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2875:"Ten years since the passing of Estonia's second president, Lennart Meri â ERR"
2456:(2nd ed.). New York and London: Continuum International Publishing Group.
2137:
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A city symphony film, as the name suggests, is most often based around a major
396:
392:
83:
6208:
6006:
5298:
3728:
The Cinema and Social Science. A Survey of Ethnographic and Sociological Films
867:
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4010:
3978:
3951:
3853:, ed. Adauto Novaes. SĂŁo Paulo: Companhia das Letras, 1993, pp. 367â384.
3715:
3658:
Fields of Vision. Essays in Film Studies, Visual Anthropology and Photography
3328:
3152:
2919:
2673:
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2047:
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580:
576:
551:
160:
5636:
3835:
Charles Warren, "Introduction, with a Brief History of Nonfiction Film," in
3141:"Where is Rocky II? The 10-year desert hunt for Ed Ruscha's missing boulder"
2765:
2734:
8232:
8097:
7470:
7206:
7147:
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191:
184:
3606:
The Moving Image: An International History of Film, Television & Radio
1926:
436:(1921)) used travelogues to promote the new color processes. In contrast,
385:
Biographical documentaries appeared during this time, such as the feature
179:
on 8 February 1926, written by "The Moviegoer" (a pen name for Grierson).
8237:
8203:
8198:
7807:
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4370:
4330:
4298:
4249:
4165:
4146:
4119:
4015:
3973:
3924:
3376:
Struggles for Representation: African American Documentary Film and Video
3271:
2826:"Franciszka and Stefan Themerson: Calling Mr. Smith (1943) â artincinema"
2251:
Documenting the Documentary: Close Readings of Documentary Film and Video
2178:
1899:
1889:
1845:
1724:
1587:
1518:
1487:
1323:
in general, especially in Latin America, but also in a changing society.
1277:
1261:
1242:
1222:
1147:
1033:
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913:
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658:
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was released. The film documented the failed Antarctic expedition led by
437:
415:
358:
95:
91:
3539:
Direct Cinema: Observational Documentary and the Politics of the Sixties
2857:"Estonia's President: Un-Soviet and Unconventional â The New York Times"
1805:
combines the testimony of various tobacco company executives before the
1735:
and documentary, practiced since the first documentary films were made.
1728:
563:
during the 1920s and 1930s. These films were particularly influenced by
8087:
7992:
7684:
7600:
7595:
7275:
7245:
6993:
6728:
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6617:
6497:
6402:
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6297:
6287:
6203:
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5964:
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5711:
5529:
5422:
5365:
5293:
5251:
5082:
4900:
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4855:
4813:
4782:
4472:
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4020:
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2502:
2102:
2057:
1782:
1642:
1629:
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1390:
1320:
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1143:
1123:
1085:, directed documentaries several years before his presidency. His film
1046:
975:
871:
735:
715:
564:
556:
117:
76:
44:
3747:, Marseille: Musées de Marseille. Images en Manoeuvres Editions, 1992.
3342:
The Documentary Makers: Interviews with 15 of the Best in the Business
2486:
472:
8014:
7777:
7699:
7500:
7400:
7323:
7280:
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1052:
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represented what a documentary should not be); Alberto Cavalcanti's,
404:
365:
in a staged story presented as truthful re-enactments of the life of
362:
340:
290:
286:
103:
7159:
4875:
3753:, "Cinéma et Sciences Humaines. Le Film Ethnologique Existe-t-il?,"
2571:
591:"; however, A.L. Rees suggests regarding them as avant-garde films.
159:
The word "documentary" was coined by Scottish documentary filmmaker
140:, the first publication about documentary function of cinematography
8215:
8022:
7706:
7674:
7586:
7581:
7460:
7405:
7338:
7295:
7060:
7049:
6099:
5761:
5656:
5442:
5432:
5380:
5070:
4529:
4281:
3958:
3471:
Forest of Pressure: Ogawa Shinsuke and Postwar Japanese Documentary
3333:
Kill the Documentary. A Letter to Filmmakers, Students and Scholars
2326:
Connected worlds: history in transnational perspective, Volume 2004
1602:
909:
818:
739:
596:
102:, and are often used within schools as a resource to teach various
3378:
Bloomington and Indianapolis, IN: Indiana University Press, 1999.
408:
373:
8150:
7914:
7782:
7738:
7733:
7663:
7485:
7475:
7290:
7112:
6422:
6104:
6047:
5065:
2428:
in Radio-TV-Film (RTVF). 375: Documentary Film & Television.
1506:
647:
113:
3185:
3183:
1594:
of cities and many natural landscapes across the United States.
759:
acts as a cameraman risking his life in search of the best shot.
8154:
7904:
7689:
7465:
7372:
7131:
6377:
5574:
5499:
5151:
5087:
5060:
4723:
4536:
4390:
3865:
3723:
568:
425:
242:
3876:
3028:"AFI Docs: Filmmakers Get Savvier About Fueling Social Change"
1817:(1928), which records a passing summer shower over Amsterdam;
403:(all deceased at the time of the production), released by the
8161:
7728:
7679:
7657:
7410:
7395:
6765:
6062:
5195:
5173:
5166:
4966:
3684:
The Ethnographer's Eye: Ways of Seeing in Modern Anthropology
3180:
2960:"In 'And She Could Be Next,' Women of Color Take on Politics"
504:
48:
6946:
1560:
Films in the documentary form without words have been made.
116:) have provided an avenue for the growth of the documentary-
7899:
7694:
7055:
6493:
5114:
3907:
1809:
with archival propaganda extolling the virtues of smoking.
1351:, produced by documentarians Ari Martinez and José Garcia.
956:
937:
138:
Une nouvelle source de l'histoire (A New Source of History)
64:
39:
3649:
Emilie de Brigard, "The History of Ethnographic Film," in
3498:
Japanese Documentary Film: The Meiji Era through Hiroshima
2380:. 24 July 2011. Archived from the original on 24 July 2011
3569:
The Search for Reality: The Art of Documentary Filmmaking
3663:
Faye Ginsburg, Lila Abu-Lughod and Brian Larkin (eds.),
3448:
Representing Reality: Issues and Concepts in Documentary
2678:
Babel and Babylon: Spectatorship in American Silent Film
2432:(College of communications): 4, slide 12. Archived from
734:). Most importantly, a city symphony film is a form of
3656:
Leslie Devereaux, "Cultures, Disciplines, Cinemas," in
2244:(1998). "Foreword to the new and expanded edition". In
1432:
Historical documentaries, such as the landmark 14-hour
1032:(Humphrey Jennings). Their work involved poets such as
266:(1911). These and five other of Doyen's films survive.
6491:
3794:
The Third Eye: Race, Cinema and Ethnographic Spectacle
3358:
Devices of Curiosity: Early Cinema and Popular Science
3335:, Foreword by Bill Nichols, Columbia UP, New York 2022
3784:
Ethnographic Film Aesthetics and Narrative Traditions
3450:. Bloomington, Ind.: Indiana University Press, 1991.
2995:"In 'docu-ganda' films, balance is not the objective"
3585:. Minneapolis: University of Minnesota Press, 1999.
3500:. Minneapolis: University of Minnesota Press, 2003.
309:
The Walking Troubles of Progressive Locomotion Ataxy
305:
A Case of Hysteric Hemiplegy Healed Through Hypnosis
3571:. Studio City, CA: Michael Wiese Productions 1997.
3115:"Act normal: hybrid tendencies in documentary film"
281:Between July 1898 and 1901, the Romanian professor
1769:) and subsequently on DVD for public consumption.
30:"Documentary" redirects here. For other uses, see
2616:at the Romanian National Cinematographic Center.
2175:International Documentary Film Festival Amsterdam
1459:, and UNESCO-awarded independent film on slavery
1283:Famous cinéma vérité/direct cinema films include
1044:. Among the best known films of the movement are
594:Early titles produced within this genre include:
75:has characterized the documentary in terms of "a
8255:
3846:Ismail Xavier, "Cinema: Revelação e Engano", in
3374:Klotman, Phyllis R. and Culter, Janet K.(eds.).
2398:: CS1 maint: bot: original URL status unknown (
2093:List of directors and producers of documentaries
1773:cultural arts, transport, sports, animals, etc.
1364:, directed by Grace Lee and Marjan Safinia. The
3832:, Paris: Aubier Montaigne, 1977, pp. 7â74.
2655:Excerpts of prof. dr. Marinescu's science films
2154:
1829:'s abstract animated films; Francis Thompson's
391:(1914) on the relationship between the writers
216:Many of the first films, such as those made by
3254:Documentary: A History of the Non-Fiction Film
2626:
2484:
1555:
1347:government in Chile by military leaders under
241:recorded on film a few surgical operations in
6962:
6477:
3892:
3391:Candid Eyes: Essays on Canadian Documentaries
3389:Leach, Jim, and Jeannette Sloniowski (eds.).
2485:Stoddard, Jeremy D.; Marcus, Alan S. (2010).
1324:
1062:(1943) is an anti-Nazi color film created by
866:(1931) about the Belgian coal mining region.
414:Early color motion picture processes such as
2648:
1781:Compilation films were pioneered in 1927 by
230:. Using pioneering film-looping technology,
82:Early documentary films, originally called "
3782:David MacDougall, "Whose Story Is It?," in
3755:Revue de GĂ©ographie Humaine et d'Ethnologie
3637:, Documentary – reading list
3223:
2908:"Celebrating Allan King's video-era vérité"
2328:p.151. Australian National University Press
930:produced two feature-length documentaries,
301:The Walking Troubles of Organic Paraplegies
6969:
6955:
6484:
6470:
3899:
3885:
3839:, ed. Charles Warren. Hanover and London:
3837:Beyond Document. Essays on Nonfiction Film
3581:Walker, Janet, and Diane Waldeman (eds.).
3086:
2889:"'True European' Lennart Meri passes away"
2721:(2010). "Avant-Doc: Eight Intersections".
2568:O privire criticÄ asupra filmului romĂąnesc
2412:
2378:"Pare Lorentz Film Library â FDR and Film"
2166:Academy Award for Best Documentary Feature
1134:"), pioneered by, among others, Canadians
513:tried to repeat the success of Flaherty's
3740:. New York & London: Routledge, 1990.
3665:Media Worlds: Anthropology on New Terrain
3562:Documentary: The Routledge Film Guidebook
2717:
1868:, many science and nature documentaries,
2957:
2695:A History of Experimental Film and Video
2548:
1925:
1823:Play of Light: Black, White, Grey (1930)
1799:about the McCarthy hearings. Similarly,
1475:incorporate stylized re-enactments, and
1218:Crisis: Behind a Presidential Commitment
1073:
965:
744:
471:
331:
268:
127:
38:
3822:. Paris: Denöel, 1977, pp. 73â110.
3355:
3344:. Hove, East Sussex: RotoVision, 2003.
3289:The Social Documentary in Latin America
3276:"Reflections on the Documentary Cinema"
3138:
3025:
2240:
2088:List of documentary television channels
1371:
14:
8256:
7640:Types of fiction with multiple endings
2905:
2855:McNeil, Donald G. Jr. (7 April 2001).
2854:
2604:
2584:
2557:
2449:
2430:California State University, Fullerton
264:Les Opérations sur la cavité crùnienne
6950:
6465:
3880:
3112:
3108:
3106:
3087:Keenlyside, Sarah (8 February 2001).
2688:
2686:
2613:A short history of the Romanian films
1999:
1662:
812:
738:, shot and edited in the style of a "
521:with two romanticized documentaries,
421:With Our King and Queen Through India
296:Walking Troubles of Organic Hemiplegy
3642:
3232:Encyclopedia of the Documentary Film
3159:from the original on 22 October 2016
2992:
2836:from the original on 31 January 2018
2806:from the original on 31 January 2018
2796:"Calling Mr Smith â Centre Pompidou"
2697:(2nd ed.). Palgrave Macmillan.
2692:
1982:
1776:
1310:
1083:President of the Republic of Estonia
763:The European continental tradition (
3139:Campion, Chris (11 February 2015).
2986:
1716:(2011) are a few notable examples.
1618:
1360:reviewed the political documentary
495:in 1922, documentary film embraced
453:Imperial Trans-Antarctic Expedition
260:Extirpation des tumeurs encapsulées
249:hospitals. In 1898, French surgeon
24:
6239:List of American independent films
3541:. London: Wallflower Press, 2007.
3103:
3068:from the original on 31 March 2016
2776:from the original on 25 April 2018
2683:
2358:from the original on 26 March 2018
2312:
2222:from the original on 25 April 2018
2083:List of documentary film festivals
1856:Examples: TV shows and films like
1759:
844:(1935), which chronicled the 1934
372:Contemplation is a separate area.
285:made several science films in his
25:
8295:
8043:Third-person omniscient narrative
3858:
3651:Principles of Visual Anthropology
3526:. New York: Hill and Wang, 1973.
3306:Dawson, Jonathan. "Dziga Vertov".
3007:from the original on 12 June 2006
2634:"The Works of Gheorghe Marinescu"
2453:A New History of Documentary Film
1417:works are very personal, such as
722:cinematography (Walter Ruttman's
432:(1919) and the five-reel feature
150:Une nouvelle source de l'histoire
6445:
6436:
6435:
3864:
3726:, 1962. Published in English as
3038:from the original on 4 June 2016
2248:; Sloniowski, Jeannette (eds.).
1921:
1099:
772:Berlin: Symphony of a Metropolis
674:Berlin: Symphony of a Metropolis
664:SĂŁo Paulo, Sinfonia da MetrĂłpole
544:
152:("A New Source of History") and
3906:
3820:L'Invention du CinĂ©ma 1832â1897
3210:
3201:
3192:
3171:
3132:
3080:
3050:
3019:
2993:Wood, Daniel B. (2 June 2006).
2977:
2958:Phillips, Maya (28 June 2020).
2951:
2933:
2906:Pevere, Geoff (27 April 2007).
2899:
2881:
2867:
2848:
2818:
2788:
2758:
2749:
2711:
2667:
2542:
2525:
2478:
2443:
1789:. More recent examples include
1787:The Fall of the Romanov Dynasty
1738:
354:In the Land of the Head Hunters
7431:Conflict between good and evil
3745:Premier Contact-Premier Regard
3669:University of California Press
3293:University of Pittsburgh Press
3268:. Still a useful introduction.
2406:
2370:
2340:
2331:
2296:
2279:
2234:
2204:
2012:
1991:
1915:The Plow That Broke the Plains
1745:Pseudo-documentary § Film
1719:
1657:
1437:: America's Civil Rights Years
1069:
889:The Plow That Broke the Plains
825:
793:
467:
13:
1:
6976:
3612:Ltd. in association with the
3475:University of Minnesota Press
3026:Johnson, Ted (19 June 2015).
3000:The Christian Science Monitor
2945:National Film Board of Canada
2197:
1975:(1989) or Jenny Livingston's
1641:This style of narration uses
447:'s feature documentary film,
227:The Corbett-Fitzsimmons Fight
123:
2551:Journal of Film Preservation
2155:Some documentary film awards
1249:) are all frequently deemed
933:Legong: Dance of the Virgins
327:
144:Polish writer and filmmaker
32:Documentary (disambiguation)
7:
3816:Histoire Générale du Cinéma
3720:Cinéma et Sciences Sociales
3421:Introduction to Documentary
3395:University of Toronto Press
3360:. Oxford University Press.
3113:Moody, Luke (2 July 2013).
2592:Filmul documentar 1897â1948
2212:"Oxford English Dictionary"
2186:Margaret Mead Film Festival
2035:
1954:Participatory documentaries
1731:genre from two basic ones,
1556:Documentaries without words
1494:such documentaries include
210:
27:Nonfictional motion picture
10:
8300:
6130:Classical Hollywood cinema
5319:Commedia sexy all'italiana
4227:Exploitation film template
4171:Commedia sexy all'italiana
3769:Princeton University Press
3688:Cambridge University Press
3564:. London: Routledge, 2010.
1968:Performative documentaries
1946:
1753:to describe his 2016 film
1742:
1628:The traditional style for
1335:, from 1968), directed by
1305:The Children Were Watching
1126:) and the North American "
1091:won a silver medal at the
1088:The Winds of the Milky Way
982:(2nd from the right), and
803:was central to the Soviet
262:(1906), and the four-film
205:
29:
8106:
8078:
8070:Stream of unconsciousness
8013:
7757:
7648:
7601:Falling action/Catastasis
7546:
7451:
7386:
7309:
7121:
6984:
6505:
6431:
6034:
5952:
5697:German underground horror
5652:Documentary Film Movement
5560:American eccentric cinema
5545:
4791:
3917:
3841:Wesleyan University Press
3757:3 (1948), pp. 42â50.
3738:Signatures of the Visible
3710:University of Texas Press
3256:, 2nd rev. ed. New York:
3058:"social impact campaigns"
2766:"Calling Mr. Smith â LUX"
2450:McLane, Betsy A. (2012).
2078:List of documentary films
992:Documentary Film Movement
778:noted in an article that
704:Rhapsody in Two Languages
621:Twenty Four Dollar Island
533:(1927), both directed by
443:Also during this period,
388:Eminescu-Veronica-CreangÄ
343:camera during World War I
218:Auguste and Louis LumiĂšre
190:The American film critic
173:(1926), published in the
98:. Documentaries are very
8274:Investigative journalism
7438:Self-fulfilling prophecy
3583:Feminism and Documentary
3425:Indiana University Press
3356:Gaycken, Oliver (2015).
3287:Burton, Julianne (ed.).
3224:Sources and bibliography
2661:26 February 2015 at the
2424:. Lecture Notes for the
2413:Larry Ward (Fall 2008).
2128:Public-access television
2024:Beetles, Record Breakers
1942:
1586:) consists primarily of
1332:The Hour of the Furnaces
1197:Albert and David Maysles
1160:Albert and David Maysles
1107:(or the closely related
1081:(1929â2006), the second
959:Germany orchestrated by
848:and was commissioned by
462:
313:Illnesses of the Muscles
253:invited Matuszewski and
8065:Stream of consciousness
7528:Suspension of disbelief
5632:Cinema of Transgression
4766:Cinema of Transgression
3281:9 February 2012 at the
3258:Oxford University Press
2743:10.1525/fq.2010.64.2.50
2735:10.1525/fq.2010.64.2.50
2491:The High School Journal
1961:Reflexive documentaries
1354:A June 2020 article in
1130:" (or more accurately "
788:Man with a Movie Camera
752:Man with a Movie Camera
732:Man with a Movie Camera
684:Man with a Movie Camera
418:(known for the feature
357:(1914), which embraced
277:'s science films (1899)
7606:Denouement/Catastrophe
7587:Rising action/Epitasis
5852:The Prague film school
5717:Hollywood on the Tiber
3843:, 1996, pp. 1â22.
3614:British Film Institute
2640:. 1967. Archived from
2029:
1935:
1592:time-lapse photography
1427:Black Is...Black Ain't
1325:
1096:
1093:New York Film Festival
1040:, and writers such as
987:
942:Kilou the Killer Tiger
760:
609:/Nothing But The Hours
482:
430:Everywhere With Prizma
344:
278:
154:La photographie animée
141:
110:Social media platforms
52:
7952:Utopian and dystopian
5707:Grupo Cine LiberaciĂłn
5647:Czechoslovak New Wave
5642:Commedia all'italiana
3989:Commedia all'italiana
3798:Duke University Press
3633:11 March 2015 at the
3423:, Bloomington, Ind.:
3291:. Pittsburgh, Penn.:
2620:11 April 2008 at the
2422:Communication Faculty
2352:wwwmcc.murdoch.edu.au
2177:(IDFA), (named after
2020:
1932:Port of Dar es Salaam
1929:
1865:America's Most Wanted
1409:An Inconvenient Truth
1403:March of the Penguins
1362:And She Could Be Next
1326:La Hora de los hornos
1172:Chronicle of a Summer
1077:
969:
852:. Leftist filmmakers
748:
728:Soviet montage theory
475:
335:
272:
131:
42:
7506:Narrative techniques
7286:Story within a story
7098:Supporting character
6234:Guerrilla filmmaking
5897:Kitchen sink realism
5782:New French Extremity
5692:German Expressionist
5600:Kitchen sink realism
5465:Contemporary Western
5245:Environmental issues
4776:New French Extremity
4734:New French Extremity
4559:Softcore pornography
4554:Hardcore pornography
4421:New French Extremity
3873:at Wikimedia Commons
3830:Sociologie du Cinéma
3765:Transcultural Cinema
3393:. Toronto; Buffalo:
2439:on 3 September 2006.
1885:The Shock of the New
1795:(1964), directed by
1513:Living on One Dollar
1372:Modern documentaries
1036:, composers such as
784:Rien que les heures;
694:Douro, Faina Fluvial
239:BolesĆaw Matuszewski
146:BolesĆaw Matuszewski
134:BolesĆaw Matuszewski
8279:Types of journalism
8211:Political narrative
8053:Unreliable narrator
7910:Speculative fiction
7618:Nonlinear narrative
7566:Three-act structure
7426:Deal with the Devil
5970:Children and family
5944:Yugoslav Black Wave
5817:Nuevo Cine Mexicano
5702:Nigerian Golden Age
5667:European art cinema
5570:Australian New Wave
3790:Fatimah Tobing Rony
3751:André Leroi-Gourhan
3339:Goldsmith, David A.
3230:Aitken, Ian (ed.).
2693:Rees, A.L. (2011).
2594:, Bucharest, 2008,
2143:Visual anthropology
2118:Participatory video
1673:(1988) directed by
1624:Voice-over narrator
1166:deem it necessary.
1029:A Diary for Timothy
928:Henri de la Falaise
908:(1939) are notable
846:Nazi Party Congress
841:Triumph of the Will
786:and Dziga Vertov's
607:Rien que les heures
501:Nanook of the North
492:Nanook of the North
478:Nanook of the North
379:Moscow Clad in Snow
322:La Semaine MĂ©dicale
317:La Semaine MĂ©dicale
63:is a non-fictional
8189:Narrative paradigm
8184:Narrative identity
8114:Dominant narrative
8060:Multiple narrators
7344:Fictional location
7187:Dramatic structure
6520:Mixed martial arts
6268:Major film studios
5862:Pure Film Movement
5842:Polish Film School
5742:Italian neorealist
5722:Hong Kong New Wave
5324:Mexican sex comedy
4381:German underground
3743:Pierre-L. Jordan,
2964:The New York Times
2861:The New York Times
2590:RĂźpeanu, Bujor T.
2503:10.1353/hsj.0.0044
2246:Grant, Barry Keith
2108:Nature documentary
2000:Working conditions
1936:
1819:LĂĄszlĂł Moholy-Nagy
1802:The Last Cigarette
1767:theatrical release
1755:Where is Rocky II?
1693:The Act of Killing
1688:Joshua Oppenheimer
1670:The Thin Blue Line
1663:Hybrid documentary
1468:The Thin Blue Line
1357:The New York Times
1228:Harlan County, USA
1221:(both produced by
1097:
1023:Fires Were Started
996:Alberto Cavalcanti
988:
813:Newsreel tradition
761:
749:In this shot from
699:Manoel de Oliveira
625:Robert J. Flaherty
617:Alberto Cavalcanti
511:Paramount Pictures
487:Robert J. Flaherty
483:
345:
283:Gheorghe Marinescu
279:
275:Gheorghe Marinescu
273:Frame from one of
251:EugĂšne-Louis Doyen
142:
53:
8284:Television genres
8251:
8250:
8194:Narrative therapy
7628:television series
7573:Freytag's Pyramid
7416:Moral development
7319:Alternate history
7029:False protagonist
6944:
6943:
6843:Extraterrestrials
6667:Sword and sorcery
6459:
6458:
6398:Socialist realist
6110:Behind-the-scenes
5887:Socialist realist
5882:Spaghetti Western
5872:Romanian New Wave
5747:Japanese New Wave
5413:Sword and sorcery
5329:Nazi exploitation
4911:Mumbai underworld
4667:Planetary romance
3871:Documentary films
3869:Media related to
3806:978-0-8223-1840-8
3777:978-0-691-01234-6
3767:. Princeton, NJ:
3706:Ethnographic Film
3696:978-0-521-77310-2
3686:. Cambridge, UK:
3677:978-0-520-23231-0
3643:Ethnographic film
3622:978-0-631-15529-4
3599:978-0-8166-3007-3
3591:978-0-8166-3006-6
3567:Tobias, Michael.
3555:978-1-905674-15-2
3547:978-1-905674-16-9
3532:978-0-8090-3933-3
3514:978-0-8166-4046-1
3506:978-0-8166-4045-4
3491:978-0-8166-4908-2
3483:978-0-8166-4907-5
3464:978-0-253-20681-7
3456:978-0-253-34060-3
3441:978-0-253-21469-0
3433:978-0-253-33954-6
3411:978-0-8020-8299-2
3403:978-0-8020-4732-8
3384:978-0-253-21347-1
3367:978-0-19-986070-8
3350:978-2-88046-730-2
3323:978-0-8264-1751-0
3315:978-0-8264-1750-3
3301:978-0-8229-3621-3
3266:978-0-19-507898-5
3244:978-1-57958-445-0
2947:. 15 August 2017.
2941:"Les raquetteurs"
2800:centrepompidou.fr
2704:978-1-84457-436-0
2600:978-973-7839-40-4
2580:978-973-9153-93-5
2564:Mircea Dumitrescu
2463:978-1-4411-2457-9
2184:Filmmaker Award,
2171:Joris Ivens Award
2073:Ethnographic film
1983:Educational films
1777:Compilation films
1563:Listen to Britain
1435:Eyes on the Prize
1311:Political weapons
1207:Frederick Wiseman
1156:Frederick Wiseman
1060:Calling Mr. Smith
1014:(John Grierson),
1008:Humphrey Jennings
944:(1936) filmed in
936:(1935) filmed in
924:Constance Bennett
730:(Dziga Vertov's,
716:metropolitan city
561:avant-garde films
539:Ernest Schoedsack
457:Ernest Shackleton
451:(1919) about the
428:Color (known for
163:in his review of
69:historical record
16:(Redirected from
8291:
8264:Documentary film
8174:Literary science
7717:Narrative poetry
7613:Linear narrative
7523:Stylistic device
7518:Show, don't tell
7481:Figure of speech
7271:Shaggy dog story
7014:Characterization
6971:
6964:
6957:
6948:
6947:
6486:
6479:
6472:
6463:
6462:
6449:
6439:
6438:
6418:Vulgar auteurism
6246:Interstitial art
6224:Hyperlink cinema
5939:Vulgar auteurism
5934:Toronto New Wave
5924:Telefoni Bianchi
5919:Sword-and-sandal
5737:Italian futurist
5732:Iranian New Wave
5595:British New Wave
5408:Sword-and-sandal
5289:Rape and revenge
5230:Mouth of Garbage
5076:Tentacle erotica
5024:Goona-goona epic
5004:Extraterrestrial
4891:Heroic bloodshed
4525:Occult detective
4356:Christmas horror
4208:Sword-and-sandal
3940:Hong Kong action
3935:Heroic bloodshed
3901:
3894:
3887:
3878:
3877:
3868:
3852:
3761:David MacDougall
3667:. Berkeley, CA:
3560:Saunders, Dave.
3537:Saunders, Dave.
3496:Nornes, Markus.
3469:Nornes, Markus.
3371:
3217:
3214:
3208:
3205:
3199:
3196:
3190:
3187:
3178:
3175:
3169:
3168:
3166:
3164:
3136:
3130:
3129:
3127:
3125:
3110:
3101:
3100:
3095:. Archived from
3084:
3078:
3077:
3075:
3073:
3054:
3048:
3047:
3045:
3043:
3023:
3017:
3016:
3014:
3012:
2990:
2984:
2981:
2975:
2974:
2972:
2970:
2955:
2949:
2948:
2937:
2931:
2930:
2928:
2926:
2912:The Toronto Star
2903:
2897:
2896:
2895:. 15 March 2006.
2893:The Baltic Times
2885:
2879:
2878:
2877:. 14 March 2016.
2871:
2865:
2864:
2852:
2846:
2845:
2843:
2841:
2832:. 21 June 2015.
2822:
2816:
2815:
2813:
2811:
2792:
2786:
2785:
2783:
2781:
2762:
2756:
2753:
2747:
2746:
2719:MacDonald, Scott
2715:
2709:
2708:
2690:
2681:
2671:
2665:
2652:
2646:
2645:
2630:
2624:
2608:
2602:
2588:
2582:
2561:
2555:
2554:
2546:
2540:
2529:
2523:
2522:
2482:
2476:
2475:
2447:
2441:
2440:
2438:
2419:
2410:
2404:
2403:
2397:
2389:
2387:
2385:
2374:
2368:
2367:
2365:
2363:
2344:
2338:
2335:
2329:
2316:
2310:
2300:
2294:
2283:
2277:
2276:
2270:
2268:
2238:
2232:
2231:
2229:
2227:
2208:
2123:Political cinema
2022:The documentary
1977:Paris Is Burning
1949:Documentary mode
1934:with two ferries
1827:Oskar Fischinger
1797:Emile de Antonio
1637:Silent narration
1619:Narration styles
1570:and the similar
1349:Augusto Pinochet
1345:Salvador Allende
1341:Fernando Solanas
1328:
1266:Charlotte Zwerin
1187:D. A. Pennebaker
1146:, and Americans
1064:Stefan Themerson
1038:Benjamin Britten
1020:(Basil Wright),
926:and her husband
900:Willard Van Dyke
836:Leni Riefenstahl
832:propaganda films
669:Adalberto Kemeny
657:(1929), both by
638:Ătudes sur Paris
600:(New York; dir.
535:Merian C. Cooper
434:Bali the Unknown
367:Native Americans
348:Travelogue films
247:Saint Petersburg
57:documentary film
21:
18:Documentary Film
8299:
8298:
8294:
8293:
8292:
8290:
8289:
8288:
8254:
8253:
8252:
8247:
8179:Literary theory
8119:Fiction writing
8102:
8074:
8009:
7761:
7753:
7644:
7542:
7447:
7382:
7305:
7176:Deus ex machina
7117:
7103:Title character
7088:Stock character
7034:Focal character
6980:
6975:
6945:
6940:
6823:Science fiction
6813:Romantic comedy
6501:
6490:
6460:
6455:
6427:
6368:Semidocumentary
6293:Minimalist film
6283:Message picture
6278:Maximalist film
6172:Database cinema
6155:Computer screen
6115:Black-and-white
6040:
6038:
6036:
6030:
5948:
5904:Soviet parallel
5827:Parallel cinema
5822:Pan-Indian film
5752:Kammerspielfilm
5687:French New Wave
5607:Budapest school
5590:Brighton School
5565:New Objectivity
5547:
5541:
5510:Science fiction
5142:Bruceploitation
5051:Girls with guns
4997:Turksploitation
4871:Gentleman thief
4787:
4622:Science fiction
4468:Minimalist film
4463:Maximalist film
4441:Science fiction
4401:Japanese horror
4198:Social guidance
3913:
3905:
3861:
3856:
3851:(in Portuguese)
3850:
3734:Fredric Jameson
3730:. UNESCO, 1962.
3682:Anna Grimshaw,
3645:
3640:
3635:Wayback Machine
3610:Basil Blackwell
3473:. Minneapolis:
3446:Nichols, Bill.
3368:
3283:Wayback Machine
3226:
3221:
3220:
3215:
3211:
3206:
3202:
3197:
3193:
3188:
3181:
3176:
3172:
3162:
3160:
3137:
3133:
3123:
3121:
3111:
3104:
3099:on 19 May 2007.
3085:
3081:
3071:
3069:
3056:
3055:
3051:
3041:
3039:
3024:
3020:
3010:
3008:
2991:
2987:
2982:
2978:
2968:
2966:
2956:
2952:
2939:
2938:
2934:
2924:
2922:
2904:
2900:
2887:
2886:
2882:
2873:
2872:
2868:
2853:
2849:
2839:
2837:
2830:artincinema.com
2824:
2823:
2819:
2809:
2807:
2794:
2793:
2789:
2779:
2777:
2764:
2763:
2759:
2754:
2750:
2716:
2712:
2705:
2691:
2684:
2672:
2668:
2663:Wayback Machine
2653:
2649:
2644:on 25 May 2010.
2632:
2631:
2627:
2622:Wayback Machine
2610:ĆąuĆŁui, Marian,
2609:
2605:
2589:
2585:
2562:
2558:
2547:
2543:
2530:
2526:
2483:
2479:
2464:
2448:
2444:
2436:
2417:
2411:
2407:
2391:
2390:
2383:
2381:
2376:
2375:
2371:
2361:
2359:
2346:
2345:
2341:
2336:
2332:
2317:
2313:
2301:
2297:
2284:
2280:
2266:
2264:
2262:
2239:
2235:
2225:
2223:
2210:
2209:
2205:
2200:
2192:Visions du RĂ©el
2161:Grierson Awards
2157:
2152:
2113:Outline of film
2038:
2015:
2002:
1994:
1985:
1951:
1945:
1924:
1792:Point of Order!
1779:
1762:
1760:DVD documentary
1747:
1741:
1722:
1667:The release of
1665:
1660:
1650:Hosted narrator
1621:
1558:
1462:500 Years Later
1379:Fahrenheit 9/11
1374:
1313:
1286:Les Raquetteurs
1202:Titicut Follies
1152:Richard Leacock
1140:Pierre Perrault
1117:French New Wave
1102:
1072:
1042:J. B. Priestley
974:(on the left),
961:Joseph Goebbels
951:In Canada, the
828:
815:
798:
757:Mikhail Kaufman
709:Gordon Sparling
679:Walter Ruttmann
633:Mikhail Kaufman
585:Scott MacDonald
579:. According to
547:
470:
465:
337:Geoffrey Malins
330:
255:Clément Maurice
232:Enoch J. Rector
213:
208:
165:Robert Flaherty
126:
84:actuality films
35:
28:
23:
22:
15:
12:
11:
5:
8297:
8287:
8286:
8281:
8276:
8271:
8266:
8249:
8248:
8246:
8245:
8243:Verisimilitude
8240:
8235:
8230:
8225:
8224:
8223:
8213:
8208:
8207:
8206:
8196:
8191:
8186:
8181:
8176:
8171:
8170:
8169:
8159:
8158:
8157:
8148:
8146:Parallel novel
8143:
8142:
8141:
8136:
8131:
8116:
8110:
8108:
8104:
8103:
8101:
8100:
8095:
8090:
8084:
8082:
8076:
8075:
8073:
8072:
8067:
8062:
8057:
8056:
8055:
8050:
8045:
8035:
8030:
8025:
8019:
8017:
8011:
8010:
8008:
8007:
8006:
8005:
8000:
7990:
7989:
7988:
7983:
7978:
7973:
7968:
7967:
7966:
7961:
7960:
7959:
7954:
7949:
7939:
7934:
7929:
7928:
7927:
7917:
7907:
7902:
7897:
7896:
7895:
7890:
7880:
7875:
7870:
7865:
7860:
7855:
7850:
7845:
7840:
7835:
7830:
7825:
7820:
7815:
7810:
7805:
7800:
7795:
7790:
7788:Action fiction
7780:
7775:
7769:
7767:
7755:
7754:
7752:
7751:
7746:
7741:
7736:
7731:
7726:
7725:
7724:
7714:
7709:
7704:
7703:
7702:
7697:
7692:
7687:
7682:
7672:
7667:
7660:
7654:
7652:
7646:
7645:
7643:
7642:
7637:
7632:
7631:
7630:
7625:
7615:
7610:
7609:
7608:
7603:
7598:
7589:
7584:
7570:
7569:
7568:
7563:
7552:
7550:
7544:
7543:
7541:
7540:
7535:
7530:
7525:
7520:
7515:
7514:
7513:
7503:
7498:
7493:
7488:
7483:
7478:
7473:
7468:
7463:
7457:
7455:
7449:
7448:
7446:
7445:
7440:
7435:
7434:
7433:
7428:
7418:
7413:
7408:
7403:
7398:
7392:
7390:
7384:
7383:
7381:
7380:
7375:
7370:
7369:
7368:
7367:
7366:
7356:
7351:
7341:
7336:
7331:
7326:
7321:
7315:
7313:
7307:
7306:
7304:
7303:
7298:
7293:
7288:
7283:
7278:
7273:
7268:
7266:Self-insertion
7263:
7258:
7253:
7251:Poetic justice
7248:
7243:
7238:
7233:
7228:
7221:
7214:
7209:
7204:
7199:
7194:
7189:
7184:
7179:
7172:
7167:
7162:
7157:
7152:
7151:
7150:
7140:
7135:
7127:
7125:
7119:
7118:
7116:
7115:
7110:
7105:
7100:
7095:
7090:
7085:
7080:
7075:
7074:
7073:
7068:
7063:
7053:
7046:
7041:
7036:
7031:
7026:
7021:
7016:
7011:
7009:Character flaw
7006:
7001:
6996:
6990:
6988:
6982:
6981:
6974:
6973:
6966:
6959:
6951:
6942:
6941:
6939:
6938:
6937:
6936:
6931:
6921:
6920:
6919:
6914:
6904:
6903:
6902:
6897:
6887:
6882:
6877:
6872:
6871:
6870:
6865:
6860:
6855:
6850:
6845:
6840:
6835:
6830:
6820:
6815:
6810:
6805:
6800:
6795:
6790:
6785:
6780:
6775:
6774:
6773:
6768:
6758:
6753:
6748:
6743:
6742:
6741:
6736:
6731:
6726:
6721:
6716:
6711:
6706:
6701:
6696:
6691:
6686:
6681:
6671:
6670:
6669:
6659:
6654:
6653:
6652:
6647:
6642:
6632:
6627:
6622:
6621:
6620:
6610:
6605:
6604:
6603:
6598:
6588:
6583:
6582:
6581:
6571:
6569:Blaxploitation
6566:
6561:
6556:
6551:
6550:
6549:
6544:
6534:
6533:
6532:
6527:
6522:
6517:
6506:
6503:
6502:
6489:
6488:
6481:
6474:
6466:
6457:
6456:
6454:
6453:
6443:
6432:
6429:
6428:
6426:
6425:
6420:
6415:
6410:
6405:
6400:
6395:
6390:
6385:
6380:
6375:
6370:
6365:
6360:
6355:
6353:Reverse motion
6350:
6345:
6340:
6335:
6330:
6325:
6320:
6315:
6310:
6305:
6303:Modernist film
6300:
6295:
6290:
6285:
6280:
6275:
6270:
6265:
6260:
6259:
6258:
6248:
6243:
6242:
6241:
6236:
6226:
6221:
6216:
6211:
6206:
6201:
6196:
6195:
6194:
6184:
6179:
6174:
6169:
6168:
6167:
6165:midnight movie
6157:
6152:
6147:
6142:
6137:
6132:
6127:
6122:
6117:
6112:
6107:
6102:
6097:
6092:
6091:
6090:
6085:
6080:
6075:
6070:
6065:
6055:
6050:
6044:
6042:
6032:
6031:
6029:
6028:
6027:
6026:
6021:
6011:
6010:
6009:
6004:
5994:
5993:
5992:
5987:
5979:
5978:
5977:
5967:
5962:
5956:
5954:
5953:By demographic
5950:
5949:
5947:
5946:
5941:
5936:
5931:
5926:
5921:
5916:
5911:
5906:
5901:
5900:
5899:
5892:Social realist
5889:
5884:
5879:
5874:
5869:
5864:
5859:
5854:
5849:
5847:Poliziotteschi
5844:
5839:
5837:Poetic realist
5834:
5829:
5824:
5819:
5814:
5809:
5804:
5799:
5794:
5792:New generation
5789:
5784:
5779:
5774:
5769:
5767:Modernist film
5764:
5759:
5757:L.A. Rebellion
5754:
5749:
5744:
5739:
5734:
5729:
5724:
5719:
5714:
5709:
5704:
5699:
5694:
5689:
5684:
5679:
5674:
5669:
5664:
5659:
5654:
5649:
5644:
5639:
5634:
5629:
5624:
5622:Cinéma du look
5619:
5614:
5609:
5604:
5603:
5602:
5592:
5587:
5582:
5577:
5572:
5567:
5562:
5557:
5551:
5549:
5543:
5542:
5540:
5539:
5538:
5537:
5535:Zapata Western
5532:
5527:
5522:
5517:
5515:Singing cowboy
5512:
5507:
5502:
5497:
5492:
5487:
5482:
5477:
5472:
5470:Dacoit Western
5467:
5462:
5452:
5451:
5450:
5445:
5440:
5430:
5425:
5420:
5415:
5410:
5405:
5400:
5395:
5390:
5389:
5388:
5378:
5373:
5368:
5363:
5358:
5353:
5351:Shoshimin-eiga
5348:
5347:
5346:
5341:
5339:Nunsploitation
5336:
5334:Pornochanchada
5331:
5326:
5321:
5316:
5306:
5301:
5296:
5291:
5286:
5281:
5280:
5279:
5269:
5264:
5259:
5254:
5249:
5248:
5247:
5237:
5232:
5227:
5222:
5221:
5220:
5219:
5218:
5208:
5203:
5198:
5193:
5183:
5182:
5181:
5171:
5170:
5169:
5164:
5159:
5154:
5149:
5144:
5134:
5129:
5124:
5123:
5122:
5117:
5107:
5102:
5101:
5100:
5090:
5085:
5080:
5079:
5078:
5073:
5068:
5058:
5053:
5048:
5047:
5046:
5041:
5036:
5026:
5021:
5016:
5011:
5009:Food and drink
5006:
5001:
5000:
4999:
4994:
4989:
4987:Blaxploitation
4979:
4974:
4969:
4964:
4959:
4958:
4957:
4952:
4942:
4941:
4940:
4930:
4925:
4924:
4923:
4918:
4916:Poliziotteschi
4913:
4908:
4903:
4898:
4893:
4888:
4883:
4878:
4873:
4868:
4863:
4853:
4848:
4843:
4838:
4833:
4828:
4827:
4826:
4821:
4811:
4806:
4801:
4795:
4793:
4789:
4788:
4786:
4785:
4780:
4779:
4778:
4773:
4771:Extreme cinema
4768:
4758:
4757:
4756:
4751:
4746:
4741:
4736:
4731:
4726:
4721:
4716:
4711:
4701:
4696:
4691:
4690:
4689:
4684:
4679:
4674:
4669:
4664:
4659:
4654:
4649:
4644:
4639:
4634:
4629:
4619:
4618:
4617:
4612:
4607:
4602:
4597:
4596:
4595:
4580:
4575:
4570:
4569:
4568:
4561:
4556:
4546:
4541:
4540:
4539:
4534:
4533:
4532:
4527:
4512:
4511:
4510:
4505:
4500:
4495:
4490:
4485:
4475:
4470:
4465:
4460:
4459:
4458:
4453:
4448:
4443:
4438:
4433:
4428:
4423:
4418:
4413:
4408:
4403:
4398:
4393:
4388:
4383:
4378:
4373:
4368:
4363:
4358:
4353:
4351:Chinese horror
4348:
4343:
4338:
4328:
4327:
4326:
4321:
4316:
4311:
4306:
4296:
4295:
4294:
4289:
4284:
4274:
4273:
4272:
4267:
4262:
4257:
4252:
4247:
4242:
4232:
4231:
4230:
4217:
4212:
4211:
4210:
4200:
4195:
4190:
4189:
4188:
4183:
4178:
4173:
4163:
4162:
4161:
4160:
4159:
4149:
4144:
4139:
4134:
4124:
4123:
4122:
4117:
4112:
4107:
4102:
4097:
4092:
4087:
4082:
4072:
4071:
4070:
4060:
4059:
4058:
4053:
4048:
4043:
4038:
4033:
4028:
4023:
4018:
4013:
4008:
4003:
3998:
3997:
3996:
3986:
3981:
3971:
3966:
3961:
3956:
3955:
3954:
3944:
3943:
3942:
3937:
3932:
3921:
3919:
3915:
3914:
3904:
3903:
3896:
3889:
3881:
3875:
3874:
3860:
3859:External links
3857:
3855:
3854:
3844:
3833:
3823:
3812:Georges Sadoul
3809:
3796:. Durham, NC:
3787:
3780:
3758:
3748:
3741:
3731:
3713:
3702:Karl G. Heider
3699:
3680:
3661:
3654:
3646:
3644:
3641:
3639:
3638:
3625:
3602:
3579:
3565:
3558:
3535:
3517:
3494:
3467:
3444:
3414:
3387:
3372:
3366:
3353:
3336:
3329:Godmilow, Jill
3326:
3307:
3304:
3285:
3269:
3247:
3227:
3225:
3222:
3219:
3218:
3209:
3200:
3191:
3179:
3170:
3131:
3102:
3079:
3049:
3018:
2985:
2976:
2950:
2932:
2898:
2880:
2866:
2847:
2817:
2787:
2757:
2748:
2723:Film Quarterly
2710:
2703:
2682:
2666:
2647:
2625:
2603:
2583:
2556:
2541:
2524:
2477:
2462:
2442:
2415:"Introduction"
2405:
2369:
2348:"History/Film"
2339:
2330:
2311:
2295:
2278:
2260:
2233:
2202:
2201:
2199:
2196:
2195:
2194:
2188:
2182:
2168:
2163:
2156:
2153:
2151:
2150:
2148:Women's cinema
2145:
2140:
2138:Sponsored film
2135:
2130:
2125:
2120:
2115:
2110:
2105:
2100:
2095:
2090:
2085:
2080:
2075:
2070:
2065:
2060:
2055:
2050:
2045:
2043:Actuality film
2039:
2037:
2034:
2014:
2011:
2001:
1998:
1993:
1990:
1984:
1981:
1973:Tongues Untied
1947:Main article:
1944:
1941:
1923:
1920:
1895:Ways of Seeing
1778:
1775:
1761:
1758:
1751:Pierre Bismuth
1740:
1737:
1721:
1718:
1703:The Ambassador
1664:
1661:
1659:
1656:
1652:
1651:
1639:
1638:
1626:
1625:
1620:
1617:
1609:The 2004 film
1557:
1554:
1549:Voices of Iraq
1503:Salam Neighbor
1482:Roger & Me
1442:4 Little Girls
1423:Tongues Untied
1373:
1370:
1337:Octavio Getino
1317:neocolonialism
1312:
1309:
1258:shooting ratio
1233:Barbara Kopple
1182:Dont Look Back
1101:
1098:
1071:
1068:
1017:Song of Ceylon
984:Jerzy Toeplitz
874:" documentary
827:
824:
814:
811:
797:
792:
573:Constructivism
546:
543:
469:
466:
464:
461:
397:Veronica Micle
393:Mihai Eminescu
329:
326:
212:
209:
207:
204:
125:
122:
65:motion picture
26:
9:
6:
4:
3:
2:
8296:
8285:
8282:
8280:
8277:
8275:
8272:
8270:
8267:
8265:
8262:
8261:
8259:
8244:
8241:
8239:
8236:
8234:
8231:
8229:
8228:Screenwriting
8226:
8222:
8219:
8218:
8217:
8214:
8212:
8209:
8205:
8202:
8201:
8200:
8197:
8195:
8192:
8190:
8187:
8185:
8182:
8180:
8177:
8175:
8172:
8168:
8165:
8164:
8163:
8160:
8156:
8152:
8149:
8147:
8144:
8140:
8137:
8135:
8132:
8130:
8127:
8126:
8125:
8122:
8121:
8120:
8117:
8115:
8112:
8111:
8109:
8105:
8099:
8096:
8094:
8091:
8089:
8086:
8085:
8083:
8081:
8077:
8071:
8068:
8066:
8063:
8061:
8058:
8054:
8051:
8049:
8046:
8044:
8041:
8040:
8039:
8036:
8034:
8033:Second-person
8031:
8029:
8026:
8024:
8021:
8020:
8018:
8016:
8012:
8004:
8001:
7999:
7996:
7995:
7994:
7991:
7987:
7984:
7982:
7979:
7977:
7974:
7972:
7969:
7965:
7962:
7958:
7955:
7953:
7950:
7948:
7945:
7944:
7943:
7940:
7938:
7937:Magic realism
7935:
7933:
7930:
7926:
7923:
7922:
7921:
7918:
7916:
7913:
7912:
7911:
7908:
7906:
7903:
7901:
7898:
7894:
7891:
7889:
7886:
7885:
7884:
7881:
7879:
7876:
7874:
7871:
7869:
7868:Psychological
7866:
7864:
7861:
7859:
7856:
7854:
7851:
7849:
7848:Philosophical
7846:
7844:
7841:
7839:
7836:
7834:
7831:
7829:
7826:
7824:
7821:
7819:
7816:
7814:
7811:
7809:
7806:
7804:
7801:
7799:
7796:
7794:
7791:
7789:
7786:
7785:
7784:
7781:
7779:
7776:
7774:
7773:Autobiography
7771:
7770:
7768:
7765:
7760:
7756:
7750:
7747:
7745:
7742:
7740:
7737:
7735:
7732:
7730:
7727:
7723:
7720:
7719:
7718:
7715:
7713:
7712:Narrative art
7710:
7708:
7705:
7701:
7698:
7696:
7693:
7691:
7688:
7686:
7683:
7681:
7678:
7677:
7676:
7673:
7671:
7670:Flash fiction
7668:
7666:
7665:
7661:
7659:
7656:
7655:
7653:
7651:
7647:
7641:
7638:
7636:
7633:
7629:
7626:
7624:
7621:
7620:
7619:
7616:
7614:
7611:
7607:
7604:
7602:
7599:
7597:
7593:
7590:
7588:
7585:
7583:
7579:
7576:
7575:
7574:
7571:
7567:
7564:
7562:
7561:Act structure
7559:
7558:
7557:
7554:
7553:
7551:
7549:
7545:
7539:
7536:
7534:
7531:
7529:
7526:
7524:
7521:
7519:
7516:
7512:
7509:
7508:
7507:
7504:
7502:
7499:
7497:
7494:
7492:
7489:
7487:
7484:
7482:
7479:
7477:
7474:
7472:
7469:
7467:
7464:
7462:
7459:
7458:
7456:
7454:
7450:
7444:
7441:
7439:
7436:
7432:
7429:
7427:
7424:
7423:
7422:
7419:
7417:
7414:
7412:
7409:
7407:
7404:
7402:
7399:
7397:
7394:
7393:
7391:
7389:
7385:
7379:
7378:Worldbuilding
7376:
7374:
7371:
7365:
7362:
7361:
7360:
7357:
7355:
7352:
7350:
7347:
7346:
7345:
7342:
7340:
7337:
7335:
7332:
7330:
7327:
7325:
7322:
7320:
7317:
7316:
7314:
7312:
7308:
7302:
7299:
7297:
7294:
7292:
7289:
7287:
7284:
7282:
7279:
7277:
7274:
7272:
7269:
7267:
7264:
7262:
7259:
7257:
7254:
7252:
7249:
7247:
7244:
7242:
7239:
7237:
7234:
7232:
7229:
7227:
7226:
7225:KishĆtenketsu
7222:
7220:
7219:
7218:In medias res
7215:
7213:
7210:
7208:
7205:
7203:
7200:
7198:
7197:Foreshadowing
7195:
7193:
7192:Eucatastrophe
7190:
7188:
7185:
7183:
7180:
7178:
7177:
7173:
7171:
7168:
7166:
7163:
7161:
7158:
7156:
7155:Chekhov's gun
7153:
7149:
7146:
7145:
7144:
7141:
7139:
7136:
7134:
7133:
7129:
7128:
7126:
7124:
7120:
7114:
7111:
7109:
7106:
7104:
7101:
7099:
7096:
7094:
7091:
7089:
7086:
7084:
7081:
7079:
7076:
7072:
7069:
7067:
7064:
7062:
7059:
7058:
7057:
7054:
7052:
7051:
7047:
7045:
7044:Gothic double
7042:
7040:
7037:
7035:
7032:
7030:
7027:
7025:
7024:Deuteragonist
7022:
7020:
7017:
7015:
7012:
7010:
7007:
7005:
7004:Character arc
7002:
7000:
6997:
6995:
6992:
6991:
6989:
6987:
6983:
6979:
6972:
6967:
6965:
6960:
6958:
6953:
6952:
6949:
6935:
6932:
6930:
6927:
6926:
6925:
6922:
6918:
6915:
6913:
6910:
6909:
6908:
6905:
6901:
6898:
6896:
6893:
6892:
6891:
6888:
6886:
6883:
6881:
6878:
6876:
6873:
6869:
6866:
6864:
6861:
6859:
6858:Sci-fi horror
6856:
6854:
6853:Sci-fi comedy
6851:
6849:
6848:Sci-fi action
6846:
6844:
6841:
6839:
6836:
6834:
6831:
6829:
6826:
6825:
6824:
6821:
6819:
6816:
6814:
6811:
6809:
6806:
6804:
6801:
6799:
6796:
6794:
6791:
6789:
6786:
6784:
6781:
6779:
6776:
6772:
6771:Giant-monster
6769:
6767:
6764:
6763:
6762:
6759:
6757:
6754:
6752:
6749:
6747:
6744:
6740:
6737:
6735:
6732:
6730:
6727:
6725:
6722:
6720:
6717:
6715:
6712:
6710:
6707:
6705:
6702:
6700:
6697:
6695:
6692:
6690:
6689:Comedy horror
6687:
6685:
6682:
6680:
6677:
6676:
6675:
6672:
6668:
6665:
6664:
6663:
6660:
6658:
6655:
6651:
6648:
6646:
6643:
6641:
6638:
6637:
6636:
6633:
6631:
6628:
6626:
6623:
6619:
6616:
6615:
6614:
6611:
6609:
6606:
6602:
6599:
6597:
6594:
6593:
6592:
6589:
6587:
6584:
6580:
6577:
6576:
6575:
6572:
6570:
6567:
6565:
6562:
6560:
6557:
6555:
6552:
6548:
6545:
6543:
6540:
6539:
6538:
6535:
6531:
6528:
6526:
6523:
6521:
6518:
6516:
6513:
6512:
6511:
6508:
6507:
6504:
6499:
6495:
6487:
6482:
6480:
6475:
6473:
6468:
6467:
6464:
6452:
6448:
6444:
6442:
6434:
6433:
6430:
6424:
6421:
6419:
6416:
6414:
6411:
6409:
6406:
6404:
6401:
6399:
6396:
6394:
6391:
6389:
6386:
6384:
6381:
6379:
6376:
6374:
6371:
6369:
6366:
6364:
6361:
6359:
6356:
6354:
6351:
6349:
6348:Postmodernist
6346:
6344:
6341:
6339:
6338:Participatory
6336:
6334:
6331:
6329:
6326:
6324:
6321:
6319:
6316:
6314:
6311:
6309:
6308:Musical short
6306:
6304:
6301:
6299:
6296:
6294:
6291:
6289:
6286:
6284:
6281:
6279:
6276:
6274:
6271:
6269:
6266:
6264:
6261:
6257:
6254:
6253:
6252:
6249:
6247:
6244:
6240:
6237:
6235:
6232:
6231:
6230:
6227:
6225:
6222:
6220:
6219:Found footage
6217:
6215:
6212:
6210:
6207:
6205:
6202:
6200:
6197:
6193:
6190:
6189:
6188:
6185:
6183:
6180:
6178:
6175:
6173:
6170:
6166:
6163:
6162:
6161:
6158:
6156:
6153:
6151:
6148:
6146:
6143:
6141:
6138:
6136:
6133:
6131:
6128:
6126:
6125:Cinéma vérité
6123:
6121:
6118:
6116:
6113:
6111:
6108:
6106:
6103:
6101:
6098:
6096:
6093:
6089:
6086:
6084:
6081:
6079:
6076:
6074:
6071:
6069:
6066:
6064:
6061:
6060:
6059:
6056:
6054:
6051:
6049:
6046:
6045:
6043:
6041:or production
6033:
6025:
6022:
6020:
6017:
6016:
6015:
6012:
6008:
6005:
6003:
6000:
5999:
5998:
5995:
5991:
5988:
5986:
5983:
5982:
5980:
5976:
5973:
5972:
5971:
5968:
5966:
5963:
5961:
5958:
5957:
5955:
5951:
5945:
5942:
5940:
5937:
5935:
5932:
5930:
5927:
5925:
5922:
5920:
5917:
5915:
5912:
5910:
5907:
5905:
5902:
5898:
5895:
5894:
5893:
5890:
5888:
5885:
5883:
5880:
5878:
5875:
5873:
5870:
5868:
5865:
5863:
5860:
5858:
5857:Prussian film
5855:
5853:
5850:
5848:
5845:
5843:
5840:
5838:
5835:
5833:
5830:
5828:
5825:
5823:
5820:
5818:
5815:
5813:
5810:
5808:
5805:
5803:
5802:New Nollywood
5800:
5798:
5797:New Hollywood
5795:
5793:
5790:
5788:
5785:
5783:
5780:
5778:
5775:
5773:
5770:
5768:
5765:
5763:
5760:
5758:
5755:
5753:
5750:
5748:
5745:
5743:
5740:
5738:
5735:
5733:
5730:
5728:
5725:
5723:
5720:
5718:
5715:
5713:
5710:
5708:
5705:
5703:
5700:
5698:
5695:
5693:
5690:
5688:
5685:
5683:
5680:
5678:
5675:
5673:
5670:
5668:
5665:
5663:
5660:
5658:
5655:
5653:
5650:
5648:
5645:
5643:
5640:
5638:
5635:
5633:
5630:
5628:
5625:
5623:
5620:
5618:
5617:Cannibal boom
5615:
5613:
5612:Calligrafismo
5610:
5608:
5605:
5601:
5598:
5597:
5596:
5593:
5591:
5588:
5586:
5583:
5581:
5580:Berlin School
5578:
5576:
5573:
5571:
5568:
5566:
5563:
5561:
5558:
5556:
5553:
5552:
5550:
5544:
5536:
5533:
5531:
5530:Weird Western
5528:
5526:
5523:
5521:
5518:
5516:
5513:
5511:
5508:
5506:
5503:
5501:
5498:
5496:
5493:
5491:
5488:
5486:
5483:
5481:
5478:
5476:
5473:
5471:
5468:
5466:
5463:
5461:
5458:
5457:
5456:
5453:
5449:
5446:
5444:
5441:
5439:
5436:
5435:
5434:
5431:
5429:
5426:
5424:
5421:
5419:
5416:
5414:
5411:
5409:
5406:
5404:
5401:
5399:
5396:
5394:
5391:
5387:
5384:
5383:
5382:
5379:
5377:
5374:
5372:
5369:
5367:
5364:
5362:
5361:Slice of life
5359:
5357:
5354:
5352:
5349:
5345:
5342:
5340:
5337:
5335:
5332:
5330:
5327:
5325:
5322:
5320:
5317:
5315:
5314:Bavarian porn
5312:
5311:
5310:
5309:Sexploitation
5307:
5305:
5302:
5300:
5297:
5295:
5292:
5290:
5287:
5285:
5282:
5278:
5275:
5274:
5273:
5270:
5268:
5267:Partisan film
5265:
5263:
5260:
5258:
5255:
5253:
5250:
5246:
5243:
5242:
5241:
5238:
5236:
5235:Muslim social
5233:
5231:
5228:
5226:
5223:
5217:
5216:Zombie comedy
5214:
5213:
5212:
5209:
5207:
5204:
5202:
5199:
5197:
5194:
5192:
5191:Giant monster
5189:
5188:
5187:
5184:
5180:
5177:
5176:
5175:
5172:
5168:
5165:
5163:
5160:
5158:
5155:
5153:
5150:
5148:
5145:
5143:
5140:
5139:
5138:
5135:
5133:
5130:
5128:
5125:
5121:
5118:
5116:
5113:
5112:
5111:
5108:
5106:
5103:
5099:
5096:
5095:
5094:
5091:
5089:
5086:
5084:
5081:
5077:
5074:
5072:
5069:
5067:
5064:
5063:
5062:
5059:
5057:
5054:
5052:
5049:
5045:
5042:
5040:
5037:
5035:
5032:
5031:
5030:
5027:
5025:
5022:
5020:
5017:
5015:
5012:
5010:
5007:
5005:
5002:
4998:
4995:
4993:
4992:Mexploitation
4990:
4988:
4985:
4984:
4983:
4980:
4978:
4975:
4973:
4970:
4968:
4965:
4963:
4960:
4956:
4953:
4951:
4948:
4947:
4946:
4943:
4939:
4936:
4935:
4934:
4931:
4929:
4926:
4922:
4919:
4917:
4914:
4912:
4909:
4907:
4904:
4902:
4899:
4897:
4894:
4892:
4889:
4887:
4884:
4882:
4879:
4877:
4874:
4872:
4869:
4867:
4864:
4862:
4859:
4858:
4857:
4854:
4852:
4849:
4847:
4846:Coming-of-age
4844:
4842:
4839:
4837:
4834:
4832:
4829:
4825:
4822:
4820:
4817:
4816:
4815:
4812:
4810:
4807:
4805:
4802:
4800:
4797:
4796:
4794:
4790:
4784:
4781:
4777:
4774:
4772:
4769:
4767:
4764:
4763:
4762:
4761:Transgressive
4759:
4755:
4752:
4750:
4747:
4745:
4744:Psychological
4742:
4740:
4737:
4735:
4732:
4730:
4727:
4725:
4722:
4720:
4717:
4715:
4712:
4710:
4707:
4706:
4705:
4702:
4700:
4697:
4695:
4694:Slice of life
4692:
4688:
4685:
4683:
4680:
4678:
4675:
4673:
4670:
4668:
4665:
4663:
4660:
4658:
4655:
4653:
4650:
4648:
4645:
4643:
4640:
4638:
4635:
4633:
4630:
4628:
4625:
4624:
4623:
4620:
4616:
4613:
4611:
4608:
4606:
4603:
4601:
4598:
4594:
4591:
4590:
4589:
4586:
4585:
4584:
4581:
4579:
4576:
4574:
4571:
4566:
4562:
4560:
4557:
4555:
4552:
4551:
4550:
4547:
4545:
4542:
4538:
4535:
4531:
4528:
4526:
4523:
4522:
4521:
4518:
4517:
4516:
4513:
4509:
4506:
4504:
4501:
4499:
4496:
4494:
4491:
4489:
4486:
4484:
4481:
4480:
4479:
4476:
4474:
4471:
4469:
4466:
4464:
4461:
4457:
4454:
4452:
4449:
4447:
4444:
4442:
4439:
4437:
4434:
4432:
4431:Psychological
4429:
4427:
4424:
4422:
4419:
4417:
4414:
4412:
4409:
4407:
4406:Korean horror
4404:
4402:
4399:
4397:
4394:
4392:
4389:
4387:
4384:
4382:
4379:
4377:
4376:Found footage
4374:
4372:
4369:
4367:
4364:
4362:
4359:
4357:
4354:
4352:
4349:
4347:
4344:
4342:
4339:
4337:
4334:
4333:
4332:
4329:
4325:
4322:
4320:
4317:
4315:
4312:
4310:
4307:
4305:
4302:
4301:
4300:
4297:
4293:
4290:
4288:
4285:
4283:
4280:
4279:
4278:
4275:
4271:
4268:
4266:
4265:Magic realism
4263:
4261:
4258:
4256:
4253:
4251:
4248:
4246:
4243:
4241:
4238:
4237:
4236:
4233:
4229:
4228:
4223:
4222:
4221:
4218:
4216:
4213:
4209:
4206:
4205:
4204:
4201:
4199:
4196:
4194:
4191:
4187:
4184:
4182:
4181:Sexploitation
4179:
4177:
4174:
4172:
4169:
4168:
4167:
4164:
4158:
4155:
4154:
4153:
4150:
4148:
4145:
4143:
4140:
4138:
4135:
4133:
4132:Calligrafismo
4130:
4129:
4128:
4125:
4121:
4118:
4116:
4113:
4111:
4108:
4106:
4103:
4101:
4098:
4096:
4093:
4091:
4088:
4086:
4085:City symphony
4083:
4081:
4078:
4077:
4076:
4073:
4069:
4066:
4065:
4064:
4061:
4057:
4054:
4052:
4049:
4047:
4044:
4042:
4039:
4037:
4034:
4032:
4029:
4027:
4024:
4022:
4019:
4017:
4014:
4012:
4009:
4007:
4004:
4002:
3999:
3995:
3992:
3991:
3990:
3987:
3985:
3982:
3980:
3977:
3976:
3975:
3972:
3970:
3967:
3965:
3962:
3960:
3957:
3953:
3950:
3949:
3948:
3945:
3941:
3938:
3936:
3933:
3931:
3928:
3927:
3926:
3923:
3922:
3920:
3916:
3912:
3909:
3902:
3897:
3895:
3890:
3888:
3883:
3882:
3879:
3872:
3867:
3863:
3862:
3849:
3845:
3842:
3838:
3834:
3831:
3827:
3826:Pierre Sorlin
3824:
3821:
3817:
3813:
3810:
3807:
3803:
3799:
3795:
3791:
3788:
3785:
3781:
3778:
3774:
3770:
3766:
3762:
3759:
3756:
3752:
3749:
3746:
3742:
3739:
3735:
3732:
3729:
3725:
3721:
3717:
3716:Luc de Heusch
3714:
3711:
3707:
3703:
3700:
3697:
3693:
3689:
3685:
3681:
3678:
3674:
3670:
3666:
3662:
3659:
3655:
3652:
3648:
3647:
3636:
3632:
3629:
3626:
3623:
3619:
3615:
3611:
3607:
3604:Wyver, John.
3603:
3600:
3596:
3592:
3588:
3584:
3580:
3578:
3577:0-941188-62-0
3574:
3570:
3566:
3563:
3559:
3556:
3552:
3548:
3544:
3540:
3536:
3533:
3529:
3525:
3521:
3518:
3515:
3511:
3507:
3503:
3499:
3495:
3492:
3488:
3484:
3480:
3476:
3472:
3468:
3465:
3461:
3457:
3453:
3449:
3445:
3442:
3438:
3434:
3430:
3426:
3422:
3418:
3417:Nichols, Bill
3415:
3412:
3408:
3404:
3400:
3396:
3392:
3388:
3385:
3381:
3377:
3373:
3369:
3363:
3359:
3354:
3351:
3347:
3343:
3340:
3337:
3334:
3330:
3327:
3324:
3320:
3316:
3312:
3308:
3305:
3302:
3298:
3294:
3290:
3286:
3284:
3280:
3277:
3273:
3270:
3267:
3263:
3259:
3255:
3251:
3250:Barnouw, Erik
3248:
3245:
3241:
3237:
3233:
3229:
3228:
3213:
3204:
3195:
3186:
3184:
3174:
3158:
3154:
3150:
3146:
3142:
3135:
3120:
3116:
3109:
3107:
3098:
3094:
3090:
3083:
3067:
3063:
3059:
3053:
3037:
3033:
3029:
3022:
3006:
3002:
3001:
2996:
2989:
2980:
2965:
2961:
2954:
2946:
2942:
2936:
2921:
2917:
2913:
2909:
2902:
2894:
2890:
2884:
2876:
2870:
2862:
2858:
2851:
2835:
2831:
2827:
2821:
2805:
2801:
2797:
2791:
2775:
2771:
2767:
2761:
2752:
2744:
2740:
2736:
2732:
2728:
2724:
2720:
2714:
2706:
2700:
2696:
2689:
2687:
2679:
2675:
2674:Miriam Hansen
2670:
2664:
2660:
2656:
2651:
2643:
2639:
2638:British Pathe
2635:
2629:
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2261:9780814339725
2257:
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2242:Nichols, Bill
2237:
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2190:Grand Prize,
2189:
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2048:Citizen media
2046:
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2028:
2025:
2019:
2010:
2006:
1997:
1989:
1980:
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1930:Film team at
1928:
1922:Observational
1919:
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1907:
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1897:
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1877:
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1837:city symphony
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1599:
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1584:Qatsi trilogy
1582:(part of the
1581:
1580:
1579:Koyaanisqatsi
1575:
1574:
1569:
1568:Qatsi trilogy
1565:
1564:
1553:
1551:
1550:
1545:
1541:
1540:Martin Kunert
1535:
1533:
1532:computer game
1527:
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1509:
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1478:
1477:Michael Moore
1474:
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1452:The Civil War
1448:
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1414:
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1399:
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1385:Super Size Me
1381:
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1287:
1281:
1279:
1275:
1274:Susan Froemke
1271:
1267:
1263:
1259:
1254:
1252:
1251:cinéma vérité
1248:
1247:Roman Kroitor
1244:
1240:
1239:
1234:
1231:(directed by
1230:
1229:
1224:
1220:
1219:
1214:
1213:
1208:
1204:
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1198:
1194:
1193:
1188:
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1183:
1178:
1174:
1173:
1167:
1163:
1161:
1157:
1153:
1149:
1145:
1141:
1137:
1136:Michel Brault
1133:
1132:cinéma direct
1129:
1128:direct cinema
1125:
1120:
1118:
1112:
1110:
1109:direct cinema
1106:
1105:Cinéma vérité
1100:Cinéma-vérité
1094:
1090:
1089:
1084:
1080:
1076:
1067:
1065:
1061:
1057:
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1049:
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837:
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823:
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810:
808:
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802:
796:
791:
789:
785:
781:
777:
773:
769:
766:
758:
754:
753:
747:
743:
741:
737:
733:
729:
726:) or may use
725:
721:
717:
712:
710:
706:
705:
701:, 1931); and
700:
696:
695:
690:
686:
685:
680:
676:
675:
670:
666:
665:
660:
656:
655:
650:
649:
644:
643:André Sauvage
640:
639:
634:
630:
626:
622:
618:
614:
610:
608:
603:
599:
598:
592:
590:
586:
582:
581:art historian
578:
577:Impressionism
574:
570:
566:
562:
559:consisted of
558:
554:
553:
552:city symphony
545:City symphony
542:
540:
536:
532:
531:
526:
525:
520:
516:
512:
508:
506:
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498:
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297:
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288:
284:
276:
271:
267:
265:
261:
256:
252:
248:
244:
240:
237:In May 1896,
235:
233:
229:
228:
221:
219:
203:
200:
196:
193:
188:
186:
180:
178:
177:
172:
171:
166:
162:
161:John Grierson
157:
155:
151:
147:
139:
136:'s 1898 book
135:
132:The cover of
130:
121:
119:
115:
111:
107:
105:
101:
97:
93:
92:observational
89:
85:
80:
78:
74:
70:
66:
62:
58:
50:
47:spring-wound
46:
41:
37:
33:
19:
8233:Storytelling
8048:Subjectivity
8038:Third-person
8028:First-person
7662:
7471:Comic relief
7223:
7216:
7207:Flashforward
7174:
7148:Origin story
7130:
7093:Straight man
7048:
6756:Mockumentary
6564:Biographical
6547:Swashbuckler
6515:Martial arts
6187:Experimental
6182:Ethnofiction
5929:Third Cinema
5832:Persian Film
5575:Auteur films
5546:By movement
5403:Swashbuckler
5262:Ozploitation
5257:Outlaw biker
5137:Martial arts
5132:Magical girl
4982:Exploitation
4977:Ethnographic
4906:Mafia comedy
4549:Pornographic
4426:Psycho-biddy
4411:Lovecraftian
4245:Contemporary
4226:
4220:Exploitation
4215:Experimental
4095:Mockumentary
4074:
3964:Biographical
3847:
3836:
3829:
3819:
3815:
3793:
3783:
3764:
3754:
3744:
3737:
3727:
3719:
3705:
3683:
3664:
3657:
3650:
3605:
3582:
3568:
3561:
3538:
3523:
3497:
3470:
3447:
3420:
3390:
3375:
3357:
3341:
3332:
3288:
3253:
3234:. New York:
3231:
3212:
3203:
3194:
3173:
3161:. Retrieved
3145:The Guardian
3144:
3134:
3122:. Retrieved
3118:
3097:the original
3092:
3082:
3070:. Retrieved
3061:
3052:
3040:. Retrieved
3031:
3021:
3009:. Retrieved
2998:
2988:
2979:
2967:. Retrieved
2963:
2953:
2944:
2935:
2923:. Retrieved
2911:
2901:
2892:
2883:
2869:
2860:
2850:
2838:. Retrieved
2829:
2820:
2808:. Retrieved
2799:
2790:
2778:. Retrieved
2769:
2760:
2751:
2729:(2): 50â57.
2726:
2722:
2713:
2694:
2677:
2669:
2650:
2642:the original
2637:
2628:
2611:
2606:
2591:
2586:
2567:
2559:
2550:
2544:
2527:
2497:(2): 83â90.
2494:
2490:
2480:
2452:
2445:
2434:the original
2421:
2408:
2382:. Retrieved
2372:
2360:. Retrieved
2351:
2342:
2333:
2323:Marilyn Lake
2319:Ann Curthoys
2314:
2298:
2281:
2272:
2265:. Retrieved
2250:
2236:
2224:. Retrieved
2215:
2206:
2133:Reality film
2098:Mockumentary
2068:Ethnofiction
2053:Concert film
2030:
2023:
2021:
2016:
2007:
2003:
1995:
1986:
1976:
1972:
1967:
1966:
1960:
1959:
1953:
1952:
1937:
1913:
1910:Pare Lorentz
1908:series, and
1905:Why We Fight
1903:
1893:
1883:
1873:
1863:
1857:
1855:
1851:
1844:
1841:Chris Marker
1830:
1822:
1814:
1811:
1800:
1790:
1786:
1780:
1771:
1763:
1754:
1748:
1739:Fake-fiction
1733:fiction film
1723:
1713:Bombay Beach
1712:
1702:
1698:Mads BrĂŒgger
1691:
1683:
1680:Clio Barnard
1675:Errol Morris
1668:
1666:
1653:
1640:
1627:
1610:
1608:
1601:
1600:
1595:
1577:
1571:
1561:
1559:
1547:
1536:
1528:
1524:
1517:
1511:
1501:
1495:
1492:
1480:
1473:Errol Morris
1466:
1460:
1450:
1440:
1433:
1431:
1426:
1422:
1419:Marlon Riggs
1415:
1407:
1401:
1395:
1389:
1383:
1377:
1375:
1365:
1361:
1355:
1353:
1330:
1314:
1304:
1300:
1294:
1290:
1284:
1282:
1270:Muffie Meyer
1255:
1236:
1226:
1216:
1210:
1200:
1192:Grey Gardens
1190:
1180:
1170:
1168:
1164:
1121:
1113:
1103:
1086:
1079:Lennart Meri
1059:
1058:
1051:
1045:
1027:
1021:
1015:
1011:
1004:Basil Wright
994:. Grierson,
989:
972:Basil Wright
950:
941:
931:
919:Why We Fight
917:
903:
893:
887:
884:Pare Lorentz
882:
875:
870:directed a "
861:
858:Henri Storck
850:Adolf Hitler
839:
829:
816:
804:
801:Dziga Vertov
799:
794:
787:
783:
779:
771:
764:
762:
750:
731:
723:
713:
702:
692:
689:Dziga Vertov
682:
672:
662:
652:
646:
636:
628:
620:
605:
595:
593:
588:
550:
548:
528:
522:
518:
514:
509:
500:
490:
484:
476:
448:
445:Frank Hurley
442:
433:
429:
424:(1912)) and
419:
413:
386:
384:
377:
371:
352:
346:
321:
316:
312:
311:(1900), and
308:
304:
300:
294:
280:
263:
259:
236:
225:
222:
214:
201:
197:
192:Pare Lorentz
189:
185:Dziga Vertov
181:
176:New York Sun
174:
168:
158:
153:
149:
143:
137:
108:
81:
73:Bill Nichols
60:
56:
54:
36:
8269:Film genres
8238:Tellability
8204:Metafiction
8199:Narratology
7971:Theological
7863:Pop culture
7744:Short story
7722:Epic poetry
7443:Time travel
7256:Red herring
7241:Plot device
7212:Frame story
7165:Cliffhanger
7108:Tritagonist
7083:Protagonist
6868:Time travel
6828:Apocalyptic
6630:Documentary
6559:Avant-garde
6413:Video nasty
6408:Underground
6393:Slow cinema
6363:Sceneggiata
6251:Live action
6229:Independent
6209:Film Ă clef
6177:Docufiction
6145:Compilation
6120:Blockbuster
6088:Traditional
6083:Stop-motion
6019:Chick flick
5877:Slow cinema
5867:Remodernist
5682:Free Cinema
5662:Erra Cinema
5627:Cinema Novo
5505:Revisionist
5014:Gendai-geki
4950:Psychedelic
4938:Apocalyptic
4804:Beach party
4699:Slow cinema
4672:Space opera
4637:Fantastique
4508:Sceneggiata
4498:Musicarello
4371:Fantastique
4250:Fantastique
4193:Educational
4120:Video essay
4075:Documentary
3628:Murdoch.edu
3520:Rotha, Paul
3272:Ron Burnett
3119:11Polaroids
3062:Azure Media
2925:21 February
2274:boundaries.
2179:Joris Ivens
2013:Terminology
1992:Translation
1902:'s wartime
1900:Frank Capra
1890:John Berger
1846:Sans Soleil
1783:Esfir Schub
1725:Docufiction
1720:Docufiction
1708:Alma Har'el
1658:Other forms
1588:slow motion
1519:Girl Rising
1488:mondo films
1425:(1989) and
1278:Ellen Hovde
1262:Werner Nold
1243:Wolf Koenig
1223:Robert Drew
1148:Robert Drew
1070:1950sâ1970s
1034:W. H. Auden
980:Joris Ivens
914:Frank Capra
898:(1938) and
892:(1936) and
868:Luis Buñuel
854:Joris Ivens
826:1930sâ1940s
806:Kino-Pravda
795:Kino-Pravda
659:Joris Ivens
651:(1928) and
602:Paul Strand
583:and author
527:(1925) and
497:romanticism
468:Romanticism
438:Technicolor
416:Kinemacolor
407:chapter of
401:Ion CreangÄ
359:primitivism
100:informative
96:docufiction
88:educational
61:documentary
8258:Categories
8124:Continuity
7993:Nonfiction
7957:Underwater
7853:Picaresque
7828:Historical
7813:Epistolary
7685:Fairy tale
7596:Peripeteia
7578:Exposition
7334:Dreamworld
7276:Stereotype
7246:Plot twist
6994:Antagonist
6645:Historical
6574:Children's
6500:and themes
6333:Paracinema
6318:Neorealist
6313:Mythopoeia
6298:Mockbuster
6263:Low-budget
6204:Featurette
6037:technique,
6035:By format,
5914:Surrealist
5909:Structural
5787:New German
5777:Neorealist
5772:Mumblecore
5712:Heimatfilm
5672:Film d'art
5637:Cinéma pur
5371:South Seas
5344:Sex report
4610:Paranormal
4573:Propaganda
4473:Mumblecore
4260:Historical
4142:Historical
4031:Remarriage
4021:Mo lei tau
3818:. Vol. 1,
3708:. Austin:
3608:. Oxford:
3163:22 October
2770:lux.org.uk
2198:References
2103:Mondo film
2058:Dance film
1839:film; and
1835:(1957), a
1832:N.Y., N.Y.
1743:See also:
1544:Eric Manes
1445:(1997) by
1391:Food, Inc.
1321:capitalism
1301:Near Death
1238:Lonely Boy
1177:Jean Rouch
1169:The films
1144:Allan King
1124:Jean Rouch
1047:Night Mail
1000:Harry Watt
976:Elmar Klos
953:Film Board
877:Las Hurdes
872:surrealist
774:(of which
736:cinepoetry
648:The Bridge
565:modern art
557:film genre
289:clinic in
124:Definition
118:film genre
104:principles
77:filmmaking
8015:Narration
7964:Superhero
7888:Chivalric
7873:Religious
7858:Political
7793:Adventure
7778:Biography
7700:Tall tale
7548:Structure
7533:Symbolism
7501:Narration
7401:Leitmotif
7329:Crossover
7324:Backstory
7281:Story arc
7231:MacGuffin
7202:Flashback
7143:Backstory
7019:Confidant
6999:Archenemy
6986:Character
6978:Narrative
6934:Spaghetti
6917:Submarine
6863:Superhero
6833:Body swap
6803:Religious
6751:Melodrama
6640:Economics
6601:Slapstick
6586:Christian
6579:Animation
6554:Animation
6537:Adventure
6530:Vigilante
6492:Lists of
6323:No-budget
6288:Meta-film
6256:animation
6214:Film-poem
6150:Composite
6095:Anthology
6058:Animation
6053:Actuality
6039:approach,
5807:New Queer
5727:Indiewood
5677:Film gris
5548:or period
5525:Spaghetti
5448:Submarine
5428:Vigilante
5393:Superhero
5147:Chopsocky
5093:Jidaigeki
4962:Dystopian
4861:Detective
4819:Buddy cop
4809:Body swap
4739:Political
4719:Financial
4682:Tokusatsu
4677:Steampunk
4593:Bromantic
4565:Malayalam
4544:Crossover
4520:Detective
4488:Backstage
4436:Religious
4292:Tech noir
4287:Pulp noir
4277:Film noir
4152:Melodrama
4090:Docudrama
4063:Cyberpunk
4056:Slapstick
4046:Screwball
4006:Gross out
3969:Christian
3947:Adventure
3722:, Paris:
3236:Routledge
3153:0261-3077
3093:IndieWire
2920:0319-0781
2519:145665551
2511:1534-5157
2472:758646930
2063:Docudrama
1870:Ken Burns
1859:Biography
1684:The Arbor
1630:narration
1497:Kony 2012
1457:Ken Burns
1447:Spike Lee
1053:Coal Face
946:Indochina
895:The River
860:directed
711:, 1934).
691:, 1929);
681:, 1927);
671:, 1929),
645:, 1928);
635:, 1927);
627:, 1927);
619:, 1926);
604:, 1921);
589:avant-doc
567:, namely
459:in 1914.
405:Bucharest
363:exoticism
341:aeroscope
328:1900â1920
291:Bucharest
287:neurology
112:(such as
8221:Glossary
8216:Rhetoric
8023:Diegesis
8003:Creative
7976:Thriller
7925:Southern
7843:Paranoid
7838:Nautical
7749:Vignette
7707:Gamebook
7675:Folklore
7582:Protasis
7461:Allegory
7406:Metaphor
7364:parallel
7359:universe
7339:Dystopia
7296:Suspense
7182:Dialogue
7170:Conflict
7078:Narrator
7050:Hamartia
6912:Anti-war
6890:Thriller
6838:Dystopia
6793:Neo-noir
6694:Disaster
6679:Cannibal
6625:Disaster
6441:Category
6328:One-shot
6192:Abstract
6078:Computer
5762:Lettrist
5657:Dogme 95
5585:Bourekas
5555:Absolute
5495:Northern
5490:Meat pie
5443:Euro War
5438:Anti-war
5304:Rumberas
5225:Mountain
5127:Luchador
5083:Homeland
5071:Shotacon
5044:Suburban
4972:Economic
4933:Disaster
4866:Gangster
4841:Colonial
4831:Cannibal
4792:By theme
4749:Romantic
4704:Thriller
4662:New Wave
4657:Military
4615:Thriller
4583:Romantic
4530:Whodunit
4503:Operetta
4483:Arthouse
4451:Splatter
4346:Cannibal
4336:Arthouse
4319:Suburban
4309:Southern
4282:Neo-noir
4186:Thriller
4080:Animated
4068:Japanese
4036:Romantic
4026:Thriller
3952:Survival
3930:Arthouse
3918:By style
3800:, 1996.
3771:, 1998.
3690:, 2001.
3671:, 2002.
3631:Archived
3616:, 1989.
3477:, 2007.
3427:, 2001.
3397:, 2003.
3295:, 1990.
3279:Archived
3260:, 1993.
3238:, 2005.
3157:Archived
3124:14 April
3066:Archived
3036:Archived
3005:Archived
2840:25 April
2834:Archived
2810:25 April
2804:Archived
2780:25 April
2774:Archived
2659:Archived
2618:Archived
2574:, 2005,
2394:cite web
2384:25 April
2362:25 April
2356:Archived
2226:25 April
2220:Archived
2036:See also
1918:(1936).
1898:(1972),
1888:(1980),
1878:(1990),
1849:(1982).
1696:(2012),
1686:(2010),
1603:Bodysong
1296:Salesman
1095:in 1977.
1012:Drifters
910:New Deal
905:The City
880:(1933).
863:Borinage
838:'s film
819:newsreel
776:Grierson
740:symphony
720:abstract
597:Manhatta
382:(1909).
339:with an
307:(1899),
303:(1899),
299:(1898),
211:Pre-1900
167:'s film
8151:Prequel
8107:Related
8093:Present
7986:Western
7942:Science
7915:Fantasy
7883:Romance
7833:Mystery
7818:Ergodic
7783:Fiction
7739:Parable
7734:Novella
7664:Fabliau
7635:Premise
7486:Imagery
7476:Diction
7354:country
7311:Setting
7291:Subplot
7113:Villain
7066:Byronic
6924:Western
6808:Romance
6783:Mystery
6778:Musical
6761:Monster
6734:Vampire
6724:Satanic
6719:Natural
6709:Holiday
6662:Fantasy
6650:Slavery
6608:Concert
6423:Z movie
6199:Feature
6135:Collage
6105:B movie
6073:Cartoon
5812:No wave
5480:Florida
5475:Fantasy
5455:Western
5398:Surfing
5386:Eurospy
5356:Slavery
5206:Vampire
5186:Monster
5157:Kung fu
5098:Samurai
5066:Lolicon
5034:Romance
4881:Gong'an
4851:Concert
4836:Chicano
4799:Animals
4687:Western
4642:Fantasy
4600:Fantasy
4578:Reality
4515:Mystery
4493:Jukebox
4478:Musical
4456:Satanic
4446:Slasher
4416:Natural
4396:Holiday
4304:Romance
4270:Science
4235:Fantasy
4137:Dramedy
4001:Dramedy
3848:O Olhar
3712:, 1994.
3072:23 June
3042:23 June
3032:Variety
2969:28 June
2680:, 2005.
2539:, p.10.
2293:, p.520
2216:oed.com
1612:Genesis
1507:Gasland
1291:Showman
1253:films.
1212:Primary
780:Berlin,
768:Realism
615:; dir.
206:History
114:YouTube
8155:Sequel
8139:Retcon
8134:Reboot
8098:Future
7932:Horror
7920:Gothic
7905:Satire
7823:Erotic
7690:Legend
7592:Climax
7466:Bathos
7373:Utopia
7261:Reveal
7160:Cliché
7138:Action
7132:Ab ovo
7071:Tragic
6895:Erotic
6880:Sports
6818:Satire
6798:Prison
6739:Zombie
6704:Ghosts
6684:Clowns
6674:Horror
6657:Erotic
6596:Parody
6591:Comedy
6542:Pirate
6510:Action
6451:Portal
6388:Silent
6378:Shinpa
6373:Serial
6358:Satire
6343:Poetry
6273:Masala
6002:ShĆnen
5985:Seinen
5500:Ostern
5485:Horror
5418:Travel
5376:Sports
5299:Rubble
5272:Prison
5240:Nature
5211:Zombie
5152:Gun fu
5088:Isekai
5061:Hentai
5029:Gothic
4955:Stoner
4921:Yakuza
4876:GokudĆ
4824:Female
4754:Techno
4724:Giallo
4714:Erotic
4709:Comedy
4652:Horror
4647:Gothic
4632:Comedy
4605:Gothic
4588:Comedy
4537:Giallo
4391:Giallo
4361:Comedy
4331:Horror
4299:Gothic
4240:Comedy
4166:Erotic
4157:Korean
4115:Travel
4105:Pseudo
4051:Silent
4016:Parody
4011:Horror
3979:Action
3974:Comedy
3925:Action
3911:genres
3804:
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1406:, and
1303:, and
1276:, and
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1006:, and
940:, and
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707:(dir.
697:(dir.
687:(dir.
677:(dir.
667:(dir.
641:(dir.
631:(dir.
629:Moscow
623:(dir.
613:France
575:, and
569:Cubism
555:" sub
515:Nanook
481:poster
426:Prizma
243:Warsaw
8162:Genre
8129:Canon
8080:Tense
7998:Novel
7981:Urban
7893:Prose
7878:Rogue
7803:Crime
7798:Comic
7759:Genre
7729:Novel
7680:Fable
7658:Drama
7623:films
7453:Style
7421:Motif
7411:Moral
7396:Irony
7388:Theme
7301:Trope
6900:Legal
6766:Kaiju
6714:Mummy
6635:Drama
6618:Heist
6613:Crime
6525:Ninja
6498:genre
6494:films
6403:Sound
6383:Short
6140:Color
6063:Anime
6024:Josei
6014:Women
6007:ShĆjo
5975:Anime
5965:Black
5960:Adult
5520:Space
5423:Trial
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5277:Women
5252:Opera
5201:Mummy
5196:Kaiju
5179:Anime
5174:Mecha
5167:Wuxia
5162:Ninja
5110:LGBTQ
5105:KaitĆ
5056:Harem
5039:Space
5019:Ghost
4967:Ecchi
4928:Dance
4901:Mafia
4886:Heist
4856:Crime
4814:Buddy
4783:Trick
4729:Legal
4386:Ghost
4324:Urban
4314:Space
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4127:Drama
4100:Mondo
3984:Black
2739:JSTOR
2553:(70).
2515:S2CID
2437:(PDF)
2418:(PDF)
1943:Types
1785:with
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1397:Earth
1366:Times
549:The "
530:Chang
524:Grass
519:Moana
505:igloo
485:With
463:1920s
449:South
409:Pathé
374:Pathé
170:Moana
49:Bolex
45:16 mm
8167:List
8088:Past
7947:Hard
7900:Saga
7808:Docu
7764:List
7695:Myth
7650:Form
7538:Tone
7511:Hook
7496:Mood
7491:Mode
7349:city
7236:Pace
7123:Plot
7061:Anti
7056:Hero
7039:Foil
6929:Euro
6885:Teen
6788:Noir
6746:LGBT
6729:Toys
6160:Cult
5997:Teen
5990:Stag
5981:Men
5460:Acid
5294:Road
5284:Race
5120:Yuri
5115:Yaoi
4945:Drug
4896:Hood
4341:Body
4255:High
4225:see
4203:Epic
4176:Pink
4110:Semi
3994:Sexy
3908:Film
3802:ISBN
3773:ISBN
3692:ISBN
3673:ISBN
3618:ISBN
3595:ISBN
3587:ISBN
3573:ISBN
3551:ISBN
3543:ISBN
3528:ISBN
3510:ISBN
3502:ISBN
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3479:ISBN
3460:ISBN
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3407:ISBN
3399:ISBN
3380:ISBN
3362:ISBN
3346:ISBN
3319:ISBN
3311:ISBN
3297:ISBN
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3240:ISBN
3165:2016
3149:ISSN
3126:2020
3074:2016
3044:2016
3013:2006
2971:2020
2927:2022
2916:ISSN
2842:2018
2812:2018
2782:2018
2699:ISBN
2596:ISBN
2576:ISBN
2533:ISBN
2507:ISSN
2468:OCLC
2458:ISBN
2400:link
2386:2018
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2304:ISBN
2287:ISBN
2269:2020
2256:ISBN
2228:2018
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1590:and
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1319:and
1245:and
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6875:Spy
6699:Eco
6496:by
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6068:Art
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5381:Spy
4627:Art
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4041:Sex
3959:Art
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