Knowledge

Don't Crush That Dwarf, Hand Me the Pliers

Source ๐Ÿ“

259: 254: 297: 292: 287: 282: 277: 249: 244: 239: 211: 206: 201: 196: 191: 505:, where Dylan is holding a small picture of a person and a pair of pliers. It has also been said that the "dwarf" represents a burning "roach" (the final portion of a marijuana cigarette), to "crush" refers to stubbing out the "roach", and "the pliers" refers to a "roach-clip", a device for protecting the fingers while burning a "roach". Some marijuana smokers from that era, pre-vapes, agree. 29: 508:
The credits on the back cover most likely include pseudonyms (e.g. "Mr. Procmer," presumably a misspelling of Phil Proctor's last name similar to the mention of "Casman" for Ossman and "Bertman" for Bergman on the album) but also include Anna-Lee Austin and Tiny Ossman, then the wives of Phil Austin
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stars 'Dave Casman' as Peorgie Tirebiter and 'Joe Bertman' as his sidekick, Mudheadโ€”although an earlier portion of the recording intentionally blurs the distinction between fantasy and reality by identifying Tirebiter (not 'Casman') as having been the star of the "Peorgie and Mudhead" films, rather
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comic books, and 1940s and '50s American youth culture in general. In the movie, Peorgie and Mudhead investigate the theft of their high school, Morse Science High, by their rivals, Communist Martyrs High School, on graduation day.
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and was adopted by the students as an unofficial mascot. The dog acquired a reputation for chasing cars, hence the name. The dog became so famous that at one point he was kidnapped by rival students from
1259: 635: 131: 1633: 455:, where the soldiers (including Tirebiter) debate the seemingly endless war. These are interspersed with commercials and other staples of late-night television (including 1638: 880: 220: 1417: 1463: 640:
and the album ends with George running outside to buy an ice cream cone from a passing ice cream truck, the chimes thereof opening the next album,
1509: 1252: 662: 1343: 552:"The St. Louis Aquarium Choraleers" (including Anna-Lee Austin, Jane Dansie, Tiny Ossman, Elisabeth Plumb, John Kinick and Cathleen O'Mara) 509:
and David Ossman. Anna-Lee Austin also is credited for the wake-up phone call and bird sound effects heard in the final dialogue segment.
1502: 1329: 1106: 1168: 799: 1234: 961: 705: 330: 1315: 1124: 719:, a list of sound recordings that "are culturally, historically, or aesthetically important, and/or inform or reflect life in the 1410: 1273: 642: 149: 1389: 783:
sits on the ground beneath them. The original LP release came with a poster, featuring Polaroid snapshots of group members.
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In his notes to the Mobile Fidelity release, Austin says that the five ages of George Leroy Tirebiter are:
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This description of Tirebiter's "ages" are quoted directly from the notes to the Mobile Fidelity release.
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This was The Firesign Theatre's first album wherein a single theme took up both sides of the album.
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As his evening unfolds, the listener hears "excerpts" from fictional movies in Tirebiter's past.
463:) as Tirebiter randomly changes channels. The broadcasts contain many references to warfare and 1557: 1431: 670:, who shaved their school's letters into his fur. He was run over and killed by a car in 1950. 338: 1103: 1396: 1350: 1336: 875: 562: 743:, features caricatures of the members as their respective astrological animals: Austin as a 1613: 1424: 1403: 1177: 1011: 359: 312: 118: 110: 41: 28: 965: 405:
and in particular, the five ages of one George Leroy Tirebiter; a man named after a dog."
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This album was originally released simultaneously on LP, 8 Track, and Cassette.
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Back From the Shadows: The Firesign Theatre's 25th Anniversary Reunion Tour
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called it "the greatest comedy album ever made". It was nominated for a
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It has been said that the album's title was inspired by a photograph in
1146: 845: 776: 452: 397:'s notes to the 1987 Mobile Fidelity re-release of this album he says " 736: 732: 496: 460: 1260:
How Can You Be in Two Places at Once When You're Not Anywhere at All
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Tirebiter the College student, called George Tirebiter Camden N200-R
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How Can You Be in Two Places at Once When You're Not Anywhere at All
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How Can You Be in Two Places at Once When You're Not Anywhere at All
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George Tirebiter's failed pizza-to-go order is the other half of
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Production of "Shoes For Industry" (segment early on side two) -
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Anna-Lee Austin - spoken parts ("Wake-Up Lady and Bird Stylings")
816:"Don't Crush That Dwarf, Hand Me the Pliers - Firesign Theatre" 780: 488:: "Presenting honest stories of working people as told by rich 481: 469: 416:
who spends his time watching himself on late-night television.
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Duke of Madness Motors: The Complete "Dear Friends" Radio Era
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The piece centers on the character of Tirebiter (played by
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In 1946, a mongrel whose owner had died wandered onto the
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Christgau's Record Guide: Rock Albums of the Seventies
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United States National Recording Registry recordings
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Shoes For Industry: The Best of the Firesign Theatre
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Tirebiter the Old Man, called George Leroy Tirebiter
649: 596:It has been re-released on CD at least five times: 1351:Anythynge You Want To (Shakespeare's Lost Comedie) 473:), indicating that Tirebiter's world exists under 558:Production - The Firesign Theatre with Bill Driml 1639:United States National Recording Registry albums 1605: 731:The name "Firesign Theatre" was suggested by an 1253:Waiting for the Electrician or Someone Like Him 663:campus of the University of Southern California 1125:"Firesign Theatre Comedians Share Their Story" 1113:, at TheHugoAwards.org; retrieved May 31, 2015 573:Back cover photos - John Rose, Elisabeth Plumb 236: 1162: 677:Tirebiter the Child, called Peorge or Peorgie 16:1970 studio album by The Firesign Theatre 1510:The Firesign Theatre's Big Mystery Joke Book 274: 188: 844: 683:Tirebiter the Soldier, called Lt. Tirebiter 1267:Don't Crush That Dwarf, Hand Me the Pliers 1169: 1155: 1090:Don't Crush That Dwarf, Hand Me the Pliers 949:Don't Crush That Dwarf, Hand Me the Pliers 933:Don't Crush That Dwarf, Hand Me the Pliers 809: 807: 308:Don't Crush That Dwarf, Hand Me the Pliers 141:Don't Crush That Dwarf, Hand Me the Pliers 27: 22:Don't Crush That Dwarf, Hand Me the Pliers 1235:Nick Danger: The Case of the Missing Shoe 870: 840: 838: 706:Hugo Award for Best Dramatic Presentation 386:Detailed track information and commentary 331:Hugo Award for Best Dramatic Presentation 1503:The Firesign Theatre's Big Book Of Plays 1176: 484:comment from the album is the slogan of 1122: 927: 925: 909: 804: 686:Tirebiter the Actor, called Dave Casman 1606: 1060: 943: 941: 917:The Goldmine Comedy Record Price Guide 835: 813: 577: 232:The Goldmine Comedy Record Price Guide 1316:In the Next World, You're on Your Own 1150: 1123:Maloney, Wendy (September 29, 2017). 1097: 1082: 1063:"I Think We're All Bozos on This Bus" 1012:"Firesign Theatre: Lexicon, Part 2/4" 169: 1358:Give Me Immortality or Give Me Death 1302:The Tale of the Giant Rat of Sumatra 922: 1274:I Think We're All Bozos on This Bus 1029: 938: 643:I Think We're All Bozos on This Bus 238: 150:I Think We're All Bozos on This Bus 13: 1457:Not Insane or Anything You Want To 987:"blonde on blonde - Google Search" 854:The New Rolling Stone Record Guide 609:2001 (October) โ€“ Columbia CK-30102 326:The New Rolling Stone Record Guide 269:The New Rolling Stone Record Guide 14: 1650: 759:), and Bergman and Ossman as two 650:Origin of George Tirebiter's name 424:than a character in those films. 345:and called the Firesign Theatre " 276: 190: 905:– via robertchristgau.com. 852:(1983). "The Firesign Theatre". 467:paranoia (product names such as 352: 295: 290: 285: 280: 275: 257: 252: 247: 242: 237: 209: 204: 199: 194: 189: 1531:(voiced by Proctor and Bergman) 1295:Roller Maidens from Outer Space 1116: 1054: 1004: 600:1987 โ€“ Mobile Fidelity MFCD-880 979: 954: 864: 793: 428:is a parody of the radio show 1: 1323:Just Folks... A Firesign Chat 786: 335:World Science Fiction Society 1309:Everything You Know Is Wrong 726: 695: 592:Cassette โ€“ Columbia CT-30102 589:8 Track โ€“ Columbia 18C-30102 512: 7: 1619:The Firesign Theatre albums 1439:Dope Humor of the Seventies 1228:A Firesign Chat with Papoon 717:National Recording Registry 654:There was a real dog named 375: 365: 343:National Recording Registry 10: 1655: 486:The Howl of the Wolf Movie 1571: 1545: 1519: 1494: 1448: 1381: 1244: 1212: 1184: 935:. Columbia Records, 1970. 773:bow and suction-cup arrow 401:is the story of the five 177: 174: 125: 117: 104: 92: 76: 64: 56: 48: 35: 26: 21: 1092:. Mobile Fidelity, 1987. 951:. Mobile Fidelity, 1987. 876:"Consumer Guide '70s: F" 606:2001 โ€“ Laugh.com LGH1072 381:"The Other Side" โ€“ 24:12 221:Christgau's Record Guide 1624:Columbia Records albums 1464:What This Country Needs 341:added the album to the 323:in July 1970. In 1983, 704:was nominated for the 621:Continuity with other 517:The Firesign Theatre: 339:US Library of Congress 1397:Forward Into the Past 1337:The Three Faces of Al 1131:. Library of Congress 1037:"firesigntheatre.com" 919:. Iola: Krause, 1996. 739:." The cover art, by 633:'s conversation from 603:2001 โ€“ Acadia ACA8018 586:LP โ€“ Columbia C-30102 563:James William Guercio 555:"The Android Sisters" 1425:Papoon for President 1178:The Firesign Theatre 886:Ticknor & Fields 360:The Firesign Theatre 313:the Firesign Theatre 165:Professional ratings 119:The Firesign Theatre 111:The Firesign Theatre 42:The Firesign Theatre 1629:1970s comedy albums 1579:Proctor and Bergman 1041:Firesigntheatre.com 860:. pp. 175โ€“176. 578:Issues and reissues 426:High School Madness 421:High School Madness 371:"This Side" โ€“ 22:16 166: 1382:Compilation albums 1109:2011-05-07 at the 1088:Firesign Theatre. 1061:Carruthers, Sean. 947:Firesign Theatre. 931:Firesign Theatre. 814:Carruthers, Sean. 616:/Legacy - CK-85775 612:2001 (December) โ€“ 431:The Aldrich Family 164: 60:April and May 1970 1601: 1600: 1404:Lawyer's Hospital 1372:Bride of Firesign 915:Smith, Ronald L. 872:Christgau, Robert 856:. New York City: 715:was added to the 362: 304: 303: 162: 161: 158: 157: 1646: 1572:Related articles 1563:George Tirebiter 1171: 1164: 1157: 1148: 1147: 1141: 1140: 1138: 1136: 1120: 1114: 1104:1971 Hugo Awards 1101: 1095: 1086: 1080: 1079: 1077: 1075: 1058: 1052: 1051: 1049: 1047: 1033: 1027: 1026: 1024: 1022: 1008: 1002: 1001: 999: 997: 983: 977: 976: 974: 973: 964:. Archived from 962:"Firesign Media" 958: 952: 945: 936: 929: 920: 913: 907: 906: 904: 902: 868: 862: 861: 842: 833: 832: 830: 828: 811: 802: 797: 751:), Proctor as a 656:George Tirebiter 502:Blonde on Blonde 357: 321:Columbia Records 300: 299: 298: 294: 293: 289: 288: 284: 283: 279: 278: 262: 261: 260: 256: 255: 251: 250: 246: 245: 241: 240: 214: 213: 212: 208: 207: 203: 202: 198: 197: 193: 192: 167: 163: 127: 126: 88: 87: 83: 31: 19: 18: 1654: 1653: 1649: 1648: 1647: 1645: 1644: 1643: 1604: 1603: 1602: 1597: 1567: 1541: 1515: 1490: 1471:Fighting Clowns 1444: 1377: 1344:Eat or Be Eaten 1330:Give Us a Break 1240: 1208: 1180: 1175: 1145: 1144: 1134: 1132: 1121: 1117: 1111:Wayback Machine 1102: 1098: 1093: 1087: 1083: 1073: 1071: 1059: 1055: 1045: 1043: 1035: 1034: 1030: 1020: 1018: 1010: 1009: 1005: 995: 993: 985: 984: 980: 971: 969: 960: 959: 955: 946: 939: 930: 923: 914: 910: 900: 898: 896: 869: 865: 843: 836: 826: 824: 812: 805: 798: 794: 789: 741:Robert Grossman 729: 698: 652: 627: 580: 569:Robert Grossman 515: 388: 378: 368: 355: 337:. In 2005, the 333:in 1971 by the 296: 291: 286: 281: 258: 253: 248: 243: 210: 205: 200: 195: 153: 144: 135: 113:with Bill Driml 85: 81: 80: 44: 17: 12: 11: 5: 1652: 1642: 1641: 1636: 1631: 1626: 1621: 1616: 1599: 1598: 1596: 1595: 1588: 1581: 1575: 1573: 1569: 1568: 1566: 1565: 1560: 1555: 1549: 1547: 1543: 1542: 1540: 1539: 1532: 1523: 1521: 1517: 1516: 1514: 1513: 1506: 1498: 1496: 1492: 1491: 1489: 1488: 1485:Radio Now Live 1481: 1474: 1467: 1460: 1452: 1450: 1446: 1445: 1443: 1442: 1435: 1428: 1421: 1414: 1407: 1400: 1393: 1385: 1383: 1379: 1378: 1376: 1375: 1368: 1361: 1354: 1347: 1340: 1333: 1326: 1319: 1312: 1305: 1298: 1291: 1284: 1277: 1270: 1263: 1256: 1248: 1246: 1242: 1241: 1239: 1238: 1231: 1224: 1216: 1214: 1210: 1209: 1207: 1206: 1204:Philip Proctor 1201: 1196: 1191: 1185: 1182: 1181: 1174: 1173: 1166: 1159: 1151: 1143: 1142: 1115: 1096: 1081: 1053: 1028: 1003: 978: 953: 937: 921: 908: 894: 863: 834: 803: 791: 790: 788: 785: 728: 725: 697: 694: 691: 690: 687: 684: 681: 678: 651: 648: 626: 619: 618: 617: 610: 607: 604: 601: 594: 593: 590: 587: 579: 576: 575: 574: 571: 565: 559: 556: 553: 550: 547: 540: 539: 534: 529: 524: 514: 511: 457:televangelists 387: 384: 383: 382: 377: 374: 373: 372: 367: 364: 358:All tracks by 354: 351: 319:, released by 302: 301: 272: 264: 263: 234: 228: 227: 224: 216: 215: 186: 180: 179: 176: 172: 171: 160: 159: 156: 155: 146: 137: 123: 122: 115: 114: 108: 102: 101: 96: 90: 89: 78: 74: 73: 68: 62: 61: 58: 54: 53: 50: 46: 45: 40: 33: 32: 24: 23: 15: 9: 6: 4: 3: 2: 1651: 1640: 1637: 1635: 1632: 1630: 1627: 1625: 1622: 1620: 1617: 1615: 1612: 1611: 1609: 1594: 1593: 1589: 1587: 1586: 1585:J-Men Forever 1582: 1580: 1577: 1576: 1574: 1570: 1564: 1561: 1559: 1556: 1554: 1551: 1550: 1548: 1544: 1538: 1537: 1533: 1530: 1529: 1525: 1524: 1522: 1518: 1512: 1511: 1507: 1505: 1504: 1500: 1499: 1497: 1493: 1487: 1486: 1482: 1480: 1479: 1475: 1473: 1472: 1468: 1466: 1465: 1461: 1459: 1458: 1454: 1453: 1451: 1447: 1441: 1440: 1436: 1434: 1433: 1429: 1427: 1426: 1422: 1420: 1419: 1415: 1413: 1412: 1411:Box of Danger 1408: 1406: 1405: 1401: 1399: 1398: 1394: 1392: 1391: 1387: 1386: 1384: 1380: 1374: 1373: 1369: 1367: 1366: 1365:Boom Dot Bust 1362: 1360: 1359: 1355: 1353: 1352: 1348: 1346: 1345: 1341: 1339: 1338: 1334: 1332: 1331: 1327: 1325: 1324: 1320: 1318: 1317: 1313: 1311: 1310: 1306: 1304: 1303: 1299: 1297: 1296: 1292: 1290: 1289: 1288:How Time Flys 1285: 1283: 1282: 1278: 1276: 1275: 1271: 1269: 1268: 1264: 1262: 1261: 1257: 1255: 1254: 1250: 1249: 1247: 1245:Studio albums 1243: 1237: 1236: 1232: 1230: 1229: 1225: 1223: 1222: 1218: 1217: 1215: 1211: 1205: 1202: 1200: 1197: 1195: 1194:Peter Bergman 1192: 1190: 1187: 1186: 1183: 1179: 1172: 1167: 1165: 1160: 1158: 1153: 1152: 1149: 1130: 1129:Blogs.loc.gov 1126: 1119: 1112: 1108: 1105: 1100: 1091: 1085: 1070: 1069: 1064: 1057: 1042: 1038: 1032: 1017: 1013: 1007: 992: 988: 982: 968:on 2021-12-31 967: 963: 957: 950: 944: 942: 934: 928: 926: 918: 912: 897: 891: 887: 883: 882: 877: 873: 867: 859: 855: 851: 850:Marcus, Greil 847: 841: 839: 823: 822: 817: 810: 808: 801: 796: 792: 784: 782: 778: 774: 770: 766: 762: 758: 754: 750: 746: 742: 738: 734: 724: 722: 721:United States 718: 714: 709: 707: 703: 693: 688: 685: 682: 679: 676: 675: 674: 671: 669: 664: 659: 657: 647: 645: 644: 639: 637: 632: 624: 615: 611: 608: 605: 602: 599: 598: 597: 591: 588: 585: 584: 583: 572: 570: 566: 564: 560: 557: 554: 551: 548: 545: 544: 543: 538: 535: 533: 530: 528: 527:Peter Bergman 525: 523: 520: 519: 518: 510: 506: 504: 503: 498: 493: 491: 487: 483: 478: 476: 472: 471: 466: 462: 458: 454: 450: 446: 445:Parallel Hell 442: 439: 438: 433: 432: 427: 422: 417: 415: 411: 406: 404: 400: 396: 391: 380: 379: 370: 369: 363: 361: 353:Track listing 350: 348: 344: 340: 336: 332: 328: 327: 322: 318: 314: 310: 309: 273: 271: 270: 266: 265: 235: 233: 230: 229: 225: 223: 222: 218: 217: 187: 185: 182: 181: 173: 170:Review scores 168: 152: 151: 147: 143: 142: 138: 134: 133: 129: 128: 124: 120: 116: 112: 109: 107: 103: 100: 97: 95: 91: 79: 75: 72: 69: 67: 63: 59: 55: 52:July 22, 1970 51: 47: 43: 38: 34: 30: 25: 20: 1590: 1583: 1558:Rocky Rococo 1534: 1526: 1508: 1501: 1483: 1476: 1469: 1462: 1455: 1437: 1430: 1423: 1416: 1409: 1402: 1395: 1390:Dear Friends 1388: 1370: 1363: 1356: 1349: 1342: 1335: 1328: 1321: 1314: 1307: 1300: 1293: 1286: 1281:TV or Not TV 1279: 1272: 1266: 1265: 1258: 1251: 1233: 1226: 1221:Dear Friends 1219: 1199:David Ossman 1135:November 16, 1133:. 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Retrieved 819: 795: 730: 712: 710: 701: 699: 692: 672: 660: 653: 641: 634: 628: 622: 595: 581: 567:Cover art - 541: 537:Phil Proctor 532:David Ossman 516: 507: 500: 494: 485: 479: 468: 444: 443: 435: 429: 425: 420: 418: 412:), a former 410:David Ossman 407: 398: 392: 389: 356: 349:of comedy." 324: 317:comedy album 307: 306: 305: 267: 231: 219: 148: 140: 139: 130: 37:Studio album 1614:1970 albums 1592:Americathon 1553:Nick Danger 1528:B-17 Bomber 1520:Video games 1449:Live albums 1189:Phil Austin 846:Marsh, Dave 769:Sagittarius 631:Nick Danger 522:Phil Austin 475:martial law 470:Napalmolive 414:child actor 403:ages of Man 395:Phil Austin 347:the Beatles 1608:Categories 1546:Characters 1046:12 January 1021:12 January 996:12 January 991:Google.com 972:2022-04-04 895:089919026X 787:References 777:squirt gun 737:fire signs 733:astrologer 121:chronology 727:Cover art 711:In 2005, 700:In 1971, 696:Reception 513:Personnel 499:'s album 497:Bob Dylan 490:Hollywood 482:satirical 461:talk show 315:'s third 1107:Archived 1068:AllMusic 1016:Faqs.org 874:(1981). 821:AllMusic 765:Centaurs 623:Firesign 492:stars". 480:Another 465:Cold War 449:war film 376:Side two 366:Side one 184:AllMusic 106:Producer 99:Columbia 57:Recorded 49:Released 39: by 800:Discogs 451:set in 154:(1971) 145:(1970) 136:(1969) 892:  781:pliers 775:and a 761:Satyrs 625:albums 542:with: 459:and a 437:Archie 434:, the 178:Rating 175:Source 77:Length 71:Comedy 1495:Books 1213:Radio 749:Aries 713:Dwarf 702:Dwarf 453:Korea 447:is a 399:Dwarf 94:Label 66:Genre 1536:Pyst 1137:2017 1076:2024 1048:2019 1023:2019 998:2019 903:2019 890:ISBN 829:2024 753:lion 668:UCLA 614:Sony 763:or 757:Leo 745:ram 723:." 393:In 311:is 1610:: 1127:. 1065:. 1039:. 1014:. 989:. 940:^ 924:^ 888:. 884:. 878:. 848:; 837:^ 818:. 806:^ 708:. 658:. 646:. 477:. 226:A+ 86:28 82:46 1170:e 1163:t 1156:v 1139:. 1078:. 1050:. 1025:. 1000:. 975:. 831:. 767:( 755:( 747:( 638:, 84::

Index


Studio album
The Firesign Theatre
Genre
Comedy
Label
Columbia
Producer
The Firesign Theatre
The Firesign Theatre
How Can You Be in Two Places at Once When You're Not Anywhere at All
I Think We're All Bozos on This Bus
AllMusic
Christgau's Record Guide
The New Rolling Stone Record Guide
the Firesign Theatre
comedy album
Columbia Records
The New Rolling Stone Record Guide
Hugo Award for Best Dramatic Presentation
World Science Fiction Society
US Library of Congress
National Recording Registry
the Beatles
The Firesign Theatre
Phil Austin
ages of Man
David Ossman
child actor
The Aldrich Family

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