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Quichotte arrive. While waiting for Dulcinée, Sancho asks for his reward to which Don
Quichotte responds with vague promises of an island, a castle, riches. Dulcinée and her party greet the knight and he returns the necklace to universal acclaim. However, when he asks her to marry him he is greeted with hysterical laughter. Taking pity, Dulcinée tells the others to leave, apologizes "Oui, je souffre votre tristesse, et j'ai vraiment chagrin à vous désemparer" (I share your sorrow and am truly sorry) but explains that her destiny, her way of life, is different from his. She kisses him on the forehead and leaves. But the company return to make fun of the old man. Sancho vigorously upbraids them, "Riez, allez, riez du pauvre idéologue" (Laugh, laugh at this poor idealist) and takes his master away.
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the eccentric knight Don
Quichotte (riding on his horse Rossinante) and his comic squire Sancho Panza (on a donkey). Delighted by their attention, Don Quichotte tells a reluctant Sancho to throw them money. After the crowd disperse, Don Quichotte himself serenades Dulcinée, "Quand apparaissent les étoiles" (When the stars begin to shine) but he is stopped by Juan, a jealous admirer of the local beauty. A sword fight follows, interrupted by Dulcinée herself. She is charmed by Don Quichotte's antique attentions, chides Juan for his jealousy and sends him away. The old man offers her his devotion and a castle. She suggests instead that he might retrieve a pearl necklace of hers stolen by Ténébrun, the bandit chief. He undertakes to do so, and Dulcinée quickly rejoins her men friends.
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to kill him, however Don
Quichotte's prayer "Seigneur, reçois mon âme, elle n'est pas méchante" (Lord receive my soul, it is not evil) moves Ténébrun, the bandit chief, to mercy. Don Quichotte explains his mission "Je suis le chevalier errant" (I am the Knight-errant), and the necklace is returned to him. The bandits ask for the blessing of the noble knight before he leaves.
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Dusk, Don
Quichotte believes they are getting close to the bandits. Sancho goes to sleep while Don Quichotte stands guard. The bandits suddenly appear and after a brief fight take the knight prisoner. Sancho escapes. Surprised by the defiance of the old man, the bandits give him a beating and intend
627:
A festival is being celebrated. Four hopeful admirers of Dulcinée serenade her from the street. Dulcinée appears and explains philosophically that being adored is not enough, "Quand la femme a vingt ans" (When a woman is twenty). She withdraws and a crowd, largely of beggars, acclaim the arrival of
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Music and dancing, a party is in progress, but Dulcinée is melancholy, "Lorsque le temps d'amour a fui" (When the time of love has gone). Rousing herself, she snatches a guitar and sings "Ne pensons qu'au plaisir d'aimer" (Think just of the pleasures of love). All retire to dinner. Sancho and Don
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A misty morning, Don
Quichotte and Sancho enter with Rossinante and the donkey. Don Quichotte is composing a love poem. Sancho delivers a grand tirade against their expedition, against Dulcinée, and against women in general. "Comment peut-on penser du bien de ces coquines" (How can anyone think
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A clear starry night, Don
Quichotte is dying. He remembers once promising Sancho an island as his reward, and offers him an isle of dreams, "Prends cette île" (Take that isle). Nearing death, Don Quichotte looks up at a star shining brightly above and hears the voice of Dulcinée calling him to
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anything good of those hussies). The mists disperse revealing a line of windmills that Don
Quichotte takes for a group of giants. To Sancho's horror, Don Quichotte attacks the first one, only to be caught up in one of the sails and hoisted up in the air.
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first performed in Paris in 1904. In this version of the story, the simple farm girl
Aldonza (Dulcinea) of the original novel becomes the more sophisticated Dulcinée, a flirtatious local beauty inspiring the infatuated old man's exploits.
331:, the opera has never been revived at the Met. It was performed by the Opera Company of Boston (staged and conducted by Sarah Caldwell) in 1974 (with Noel Tyl, Donald Gramm, and Mignon Dunn), and the New York City Opera in 1986.
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in
October 1924 was followed by over 60 performances during the succeeding quarter of a century; Arbell sang in the 1924 and 1931 runs, and Chaliapin appeared there in 1934, while the conductors included
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to be a three-act opera, Massenet started to compose it in 1909 at a time when, suffering from acute rheumatic pains, he spent more of his time in bed than out of it, and composition of
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who sang Dulcinée at the first performance. He was then 67 and died just two years later. The role of Don
Quichotte was one of the most notable achievements of the Russian
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in New York City performed it nine times in 1926, but after devastating reviews of those performances in particular, and criticisms of Massenet's music in general by
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was premiered in Monte Carlo on 19 February 1910, followed by stagings in Brussels that May, and Marseille and Paris in December 1910. Its première at the
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became, in his words, a sort of "soothing balm". In order to concentrate on that new work, he interrupted composition of another opera
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mounted a newly-staged production in 2016 with sets and costumes from the San Diego production., and the work was also staged by
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in Paris presented it in 1924 with Marcoux in the title role, Arbell and Fugère; Chaliapin sang it there in 1934. The
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Besides frequent and periodic revivals at Monte Carlo and in France, it was also shown with great success in Italy (
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This synopsis by Simon Holledge was first published on operajaponica.org and appears here by permission.
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Massenet identified personally with his comic-heroic protagonist, as he was in love with
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Don Quichotte, comédie héroique en cinq actes, poème de Henri Cain, d'après Le Lorrain
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Don Quichotte - Massenet page at the Encyclopédie de l'art lyrique français website
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730:"O mon maître, o mon grand!... Ecoute, mon ami" (Sancho, Don Quichotte) – act 5
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in 1974 and again in 1981, and Lyric Opera mounted the work again in 1993 with
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of Saint Petersburg staged a new production, also featuring Furlanetto. The
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224:. Despite its five acts, there is under two hours of music in the opera.
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in the lead roles. Marcoux reprised the title role in Chicago with
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another world. Then he collapses as Sancho weeps over his body.
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1173:, Vocal score (piano reduction), French and English libretto
30:
This article is about the opera. For other articles, see
727:"Riez, allez, riez du pauvre idéologue" (Sancho) – act 4
374:
as Quixote. The production was presented again in 1996.
397:
and Arutjun Kotchinian. The opera was performed at the
366:. The first revival in Britain since 1912 was given by
1090:. Vol. 1. London: Macmillan. pp. 1226–1228.
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600:
Gentry, Friends of Dulcinée, Ladies, Bandits, Crowds.
377:
More recently, it was staged in Paris in 2000 (with
165:. It was first performed on 19 February 1910 at the
724:"Lorsque le temps d'amour a fui" (Dulcinée) – act 4
313:received its premiere in Budapest in 1917, and the
1129:. New York: G. P. Putnam's Sons, pp. 875–876.
381:in the title role), in San Diego in 2009 starring
2266:Opera world premieres at the Opéra de Monte-Carlo
818:Robert C. Marsh, "150 Years of Opera in Chicago".
766:
2227:
1116:. New York: Blue Ribbon Books. pp. 193–194.
752:. New York: Greenwood Reprinting. p. 272.
721:"Quand la femme a vingt ans" (Dulcinée) – act 1
1043:. New York: Penguin Putnam. pp. 542–554.
2049:The Adventures of Don Coyote and Sancho Panda
1621:
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305:during the inaugural season of the Chicago
1753:Don Quichotte auf der Hochzeit des Comacho
1628:
1614:
1204:
1190:
1112:Upton, George P.; Borowski, Felix (1928).
829:Un demi-siècle d'Opéra-Comique (1900–1950)
56:
1164:International Music Score Library Project
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969:
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984:, and Le chef des bandits as a baritone.
976:, p. 1227, lists Sancho Panza as a
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350:sang the title role to great acclaim at
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66:for the first Paris production, at the
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849:plus Lawrence Gilman, review from the
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205:
1684:Dulcinea del Toboso / Aldonza Lorenzo
1609:
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834:
623:A square in front of Dulcinée's house
281:in New Orleans (27 January), and the
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707:A mountain pass in an ancient forest
1769:Don Chisciotte alle nozze di Gamace
1177:Review of 2009 San Diego production
1005:. L'Almanacco di Gherardo Casaglia
24:
1716:The Comical History of Don Quixote
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1105:
25:
2277:
2057:El Quijote de Miguel de Cervantes
2041:Zukkoke Knight - Don De La Mancha
1151:
1087:The New Grove Dictionary of Opera
451:La belle Dulcinée (The beautiful
427:Roles, voice types, premiere cast
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1590:
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293:on 27 January 1914 and featured
277:In 1912 it was presented at the
188:Le chevalier de la longue figure
186:. The immediate inspiration was
98:Le chevalier de la longue figure
1926:Don Chisciotte and Sancio Panza
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987:
955:
931:
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901:
800:: Massenet's Opera in London".
441:Premiere cast, 19 February 1910
405:in the title role. In 2012 the
2133:Alonso Fernández de Avellaneda
2006:The Man Who Killed Don Quixote
1745:Don Quichotte chez la Duchesse
1137:The Oxford Dictionary of Opera
892:. "Knight of pure spectacle",
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857:
854:on archives.metoperafamily.org
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790:
778:
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693:The garden of Dulcinée's House
13:
1:
2173:Pierre Menard, Author of the
1035:(2001). "Jules Massenet". In
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2166:The Truth about Sancho Panza
2145:List of works influenced by
1942:Don Quijote cabalga de nuevo
1664:Alonso Quixano / Don Quixote
949:, 2018 performance details,
845:Cast of the Met premiere of
401:in February/March 2011 with
32:Don Quixote (disambiguation)
7:
2256:Operas based on Don Quixote
1511:(arr. Leighton Lucas, 1974)
1041:The New Penguin Opera Guide
607:
389:, in 2010 in Brussels with
287:Chicago Grand Opera Company
10:
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1966:Don Quixote, Knight Errant
1761:Sancho Pança dans son isle
993:Casaglia, Gherardo (2005).
787:accessed 13 November 2022.
120:19 February 1910
29:
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1870:Incident from Don Quixote
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1366:Le jongleur de Notre-Dame
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916:, 4 September 1996, p. 34
831:Paris: André Bonne, 1953.
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417:in Sydney in March 2018.
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75:
55:
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39:
2236:Operas by Jules Massenet
1114:The Standard Opera Guide
1058:Massenet, Jules (1910).
898:, 10 October 1994, p. 14
748:Massenet, Jules (1970).
701:
687:
673:
648:
617:
420:
338:in 1928, Turin in 1933 (
2159:The History of Cardenio
2084:La Leyenda de la Mancha
1905:(1955–1969, unfinished)
1135:and West, Ewan (1992),
1126:The Complete Opera Book
803:The Manchester Guardian
27:Opera by Jules Massenet
2241:French-language operas
670:
669:as Sancho, Paris 1910.
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411:Lyric Opera of Chicago
370:in October 1994, with
368:English National Opera
352:Lyric Opera of Chicago
346:premiere was in 1969.
210:Conceiving originally
1674:Cide Hamete Benengeli
1654:imaginary characters,
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634:
564:Chief of the Bandits
190:, a play by the poet
18:Don Quichotte (opera)
2178:" (1939 short story)
2168:" (1931 short story)
1798:The Impossible Dream
1579:Cercle Funambulesque
1326:Le portrait de Manon
1224:List of compositions
980:role, Dulcinée as a
805:, 18 May 1912, p. 12
583:Thiriat & Borie
395:Ferruccio Furlanetto
393:and in Palermo with
383:Ferruccio Furlanetto
360:Jean-Philippe Lafont
289:) took place at the
244:Opéra de Monte-Carlo
167:Opéra de Monte-Carlo
131:Opéra de Monte-Carlo
2261:Operas set in Spain
2014:He Dreams of Giants
1974:Honor de cavalleria
1637:Miguel de Cervantes
1508:L'histoire de Manon
868:"Opera: Massenet's
643:Alexandre Jacovleff
429:
250:Performance history
206:Composition history
184:Miguel de Cervantes
64:Georges Rochegrosse
2191:Super Don Quix-ote
1689:Ginés de Pasamonte
1254:Don César de Bazan
945:2019-04-10 at the
877:The New York Times
671:
654:In the countryside
646:
425:
344:Baltic State Opera
319:Metropolitan Opera
309:in December 1929.
291:Auditorium Theatre
283:London Opera House
279:French Opera House
192:Jacques Le Lorrain
103:Jacques Le Lorrain
2201:
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2194:(1984 video game)
2183:Monsignor Quixote
2089:Molinos de viento
1958:Lost in La Mancha
1603:
1602:
1097:978-1-56159-228-9
1068:). Paris: Heugel.
1066:piano–vocal score
1003:19 February 1910"
843:Laurence Gilman,
827:Wolff, Stéphane.
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407:Mariinsky Theatre
372:Richard Van Allan
307:Civic Opera House
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16:(Redirected from
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1934:Man of La Mancha
1796:(1964 musical, "
1793:Man of La Mancha
1724:Double Falsehood
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1572:Related articles
1536:Incidental music
1481:La Terre Promise
1457:Marie-Magdeleine
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1145:0-19-869164-5
1142:
1139:, 782 pages,
1138:
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491:Sancho Panza
391:José van Dam
379:Samuel Ramey
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356:Samuel Ramey
340:Teatro Regio
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157:to a French
146:
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97:
2251:1910 operas
2147:Don Quixote
2115:Don Quixote
2107:Don Quixote
2065:Don Quixote
1998:Don Quixote
1990:Don Quixote
1982:Donkey Xote
1950:Don Quixote
1910:Don Quixote
1902:Don Quixote
1894:Don Quixote
1886:Don Quixote
1878:Don Quixote
1862:Don Quixote
1839:Don Quixote
1816:Don Quixote
1777:Don Quixote
1727:(1727 play)
1719:(1694 play)
1656:and animals
1645:(1605/1615)
1642:Don Quixote
1554:Other works
1294:Esclarmonde
974:Milnes 1992
910:. "Opera",
872:is revived"
773:Milnes 1992
716:Noted arias
575:Two valets
472:Don Quixote
464:Lucy Arbell
443:Conductor:
403:John Relyea
299:Mary Garden
229:Lucy Arbell
195: [
179:Don Quixote
172:Massenet's
147:Don Quixote
106: [
2230:Categories
2025:Television
1808:Orchestral
1562:Méditation
1358:Grisélidis
1350:Cendrillon
964:, p.
735:References
570:Delestang
540:Rodriguez
445:Léon Jehin
437:Voice type
163:Henri Caïn
124:1910-02-19
80:Henri Caïn
76:Librettist
62:Poster by
2153:Quixotism
1735:Opera and
1699:Rocinante
1679:Clavileño
1473:La Vierge
1449:Oratorios
1430:Cléopâtre
1270:Hérodiade
1076:(1992). "
913:The Times
895:The Times
579:baritones
525:Garcias (
459:contralto
303:Coe Glade
2087:(1998, "
1918:Dulcinea
1596:Category
1519:Concerto
1374:Chérubin
1123:(1976).
943:Archived
608:Synopsis
598:Chorus:
535:Brielga
532:soprano
527:travesti
509:travesti
497:baritone
489:Sancho (
453:Dulcinea
242:for the
159:libretto
149:) is an
116:Premiere
94:Based on
86:Language
2175:Quixote
2126:Related
2091:" song)
1846:, 1869)
1823:, 1898)
1800:" song)
1737:musical
1492:Ballets
1422:Panurge
1398:Bacchus
1390:Thérèse
1310:Werther
1302:Le Mage
1084:(ed.).
1039:(ed.).
1026:Sources
851:Tribune
591:spoken
567:spoken
520:Brienz
516:soprano
506:Pedro (
336:Catania
325:in the
221:Bacchus
122: (
70:in 1910
2246:Operas
2206:Portal
2017:(2019)
2009:(2018)
2001:(2015)
1993:(2010)
1985:(2007)
1977:(2006)
1969:(2002)
1961:(2002)
1953:(2000)
1945:(1973)
1937:(1972)
1929:(1968)
1921:(1963)
1913:(1957)
1897:(1947)
1889:(1933)
1881:(1923)
1873:(1908)
1865:(1903)
1831:Ballet
1748:(1743)
1694:Ricote
1528:(1902)
1503:(1904)
1500:Cigale
1484:(1900)
1476:(1880)
1468:(1875)
1460:(1873)
1441:(1922)
1438:Amadis
1433:(1914)
1425:(1913)
1417:(1912)
1409:(1910)
1401:(1909)
1393:(1907)
1385:(1906)
1382:Ariane
1377:(1905)
1369:(1902)
1361:(1901)
1353:(1899)
1345:(1897)
1337:(1894)
1329:(1894)
1321:(1894)
1313:(1892)
1305:(1891)
1297:(1889)
1289:(1885)
1286:Le Cid
1281:(1884)
1273:(1881)
1265:(1877)
1257:(1872)
1249:(1867)
1238:Operas
1143:
1094:
1080:". In
1047:
1001:
756:
556:tenor
89:French
2220:Opera
2076:Album
1708:Stage
1342:Sapho
1318:Thaïs
1278:Manon
702:Act 5
688:Act 4
674:Act 3
649:Act 2
618:Act 1
553:Juan
544:tenor
433:Role
421:Roles
199:]
151:opera
110:]
46:Opera
1854:Film
1414:Roma
1141:ISBN
1092:ISBN
1045:ISBN
754:ISBN
478:bass
385:and
362:and
297:and
270:and
233:bass
2099:Art
1639:'s
1465:Ève
641:by
182:by
161:by
101:by
48:by
2232::
968:;
874:,
866:,
836:^
811:^
529:)
512:)
493:)
474:)
455:)
358:,
274:.
266:,
246:.
197:fr
169:.
108:fr
2208::
2171:"
2164:"
1842:(
1819:(
1629:e
1622:t
1615:v
1205:e
1198:t
1191:v
1147:.
1100:.
1064:(
1053:.
1009:.
999:,
995:"
966:8
796:"
775:.
762:.
145:(
126:)
34:.
20:)
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