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Double feature

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409: 193: 289:) at a flat rate. Once Nicholson and Arkoff combined two features into a program, sold as a double bill, with each picture given equal billing in the advertising and backed up with an explosive advertising campaign, theaters were willing to exhibit them on a percentage basis. The exhibitors may have kept a larger share of the box office than the major distributors demanded, but AIP's share of the box office was enough to keep it from going out of business. 165:
running a double feature won out over a higher-priced first-run theatre with only one feature film. The major studios took note of this, and began making their own B features using the technicians and sets of the studio and featuring stars on their way up or on their way down. The major studios also
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Theater owners decided they could both attract more customers and save on costs if they offered two movies for the price of one. The tactic worked; audiences considered the cost of a theater ticket good value for several hours of escapist and varied entertainment and the practice became a standard
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The double bill was sold on a percentage basis and each feature was given equal billing in newspaper advertisements and promotional materials. Since the trailers and advertising promoted the two titles, exhibitors were discouraged from separating the features in the package. To distributors and
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The end of the first-run double feature also saw the end of continuous screenings, an exhibition policy where a theater opened at 10:30 or 11:00 AM and ran the program without breaks until 12:00 midnight. Customers bought tickets and entered the theater at any time during the program.
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By the mid-1960s, double features had been mostly abandoned in non–drive-ins in favor of the modern single-feature screening, in which only one feature film is exhibited. However, double bills of popular series that had previously been run as a single feature, such as the
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In 2022, Russian cinema launched double features with American and Russian movies. The first film is a Hollywood blockbuster, it designated as "free pre-feature service". The second film, designated as main feature, is Russian patriotic propaganda movie or
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Opera houses staged two operas together for the sake of providing long performance for the audience. This was related to one-act or two-act short operas that were otherwise commercially hard to stage alone. A prominent example is the double-bill of
557:, due in July, would be released as a double feature, though both films are actually "versions" of each other, with differences related to plot points and character designs varying between the version being watched. 342:, reference the practice in their opening song "Science Fiction/Double Feature" and are largely inspired by B movies presented in these showings. The movie itself was and still is often shown as a double feature with 62:
industry phenomenon in which theatres would exhibit two films for the price of one, supplanting an earlier format in which the presentation of one feature film would be followed by various short subject reels.
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exhibitors, it was a substantially different policy than the standard double feature in that it was not a top-billed A feature combined with a minor-billed support feature sold at a flat rate (a
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cartoon shorts were created to be shown as preludes to other Disney films, in an effort to revive the viewing of cartoon shorts before major films. Only three were made and the scheme failed.
727: 584:" phenomenon. The two films – which were noted for their tonal and genre contrast – were released on July 21 in the United States and several other countries. 396:
cassettes that contained two films on the same tape (with the second often a sequel to the first) were described as "double features," a practice that was later extended to
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The double feature originated in the later 1930s. Though the dominant presentation model, consisting of all or some of the following, continued well into the 1940s:
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in the mid-1950s to produce and distribute low-budget features. They discovered exhibitors were only interested in buying their pictures as supporting features (a
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received critical acclaim, it was a complete financial flop in the United States. The films were screened individually in international markets and on DVD.
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Following the Supreme Court ruling of 1948, known as the Paramount Consent Decree, the source for the second feature changed. The second feature could be:
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Although the double feature put many short comedy producers out of business, it was the primary source of revenue for smaller Hollywood studios, such as
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With the widespread arrival of sound film in American theaters in 1929, many independent exhibitors began dropping the then-dominant presentation model.
857: 88:. The two operas have since been frequently performed as a double-bill, a pairing referred to in the operatic world colloquially as "Cav and Pag". 249:, still expected a program of two features. In 1948, nearly two-thirds of the movie houses in the United States were advertising double features. 184:
In 1910, double features were banned in France. The ban was lifted in 1953 but with one of the features having to be more than 10 years old.
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films generally feature a short, for example), but the double feature is now effectively extinct in first-run movie theaters in the U.S.
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Without block booking, the studios no longer had an incentive to make their own B-features. But audiences at first-run
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More recently, double features of re-released popular films hit the big screen. The first was of the re-release of
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While most cinemas have long discontinued the practice of showing the double feature, it has nostalgic appeal. The
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an older feature re-released from firms that specialised in acquiring and re-releasing older films such as
537: 543: 1150: 958: 790:[Russian movie theatres screen films with no distribution certificates. What is happening?]. 714: 413: 1545: 1540: 1202: 995: 985: 489: 350: 197: 762:"Кинотеатры начали показ голливудских новинок под видом «бесплатного предсеансового обслуживания»" 1443: 1140: 601: 381: 20: 740: 1416: 1385: 1351: 1328: 1316: 46: 1436: 1192: 1135: 900: 339: 1278: 1177: 931: 531: 242: 162: 146:
In the typical 1930s double bill, the screening began with a variety program consisting of
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History of the American Cinema: American Cinema in the 1940s. Boom and Bust Volume 6
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houses continue to show two films, usually related in some way, back to back.
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This article is about film programming. For Susan Stroman's 2004 ballet, see
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Another recent double feature was the Duel Project, when Japanese directors
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Victini and the Black Hero: Zekrom and Victini and the White Hero: Reshiram
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created competing films to be shown and voted on by the premier audience.
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The double feature arose partly because of a studio practice known as "
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in order to replicate the experience of viewing a double feature in a
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in select theaters. In February 2011, it was announced that the 14th
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theater in Palo Alto, California, presented simultaneous viewings of
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Short films still occasionally precede the feature presentation (
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in select theaters. The next double feature was a re-release of
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on June 29, 2010, shortly before the midnight screening of
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In 2023, many theaters began offering double features for
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suffered a downturn in business in the early years of the
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that started on October 2, 2009, before the release of
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a low-budget feature contracted from a smaller studio.
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along with the more desirable A-movies. In 1948, the
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Index

Double Feature (ballet)
American Horror Story: Double Feature

American International Pictures
Die, Monster, Die!
Planet of the Vampires
motion picture
Pagliacci
Cavalleria rusticana
Met
animated cartoon
short subject
newsreel
feature film
Movie theaters
Great Depression
trailers
newsreel
B movie
neighborhood theatre
film series
Republic
Monogram

Astor Theatre
Melbourne
block booking
tying
B-movies
U.S. Supreme Court

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